- hace 3 días
Reparto: Gracita Morales, José Luis López Vázquez, Irene Gutiérrez Caba, Antonio Ferrandis, José Sacristán, José Alfayate, Margot Cottens, Mary Begoña, Marisol Ayuso, María Isbert, Rubén García, Erasmo Pascual, Ana María Morales, Mario Morales, Xan das Bolas, Francisco Acosta
Dirección: Mariano Ozores
Sinopsis: Vicenta (Gracita Morales), una pueblerina que llega a Madrid para trabajar de sirvienta, no tiene suerte y no termina de establecerse como empleada en ninguna casa decente. En una visita al médico se enamora locamente de su hijo y por ello decide quedarse a trabajar en su casa, pero el muchacho (José Sacristán), pese a las atenciones de Vicenta, no parece corresponderle. Mientras tanto, Manolo (José Luis López Vázquez), un primo de Vicenta que trabaja como enfermero, se dedica a embaucar a varias muchachas trabajadoras que le entregan su sueldo todos los meses porque les ha prometido comprar un piso antes de casarse con ellas.
Dirección: Mariano Ozores
Sinopsis: Vicenta (Gracita Morales), una pueblerina que llega a Madrid para trabajar de sirvienta, no tiene suerte y no termina de establecerse como empleada en ninguna casa decente. En una visita al médico se enamora locamente de su hijo y por ello decide quedarse a trabajar en su casa, pero el muchacho (José Sacristán), pese a las atenciones de Vicenta, no parece corresponderle. Mientras tanto, Manolo (José Luis López Vázquez), un primo de Vicenta que trabaja como enfermero, se dedica a embaucar a varias muchachas trabajadoras que le entregan su sueldo todos los meses porque les ha prometido comprar un piso antes de casarse con ellas.
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CortometrajesTranscripción
00:01:56There you have it.
00:01:58120 kilos of muscle and 40 grams of brain.
00:02:00He is man, the master and lord of the Quaternary world.
00:02:02Although it may not seem like it, he is happy.
00:02:04because it is the only inhabitant on Earth.
00:02:06A free being.
00:02:08But as soon as he had a brother, as soon as there were two men in the world, freedom ended.
00:02:12One worked for the other.
00:02:14The strong prevailed over the weak.
00:02:16Well, sometimes the weak one isn't the one who appears at first glance.
00:02:20And maybe you should go shopping a little earlier next time, you idiot.
00:02:30Yes, sir.
00:02:32The first slave had been born.
00:02:34From him descended those thousands upon thousands of slaves who built the pyramids of Egypt,
00:02:38Because the Pharaoh said one day...
00:02:40I'm going to build a mausoleum to my liking.
00:02:42You'll see how cute it might be.
00:02:44Hey, what a silly thing to say, you.
00:02:46And those who rowed in the Roman galleys for the greater glory of a Scipio
00:02:50of those who started inventing that thing about la dolce vita.
00:02:56And those who fought in the Middle Ages as serfs
00:02:59against the invader who had the intentions of a Miura bull.
00:03:03And sometimes, it's not just the intentions.
00:03:06Later, the slaves were transported on slave ships.
00:03:10to be sold as human flesh.
00:03:12But the story of slavery does not end here.
00:03:15There are still slaves in our time.
00:03:17Although they no longer travel on slave ships, but on the mail service of Extremadura.
00:03:21This is the last example of a slave.
00:03:23The maid.
00:03:24Her name is Vicenta Berruguillo Ptolomé,
00:03:26native of Villarrioso, province of Cáceres.
00:03:28Come on!
00:03:29Come on!
00:03:30Come on!
00:03:31Come on!
00:03:32Come on!
00:03:34Come on!
00:03:35Come on!
00:03:36Come on!
00:03:37Come on!
00:03:38Come on!
00:03:39Come on!
00:03:40Come on!
00:03:41Come on!
00:03:42Come on!
00:03:43Come on!
00:03:44Come on!
00:03:45Come on!
00:03:46Come on!
00:03:47Come on!
00:03:48Come on!
00:03:49Vicenta, the slave.
00:03:50Upon arriving in Madrid, I encountered certain difficulties.
00:03:51For example, when ironing.
00:03:52Come on!
00:03:53Come on!
00:04:12Vicenta, the slave.
00:04:14Upon arriving in Madrid, I encountered certain difficulties.
00:04:16For example, when ironing.
00:04:22Lady!
00:04:23Lady!
00:04:24Lady!
00:04:25What's up, Vicenta?
00:04:26Does the young man wear short or long underwear?
00:04:27Naturally short!
00:04:28Because?
00:04:29Because his whole crotch will be showing!
00:04:31Hahaha!
00:04:32He also had difficulty setting the table.
00:04:33Because his whole crotch will be showing!
00:04:34Hahaha!
00:04:35Naturally short!
00:04:36Ha ha ha!
00:04:37Because his whole crotch will be showing!
00:04:38Hahaha!
00:04:39Hahaha!
00:04:40He also had difficulty setting the table.
00:05:10When Vicenta arrived in the capital, she only knew the first letters, from A to F, the four basic rules, and that Madrid was to the right as you went up.
00:05:33But after three months...
00:05:35Yes, Mr. Martinez, yes.
00:05:37Yes, I am sorry, Mr. Harrington.
00:05:41And so?
00:05:45Yes, yes.
00:05:47Of course, yes.
00:05:49Wow, you're such a plasma hunter, Mr. Martinez, of my life.
00:05:54Yes, yes.
00:05:57Let's go for my mother, that's right.
00:06:00Vicenta.
00:06:01My name is!
00:06:02No, it's not you, Mr. Martinez, no.
00:06:05Excuse me, please.
00:06:08Thank you.
00:06:10See you tomorrow.
00:06:15Oh, there you go.
00:06:16I haven't told you that I don't want visits, phone calls, or boyfriends.
00:06:19It was the one from the commissary.
00:06:21It was that Verpas of your boyfriend.
00:06:23The stretcher bearer.
00:06:24The stretcher bearer is not my boyfriend, he's my cousin.
00:06:27Right?
00:06:28Through my uncle, who is his father, who is my cousin.
00:06:32Well, whoever it is.
00:06:33Show some respect, this is a decent house, and I am a lady.
00:06:37Or am I not a lady?
00:06:38Yes, Mr.
00:06:39Salinton.
00:06:40And my husband, an American sergeant, cultured, formal, clean, who is a little bit black.
00:06:49I admit it.
00:06:50More like completely black.
00:06:53And what was Friar Escoba?
00:06:54And the Maharaja of Caputala?
00:06:56And Eusebio?
00:06:58That's fine too.
00:07:00Take that photo.
00:07:03I already know her.
00:07:05It doesn't matter.
00:07:07What do you see?
00:07:07The lady dressed as a bride.
00:07:09Dressed in white, with four kilos of luck on my arm, a gift from my former colleagues at Pasapoga.
00:07:14I've always believed it plugs in.
00:07:16And what do I have next to me?
00:07:18A flowerpot.
00:07:19To the other one.
00:07:20The black one.
00:07:21Newlyweds, in the church, as God commands.
00:07:24Oh, and with an organ.
00:07:30I am a married lady, educated, proper and very decent.
00:07:39And I remember the father of anyone who doesn't acknowledge me.
00:07:43The servant and her modesty are recognized.
00:07:46Lady.
00:07:47Hey?
00:07:47That's what you call a lady.
00:07:49Is the salary recognized?
00:07:51Lady.
00:07:52The lady who sounds a lot.
00:07:54Yeah.
00:07:55Lady.
00:07:57Oh, really?
00:07:57I'll approach with a bush.
00:07:59Lady.
00:08:00There, there.
00:08:02With the highway horn.
00:08:03And don't delay.
00:08:04Okay.
00:08:05I'm flying.
00:08:08Lady.
00:08:09Sound.
00:08:22Sound.
00:08:30Selector.
00:08:32But he's crazy, a human life is in danger and you've made a fool of yourself.
00:08:47How many pieces of meat did I take off? Okay, I'll pass.
00:08:49An ambulance has priority, man, don't you know that?
00:08:51But what?
00:08:52That's the rule, right?
00:08:53You're doing well.
00:08:54But, man, it's not like you're crazy.
00:08:56The traffic in Madrid is ready, the fools to the fire, I'm telling you.
00:09:01You can't say I lost, it's just the traffic.
00:09:23Today you've got the handsome one on top of the world, Pichurri.
00:09:24My name is Felisa.
00:09:25But I like Pichurri better, he's more affectionate.
00:09:27Okay, so, you brought that?
00:09:28Here, take two thousand five hundred of your salary and forty duros in tips from the young master.
00:09:34Because I iron his pants and deliver letters to his girlfriend.
00:09:37Don't go believing anything else.
00:09:38No, I don't believe any of it, and besides, anything that's for the apartment.
00:09:41Well, it's not like I'm going through all sorts of trouble, much less forty pesetas, that would corrupt me.
00:09:45Yes, but we are.
00:09:45But it's our apartment that's at stake.
00:09:47And when are we going to see it?
00:09:48What, the floor?
00:09:49Ah, they started measuring the land yesterday.
00:09:51Well, they've been together for a year.
00:09:52No, because they make them with care; they're not like those apartments nowadays that sneeze and jump into the park, right?
00:09:59If only I had the desire I have for them to finish it and for us to get married.
00:10:02Oh, I...
00:10:03Because I love you, Manolo, and I give you everything I earn for the apartment.
00:10:09Eighteen thousand two hundred and seventeen pesetas.
00:10:11Manolo, we're late.
00:10:18Time passes by when I'm with you, I don't even notice, we'll talk later.
00:10:21I'll call you tomorrow, Pichurri.
00:10:23Uh, eighteen thousand two hundred and seventeen, Manolo.
00:10:26Yes, Pichurri, with the two in front.
00:10:28See you tomorrow, Pichurri.
00:10:32Goodbye, Pichurri.
00:10:34Okay, good luck.
00:10:38Pichurri.
00:10:41You won't say you're sick.
00:10:57It's because you're in traffic.
00:10:59Today you have something for his life, Pichurri.
00:11:00Don't call me Pichurri, it makes me feel like a poodle.
00:11:02If it's a cuddly mountain, Pichurri.
00:11:04Well, we have ponytails today, right?
00:11:06Yes, a big leaf.
00:11:08Take.
00:11:08Three thousand in salary, five hundred in excise taxes.
00:11:10But?
00:11:10And one hundred and fifty pinches.
00:11:13What's this about pinching?
00:11:13The ones the lady's father gives me.
00:11:15He charges them five pesetas.
00:11:17But you're crazy, how dare you do that?
00:11:19Let me be pinched?
00:11:19No, charging five cents for them, that's what got you, babe.
00:11:22I do everything for our apartment, when we inaugurated it, beautiful.
00:11:25Oh, well, there isn't one left, imagine, they're in the foundations.
00:11:28Oh, well, they better put up the flag soon, because when I see you, I can't be held responsible for myself, dark-skinned one.
00:11:33No, no, no, not here, you crazy woman, I'm in uniform and I can't.
00:11:36Because?
00:11:37Because I have the buttons on my back.
00:11:38End of line.
00:11:45Goodbye, little one!
00:11:47Goodbye, little one!
00:11:54Goodbye, little one!
00:11:56Hey, where are you going!
00:12:09Well, they called us on the phone about the injured person.
00:12:12Yes, three hours ago.
00:12:13It's because of the traffic, he won't say it took him a while.
00:12:15Today you have the handsome Swiss guy, little one.
00:12:17Let me tell you, what happened?
00:12:18Well, it was a neighbor who broke his leg, but he's already gone to the clinic.
00:12:23And how did he leave like that with a broken leg?
00:12:25Taking a walk.
00:12:26Well, at least he could have taken the queen to the next one.
00:12:29Chuflas on top, man!
00:12:31You've forgotten the pasteurization again.
00:12:59That's right, I'll bring it later.
00:13:01But Ligerito, these Americans, if they don't have milk with dinner, do they just have coffee?
00:13:07Go ahead, Pepe.
00:13:14Who is it?
00:13:15Manolo, for your father's sake!
00:13:17Who is it? I ask, who is it?
00:13:19I'm not answering because I can't breathe.
00:13:22Not you, Vicenta, not you.
00:13:24Again!
00:13:25You're my cousin, and my cousin doesn't get lost in Madrid.
00:13:28Because you give me a plan.
00:13:29Because I'll slap you so hard you'll remember me for the rest of your life.
00:13:33Your father has appointed me as your guardian.
00:13:36And you, young lady, came from Villarrioso.
00:13:38And you return to Villarrioso like a melon without a cold.
00:13:42I am now of legal age.
00:13:43Women are not of legal age until they turn 50.
00:13:46And by the way, is this a decent house?
00:13:54Come on...
00:13:55Like all of them?
00:13:56No way.
00:13:57In decent houses, ladies wear yellow linen underwear.
00:14:00And do your own thing.
00:14:02And you be very careful.
00:14:04There are a lot of scoundrels out there.
00:14:05You shameless person who only wants to take advantage of unfortunate people like you, who are unfortunate.
00:14:11And that guy at the door was a face that wanted to say...
00:14:13It was the milkman!
00:14:15Do you really think people read the milkman's stuff?
00:14:19That scoundrels exist everywhere.
00:14:22I've talked to you about buying an apartment to get married in, right?
00:14:24Right?
00:14:25It's a trick.
00:14:26Right?
00:14:26Oh, but he's married with six children and eight cows, Manolo.
00:14:31Well, that's exactly why.
00:14:32Being married with children, it's not decent to have eight cows under the same roof.
00:14:35Please.
00:14:36That?
00:14:36Where do they keep the legumes?
00:14:37Oh, I don't know, ma'am.
00:14:39I don't work here.
00:14:39Oh, sorry.
00:14:41Also, if it's not quiet, can you find me another house?
00:14:43That's another one.
00:14:44You don't stop anywhere.
00:14:45You look like a bad-seated poop.
00:14:47Where do you keep the ribs, please?
00:14:50Underneath the shirt, ma'am.
00:14:51I don't know.
00:14:59Oops!
00:15:00Oh, please!
00:15:01Excuse me, miss.
00:15:03What should they focus on more today?
00:15:04I'm going to graze them.
00:15:06Excuse me, Mrs. Van Newton.
00:15:08Oh, excuse me, no.
00:15:10It doesn't matter, Vicenta.
00:15:12Oh, do they know each other?
00:15:14Yes, Mrs. Van Newton is a friend of my wife.
00:15:16Here's my cousin.
00:15:17But my real cousin.
00:15:18Go on, tell him that your father, my father...
00:15:21Yes, yes, ma'am, brothers, my brothers.
00:15:25When you say it, it will be true.
00:15:28What would this be about?
00:15:29Phew!
00:15:31Smell it, at least.
00:15:33Let me through.
00:15:34Let me through, let me pass.
00:15:37Leave me alone, leave me alone, leave me alone, leave me alone.
00:15:39And what are you doing here?
00:15:41The purchase is so subtle you can't even tell.
00:15:44Ah, but you do the shopping yourself, like a maid.
00:15:47Because I am a maid.
00:15:49No, daughter.
00:15:50You are a domestic worker.
00:15:53Oh, you're so right.
00:15:55I'm telling you this all the time.
00:15:56Maid is a derogatory term.
00:15:58It's clear you haven't heard of liberty, equality, and fraternity.
00:16:04Yes, it's a song by Masiel.
00:16:06No, that's...
00:16:06Hallelujah, hallelujah, hallelujah!
00:16:09I'm talking about the storming of the Bastille.
00:16:12For a cold?
00:16:13No, not a pill, more hem.
00:16:15Ah!
00:16:15Well, to be honest, daughter, I feel sorry for you because you work in a small house.
00:16:20Hey, what's this about the little house?
00:16:22Can you tell me where the... are?
00:16:23Lettuce is over there!
00:16:24Tripe down, brains up, and cheeses in portions inside because of the heat!
00:16:28Good afternoon, ma'am!
00:16:30Yes, yes, I'm here now.
00:16:31What did he say about the little house?
00:16:32If it's because the dark wind blows, it's only on Saturday nights.
00:16:36For them, the Saturday notice board is a tradition.
00:16:39So, Mistress Allington...
00:16:41She's a close friend of mine, and it's not right for one of us to talk.
00:16:43But to begin with, don't call her Mr. Allington.
00:16:46Call it the cajetilla, which is what all the cabarets in Madrid knew it as.
00:16:50Just a moment, just a moment, we're going to park here.
00:16:53Blue zone.
00:16:5312, 30.
00:16:54That way they don't give us much.
00:16:56Excuse me, why? Why the pack?
00:16:57Because to talk to a man, the first thing she asked for was a pack of Chester cigarettes.
00:17:01Don't tell me I use it.
00:17:02Come on, she was a professional, you understand?
00:17:04Oh, you can't be this, Vicenta, you just can't.
00:17:06Vicenta, now comes the morbid part!
00:17:09I went out into the street, I met a man and...
00:17:11Censored, Vicenta, this is censored!
00:17:12I won't tell you more, she was kicked out of several hotels for stealing towels.
00:17:16Oh, mother!
00:17:18But where have you gone, you wretch? You're already packing your bags.
00:17:21And where do I go?
00:17:25Ah! Don't worry about that.
00:17:28Coincidentally, I fired my housekeeper on Monday.
00:17:31So, if you want to come to my house...
00:17:33Thank you so much, ma'am, thank you so much.
00:17:35Of course we'll go, that goes without saying.
00:17:36Don't worry, we'll go, of course.
00:17:37Normal conditions.
00:17:39Three thousand, two outputs, all mechanized, television and transistor in service, in short, the normal.
00:17:46Done, good.
00:17:47Okay, done.
00:17:47Okay, done.
00:17:48It's nice, ma'am.
00:17:49Oh, hey!
00:17:50Don't tell the cigarette pack that I told you that...
00:17:53Don't worry, we'll make up an excuse.
00:17:54I always come up with very natural excuses.
00:17:59Honestly, I'm glad to see you open your eyes, because that charm is just like her father.
00:18:06Grace of my life!
00:18:07Oh, chafi!
00:18:09Come in, come in.
00:18:10Yeah.
00:18:12Geneva Rutherford is there, the wife of your husband's and my husband's boss.
00:18:16Okay, then we have to lose.
00:18:18Let's see.
00:18:20Happens.
00:18:21Exactly, no, he wants us to give him letters, dear.
00:18:27Oh, yes, yes, Geneva!
00:18:29Do you really think it bothers me when he calls me "darling"?
00:18:31Woman, he's telling you nicely.
00:18:33It's because they've called me so many times in a nasty way.
00:18:36They know each other, right?
00:18:37Oh, yes, yes!
00:18:39Here you have, Geneva, a nedoyar, seventy pelas.
00:18:43Oh, the fights!
00:18:44Thank you so much, dear.
00:18:47And so on.
00:18:48Is it near Jureme?
00:18:49No, thank you, I dreamed before.
00:18:53Well, we have a club, a club, but a club, women only, like in Cincinnati.
00:19:00Cincinnati is my town.
00:19:03Every Saturday afternoon, we hold conferences.
00:19:07I speak, everyone speaks.
00:19:11Next Saturday, your conference.
00:19:13Can you?
00:19:15I?
00:19:15Very kind, but I don't know, what can I possibly talk about?
00:19:22Oh, last week I spoke on Chinese Tradition and Mao's Revolution.
00:19:29Ah, Mao!
00:19:31Mao!
00:19:32Cat theme.
00:19:34Oh yes, yes, yes!
00:19:35Very funny.
00:19:37I think you can speak for these...
00:19:40Oh, yes.
00:19:43Problems of prostitution in the country.
00:19:47Okay?
00:19:52Well, I don't know anything about that, ma'am.
00:19:55Sure, man.
00:19:57Chones, women, knew prostitution, olipurridas, provejos.
00:20:04I wonder what you did in Cincinnati.
00:20:10Some of you want a little bit of...
00:20:13Pom, pom, pom!
00:20:14Oh my God, you're making us all messy!
00:20:16But woman, that siphon is delicious!
00:20:18How delicious, how delicious!
00:20:19Yes, the dream bird sea is very cool!
00:20:21It's very good for grisque!
00:20:22You have to see that, girl!
00:20:23Oh my God, they really turn you on!
00:20:24Aha, aha!
00:20:26Aha!
00:20:28What are you doing there?
00:20:30I have typhus!
00:20:32Oh, mother!
00:20:33That?
00:20:34Yes, ma'am.
00:20:35I have typhus and I'm leaving so I don't infect him.
00:20:38Like typhus?
00:20:42Who told you that?
00:20:44How should I know?
00:20:45Will you have a fever?
00:20:46No, it's not necessary.
00:20:48I look in the mirror and say, typhus is here.
00:20:50And that's it.
00:20:51Neither typhus nor bagpipes.
00:20:52If you wanted to leave, you could have started there.
00:20:55What's happening?
00:20:56The jebo, right?
00:20:58If you're referring to my cousin.
00:21:00What is your cousin?
00:21:01Because you say so.
00:21:02Because he looks like a cocky kid.
00:21:04Engracia a la Ginebra.
00:21:06Let them bottle it!
00:21:07She's the eldest's wife!
00:21:08Even if it's the minor's problem!
00:21:10Domestic questions.
00:21:12Oh, yes, really.
00:21:14That happens in America too.
00:21:16But with husbands.
00:21:17They are the ones who wash dishes.
00:21:20Is something wrong with you?
00:21:23I know the maids very well.
00:21:27First of all, I am not a maid.
00:21:30I am a domestic worker.
00:21:33Or haven't you heard about taking the pill?
00:21:36And of those three words so famous throughout the world, libertén, calamitén and que te den.
00:21:46Oh!
00:21:47What you have to hear.
00:21:49Did you hear that, Lindon B?
00:21:51And that's what our men are giving their lives for in Vietnam.
00:21:55So that some idiot can come along and tell an American lady like me...
00:21:58You don't even have the lining of an American jacket.
00:22:01And as a lady, according to what her identity card says, where it says profession, they haven't put her chores.
00:22:08Who do you think you're talking to, you shameless person?
00:22:11With the pack.
00:22:12Oh, mother!
00:22:13That you were advertised in all the horse stables of Madrid until you caught the black man.
00:22:17Oh, oh, oh!
00:22:19And he's been kicked out of several hotels for stealing towels.
00:22:21Me?
00:22:23But you're with the police.
00:22:24Oh!
00:22:25I believe we can talk about prostitution.
00:22:29So you get through it however you can.
00:22:33Come on.
00:22:35But why are you asking her?
00:22:36Because honest and decent people must stand together.
00:22:39And I'm going to serve at his house.
00:22:42Girl, so she's the one who told you all that about me.
00:22:45It has opened my eyes.
00:22:47And I'm going to shut them up with a slap.
00:22:49Gasoline!
00:22:50By grace or by grace!
00:22:51Gasoline!
00:22:52Yes, because they used to call me the cigarette pack.
00:22:53But this one, the gasoline.
00:22:55Because the radio's fuel dispensers were being worked on.
00:22:58And in a green Opel Captain, you hooked up with Lieutenant Brown.
00:23:01Shut up, poison!
00:23:02I don't feel like it!
00:23:04The maid was making me laugh by pretending to be a cloistered nun.
00:23:06Just so you know, beautiful.
00:23:08She was recently involved with a man from Bilbao.
00:23:11which they called the municipal crane.
00:23:13Because he appeared when I least expected him.
00:23:15And you, with a canary.
00:23:17Oh my God!
00:23:18Even with birds!
00:23:20Yes, with a short canary who sold contraband transistors.
00:23:23I thought the two of them could talk about prostitution.
00:23:27Well.
00:23:28You can keep airing your dirty laundry, but the laundress is leaving.
00:23:33No, rich girl!
00:23:33If you want to leave here and go home, it has to be feet first.
00:23:40Good public outing, section on contagious diseases.
00:23:42Is there anyone who has typhus, for example?
00:23:44And very fat!
00:23:45Go up, there's a free spot.
00:23:47Oh, wait a minute!
00:23:48You cannot enter here.
00:23:49This is American territory.
00:23:50Did you bring your passport?
00:23:51No, ma'am, it's an invasion.
00:23:53It had to be you who were invaded sometime, right?
00:23:55Geneva!
00:23:56Warn your husband!
00:23:57He's in charge and strategic!
00:23:58Red telephone!
00:23:59Red telephone!
00:24:00Shut up, idiot!
00:24:02Now neither you nor I have a maid anymore.
00:24:05You're the dog in the manger.
00:24:07I am your father's dog.
00:24:08But don't get like that, darling.
00:24:11No.
00:24:12The dog thing works for me.
00:24:13My father is a pastor.
00:24:14I'll drag you and your father down with me!
00:24:15My father, uncle!
00:24:16No, I'm the dog!
00:24:16No, I'm the dog!
00:24:19Ah, look, here's the new lady I found for you because I already knew that the other one was also a hooker.
00:24:24Nice to meet you, ma'am!
00:24:25But your home will be quiet.
00:24:27My house.
00:24:28The quietest in all of Madrid.
00:24:30There is peace.
00:24:31Oh, how wonderful!
00:24:32We'll talk about the salary later, okay, ma'am?
00:24:34Yes, you'll see.
00:24:35You'll see how relaxed you'll be at my house.
00:24:39Yes, ma'am.
00:24:40I'm leaving.
00:24:42My cousin has already found me another house.
00:24:44But, daughter, I have failed you in some way.
00:24:47Did my husband bother you by chance?
00:24:50No, ma'am.
00:24:51You guys are very good.
00:24:52But you promised me a quiet and peaceful house.
00:24:59And there is no peace in this house.
00:25:02Yes, ma'am.
00:25:06Too much.
00:25:10Of course I love you, Pichurri.
00:25:12I swear to you on my father, who is underground.
00:25:15But your father is dead?
00:25:16No, he works on the subway.
00:25:18Okay, so when are we going to go see our apartment?
00:25:23I'm so excited.
00:25:25The architect doesn't want pretty girls to go.
00:25:28Understand it.
00:25:29The bricklayers get nervous and the partitions come out crooked.
00:25:31Take that, buddy.
00:25:34Well, come on, get on, Pichurri.
00:25:36What will the lady be waiting for you?
00:25:37Get in, but first give me a little kiss.
00:25:39I'll call you tomorrow.
00:25:41I love you, Pichurri.
00:25:42Collect what we have, man, while you're lying.
00:25:44That's it, ma'am.
00:25:48How do you feel, your uniform, Pichurri?
00:25:50We should ask for a raise.
00:25:52Bye bye.
00:25:52Goodbye, Pichurri.
00:25:57Do you know that girl doesn't look like your cousin?
00:25:59Hey, Pichurri, you're not going to distrust me.
00:26:01No, I don't think so.
00:26:02Here, take my envelope.
00:26:03And how's our little apartment doing?
00:26:09Ah, very good.
00:26:10The other day there was a plumber installing a tap.
00:26:14Inside a small plot we got married.
00:26:20Oh, Vicenta.
00:26:23Who is it?
00:26:24To my cousin.
00:26:24Other?
00:26:25But you don't have several cousins, Chalda.
00:26:27I don't.
00:26:28My parents were both only children.
00:26:30Bad.
00:26:31They would be very spoiled.
00:26:33But, girl, what are you doing here?
00:26:41She was fed up with being Juan Simón's daughter.
00:26:44But once again, Vicenta is without a job.
00:26:45You're worse than a hippie.
00:26:47Don't scold me on top of that, or I'll burst into tears.
00:26:49This service job is really tough, Manolo.
00:26:52Come on, come on, come on, woman, get up, get up.
00:26:53Come up with me, come up, come up, woman.
00:26:55Poor thing.
00:26:58Calm down, woman.
00:26:59I think I have some clues for you.
00:27:02Sit there.
00:27:02You were already prepared, weren't you?
00:27:04Look, it's like putting you in the starting lineup is harder than putting a cripple at center forward.
00:27:09No fuss, Manolo, I'm going alone.
00:27:12Where to?
00:27:13To the doctor.
00:27:15What's wrong with you?
00:27:17I think I have existential anxiety.
00:27:19But you know what that is.
00:27:21But if not, we don't know.
00:27:22Look.
00:27:25What do you see here?
00:27:27An eye.
00:27:28But white.
00:27:29Without blood.
00:27:30Sad.
00:27:31Yes, you look like a stale sea bream.
00:27:34Well, don't worry.
00:27:35Tomorrow we'll go to the insurance company to have that pale eye checked.
00:27:39Yes, yes, if I stayed in that house two more days, I'd kick the bucket.
00:27:42Hey, but at least the burial wouldn't have cost you anything.
00:27:48No!
00:27:50Yes, yes, I admit it.
00:27:52I've gone too far, I've gone too far.
00:27:57How are you, doctor?
00:27:58Very well, and you?
00:28:01I ask him about the girl.
00:28:02Ah, well it doesn't seem to be important, but it's a good idea to have it checked by a radiologist, okay?
00:28:09Yes, yes.
00:28:12I'll give you a flyer.
00:28:15What a mess!
00:28:16What a mess!
00:28:17What a mess!
00:28:17What a mess!
00:28:17What a mess!
00:28:18What a mess!
00:28:19Where are my glasses?
00:28:22This is it.
00:28:25Sorry.
00:28:25Thank goodness.
00:28:27Cristina, hey Cristina, have you seen my glasses?
00:28:31Aren't they in your lab coat pocket?
00:28:33No, because it's unstitched and they would have fallen off.
00:28:37I've already lost three pens.
00:28:41His wife may know.
00:28:43Yesterday he said he was going to fix this.
00:28:45Hey?
00:28:46What has my wife fixed?
00:28:48Well then I'll make the steering wheel by feel and tomorrow I'll go howling to the optician.
00:28:55I hope you are well.
00:28:57Good afternoon.
00:28:57The steering wheel bears the markings of Spain's best specialist.
00:29:02He will take very good care of you.
00:29:04Thank you very much, you're very welcome.
00:29:05Thanks a lot.
00:29:05Bye bye.
00:29:07It says Doctor Tincuentes here.
00:29:11Blasco de Garay, 180, sixth floor.
00:29:14Does that sound familiar to me?
00:29:15Clear.
00:29:16How could it not sound familiar if it's here?
00:29:18And is this the sixth floor?
00:29:21Will they be neighbors?
00:29:22No, brothers, because the last name is the same.
00:29:24They are father and son.
00:29:28Come in, come in.
00:29:30How are you all?
00:29:32Very well, and you?
00:29:33Well, not very well, because otherwise we wouldn't have come to see him.
00:29:39Oh, did my father send you?
00:29:40Yes sir.
00:29:41It bothers me that it's my own father who's recommending me.
00:29:44If you wish, the young lady can give you the contact information for another radiologist who is better than me.
00:29:48No, sir, we trust your father.
00:29:50And from you too.
00:29:51Thank you, thank you very much, thank you very much.
00:29:53Okay, let's see, who's the sick person?
00:29:59Servant.
00:30:00Well, start undressing.
00:30:02How by undressing?
00:30:03Sure, for exploration.
00:30:05But what exploration?
00:30:06No, sir, I am his cousin.
00:30:07And I have been instructed by my uncle that Vicenta has turned out beautiful in Villarrioso.
00:30:11And he has to return to Villarrioso.
00:30:13Be very careful, Vicenta, don't take everything off.
00:30:14Not the petticoat, Vicenta, I'm not going to talk about the petticoat.
00:30:16No, I'm not taking off my petticoat, no way, goodbye.
00:30:19What could it be that he has put it on?
00:30:20Be careful with the petticoat, Vicenta, be careful, eh.
00:30:22Yes, God.
00:30:25Ignore him.
00:30:26He's from a small town.
00:30:28What do I have to take off?
00:30:30Well, the... the... young lady... will... tell... you.
00:30:35The doctor is nice.
00:30:40Yes, but very shy.
00:30:42Look, he's embarrassed when someone undresses in front of him.
00:30:45What nonsense.
00:30:47I am very shy too.
00:30:54Is he married?
00:30:56No.
00:31:01But does he have a girlfriend?
00:31:04No, not that either.
00:31:05Oh, I like him more and more each time.
00:31:10Stand here.
00:31:18Okay, doctor.
00:31:21Oh, this is fair.
00:31:24I'm going to get a cramp.
00:31:26Come in, doctor.
00:31:27Be careful, don't run into anything.
00:31:30Don't worry.
00:31:32I'm used to it.
00:31:33He sees it.
00:31:34Nurse, why don't you move things out of the way?
00:31:41Did he hurt himself?
00:31:42No no.
00:31:43Calm down.
00:31:44No.
00:31:45Please.
00:31:45Let's see.
00:31:55Take a deep breath.
00:32:03Where have they gone?
00:32:04I don't trust him.
00:32:05Hey, what are the three of them doing in the dark?
00:32:08Will you shut up?
00:32:09Vicenta, you've taken off your petticoat.
00:32:11No, there.
00:32:12It was three years ago when I left the village.
00:32:14Cristina, would you like to accompany this gentleman and not bother us?
00:32:16Of course, what you don't want are eyewitnesses.
00:32:18Yes, yes.
00:32:19We'll wait out there.
00:32:20Leaving him alone.
00:32:21No no.
00:32:22Don't rush.
00:32:23Your cousin is in very good hands.
00:32:24That's what I fear, the hands.
00:32:26Vicenta, Vicenta, be careful with your petticoat.
00:32:27Don't take off your petticoat.
00:32:28Vicenta, has left Villarrioso.
00:32:30What a nuisance that poor guy is!
00:32:31Please be quiet.
00:32:43Where are you going, man?
00:32:45What does it say?
00:32:46You're looking at my guts because you're a doctor.
00:32:49But below the knees, I don't object.
00:32:51Do you know that you are worse than your cousin?
00:32:55Pístase.
00:32:56Leave!
00:32:57Yes, yes, sorry.
00:33:00Are you going to look at me a little more?
00:33:07Oh, no, no, no.
00:33:08That little check-up is enough.
00:33:12Check?
00:33:12Oh, mother!
00:33:13What did he see in me?
00:33:14Nothing important.
00:33:15It's just nerves.
00:33:16Nerves.
00:33:17With a little rest and vitamin B, she'll be as good as new.
00:33:22Is it missing a button?
00:33:24Yes, I'm a disaster, but the tie hides it.
00:33:30Well, that's how far your ties reach.
00:33:33As?
00:33:34The button is missing from the loop.
00:33:36Oh, yes, that too.
00:33:38Do neither you nor your father have anyone to take care of you?
00:33:41Yes, yes, yes, of course, of course, my mother, but the poor thing has migraines.
00:33:48It's a beautiful apartment.
00:33:51I am paying in installments with great difficulty.
00:33:54If I were to find a good, good, decent woman, who came with good intentions.
00:34:00For what purpose?
00:34:02With the promise to help me pay for the apartment and then marry me.
00:34:06I am good, sincere, and very affectionate.
00:34:09Continue the treatment and she'll be as strong as an ox.
00:34:15Is it a torah?
00:34:16Oh, yes, of course.
00:34:18Bye bye.
00:34:19Okay, goodbye.
00:34:21Thank you so much.
00:34:22Very kind.
00:34:23Hello good.
00:34:25Oh, how sad!
00:34:30Let's go, Manolo.
00:34:31What has he done to you?
00:34:32Oh, he looked at me in a way that no one has ever seen in me before.
00:34:37Oh, that means you've taken off your straw.
00:34:38And if he insists, I'll take off my sternum.
00:34:41What has he seen in you, Vicenta?
00:34:42What did he see in you?
00:34:42Ah, the whole check-up!
00:34:45The checkup?
00:34:46What did the checkup reveal?
00:34:47Let's see how I explain this to my uncle.
00:34:48Vicenta!
00:34:50I'll call you, start saving.
00:34:51Vicenta!
00:34:59Can you stay?
00:35:00And the lady?
00:35:00He cannot leave, but he agrees to the conditions.
00:35:04The main thing is that this is a decent house.
00:35:07This is the most decent house in Spain.
00:35:10There is no radio, no television, and none of that nonsense.
00:35:16I'm glad, because I need some rest for my nerves.
00:35:20His room is at the end of the hall.
00:35:22You can leave your suitcase and put on the uniform you'll find in the closet.
00:35:29Goodbye, now.
00:35:29Goodbye, cousin.
00:35:30You'll be very well off here.
00:35:33She's so nice.
00:35:37I'm leaving too.
00:35:39Good afternoon.
00:35:41Nice to meet you.
00:35:41She suffers.
00:35:43Who?
00:35:45Who?
00:35:48The girl?
00:35:50Yeah.
00:35:50And very hardworking.
00:35:52Well, goodbye.
00:35:55Does he eat a lot?
00:35:58Well, that's normal.
00:36:00Maybe he'll lose his appetite here.
00:36:02Because?
00:36:02There is little work.
00:36:05Lack of exercise reduces appetite.
00:36:08Well, goodbye.
00:36:10Well.
00:36:10Are you going to the movies?
00:36:17Rarely.
00:36:19No.
00:36:19But now he's watched scary movies.
00:36:22Ah, some, yes sir.
00:36:23Yeah.
00:36:24Frankenstein?
00:36:24Dracula?
00:36:27The one who sucks blood.
00:36:30Yeah.
00:36:31That.
00:36:33Poor thing.
00:36:34Yeah.
00:36:36Listen.
00:36:37My neck itches.
00:36:39And?
00:36:40Because I want to scratch myself.
00:36:41We don't see if you let go of my hand.
00:36:42Ah, yes.
00:36:43Sorry.
00:36:44Good night.
00:36:44Good night.
00:36:51Good night.
00:37:14Was she a dwarf?
00:37:42Who?
00:37:43The other maid.
00:37:44No.
00:37:46When he came here, he weighed 60 kilos.
00:37:51And he was about 72.
00:37:52Ah.
00:37:53Well, they dressed her in a mini uniform.
00:37:57It decreased significantly over time.
00:37:59The uniform.
00:38:02The girl.
00:38:05He was from Salamanca.
00:38:07He had grown up among bulls.
00:38:09Strong.
00:38:10Garrida.
00:38:11And at four months,
00:38:14if required,
00:38:23He will be given other uniforms.
00:38:24Now...
00:38:26Okay, get ready.
00:38:28to serve dinner to the gentlemen.
00:38:31Yes sir.
00:38:39Dinner is served.
00:38:46Divinio, I read a very strange news item in the newspaper.
00:38:49They say they are going to manufacture in Spain some cars that are made in Italy, the Fiats, and that here they will be called Seat.
00:38:55What an ugly name, right?
00:38:57That's like the idea that Hitler is going to declare war on France.
00:39:01Hoaxes.
00:39:02Would you believe that I don't feel like eating dinner tonight?
00:39:24I was telling the gentleman.
00:39:29The new maiden.
00:39:32Very good.
00:39:34And where are you from, beautiful?
00:39:37From Villarrioso to serve you.
00:39:39And does that fall within the national territory?
00:39:42Yes, ma'am, through Cáceres.
00:39:44Great place, Extremadura.
00:39:45My husband loves it.
00:39:50Right, Honorato?
00:40:02We'll get along very well.
00:40:04Serve, serve, daughter.
00:40:08To the gentleman.
00:40:09In this house, the master is served first.
00:40:11Will it get cold?
00:40:13No, she takes it right away.
00:40:14But until he comes...
00:40:17Who?
00:40:17The Lord.
00:40:21Oh my God.
00:40:22Another one I don't see, Honorato.
00:40:24But what a disaster with the service.
00:40:26Serve the Lord, woman.
00:40:27He doesn't see that I'm telling him.
00:40:29What are you telling me?
00:40:32Come on, Honorato, raise your voice, it must be as deaf as the others.
00:40:36That?
00:40:44Serve.
00:40:45But the thing is...
00:40:46Serve.
00:40:48Yes sir.
00:40:48Enough!
00:41:03Enough!
00:41:05She told him enough was enough.
00:41:07Ah!
00:41:07She told me enough was enough!
00:41:08And did he come?
00:41:10What did he say to you?
00:41:12What is enough?
00:41:14I'm starting to feel good in the uniform!
00:41:18Oh!
00:41:18Don't serve it so hot tomorrow.
00:41:24It's burned.
00:41:27Oh my God!
00:41:28It's true.
00:41:34You're right, Honorato.
00:41:38Well, explain it to the girl, and see what she thinks.
00:41:42No.
00:41:43Explain the shirt thing first, because otherwise the girl won't understand.
00:41:45No, not even if you tell me.
00:41:49Exact.
00:41:51That's it, that's it.
00:41:54Well, that's true, isn't it?
00:41:56Yes, that's right, sir.
00:41:58Good.
00:41:59What do you think?
00:42:02Well, I think that here the commander, I mean the gentleman,
00:42:06He is right, he really is.
00:42:13But with the shirt things change, because one thing contradicts the other.
00:42:18and neither here nor there, more like there than there,
00:42:22just as if we were stating a corollary.
00:42:28Don't laugh with your mouth full, Don Honorato, or you'll choke.
00:42:33Sambla, sambla, sambla!
00:42:35Please don't make me another uniform, this one is too big for me now.
00:42:38Do you think they will come?
00:42:58Natural, asecita or yo, don't forget that for you it's the cross-eyed one.
00:43:01Also, if you can't make it, don't worry, we'll choose others.
00:43:04Wow, what a guy!
00:43:08Wow, you're so clever, you have the entire calendar of saints here.
00:43:11So, you never get a name wrong?
00:43:14That's the mistake of the worldly man who has several girlfriends.
00:43:16Since they're all made of cloth, if you call them by another name,
00:43:18It's not your dream, you brought it on yourself.
00:43:19That's why I call them all Pichurri.
00:43:20Wow!
00:43:23Hey, what if they insist on seeing the apartment?
00:43:25I know of a house under construction that's being watched over by a fellow countryman of mine,
00:43:27I take her up to the third floor and say, "There's your apartment," suspiciously.
00:43:30Don't ever speak to me again.
00:43:31And they all end up crying, full of regret.
00:43:33What a guy, what a smooth talker!
00:43:35Well, I think that if they let you love in London,
00:43:37Gibraltar had already been returned to us.
00:43:40Manolo, you're getting a phone call.
00:43:41Ah, thank you.
00:43:42It will be from the garage.
00:43:43I said we were here in case there was something urgent.
00:43:45Yes, yes, go away, go away.
00:43:47Hey, hey, I'll say hi to him.
00:43:49The guy, who will be so annoyed.
00:43:52Thanks, Pichurri.
00:43:54What's up?
00:43:56Hey, it's you, Vicenta.
00:43:57Let's see what happens to you now.
00:43:59I bet you've found some little flaws in that house too!
00:44:04Manolo!
00:44:06Get me out of here right now, Manolo!
00:44:08No, I can't speak louder than the invisible man can hear me.
00:44:12What are you saying?
00:44:13I served dinner to the Phantom of the Opera.
00:44:17And we're starting to get to know the man, aren't we?
00:44:20Oh, don't even mention the gentleman,
00:44:22which is like profit sharing,
00:44:24Everyone talks about her, but no one has ever seen her.
00:44:28Yeah.
00:44:35Listen.
00:44:38Are you the young lady's cousin?
00:44:40Who is it?
00:44:41Don, Divine Don.
00:44:43Ah, the butler!
00:44:46Hey, what's wrong with the girl?
00:44:48She's a little nervous, of course, until she gets used to the house.
00:44:52We already had another one who insisted that there was an invisible man.
00:44:56And there is one! And they call him Don Honorato!
00:44:58Don Honorato is the owner of this house.
00:45:01Doña Ernestina's husband.
00:45:03Manolo, get me out of here, the butler is in cahoots with her!
00:45:07Don't worry about your cousin anymore.
00:45:10He closed his mouth sharply and it must have upset him.
00:45:14And we'll talk later.
00:45:17Good night.
00:45:18That, tomorrow.
00:45:19Good night.
00:45:20My cousin, maybe half an hour more to the white track, Pichurri.
00:45:27Listen, don't do this again.
00:45:30You have nothing to fear.
00:45:32He'll eat whatever he wants.
00:45:34The salary is good.
00:45:36But I gave soup to a strange man, didn't I?
00:45:39It's a little early still, but you'll understand.
00:45:42Now, I'll explain it to you later.
00:45:48Oh, mother of my soul!
00:45:51A normal house!
00:45:53I just want a normal house.
00:45:55The kind where the husband cheats on his wife.
00:45:57The lady summons her husband.
00:45:59The boy is staging strikes at the university.
00:46:01And some friends take the girl for a walk in the outskirts of town.
00:46:04and three months later she gets married in brown at seven in the morning.
00:46:07That's normal!
00:46:08But it's not one of those crazy houses!
00:46:10You're already boiling over!
00:46:12You're not boiling anymore!
00:46:13You're not boiling anymore!
00:46:16But all I ask for is a quiet house,
00:46:19I don't mind working, or washing dishes, or anything.
00:46:22But look, I'm not in a ghost's house,
00:46:24I can't take it anymore.
00:46:26I'm going to experience it!
00:46:28Oh, you scoundrel!
00:46:29I've caught you with eight!
00:46:32In bed, with the quiet one!
00:46:34Honorable one, you are a wretch and a satyr!
00:46:36Hey, he didn't even touch a hair on my head!
00:46:39But you're going to deny how I found you!
00:46:42Honorable one, confess if you do the same with all of them!
00:46:46Ah, you heard him!
00:46:47What did he say?
00:46:48There is no government from this corner.
00:46:49There is no maid in this house who doesn't have something to do with him.
00:46:52Adulterer!
00:46:53He can say whatever he wants, but I am very honest.
00:46:57Come on, tell the truth, Don Honorato.
00:47:00Don't complicate things further, rich man.
00:47:02Shut up, you fake!
00:47:03It's not your fault, you shameless women.
00:47:09Oh no!
00:47:11You beguile men with your nonsense.
00:47:17And you are capable of destroying a home without caring about the damage you cause.
00:47:22Dolidinho!
00:47:24Call my cousin, have him come with the ambulance and with blood plasma of group A.
00:47:29Positive!
00:47:30Positive!
00:47:33No, Honorato!
00:47:35No!
00:47:36It was a joke!
00:47:38I just wanted to scare her!
00:47:39Don't hit me!
00:47:40Don't hit me, Honorato!
00:47:42Don't hit me, I'll go blind!
00:47:44I'm going blind!
00:47:45Oh, you!
00:47:46Take!
00:47:47I knew!
00:47:48No!
00:47:49Anonache!
00:47:50Adulterer!
00:47:51I knew!
00:47:53I knew!
00:47:54Adulterer!
00:47:55Take!
00:47:56Take!
00:47:56I killed him
00:48:04I killed him
00:48:08Honorato
00:48:13Answer me
00:48:15Honorato
00:48:16Answer me
00:48:19Honorato
00:48:20Answer me, my love
00:48:23Answer me, Honorato
00:48:25Honorato
00:48:26It's useless, Restina
00:48:38He is dead
00:48:39We'll bury him without anyone finding out.
00:48:41Nobody will know anything
00:48:43Vicenta wants to grab him by the feet
00:48:46And which way do the feet fall?
00:48:49That's the way, let's go, hurry up
00:48:51We'll take it to the basement
00:48:52And you're going to involve me in a crime?
00:48:54Grab it already
00:48:55Stay still!
00:48:56Ah!
00:48:57Honorato, you scoundrel, you'll always be the same
00:48:59How do you like to make me suffer?
00:49:02He's not dead, didn't I hit him?
00:49:03Yes, he's dead.
00:49:05Vicenta, tell them he's dead.
00:49:06But you can see that he's alive.
00:49:08Say he's dead!
00:49:11Come on, get up and let's go to bed
00:49:12It's not there, you hear it, it doesn't exist
00:49:15He left you 30 years ago
00:49:19When you had only been married to him for two years
00:49:21When were you going to have a child?
00:49:24A son who was born stillborn
00:49:27He hasn't returned
00:49:29He will never return.
00:49:32He left with someone else.
00:49:33I am the one who has always lived by your side
00:49:38Going through your delusions because
00:49:40I love you
00:49:42I have always loved you
00:49:45Even before you met him
00:49:47Save yourself, Ernestina
00:49:50You killed him
00:49:51It no longer exists.
00:49:53You realize
00:49:55You are free
00:49:57You can still be happy
00:49:59We can still be happy.
00:50:03You think?
00:50:10Clear
00:50:10Forget it
00:50:12Look
00:50:13There is nothing.
00:50:15Do you see it?
00:50:16It's not there
00:50:17The ground
00:50:18Nothing but the ground
00:50:19Do you see it?
00:50:20Only the ground
00:50:21Nothing of mine!
00:50:22Leave him alone!
00:50:23Don't give it to him
00:50:24Don't lay a hand on him
00:50:26He's my husband!
00:50:29Come on, Honorato
00:50:34I'll help you
00:50:38You're crazy, Livinio
00:50:46You always have been
00:50:47Right, Honorato?
00:50:50But neither Honorato nor I wanted you to be taken to a mental asylum
00:50:52See?
00:50:55He's laughing at you
00:50:56Now I see him
00:50:59Perfectly
00:51:01That's better.
00:51:03As for you
00:51:08Try not to flirt with my husband
00:51:13Because nobody can take this one away from me.
00:51:16You cause me so much grief, darling.
00:51:22If it weren't for the fact that I'm always willing to forgive your indiscretions
00:51:26And then they talk about science fiction
00:51:36Lie down
00:51:44And try to sleep
00:51:46Tomorrow, things will be like that.
00:51:49They will be different
00:51:51And so different
00:51:52And so different
00:51:53I will no longer be here.
00:51:54The door is closed
00:51:56Well, open it!
00:52:00No, don't get like that.
00:52:01Why would I call 091?
00:52:04Okay, yes, yes, I'm coming.
00:52:05Ande
00:52:07Convince my grandmother not to call the police
00:52:09And tell him everything that's happening in this house
00:52:12But where is your grandmother?
00:52:13Here, here
00:52:14Look how he pushes to make the phone go
00:52:16You won't dare
00:52:18Grandma says you don't dare
00:52:20This guy doesn't know you.
00:52:22Don't worry
00:52:23I call, Grandma
00:52:24What I call
00:52:25Wait, wait
00:52:26I will open it for you.
00:52:28But where will he sleep tonight?
00:52:30After what has happened
00:52:33The crocodile-filled pond of the retreat
00:52:36The Spanish is going to sound like Hilton to me.
00:52:38Come on, grandma
00:52:39Let my grandmother through
00:52:41Listen, please, think about it
00:52:43Well, you haven't improved much.
00:52:48Improve?
00:52:49What I don't know is how I'll live to tell the tale.
00:52:51I will prescribe some tonic injections.
00:52:53I think I have...
00:52:55Let's see...
00:52:56I think I have a sample around here
00:52:57One of them has had the button sewn on.
00:53:00Hey?
00:53:01That one over there
00:53:02It's no.
00:53:04This is a bit of a mess
00:53:10Yeah, yeah
00:53:12Already
00:53:12Hey, son
00:53:18Have you seen it around here, my trench coat?
00:53:23Your mother
00:53:24He wanted to fix the radiator in the doctor's office.
00:53:26And naturally
00:53:28He's killed him
00:53:29Here it is
00:53:31It will be in the closet by the entrance hall
00:53:33In the entrance closet
00:53:35There are only the pillows.
00:53:36Swimsuits
00:53:38And the pressure cooker
00:53:39Well, you have everything very close at hand
00:53:42The girl has said goodbye to us.
00:53:44Why didn't you tell me before?
00:53:48I was so eager to serve at home
00:53:50From a doctor like you
00:53:51Well
00:53:59So I can get sick
00:54:02Free
00:54:03Why am I going to die?
00:54:11I'll tell you who the Siso killer is
00:54:13It was the lame one, wasn't it?
00:54:17Say it
00:54:18Say it, I'll turn you around
00:54:19And I'll beat you up
00:54:20Even if you are dying
00:54:21Do you know if Marcelo has called to...?
00:54:22Shut up!
00:54:25But I won't be able to know.
00:54:26But Mariano, please
00:54:27Did you go to the lame one?
00:54:31Confess or you'll have to go to the bathroom.
00:54:32If you give me
00:54:38A Scotsman
00:54:40I'll tell you on the rocks.
00:54:43There is no break
00:54:45Correct
00:54:52Will you serve me the soup or not?
00:54:56Can't you shut up?
00:54:59Look, look
00:55:00The killer
00:55:02Is...
00:55:05It was the lame one, wasn't it?
00:55:07It was the lame one
00:55:08Consultant!
00:55:09Son!
00:55:12You're a firecracker!
00:55:14And it's been 26 years of firecracker
00:55:1626 years putting up with you!
00:55:19You're a riot!
00:55:21And now with television
00:55:22More fireworks!
00:55:23Ah!
00:55:23I'm telling you
00:55:45You've done it!
00:55:47I've run out of ideas.
00:55:49Who is the killer?
00:55:50The killer?
00:55:51I'm going to be...
00:55:52Don't yell at me!
00:55:52I'm out of my mind!
00:55:54No!
00:55:55No!
00:55:55May God give me a father!
00:55:56Yes, Mom!
00:55:58I can't take it anymore
00:56:00I'm going to eat out.
00:56:01That
00:56:02And we'll give the food to a poor person.
00:56:04That's why I've spent all day in the kitchen
00:56:07You?
00:56:08Here you can have breakfast, lunch and dinner
00:56:10Because Vicenta does everything
00:56:12If it were up to you
00:56:13We would have starved to death years ago.
00:56:16Don't fight!
00:56:19Don't fight!
00:56:21Do you mean I'm a prude?
00:56:22The gentleman is not saying that you are lazy.
00:56:25He says that when it's time to work, he doesn't work.
00:56:28Which is different
00:56:29If only I had known what I was doing that day I went to church
00:56:34To say yes
00:56:35Go away! Go away!
00:56:36And whenever you want, we can separate.
00:56:38You're going to be killed by my tastes!
00:56:41You won't fall for that trick!
00:56:45Look at my steps!
00:56:47Oh!
00:56:48Monster!
00:56:50My head!
00:56:51My head is going to explode!
00:56:54Let me know when the Virginian starts, okay?
00:56:57Oops!
00:56:58They called my mother!
00:56:59The news story got split up!
00:57:01The news story got split up!
00:57:03The laboratory process at the time of closing this edition
00:57:05Tomorrow, on the midday news
00:57:07We will provide you with a report of this event
00:57:10Hello Vicente
00:57:23Oh, that scared me!
00:57:24Please sit down, I'll serve you your food right away.
00:57:40Oh, that scared me!
00:58:10Giblet soup, just the way you like it
00:58:23I don't feel like it.
00:58:24You have to eat
00:58:25He's at a very bad age.
00:58:27And now there is no work.
00:58:29Very tasty
00:58:37You have already ironed the navy blue suit.
00:58:51And I've sent the black shoes to the shoemaker.
00:58:56Because I heard him say that they were hurting him in the metatarsus
00:58:59That's great, you've learned it!
00:59:00Yeah
00:59:01Just to do something
00:59:05You never stop working
00:59:07This house feels different since you've been here.
00:59:09One would like to give more of oneself
00:59:12But since I like to see you, one of the girls.
00:59:14But you ask with that mouth
00:59:17I'm here to help you with anything you need.
00:59:21Thank you, Vicente.
00:59:21The ones you have
00:59:24Oh
00:59:27It's been a lot
00:59:48A huge row
00:59:50But nothing serious
00:59:51Avoid the stretcher
00:59:52Hello good
00:59:54These are the ones who started it
00:59:57I'm the one who hit me with this bottle.
00:59:59Yes sir
00:59:59Wow, what a pimple on that monkey!
01:00:01Come with us
01:00:01And you
01:00:02Who hit me here with a knife?
01:00:04Look
01:00:05What a knife, what a beauty
01:00:06We'll take the one that's been in an accident and looks a bit fuller.
01:00:08I mean, more urgent
01:00:10Let's see, little one
01:00:11How did you say that happened?
01:00:12Oh, how cute!
01:00:13Wait for me here, you with me, okay?
01:00:17Wait for me
01:00:18Don't be late
01:00:18Look, they've marked me forever.
01:00:20Vicente, you're not going to tell me you've lost your home again, are you?
01:00:23I need to talk to you
01:00:25But can't you see I'm busy?
01:00:27I plan to stay up all night putting on adhesive tape like a madman.
01:00:30Manolo
01:00:31You don't know what's happening to me
01:00:34That?
01:00:36Yeah
01:00:37I fell in love until I was four
01:00:39And since he can't marry me
01:00:40I'm leaving that house so I don't get lost
01:00:42What are you saying, you wretch?
01:00:43The truth
01:00:44Not even when our calf died
01:00:47I have endured more hardships
01:00:48And does he love you?
01:00:50What could he possibly want from me?
01:00:52No matter what the Montepío says, I am a maid.
01:00:54And how could he possibly fall in love with a maid?
01:00:56He's such a gentleman.
01:00:58Out of sympathy, he showed me the skeleton
01:01:01But nothing more
01:01:02What has it taught you, what?
01:01:03See how you're such a dirty-minded person?
01:01:05It's a skeleton he keeps in his office for studying.
01:01:08Oh, no, no
01:01:08Yes, yes, it's a skeleton
01:01:10No, no, that scoundrel isn't laughing at you.
01:01:12He doesn't laugh
01:01:13Manolo
01:01:14If you insult him, I'll slap you.
01:01:16Get me the bus ticket and tomorrow I'm going to the village
01:01:19Calm
01:01:20He'll listen to me first.
01:01:21That young man
01:01:22What you have done to my cousin is unspeakable.
01:01:26And if it does have one, it's a very ugly name.
01:01:28But what have I done?
01:01:30Seduce her
01:01:31I?
01:01:32Yes sir
01:01:33And she's fallen head over heels for you.
01:01:36Something I don't understand, to be honest.
01:01:38Because I don't know what she saw in him.
01:01:39Hey, listen
01:01:40Now that you're not with me
01:01:41I'm a little wart too.
01:01:43And Vicenta leaves this house with her head held high
01:01:45As?
01:01:46Vicenta says she's leaving
01:01:48How odd
01:01:50I thought I was very comfortable here
01:01:52Me too
01:01:53And why is he leaving?
01:01:57Son, you should have realized
01:01:59About what?
01:02:00About what?
01:02:03That he looks at you a lot
01:02:04That she stares with her mouth open when you speak
01:02:09He's dressed you up like a fashion designer.
01:02:12But Dad
01:02:15If the first thing you clean is your room
01:02:17Which sounds like a suite by the Castilian Gil
01:02:19Because she's a good girl
01:02:21And because she's head over heels for you.
01:02:23Dad, please
01:02:24Yes, son, yes
01:02:25For you
01:02:26He likes you
01:02:28His cousin told me.
01:02:30Which, by the way, came with the number changed.
01:02:32But that's absurd
01:02:36He likes you, I'm telling you.
01:02:38And if necessary, his cousin will tell you.
01:02:41Well, even if that were the case
01:02:43That?
01:02:44I didn't think you could make an effort
01:02:46If you set your mind to it
01:02:48He's not leaving
01:02:49You don't expect me to take advantage of her, do you?
01:02:51Take advantage, take advantage
01:02:53I'm not saying you should take advantage of it.
01:02:55Simply
01:02:58I say just let yourself fall
01:03:01Tell her she looks very pretty
01:03:05Take her dancing someday
01:03:09Do you want me to take Vicenta dancing?
01:03:11Nobody will find out
01:03:13Don't count on me
01:03:16Well
01:03:17Well, we'll be left without it.
01:03:19So say goodbye to sweet desserts
01:03:22Of the clean suits
01:03:24Things in their place
01:03:26Remember
01:03:28Before she came
01:03:29That your mother ironed some pants for you.
01:03:31With stripes on the sides
01:03:33You looked like a gaucho
01:03:35Okay, that's it.
01:03:36We'll find another one.
01:03:37Another one who can put up with your mother?
01:03:40Already
01:03:40But don't you see how neatly everything is arranged?
01:03:43But man
01:03:44See you the next day
01:03:45I saw her cleaning his teeth
01:03:47With pervorate to the skeleton
01:03:49Well, look at that.
01:03:50It left him smiling.
01:03:51I don't do it
01:03:54That despicable act
01:03:56Very good
01:03:57Well, the day after tomorrow.
01:03:59The three of them were wearing gaucho pants
01:04:05Where are you going?
01:04:23To the people
01:04:24Because?
01:04:26Because
01:04:27Because I have tension in my epigastrium
01:04:30And painful projections
01:04:32On the left side
01:04:34Come on
01:04:35I'm a mess
01:04:36You memorize it
01:04:38Everything I say
01:04:39With your permission
01:04:40The collar of the shirt
01:04:43You are being bent
01:04:45Hey, another button is about to drop
01:04:47Your buttons fall off a lot.
01:04:49I'll sew it for you right away.
01:04:52I know why you're leaving.
01:05:06The boyfriend, right?
01:05:12I don't have a boyfriend, miss.
01:05:13But
01:05:14Have you had it?
01:05:16No, sir
01:05:17Whoever has it will have it forever.
01:05:18I don't like being tickled.
01:05:20With some and with others
01:05:21Then he arrives at the altar
01:05:22Like the sample fruit
01:05:23Without tasting
01:05:24But okay
01:05:25Sobaba
01:05:26Do you feel that
01:05:28The server is very small
01:05:29AND
01:05:33Very
01:05:35Very pretty
01:05:36Since you are so tall
01:05:38Well, I
01:05:40That?
01:05:42You're very pretty
01:05:46I?
01:05:49It seems to me
01:05:50I don't think I'll be able to sew the button on.
01:05:52It's the same
01:05:54When you leave
01:05:55All my buttons will fall off.
01:05:57And I won't have anyone to sew them for me anymore.
01:05:59We're going to miss you a lot
01:06:02Especially me
01:06:06It had been a long time since anyone had taken care of me.
01:06:09And I didn't realize it until now.
01:06:12Are you leaving?
01:06:15Well, if you want me to stay
01:06:16I'm staying
01:06:18For me?
01:06:20For me
01:06:20You would never leave
01:06:22Well, I'm not leaving.
01:06:23And in my whole miserable life
01:06:25And I sew on all the buttons.
01:06:27And I make him giblet soup every day
01:06:29And I clean his skeleton
01:06:31And whatever you want
01:06:32Thank you, Vicenta
01:06:33You're the nicest girl I've ever met
01:06:36But where are you going?
01:06:53To leave the suitcase in the room
01:06:55It's that way
01:06:57Ah, yes
01:06:59Excuse me
01:07:00Does he leave or stay?
01:07:10He stays
01:07:12But I think this is a disgrace.
01:07:14Very good, son
01:07:15He saved us all
01:07:16Oh, oh, oh!
01:07:16How wonderful!
01:07:17Oh, oh!
01:07:18What's happening?
01:07:18My father says this isn't dancing.
01:07:41It's like a nervous breakdown
01:07:43I'm glad
01:07:47About what?
01:07:49What are you laughing at me for?
01:07:50No, I'm not laughing at you.
01:07:52I laugh with you
01:07:54Which is very different
01:07:55That?
01:07:57Then!
01:07:58Then!
01:07:58I mentioned you
01:08:04I cried so much
01:08:07I haven't told you yet.
01:08:11I did it myself.
01:08:13Oh, good.
01:08:15You'll find out soon enough.
01:08:20You'll find out soon enough.
01:08:23You'll find out soon enough.
01:08:26When you are here
01:08:29And you
01:08:30You'll find out soon enough.
01:08:35You'll find out soon enough.
01:08:38Oh, good.
01:08:39You'll find out soon enough.
01:08:42When you are here
01:08:44La, la, la, la
01:08:46Oh, hail!
01:08:49Oh, hail!
01:08:51Oh, hail!
01:08:52Oh, hail!
01:09:05Oh, hail!
01:09:05Thanks for watching!
01:09:35Thanks for watching!
01:10:05Thanks for watching!
01:10:35Thanks for watching!
01:11:05Thanks for watching!
01:11:35If you want to dance now that they're playing something calmer, I warn you that I'm very bad at it.
01:11:42And what if I can't move!
01:11:43Come on, woman!
01:11:45Oh!
01:11:46My legs have suddenly become so weak I'm falling over!
01:11:49Okay, I'll hold you up.
01:11:51Oh, what joy!
01:11:53I'm warning you, I'm going to step on you, I'm a real stomper!
01:11:56You dance very well!
01:12:01Ah!
01:12:03But I'm dancing!
01:12:04Hey, let me tell you something?
01:12:06Tell me whatever you want.
01:12:10Well, I hadn't danced since my student days.
01:12:12It's a student's problem.
01:12:13It's a student's problem.
01:12:14What's happening?
01:12:15What's happening?
01:12:17What's happening?
01:12:18What's happening?
01:12:19It's a student's problem.
01:12:24It's a student's problem.
01:12:25Young gentleman.
01:12:29But, Vicenta, what's wrong?
01:12:31You look very pale.
01:12:34Tachycardia, right?
01:12:35A bit.
01:12:38I'm cyanotic.
01:12:39Don't talk nonsense.
01:12:40Here, have a drink and you'll feel better.
01:12:42Oh, no.
01:12:43Drinking, no.
01:12:44They've already charged you 300 pesetas for two Pepsi-Colas, which cost me a pretty penny.
01:12:49and sometimes I take the helmet out separately.
01:12:51Don't talk nonsense.
01:12:52Go on, have a little drink.
01:13:00Excuse me, but...
01:13:02when I realized we were hugging.
01:13:07And you should see how you hug.
01:13:09Something has risen up my throat.
01:13:14Well, you ask me for anything and I'll do it right away.
01:13:20Well, I have to make a phone call.
01:13:23Call.
01:13:26Call.
01:13:32Nothing, huh?
01:13:33This is a disaster, little one.
01:13:35We're hardly ever going to save up for the apartment.
01:13:37But if I invite you.
01:13:38And?
01:13:39That comes with community property.
01:13:40So what?
01:13:41What you earn and what I earn all goes into a common fund.
01:13:44But since the husband has parental authority, I, the deceased, administer the marital property.
01:13:49Well, I felt like dancing with the guy this afternoon.
01:13:52Thank you.
01:13:55It ruins!
01:13:55Pichurri, if we start with primordial ones.
01:13:59Come on, move it, big eyes!
01:14:01No, Dad!
01:14:03No, Dad!
01:14:08This is over.
01:14:09Sorry, we're left without a girl, but I'm telling you the truth.
01:14:14No, son, calm down, calm down.
01:14:18Remember the croquettes from last night?
01:14:20But you just don't understand, Dad.
01:14:24I don't like red, I don't like it.
01:14:25She's crazy about me!
01:14:28She's crazy about me!
01:14:30Yes, yes.
01:14:32If the razor is fixed.
01:14:34She's going to confess her feelings to me, Dad!
01:14:38Well, give him the runaround.
01:14:40Tell him you need to think about it, that you'll sleep on it.
01:14:44But don't take away his hope.
01:14:48Poor thing.
01:14:58My sea!
01:15:00Oh, but go here too!
01:15:02Introduce me to her!
01:15:03Manolo!
01:15:04Manolo!
01:15:07What are you doing here?
01:15:08Who had that Pepsi with you?
01:15:10Let's begin, Manolo!
01:15:11Ah, I know!
01:15:12That shameless young master!
01:15:14Who is this?
01:15:14To call me a scoundrel, you'd have to step over my dead body.
01:15:17So, go ahead, stretcher bearer!
01:15:18You're a Cleopatra!
01:15:19What kind of imagination does it take to call this language Cleopatra?
01:15:23Shut up, sweetheart, or you might get meningitis again!
01:15:26Under the table!
01:15:28Where is?
01:15:29Where did that coup go?
01:15:31Let's see, let it come out.
01:15:32Don't you touch him, do you understand?
01:15:34The poor thing has respected me more than Saint Roch.
01:15:37And that's even though he can do whatever he wants to me because I'm crazy about him.
01:15:40Oh, mother!
01:15:40Let it come, let it come!
01:15:41I can't even tell you how many there are!
01:15:42Two and two!
01:15:43Manolo, who already knows, is a doctor!
01:15:46Let it come, let it come!
01:15:48If you say anything to him!
01:15:51I'm becoming a bilingual!
01:15:52Wow, how did you turn out to be such a villain!
01:15:53Happens!
01:15:53Happens!
01:15:54Come in, happy young lady!
01:15:55Now!
01:15:55He's my cousin, my cousin, but he was just leaving!
01:15:59Yours truly.
01:15:59Well, that's a figure of speech.
01:16:01Manuel Locumura Berruguillo.
01:16:02Health worker, diplomat.
01:16:03Ah, yes, I remember now.
01:16:04Nice to meet you.
01:16:05We'll see about that.
01:16:07What happens here isn't like at the FBI, where they know nothing.
01:16:10One becomes nothing.
01:16:11Manuel Locumura Berruguillo.
01:16:11Manuel, get the stretcher ready, you're going to need it.
01:16:15Young gentleman.
01:16:15I told you to get the stretcher ready, you're going to need it.
01:16:20Manolo!
01:16:21Oh, it hasn't happened!
01:16:23Oh, Manolo has brought me such misfortune!
01:16:24But he's a murderer, I'm a nanny!
01:16:27Oh, criminal!
01:16:37Let's go, let's go!
01:16:39Oh, my dear!
01:16:40It doesn't matter, why does he have to be a witness?
01:16:41No!
01:16:49It's nothing, just a minor knee ligament sprain, a slight concussion, a small fissure
01:16:54of the fibula, but no, no, it's nothing, it's nothing.
01:16:57Did he fall with worse luck?
01:16:59Do you think you will die from this?
01:17:01No, of course not, daughter.
01:17:02No.
01:17:03I have offered six novenas to Saint Rita, if she doesn't remain paralyzed because of me.
01:17:07It's your fault, but oh well, let's see, let me find out.
01:17:11I'll explain it to you, come to the bedroom, let's go to the bedroom, you lie down and I'll talk.
01:17:16But anyway, I want to know...
01:17:17Come on, come on, come on, you look unwell, well, the...
01:17:20To your face?
01:17:21Do I look bad?
01:17:26Vicenta.
01:17:27I'm here, young man.
01:17:32I've brought you a cup of coffee just the way you like it, neither light nor dark, neither cold nor hot.
01:17:38neither arazo and bajo, nor tacolumbia, nor tacolrefacto, as you like it.
01:17:41Vicenta, you are very sincere and very decent.
01:17:49Tell me the truth, are you...
01:17:51Are you in love with me?
01:17:57Up to the hilt.
01:18:01Vicenta, leave.
01:18:03Yes sir.
01:18:05Where to?
01:18:07Go wherever you want, but leave this house, and for good.
01:18:11Because?
01:18:12Because I'm a scoundrel.
01:18:15I've been deceiving you all this time.
01:18:17All we wanted was not to be left without a maid.
01:18:24That's why I went out with you.
01:18:26And I took you dancing.
01:18:29And to the movies.
01:18:31Do you understand?
01:18:32Yes sir.
01:18:37In...
01:18:37You'll find a job somewhere else.
01:18:40And you will get married.
01:18:42Because you were born to get married.
01:18:45Not anymore.
01:18:46Go away, Vicenta.
01:18:50Leave.
01:18:55Forgive me.
01:18:56You are the one who has to forgive me.
01:18:59You let yourself be loved.
01:19:00Because I looked at him in a certain way.
01:19:02Let's see who's brave enough, who won't let himself be taken advantage of.
01:19:07Thank you.
01:19:10Thanks for everything.
01:19:11Thanks for everything.
01:19:11Drink your coffee, it's going to get cold.
01:19:25And if you need anything, ask the Poor Clare nuns in Cáceres for Sister Vicenta.
01:19:31I'll go out and give him donuts!
01:19:39Vicenta!
01:19:40Viva!
01:19:40Tell me, are you Martela?
01:20:07Yeah.
01:20:08Who is it?
01:20:09I am the bride.
01:20:10By Manolo Berrullo.
01:20:11As?
01:20:13Impossible.
01:20:13I am Manolo's girlfriend.
01:20:15Me too.
01:20:16I think Manolo's girlfriend is the entire pantheon of female saints.
01:20:20It's me and everyone else.
01:20:21Can I tell you that he's been pulling our leg?
01:20:23No, because who am I giving my name to in your address book?
01:20:25The truth is that prison has taken over.
01:20:27The truth is that prison has taken over.
01:20:28Man, why did jail take us?
01:20:29I do not agree with prison.
01:20:30And if you're not here, we're not with the prison.
01:20:32Father, but...
01:20:33I'll kill him, okay?
01:20:37Do you agree?
01:20:39Okay, okay, okay.
01:20:42Vicenta, is my blouse ironed?
01:20:44Vicenta, my books.
01:20:46Vicenta, my bike.
01:20:47Vicenta, my chocolate milk.
01:20:48Mada, I don't have breakfast, do I?
01:20:50At least they could have given me a maid.
01:20:53Take your book.
01:20:55I'm going to the supermarket.
01:20:57You take care of the mess.
01:20:59You clean the bathroom, hang the bedroom curtains, and fix the refrigerator.
01:21:03Yes, ma'am.
01:21:04And in my free time I will dedicate myself to studying solfège.
01:21:06Come on, let's...
01:21:08Excuse me, do you live here, Vicenta Berruguillo?
01:21:13Who?
01:21:14Ah, the maid, yes, she's in there somewhere.
01:21:16Vicenta.
01:21:18Come in, come in, he must be in the kitchen.
01:21:20Vicenta.
01:21:29Miss!
01:21:30It's been so hard to find you.
01:21:32If it weren't for your cousin who told me where you were.
01:21:34What has he come for?
01:21:37Vicenta, I...
01:21:38Who is that?
01:21:42He was the nanny's brother.
01:21:44It's very ugly.
01:21:44Go ahead, kid.
01:21:45Don't be silly, he's her boyfriend.
01:21:47And what could he have come for?
01:21:48To get married, just like in fairy tales.
01:21:51And what are they saying to each other?
01:21:54I love you very much, Vicenta.
01:21:56Me too, Pepe.
01:21:57And how do you know his name is Pepe?
01:21:59Because all the boyfriends in the state are named Pepe.
01:22:01Right?
01:22:02And should we just shut up already?
01:22:02But do you want me to get married or to take walks in the park on Sundays?
01:22:07I want you to play Indians and with boys.
01:22:09Leave it to me.
01:22:10You and I.
01:22:12I love you, sir.
01:22:13But we have to get married soon, and in my town.
01:22:16And in white.
01:22:17Be careful with the dishes, Vicenta.
01:22:19I think these guys are incredibly corny.
01:22:23Vicenta, the dishes, Vicenta.
01:22:25So, if we're going to get married, can I give you a kiss, Vicenta?
01:22:29Grandma, get ready, tomorrow we're all eating in the pressure cooker.
01:22:33Be careful, this is... how is it?
01:22:42Now, you go up and I'll follow you now.
01:22:44Oh, hey, third from the left, Pichurri.
01:22:54Thank you very much, and thank you for being a bear.
01:22:56Well, it's just for a moment, you know?
01:22:58Don't worry, and I'll give you the money because he only likes steak.
01:23:01Ah, so he only likes it for one day.
01:23:03Bosses, my son.
01:23:04Well, it's your own portrait, it's just missing the helmet.
01:23:07Health to raise him, what a crazy guy.
01:23:13Be careful, Pichurri, you're stepping on the dining room table.
01:23:16Is the kitchen here?
01:23:18Yes, that way, but the important thing, the important thing is that we're going to put the bed here, Pichurri.
01:23:28Good afternoon.
01:23:29Good afternoon, you are the second one.
01:23:30Are they up already?
01:23:30Yes, yes, put on the regulation helmet.
01:23:33Pichurri.
01:23:37Wait for me here, Pichurri, don't move.
01:23:39Where are you going?
01:23:40Down below, I've dropped a drinking bowl.
01:23:47Well, what a coincidence.
01:23:54Hey, Pichurri, you over here.
01:23:56Yes, what a beautiful eye, I was just dying of curiosity.
01:23:57Third from the left, right?
01:23:58No, no, first right.
01:24:00Oh, well, I thought that...
01:24:01No, well, you see, we changed it because there were a lot of drafts in the third one, you know?
01:24:07Wait, I'll go with you, it's dangerous.
01:24:09Here, here, don't go any higher.
01:24:10Where are we going to put the bedroom, big man?
01:24:17Well, well, well, I don't know, wherever you want.
01:24:20Right there, huh?
01:24:28Am I late?
01:24:29No, no, no, you are the third one.
01:24:31Please put on your helmet, the regulation one.
01:24:33Oh my God, what's going on today?
01:24:38No, no, no, don't move from here, I'll be right back, Pichurri.
01:24:42Hey?
01:24:43Did you drop something?
01:24:44Yes, the hair.
01:24:50Pichurri!
01:24:51The palpín!
01:24:53Up, up.
01:24:54Further up, here.
01:24:55Am I almost there?
01:24:55To the left.
01:24:57But what's happening today?
01:25:03Pichurri!
01:25:06Here?
01:25:07No, you're going up, you're going up.
01:25:09Up, up.
01:25:11Upstairs, to the attic, to the attic.
01:25:22Pichurri!
01:25:23Here, right!
01:25:26Thank goodness.
01:25:28The Pichurri!
01:25:30Go up.
01:25:32It goes up more.
01:25:33Here?
01:25:33Here?
01:25:33No, no, here.
01:25:37Now, here, here, this way.
01:25:39Go!
01:25:44What bad luck!
01:25:45The Pichurri!
01:25:45Up, up, up, up!
01:25:49From here, from here, now?
01:25:50No, no, I'll tell you later.
01:25:52But why did it come with women on the ID card?
01:25:54With what might jump out at you, yes.
01:25:55It goes up, it goes up more.
01:26:00The architect told him so.
01:26:02The first thing you should have installed are the elevators.
01:26:05You never know what might happen.
01:26:09Pichurri!
01:26:10Why are you crying, man?
01:26:14What's wrong with you?
01:26:15You cry tears of joy, because you deserve it, understand that.
01:26:17Here, here.
01:26:18It's here, it's here.
01:26:18Yeah.
01:26:19Oh!
01:26:21Oh!
01:26:23Oh!
01:26:24I'll tell you, what would it cost me?
01:26:41A third A for Frankfurt.
01:26:43Oh!
01:26:45Oh!
01:26:47Oh!
01:26:47Oh!
01:26:48Hello, Manolo.
01:27:00You seem very nervous, huh?
01:27:03No, I have a shareholders' meeting today.
01:27:07Hello, Manolito.
01:27:08What do you think of this?
01:27:10Well, a national gathering of little shits.
01:27:14A gathering of unhappy people deceived by a scoundrel.
01:27:17Oh, what an exaggeration!
01:27:19And if you hadn't lost your planner, or hadn't had that argument the other day, we wouldn't have known about the scoundrels.
01:27:22that you are.
01:27:23Oh, oil!
01:27:23Too bad!
01:27:24With how good your eyes are there, I'm going to have to punch him in the mouth.
01:27:27Can we reach an agreement?
01:27:29If you give me two months' salary, I'll find you a good lawyer, whom I know.
01:27:33Ah, for him!
01:27:34No, no, no, please!
01:27:35No!
01:27:36I'll give it back to you!
01:27:37I'm left with one sense!
01:27:39We'll sign you up, you crazy girls, seriously!
01:27:41At 60!
01:27:42At 90!
01:27:43And in 1,200 days!
01:27:44All!
01:27:45Or I'll return it!
01:27:46Thank God.
01:27:47Bye bye.
01:27:47Goodbye, thank you.
01:27:49Bye bye.
01:27:50Have you seen Tapos?
01:27:51Thank you.
01:27:53I suppose this has helped you learn something, right?
01:27:57You might say, I've learned that it's dangerous to carry a planner in your pocket.
01:28:01Next time I'll learn the addresses by heart.
01:28:04Manolo, we've come to give you some joy.
01:28:13Oh, really?
01:28:14Has domestic service been abolished?
01:28:16No, no, no, sir.
01:28:17No.
01:28:17We got married.
01:28:19But together?
01:28:19Yeah.
01:28:21Well, I'll go see you at the clinic next week.
01:28:24I am transferring ownership of an apartment in excellent condition.
01:28:26Manolo.
01:28:27Hey?
01:28:27But what happened to you?
01:28:28Nothing, nothing.
01:28:29Nothing, just an accident.
01:28:30Oh, if it weren't for the helmet...
01:28:32No, well, my father already told me that.
01:28:34Conquest, but safe.
01:28:36Bye bye.
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