- hace 20 horas
Reparto: Alberto Closas, José Luis López Vázquez, Laura Valenzuela, Rafaela Aparicio, Laly Soldevila, Chiro Bermejo, Felipe Martín Puertas, Maruja Recio, Luis Ciges, Marcelo Arroita-Jáuregui, Luis Sánchez Polack, Pascual Costafreda, Lola Gálvez, Manuel Arbó, Montserrat Julió, Gracita Morales
Dirección: Mario Camus
Sinopsis: Santiago y Juan son dos hermanos solteros (Alberto Closas y José Luis López Vázquez) que conviven en el mismo piso y forman una extraña pareja de solterones con personalidades muy distintas. Su vida normal y cotidiana se ve alterada cuando un día se encuentran con un bebé abandonado en la puerta de su casa.
Dirección: Mario Camus
Sinopsis: Santiago y Juan son dos hermanos solteros (Alberto Closas y José Luis López Vázquez) que conviven en el mismo piso y forman una extraña pareja de solterones con personalidades muy distintas. Su vida normal y cotidiana se ve alterada cuando un día se encuentran con un bebé abandonado en la puerta de su casa.
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CortometrajesTranscripción
00:00:00Music
00:00:30Music
00:01:00Music
00:01:30Music
00:02:00Poor Santiago
00:02:13Santiago!
00:02:18Santiago!
00:02:20Santiago!
00:02:23Tell me whatever you want
00:02:26But try to keep the consultation short.
00:02:28I need to rest.
00:02:30No consultations, brother.
00:02:32Just some pretty bad news
00:02:33We have to go to the office
00:02:35Don't tell me I've been sleeping for 24 hours
00:02:37Because I don't believe you.
00:02:38No, I suppose you went to bed a while ago.
00:02:41So you're taking your time, brother.
00:02:44Leave immediately
00:02:45Listen, man, Don Aníbal called out
00:02:47He needs all of us in the section
00:02:49Because today he decided that the Christmas bonus should be paid.
00:02:52They called a little while after you left
00:02:53I thought about leaving you a note, but that would have been worse.
00:02:55At least you were able to sleep for a couple of hours
00:02:58Look
00:02:59I am 44 years old
00:03:01And I need to recover properly.
00:03:03Call Don Aníbal and tell that scoundrel
00:03:06That I am sick
00:03:07I'll go in the afternoon
00:03:07I need to rest.
00:03:09Juan
00:03:10That?
00:03:12Close the door
00:03:13Come on
00:03:14Stop messing around and get up
00:03:15I already warned you
00:03:16Those Saturday and holiday eve excursions
00:03:18They have to end
00:03:19You're too old now.
00:03:20You said it.
00:03:21I'm not old
00:03:23I'm old enough for that and to work like the first one
00:03:26Miserable
00:03:27You who get tired watching chess being played
00:03:30And that you are incapable of looking at a woman without trembling.
00:03:33How dare you doubt my physical strength?
00:03:36My current state is called serenity
00:03:40I float above those passions that you frequent
00:03:43You could say I've shut myself down.
00:03:45If tomorrow Sophia Loren set up a fence to seduce me
00:03:49Could you perhaps get me some Saturday, and only from 7 to 9?
00:03:53Then he would refuse to greet her.
00:03:57Okay, that's fine.
00:03:58Go and prepare breakfast
00:04:00After all, you were the one who fired Martin.
00:04:01No, no, no, no
00:04:31Come on man, we're really short on time
00:04:39Go wash up
00:04:40Mrs. Nandi
00:04:42On the phone
00:04:44Mrs. Nandi
00:04:54Follow me
00:04:58On the phone
00:04:59I'm going now
00:05:00Potatoes
00:05:18Potatoes
00:05:22Here, take this, it'll clear your head
00:05:49In one gulp
00:05:50Pesticide killer
00:05:59You don't do that to a brother.
00:06:02Miserable
00:06:04Come on
00:06:18Come on
00:06:29Hateful Don Hannibal
00:06:38If today, when he drops below 600, the earth were to swallow him up.
00:06:42I would feel happy
00:06:44I don't know why, but I feel calmer.
00:06:53There's nothing like a good coffee
00:06:54You've made a mistake.
00:07:11Thank you
00:07:16We don't raise our collars
00:07:33I am inclined to believe that would be prudent
00:07:35Under way?
00:07:37Under way
00:07:38Ah, one moment
00:07:40What's the matter?
00:07:41I forgot the sweets and then at eleven o'clock I would miss them
00:07:43Go ahead, take them.
00:07:45Don't let yourself feel weak
00:07:47Santiago
00:08:03What's wrong?
00:08:05Something awful
00:08:05What's wrong with you?
00:08:07Out there, at the door
00:08:08At the door?
00:08:09Don't open it
00:08:09But explain yourself
00:08:11Find out for yourself
00:08:13Without opening through the keyhole
00:08:14I can't see anything.
00:08:17Don't measure in front, look down.
00:08:19I can't see anything.
00:08:21But what is it?
00:08:23A bomb?
00:08:24I see
00:08:24But come on, explain yourself
00:08:26There is a child
00:08:26A child?
00:08:28And what does he want?
00:08:28Anyone knows
00:08:29And why hasn't he called?
00:08:30It's because it can't reach the doorbell.
00:08:31It will be very small
00:08:32A newborn brother
00:08:34What are you saying?
00:08:36Wrapped in clothes, in a basket
00:08:38Street
00:08:40What's up?
00:08:47Yeah
00:08:47It's his way of ringing the doorbell
00:08:49Let's open it for him
00:08:50No, wait
00:08:51Let's not do anything without reflecting.
00:08:53You're right.
00:08:54Let us reflect
00:09:08One preliminary matter, Santiago
00:09:09On my word of honor
00:09:11Can you hear me okay?
00:09:12On my word of honor
00:09:13But what are you doing here?
00:09:15Because the question I'm going to ask you
00:09:16It's not trippy
00:09:17Do you have a clear conscience?
00:09:21Like crystal, brother
00:09:23Good
00:09:24One moment
00:09:26And you?
00:09:30Santiago
00:09:30I swear on my mother's glory
00:09:32Okay, okay, that's fine.
00:09:33Enough
00:09:34But who could have left us this child?
00:09:37What a question!
00:09:38The mother, of course.
00:09:39Or someone acting on his orders.
00:09:41And the father?
00:09:42How cool?
00:09:43That child's
00:09:44Ah, who knows where he is
00:09:45Parents never worry about these things
00:09:47It hasn't occurred to us to look at the street
00:09:49I'm running
00:09:49Nothing
00:10:05A hellish temperature
00:10:07All
00:10:08What if I looked in Mom's room?
00:10:13Mom's room?
00:10:14It is a case of necessity
00:10:15Sorry, Mom
00:10:25Forgive my boldness
00:10:26But you have to look out from the balcony.
00:10:27There may be a clue
00:10:28Did you make any discoveries?
00:10:52None
00:10:53A car was pulling away from the doorway when I looked out
00:10:55Did you see the license plate?
00:10:56It was official.
00:10:57I don't think that...
00:11:00No, man
00:11:00It's not likely
00:11:02Anything else?
00:11:04A biting cold
00:11:05The mother was perhaps below
00:11:07But I haven't recognized her yet.
00:11:08Juan
00:11:11Tell me
00:11:12It is clear that the child is destined for us.
00:11:16The apartment across the hall has been vacant for a month.
00:11:18Why don't we put it in and then think about it?
00:11:22By no means
00:11:23Where does our home begin?
00:11:25From the door onwards
00:11:25Not from the door onwards
00:11:27The landing is no man's land, dear brother
00:11:29What appears on the landing does not belong to me.
00:11:31Yes, well, but we'll have to go, won't we?
00:11:34We're not leaving here until this is resolved.
00:11:37Well
00:11:39The formula is not to open it.
00:11:44As long as you don't open it, the child will have nothing to do with you or me.
00:11:48The divider is the door
00:11:49If it remains closed, we will be just as obligated to it as to those abandoned in the streets of Sangay.
00:11:54Take the elevator up
00:11:55I can hear it now.
00:11:59Hey, Juan
00:12:02We wouldn't be foolish to leave the child out there.
00:12:06We must resist
00:12:08Resist?
00:12:10You'll see how by resisting
00:12:11But what are you doing?
00:12:14What are you doing?
00:12:15But, Santiago
00:12:16Santiago!
00:12:18Man!
00:12:19You shut up!
00:12:26Leave it to me
00:12:27Good morning, sir
00:12:37Good morning
00:12:38Are you interested in the complete works of Miguel de Cervantes?
00:12:40Don't tell me anything.
00:12:40I can tell from her face that she did.
00:12:42Excuse me for meddling in something that doesn't concern me.
00:12:43But you have the face of an intelligent man.
00:12:45Who did he say that about?
00:12:46As?
00:12:47Whose complete works?
00:12:48From Cervantes, sir
00:12:49The one-armed man of Lepanto
00:12:50The Prince of Letters
00:12:52And which newspaper does that prince write for?
00:12:54What did you say?
00:12:55I don't read works by unknown authors.
00:12:57I am a very knowledgeable gentleman
00:12:58Illiterate!
00:13:00Illiterate!
00:13:18What have you given me?
00:13:47Something to wake you up
00:13:48That's outrageous, Santiago!
00:13:53That's outrageous!
00:13:56What nonsense are you going to tell me?
00:13:57Are you two peas in a pod, Santiago?
00:14:00Two drops of water
00:14:01I don't think this is the right time for you to play stupid jokes on me.
00:14:04Okay, no more jokes.
00:14:06Who do you think he remembers from the people we know?
00:14:10I don't know, just at first glance
00:14:11To Don Aníbal, our boss
00:14:13Or not?
00:14:14Speaking of Don Aníbal, do you know what time it is?
00:14:16Go ahead, I phoned the office
00:14:18What should I say to him/her?
00:14:26Whatever comes to mind
00:14:27We'll arrive a little later
00:14:29We're in labor.
00:14:31It's 2-2-1-5-1-6-7, right?
00:14:43Yeah
00:14:43Communicate
00:14:45Is the pill working for you?
00:14:48Yes, I'm feeling better now.
00:14:49I'm even feeling hot.
00:14:50Hey, will this be a boy or a girl?
00:14:54What do you think is the best way to find out?
00:14:57I'm shy about these things
00:14:58Find out for yourself
00:14:59I'll see if I can get on the phone.
00:15:01Child
00:15:13Communicate
00:15:21Hey, so what do we do?
00:15:25You keep shaking it
00:15:26Will he finally shut up?
00:15:43They don't spy on each other
00:15:44Who?
00:15:45Nati
00:15:45I'll fix that right now.
00:15:47Keep shaking the child
00:15:48Mrs. Nati!
00:16:06Mrs. Nati!
00:16:10Mrs. Nati!
00:16:13Mrs. Nati!
00:16:22Follow me!
00:16:24Meme, monkeys!
00:16:25I'm coming down right now!
00:16:35At least while he's going up and down the stairs he'll leave us in peace
00:16:38I put him to sleep.
00:16:40Very good
00:16:41Well, now that you seem to be able to,
00:16:44Let's see if we can decide what needs to be done
00:16:46We have no other path left.
00:16:48The one from the police station
00:16:56Deliver the creature there
00:16:58It's the only solution
00:17:00Okay, let's go, let's go
00:17:02Now then
00:17:03At the police station
00:17:04What will we say?
00:17:05What has happened to us
00:17:06We could use a witness
00:17:08Witness to what?
00:17:09We don't have it.
00:17:10We called the doorman and explained what had happened.
00:17:12Will the goalkeeper believe us?
00:17:14I suppose so
00:17:15Okay, but what will happen to the child?
00:17:21He will be immediately admitted to one of the facilities designated for these cases.
00:17:24In other words, even
00:17:25Or something like that
00:17:26I guess
00:17:28What's the matter?
00:17:30I feel very sorry, Santiago.
00:17:32I can't deny it
00:17:33Imagine their luck
00:17:34A complete orphanhood
00:17:35A uniform smock in four or five years
00:17:38A manual trade and a surname
00:17:39Foundling
00:17:41A great bullfighter could emerge.
00:17:43Remember Currito de la Cruz
00:17:45A funny one
00:17:46That must have been a joker.
00:17:49Because on this staircase
00:17:51Let's go to the bathroom
00:17:52There are many
00:17:52Didn't you know?
00:17:54Well yes
00:17:55There are many
00:17:56There are many cattlemen
00:17:59Too many cattlemen
00:18:02But in this house, we all know each other.
00:18:05I'm warning you
00:18:06Don't mess with me.
00:18:08Hey
00:18:12That?
00:18:13Why don't we leave the child at the Balboa family's house?
00:18:16Those from the third floor
00:18:17Man
00:18:17They are a lovely couple.
00:18:18They have no children
00:18:19The sixty years have already passed.
00:18:21And I'm often wrong
00:18:22If they don't open their paternal arms to him
00:18:24That would be a solution
00:18:26Remember that they pay a hundred pesetas more than us
00:18:28Already
00:18:28They are in a very good position.
00:18:30The child's mother would have wanted it that way.
00:18:32It's obvious
00:18:33What if they rejected it?
00:18:35Would it be to take him to the police station?
00:18:36The same thing you and I were going to do?
00:18:38OK
00:18:39Let's turn it down
00:18:40And while we're at it, let's go to the office.
00:18:41It's about time.
00:18:42It will have to be done carefully.
00:18:44Here, you stay at the door.
00:18:57I'll go down first.
00:19:00Stay at the door
00:19:04Stay at the door
00:19:05Stay at the door
00:19:05Stand at the door!
00:19:06Let's go to the door!
00:19:07Thanks for watching the video.
00:19:37Thanks for watching the video.
00:20:07Thanks for watching the video.
00:20:37Thanks for watching the video.
00:21:07Thanks for watching the video.
00:21:37Shall we go in there?
00:21:38And the office?
00:21:40We'll have a coffee and leave.
00:21:41What can I get you?
00:21:48Coffee.
00:21:48Coffee.
00:21:50Good.
00:21:57Take.
00:21:58Take.
00:22:06Look.
00:22:08The milkman.
00:22:12He'll find that one.
00:22:28No, it didn't go beyond the portal.
00:22:40I think we should leave.
00:22:42What's done is done.
00:22:44Yes, you're right.
00:22:46Let's stop messing around and go to the office.
00:22:48No.
00:22:49Municipal credit.
00:22:53No.
00:22:54No.
00:22:54No.
00:22:55No.
00:22:57No.
00:22:58What type?
00:23:25It looks terrible.
00:23:28It looks terrible.
00:23:58So you think we could try...?
00:24:02It would be a matter of hurrying.
00:24:03Here I come.
00:24:04Over there, could I already see where you were going?
00:24:12She doesn't want to take out a ponytail.
00:24:14And what will you do?
00:24:17Those oranges are mine.
00:24:19They're mine.
00:24:20Gamer!
00:24:22Gamer!
00:24:23Eusebius, Eusebius, Eusebius.
00:24:33Excuse me, ma'am.
00:24:35This child is the natural son of my brother Juan.
00:24:37We wanted to abandon him, but it's not fair to the poor creature.
00:24:40And despite his illegitimate origin, we are going to keep him in the family.
00:24:44And please excuse me.
00:24:44But Mr. Villanova!
00:24:47What was wrong, Maria?
00:24:48Why did you call?
00:24:49Pipidón!
00:24:58Disarmed!
00:25:05What did you say to Mrs. Balboa?
00:25:07Nothing, man.
00:25:08I haven't said anything to him.
00:25:11Hey, a record.
00:25:12It won't be the surprise album.
00:25:15Maybe we'll get a 600.
00:25:16Don't talk nonsense, man.
00:25:18The surprise will come now.
00:25:19Come on, let's go to the peak.
00:25:20Maybe the interesting part comes at the end.
00:25:47You're wrong, you wretch.
00:25:56You turned on the radio.
00:25:58Excuse me, man.
00:25:59I don't know what I'm doing to myself.
00:26:05My name is Santiago.
00:26:07Santiaguito?
00:26:07Oh yes, I already knew that.
00:26:09Look, Juan, don't be a fool.
00:26:10I have nothing to do with this.
00:26:12No, but then why is he named after you?
00:26:14But isn't there a capacity called Santiago?
00:26:17Thank you.
00:26:18Did you see?
00:26:19We have to start again.
00:26:21And shut up.
00:26:25My name is Santiago.
00:26:27I want to be a mining engineer.
00:26:30It's my life's dream.
00:26:32I hope that when I grow up they will give me a thousand opportunities to do so.
00:26:36With 25 years' notice, thank you and goodbye.
00:26:42The creature is ambitious.
00:26:44That album is a stupid load of nonsense that doesn't clear up any doubts.
00:26:51You could tell us who your mom and dad are, handsome.
00:26:54No, absolutely not, no, no.
00:26:56Forgive me, forgive me, little one.
00:26:57I haven't said anything.
00:26:58No, no, no.
00:26:59Dad and Mom are the two of us.
00:27:00Do you understand?
00:27:01That's it.
00:27:06Have you heard?
00:27:07Yes, but I can't open it now.
00:27:22Who is it?
00:27:24Juan.
00:27:25That?
00:27:26I have some serious news to tell you.
00:27:28Nothing can be seen.
00:27:31There is an 80% chance it will be another boy.
00:27:34Another child?
00:27:35Open!
00:27:45Boy or girl?
00:27:47The newspaper.
00:27:53If they take him to the police station, we can say goodbye to him.
00:27:56Because you said so?
00:27:59Because the child is yours, unofficially.
00:28:02Of course, that's what you said to the lady downstairs, right?
00:28:06And what a fuss would be made if, after saying the child is yours, they find out we took him to the foundling home.
00:28:11By now, even the house across the street knows.
00:28:13See if he's spying on Natla.
00:28:15There it is.
00:28:28There it is.
00:28:34Just imagine the gossip.
00:28:38Those two brothers who seemed so well-behaved.
00:28:40Scoundrels.
00:28:42To leave him without a father after having brought him into the world.
00:28:46And in the office?
00:28:48Can you imagine the embarrassment?
00:28:49The discredit.
00:28:51The office.
00:28:52What's the matter?
00:28:52I've already told you.
00:28:53Today the Christmas bonus is being paid and I am the authorized person.
00:28:56They'll all be waiting for me to open the box and hand out the envelopes.
00:28:58I, at least, have to leave, Santiago.
00:29:01Okay, but come back soon.
00:29:02Of course I'll be back.
00:29:05Don't worry.
00:29:07Please excuse me properly.
00:29:09In 22 years, this is the first time I've missed work.
00:29:14Santiago, take care of that child.
00:29:16I can't, brother.
00:29:17I'm asleep.
00:29:19But man, I have no choice but to go.
00:29:21The payroll has its requirements.
00:29:23Sure, sure.
00:29:25Nougat, marzipan, candied fruit.
00:29:28Do you understand?
00:29:28That's what happens.
00:29:32It's good, beautiful.
00:29:49You have left the customs staff without a Christmas bonus.
00:29:59Hail Mary, most pure.
00:30:00But how could you not squirm, you creature?
00:30:03Wait, I'm going to clean you up.
00:30:14Come on, come with me, Santiago.
00:30:16Come with me, I'm going to wash you.
00:30:18Dad is going to wash you.
00:30:25Santiago, hold the child for a moment, I'm going to heat some water.
00:30:27The poor man needs a bathroom.
00:30:30He was desperately asking for it.
00:30:52Don't have it.
00:30:53Don't have it.
00:30:53What's happening?
00:31:23What's happening?
00:31:53What's happening?
00:32:23What's happening?
00:32:53What's happening?
00:33:23What's happening?
00:33:53What's happening?
00:34:23What's happening?
00:34:53What's happening?
00:35:23What's happening?
00:35:54It's a child, but a very small child.
00:35:58No, it's not ours, it belongs to our sister, yes, the one who's in Chile.
00:36:04What's happening?
00:36:34What's happening?
00:37:04What's happening?
00:37:34What's happening?
00:38:04What's happening?
00:38:34What's happening?
00:39:04What's happening?
00:39:34What's happening?
00:40:04What's happening?
00:40:34What's happening?
00:41:04What's happening?
00:41:34That?
00:42:04What's happening?
00:42:34What's happening?
00:43:04What's happening?
00:43:34What's happening?
00:44:04What's happening?
00:44:34What's happening?
00:45:04What's happening?
00:45:34What's happening?
00:46:04What's happening?
00:46:34That?
00:47:04What's happening?
00:47:34What's happening?
00:48:04That?
00:48:34That?
00:49:04That?
00:49:34What's happening?
00:50:04What's happening?
00:50:34That?
00:51:04That?
00:51:34That?
00:52:04That?
00:52:34That?
00:53:04That?
00:53:34That?
00:54:04That?
00:54:34That?
00:55:04That?
00:55:34That?
00:56:04That?
00:56:34That?
00:57:04That?
00:57:34That?
00:58:04That?
00:58:34That?
00:59:04That?
00:59:34That?
01:00:04That?
01:00:34That?
01:01:04That?
01:01:34That?
01:02:04That?
01:02:34That?
01:03:04That?
01:03:34That?
01:04:04That?
01:04:34That?
01:05:04That?
01:05:34That?
01:06:04That?
01:06:34That?
01:07:04That?
01:07:34That?
01:08:04That?
01:08:34That?
01:09:04That?
01:09:34That?
01:10:04That?
01:10:34That?
01:11:04That?
01:11:34That?
01:12:04That?
01:12:34That?
01:13:04That?
01:13:34That?
01:14:04That?
01:14:34That?
01:15:04That?
01:15:34That?
01:16:04That?
01:16:34That?
01:17:04That?
01:17:34That?
01:18:04That?
01:18:34That?
01:19:04That?
01:19:34That?
01:20:04That?
01:20:33That?
01:21:03That?
01:21:33That?
01:22:03That?
01:22:33That?
01:23:03That?
01:23:33That?
01:24:03That?
01:24:33That?
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01:25:33That?
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