- hace 3 meses
Reparto: José Luis Ozores, Luis Prendes, Luis Arroyo, Félix Dafauce, Carmen Vázquez Vigo, Antonio Garisa, Ricardo Acero, Manolo Morán, Miguel Gila, Irán Eory, José Prada, Juan Vázquez, Antonio Ozores
Dirección: José María Forqué
Sinopsis: Un diablo de ínfima categoría (José Luis Ozores) aterriza en un pueblecito mediterráneo al ser desenterrados y unidos los trozos de una singular figurita. El diablillo se entromete en las vidas del excéntrico pintor Bernaldino (Luis Prendes), del gran Momo (Félix Dafauce), de un matrimonio “moderno” (Antonio Garisa y Carmen Vázquez Vigo) y de un heroico y asustadizo jardinero (Ricardo Acero).
Dirección: José María Forqué
Sinopsis: Un diablo de ínfima categoría (José Luis Ozores) aterriza en un pueblecito mediterráneo al ser desenterrados y unidos los trozos de una singular figurita. El diablillo se entromete en las vidas del excéntrico pintor Bernaldino (Luis Prendes), del gran Momo (Félix Dafauce), de un matrimonio “moderno” (Antonio Garisa y Carmen Vázquez Vigo) y de un heroico y asustadizo jardinero (Ricardo Acero).
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CortometrajesTranscripción
00:01:56Hello.
00:01:58Yes, yes.
00:02:00I will tell everything, even if men laugh at me.
00:02:03I'm a little embarrassed, but...
00:02:05I must serve my punishment and I want to make a sincere confession.
00:02:09I have always lied.
00:02:11It is my professional duty.
00:02:13And this time I am condemned to tell the truth,
00:02:16It's such a strange truth that...
00:02:18It will seem unbelievable to everyone.
00:02:20I managed, through underhanded means you wouldn't understand,
00:02:24to have an appearance like yours.
00:02:27To mingle with you and interact with you.
00:02:31I have always wished for your downfall
00:02:33And you've always annoyed me.
00:02:36Congratulations.
00:02:38The last man here at Tate.
00:02:40He's the only one who knows about my adventures.
00:02:42A painter...
00:02:44a famous painter, this man...
00:02:47a...
00:02:48Bernaldino, yes.
00:02:57Pick that up.
00:02:58Ready.
00:02:59Good morning, sir.
00:03:01Are you from here?
00:03:02I.
00:03:03Me from here?
00:03:04I am the painter Bernaldino.
00:03:05Where is he from?
00:03:06Citizen of the world.
00:03:07Voila.
00:03:08French.
00:03:09Not me, and you?
00:03:10I don't.
00:03:11Beautiful coincidence.
00:03:12Are you a well-known painter?
00:03:13Are you General MacArthur's secretary?
00:03:15Oh.
00:03:22Pablo is the son of the old gardener of Villa Solimar.
00:03:25Elisa is a young woman from there.
00:03:27Very similar to the other young women in the area.
00:03:29Even though for him it is different from all the others.
00:03:32Yeah.
00:03:33They love each other.
00:03:35You've noticed it, haven't you?
00:03:37The painter is perplexing, like all geniuses.
00:03:39He tells the truth in jest and the nonsense in earnest.
00:03:42I mix the paint with linseed oil.
00:03:45Give oil.
00:03:46Great invention.
00:03:47Don't you think so, Crispín?
00:03:48My name is not Crispín, sir.
00:03:50Neither do I.
00:03:52Another beautiful coincidence.
00:03:54Cypress trees.
00:03:55Yes sir.
00:03:56Four.
00:03:57I only see three.
00:03:58One died, sir.
00:03:59Already.
00:04:00I will paint all four.
00:04:01This row of cypress trees is missing a tooth.
00:04:03I'll put it on her.
00:04:05What did he die of?
00:04:06Everyone knows, sir, what trees die of.
00:04:08One day he was found dead.
00:04:09I paint the world around me.
00:04:11And where I paint a cypress, there must be a cypress.
00:04:14Here.
00:04:15Would you like me to plant another one, sir?
00:04:16No, no, no.
00:04:17I'll plant it myself.
00:04:18Every man's mission—to plant a tree, to write a book, to have a child—changes the
00:04:22book for the painting.
00:04:23You find the tree and the painter Bernaldino will plant it.
00:04:26A tiny tree?
00:04:27No no.
00:04:28Big like the others.
00:04:29Four cypress trees like the four horsemen of the apocalypse.
00:04:32Oh, and bring me a new scarf.
00:04:33The painter Bernaldino only wears new frocks.
00:04:37I was the cause of the cypress's death.
00:04:40Death always attracts attention.
00:04:42I wanted to get the painter's attention and make him dig with the old or new hoe.
00:04:48at the foot of the tree.
00:04:49Forty-two, forty-three, forty-four, forty-five.
00:04:59Close.
00:05:00All I dig up is dirt.
00:05:02Except for the stones.
00:05:03Ah, if only they were precious stones.
00:05:05You'd kill me for stealing them.
00:05:07Or I to you.
00:05:09Don't you dream of having lots of money?
00:05:11No, sir.
00:05:12What do you dream about?
00:05:13With nothing.
00:05:14I do.
00:05:15I dream that I am the painter Bernaldino who is digging the earth.
00:05:19Forty-six.
00:05:20Forty-seven.
00:05:22Forty-eight.
00:05:26That's not a rock.
00:05:33It's wood.
00:05:34Help me.
00:05:38Here's a handle.
00:05:40Take it.
00:05:41Pull hard.
00:05:42Come on.
00:05:43Come on.
00:05:45The chest.
00:05:46Do you know him?
00:05:47Yes sir.
00:05:48It disappeared a long time ago.
00:05:50It was on a table in the living room.
00:05:52Listen.
00:05:53There's something inside.
00:05:55Leave it, sir.
00:05:56Do not open it.
00:05:57Because?
00:05:58I'm afraid.
00:05:59Fear.
00:06:00Listen to me, sir.
00:06:01Do not open it.
00:06:02Don't open it, sir.
00:06:03Do not open it.
00:06:05Let go.
00:06:06Let go.
00:06:13The little statue.
00:06:14The little statue.
00:06:15That?
00:06:16Leave her alone, sir.
00:06:17Don't touch it.
00:06:18Because?
00:06:19That?
00:06:20Leave her alone, sir.
00:06:21Don't touch it.
00:06:22Because?
00:06:23Because there is a curse.
00:06:24So there were twelve.
00:06:26I love curses.
00:06:32Who's playing?
00:06:35It sounds like it's coming from inside the house.
00:06:38It just can't be.
00:06:39Don't go, sir.
00:06:40Return the statuette to where it was.
00:06:43Finish digging the hole yourself.
00:06:44But, sir.
00:07:07As in director follow-up.
00:07:17Caracas.
00:07:18Viper.
00:07:20Uc.
00:07:21Enter the month and then.
00:07:22Thank you!
00:07:23That was the beautiful part,
00:07:24It was a year in my investing.
00:07:26Am!
00:07:27Passed.
00:07:33I will do all the projects
00:07:35adored.
00:07:36Good morning, Mr. Bernardino.
00:07:44Do you know me?
00:07:45Not yet.
00:07:47How does he know my name?
00:07:48All the paintings in the room bear his signature, and only one name could paint it like you did.
00:07:51Who are you?
00:07:52I'm a bit of everything.
00:07:55Musician, bricklayer, merchant, but now I'm unemployed.
00:08:00Why don't you take me into your service?
00:08:01I'll take the blame for everything and tell everyone that you're the painter Bernardino, okay?
00:08:04What a magnificent idea!
00:08:06In the meantime, can I serve as a model for you?
00:08:09Tomorrow, when the watchmaker has told him the story of the little statue...
00:08:12That?
00:08:14The watchmaker knows many things.
00:08:17Me too, but he tells them better.
00:08:19Who are you?
00:08:22The watchmaker is the only one who knows.
00:08:24Go ask him.
00:08:26Well, well.
00:08:34I am Bernardino the painter, who has come to see the watchmaker.
00:08:44I am the watchmaker's wife and my name is Laura.
00:08:47Me, Bernardino?
00:08:47I am Laura.
00:08:49Me too?
00:08:50OK that's fine.
00:08:51Three clocks.
00:08:52One, mine.
00:08:53And I also want to know...
00:08:54Everyone wants to know, but no one wants to give.
00:08:57My husband will tell her everything if she doesn't interrupt him.
00:09:00I interrupt him because I'm fed up.
00:09:03It's that way.
00:09:04Seventy-two, seventy-three, seventy-two.
00:09:15Excuse me, Mr. Watchmaker.
00:09:17I would like to know...
00:09:18He's not from here.
00:09:19I've been told...
00:09:20He has been deceived.
00:09:21I've brought him a watch to fix.
00:09:22I have many.
00:09:23I am the tenant of Villa Solimar.
00:09:27Since when?
00:09:28Starting today.
00:09:29Does the clock on the staircase work?
00:09:31It's stopped.
00:09:32Wind it up.
00:09:33I composed it a while ago...
00:09:35Forty years.
00:09:37I was digging a hole in the garden and I found a wooden chest.
00:09:40Inside, a small alabaster figurine.
00:09:42Where was I?
00:09:43Buried underground.
00:09:45And now?
00:09:45At my place.
00:09:47He closed the door.
00:09:48Are there thieves?
00:09:49Everyone is a thief everywhere.
00:09:52The musician told me...
00:09:53Lie.
00:09:54The only person who could have told him my name disappeared in 1908.
00:10:00I was a child.
00:10:02Well, he shouldn't have grown.
00:10:03It happened without me realizing it.
00:10:04I'll tell you an extraordinary story.
00:10:11If you understand anything I say, you can be sure that I understand it differently.
00:10:17It was in 1908.
00:10:21I was thirty years old and my wife was starting to do her first knitting job.
00:10:27He had gone to Villa Solimar to fix a watch.
00:10:31I had rented the villa to a strange man who had us all worried.
00:10:36Her name was Momo.
00:10:38And he was an inventor.
00:10:39So far they have invented useless, harmless weapons.
00:10:44All nations have them all, and none can impose itself on the others.
00:10:49The nation that possesses my invention will own the world.
00:10:51Mr. Momo, we offer you ten thousand silly things.
00:10:54I'm not asking for money.
00:10:55I ask for land, world, palaces, islands, power.
00:10:59A golden statue.
00:11:00I, the great Momo.
00:11:02The man who transformed the face of the earth.
00:11:04The one who annihilated entire cities with all their inhabitants.
00:11:07The one who ended this old humanity.
00:11:09Me, one hundred million.
00:11:11Foolishness.
00:11:12More, more, go up.
00:11:14Momo is for sale to the highest bidder.
00:11:17I want a desert island for myself.
00:11:19With its men, its women, its flocks, its crops, its wells and its waterwheels.
00:11:25I want to be king.
00:11:28Momo the first, king of an island.
00:11:30Two hundred million.
00:11:31An island.
00:11:31Three hundred million.
00:11:32An island.
00:11:32Our country has no colonies.
00:11:33But he has soldiers who can conquer an island for me.
00:11:36Make me king.
00:11:37His invention of being in the hands of a powerful nation.
00:11:40Ours is.
00:11:41Only force rules the world.
00:11:43We are this force.
00:11:45Yes, yes.
00:11:45But the invention is mine.
00:11:47I am the force.
00:11:48And to relinquish it, I want to share in power.
00:11:50We will seek instructions from our government and visit you within...
00:11:54Soon, soon.
00:11:54Ten days.
00:11:56And in the meantime, as the price of the option, we hope you will accept the contents of this chest.
00:12:00I'm not making any commitments.
00:12:02Not a single option.
00:12:12For ten days only.
00:12:14My research labs can't wait.
00:12:17He will give them up with the formula.
00:12:19And with the staff.
00:12:21All in exchange for a kingdom for me.
00:12:23Come on?
00:12:24This is how history is written.
00:12:30This is how history is written.
00:12:54Subscribe to the channel!
00:13:24Subscribe to the channel!
00:13:55Africa.
00:13:57America.
00:14:00We appeal to your feelings in the name of humanity.
00:14:02Whose?
00:14:03Of humanity.
00:14:04I don't know her.
00:14:06You have invented a destructive formula that can wipe man off the face of the Earth.
00:14:10We were made to love each other, not to destroy each other.
00:14:12All men are human beings.
00:14:13Races and technological advances don't matter.
00:14:16Poor and rich, wise and ignorant, powerful and humble, we are all men.
00:14:20Men?
00:14:20What power do you work for?
00:14:23In service of good.
00:14:24Couplets!
00:14:25At the service of God.
00:14:27God created my intelligence, and it created my formula.
00:14:30God created all our intelligences so that we may put them at the service of good.
00:14:33Okay, my good is worth 100 billion. Pay them and I'll listen.
00:14:38If we pay to avoid evil, where will we get the money to do good?
00:14:42The world is rich, and happiness is expensive. Those who want to be happy must pay.
00:14:46Cheap happiness is an outdated fairy tale.
00:14:50We'll never raise that much money.
00:14:52What will he gain by destroying humanity?
00:14:54What is he trying to achieve with this?
00:14:56I want to be king!
00:14:57Please listen to us. Humanity is poor. Your invention will only bring more misery and ruin.
00:15:04I want to be king.
00:15:05King of a shattered land. King of pain and death.
00:15:09Humanity has seven lives, like cats. From this one, another will be born. One hundred billion.
00:15:13No, that's their final word.
00:15:15My last three words. One hundred billion.
00:15:18I'm finished, sir.
00:15:32As?
00:15:33I've finished fixing the clock, sir.
00:15:36And to think that some people have stones like that in their liver.
00:15:39I prefer them on my tie.
00:15:41And you carry it, sir!
00:15:42You! You! You! You!
00:15:45It seems those people get angry.
00:15:46He's the one who refused to help me!
00:15:50What's wrong with them?
00:15:51They're trying to organize universal peace. You'll see.
00:15:56No, but...
00:15:56Fixing the world isn't as easy as fixing clocks!
00:16:12It's no laughing matter, sir.
00:16:14Your invention could cause a lot of harm, sir.
00:16:17Don't worry, I'll get the Nobel Peace Prize
00:16:19My invention will cause so much damage that wars will end.
00:16:22That's not true
00:16:24Remember what I tell you
00:16:25It is 1908
00:16:27And from now on there will be no more wars
00:16:29Humanity will be afraid of disappearing
00:16:31Is it well paid?
00:16:34Too much
00:16:35I have to wait ten days, I'm bored here.
00:16:37Give me the scents of your homeland, girl
00:16:39Doesn't this town have a pretty woman, a famous fool, or a building...?
00:16:43Yes, it has a museum.
00:16:45Antiques?
00:16:46All museums are
00:16:48The word itself says it.
00:16:49The word?
00:16:50Yeah
00:16:50Museum
00:16:52Ah
00:17:13An Italian iron brazier from the late 14th or early 15th century
00:17:21Years 1380-1420
00:17:25Note the size of the cup, three times larger than those currently used by their reigning majesties.
00:17:30That proves that it was colder 600 years ago than it is now.
00:17:34The brazier's feet are made of iron and prevent the cup from touching the ground.
00:17:38It has four legs like a cat.
00:17:40That?
00:17:40What has four legs like cats?
00:17:42Oh!
00:17:45This is one of the most curious pieces in the museum.
00:17:47A small alabaster figurine, apparently of Pompeian origin.
00:17:50According to legend, this figurine is the work of the devil.
00:17:53Work of the devil
00:17:56Jesus, Mary, and Joseph
00:17:58It's just a legend.
00:17:59It says here, work of Alfonso X the Wise
00:18:03You have skipped a page
00:18:05The passage about Alfonso X the Wise is an original page from the draft of the Seven Parts
00:18:10That's where
00:18:10The figurine is the work of the devil.
00:18:13That's what the legend says.
00:18:15I'll repeat it without giving my opinion.
00:18:17They also say that the owner of this figurine will have the devil at his service until...
00:18:22Well, I guess until one of them gets fed up with the other.
00:18:25It's true?
00:18:27Yeah
00:18:27That's what it says.
00:18:28Sorry
00:18:29In the Dictionnaire de Petite Sculpture Mythologique there is a notice of this legend
00:18:33And in the Basencraft Intendant Pultam it is said that...
00:18:37Well, well, those will be stories from other countries.
00:18:40Here we say it the way I said it
00:18:42And now let's move on to the wrought iron section, which is the most remarkable part of the museum.
00:18:48Shall we continue?
00:18:50Museums bore me
00:18:51This mania for keeping things
00:18:53Then we're leaving
00:18:54You can leave
00:18:55I'll stay here...
00:18:58Gazing at the sea
00:18:59Go away
00:19:00Bye!
00:19:02Bye!
00:19:03Bye!
00:19:04Bye!
00:19:04Thank you!
00:19:04Bye!
00:19:04Bye!
00:19:14Good morning, Mr. Watchmaker.
00:19:35Good morning.
00:19:37Good morning.
00:19:37Do you know the time, Mr. Watchmaker?
00:19:40I move them on the dot.
00:19:45Good morning.
00:19:46Good morning.
00:19:48It was stolen late last night.
00:19:50They found two diamonds at the site of the statue.
00:19:54What have they stolen?
00:19:55A statuette from the museum.
00:19:57It says so right there.
00:19:58Are diamonds any good?
00:19:59They say yes.
00:20:01Ah, well, thank goodness.
00:20:02They arrested a foreigner who became a suspect because he knew a lot about the statue.
00:20:07I would arrest them all until they learned to speak properly.
00:20:11Hey, hey, listen! The newspaper!
00:20:12Well, he doesn't wear it.
00:20:15Four cypress trees.
00:20:17Will they take a long time to grow?
00:20:19In growing up completely, yes sir.
00:20:21Forty or fifty years.
00:20:24Not everyone who plants a tree sees it grow.
00:20:26That saves money.
00:20:30Ah, he's my old friend.
00:20:34Where are you going in such a hurry?
00:20:36Good morning, sir.
00:20:37Are you here to keep an eye on your sick relative?
00:20:39Don't you know the news?
00:20:40No.
00:20:40The statuette has been stolen from the museum.
00:20:43A foreigner has been arrested, but he says he is innocent.
00:20:45Magnificent.
00:20:46I feel sorry for him.
00:20:47I would confess if I were him.
00:20:49Do you think he's the thief?
00:20:50No, but if he dares to say it was me, it will be over sooner.
00:20:53What if he is convicted?
00:20:54She will be the victim of an injustice and will be able to write a book speaking ill of men.
00:20:58What is it that I fear, Lord?
00:20:59That I am the thief.
00:21:01Accurate view of reality.
00:21:03Your brain is working.
00:21:05Too bad, you won't be happy.
00:21:07Yes, I stole it.
00:21:09Come.
00:21:10No, don't go.
00:21:15Come in, come in, don't be afraid.
00:21:16Anyone would say you're the thief.
00:21:19I need it.
00:21:20I want to know if the legend is true.
00:21:21But that's robbery, sir.
00:21:22A seizure.
00:21:24What if he is accused?
00:21:25Nobody can do it.
00:21:26I.
00:21:27They won't believe you.
00:21:28Go on, speak, shout, say it was me.
00:21:30This is the price of men's faith.
00:21:33I will give a diamond to anyone who says I wasn't the one.
00:21:35You'll see how my accusers have a bad time.
00:21:37It's the power of money.
00:21:38But there is a law, sir.
00:21:39This is my law.
00:21:41Money.
00:21:43You're going to witness a fun experience.
00:21:46Look.
00:21:49No, coward.
00:21:50No, coward.
00:22:20Hello.
00:22:29Who are you?
00:22:30I am an emissary.
00:22:32A mere emissary.
00:22:36The one who plays the lead.
00:22:36Who sent you?
00:22:39Well...
00:22:39I am not authorized to name him.
00:22:43Come...
00:22:43From the darkness, let's put it that way.
00:22:45Sir, it's the devil.
00:22:46No, no, I'm just one of the crowd.
00:22:48As if to say...
00:22:49A minor devil.
00:22:50Don't sell your soul, sir.
00:22:52He would be condemned.
00:22:52No, no, I couldn't buy it.
00:22:54I'm not in the buy and sell section.
00:22:55I'm starting my career now.
00:22:56They've put me in...
00:22:58Temptations.
00:22:59They say it's the easiest thing to do.
00:22:59Do you have power?
00:23:00Do you have power?
00:23:01Some by delegation.
00:23:02Will you obey me?
00:23:04Yes, as long as you have that idol in your hands.
00:23:06Don't deal with him, sir.
00:23:07Let me.
00:23:08It's a unique opportunity.
00:23:09I am ambitious.
00:23:10I want strength, power, authority, fortune.
00:23:13But I also want glory, fame.
00:23:16I want to hear men repeat my name with admiration.
00:23:20Momo.
00:23:20I know that the history of the world will be divided into two eras.
00:23:23Before Momo and after Momo.
00:23:25Anything is possible.
00:23:27Are you able to show me my future life?
00:23:28No, no, I haven't followed the course of future times.
00:23:31Can't you give me a vision of my future glory?
00:23:33No, no, I'm sorry.
00:23:34That's not my section.
00:23:35I can't do it alone with my own resources.
00:23:36You must do it.
00:23:37Don't forget that I've brought you out of your confinement.
00:23:39For once he gets me out of my confinement?
00:23:41Yeah.
00:23:43Well, I have a friend in the future.
00:23:47I'll try to get a copy of your report for him.
00:23:49Well, son.
00:23:53What exactly do you want to know?
00:23:55I want to see what the world will be like in 40 years, after the use of my invention.
00:23:59What will people say about me?
00:24:00How will I be glorified?
00:24:01And, above all, I want to know when and how I will die.
00:24:05It smells like something is burning here.
00:24:25What's happening?
00:24:28The devil in boiler nine, the short one, says his fork has broken and he's trying to figure out what to use to poke it.
00:24:34Here, hit this nail.
00:24:35And they should be careful, okay?
00:24:36They shouldn't waste their forks just any old way.
00:24:38Hey, hey, you, it smells like something's burning, huh?
00:24:52I mean, what about that thing of mine?
00:24:59I already told you that if you don't bring a boss's paper, I can't give it to you.
00:25:03Well, come on, it's not like it's just a boss role or anything.
00:25:06The organization is the organization.
00:25:09What can I tell you?
00:25:10But it's just taking a copy of the report, right?
00:25:12I'll bring it to you in an hour.
00:25:14Isn't he the kind of guy who would make me look ridiculous, and for once we have one of our own?
00:25:18But they haven't told you no.
00:25:20Come on, the day will come.
00:25:21Caldera, yes?
00:25:28Number, one million one hundred twenty-seven, series GZ.
00:25:39Boiler, one hundred and twenty-seven, molten lead, flames and powdered sulfur.
00:25:46It comes recommended.
00:25:47By whom?
00:25:51Well, in that case, instead of lead they should use sawdust, huh?
00:26:10Thank you very much, Mr. Demon.
00:26:12You're welcome, woman, at your service.
00:26:14Okay, what about the copy of my report?
00:26:16No, no, they haven't told you no.
00:26:18Are recommendations allowed?
00:26:19But then here it smells like something's burning.
00:26:23Do you think I'm stupid?
00:26:24If they've already hidden you, they'll say that instead of lead they'll throw sawdust in it.
00:26:27Because he's in delicate health.
00:26:29He's in a delicate state.
00:26:31Well, you should be careful because maybe someone will tell the boss that the other day the guy who came to get his injections, you said they only gave him two pinches.
00:26:39Do you ever bully yourself?
00:26:40Yes, yes, yes, no, no, it's just that I'm only going to take it for a quarter of an hour.
00:26:44Okay, but don't lend it out because it gets handled a lot.
00:26:47No.
00:26:49What's the name of your recommendation?
00:26:52Momu.
00:26:52This is it.
00:27:08This is it.
00:27:08Come closer, let's read my future together.
00:27:15Sir, aren't you afraid?
00:27:17Yes, but it doesn't matter.
00:27:18I have always known how to overcome fear, that's why I am who I am.
00:27:21It will be one more worry.
00:27:22Even if I know my future, I will be unable to do anything to prevent it.
00:27:25The future depends on us.
00:27:27God gave us the freedom to choose our path.
00:27:29Choosing between good and evil and winning a reward or a punishment.
00:27:33Stories.
00:27:33And put that briefcase down.
00:27:39Look at the end first, sir.
00:27:42I'm curious to know where and how I will die.
00:28:03No, sir!
00:28:08No, sir!
00:28:10No, sir!
00:28:12No, sir!
00:28:12Thank you!
00:28:42Thank you!
00:29:12I have gathered you together, my daughters, to give you good news.
00:29:22We run out of money tomorrow.
00:29:24Other times we have found ourselves in the same situation and always, thank God, we have come out on top.
00:29:30There are twelve of us.
00:29:31Tomorrow the two youngest will stay home to take care of the asylum seekers.
00:29:35The rest of us, all of us, will go out to beg.
00:29:37Is something wrong, sisters?
00:29:40What did the sister say?
00:29:42What I was saying, what we were saying, is, why don't we put a petition at the feet of the Virgin, like we have done before?
00:29:49If you believe it needs to be done, do it.
00:29:52Those who have true faith are never disappointed.
00:29:56And may the Lord protect us all.
00:30:07Dear Virgin, we'll run out of money tomorrow.
00:30:10And there are thirty of us.
00:30:11And there are thirty of us, ma'am.
00:30:13Help us.
00:30:15Lady, all the elderly people who are with us, and all of us, place our faith and our hope at your feet.
00:30:23Lady, may all the sufferings that your divine providence has in store for us fall upon us.
00:30:28For our elderly, life is already purgatory.
00:30:31Help us, ma'am.
00:30:43Yes, it's a little clear.
00:30:45The fact is, we are poor today.
00:30:46I always am.
00:30:47Us too, brother. Sometimes less, sometimes more.
00:30:50More than me, no.
00:30:51No, as long as we can give him a bowl of soup, he's right.
00:31:00Some days there isn't enough for everyone.
00:31:02Let's hope it arrives.
00:31:04As long as it reaches me.
00:31:07Neither.
00:31:07It doesn't reach me.
00:31:11It's not left for you.
00:31:12I haven't eaten anything since yesterday. I'm sick. I'm old.
00:31:16There's nothing left.
00:31:17Lies, lies, lies. Your time will come. Lots of talk and food. Nothing.
00:31:31Do you want mine?
00:31:32You really mean it.
00:31:33Yeah.
00:31:37And your hunger? You won't be very hungry when you give me your share.
00:31:44What happened?
00:31:46I'm very tired. I've come from so far away.
00:31:49I knew I would find you and I know what this means.
00:31:53Did someone tell you about me?
00:31:54In a way, yes.
00:31:56And you? Have you heard of Momo?
00:31:57No. Who is it?
00:31:59A poor man so full of vanity that he wanted to confront God.
00:32:03You talk like a newspaper.
00:32:04He invented something so infernal that it could cause the destruction of entire cities.
00:32:09A bombshell? Would they give it any awards?
00:32:10Yeah.
00:32:11A very big one.
00:32:13Poverty.
00:32:15Oblivion.
00:32:16Perhaps forgiveness.
00:32:19You haven't lost much.
00:32:21Water.
00:32:22That?
00:32:23You come.
00:32:23You are close.
00:32:25I'm going to see if I can reach the one belonging to the friars.
00:32:27Sometimes they are delayed.
00:32:28That?
00:32:29That?
00:32:30That?
00:32:30That?
00:32:31That?
00:32:31That?
00:32:31That?
00:32:32That?
00:32:33That?
00:32:33Feeling like you're dying isn't as horrible as it seems.
00:33:03Here I am, sir.
00:33:33Reverend Mother, we will have to pay for the burial.
00:33:56This one isn't from the house.
00:33:57No, sister, no.
00:33:58The charity will take care of her.
00:34:00Is it unknown who he is?
00:34:00Not so far.
00:34:01Not even the name.
00:34:02No.
00:34:03Poor.
00:34:03Well, at the last minute, having had a name is such a small thing.
00:34:06Reverend mother, reverend mother, reverend mother.
00:34:10A miracle, oh my God.
00:34:12A miracle.
00:34:13What's happening?
00:34:14A miracle, a miracle, reverend mother.
00:34:15What is it?
00:34:16Look what I found in the dead man's pocket.
00:34:19Two brilliant ones.
00:34:20Could they be fake?
00:34:21No, the letter.
00:34:23The Virgin Mary sent them.
00:34:24How can they be fake?
00:34:26We are saved, Reverend Mother.
00:34:27It will be possible.
00:34:28If this man who has died was a wealthy formerly,
00:34:30He doesn't know the good he has done with the last remnant of his fortune.
00:34:33What time is it?
00:34:55Had you read it?
00:34:57No.
00:34:58Didn't you like it?
00:34:59Next time, find out beforehand.
00:35:00How is it possible that my life has changed so much?
00:35:04In this world everything is possible, sir.
00:35:06Idiot!
00:35:06Never show your future to the people you want to make.
00:35:09Go away!
00:35:10But on top of that!
00:35:10Go away!
00:35:11Go away!
00:35:12Go away!
00:35:13Come on, wherever he sends me and the mess he makes...
00:35:16Yeah.
00:35:30Where are you going?
00:35:40I was leaving.
00:35:40No, no, not now, don't go.
00:35:42I don't want to be alone.
00:35:45Do you hear it?
00:35:46What, sir?
00:35:47The ticking of that damned clock.
00:35:49It's the same old noise, sir.
00:35:50It wasn't so loud before, and now I hear the noise inside.
00:35:53as if time were passing inside me.
00:35:55Time passes within all of us.
00:35:57It is a deep noise, as if it came from eternity.
00:36:00Tick-tock, tick-tock.
00:36:03Doesn't the voice of one's conscience speak?
00:36:04A distant noise, like a death threat.
00:36:07Then think of the salvation of your soul, sir.
00:36:08Go away, you old fools!
00:36:10God rewards those who are good.
00:36:12Nonsense!
00:36:12Don't say that, Mr. Nonsense, no.
00:36:14What does it mean to be good?
00:36:16Who is good?
00:36:17Are you good?
00:36:18I try to be, sir.
00:36:19What do you do to be good?
00:36:21Believe in God.
00:36:21He laughs like that because he is scared and the fear prevents him from understanding.
00:36:28It is enough to believe in God and ask for forgiveness for our sins.
00:36:32He has already seen that at the time of death neither power, nor money, nor wisdom are of any use.
00:36:37Everyone knows it's true.
00:36:40This noise is a warning.
00:36:43Too late.
00:36:44I can no longer prevent the damage that will be done with my invention.
00:36:47My laboratories work, my wise men investigate, my workshops produce, and all to sow destruction and death.
00:36:54And does that satisfy him?
00:36:56I wanted to be the richest and most powerful man on earth, and I will beg for a bowl of soup and die poor and abandoned.
00:37:05If I could understand that, God willing, by then I will have invested all my money in destroying my own work.
00:37:14Wait!
00:37:30Where are you going, sir?
00:37:31I am going to seek my old age and my death.
00:37:34Perhaps, my forgiveness.
00:37:35Aren't you afraid, sir?
00:37:36Yes, but this time he also knows how to beat him.
00:37:38I am still who I am.
00:37:40I will make your wish come true.
00:37:41I will invest my entire fortune in destroying my life's work.
00:37:45It would have been better not to start.
00:37:46You're giving me useless advice, but thanks anyway.
00:37:49Focus only on your watches.
00:37:52And you, take care of your garden.
00:37:54Your work is good, and you will be able to perfect it until old age.
00:37:59Bye bye.
00:38:02No, no, stay here.
00:38:05Goodbye, sir.
00:38:06I never heard from that man again.
00:38:18I haven't set foot in that house again, nor have I wanted to know anything more about the world.
00:38:23I have lived here with my watches and with her, but she has no composure.
00:38:29It's a lesson that's hard to forget.
00:38:32I only believe in what Momo struggled so hard to find.
00:38:35And I only believe in the infinite foolishness of men.
00:38:38But the painter Bernaldino still doesn't know who took the little statue out of the well and buried it under the cypress tree.
00:38:44Perhaps the gardener knows.
00:38:46The gardener.
00:38:47And his watch?
00:38:48Didn't he have a watch to compose with?
00:38:50No.
00:38:51The painter Bernaldino just wanted to know.
00:38:52And I want to forget what I know.
00:38:54We are.
00:38:55Come on, come on.
00:38:55It has been a great pleasure to meet you.
00:38:56Don't lie.
00:38:57I'm not lying.
00:38:58Well, we don't think the same because I haven't had one.
00:39:01The painter Bernaldino thanks him.
00:39:02Crazy.
00:39:19Well, I can't tell you.
00:39:20I didn't pull him out of the well.
00:39:21No no.
00:39:23On the contrary.
00:39:25I threw stones on top of her to bury her deeper.
00:39:28And from then on, moans were heard as if the garden and the house were haunted.
00:39:33And one day they really were.
00:39:36Haunted.
00:39:37Yeah.
00:39:38A married couple had rented Villa Solimar.
00:39:40It was spring.
00:39:41The garden is wonderful.
00:39:45I would stay here for the rest of my life.
00:39:49And there's a well.
00:39:51And now there will be.
00:39:55Lita, like me.
00:39:57It's like the water is giving me back my voice.
00:40:00And now there is.
00:40:02And water.
00:40:03What's going to happen?
00:40:05Came?
00:40:05No.
00:40:06Hey, is it good to drink?
00:40:09No, no ma'am, no.
00:40:10And for watering?
00:40:11It also doesn't have much salt.
00:40:12And how do you know that?
00:40:13It's rotten water.
00:40:14There used to be bricks covering the mouth, but they fell inside.
00:40:17Well, I want to draw water from the well.
00:40:19It's not good, miss.
00:40:20It doesn't matter, it's so nice to draw water.
00:40:22If it were a useful job, I wouldn't do it.
00:40:24My father isn't going to like it.
00:40:25You're saying it was me.
00:40:26It's best if you tell yourself.
00:40:27Will you help me pull the rope?
00:40:29No.
00:40:30What if I fall in?
00:40:33You don't want to drink.
00:40:34You're so handsome, son!
00:40:59Have they taken anything out of the well?
00:41:01Water.
00:41:01Just water?
00:41:02What else were they going to come up with?
00:41:03No, nothing, nothing.
00:41:24Is he your father?
00:41:25Hey?
00:41:26Who are you?
00:41:27A friend.
00:41:28Do you obey him?
00:41:29When it gets heavy, no.
00:41:31Of course not.
00:41:31To succeed, you need to have your own initiative.
00:41:33I'm referring to ambitious young people who want to amount to something in life.
00:41:37Do you want to achieve something in life?
00:41:38I am ambitious and I plan to go far.
00:41:41In your profession?
00:41:42In life.
00:41:43I plan to go that far in life.
00:41:46How far I throw this stone.
00:41:47Look.
00:41:50Well, you've passed the house.
00:41:53Go on, go on.
00:41:54Do it yourself.
00:41:55Look.
00:42:05You've hit the deposit.
00:42:06You don't know how to shoot.
00:42:07Everything requires preparation.
00:42:09My thing is not throwing stones.
00:42:10Don't get angry.
00:42:11I'm sure we'll be good friends.
00:42:13I have experience and I think I can help you.
00:42:14Help me with what?
00:42:16To achieve your desires.
00:42:18Hey?
00:42:19I know the civil code, the procedural code...
00:42:21And the traffic code.
00:42:23Thank you, and the one about the circulation.
00:42:25And I know that when an object is found in someone else's house,
00:42:28belongs to the house.
00:42:29Do you understand?
00:42:30I was in the well.
00:42:31The well also belongs to the house.
00:42:33What if they threw it from outside, then what?
00:42:36Oh, so cute.
00:42:39With its little horns.
00:42:41The gentleman is right.
00:42:42This little statue belongs to the house.
00:42:44I need it back.
00:42:46It has to be where it was, in the well.
00:42:48Would you like to be soaked in the dark?
00:42:50No, of course not.
00:42:51Do you see it?
00:42:52Oh yes, man, oh yes.
00:42:53No, sir, cleanliness comes first.
00:42:55It will bring us trouble and adversity.
00:42:57No, because I saved her and she's mine.
00:42:59No matter who says it.
00:43:01Lady...
00:43:02Oh, leave her alone, it's useless.
00:43:03The thing is...
00:43:04But you don't know women.
00:43:05If we take it away, she will cry.
00:43:07On the other hand, if we ask you, please, to keep it,
00:43:10She'll leave it forgotten somewhere.
00:43:12But I really want to get it back.
00:43:13There are so many things I wish for.
00:43:16And there you have it.
00:43:16I don't know what happened to me with the water.
00:43:22No, no, leave it like that.
00:43:24I understand perfectly.
00:43:25I was married once too, but I couldn't stand it.
00:43:27I knew how to be a man.
00:43:28And one day I left home.
00:43:29Character.
00:43:30What is called character.
00:43:31Okay, so what next?
00:43:32What does a man do alone?
00:43:33At least, if you have a woman, you have someone to be with...
00:43:36Look for another one, I would look for another one.
00:43:38And back to square one?
00:43:39No.
00:43:39But let's start off well.
00:43:41You are young, you can rebuild your life.
00:43:42Yeah.
00:43:42For freedom.
00:43:46Wine is so good.
00:43:48I would erect a monument to the person who invented wine.
00:43:49And I'd shoot whoever invented the liver.
00:43:52It hurts me?
00:43:52No, no, no, no.
00:43:53When I don't drink, no.
00:43:54That's due to lack of practice.
00:43:55Go ahead, drink.
00:43:56No, no, no.
00:43:56No, no, no.
00:43:57Come on, a little bit.
00:43:58My wife, if she smells that I've been drinking, she can smell it.
00:44:02I imposed myself.
00:44:04Get drunk at least a couple of times over two weeks.
00:44:06No, and if I have a heart attack, then what?
00:44:09He forces his wife to take care of him.
00:44:11Do you know what I'm saying?
00:44:12I would prefer that the attack hit her and that I take care of her.
00:44:15It's well thought out.
00:44:17Thank you.
00:44:17Well, yes.
00:44:28What it has is just the result of an inculent short.
00:44:42If not, drink.
00:44:44Not now, but he has been drinking.
00:44:45Oh, oh, oh, oh!
00:44:46Hang in there, hang in there!
00:44:47Come on, between you and your liver...
00:44:48You deserve it.
00:44:49Oh!
00:44:50You won't tell me that very often.
00:44:51I know what I have to do.
00:44:53As if it were the first time you'd told me.
00:44:54There will be a time when it will be the last.
00:44:56What, have you come here to spend a little time relaxing?
00:45:00Yes, on vacation.
00:45:02Enjoy!
00:45:04Oh, I feel so sick, doctor!
00:45:06How I envy them.
00:45:08We'll talk about this later, okay?
00:45:12See you tomorrow.
00:45:13Good morning.
00:45:21Oh!
00:45:26Don't worry, sir.
00:45:27This disease is not serious unless you develop a fondness for it.
00:45:31One tablespoon every three hours.
00:45:33Coffee?
00:45:33No, soup.
00:45:35Ah.
00:45:36At your feet, madam.
00:45:37He couldn't go and play somewhere else.
00:45:52My husband is sick.
00:45:57Well, but who are you?
00:45:58I am the musician.
00:46:00Oh, and is it a piano tuner?
00:46:03No, he plays the flute.
00:46:04Well, I could be a piano tuner and play the flute, couldn't I?
00:46:09Yes, but it's not like that.
00:46:10I came to ask about her husband.
00:46:12You don't say.
00:46:14That man who knows he can't drink, and yet he does.
00:46:16Yes, well, well.
00:46:18You are a martyr, a victim.
00:46:21A misunderstood woman.
00:46:22I don't understand how he can stand it.
00:46:23There's still time to rebuild his life.
00:46:26You are young and attractive.
00:46:28Thank you.
00:46:29Very young, very attractive.
00:46:32Thank you so much.
00:46:33Much more so, where else can we compare her, much more attractive than other women?
00:46:38Oh, thank you so much.
00:46:39You're a very fine gentleman, aren't you?
00:46:42Elena.
00:46:44But sit down, make yourself comfortable.
00:46:46I don't know, I don't know.
00:46:47Why doesn't he play a little more?
00:46:49Well...
00:46:50I love music.
00:46:52And you are an artist, I noticed it the moment I saw you.
00:46:55And she says such beautiful things.
00:46:58Justice, ma'am.
00:46:59Thank you.
00:47:00The ones you have.
00:47:02Elena.
00:47:04Elena.
00:47:06They call her husband.
00:47:07Goes.
00:47:08Tell him the way he deserves.
00:47:09Hard.
00:47:10Hey?
00:47:11The moment has arrived.
00:47:12Tell him how many five is.
00:47:13Yes, I will tell him.
00:47:16Ah.
00:47:18Your hat, young man.
00:47:20An artist's hat.
00:47:22Elena.
00:47:23Elena.
00:47:23Elena.
00:47:24No!
00:47:26Where is Elena?
00:47:28Goodbye, young man.
00:47:45Who's playing?
00:47:47It must be him.
00:47:50What will he do?
00:47:51No!
00:47:53It is available.
00:47:53What will he do?
00:47:53No!
00:47:58No!
00:47:58It will do it to you.
00:47:58No!
00:47:59It will do it to you.
00:47:59Thank you!
00:48:29Bye bye!
00:48:31Bye bye!
00:48:35He seems very happy.
00:48:37Yes, I truly believe I've scored a point in my favor.
00:48:40I don't understand what you mean.
00:48:42It doesn't matter. Nothing will cease to be true just because you don't understand it.
00:48:47Don't make that face, man. Laugh like I'm laughing.
00:48:53You broke it!
00:48:54Too bad for her.
00:48:55And you said you liked it so much.
00:48:57I like it, but now I like it broken.
00:49:00You're out of your mind, girl.
00:49:02Why do I say I like it this way?
00:49:04There used to be one, now there are two.
00:49:09Don't sing!
00:49:10It bothers me that you sing when I'm talking to you seriously.
00:49:12Just talk to me jokingly and I won't mind.
00:49:14And you say it so naturally, as if you were saying good morning.
00:49:17Everything is natural in this world.
00:49:19I want you to get drunk, like I'm going to dress statues.
00:49:22Look, I do whatever I want with myself.
00:49:24Me too, with statues.
00:49:25Good.
00:49:26The statue belongs to the house.
00:49:27And do you belong to me?
00:49:28I, you.
00:49:31Little girl, admit that you've been wrong.
00:49:33I will never admit it.
00:49:35Well, too bad for you.
00:49:36I'm leaving, and that's it.
00:49:38Oh, you've said that 37 times in 7 days.
00:49:41I repeat that one day it will be the last.
00:49:43They get 5 per day and there are two left over.
00:49:46She thinks that morally you have kicked your husband out of your house.
00:49:49To your sick husband who could die alone in the middle of the street.
00:49:52Like a dog.
00:49:53But I don't care.
00:49:54I'd rather die alone than live with you.
00:49:56You find out with yourself.
00:50:00And I will never use a shoehorn again in my life.
00:50:02Goodbye friend.
00:50:15Bye bye.
00:50:16Goodbye sir.
00:50:17Bye bye.
00:50:18Bye bye.
00:50:19To hell with it.
00:50:23To succeed, there's nothing like understanding the human soul.
00:50:26Deep down, we are all good and bad at the same time.
00:50:28It's a matter of directing natural inclinations.
00:50:41Wow, it seems my pain is easing a bit.
00:50:49Fologies!
00:50:51Flex!
00:50:52Flex!
00:50:53Flex!
00:50:54Flex!
00:50:55Flex!
00:51:10Flex!
00:51:11What's wrong with him?
00:51:26Well, something good for us is bad for him
00:51:29Look, there's the ditch.
00:51:41Goodbye, elegant
00:52:05How funny
00:52:06Well
00:52:10Look, there it is
00:52:26Hello
00:52:32Hello
00:52:33I missed a train waiting for you
00:52:35I had to pack my bags
00:52:37You must have forgotten something.
00:52:38Here, put this on, go on
00:52:40This time he was determined
00:52:47Yes, to let trains pass by until I arrived
00:52:50You took a long time
00:52:51We had to hide the little statue.
00:52:53Where do we go up, miss?
00:52:55Well, we'll be more relaxed in this same carriage.
00:52:57Oh
00:52:58Hey?
00:52:59The banknotes
00:53:00I bought them myself when I arrived
00:53:02Oh, you're everywhere.
00:53:05What would become of me without you?
00:53:08What would one be without the other?
00:53:11Yeah
00:53:11What would one be without the other?
00:53:16I can't imagine it
00:53:17Me neither
00:53:21No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:53:51Assistant in the Temptation Bureau, Third Series
00:54:02Lord, I thought
00:54:15I believed
00:54:17I just couldn't even imagine it
00:54:21Of course, since one has no experience
00:54:24You're a fool.
00:54:25You have set out to discredit me
00:54:28Where you intervene, everything is forgiven.
00:54:31Where you sow discord, love is reborn.
00:54:35You'd be better off just playing the flute.
00:54:38But you told me...
00:54:39You've completely misinterpreted everything I told you.
00:54:42Yes, that man is a tough nut to crack.
00:54:45I say, maybe it could be very good
00:54:47We're acting foolishly because a good angel has intervened.
00:54:51What is the competition doing to us?
00:54:53And you're not smart enough to be bad.
00:54:56Look for the man's sensitive spots.
00:54:58The lust for power, vanity
00:55:00I'm already doing it
00:55:02Well, you're not right at all
00:55:02You're making us look ridiculous.
00:55:04If you get involved, it's a lost cause.
00:55:07The man is way more of a show-off than I am.
00:55:09You have an inferiority complex.
00:55:12Let me try again, sir.
00:55:14Come on, don't be like that
00:55:16I have a plan that can't fail me
00:55:17He's a young man who works as a gardener.
00:55:18He has a lot of vanity and a lot of ambition.
00:55:20And I'm sure I'll catch him out on his vanity.
00:55:24And I make it a bad time
00:55:26It falls, it certainly falls
00:55:28If he's as dumb as you, maybe
00:55:30Mister...
00:55:31A clumsy devil is more work than a good man.
00:55:34But anyway, it's up to you.
00:55:36I don't want to deny you this opportunity.
00:55:38And then come and tell me.
00:55:42Yes sir
00:55:43This time I guarantee you a soul
00:55:45A soul
00:55:47You still believe it's about fishing for souls
00:55:50As if they were fishing for trout
00:55:52One by one
00:55:53Mister...
00:55:54I don't know if he'll believe that this situation is real.
00:55:59Hearing concluded
00:56:01A young hero
00:56:07The International Philanthropic Union
00:56:09He has awarded the medal for individual heroism
00:56:12To a young man who works as a gardener
00:56:14Upon hearing the cries of a woman who had fallen into the sea
00:56:17He bravely threw himself into the water without even taking off his shoes.
00:56:21And he managed to snatch it from the voraciousness of the waves
00:56:24This human prey
00:56:25The young man
00:56:26To whom the aforementioned woman owes her life
00:56:29His name is Pablo
00:56:30I plan to go that far in life
00:56:41How far do I throw this stone?
00:56:43I plan to go that far in life
00:56:47How far do I throw this stone?
00:56:50Goodbye, see you later
00:56:55Good evening, Pablo
00:56:58Hello, who are you?
00:57:01Don't you remember me?
00:57:02Ah, yes, the garden man.
00:57:03Wait, I want to talk to you
00:57:05I admire your feat
00:57:06Ah, that's not important.
00:57:08A lot, yes, the whole city, the whole country
00:57:10They're talking about you
00:57:11You've become a character
00:57:13Do you think so?
00:57:14Yes, men envy you.
00:57:15And women admire you
00:57:16No, I don't think so.
00:57:17Sure
00:57:18Everyone is eager to admire something
00:57:20You have become the personification of many ideals
00:57:23And by rewarding you, they reward themselves a little.
00:57:24If you want to prosper, take the leap
00:57:26You must take advantage of this opportunity
00:57:28But I'm fine here with Elisa.
00:57:30Yes, of course, Elisa
00:57:32She's my girlfriend
00:57:33Because you haven't met other women
00:57:35They'll all go crazy for you
00:57:36This is your big opportunity, don't waste it.
00:57:39No, I don't know, no
00:57:42I know it
00:57:44I have more experience than you.
00:57:46Come, let yourself be carried away by me
00:57:47You won't regret it.
00:57:48Let's see if this one doesn't
00:57:56No, I don't know, no
00:57:57No, I don't know, no
00:57:58No, no, no
00:58:00No, no, no, no
00:58:01No, no, no, no
00:58:02No, no, no, no
00:58:03No, no, no, no
00:58:04No, no, no, no
00:58:05No, no, no
00:58:06No, no, no
00:58:07No, no, no
00:58:08No, no, no
00:58:09No, no, no
00:58:10No, no, no
00:58:11No, no, no
00:58:12No no
00:58:13No, no, no
00:58:14No no
00:58:15No no
00:58:16No no
00:58:17No no
00:58:18No no
00:58:19No no
00:58:20No no
00:58:21No no
00:58:22No no
00:58:23Thank you!
00:58:53Thank you!
00:59:24Some people are born lucky.
00:59:25That's why I can't stand the speeches.
00:59:30On behalf of that town which has so many reasons to be proud of its residents,
00:59:37I am pleased to inform you that, in fulfillment of the duties imposed upon me by my authority...
00:59:43Laughter, the train is leaving!
00:59:44Hey?
00:59:45In fulfillment of the duties imposed upon me by my authority,
00:59:51I am fulfilled in expressing myself to you.
00:59:53I am obliged to inform you that, in view of the authority that...
00:59:58In compliance with and the admiration that this town feels for...
01:00:05The local gentleman means that the gardener's boy of the house where the painter Bernaldino lives
01:00:11He has behaved like a hero.
01:00:13Fair.
01:00:14Him or here!
01:00:15Very good.
01:00:16Very good.
01:00:23We, the children of the school, wish you this bouquet of flowers.
01:00:28Aha!
01:00:30Thank you, young man.
01:00:31Pablo is the hero, but I am the painter Bernaldino.
01:00:38Will you come back?
01:00:39Yes of course.
01:00:40You won't be the same.
01:00:42I'm going to be silly.
01:00:43It will be the same.
01:00:44As I will always be the great Bernaldino.
01:00:52My son, the city is far away, but remember that there is another one even further away.
01:00:56And further away another, and even further away another.
01:00:58Well, goodbye.
01:01:28Subscribe to the channel!
01:01:46Subscribe to the channel!
01:01:48Yes, today it has to be today.
01:02:16Will the president be there? Is this the only chance?
01:02:19You can talk to him about the sale of the land.
01:02:22Around three o'clock.
01:02:23Awarding a medal or something like that.
01:02:26A boy from I don't know where who has done I don't know what feat.
01:02:29Hey, why don't you give him the medal?
01:02:32What kind of medal is it?
01:02:34Made of bronze.
01:02:35A bronze medal.
01:02:37Bronze?
01:02:39The country is asking me for a bronze medal.
01:02:41Wouldn't it be poor of you to give away a bronze medal?
01:02:44Otherwise, I'd be poor if I gave away a bronze medal.
01:02:47Don Cosme asks if he isn't poor.
01:02:50We could give her a silver one.
01:02:51Silver?
01:02:52Of gold.
01:02:54What do you think of gold?
01:02:55Of gold.
01:02:56It won't be too much.
01:02:58There aren't too many for you.
01:03:00Ah, the golden one.
01:03:01And let it weigh on you.
01:03:02Let it weigh on you.
01:03:03And let it weigh on you.
01:03:04But don't go adding a quarter of a kilo.
01:03:06No, the price is the least of it.
01:03:09Good.
01:03:10What if it's you?
01:03:12Which?
01:03:12Hey?
01:03:13Yes, buy it and send me the invoice, I'll pay for it.
01:03:16OK.
01:03:17Good morning, Cosme.
01:03:19Have you heard it yet?
01:03:20The medal was given as a gift by Mr. Cosme Santa Clara Remolinos.
01:03:23He wants to prove himself.
01:03:26This one, but in gold.
01:03:27How are you?
01:03:28Did you already know?
01:03:29We need her around 1:30.
01:03:32Oh, possibly at least three days.
01:03:33Well, another one, any one.
01:03:35We need a gold medal at 1:30.
01:03:37The medal is paid for by the illustrious leader and generous donor,
01:03:39Don Cosme Santa Clara Remolinos.
01:03:41Are you a customer?
01:03:42Better.
01:03:42The bill goes directly to him.
01:03:44With me.
01:03:45Here is the price list.
01:03:47Without inscription, about two thousand tessets.
01:03:49Four thousand with registration included.
01:03:51And registration is free.
01:03:53This small difference is a detail that resolves you and me.
01:03:58I completely agree.
01:04:00Likewise, yes.
01:04:03I hope that, as always, you will be pleased.
01:04:12Good morning, sir.
01:04:15You, sir.
01:04:20Hey, I was here first.
01:04:22Yes, but the gentleman's matter was more urgent.
01:04:27A Monday for about fifty people, around two thirty or three.
01:04:31Meal?
01:04:31No, standing MONDAY.
01:04:33To be paid as a MONDAY or...?
01:04:34As a meal, it was a formal affair, as usual.
01:04:37Various sandwiches, pasta...
01:04:39And turkey.
01:04:40Yes, two or three cold turkeys.
01:04:42But there's no need to serve them.
01:04:43He sends them to my house.
01:04:45I have guests coming for lunch and you know what women are like.
01:04:47Mine has a weakness for cold turkey.
01:04:49What brand of champagne is it?
01:04:51I recommend Sursum.
01:04:53Leave thirty percent.
01:04:55Fifty.
01:04:56That's a lot.
01:04:56They should carry more.
01:04:57At half past two in the party room.
01:04:59He agrees.
01:05:01I'm sure you'll be satisfied.
01:05:09There is only time for three visits.
01:05:11No, no, the three most urgent ones.
01:05:13Okay, who's the most urgent?
01:05:15Okay, okay.
01:05:15Oh, extremely urgent!
01:05:18Oh!
01:05:19You should have gone in right away.
01:05:21Hello, Miguelote.
01:05:22Is Perico in there?
01:05:23Yes, inside.
01:05:24Handling matters.
01:05:25I'm going to give him a good talking to.
01:05:27They are schoolmates.
01:05:28Do you think he will receive me?
01:05:29Yes, I believe it.
01:05:30If he doesn't see you today, come back tomorrow.
01:05:32And if possible, with the same urgency.
01:05:37Hello, young man.
01:05:39Are you perfect for me?
01:05:40Are you in a hurry?
01:05:41No.
01:05:41Well, you're staying.
01:05:42Ah, medal presentation and lons.
01:05:44You will make a note for the press.
01:05:46Give me names.
01:05:47The medal is paid for by the illustrious hero Don Cosme Santa Clara Remolinos.
01:05:50Ooh, there's trouble brewing here!
01:05:51In whose honor is this matter?
01:05:53Well, I don't know.
01:05:54A young man who has saved someone.
01:05:56But everyone remembers the names.
01:05:57I think the girl who was saved is related to one of the big bosses here.
01:06:00Ah, a commitment.
01:06:01They save you, and Salvador gets five years.
01:06:03Well, what matters is what happened to Don Cosme.
01:06:05What are you looking for?
01:06:06Selling some land.
01:06:07It will be significant.
01:06:09The president of the UFI will preside over the event.
01:06:12I won't say any more.
01:06:13Did he come specifically for that?
01:06:15No way!
01:06:16She's going to take the waters and it's on her way.
01:06:18Yeah.
01:06:19So what about me?
01:06:20Hey, you gave Don Cosme a good review.
01:06:23Hey, the illustrious hero who has so often earned the city's gratitude.
01:06:28Well, it's about time we realized that thanks to their generosity and munificence...
01:06:33And... and it will also be meaningful to you.
01:06:35Already.
01:06:36He's one of those who always stand out.
01:06:39What is the medal for?
01:06:40Well, from... from salvation, from... from I don't know what.
01:06:43But there wasn't one.
01:06:44And we'll give him another one.
01:06:45Yes, of course, it's gold.
01:06:47Gold?
01:06:48It must have cost at least two thousand... piastres.
01:06:51Oh, at least.
01:06:53Already.
01:06:56Wait here.
01:06:59Thank you.
01:07:00What is there to do?
01:07:08Yeah, what do I know, kid?
01:07:10The only important thing is that people talked about you.
01:07:12About me?
01:07:13Of course, the hero.
01:07:14And from me.
01:07:15And if the others don't speak, I will.
01:07:18Watch out, they're coming.
01:07:19Thank you.
01:07:20Thank you.
01:07:21Thank you!
01:07:51This is for you, this is your battle.
01:08:17I'm late.
01:08:18I don't think so.
01:08:19It surprises me because I'm always late.
01:08:22Ladies and gentlemen, we will now proceed with the awarding of the medal to the young hero present here, Pablo...
01:08:28Pablo?
01:08:30But first, the most excellent, the illustrious leader and generous donor, Don Cosme Santa Clara Remolinos, will address you.
01:08:39And since he is among us, His Excellency, the President of the UFI, who so ably leads this organization,
01:08:54I would like to take this opportunity to offer some land I own as a site for the new building.
01:09:04Some land that faces the sea on one side and the land on the other.
01:09:10And they don't give access to more places because they don't have any other side.
01:09:13Listen, some land at truly incredible prices.
01:09:16Clearance price.
01:09:17Guaranteed against earthquakes.
01:09:18What does the gentleman say?
01:09:20Six feet from the foot?
01:09:20No, sir.
01:09:21Neither five nor four.
01:09:23Listen, the land that I am going to give away is located in the best spot in the town, I am going to give it away.
01:09:27Not to four, not to three, not to two, not to one, I'm going to give it.
01:09:30Listen, please hear me.
01:09:30At zero ninety.
01:09:32And you'll ask why.
01:09:33Because I want to, because I can, and because I feel like it.
01:09:34Now, the day when the efforts of all those who put the interests of others before our own will come together in a joint action,
01:09:49The day we stop messing around and talk less and do more, things will be very different.
01:09:57Because, gentlemen who are listening to me, this day, gentlemen,
01:10:02The greatness of the people will be a fact, as is today the personal presence of His Excellency in this act, I have said.
01:10:12What is it given from?
01:10:13About me.
01:10:14From you?
01:10:15Yes, they have to give me a medal.
01:10:16Hello!
01:10:22The floor is now open to the President.
01:10:25Gentlemen, I cannot deny that I have been deeply satisfied by the enthusiasm with which I have been received in this country.
01:10:39How many times, exhausted by the overwhelming work, would I have resigned from one of my seven positions if I hadn't been sustained by conviction?
01:10:47that you all ardently wish that he continue to perform them?
01:10:53But what would we do alone if we didn't have the collaboration of those men who sacrifice everything?
01:11:01who embody the spirit of the people, who even risk their lives in tireless work?
01:11:07And with these words I am referring to Don Cosme Santa Clara Remolinos,
01:11:14illustrious leader who can count on my favorable vote in all his proposals,
01:11:20just as I can count on their help in all my personal initiatives.
01:11:25Very good.
01:11:27And I hope that the delegates from all countries will approve the purchase of those lands.
01:11:31that have been so generously offered to us by the illustrious Remolinos.
01:11:36I've spoken.
01:11:37Now they will give you the medal and applaud you.
01:11:46What a moment, huh?
01:11:47I have to give a speech.
01:11:49No, it will be enough to say thank you, and if you can't think of anything, cry; it has a good effect.
01:12:01The starting eleven is served!
01:12:03The starting eleven is served!
01:12:12Come on!
01:12:33Where are you going?
01:12:48To my house.
01:12:51It's all over here.
01:12:52I think they forgot about me.
01:12:54No, wait.
01:12:56They will return.
01:12:56I'm sure they'll come back.
01:12:58They have to do it.
01:12:59Then the time for your speech will have arrived.
01:13:01No.
01:13:01In all of this, I have only been the reason.
01:13:03They're just doing their own thing.
01:13:04Your medal.
01:13:12Look.
01:13:13It's made of gold.
01:13:15See how it was all true?
01:13:16It won't be another mistake.
01:13:17No, it has your name written on it.
01:13:19It's yours.
01:13:19You're almost as big as Napoleon now.
01:13:27So much?
01:13:28Almost.
01:13:28Napoleon had four medals.
01:13:30You only have one.
01:13:32But there are men who have none.
01:13:34Wait, wait a moment.
01:13:36Pablo has to give us his speech.
01:13:38Who is it?
01:13:39The hero of this party.
01:13:40Sit down and you will hear him.
01:13:42Come on, sit down!
01:13:43Yeah.
01:13:44Come on.
01:13:44Don't worry, okay?
01:13:47Don't worry.
01:13:54Hello.
01:13:58I...
01:13:59I...
01:14:02Keep going, keep going.
01:14:02It started very well.
01:14:03I...
01:14:04That is.
01:14:09Where does that medal end up?
01:14:11It's mine.
01:14:12It has my name written on it.
01:14:13Look.
01:14:13It was on the table.
01:14:14I've seen her.
01:14:15Leave it where it was.
01:14:16He's a hero.
01:14:17It's already on the medal of beings.
01:14:18Come on.
01:14:19Let him know.
01:14:19What is mine?
01:14:20But how desperate he was.
01:14:21Man!
01:14:21But...
01:14:22Okay, you dirty old man!
01:14:23Go for it!
01:14:24Come on, mother!
01:14:25Mother!
01:14:26Come on!
01:14:26Mother!
01:14:27Damn it!
01:14:28Grab it!
01:14:34Which way?
01:14:35That way!
01:14:36Come on!
01:14:38Aha!
01:14:39Oh!
01:14:39Oh!
01:14:40Go get it!
01:14:42Grab it!
01:14:42Grab it!
01:14:43Grab it!
01:14:43Grab it!
01:14:44Come on, get it!
01:14:45Come on, get it!
01:14:45Come on, get it!
01:14:46Come on, get it!
01:14:47Come on, get it!
01:14:48Come on, get it!
01:14:49Come on, get it!
01:14:49Come on, get it!
01:14:50Come on, get it!
01:14:50Come on, get it!
01:14:51Come on, get it!
01:14:51Come on, get it!
01:14:52Come on, get it!
01:14:52Come on, get it!
01:14:52Come on, get it!
01:14:53Come on, get it!
01:14:53Come on!
01:15:23Come on!
01:15:37Where's the other one? The other one? Yes, he has an accomplice.
01:15:53Come on!
01:16:11Hi there!
01:16:23No, you see, there must have been a mistake here. I think that...
01:16:30And paintings for our museums, where contemporaries are always poorly represented.
01:16:35How many works by the painter Bernardino are in museums?
01:16:38I'll tell you. None.
01:16:40And the painter Bernardino, one of the most authentic talents in painting, is almost unknown.
01:16:45Every museum in the world should have a Bernardino.
01:16:48It is high time that, thanks even to the munificence of some illustrious leader,
01:16:53We reclaim the name of the most brilliant painter of modern times.
01:16:57Well, I'll donate a painting by that artist to the museum.
01:17:00To the UFI museum, of course.
01:17:02We will order a copy for the UFI delegation.
01:17:05I'll make the copy. I specialize in making copies of the painter Bernardino.
01:17:09One moment.
01:17:13What will you tell your father and your girlfriend now?
01:17:15The truth.
01:17:16Wouldn't it be better if I told him?
01:17:17I don't think so. There's been a mistake.
01:17:20More than one.
01:17:22I've made mistakes too.
01:17:24And the truth is, I don't know men.
01:17:26I do.
01:17:27What are they like?
01:17:28It's difficult to explain.
01:17:30But I think that in this case they have taught us a great lesson by not giving me the medal.
01:17:34One medal is not enough for you.
01:17:35It's even less of a dungeon.
01:17:37Many famous men have started their successful careers in prison.
01:17:40I don't know. I have amber.
01:17:42I have amber.
01:17:47And me too.
01:17:50I only need to add that the painter Bernardino is me.
01:17:53Better. I prefer dealing directly with the interested party. It's cheaper. How much are you planning to ask?
01:17:57He thinks he'll buy it.
01:17:58Yeah.
01:17:59Don Cosme is proving himself to be an illustrious philanthropist.
01:18:01It costs me a lot, but it will be worth it.
01:18:03How much?
01:18:04Ten thousand.
01:18:05That's not enough for him. Ask for forty.
01:18:06He has millions.
01:18:07Fifteen thousand for me and you earn another fifteen.
01:18:09Think of the subject of the painting as four cypress trees.
01:18:12If the topic is the least important thing.
01:18:13In this day and age, what matters is the price and the great opportunity.
01:18:18As a painter? Well, I don't know. Now as a filmmaker.
01:18:20You've been great!
01:18:24From the boss who already has the turkeys at his house.
01:18:33Nice, young. He'll arrive.
01:18:36Recognize genius.
01:18:37And do you know the interest rate?
01:18:39Yeah.
01:18:40Did you aim well, Santa Clara, swirls with that one?
01:18:44And in big, bold letters.
01:18:46Yes, yes.
01:18:47Everything is beautiful.
01:18:48Thank you so much.
01:18:50You're in luck, aren't you?
01:18:51Another magnificent opportunity.
01:18:52He's getting the president in his pocket.
01:18:54It doesn't cost me any money.
01:18:55Everything costs money in this world.
01:18:57Yes, but some things more and some things less.
01:18:59This one less.
01:19:00He's only asking for fifty thousand pesetas.
01:19:02Is it cheap?
01:19:03A work by the painter Bernardino?
01:19:05TRUE?
01:19:06That doesn't ring a bell for me.
01:19:08We haven't talked about anything else for an hour.
01:19:10And how would you like your pasta?
01:19:12In cash.
01:19:14It's thinner.
01:19:15Is it thinner?
01:19:16Yeah.
01:19:17Well, come by my house later.
01:19:18OK.
01:19:21Think that I ask nothing for myself.
01:19:23I will remain in my position until otherwise instructed.
01:19:25I expect nothing less from you.
01:19:27Don't forget Don Cosme's land offer.
01:19:30I am personally interested in this matter.
01:19:34Half with me.
01:19:36I didn't dare suggest it to him, but...
01:19:39I hope everything will work out according to our wishes.
01:19:42Trust it.
01:19:44Just a moment, please.
01:19:49Thank you.
01:19:50And Don Cosme Santa Clara Remolinos in a new gesture
01:19:52He has donated a painting by the painter Bernardino to the UFI Museum.
01:19:56Society owes him a debt.
01:19:58You inflate it like you know how.
01:19:59It needs to be in today's issue.
01:20:01So what? Is the painting good?
01:20:02The painting is the least important thing.
01:20:04The news.
01:20:05What matters is that the news gets out in the newspapers.
01:20:06One moment.
01:20:08One moment.
01:20:09One moment.
01:20:10One moment.
01:20:11Good day.
01:20:12A week ago, poropas.
01:20:18When you never wear anything long before.
01:20:20Not on this train either.
01:20:48He probably wanted to see the city.
01:20:49That's what scares me.
01:20:52He won't like me anymore.
01:20:52Or more than before.
01:20:55He will no longer be himself.
01:20:56Yes, for you.
01:20:57Elisa!
01:21:01Elisa!
01:21:05I knew you would wait for me.
01:21:10The delegate has given him the medal in front of everyone.
01:21:13Everything has been very successful for him.
01:21:15Afterwards, he presided over a gala banquet.
01:21:16Look, the newspapers have published his photograph.
01:21:19He is more famous.
01:21:20Really?
01:21:21But.
01:21:22I don't have the medal.
01:21:23We spent a few hours in a dungeon.
01:21:25And nobody has remembered me.
01:21:27They haven't paid me the slightest attention.
01:21:29Won't they give you the medal?
01:21:30I don't plan to go looking for her.
01:21:32I will never return to the city.
01:21:34Do you see it?
01:21:35See, Elisa, how everything has gone well?
01:21:36It is true that you will not return to the city.
01:21:40Just no.
01:21:41With you, if you want, yes.
01:21:45Again!
01:21:46We don't want him with us.
01:21:48Is this clear?
01:21:50Every day I understand men less and less.
01:21:53Is it biche hundesiu ni la rimeco?
01:21:56Yes, I understand them less and less every day, son.
01:21:58The person I understand perfectly is you, because you understand me.
01:22:21Have you realized what it means to have an ally like me?
01:22:24Don't waste your time.
01:22:25I'm over it all.
01:22:26That's why humanity admires you.
01:22:28Please don't spend it.
01:22:30We are alone.
01:22:31However, I believe...
01:22:34Hey?
01:22:35But you haven't realized it yet.
01:22:38About what?
01:22:39That I'm a clown.
01:22:41A self-aware and ridiculous clown.
01:22:47I was Bernardo.
01:22:48A painter full of enthusiasm and sincerity.
01:22:51But nobody paid any attention to me.
01:22:53I couldn't find a word of encouragement.
01:22:55And I lost the most beautiful thing in my life.
01:22:57A woman.
01:22:59A woman who died young at the very beginning of love, sincerity, and truth.
01:23:05One day I met a famous clown and he taught me his tricks.
01:23:08He had success with them on the track.
01:23:10And I have them out on the street with my paintings.
01:23:12The result is the same.
01:23:14Money.
01:23:15In short, you don't believe in anything.
01:23:18Yeah.
01:23:19I think my outfit is ridiculous.
01:23:20That my painting has no value.
01:23:22You're a poor devil.
01:23:24I?
01:23:24And that there is a place on the coast where it is possible to lose track of time with a fishing rod in your hand.
01:23:30And your heart is full of memories, and there you wait.
01:23:32Yes, let fame come and let glory come.
01:23:35Wait until nine, ten, eleven...
01:23:38Let time continue to pass.
01:23:47Can I take it now?
01:23:48But be careful with her.
01:23:50They say it's cursed.
01:23:57Goodbye, musician.
01:24:06Careful.
01:24:08Careful.
01:24:38Careful.
01:24:40Careful.
01:24:41Careful.
01:24:42Careful.
01:24:43Careful.
01:24:44Careful.
01:24:45Careful.
01:24:46Careful.
01:24:47Careful.
01:24:48Careful.
01:24:49Careful.
01:24:50Careful.
01:24:51Careful.
01:24:52Careful.
01:24:53Careful.
01:24:54Careful.
01:24:55Careful.
01:24:56Careful.
01:24:57Careful.
01:24:58Careful.
01:24:59Careful.
01:25:00Careful.
01:25:01Careful.
01:25:02Careful.
01:25:03Careful.
01:25:04Careful.
01:25:05Careful.
01:25:06Careful.
01:25:07Thank you!
01:25:37Thank you!
01:26:07Thank you!
01:26:29Be careful, it's very fragile!
01:26:32The keys.
01:26:33What do we do with the sign, sir?
01:26:35Okay, leave it. As long as it's vacant, it'll serve as advertising for me.
01:26:41Will you ever come back here, sir?
01:26:43Who knows? I am a plaything of my destiny.
01:26:49Oh, beautiful Phoenician city! You are left without Bernaltino! Towards glory!
01:26:54Oh, beautiful city!
01:27:24The truth is different. And is the devil on the loose?
01:27:27Hooray! Hooray! Hello! Hello, idiot!
01:27:54Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Oh!
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