- hace 2 días
Reparto: Concha Velasco, José Luis López Vázquez, Franz Johan, Isabel de Castro, Juan Calvo, Félix Fernández, Matilde Muñoz Sampedro, Raul Solnado, Emilio Rodríguez, Beni Deus, Tota Alba, Francisco Bernal, Aníbal Vela, Julio Gorostegui, Venancio Muro
Dirección: Pedro Lazaga
Sinopsis: María y Lola son dos jóvenes prometidas con Pepe y Franz. Como no temen a las supersticiones, deciden casarse el mismo día, un martes y trece. Sin embargo, no pararán de surgir problemas, entre ellos un incendio en casa de uno de los novios.
Dirección: Pedro Lazaga
Sinopsis: María y Lola son dos jóvenes prometidas con Pepe y Franz. Como no temen a las supersticiones, deciden casarse el mismo día, un martes y trece. Sin embargo, no pararán de surgir problemas, entre ellos un incendio en casa de uno de los novios.
Categoría
🎥
CortometrajesTranscripción
00:00:00Music
00:00:30Music
00:01:00Music
00:01:30Music
00:02:00Music
00:02:24Son
00:02:24Father
00:02:26Father
00:02:27I'm only going to get married
00:02:29And you think that's not enough?
00:02:30That's enough, that's enough
00:02:31And I also remember your poor mother
00:02:33Mother
00:02:34Oh, if only she were alive
00:02:35How I would cry
00:02:37And for dessert
00:02:38Look
00:02:39On Mars, don't get married or set sail
00:02:41We have the black one, father
00:02:42And also thirteen
00:02:43And what does he want me to do?
00:02:45Maria insisted that it be on Saint Anthony's Day
00:02:47And how he makes you do whatever he wants
00:02:49He also insisted that we be like that
00:02:50Of penguins
00:02:52There's going to be a real mess in the neighborhood
00:02:54And rightly so, because what a pair of masks!
00:02:57Father
00:02:58Son
00:02:59I'm saying that it smells like something's burning in here.
00:03:01Who knows where you left your cigarette
00:03:03But I haven't smoked yet today
00:03:05Father, father, son
00:03:11Fire, no matter how early I get up.
00:03:12Father
00:03:13Father
00:03:14I told you so.
00:03:19What do we do?
00:03:20Father, what do we do?
00:03:21To make us Martian
00:03:22Let's go through this door.
00:03:23Through this door
00:03:23Through this door
00:03:24Mari, let's go
00:03:24My son is still here.
00:03:26That we can escape
00:03:27We're swamped
00:03:31Like on the cart street
00:03:33And it's time
00:03:34They are waiting for us
00:03:35What do we do?
00:03:35What do we do?
00:03:37Father, I'm going to throw myself down
00:03:37Save holy Poland
00:03:39Potato!
00:03:40Potato!
00:03:42Potato!
00:03:42Potato!
00:03:43I don't want anything
00:03:43I don't want anything
00:03:44He's going to hear me.
00:03:51He's going to hear from me!
00:03:53Those who are going to hear her, mother, are all those gentlemen.
00:03:55Try to hide it a little
00:03:55For the love of God
00:03:56In other words, he's taken you for a fool.
00:03:58I'm nobody's whistle and night watchman
00:04:00And if he believed it
00:04:01Pepe goes to the smart one
00:04:02I don't want compound
00:04:03No boyfriend, no talking about it.
00:04:03I'm willing to marry the first guy who comes along.
00:04:06What a coincidence!
00:04:08Well, here I am, beautiful.
00:04:09Come on, come on
00:04:10Move along, man
00:04:10Circle
00:04:11There it is
00:04:15Pepe!
00:04:18Well
00:04:18This only happens to me well.
00:04:20Now a boyfriend is coming
00:04:21And it turns out it's not Pepe.
00:04:23I'm not Pepe
00:04:24But if it helps for anything
00:04:25Thank you, you are now out of service
00:04:27But I was just saying it
00:04:29To do him a favor
00:04:29Well, please don't meddle where you're not wanted.
00:04:32Sorry
00:04:32I didn't want to get involved anywhere.
00:04:34What's happening?
00:04:35This man who wants to marry me
00:04:36Yeah
00:04:37Yes, he could be your grandfather.
00:04:38One moment
00:04:39I will be able to be Miss's grandmother
00:04:40But your father, ma'am
00:04:42That's definitely not the case.
00:04:43Come on, let me through
00:04:44Oh my God!
00:04:46What are you waiting for?
00:04:48It's past the hour
00:04:49Come on, hurry up!
00:04:50My daughter and this gentleman have nothing to do with each other.
00:04:52So why are they getting married?
00:04:54But they're not going to get married
00:04:55That's why we think beforehand.
00:04:56It's planned
00:04:57She's getting married.
00:04:58So, this gentleman
00:05:00What are you doing here?
00:05:01And in my case?
00:05:01So if they're getting married, what are they waiting for?
00:05:03Because we have a lot of work.
00:05:04A wedding, a christening
00:05:05Another wedding, another christening
00:05:07Another wedding
00:05:07And the occasional funeral
00:05:09Clear
00:05:10For a change
00:05:11Oh, may Saint Anthony find us with troublemakers!
00:05:14Outside, let me through
00:05:15Get out, poor thing
00:05:15But where could Pepe have gone?
00:05:18Maybe he's reconsidered
00:05:20Let's go find Pepe
00:05:21Woman, don't rush into things.
00:05:22That one won't get away from me.
00:05:23Taxi!
00:05:24Come on
00:05:25Come with me
00:05:26Taxi!
00:05:26Taxi!
00:05:27Come on, Ramón, little sword
00:05:28Sword, man!
00:05:30Oh!
00:05:31Get on!
00:05:31Get on!
00:05:32Get on!
00:05:32Get on!
00:05:33Get on!
00:05:33Get on!
00:05:33Get on!
00:05:33Get on!
00:05:34Get on!
00:05:34Get on!
00:05:34Get on!
00:05:34Get on!
00:05:35Get on!
00:05:35Get on!
00:05:36But, but don't delay!
00:06:03Follow me, father
00:06:04The iron was plugged in, as if it couldn't see.
00:06:16Pepe, let him go right now.
00:06:23Here or anywhere, Sole!
00:06:25Have you hurt yourself badly or seriously?
00:06:27Do you see what she's doing, Mrs. Maria?
00:06:28Come on, you have to have a heart of gold.
00:06:32Sign him up, aunt!
00:06:33Look how nice!
00:06:34Everyone was waiting for you at church and you were carrying a woman in your arms.
00:06:38Let's see who's the handsome one!
00:06:38But they would say it was on the slab!
00:06:40Cala, save the firefighters who stopped!
00:06:41Let's see who's the handsome one!
00:06:42You have to bring out the baton!
00:06:43But like this, like this!
00:06:44Let's see who's the handsome one!
00:06:45You have to bring out the baton!
00:06:48Don't worry about this, I've already put it on for you.
00:06:52Hey, hey, don't bother me, don't bother me.
00:06:53Whatever!
00:06:53Hold on tight, Ramón.
00:07:05Be careful on the curves, that's the dangerous part.
00:07:08Hold on tight, my clutch is slipping, Dad.
00:07:10Don't let go, Ramón, think about your kidneys.
00:07:21Lola is late, I would start to worry.
00:07:23You think?
00:07:24Clear.
00:07:24You don't let go, you don't let go, Ramón, or anything.
00:07:32But have you come?
00:07:32I have a boss with the salary.
00:07:34I have patience, a lot of it.
00:07:36It's going to happen now, huh?
00:07:38Of course, all good things have...
00:07:40No, Pepe!
00:07:42Firefighter?
00:07:42Firefighter?
00:07:45Is there a fire in the church?
00:07:46Let's go!
00:07:47Stay put here!
00:07:48Pepe, son! Where have you come from?
00:07:49Mari, look at me!
00:07:50The house is a bonfire, Mari!
00:07:52Yes, yes, go differently.
00:07:53What are you seriously calling?
00:07:54What are you calling?
00:07:55Some flames?
00:07:55Thus, going down with a narrow step.
00:07:58Shall we begin the ceremony or what?
00:08:00Whenever you want.
00:08:01And to talk about that.
00:08:02To the back of the line, to the back of the line.
00:08:03We are in front.
00:08:05Excuse me.
00:08:06It's our time.
00:08:07No, no, no.
00:08:07We got married first.
00:08:09Nothing else is missing.
00:08:09By no means.
00:08:11Let them get married.
00:08:12We're not in a hurry.
00:08:14Maybe next year.
00:08:15You keep quiet.
00:08:15Let's see if they can come to an agreement.
00:08:17I can't waste time.
00:08:19Everything is ready.
00:08:20He can't.
00:08:20We got married first.
00:08:22And that, gentlemen, comes later.
00:08:23Nothing of the sort.
00:08:23But what difference does it make, woman?
00:08:24What difference does it make, Mari?
00:08:26I don't know if it's too late.
00:08:26My daughter is getting married first.
00:08:27This is an outrage.
00:08:29That?
00:08:30Either I get married sooner or I don't get married at all.
00:08:32That is.
00:08:32We didn't get married out of anger.
00:08:33What do you mean we're not getting married?
00:08:35My daughter is getting married first.
00:08:37Either she gets married already.
00:08:39Or I'll start the funeral.
00:08:40Yes I want.
00:08:50Ah, yes, I want to.
00:08:54Yes I want.
00:08:55Well, me.
00:08:58Of course.
00:08:59Of course not.
00:09:00You are mistaken, inspector.
00:09:02Unless he stole the fire truck.
00:09:04What the hell are you talking about here?
00:09:06It was a moment of weakness.
00:09:08I got married.
00:09:09Fans!
00:09:09Since they didn't know which of the grooms was responsible, they brought both of them.
00:09:13So, you're the one who stole the fire truck.
00:09:17Does he plead guilty?
00:09:19Excuse me, officer.
00:09:21The only one to blame here is this lady who forced him.
00:09:24Father.
00:09:25Did I force him?
00:09:26No.
00:09:27You have some nerve.
00:09:28Yes, ma'am.
00:09:29The one you have that's more expensive than him.
00:09:30I forced him!
00:09:31I forced him!
00:09:31What will they do with the flowers of the chacín!
00:09:32Please be a little understanding, Inspector.
00:09:35I was waiting for him, and poor thing, to arrive on time, wouldn't you do the same if I were waiting for you?
00:09:42Mari.
00:09:42Please understand, ma'am, that if we need to arrive on time to get married, or to the office, or to the cinema,
00:09:47If we commandeered the first fire engine we could find, what would happen then?
00:09:54I'm sorry, young man.
00:09:56But you remain under arrest.
00:09:58I have no choice but to pass the proceedings on to the judge.
00:10:01But what diligence, what a husband.
00:10:03Excuse me, Inspector.
00:10:05You can't arrest my son, Inspector.
00:10:07We are poor, but honest.
00:10:09You can't do that, inspector.
00:10:11Sir, you have a kind face.
00:10:13He can't leave me like this, without a boyfriend, without a husband.
00:10:17I'm sorry, ma'am, but I have to do my duty.
00:10:20Son, father.
00:10:21A painful duty.
00:10:23Take the detainee to the jail cell.
00:10:25Let me tell you, guard, the one who needs to be locked up, but in the menagerie, is this lady.
00:10:29Stop!
00:10:30But you want to stay still!
00:10:32But you didn't hear what he said!
00:10:33Order!
00:10:34That's starving!
00:10:35I'm starving!
00:10:36Let's see who's paid me for the motorcycle yet!
00:10:37Let's see!
00:10:38Silence!
00:10:39What a mess!
00:10:40Silence, I'm locking you all up!
00:10:42Leave immediately, sir!
00:10:43I'm leaving too.
00:10:45No!
00:10:46You stay.
00:10:47Here.
00:10:48Come on, Mari.
00:10:49Come on!
00:10:49Give it to me properly, Juan, now!
00:10:51A little jurito!
00:10:51No, thank you, I'm not available.
00:10:53My son!
00:10:54My son!
00:10:55They'll take you to the Ocaña prison or the Duezo prison!
00:10:58Oh my God!
00:10:58They're fine, right?
00:11:00Pepe! Pepe!
00:11:01And to think I'm married to a convict!
00:11:04Mari, it's not that big of a deal!
00:11:06Come on!
00:11:06Even if they give you a life sentence, I will wait for you my whole life.
00:11:08Come on!
00:11:09I'm coming, I'm coming, man, calm down, calm down.
00:11:10I'm making up my mind.
00:11:11It's like my last will and testament, isn't it?
00:11:12Eat a lot, Pepe!
00:11:14Let's go, Frank, there's nothing here to...
00:11:15Yes, let's go, let's go.
00:11:16No, wait a minute, wait a minute.
00:11:18Inspector, if you'll allow me, I'll tell you that you have no reason to arrest this young man.
00:11:23How dare he?
00:11:25In every aspect.
00:11:26I don't like the way he acts.
00:11:29Where is the evidence?
00:11:30Did you know that this young man has pleaded guilty?
00:11:32If you treated him like that, in that way, the poor boy got scared.
00:11:38That's not right.
00:11:39No matter how much you are my inspector, it's not right.
00:11:43It's an abuse.
00:11:43What is abuse?
00:11:44Yes, an abuse, an abuse, a stupidity, a foolishness, whatever you want to call it.
00:11:49Because this one, the foolish one...
00:11:51Enough! Enough!
00:11:53Are you being detained for unloading by order of the authorities?
00:11:55You can't do that stupid thing.
00:11:57Can't you see that my husband is stupid?
00:11:58Or are you even more foolish?
00:12:02Are you also under arrest?
00:12:03Okay, the button's for you.
00:12:07I said that you are under arrest as well.
00:12:10And the rest of you should leave right now.
00:12:13I don't want to see anyone.
00:12:15Go away!
00:12:15You'll see.
00:12:16I wasn't going to leave my husband alone on his wedding night.
00:12:37Of course, you do it very well.
00:12:39Not on the wedding night, nor on the silver anniversary.
00:12:44Silk organdy, right?
00:12:45Yes, yes, ma'am.
00:12:46You see what I was telling you.
00:12:48Organza.
00:12:50It's very beautiful.
00:12:51Thank you.
00:12:51And you, well, let's not even go there.
00:12:52Thank you so much.
00:12:55You can't live in this country.
00:12:56If you get married, they'll put you in jail.
00:12:58And if you don't get married, that's fine too.
00:12:59There you go, my father.
00:13:01What a pair of ugly macenoles.
00:13:03What does it say?
00:13:04Something like we're a bunch of classy guys.
00:13:07He's a foreigner, isn't he?
00:13:08No, from Valle Caso around there.
00:13:10That?
00:13:10Did the shouting make you sing?
00:13:11Very kind, huh?
00:13:13Yes, yes, yes.
00:13:14What does it say?
00:13:15That the shouting has made you sing.
00:13:16Oh no, why bother?
00:13:17I have expensive decanter.
00:13:18I don't decant anything.
00:13:20It doesn't suit me.
00:13:20It tells you that it has been sung.
00:13:22That if he left the mui.
00:13:24Something has been said loudly.
00:13:26Let's go to the police.
00:13:28Your wife told on you, huh?
00:13:30Hey?
00:13:30Yeah.
00:13:31Don't back down and don't be a fool.
00:13:33Clear.
00:13:34As soon as you leave, you'll get rid of him.
00:13:39Who's going to help me?
00:13:41The liquidation.
00:13:42But I haven't done anything.
00:13:44I don't understand those languages.
00:13:46I don't frequent those circuses.
00:13:48But it's German.
00:13:49But what are you doing here?
00:13:52Lower yourself very much.
00:13:53Don't be a fool.
00:13:54If you snitch, luck will get me.
00:13:56No.
00:13:57Do you know him?
00:13:59I must have made a mistake.
00:14:00All Germans seem the same to me.
00:14:02What's the rush, kid?
00:14:03I'm just calling for getting into the swing of things and learning the language, yes sir.
00:14:06That's what it looks like.
00:14:08Well, I haven't thanked him yet for wanting to help me.
00:14:10There you are, you cool coqui.
00:14:12Is the coqui de chachi?
00:14:13That?
00:14:13No, well, no.
00:14:14De la fetendi, de la lerendi y de la rapapucha.
00:14:17Now I've explained it, yes sir.
00:14:18Can people understand each other by talking?
00:14:19Clear.
00:14:20I've gotten myself into a foreign country.
00:14:22But don't address me formally.
00:14:24We speak the same language.
00:14:26We are companions in misfortune.
00:14:27We are both married and in jail.
00:14:30The San Antonio festival has moved.
00:14:37There go those little sausages to open, beautiful ladies.
00:14:40My father, this is manna.
00:14:42It's over here.
00:14:45What a man we're going to hit.
00:14:47We should celebrate.
00:14:48What a man, that man has a purer face.
00:14:51That you're the boyfriend.
00:14:56Mari, look out, Don Elias has arrived.
00:14:59He comes generously.
00:15:00And it's so much non-unionized.
00:15:02Long live the rumpy godfathers!
00:15:04Long live the rumpy godfathers!
00:15:06This one's for you!
00:15:12Thank you.
00:15:13Take it.
00:15:15Take it.
00:15:16It's the first bump.
00:15:17No, I don't feel like it.
00:15:18He needs to take something.
00:15:21These things are appreciated.
00:15:22I'm telling you this from the bottom of my heart.
00:15:23May it last for them.
00:15:24May it last, what?
00:15:25The happiness that will come.
00:15:27So.
00:15:27Happiness.
00:15:29I'll get her today, I'll get her!
00:15:32I'm here now.
00:15:47That?
00:15:48Are you having fun?
00:15:48What did I say?
00:15:50Just think of my poor daughter...
00:15:51Your poor daughter is so rich.
00:15:54I have already taken care to send them supplies.
00:15:56Yes, yes, but...
00:15:58After all, you can't complain.
00:16:00The whole fire was nothing.
00:16:02That Pepe and Maria...
00:16:04It's the least that could have happened to him.
00:16:06If the church didn't collapse...
00:16:08You can thank God now.
00:16:10Getting married on a Tuesday.
00:16:12You have to have...
00:16:13What Maria has.
00:16:15Enjoy your meal.
00:16:16Enjoy your meal.
00:16:17That's lovely.
00:16:19That's lovely.
00:16:19That's lovely.
00:16:19That's lovely.
00:16:20That's lovely.
00:16:24What did I start with this dance?
00:16:26What or not?
00:16:26Uh-huh, uh-huh.
00:16:48After this, we're going to be left with nothing, Mari.
00:16:51Not at all.
00:16:51What is this?
00:17:03Where has the one over there been defeated, man?
00:17:05Be quiet!
00:17:07Be quiet!
00:17:07Hey, officers!
00:17:09Don't be like that!
00:17:11Me and Saint Anthony, and anything goes.
00:17:13Who believes the regulations say anything about San Antonio?
00:17:16I don't know if he'll say it.
00:17:17I'm not sure.
00:17:18Maybe he says it.
00:17:20Hey, gentlemen!
00:17:20Let's hope it doesn't go there.
00:17:22Get out of here!
00:17:23Get out of here!
00:17:23Get out of here!
00:17:43Get out of here!
00:17:44Good morning.
00:17:49Good morning, inspector.
00:17:50Good morning, inspector.
00:17:51Good morning.
00:17:53Let's go downstairs.
00:18:03There's been a party, huh?
00:18:05You see, Inspector, what San Antonio was like, we thought...
00:18:08Don't talk to me about Saint Anthony.
00:18:10I've just come from the festival, after being out all night.
00:18:13Oh, I'm exhausted.
00:18:15Isn't it true that one is no longer up to these kinds of things?
00:18:17You are still very young, Inspector.
00:18:19No way, man, no way.
00:18:21My wife insisted.
00:18:23We met at the San Antonio festival.
00:18:25And every year we take the girl to see if our luck will repeat itself.
00:18:29And it stings someone.
00:18:30And?
00:18:31This time it seems one took the bait.
00:18:32Congratulations.
00:18:34We'll see.
00:18:35That would be a relief.
00:18:36Don't believe it.
00:18:37Good morning!
00:18:43Silk?
00:18:44What idea?
00:18:45What idea?
00:18:45Can you?
00:18:46Good morning!
00:18:47Good morning!
00:18:47Good morning!
00:18:50Good morning!
00:18:51Good morning!
00:18:51Ladies and gentlemen, well, I mean the couple getting married, okay?
00:18:59I thought that he wasn't in the mood to keep the fire truck, as in the case of this gentleman.
00:19:05No, of course not, I swear, inspector.
00:19:08Nor was the lack of respect shown to my authority by these two ladies when they ripped off my buttons deliberate.
00:19:14Taking all these circumstances into account...
00:19:18I set you free.
00:19:20Thank you so much.
00:19:21He speaks of wine in a very human way.
00:19:23What joy, Mother!
00:19:25They're finally getting us out!
00:19:26Oh, what did Lola see!
00:19:26I've fallen for it!
00:19:27It seems to me that...
00:19:28Priar!
00:19:29What a river of a heart, I'm coming!
00:19:31What a joy, here!
00:19:32No, no, not you.
00:19:34They're taking me out, mother!
00:19:35What a joy, truly!
00:19:38More, people!
00:19:39No, no, nothing!
00:19:40It's out now, Mom!
00:19:42Don't keep that face, mother!
00:19:42What a fright I gave, one of the biggest pofios I've ever seen!
00:19:46We will be grateful to you for the rest of our lives, Inspector!
00:19:48All of it, all of it.
00:19:49Ma'am, one is a human being.
00:19:50You are not just a human being.
00:19:51He's very nice and a true gentleman.
00:19:53What were you, ma'am?
00:19:55I was going to offer to sew the buttons on for her.
00:19:58Thank you very much, my wife has already done it.
00:20:00Well, I hope everything will be alright for them now.
00:20:02Better than the first night, huh?
00:20:03She'll coquilate you, she'll finish the papucha!
00:20:05You are so kind, may God repay you!
00:20:08Let's go, let's go, let's go, let's go!
00:20:10Thank goodness it's never too late, you see?
00:20:11Careful, Mari, the cocaine.
00:20:12Goodbye, goodbye!
00:20:14Goodbye, goodbye!
00:20:15Bye bye!
00:20:15Bye bye!
00:20:17Thank you, Inspector!
00:20:18You are very human!
00:20:19Inspector!
00:20:21Now is the time.
00:20:23Why don't you grant us a general amnesty?
00:20:26General amnesty.
00:20:28Do you think that's true?
00:20:29Bye bye!
00:20:40Do you see a kiss now?
00:20:43Now.
00:20:48Goodbye, goodbye!
00:20:49Goodbye, goodbye!
00:20:50Bye bye!
00:20:51Oh, what a beautiful morning!
00:20:52Yeah!
00:20:53Oh!
00:20:55Hey?
00:20:55Be careful, don't hurt yourself, Mari
00:21:10Here are the bride and groom!
00:21:17Here are the bride and groom!
00:21:19Look who's here!
00:21:25Here are the bride and groom!
00:21:35Here are the bride and groom!
00:21:39Here are the bride and groom!
00:21:45Viva!
00:21:49Here are the bride and groom!
00:21:57Here are the bride and groom!
00:21:59Here are the bride and groom!
00:22:01Here are the bride and groom!
00:22:05Just wait until we get back, we'll be starving!
00:22:09Goodbye, my daughter!
00:22:11Here, so you can invite the Portuguese
00:22:15This that I'm going to give you now, in this envelope, for you to spend.
00:22:20For us, this is...
00:22:22What kind of heart do you have?
00:22:24A kiss to the old lady, the uncles, and the cousins.
00:22:27God said, don't forget that the bepa is new and you don't know it.
00:22:31Great care.
00:22:32Goodbye, God said, goodbye.
00:22:34Goodbye, you don't know her, she's new.
00:22:40What great handwriting!
00:22:45How I'd love to go over there and give my mother a hug; she's doing very well, you know!
00:22:55My brother's son earns a lot of money.
00:22:58The player from Hofe is on skates, and he looks just like Pepe.
00:23:01Mother-in-law, hold me, I'm going to show it to him.
00:23:08Look.
00:23:11This is my nephew, the captain of the Portuguese Wolves of Lisbon.
00:23:15But what are you doing?
00:23:24Leave me at least this.
00:23:25You have terrible taste, son.
00:23:27Leave me this, I'll remind you.
00:23:29No memories.
00:23:31What you need to do is lose your memory.
00:23:32You've really outdone yourself, Lolita.
00:23:34You were always so soft.
00:23:37You've always said, you didn't care about my previous life.
00:23:39Yeah.
00:23:40What you'd like is to continue with the harem, but that's over for you, do you understand?
00:23:43Careful, that's my mother when she was young.
00:23:48What did the poor woman do to deserve this?
00:23:49A telegram, and it's urgent.
00:23:51Telegram?
00:23:55You sign.
00:23:58This is violation of correspondence, it is severely punished.
00:24:03Come on.
00:24:04I forbid you from getting married.
00:24:06Loam.
00:24:08Who is Marga?
00:24:09Loam.
00:24:11Marga, don't get the wrong idea, okay?
00:24:14Marga is Marcilino García.
00:24:17Marga is the name of the chart.
00:24:19Know?
00:24:20He's an old bachelor like me.
00:24:22Well, like I was, huh?
00:24:24In the piles.
00:24:25The poor man thinks that the best thing in life is being single.
00:24:29Freedom, not that nonsense.
00:24:32She's a complete moron, you know?
00:24:34The telephone.
00:24:38Hello?
00:24:39Fran, my dear.
00:24:40I'm Marga.
00:24:41Loam.
00:24:42And mother.
00:24:43I'm calling you from Estoril.
00:24:44Did you receive my telegram?
00:24:46Do you send telegrams?
00:24:46Yes, yes, yes.
00:24:47It's Marcilino.
00:24:48Marcilino García.
00:24:50You listened to me and didn't get married, huh?
00:24:53He's my cousin.
00:24:55You're an angel.
00:24:56I knew you wouldn't let me down.
00:25:04You won't regret it, man.
00:25:06And besides, I'm here to comfort you.
00:25:08What are you saying, Marcilino?
00:25:10Loam.
00:25:11Marcilino García.
00:25:13Well, honey.
00:25:14I have the dressmaker here.
00:25:16Bye bye.
00:25:17A little kiss.
00:25:18Bye bye.
00:25:19Oh, it's just that my family and I get along really well.
00:25:23Hey, Marcilino.
00:25:24When you meet my wife, you'll understand.
00:25:28She's lovely.
00:25:30Understanding.
00:25:31Sweet.
00:25:31Submissive.
00:25:33Yeah.
00:25:34What are you saying?
00:25:35You don't say.
00:25:36You don't say.
00:25:38You don't say.
00:25:39Don't tell me.
00:25:41What did he say?
00:25:42He hasn't told me.
00:25:43Okay, grab your bags and let's go.
00:25:45Well.
00:25:46Juana, bring down the suitcases.
00:25:51No, sir.
00:25:52Yours truly.
00:25:53The only suitcase that comes down is this one, mine.
00:25:56Because I am leaving this house forever.
00:25:59But, Juana, what have I done to him?
00:26:01After 20 years.
00:26:02Why did she need to get married?
00:26:04Didn't I cook for him, take care of his house, and do his laundry?
00:26:08And didn't you have those women over there for entertainment?
00:26:13Oh, it's gone now.
00:26:15You take the collar and cuff; I'll keep the uniform as a souvenir.
00:26:20Juana.
00:26:21But what are you waiting for?
00:26:22Grab your suitcases.
00:26:23Me too?
00:26:24Clear.
00:26:25Come on, hurry up.
00:26:26And I still needed to go over.
00:26:28Freedom Party.
00:26:32Other.
00:26:33My poor little husband, who spent his wedding night in jail.
00:26:54Oh.
00:27:03Why are you stopping, Pepe?
00:27:07Nothing, I just feel like looking at the scenery.
00:27:10The landscape?
00:27:11Yes, this one.
00:27:12What landscape?
00:27:13Well, uh...
00:27:13But there's nothing to see here.
00:27:15What do you mean there's nothing to see?
00:27:17Pepe.
00:27:18That?
00:27:18Pepe, what are you thinking about?
00:27:20Nothing, nothing is coming.
00:27:22There is plenty of light here.
00:27:33What's up, Pepe?
00:27:36Oh!
00:27:36What's up, Pepe?
00:27:38Ah, we, well, here, you see.
00:27:40Pepe.
00:27:41We see.
00:27:42Oh, no, don't get the wrong idea.
00:27:43She's my wife.
00:27:45So his wife...
00:27:46Yes, yes.
00:27:47The wife.
00:27:47Listen, no offense intended, but I am a decent woman and married, very much married, in the church.
00:27:51One hundred pesetas fine for public scandal.
00:27:54What scandal, what audience, there's not a soul here!
00:27:56That would be great, man.
00:27:57Without raising your voice, okay?
00:27:58Faggot and atheist, we ended up at the police station again.
00:28:00What did he say about the police station?
00:28:01Hey, daughter, no, no, no, no, you've misunderstood.
00:28:04I said ca, ca, misery.
00:28:06It's because her father owns a shirt shop.
00:28:08Okay, pay the one hundred pesetas or come with us to the barracks.
00:28:11No, of course, we paid.
00:28:13But between you and me, officer, don't you think 100 pesetas is a bit too expensive for a kiss, eh?
00:28:17Right? Right?
00:28:19I don't think it's expensive.
00:28:20I don't think it's expensive.
00:28:20Oh, thank you very much, guard.
00:28:22What if we left it at ten pesetas, huh?
00:28:28Have a good trip this time.
00:28:31Ah, thank you very much, Mr. Guard, thank you very much.
00:28:34But a little moderation, okay?
00:28:35Yes, absolutely, absolutely.
00:28:37Be careful with excesses, could they be fined?
00:28:40No, he won't fine us, we won't do it again.
00:28:43Word.
00:28:43Let's see if it's true.
00:28:44How nice.
00:28:48Bye bye.
00:28:50Goodbye, good morning.
00:28:51Bye bye.
00:28:54And don't be flirtatious with me, Mari, don't be flirtatious with me.
00:28:56On top of everything, I've saved you from a fine.
00:28:58Come here, come here, I'm going to clean that little mouth of yours.
00:29:04Oh my God, how can someone go around the world with such a pretty little mouth?
00:29:08But it's yours.
00:29:08I'm going to give you a fine, eh, I'm going to give you, I'm going to give you a fine.
00:29:12Give me the briefcase, come on.
00:29:14Damn, wow, it takes over the whole face.
00:29:17I see you coming, Pepe, I'm going to give you a ticket.
00:29:19Okay, okay.
00:29:21Let's go, come on.
00:29:22Oh, right.
00:29:26Perfect.
00:29:26Hi, where are you going with that doll?
00:29:49And the family, well, uh, okay.
00:29:51You don't deserve it, girl.
00:29:53I kept stinging.
00:29:54Luis, get to work, that's what you do.
00:29:58Start moving your beak.
00:30:00Wow, that guy's got a real hottie.
00:30:09Chata!
00:30:12Why are you stopping, Pepe?
00:30:13Hold Mari, I can't stand it anymore.
00:30:15He's going to swallow that, that flat-chested girl.
00:30:16Let me.
00:30:18Pepe, don't brag.
00:30:19Don't boast, Pepe, don't get lost.
00:30:22You've never had your face smashed in.
00:30:27Man, it's not that big of a deal.
00:30:29Everyone calls me "the shorty" and I'm not offended by it.
00:30:34You're right, pal.
00:30:35You are right, yes sir.
00:30:37Man, I'm going to give it a quick polish, okay?
00:30:39Wow!
00:30:39Oh, nobody's giving away more!
00:30:53Is it your fault?
00:30:54I?
00:30:54You, of course you are.
00:30:55You can't walk around wearing those kinds of pants.
00:30:59Don't you see that your...
00:31:00Well.
00:31:01Come on, I don't know how you want me to go.
00:31:03Have you noticed?
00:31:24Nothing that happens to me.
00:31:25I'm a guy.
00:31:27Well, I'm by my side.
00:31:28Hold on, my love, hold on.
00:31:42Watch out, Pepe.
00:31:48Look, Justin.
00:31:49They're going like crazy.
00:31:50Then we'll have to work overtime.
00:31:55What I do!
00:31:55But where are they?
00:32:06As if they had disintegrated.
00:32:08Oh, my leg!
00:32:15Your leg!
00:32:15Oh, my leg!
00:32:17Your leg, Mari!
00:32:18Mari!
00:32:18Where is your leg?
00:32:19Here it is!
00:32:19Oh, you gave me such a fright!
00:32:21Are you okay, Mari?
00:32:22Mari, something's happened to you, my love!
00:32:24Oh, Mari!
00:32:25Oh, how it hurts!
00:32:25How I grabbed the animal that was in the car.
00:32:28He remembers today, I swear.
00:32:30They're here!
00:32:31How are you?
00:32:31No, fine, thank you, thank you very much.
00:32:33Not like that...
00:32:34But if.
00:32:35But if they are...
00:32:36Were you the animal that was in the car?
00:32:38The one who was in the car, yes, but I think it was his brother.
00:32:40Hey, I'm the only one who insults my husband.
00:32:42Yeah.
00:32:42Well, you can start now.
00:32:43It's a miracle he didn't kill us.
00:32:45And look at that motorcycle.
00:32:46I didn't do anything, I was just watching.
00:32:49But looking at what?
00:32:49My leg.
00:32:51Poor thing.
00:32:51Leg!
00:32:52So what if they have to give my wife a wooden leg now?
00:32:56Oh, that would be a shame.
00:32:58But you don't care about that, you find out.
00:33:00But I do, it's just that your husband is a jinx.
00:33:02That?
00:33:02No, a jinx.
00:33:04Iron, iron.
00:33:04Here.
00:33:05What tragedy?
00:33:06Excuse me.
00:33:08We have to note down if there are any injuries for those public works signs.
00:33:13Well, get on it.
00:33:13The problem is that some people have nothing and try to make themselves seem important, so we have to check.
00:33:18Check what?
00:33:19The ladies' leg.
00:33:21Your grandmother's leg?
00:33:22Don't mess with the family, okay?
00:33:24Nobody checks my wife's leg.
00:33:26If you don't want to cooperate with the government, that's your problem.
00:33:29Come on, come on, Mali.
00:33:30Nothing's wrong with you, Mali.
00:33:34That's apprehension, Mali.
00:33:35Well.
00:33:35Come on, make an effort.
00:33:36Whatever you want.
00:33:37Can you come with us?
00:33:38That's the least you can do, isn't it?
00:33:40Well.
00:33:41Mali.
00:33:41Mali.
00:33:56Hello, Julio.
00:34:22Good luck and lots of goals.
00:34:23Ah, thank you very much.
00:34:25They mistake me for my cousin Julio, who has a game tomorrow.
00:34:27Hello good.
00:34:28Hello good.
00:34:28Two bedrooms for double occupancy.
00:34:31Two bedrooms for double occupancy.
00:34:32The 102nd and the 104th.
00:34:34Shall we call each other now?
00:34:35Yes, see you later.
00:34:36See you later.
00:34:37Welcome, Mr. Veiga.
00:34:38I hadn't seen her in a long time.
00:34:39You've left the dripping.
00:34:40Yes, he's left it a little.
00:34:42Goodbye, heaven.
00:34:43Go upstairs, I'm going to send some telegrams home and to Lisbon, to the little key.
00:34:46Goodbye, my love.
00:34:47Bye bye.
00:34:48For telegrams.
00:34:50May I...?
00:34:51Why not?
00:34:51I know you, Marín.
00:34:57Don't be late.
00:34:57Don't be late.
00:34:59More things.
00:35:01We're bringing in a broken-down motorcycle.
00:35:03I need it ready by tomorrow.
00:35:04Since it's for Julio Vega, all the...
00:35:06Thank you.
00:35:10Marín, here.
00:35:11Yes, yes, I'm coming.
00:35:13Please come in.
00:35:15Thank you so much.
00:35:17Bye.
00:35:18Goodbye, see you later.
00:35:19See you later.
00:35:19We'll have dinner together.
00:35:20Yes, but I'm going to fix myself up a bit.
00:35:22But hurry.
00:35:23Bye bye.
00:35:23This way, ma'am.
00:35:30Come in, ma'am.
00:35:32Thank you.
00:35:33I hope the lady likes it.
00:35:35Thank you so much.
00:35:41Obliged.
00:35:42Thank you very much.
00:35:43Good afternoon.
00:35:44Thank you.
00:35:44Julio, my love, it's me.
00:36:11No, no, no, no, you're wrong.
00:36:13No, no, girl.
00:36:15Listen to me, I'm Pepe.
00:36:16You have me here.
00:36:17Leave me alone, Julio.
00:36:19This could happen to me.
00:36:20I have a mustache, a mustache, a mustache.
00:36:23Until now.
00:36:26International hotels.
00:36:39Yeah.
00:36:40That?
00:36:40That?
00:36:44Mother?
00:36:50That?
00:36:50But have you seen how fresh it is?
00:36:58The service at these hotels leaves much to be desired.
00:37:00You think?
00:37:01On the other hand, you're the one who leaves nothing to be desired.
00:37:04Come on, Pepe, let's go, let's go, we have to get ready
00:37:06Why get dressed up?
00:37:08For dinner
00:37:08For dinner? I don't want dinner, I don't feel like eating dinner.
00:37:13But Pepe, we've made plans with those people, what are they going to think of us?
00:37:16How annoying they are
00:37:18Okay, but a light dinner
00:37:20And fast
00:37:22Go on, go get ready so they don't have to wait for us.
00:37:25I'm going to give you a ticket, I'm going to give you a ticket, come on
00:37:29How much I love you?
00:37:31I look beautiful
00:37:32Look how beautiful!
00:37:36It's very typical
00:37:38Good night
00:37:40And take advantage
00:37:41Thank you
00:37:42What both
00:37:44Thank you, thank you, my love
00:37:46Have you seen the hair?
00:37:48Sit down here
00:37:49Let me serve
00:37:55But what are you doing?
00:37:56Let me...
00:37:57Good night
00:38:02Something's wrong, sir.
00:38:05Listen, but...
00:38:07How has everything affected me?
00:38:09Do they serve at the top here?
00:38:10You could have been more careful, for goodness' sake.
00:38:12Please forgive me
00:38:13You need to be clumsy.
00:38:15Excuse him, sir
00:38:16Now I have to go upstairs to change.
00:38:18Me too
00:38:18And they will clean the clothes immediately.
00:38:19Come, come, you're lost.
00:38:22I quote
00:38:22What year am I removing Citeo from my contract?
00:38:32Please give me my key, it's...
00:38:34Mine too
00:38:35Here you go, sir.
00:38:36Citeo, what gift?
00:38:37As?
00:38:38As?
00:38:38Horseman?
00:38:38Hey?
00:38:42As?
00:38:43I quote
00:38:43It doesn't end, it never ends
00:38:46This is mine
00:38:49This is mine
00:38:50Yes, yes
00:38:52What things?
00:38:53Oh, what a little rascal
00:39:09How is the service?
00:39:10This, this
00:39:11Okay
00:39:13The key is not here
00:39:14I suppose he's in his room.
00:39:16How strange, isn't it?
00:39:18Thank you
00:39:18He was walking...
00:39:22Pimp, you wannabe, why would I have listened to you?
00:39:24You are mistaken, let me explain.
00:39:26Let me explain
00:39:27I married someone else and on top of that my faith is calling me.
00:39:28I repeat, you are wrong.
00:39:29I'm not Julio, I'm Pepe
00:39:31Now Pepe, right?
00:39:33When I met you, you told me your name was Juan
00:39:34Then I found out that your real name was Juárez.
00:39:37And now you say that Pepe
00:39:38You know what I'm saying?
00:39:39No, I don't know.
00:39:39Even if Juan or Julio or Pepe or the devil calls you
00:39:42You'll pay for all of this, Julio.
00:39:44I tell you that I am not
00:39:45You're referring to Julio, my twin cousin.
00:39:47Do I have a twin cousin?
00:39:49But what a storyteller you are!
00:39:50Twin cousin, where have you ever seen that?
00:39:52No part has been seen
00:39:53But I have a twin cousin
00:39:54Yes, so what is it then?
00:39:59Oh
00:39:59Yeah
00:40:02Yeah
00:40:02Yeah
00:40:06Yeah
00:40:08Lola
00:40:14Look
00:40:16Look
00:40:17Look
00:40:18I'm telling you, I left the key downstairs.
00:40:21Ah, so why is he here?
00:40:24And this is what surprises me
00:40:26But I'm sure
00:40:27Oh
00:40:28Look
00:40:30Here is a man
00:40:32A man?
00:40:34Where?
00:40:35Did he break in to steal?
00:40:37Or something worse?
00:40:39Something worse?
00:40:41Huh?
00:40:41Shh
00:40:42Ooh!
00:40:50Get out of there
00:40:51Please get out of there.
00:40:53Do you need to leave immediately?
00:40:56There is nobody here
00:40:57No, no, no, no, no, no, not here
00:41:01Ah
00:41:02No, no, no, no, no, no, no, no, no, no, there, here!
00:41:08There's nobody here either.
00:41:15Take it out of there right away.
00:41:23Take it out of there right away.
00:41:24It's just that I'm
00:41:25I told him to leave.
00:41:27If he insists
00:41:29But under your responsibility
00:41:30No
00:41:31I am forced
00:41:35Bold
00:41:36Don't hit me
00:41:37Well, if you're not Julio
00:41:47You won't have the mole on your back
00:41:49But what are you doing?
00:41:50Hi Mari
00:42:00The poor thing mistakes me for my cousin Julio
00:42:04You see what a silly thing it is.
00:42:05Don't go thinking
00:42:06What do you want me to think?
00:42:07You're a bug
00:42:07I think you've excited
00:42:13Yes, I admit it
00:42:16It's because I'm impulsive.
00:42:18Once we have a man on hand
00:42:20Katrin
00:42:22You've become a frivolous fool
00:42:24I must have strangled him
00:42:26break his head
00:42:27Tear him to pieces
00:42:28It's not worth getting your hands dirty with garbage
00:42:31You saw him with a maid
00:42:32They are degenerates who like all kinds of women
00:42:34Look, Frank
00:42:35What kind of old fogies are you looking for?
00:42:36But that
00:42:38He'll pay for this.
00:42:39I bet she'll pay me back.
00:42:41Moron
00:42:46Silly
00:42:47That stingy fellow moves around a lot.
00:43:04It's a comfort to have good friends in tough times.
00:43:07No bad experiences
00:43:15You know what I'm saying?
00:43:19Neither you
00:43:20Not even this me
00:43:22We are married
00:43:24So if we're not married
00:43:26What are we?
00:43:29Widows?
00:43:29We're not at all.
00:43:31Nothing
00:43:31Our marriage is worthless
00:43:34Because?
00:43:35No
00:43:35It's not valid because it's not there.
00:43:38Isn't that okay?
00:43:41How do you say?
00:43:42It is not consumed
00:43:44Consumed?
00:43:45No, it's done
00:43:47That is
00:43:48Accomplished
00:43:49He who made the loophole made the law
00:43:51This bottle is also finished
00:43:55I mean, consumed
00:43:57Consumed?
00:43:59Lots of macho, scum, boy
00:44:01We're going to tell him.
00:44:03This one is from London
00:44:04No, this is not yet over.
00:44:07Okay, don't worry, I'll take it.
00:44:09Yes, well
00:44:10Come on, guys
00:44:10Let's tell him, this one from London.
00:44:13Steel of the wooden door
00:44:15Brake, brake, brake
00:44:16Lola, darling
00:44:18Message
00:44:20Maria Redita
00:44:22We need to inform you
00:44:24We submitted our resignations
00:44:26We are suspending our marriage fees
00:44:31Irrevocable
00:44:33That is irrevocable
00:44:35And not for health reasons
00:44:37What are they saying?
00:44:43They submit their resignation
00:44:44Ah, yes
00:44:45We cannot thank them for the services they provided.
00:44:49They don't know what awaits them
00:44:51Exile
00:44:52You'll have to find another fool even foolish than me.
00:44:58Tough, but fair
00:44:59This is very difficult
00:45:01Let Mrs. Maria put up with you.
00:45:04Who is it?
00:45:05My floor
00:45:06They look like two phantasmagorias
00:45:22Phantasmagorias
00:45:23This is utter madness.
00:45:26If you see what I see
00:45:35Is he as drunk as I am?
00:45:38I see it
00:45:38What do you see?
00:45:39One little thing
00:45:40With what little letter?
00:45:42With mud
00:45:42Of women
00:45:44Our women appear
00:45:48Don't you think so?
00:45:49Yeah
00:45:50They are only our women
00:45:53Bravo!
00:45:54They're as drunk as I am!
00:45:59Brother of non-consummation
00:46:01Another little dragon
00:46:02Do you see that runo people?
00:46:16No?
00:46:16You see that poor runo
00:46:18We'll have a blonde
00:46:21Well, but that small.
00:46:22What should I wear?
00:46:26Where are you going, stop or not?
00:46:28Where are you going?
00:46:29Where are you going?
00:46:30It's not from...
00:46:31We're finished!
00:46:36Long live freedom!
00:46:38Finally, we have some books!
00:46:40Little books!
00:46:41No, help me!
00:46:44Help me, Lili!
00:46:46I love you more!
00:46:48Freedom!
00:46:48Freedom!
00:46:51Finally free!
00:46:53Free, at last!
00:47:00Good night.
00:47:03Good night.
00:47:04Good night.
00:47:05Good night.
00:47:06Good night.
00:47:07Good night.
00:47:08Good night.
00:47:09Good night.
00:47:10Good night.
00:47:11Good night.
00:47:12Good night.
00:47:13Good night.
00:47:14Good night.
00:47:15Good night.
00:47:16Good night.
00:47:17Good night.
00:47:18Good night.
00:47:19Good night.
00:47:20Good night.
00:47:21Good night.
00:47:22Good night.
00:47:23Good night.
00:47:24Good night.
00:47:25Good night.
00:47:26Good night.
00:47:27Good night.
00:47:28Good night.
00:47:29Good night.
00:47:30Hi, Franz. What's up? How are you feeling?
00:47:49Hello, Pepe.
00:47:50Oh, fatal.
00:47:51Oh!
00:47:57Mari! Mari, I love you so much!
00:48:02Mari, it's not what you think! I had a terrible night! The second one, Mari! The second one!
00:48:09Lolita! Lolita! Lolita!
00:48:13Don't be like that, woman. It was just a mistake by anyone.
00:48:16Besides the income, everything was... bustizo.
00:48:20All.
00:48:22Mari! Open soon! I'm sending it to you!
00:48:25Lola! Open up! Open up right away!
00:48:28I'll give you a minute! Open up! Open up, we'll break down the door!
00:48:32Let's kick her out!
00:48:33We kicked her out!
00:48:3650, 40, 30, 20, 10, 5, 4, 3, 2, 1, 0.
00:48:44Bye bye!
00:48:47July!
00:48:48Oh! Go on about Julio! This woman doesn't know how to say anything else! I'm not Julio!
00:48:52Then let me see your mole!
00:48:53Well, well, I'm in no mood for freckles. Where's my wife?
00:48:57The mole?
00:49:00But what if he doesn't have it?
00:49:01No. Are you convinced that I'm not Julio?
00:49:03Even if Julio isn't the one in the family!
00:49:04Listen, miss, that's not right, because that man's name isn't Julio, he shouldn't be slapped.
00:49:12Oh, no. And what's your name?
00:49:13I, Franz.
00:49:14Are you a recalcitrant?
00:49:17Two?
00:49:24The ladies left and left this letter for you.
00:49:27For us?
00:49:27Here are the invoices.
00:49:32Are?
00:49:323,412 escudos.
00:49:34As?
00:49:35This also includes the repair of the motorcycle.
00:49:37Ah, the motorcycle!
00:49:38Of course, you broke it for me.
00:49:40This...
00:49:40Hey, hey.
00:49:43Dear ex-husbands.
00:49:45Dear ex-husbands?
00:49:47Our marriage is over.
00:49:49If I haven't started yet.
00:49:51We wish you luck, the luck you deserve.
00:49:54It's a shame to lose such ideal husbands, but we can't compete with the competition.
00:49:58The competition? What do you think?
00:50:00Women.
00:50:01What's it to you?
00:50:02No, nothing. As the Lord is here, you remain.
00:50:04Don't worry about us.
00:50:06We took the car and the money and planned to have a lot of fun at the beach.
00:50:10Ex-kisses.
00:50:11Ex-kisses.
00:50:12And to split it for free with my ex-money and my ex-car.
00:50:16I'd like to see the look on their faces when they read the letter.
00:50:20I'm sure Franz is only worried about his car and money.
00:50:23He's been a bachelor all his life and women have cheated on him like a fool.
00:50:27How do you think I hooked him?
00:50:28By deceiving him like a fool.
00:50:31Pepe is something else.
00:50:32He is younger and less corrupted.
00:50:34Some are precocious.
00:50:35He knows everything.
00:50:37They need to be taught a lesson.
00:50:39My mother already told me so.
00:50:40Never forget, daughter, that the broom is not only for sweeping.
00:50:43Mine said that in a well-organized marriage, the only man is the woman.
00:50:49I don't know what you'll do with Franz, but I assure you that Pepe will remember me for the rest of his life.
00:50:54Look, there are only 13 kilometers left to Villafranca de Sira.
00:50:59We can have a beer there.
00:51:0113.
00:51:01Tuesday the 13th.
00:51:03Do you think those things bring bad luck?
00:51:05Those are superstitions.
00:51:06What were superstitions about?
00:51:18A black cat, just what we needed.
00:51:42Have you understood?
00:51:43Black cats are just like any other.
00:51:45That?
00:51:46So what am I supposed to eat now, like everyone else?
00:51:49He died.
00:51:51Do it.
00:51:55Goes.
00:51:58It's open!
00:52:03I still have the black one.
00:52:04I still have the black one.
00:52:06Look at that corkscrew.
00:52:08What a pleasant surprise!
00:52:11I still have excuses, even if it was with bad intentions.
00:52:14We'd better go walking, eh.
00:52:15Move along, move along!
00:52:16Learn!
00:52:17Learn!
00:52:18Copay, copay!
00:52:19I've put in some new points.
00:52:31Now it will work fine.
00:52:32The spark plugs are now clean.
00:52:35Address checked.
00:52:37The shock absorbers adjusted and the dogs sensitive.
00:52:39Look at that shine!
00:52:40It looks like a mirror.
00:52:41How kind of you!
00:52:43Oh, Portuguese hospitality!
00:52:44Thank you so much.
00:52:46They can get it started.
00:52:47Everything is ready.
00:52:48No, no, no.
00:52:52You're pushing me very badly.
00:52:53There's no way to do it like that.
00:52:54What do you want me to do?
00:52:55I'm not a pusher.
00:52:58It's over.
00:52:59I'm not pushing anymore.
00:53:02No, because you can see the goats!
00:53:04Pepe!
00:53:05Pepe!
00:53:06You won't leave me alone!
00:53:08Pepe!
00:53:13There's no way!
00:53:14Can't!
00:53:15Can't!
00:53:16Pepe, stop!
00:53:17Pepe!
00:53:18Pepe, stop!
00:53:19Pepe, stop!
00:53:20But can't you see I can't!
00:53:21This is about all I do.
00:53:23Get on!
00:53:23I can't!
00:53:24I just can't stop!
00:53:25Get on!
00:53:25Get on!
00:53:26I can't!
00:53:26Ah!
00:53:34Look!
00:53:35Here's my old car.
00:53:36Stop, stop.
00:53:37Stop, stop.
00:53:37Let's see if I can stop.
00:53:38Stop, I'm stopping.
00:53:39Yes, stop.
00:53:40The motorcycle can be very dead.
00:53:50Pepe, good, here's one
00:53:52Excuse me, have you seen the two ladies who were in this car?
00:53:55Yes of course
00:53:57And they were quite nice.
00:53:58Ah, yes
00:54:00It got this crowded.
00:54:02Everyone wanted to help them
00:54:03They were really nice.
00:54:04So you're very nice, huh?
00:54:06Very nice
00:54:06And so simple
00:54:08Kind to everyone
00:54:10Have you heard?
00:54:11Kind to everyone
00:54:12Except with us
00:54:13And tell me, where have they gone?
00:54:14I don't know
00:54:15Everyone wanted to take them home.
00:54:17They were arguing and...
00:54:19Did everyone want to take them?
00:54:19Yes, yes, of course
00:54:21I thought they were going to hit each other
00:54:22Finally they left with two young men
00:54:24With two?
00:54:25Yes, they're very nice.
00:54:26But what is that thing?
00:54:34Hey, miss
00:54:35Why the fear of the mother?
00:54:36Why the fear of the mother?
00:54:37But what exactly was ordered?
00:54:38They hit, dog!
00:54:39I am a decent woman
00:54:40Take my suitcase and leave us alone
00:54:42Pega, bring my suitcase
00:54:43There
00:54:44Bye
00:54:46Come on
00:54:46Come on
00:54:47Come on
00:54:48Bye, bye
00:54:56Suscan, dog!
00:54:59How can they let those people roam free?
00:55:01They get what they deserve.
00:55:02So what do we do now?
00:55:04Shall we stop a car?
00:55:05And will we see more frescoes like those?
00:55:07If ours arrive
00:55:09I apologize to them and nothing more to what was said.
00:55:11Oh no, daughter, my anger doesn't go away that quickly
00:55:13Excuse me, ladies, is there anything I can do for you?
00:55:17What do we do?
00:55:18I don't think there's any danger.
00:55:19It's in the passive classes
00:55:21If you would be so kind as to give us a ride
00:55:25With pleasure, ladies
00:55:27Happy to help
00:55:27Let's go
00:55:28Get on, get on
00:55:29Thank you so much
00:55:30Leave your suitcases, I'll take them
00:55:32What a beautiful car, huh?
00:55:34It's beautiful.
00:55:35It must be very good.
00:55:36Oh
00:55:37Thank you so much
00:55:39Nothing, nothing
00:55:40Those daring young people are a regrettable example of today's youth.
00:55:52Without brakes, without moral principles
00:55:55Without morals, the family is destroyed.
00:55:58And without family, civilization crumbles.
00:56:01Sorry, I'm boring you.
00:56:04By no means
00:56:06Do you know Lisbon?
00:56:07No, no, right?
00:56:08I'll like it, you'll see, we're almost there.
00:56:31No no!
00:56:34You!
00:56:35You!
00:56:36You!
00:56:36Thank you!
00:57:06It's beautiful.
00:57:31Those of us who fulfill a social mission have the right to days off.
00:57:35And this sea breeze is a soothing balm.
00:57:38Welcome, Your Excellency
00:57:48Hello
00:57:48Good morning, sir
00:57:50This way, this way
00:57:50Hello, Sol
00:57:51We are very pleased to see you again, Your Excellency
00:57:56Thank you so much
00:57:57Find something good for the lady.
00:57:58The pink suite, does that sound good to you, Your Excellency?
00:58:00The grand suite, better
00:58:05This is the best we have
00:58:13Churchill, former Empress Soraya, and Marilyn Monroe have all stayed here.
00:58:17The Duke and Duchess of Windsor, Maria Callas, Onassis, Salvador Dalí, etc., etc., etc.
00:58:22At your service, ma'am.
00:58:23Thank you
00:58:24Bye
00:58:25Wow, what a bed
00:58:34What do you think of this hut?
00:58:37Not bad
00:58:38It's going to cost our husbands an arm and a leg.
00:58:41Oh, daughter, we're not going to be outdone by Churchill or Marilyn Monroe.
00:58:44Former Empress Soraya, Salvador Dalí, etc., etc., etc.
00:58:48Oh, how wonderful!
00:58:58The sea, how beautiful.
00:59:01I had never seen it before, only in movies.
00:59:05How much water
00:59:06A honeymoon in Estoril
00:59:09I could never have imagined it
00:59:11How beautiful all this is, huh?
00:59:21Precious
00:59:22Maria
00:59:26That?
00:59:26Come
00:59:27There's Pepe
00:59:28Pretend
00:59:30That's not Pepe.
00:59:31What do you mean it's not Pepe?
00:59:32It's Julio, his twin cousin
00:59:34God, wow
00:59:36What an amazing resemblance!
00:59:38Look, Julio, it doesn't take anything away from you.
00:59:39No, not anymore
00:59:40What are you giving them, Julio?
00:59:42It's true
00:59:42Good morning, ladies
00:59:50I am Captain Oslobos Lusitanos
00:59:52My colleagues have commissioned me to express our admiration for you.
00:59:55Oh, Portuguese gallantry!
00:59:57You are foreigners, of course
00:59:59Yes, we are Spanish
01:00:00Spanish women, fantastic!
01:00:02I also have an uncle in Madrid and a...
01:00:04And a cousin
01:00:04Clear
01:00:05His name is Pepe and he looks just like you
01:00:08Fantastic
01:00:09How do you know that?
01:00:10Because I'm his wife, I'm here on our honeymoon
01:00:11His wife, fantastic, so you
01:00:14Wait a minute, come on
01:00:15What a guy, he's already got them in the bag
01:00:18That's life.
01:00:19And when did you arrive?
01:00:20Well, look
01:00:20Please, I want to repeat myself.
01:00:21Another photo?
01:00:22Yes of course
01:00:22Oh, how wonderful, we're going to be in the newspapers
01:00:24Gravecido, boy
01:00:25July
01:00:26You're really cool
01:00:27Women either, you know that
01:00:28Don't think badly of it.
01:00:29She's my cousin
01:00:30Cousin, Captain Globe
01:00:31Nice to meet you, yes, I'm his girl
01:00:33You look so alike!
01:00:34Just like my husband
01:00:35And you too
01:00:35The cousin looks like her dream girl
01:00:37We are focused
01:00:38Leave yourself to your dream twin cousin
01:00:40Don't do this to me
01:00:40Bye
01:00:42Goodbye, goodbye
01:00:43Aren't you going to tell me anything?
01:00:46I've already seen how you exercise.
01:00:47Kissing the girls
01:00:48No, it's not what you think, darling.
01:00:50That girl is my twin cousin.
01:00:52He's here on his honeymoon
01:00:53That idea about the cousins is already very common.
01:00:55Make up another story
01:00:56Oh, you're something else.
01:00:58I'm telling you, she's my cousin.
01:00:59If you want, we can ask him.
01:01:01I don't know, I don't know
01:01:02What a character you are!
01:01:03Jealous
01:01:05Come on
01:01:06Just a moment, please.
01:01:07So
01:01:08A little further to the right
01:01:10No, not really.
01:01:11But another cousin
01:01:12Smile
01:01:13Stay still
01:01:15She's your cousin too, right?
01:01:17This one is not
01:01:18Go inside
01:01:19Go on
01:01:19Man, a little more
01:01:20Go inside
01:01:21Miss, discipline is discipline
01:01:25I'm sorry, miss, please do me a favor
01:01:27I'll be waiting for you there.
01:01:36Hello, general
01:01:48Welcome, Your Excellency
01:02:03Hello. I'm going to ask.
01:02:06Yes, very good.
01:02:06Is he into motorcycling now? He's grown a mustache.
01:02:10What did you say?
01:02:10Look, look at these photos. Do I like them? What do you think?
01:02:15Thank you.
01:02:16I'll give them to you.
01:02:22Where is?
01:02:23On the beach and then taken to his itch.
01:02:25Come on.
01:02:26Ah, there.
01:02:27There.
01:02:33What about your beliefs, and were you dressed like that?
01:02:50Stop messing around. Listen, I'll look here and you look there. Okay?
01:02:54OK.
01:02:55OK.
01:02:55Oh, and we'll meet at the bar. Okay?
01:02:57OK.
01:02:58OK.
01:03:03No.
01:03:10Sorry.
01:03:13Move along.
01:03:14No, move along.
01:03:15Bye bye.
01:03:17Don't bother me, I'm in favor.
01:03:19Oh well.
01:03:19Loam.
01:03:20You don't reflect the world.
01:03:21Always with your jokes.
01:03:23With your joke, huh?
01:03:24What are you doing here with this?
01:03:26No offense, okay?
01:03:27I've said a thousand times that women are forbidden.
01:03:29Oh, I'm a cousin.
01:03:30One is too old to be with a nanny.
01:03:32It's time for the whiteboard.
01:03:34It's the crucial match of the century.
01:03:35Come on.
01:03:36Oh no, I'm falling.
01:03:37It's so good to see you safe, Frank.
01:03:39They almost caught you, huh?
01:03:41You just can't be left alone.
01:03:42Who would even think about getting married?
01:03:44To the bride and groom.
01:03:46But that doesn't happen to men anymore.
01:03:48Well, the thing is...
01:03:49You were saved by a plank, but you were saved.
01:03:52You chose freedom, and that's worth more than the world.
01:03:54Yes, yes, freedom, of course.
01:03:56That's something to celebrate.
01:03:57Invite me for something first.
01:03:58Mari!
01:03:58Mari!
01:04:02Hey, look, there you are.
01:04:15Mari!
01:04:18Mari!
01:04:19Hey, can anyone tell me where my wife is?
01:04:28Over there.
01:04:34Mari!
01:04:35Can anyone tell me where this is, you crazy person?
01:04:36Come on!
01:04:37Nobody ever made me kiss, woman.
01:04:38Come on!
01:04:41Okay!
01:04:42Stick close, tight!
01:04:45No, I'm selling them to someone!
01:04:47Strong arm!
01:04:47Strong!
01:04:48No, I'm selling them to someone!
01:04:49No!
01:04:50Rat!
01:04:51What are you doing?
01:04:52It must be a new game.
01:04:54That's youthful indiscretion!
01:04:56Tower!
01:04:56Tower!
01:04:57Beach!
01:04:58Ranijo!
01:04:59Come on, Pepe, I'm coming!
01:05:00Here come the bupetada girls!
01:05:02Jump on my husband friend!
01:05:03Out!
01:05:04Get out of here!
01:05:05That is!
01:05:06Completely covered, mother!
01:05:07With both of them!
01:05:08Forgive me, I love you!
01:05:09And me, Mari!
01:05:10Oh, you poor thing!
01:05:12You really liked it, Mari!
01:05:13I'd eat them up!
01:05:16You need to open your eyes wide and not be deceived.
01:05:19Decent women are worth taking care of.
01:05:20Clear!
01:05:20I'm telling you, what a bunch of snakes.
01:05:22They make four faces, shed a tear at the right time, and they've got you.
01:05:26Yes, that's how I got married.
01:05:27As?
01:05:28No, I'm not saying that's how they almost got me married.
01:05:32For me, it was a matter of self-respect that you didn't get married.
01:05:35And I did it.
01:05:36Yes of course.
01:05:36You're a real man.
01:05:38You have known how to defend your freedom.
01:05:40My freedom.
01:05:41That's it, I chose freedom.
01:05:46Franf!
01:05:48Franf!
01:05:48Everything is clear.
01:05:50I've convinced them!
01:05:51Franf!
01:05:52My dear husband!
01:05:53What a lovely husband of yours!
01:05:55It's not that there...
01:05:56You've tricked me!
01:05:56Take!
01:05:57Hey!
01:05:57And you too!
01:05:58Take!
01:05:58You promised me you'd never see her again!
01:06:00But she's my wife!
01:06:01Your wife!
01:06:02Take!
01:06:02Hey!
01:06:03Take!
01:06:03Get out of here!
01:06:04That clears everything up!
01:06:06Take!
01:06:07You respond to the enveloping maneuver with the diverging maneuver and vice versa.
01:06:14That is, you will respond to move number 3 with move 18 and to move 7 with move 24.
01:06:22Is that clear?
01:06:22Fantastic!
01:06:23The entire team, as one, must revolve around Veiga's pivot.
01:06:29All plays must be aimed at serving Veiga's scoring ability.
01:06:35Our diversionary maneuvers and distraction of the enemy must have as their ultimate target Veiga's stick.
01:06:43Any questions?
01:06:44Any questions?
01:06:46Is everything clear?
01:06:47Nothing, nothing.
01:06:47Relax, boss.
01:06:48Today we crushed them by five goals.
01:06:51I hope so, Veiga. And now, relax. Time to rest.
01:06:54There is no other solution. We have to remove Julio Veiga.
01:07:03By any means!
01:07:05And what will happen now?
01:07:22Since everything started badly on Tuesday the 13th and will end worse.
01:07:28Saint Anthony!
01:07:29Come on! Let's go!
01:07:32Everyone get ready to leave for the stadium in half an hour!
01:07:36Come on, lads!
01:07:38Come on!
01:07:41We'll crush each other!
01:07:43Go ahead, wolves!
01:07:44Our invincible colors!
01:07:47Come on!
01:07:52Relax and have confidence in victory, guys! We will win!
01:07:55Shocking, purple! Shocking, purple!
01:08:01I'm the captain of the corner!
01:08:03Ah!
01:08:16Very good!
01:08:16Good job!
01:08:26Hey, wait!
01:08:32But what have you brought here?
01:08:34The assignment!
01:08:43One moment!
01:08:44Come on!
01:08:46As?
01:08:48But what is this?
01:08:49It's a repeat!
01:08:56Oh well!
01:08:59Another one!
01:09:08But let's see!
01:09:09Who is this?
01:09:10I was standing next to him, and to keep him from singing...
01:09:12I won't sing, I won't sing!
01:09:14You're a bunch of useless people!
01:09:16I have a much better idea.
01:09:21Listen, if Julio Veiga doesn't play, they'll put in a substitute.
01:09:26What if Julio Veiga played, but played very badly?
01:09:33If the captain fails, the team's morale will collapse.
01:09:37What does that mean?
01:09:38That that will be Julio Veiga, that that will be Julio Veiga.
01:09:44Change their clothes and shave that one's mustache.
01:09:46Yes, boss, yes.
01:09:47Come on, hurry up!
01:09:51Faster, man!
01:09:52What if he proves to them that he's not Julio?
01:10:01They won't listen to him.
01:10:02We will take our measures.
01:10:09Drunk people often say absurd things.
01:10:15So what do we do with this one?
01:10:17Give him a drink too.
01:10:18Yes, boss.
01:10:18That way he won't find out anything.
01:10:31That's enough.
01:10:33There's no need to exaggerate.
01:10:38Take them away now.
01:10:39And don't go to the wrong room.
01:10:40Here, so you can give them another portion.
01:10:54Here, you too.
01:11:00Well.
01:11:00Go on, Julio.
01:11:09Here, you too.
01:11:10They don't take risks.
01:11:11Drunk.
01:11:12Gandúr!
01:11:13Go on.
01:11:14That I'm my cousin, that I'm my cousin.
01:11:16Let the rivers not find out.
01:11:17They could become demoralized.
01:11:19This is playing out above you today.
01:11:21July.
01:11:22Oh, Julio.
01:11:23And Julio keeps going on about it.
01:11:23My name is Pepe.
01:11:24I'm Pepe, Fran.
01:11:25Tell him my name is Pepe.
01:11:26That's Pepe.
01:11:27And I, Fran.
01:11:28That.
01:11:29And even leaving us.
01:11:30Who is this guy?
01:11:31I don't know.
01:11:32Come on, Julio.
01:11:33Let's not waste any more time.
01:11:33My name isn't Julio.
01:11:35I'm Pepe.
01:11:36Go on.
01:11:37Pepe.
01:11:37Come on, let's go, man.
01:11:38No, I'm not leaving without my debt friend.
01:11:40No, you want me with you.
01:11:42Let it come, because we'll never finish.
01:11:44Come on, let's go.
01:11:45Come on.
01:11:46Mari!
01:11:48Mari!
01:11:51Lola.
01:11:53I've thought about it.
01:11:54Me too.
01:11:55I don't know if we've gone a little too far.
01:11:57That's what I was going to say.
01:11:59And if we leave them alone, God knows what they'll do.
01:12:01It may be dangerous.
01:12:04Could we give them another chance?
01:12:05Yes, but the last one.
01:12:07And setting conditions.
01:12:07That is.
01:12:09Will the poor still be there?
01:12:10Deep down, they're just lambs.
01:12:12Come on.
01:12:12Yeah.
01:12:13Yeah.
01:12:26Where have they gone?
01:12:27Won't they be...?
01:12:28With the B of Tesa?
01:12:29Yeah.
01:12:29Let's see.
01:12:35Come on, Armando, handsome.
01:12:36Be a good boy and leave now.
01:12:37Go on, leave.
01:12:38Then you'll come pick me up after the show and take me to dinner at the casino, okay?
01:12:41I was going to bring you something...
01:12:44What did you say?
01:12:45One little thing?
01:12:47Do you like it, beautiful?
01:12:48Do you like it?
01:12:49How wonderful!
01:12:51Armandín, you are an angel.
01:12:56Let's go and let God's will be done.
01:12:58Hey?
01:12:59Where are they?
01:12:59So, where are they?
01:13:01What is this?
01:13:03Are you here?
01:13:04Did they know each other?
01:13:05I believe it.
01:13:07You'll see.
01:13:08I have come...
01:13:09I have come to ask Miss Marga to perform at a charity festival.
01:13:14A charity event, huh?
01:13:16Yes, for the benefit of the nursing home for desperate, I mean destitute, elderly people.
01:13:22Oh.
01:13:23Well, good luck.
01:13:24Thank you, thank you very much.
01:13:25Where are they going?
01:13:26Remove.
01:13:28What a little girl.
01:13:29We're in the locker rooms of the big hockey field to broadcast a report live.
01:13:34Preview with the protagonists of the crucial match that will be played in a few moments.
01:13:39Final of the Portuguese roller hockey championship.
01:13:42We want to ask the captain of the Lusitanian Wolves.
01:13:46Where are you taking me?
01:13:48Oh, what the heck.
01:13:49You grabbed.
01:13:51Hello.
01:13:51Are you convinced?
01:13:52Nothing here, nothing there.
01:13:53What were they looking for?
01:13:54They were looking for their dogs.
01:13:56His little dogs.
01:13:57Yes, yes.
01:13:58As for their dogs, they can rest easy.
01:14:00I do not belong to the animal protection society.
01:14:03Selected forty times.
01:14:05I wasn't looking for him.
01:14:06There's your husband.
01:14:06During the seasons.
01:14:07The famous Julio Veiga.
01:14:09How are you feeling, Veiga?
01:14:11I am not...
01:14:12Veiga, like all his teammates, is confident of victory.
01:14:15I am not moral.
01:14:17That's not my husband.
01:14:18It's Julio, his twin cousin.
01:14:20His twin cousin.
01:14:21So, what's the point of all this?
01:14:22I don't know her husband.
01:14:24Military secret.
01:14:25It's perfectly understandable.
01:14:27One last question, my friend Veiga.
01:14:29How many goals does he plan to score?
01:14:31It's Pepe.
01:14:33That gesture is his.
01:14:34Team captain Julio Veiga says that three goals...
01:14:36That's Frank.
01:14:38Four.
01:14:38The team's masseur says he's even more optimistic.
01:14:42Predict four goals.
01:14:43Veiga, would you like to say goodbye to the audience?
01:14:47Thank you so much.
01:14:48You will have noticed the great supernatural language of our great player.
01:14:52Bye bye.
01:14:53Good afternoon.
01:14:54Good afternoon.
01:14:54Have a great time.
01:14:56Until the moment the match is broadcast.
01:15:02Oh!
01:15:03But what are you doing?
01:15:03What are you doing?
01:15:04This will leave you feeling like new.
01:15:06Go away.
01:15:08Repilete.
01:15:08Come on, guys.
01:15:09Let's go, field!
01:15:09Let's go, field!
01:15:39Let's go, field!
01:16:02Let's go, field!
01:16:03Thank you!
01:16:33Come on! Come on!
01:16:42Look, Rota! Look, Rota!
01:16:47To what place?
01:16:50Suitcase! Fraud!
01:16:53Less headdressing and playing badly, man!
01:16:56Look, look, look!
01:17:03Look, Rota! Look, Rota! Look, Rota!
01:17:13Look, Rota! Look, Rota!
01:17:17The strange game of the famous Julio Veiga
01:17:20It is baffling the few advances of the Lusitanian wolves
01:17:23who give up the iron ore to the Alentejo rivers time and time again.
01:17:28Moreira picks up after Veiga's fall.
01:17:31Ferreira passes.
01:17:33Lanza a Silveira.
01:17:34And he shoots Oliveira beating Folgueira.
01:17:36Goal!
01:17:37Goal for the Lions of Alentejo!
01:17:39The score is 1-0!
01:17:41You've been sold out, Julio! You're a fraud!
01:17:44Calamity! You are a calamity!
01:17:47Out of play!
01:17:48My name is Pepe!
01:17:50Let's see!
01:17:51The 14th!
01:17:52The 14th!
01:17:54The lions beat the wolves two goals to zero, from start to finish!
01:18:05And the Veiga phenomenon's game still shows no further signs of life!
01:18:08What a new and resounding fall!
01:18:12Animal!
01:18:13Donkey!
01:18:14More than a donkey!
01:18:15The donkey!
01:18:16The mule and the bad beast, the ceroces!
01:18:17Either his mouth falls off or I'll smash this bottle over his head!
01:18:19Butterflies!
01:18:20No offense, ma'am!
01:18:21I paid for my ticket and I have the right to shout whatever I want!
01:18:24That's all that matters!
01:18:25Mine, mine, mine, mine, mine! Mine! May my sins be washed away!
01:18:28Mine, mine, mine, mine, mine! I'll dance it! Hooray!
01:18:45Viva!
01:18:46Mine, mine, mine, mine! Hooray!
01:18:48What a decision now, you imbecile!
01:18:49Bravo, Pepe!
01:18:50I'll bet on it!
01:18:52Come on!
01:18:54Come on, come on! Bring on the biggest goal!
01:18:57Watch out, crash!
01:18:58Go!
01:18:59Go!
01:18:59Go!
01:19:00Go!
01:19:01Go!
01:19:02Look, look at Fran.
01:19:05You'll see when you catch him.
01:19:12Julio Vega's strange reaction has managed to disconcert the Lions team for a few moments, causing them to lose ground.
01:19:19And they let them score a goal.
01:19:22Come on, come on!
01:19:25Up we go!
01:19:40Come on, come on!
01:19:41Come on, come on!
01:19:42You're amazing!
01:19:44Further!
01:19:45It's a tie, folks!
01:19:47Come on, he's managed to tie!
01:19:49Come on, come on!
01:19:52Phenomenal! You're amazing, Deida!
01:20:08He plays whenever he wants!
01:20:11The best!
01:20:12Here it goes!
01:20:18Thank you!
01:20:19Come on, come on!
01:20:22Come on, come on!
01:20:26Come on, come on!
01:20:27Come on, come on!
01:20:28Calm down!
01:20:30Come on, come on!
01:20:31Come on, calm down!
01:20:48Please!
01:20:50Come on!
01:20:54Let's go to the top of a pine tree!
01:20:57Breathe!
01:20:58Breathe!
01:20:59Breathe!
01:21:01It's Pepe, my husband!
01:21:09Pepe!
01:21:10You're amazing!
01:21:11Breathe!
01:21:12Mari!
01:21:13Mari!
01:21:14Mari!
01:21:15Lola!
01:21:16Breathe!
01:21:17Mari!
01:21:18Mari, I hope you like it!
01:21:19Lola!
01:21:20Mari, I love you!
01:21:21Mari!
01:21:22I love me!
01:21:23Mari!
01:21:24Mari, I love you so much!
01:21:25Mari!
01:21:26I'm sinking!
01:21:27Don't what?
01:21:28Mari!
01:21:29You're not taking me!
01:21:30Get out, my husband!
01:21:31Get out, my husband!
01:21:33Exit!
01:21:35Oh, savage!
01:21:36Ocavarado!
01:21:37Exit!
01:21:38Exit!
01:21:39Come on, leave them alone!
01:21:42Where there's more!
01:21:45There, I jump!
01:21:47There!
01:21:47Where there's more!
01:21:50It turned out very cute.
01:21:53It is an honor for me to award you this cross earned on the battlefield.
01:22:00Alari!
01:22:02My poor little husband, they've hurt him!
01:22:05Do you like my eyes better, in technicolor or in black and white?
01:22:08I like them in all their forms.
01:22:11Mari, would you get married again on Tuesday the 13th?
01:22:13With you, yes.
01:22:17Would you get married again?
01:22:19Hey?
01:22:19According to whom?
01:22:21My polygamist!
01:22:25We've got them under control!
01:22:27Pull-ups!
01:22:28Ha ha!
01:22:30Extraordinary!
01:22:31Great!
01:22:32Marvelous!
01:22:34Sensational!
01:22:34Yeah!
01:22:35That's not true at all.
01:22:36Nothing!
01:22:37Don't worry!
01:22:38Thank goodness!
01:22:39Look!
01:22:39In forty days you'll be as good as new.
01:22:42That?
01:22:43Like what?
01:22:43Forty days?
01:22:45Forty days and forty nights.
01:22:48Inside the plaster cast and without moving.
01:22:52Forty days and forty nights without moving.
01:22:56Hey, Mari.
01:22:57That's as far as we could go.
01:22:58But, doctor, it couldn't be fixed in fewer days.
01:23:01That.
01:23:02Don't be in such a hurry.
01:23:04They have their whole lives ahead of them.
01:23:06Listen, and a little penicillin won't fix it like that.
01:23:10There's no penicillin that will help.
01:23:13You should be extremely proud of having rendered a great service to science.
01:23:18A unique case in the history of medicine.
01:23:20Two identical fractures in two different subjects.
01:23:25And both are extremely rare.
01:23:28Look, look.
01:23:30Let's see.
01:23:31Look, Lola.
01:23:32Let's see.
01:23:32Wow, how pretty.
01:23:34We'll put it in a frame.
01:23:35That?
01:23:36Don't you see anything?
01:23:37I see something like numbers.
01:23:39Yes, and I also just see numbers.
01:23:41Give it to me, please.
01:23:42Bring it.
01:23:44Let's now look at the profit margin.
01:23:48Look closely.
01:23:50What appear to be numbers is the fracture.
01:23:54The most beautiful fracture in the world.
01:23:57No less than two identical thirteens.
01:24:00Exactly the same in two different people.
01:24:05Congratulations.
01:24:06Thank you so much.
01:24:07Thank you so much.
01:24:34Thank you.
01:24:35Thank you.
Sé la primera persona en añadir un comentario