Los palomos 1964 HD 1080 completa José Luis López Vázquez, Gracita Morales

Retroscreen Movies Revival

Reparto: José Luis López Vázquez, Gracita Morales, Mabel Karr, Fernando Rey, Julia Caba Alba, Manuel Alexandre, Antonio Almorós, Xan das Bolas, José Villasante, Cayetano Torregrosa, Ángel Cabezas, Enrique Soto   Dirección: Fernando Fernán Gómez   Sinopsis: Emilio Palomos (José Luis López Vázquez) y su esposa Virtudes (Gracita Morales), son invitados por don Alberto (Fernando Rey), el jefe de Emilio, a una cena en su chalet. Don Alberto, que confunde la sencillez con la estupidez, y su esposa Elisa (Mabel Karr) les proponen entonces jugar a crear un "crimen perfecto", juego que se complicará más de lo esperado para todos sus participantes.

Transcript

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00:02:45No April Fool's jokes here, and I want to see if I can get away with it. I've finally decided to open a branch in Barcelona.

00:02:54I need a very trustworthy and also sharp man there, who won't be deceived.

00:02:59Why don't you appoint Palomos as head of that branch then? Good heavens, ma'am, you're overwhelming me.

00:03:04Don Alberto just wanted some advice. I won't hide from you, Palomos, that I've been toying with that idea for some time.

00:03:09Some time. You're the best thing I have in the business. If you say so, Don Alberto... But

00:03:14Anyway, we'll have time to talk about work later. My wife has had an idea that

00:03:18That's excellent for me. Do you have any engagements tonight? Not tonight. And your wife?

00:03:25No, I don't think so. Would you like to join us? My wife and I would be delighted to invite you.

00:03:31to dinner. For God's sake, Don Alberto, when it comes to that, even if we had the most pressing commitments

00:03:35Important people in the world, of course. And his wife will agree, so why doesn't he make a phone call?

00:03:40Here in Abirtudes, it's not necessary. You'll be jumping for joy. That would be great.

00:03:45Okay, that's all. We'll see you at our house at ten o'clock.

00:03:49It's an honor for me, Don Alberto. Until ten. Thank you very much, ma'am. Until

00:03:54Ten o'clock. See you at ten, Don Alberto.

00:04:04Do you think this is the right choice?

00:04:06Don't worry. I appreciate getting to know men.

00:04:10Which one is this? Which one is this? Come on, baby, answer me.

00:04:16This one, Las Meninas.

00:04:18That's right, very good, Las Meninas.

00:04:20I know him because of the dog.

00:04:21And this other one?

00:04:24The one about the burial of that gentleman from Toledo.

00:04:26Okay, let's leave it at that. Just focus on the dog one.

00:04:29Do you remember the program well?

00:04:31Perfect. She's very fond of painting. So I have to talk to her about painting.

00:04:35No, well, but only about Las Meninas, which is the only thing you know.

00:04:38The passionate nature of his women. Remember that he's a fan of crime stories.

00:04:41I'm talking about Perry Mason.

00:04:42Okay, but without straying from Perry Mason.

00:04:44OK.

00:04:45And the old woman?

00:04:46Ah, there's the bone.

00:04:47Apparently, according to his colleagues, Don Alberto needed part of his capital to start the business.

00:04:54And you know what an old woman is like when you owe her money.

00:04:56For example, your mother.

00:04:58So, in short, he lent us two thousand pesetas and won't let us live in peace.

00:05:01The idea of living in peace, even though he hadn't lent them to us.

00:05:03Well, I've told you about the branch.

00:05:06No, not much.

00:05:06He's going to open a branch in Barcelona and I can go there as the absolute director.

00:05:10Barcelona, oh my god, with how much I love sardines.

00:05:13The sardana!

00:05:15Ah, well, that's it.

00:05:17But who put the bulk cognac in the Napoleon?

00:05:23The Holy Innocents, the Holy Innocents.

00:05:26It was Aunt Mercedes.

00:05:29Auntie, I like French cognac now.

00:05:32And I'm sorry you prefer that rat poison from the taverns.

00:05:35I know, I know that reminds you of the veterans of the Cuban War.

00:05:38Alberto, you always get things wrong about the Philippine War.

00:05:41What happened in Cuba is one thing, and what happened in the Philippines is another.

00:05:45I'm interested in everything about the Philippines.

00:05:47I don't give a damn about Cuba.

00:05:49Admirable.

00:05:50How's your necklace coming along, Auntie?

00:05:52Good.

00:05:53The difficult part is arranging the pearls from small to large so that they make sense.

00:05:57But the thread will hold.

00:05:59It will be made of nylon.

00:06:00Now everyone, Alberto.

00:06:01Will I have time to take a shower before my sales manager arrives?

00:06:05It's a shame that, despite having a boss and everything, sales aren't going as well as they should.

00:06:08If you listened to me, you would behave like a wolf.

00:06:12Man is a wolf to man.

00:06:14Where did you find that?

00:06:16The pantry is full of joke items.

00:06:18They were sent as a gift.

00:06:20I'm going to change.

00:06:21I'm going with you.

00:06:22I'm going to change.

00:06:23I'm going to change.

00:06:24I'm going to change.

00:06:25I'm going to change.

00:06:26I'm going to change.

00:06:27I'm going to change.

00:06:28I'm going to change.

00:06:29I'm going to change.

00:06:30I'm going to change.

00:06:31I'm going to change.

00:06:32I'm going to change.

00:06:33I'm going to change.

00:06:34I'm going to change.

00:06:35I'm going to change.

00:06:36I'm going to change.

00:06:37I'm going to change.

00:06:38I'm going to change.

00:06:39I'm going to change.

00:06:40I'm going to change.

00:06:41I'm going to change.

00:06:42I'm going to change.

00:06:43I'm going to change.

00:06:44I'm going to change.

00:06:45I'm going to change.

00:06:46I'm going to change.

00:06:47I'm going to change.

00:06:48I'm going to change.

00:06:49If you want to stay here with me, I invite you.

00:06:57And if not, you know what to do. End of the line.

00:07:00Please, taxi driver, please, they are waiting for us.

00:07:03Not for anything, not even for two thousand pesetas. I'm going to sleep here.

00:07:05Good night.

00:07:07What do I owe him?

00:07:09Forty-nine.

00:07:11Here, take fifty, so you can see I don't hold a grudge.

00:07:14Come on, my love.

00:07:15Yes my love.

00:07:19Ah, we have to turn off the old one.

00:07:49Talk to her about Cuba. Apparently, she lived there when she was little.

00:07:52But Emilio, all I know about Cuba is the rumba.

00:07:55You don't have to say anything.

00:07:57Leave it to me, I've got a grip on Cuba that's making my hymens ache.

00:08:00Don't worry, we're leaving here tonight with our future sorted out.

00:08:04Here it is.

00:08:05Land.

00:08:05No point, cardinal, is beyond my reach.

00:08:10Yes, Emilio, you are very religious.

00:08:12So, come on, let's go.

00:08:33You guys always knock on doors like that, huh?

00:08:35Excuse me, we've slipped up.

00:08:37The snow is frozen on the stone, it's just stone...

00:08:39Can I help you?

00:08:41No, not if the sun can, or if it's very clever.

00:08:44I think it would be best if we went in like this.

00:08:46Come on, come here.

00:08:47Go on, daughter, go on.

00:08:52We've barely opened the gate and we haven't started skating yet.

00:08:55Thank goodness you guys built the little hotel here.

00:08:57If they move it further to the left, we'll be at Puerta de Hierro.

00:09:01I'm going to call my nephew.

00:09:03You have taken possession of your house.

00:09:05Thank you so much.

00:09:06Very kind.

00:09:10This is what I call a lady.

00:09:12What serenity, what distinction, what an end...

00:09:14What's the matter?

00:09:15It seems to me that the cakes got squashed when they fell.

00:09:18Let me see.

00:09:22Well, yes, the tray is a little dented at the bottom, but it's nothing.

00:09:25Wow, what a house, huh?

00:09:27Of course, you realize that.

00:09:28A house with a fireplace, just like in the movies.

00:09:32Look, look at that clock, that clock, that stopped clock.

00:09:37Well, of course, like all good watches...

00:09:39Oh, really?

00:09:39Let's see, this one must be at least 300 years old.

00:09:42How to walk?

00:09:43Clear.

00:09:45Come closer, come closer.

00:09:47Look at the wood, how it burns.

00:09:49This is wood, not trees.

00:09:50Oh, I'm flat.

00:09:51You know I find you more beautiful here than at our home.

00:09:58Of course, like my father used to say, the frame, son, the frame does everything.

00:10:02Well, your father made mirrors.

00:10:05Apart from that, when we have a setting like this, in Barcelona.

00:10:09Oh, Emilio, do you think we'll have a setting like this in Barcelona?

00:10:13We'll have a better one when we get the chance.

00:10:16Emilio, very good.

00:10:16Pistudir!

00:10:19Emilio, you've made me forget the cakes.

00:10:21Let's see if you've sat down.

00:10:24Well, it's nothing, nothing at all.

00:10:26It is being cleared.

00:10:27When I wanted to bring your almond rum.

00:10:29Here, here, the tray is ready.

00:10:32Here it goes.

00:10:34What's happening?

00:10:35I didn't bring any tissues.

00:10:36Or me neither.

00:10:37Well.

00:10:43Ah, I put the scarf in my coat pocket.

00:10:49Dear pigeons.

00:10:50It is an extraordinary joy for me to have them at home.

00:10:55You are virtues, without a doubt.

00:10:57Yes, ma'am.

00:10:57How are Virtues?

00:10:58That's great.

00:11:01Is the room temperature comfortable?

00:11:03Yes, yes, excellent.

00:11:05Please sit down.

00:11:08My kind one.

00:11:12This room is usually cold.

00:11:14We'll get to know each other better in the dining room.

00:11:17That.

00:11:18What is this?

00:11:20Some pastries that we had brought for you.

00:11:23It will have gotten dirty.

00:11:24It doesn't matter.

00:11:25With a little bit of siphon, it disappears immediately.

00:11:27Do you guys have a siphon around here?

00:11:29Inside the cabinet.

00:11:30Oh, would you please take those cakes off the sofa?

00:11:35You'll see how with a little bit of skill I'll...

00:11:39Dear Emilio.

00:11:42It's not Don Alberto, Don Alberto.

00:11:44Good night.

00:11:45It's an honor, as always.

00:11:47Good night.

00:11:47No, no, no.

00:11:48No, no, no.

00:11:49Good night.

00:11:51Lady.

00:11:55I'm sorry you had to travel all the way here with this mom.

00:11:57It doesn't matter.

00:11:58What's wrong with them?

00:11:59Did someone say hands up?

00:12:02But what's going on here?

00:12:04You just sat down on a box of chocolate puffs.

00:12:08Gee.

00:12:08Don't worry, Alberto.

00:12:10The same thing happened to me.

00:12:11I already told you to remove them from there.

00:12:12It hasn't been put there.

00:12:13Don't worry, Don Alberto, this will disappear instantly with a little bit of siphon.

00:12:17The siphon, the siphon is great.

00:12:19They send it to me for the heart.

00:12:21It's not that I have anything serious.

00:12:22A little bit of tension.

00:12:23The siphon is an admirable vasodilator.

00:12:25Do you have a handkerchief, Don Alberto?

00:12:26Yes, yes.

00:12:27Here you go.

00:12:27But don't worry.

00:12:27Thank you so much.

00:12:28Now you stay calm, don't move, Don Alberto.

00:12:30Do not move.

00:12:31Yes, yes, it's almost done, but eat a little more.

00:12:34Rub it in well and that's it, that's it.

00:12:36After rinsing your hands, use your sleeves.

00:12:40Now it dries up and that's it.

00:12:41Thank you very much, Paloma.

00:12:41Virtue, woman, take care of the lady.

00:12:43Do you have another handkerchief?

00:12:44Yes, I think so.

00:12:45But it's not necessary.

00:12:46Of course it is.

00:12:47How will you be wearing the dress?

00:12:48It's barely noticeable.

00:12:49Of course it's noticeable.

00:12:50Don't worry, I've removed many stains with a siphon.

00:12:54It's better to have too much than too little.

00:12:56If I'm going to take off her dress.

00:12:59Anyway.

00:13:03Do you want to rinse your hands?

00:13:04Thank you.

00:13:06The fact is, we've made a mess of the floor.

00:13:08The handkerchiefs will be for washing.

00:13:10Clear.

00:13:11Then you'll see that we'll fix it soon.

00:13:15You are very willing.

00:13:17Yes, ma'am, I'm ready for anything.

00:13:19It's a great thing to have an effective collaborator, Emilio.

00:13:22Thank you.

00:13:23Thank you very much, Don Alberto.

00:13:25Thank you so much.

00:13:26Will you allow me to change?

00:13:28Of course not, ma'am.

00:13:29Excuse me for a moment.

00:13:30I don't have to forgive, Don Alberto.

00:13:32Alberto.

00:13:33Alberto.

00:13:36You pair of idiots.

00:13:45Clear.

00:13:46With a sales manager like that, it's no wonder we're going bankrupt.

00:13:49Shut up and mind your own business.

00:13:51The pigeons will be very useful to us.

00:13:53Besides, I don't like that suit.

00:13:55Of course, neither do we.

00:13:56We must continue to proceed with the same success as before.

00:13:59We're doing very well.

00:14:00These people need to be given everything they want.

00:14:02Don't worry.

00:14:03My nephew has developed such a habit of taking showers.

00:14:06That's two showers in a quarter of an hour.

00:14:08My sister was also very fond of washing herself.

00:14:11That's how she stayed when she was little.

00:14:13It's because they've sat down on some cakes.

00:14:15But why?

00:14:16By promise?

00:14:17No, no, no.

00:14:17Inadvertently.

00:14:18By the way, I'm going to keep an eye on things.

00:14:19Don't let it happen that you sit on top of us too.

00:14:22Give it to me.

00:14:22With your permission, ma'am.

00:14:24It's going to be better.

00:14:29Would you like a glass of cognac?

00:14:31We will wait for his nephew.

00:14:33Ah, as you wish.

00:14:39Manny, if you want to have fun with the beak.

00:14:43Is that rum?

00:14:44No, damn it.

00:14:45My favorite drink is Cuban rum.

00:14:47Great thing, Cuba.

00:14:48Tropical island located at 48 degrees north latitude and 27 degrees west longitude,

00:14:53rich in sugarcane, jute, corn and potato, commonly called tobacco.

00:14:56Oh.

00:14:57The ardent nature of their women is proverbial and to the rhythm of a candongue or belucho

00:15:01They gather to celebrate in the villages called buns.

00:15:05Their capital goes to important cities: Camagüey, Matanzas, Cienfuegos.

00:15:08Do you like Cienfuegos?

00:15:09Yeah.

00:15:10As soon as they set off rockets, I'm in the front row.

00:15:12I delight in the cane.

00:15:14He loves fishing.

00:15:15Sugar cane.

00:15:18Hey, Elisa, don't give them anything to drink, they're high.

00:15:26You have a wonderful wardrobe.

00:15:29Just ten dresses, what any woman would have.

00:15:31It's just that anyone, what I had in Las Meninas, for example.

00:15:35That?

00:15:36He doesn't find the meninas remarkable.

00:15:38The painting?

00:15:39Yeah.

00:15:40That sun that filters through the window is a very Andalusian sun, it's a siesta sun.

00:15:44Wow, I see you know about painting.

00:15:46Okay, a little.

00:15:47What do you think of Bosch?

00:15:48He plays for Córdoba, right?

00:15:50I'm referring to Jerónimo Bosch, the painter.

00:15:53Very well, but it imitates the substantial coloring of Las Meninas and the realistic portraiture of Velázquez.

00:16:02Maybe.

00:16:03But the fact is that he was born long before Velázquez.

00:16:06Go on.

00:16:07Look, madam, don't be fooled, there's nothing else to talk about but the meninas.

00:16:11Something's wrong with him, you were right.

00:16:14I'm telling you, Elisa brings it from India.

00:16:16Well, here I am at your service, pigeons.

00:16:19I always follow your lead, Don Alberto.

00:16:20Whiskey?

00:16:20No, cognac.

00:16:21Cognac is the only drink I can tolerate, and it has its virtues too.

00:16:24No, allow me, allow me to serve, Don Alberto.

00:16:27Whiskey for Don Alberto.

00:16:27Yes, thanks.

00:16:30Whiskey, ma'am?

00:16:31Whiskey.

00:16:32Do you want it thirsty?

00:16:33Soda, it's said soda, woman.

00:16:35Do you want it thirsty?

00:16:36No, no, no, no.

00:16:36Alone, alone.

00:16:37The lady too.

00:16:39Thanks, I already have cognac.

00:16:41Like us.

00:16:42Ring, ring.

00:16:44That?

00:16:44Carrín, rin.

00:16:45It is said chin-chin, except when drinking anise.

00:16:48It's called chin-chón.

00:16:49Health, which is more punishment, more, like more.

00:16:52Chin-chin.

00:16:58This, this is cognac.

00:17:00And not what we manufacture in Spain.

00:17:03You realize, virtues.

00:17:04It's great.

00:17:06You wouldn't mind if we waited a while, would you?

00:17:08No.

00:17:08We've run out of maids and have ordered dinner from Club 64.

00:17:12I hope they arrive any minute now.

00:17:13Very good.

00:17:14Of course, with this snowfall.

00:17:15Don't worry, ma'am.

00:17:17This whole thing with the maids is a problem.

00:17:19I've been without her for three days.

00:17:20I'm 24 years old and I'm completely overwhelmed.

00:17:24And?

00:17:25Any detective novels on your nightstand, Don Alberto?

00:17:28Yes, yes, there is something.

00:17:29Is it from Perry Mason? I'm crazy about Perry Mason.

00:17:32No.

00:17:32I am currently reading It's Better to Kill in Spring by Clarence Butler.

00:17:36Oh, great writer.

00:17:40She is a woman.

00:17:41Oh, and it's true.

00:17:42I always confuse him with Don Ramón del Valle Inclán, who was like Don Quixote, one-armed.

00:17:46The one-armed man was Cervantes.

00:17:48Ah, that's it, her, who has a statue in the Plaza de España, on horseback, the one on horseback.

00:17:53That's Don Quixote.

00:17:55Ah.

00:17:58Why did I leave Cuba?

00:18:00Don't worry, Emilio, everyone gets confused with Don Quixote and Cervantes, since they have the same face.

00:18:05Clarence Butler is the inventor of one of the most fun games I know.

00:18:10One afternoon we played that game and it was exciting.

00:18:13If you like police stuff, you'd be thrilled with Palomo, I assure you.

00:18:18Let's play that game.

00:18:19The game is called Commit the Perfect Crime.

00:18:23Woman, I don't know if we'll have time.

00:18:24While dinner is being prepared.

00:18:25If you like it, I'm delighted.

00:18:28And you, virtues?

00:18:28Whatever Don Alberto says.

00:18:29Don Alberto is the one in charge here.

00:18:31Okay, okay, who's staying?

00:18:33Myself.

00:18:34Well then, you'll be the one who dies.

00:18:36What did you say?

00:18:37We're going to kill you.

00:18:39Ah, very good.

00:18:43Any one of us can kill him.

00:18:45You murder me, Don Alberto.

00:18:47No, no, no, no, no, whoever it is, whoever it is.

00:18:50Let's see, dear Cruz.

00:18:51Face.

00:18:53Cross.

00:18:56Lady.

00:18:56Oh no, thank you so much.

00:18:58And it doesn't give you five cents, whether you pick heads or tails.

00:19:01Uh, Cruz, Cruz.

00:19:04Cruz, you have won.

00:19:06She will have to murder her husband.

00:19:07Let's see if you haven't understood correctly and you're going to stab me in the back, seriously.

00:19:11Yes, man, I have to plan your murder.

00:19:14For this, we give you ten minutes.

00:19:16And you?

00:19:16We have to find out.

00:19:17Correct.

00:19:18Remember that it must be a possible crime.

00:19:20She will be asked later, and you need to prepare a good cut.

00:19:23A good what?

00:19:24Cut!

00:19:25Girl, alibi.

00:19:27Impossibility of having committed the crime you are accused of, if you know it.

00:19:30Yes, yes, yes.

00:19:31Okay, let's begin.

00:19:32When you have the crime planned, let me know.

00:19:34Yeah.

00:19:34Yes sir.

00:19:35Don't they have children?

00:19:42No.

00:19:45Not yet.

00:19:48But we haven't lost hope.

00:19:49That's the last thing you lose.

00:19:52He who persists, dies.

00:19:58Palomas, when you least expect it, the hare jumps out.

00:20:01I stand by my opinion that you have a lovely wife.

00:20:06Yes, a little agitated.

00:20:07Yes, a little agitated.

00:20:08Nothing of the sort.

00:20:09A perfect companion.

00:20:11There are few women like her today.

00:20:27In addition, she is an excellent cook.

00:20:29What could it be?

00:20:34Maybe dinner.

00:20:36Animal.

00:20:41Have you hurt yourself?

00:20:42No, sir, I'm fine, thank you.

00:20:45Keep talking.

00:20:46I think this game is stupid.

00:20:49He thinks all games are stupid, except for the jumpsuit.

00:20:52I find it very interesting.

00:20:55Do you have an old bagpipe?

00:20:58Well.

00:21:01And a rusty faucet?

00:21:02No, I'm sorry.

00:21:08Virtues.

00:21:09Don't take it so seriously, woman.

00:21:11No, no, no, no, no.

00:21:12That's how the game is, and the more realistic it is, the more fun you have.

00:21:22The last time we played this, five hours passed without us even noticing.

00:21:33What happened?

00:21:34I think the display case has been broken a little.

00:21:37It doesn't matter.

00:21:39Have you hurt yourself?

00:21:41I hope you understand, Don Alberto.

00:21:42May I...

00:21:43Come on, doves, come on, doves.

00:21:44Don't worry.

00:21:46The porcelain was fake and the display case is placed in a rather absurd location.

00:21:50Everyone who rushes by stumbles.

00:21:52You look like a silly kid with your obsession with detective novels.

00:21:56Well, there's nothing wrong with that.

00:21:57Besides, there is already one thing that binds me deeply to pigeons.

00:22:00His fondness for the police.

00:22:01Oh, you have no idea what a hobby it is.

00:22:03I bet you're having a good time.

00:22:04I'd be thrilled, Don Alberto.

00:22:06Oh, and that's it.

00:22:08The broken display case.

00:22:10The perfect crime.

00:22:11I'm going to kill you and no one will ever be able to prove anything against me.

00:22:15The police won't be able to get a single clue either.

00:22:18Is it called a clue?

00:22:19It is said.

00:22:20Bravo, pigeons.

00:22:21His wife is going to kill him and nobody will be able to prove it.

00:22:23Isn't it wonderful?

00:22:24Formidable!

00:22:26Charming.

00:22:27I don't know if you understood correctly.

00:22:29This is all a joke.

00:22:30Yeah, man, yeah.

00:22:31I know you when you get excited about something.

00:22:33Okay, okay.

00:22:34The dead man must be left alone in this room.

00:22:37And you will tell us when we have to come, sir.

00:22:39They'll be very close.

00:22:40Right here.

00:22:41Come on, Elisa.

00:22:42Aunt.

00:22:43He commits the crime in front of me to see if I get the courage.

00:22:46Auntie, for God's sake.

00:22:46It is absolutely necessary that they are alone.

00:22:48Clear.

00:22:48Even if more things are loaded.

00:22:50Even if the house sinks.

00:22:51Don't miss the shot.

00:22:52Don't worry, Don Alberto, because knowing what the young man likes, I won't fail.

00:22:57And you always have your back to the door, Emilio.

00:22:59This is very important.

00:23:02The stupid pigeon has broken the only good porcelain we had.

00:23:05For God's sake, Elisa, have a little patience.

00:23:14Okay, fine.

00:23:18Don Alberto.

00:23:19Don Alberto, are you there?

00:23:22Why doesn't he like Parcheesi, I ask you?

00:23:37Perfect.

00:23:37I knew you had a heart condition.

00:23:40Police believe this was a breakdown.

00:23:42Emilio, Emilio.

00:23:43Oh my, how pale you've become.

00:23:45Emilio, for the Virgin's sake, react.

00:23:47But you don't know that I have a weak heart.

00:23:50That's why it's an unpunished crime, the perfect facade.

00:23:53Cut!

00:23:54Well, that's it.

00:23:55And you don't realize that you almost killed me, really.

00:23:58Well, you're already dead.

00:24:00Hey, little darling.

00:24:01Stay still, let it happen.

00:24:03I don't like this game at all, let's go.

00:24:05Emilio, for God's sake, the Barcelona branch.

00:24:07And on and on with...

00:24:08Lie down on the ground.

00:24:09But what are you saying?

00:24:10Lie down.

00:24:11Lie down on the ground.

00:24:12So.

00:24:13Now I'll drag you to the doorbell.

00:24:19We turn...

00:24:20...the lamp.

00:24:24And now I'm going...

00:24:26...and I'll stab you a little.

00:24:37It's perfectly clear.

00:24:38You felt sick and wanted to reach the doorbell to call someone for help.

00:24:44And the collapse occurred because of a sonar for him.

00:24:50Drive the dinner over the bodies.

00:25:01Horror!

00:25:02What do you want?

00:25:03Nothing, absolutely nothing.

00:25:05Can you sense him in anything?

00:25:06My car broke down and I wanted to call so they wouldn't have to wait for me for dinner.

00:25:11Come in, come in.

00:25:12It's not better for me to leave.

00:25:14Not at all, not with this snowfall.

00:25:17We are here to help each other.

00:25:18Doesn't he do it?

00:25:20With your permission, I'm going to remove my eyes.

00:25:22Of course.

00:25:24She has already killed her husband, virtues.

00:25:26I'm going to kill him right now!

00:25:28My husband.

00:25:31How are you?

00:25:32Frozen.

00:25:33And me too.

00:25:34Let me.

00:25:36Call, call, call.

00:25:38Yes sir.

00:25:40Don't let it happen...

00:25:41Antoñita, it's Eugenio.

00:25:59No, Eugenio, your husband.

00:26:01But do you really think someone calls on the phone to say they're a genius?

00:26:07No, nothing's wrong with me.

00:26:10Is he nervous?

00:26:12Because?

00:26:15Hey, send me the car chains.

00:26:18I am at the level of the transversal of the hill.

00:26:23I can't take a step until it stops snowing.

00:26:27No, I'm not with my friends, it's the same as always.

00:26:29What more could I want?

00:26:34Has she already killed her husband?

00:26:36I'm killing him right now!

00:26:39Yes, that's better.

00:26:40Bye bye.

00:26:42Are you leaving already?

00:26:43Yes, the sooner the better.

00:26:44You have a lot to do.

00:26:45If you need the phone, you don't have to come back, it doesn't bother us at all.

00:26:49We're just here taking a break.

00:26:57Come on, come on, you, just like you were, bleach your hair more, because I have to get rid of that.

00:27:02Don't be late!

00:27:04No!

00:27:08That's enough!

00:27:14Great, great!

00:27:16This is exactly the game, stick.

00:27:17No, no, no, no, don't move.

00:27:19No.

00:27:20The lamp knocked down.

00:27:22Take note of everything, Elisa.

00:27:24Not a knife, not a wound.

00:27:27Just the bottle of cognac.

00:27:28He picked her up for some reason.

00:27:30Hot, hot!

00:27:30No, no, no, no, no, don't say anything to me, Emilio, don't move, otherwise I won't have any fun.

00:27:34How are you?

00:27:34So far, so good.

00:27:36Are there no injuries?

00:27:38No.

00:27:39Get up, little dove, get up.

00:27:40If you like, I'll stay lying here, Don Alberto.

00:27:42No, no, no, no, it's not necessary.

00:27:44What would the coroner say?

00:27:45That I died of a heart attack.

00:27:46You were suffering.

00:27:47Oh, and you?

00:27:49What would the police say?

00:27:50I went into the room and saw him lying there.

00:27:52Well, we had an argument earlier.

00:27:55And did he drink to forget?

00:27:56No, the cognac gave rise to a...

00:27:58What is this thing we have in our hearts that we can't possibly have in the light?

00:28:02Strain.

00:28:03It caused a surge in tension and—bam!—the collapse.

00:28:06Perfect, perfect.

00:28:08And did you kill him?

00:28:09All by myself.

00:28:10We'll have to think of a poison that leaves no trace.

00:28:12Everyone leaves, he's already seen the coffee with milk.

00:28:15Or in an incision with a needle dipped in digitalis.

00:28:19Digitalis leaves no trace.

00:28:21Did he die of fright?

00:28:23Auntie, we're talking serious.

00:28:24What bothers me most is when someone jokes about something when I'm interested in it.

00:28:28I'm interested in the game too.

00:28:30No, don't touch that lamp.

00:28:31Nothing here is to be touched.

00:28:33Okay, look around the room.

00:28:38Give him a hint, lest you not discover it in padepeche.

00:28:40A little hint, Don Alberto?

00:28:41No, absolutely not.

00:28:42There is no doubt that he wanted to reach the doorbell to call someone.

00:28:45I know, what do you think? That I'm an idiot?

00:28:47If you can, don't answer me like that.

00:28:48I thought you had taken that into account.

00:28:49How could I not take it into account if it was so obvious?

00:28:52But we both play, right?

00:28:53Look, Elisa, shut up, because I'm the only one who knows how to play this game.

00:28:55Me too?

00:28:56When do they help you?

00:28:57My mess, which is getting more complicated.

00:28:57A little clue, Don Alberto, eh?

00:28:59No, not when I give up, not yet.

00:29:01Good.

00:29:01And no bad manners, Elisa, okay?

00:29:03I am conducting this investigation alone.

00:29:05Good.

00:29:05You are being assigned to Cuenca.

00:29:07You didn't have to make it any easier, sweetheart.

00:29:09It's already been thrown away, if the old woman assumed so.

00:29:11I'm sure this window has something to do with the crime.

00:29:14Sure, he opened the window and...

00:29:15And how is it closed?

00:29:16With my last bit of strength.

00:29:18Hey, the police react the same way because you start trembling if they arrest you.

00:29:21The woman.

00:29:22Don Alberto, aren't you afraid of ghosts?

00:29:25I don't.

00:29:25Oh, yes, they scare me a lot.

00:29:27A ghost appears...

00:29:29It suddenly appears and bam!

00:29:32Heart attack.

00:29:33Don't be naive, Palomos.

00:29:34Ghosts don't exist.

00:29:35Yes, but what if his wife wears a strange outfit?

00:29:37My wife always wears a strange outfit.

00:29:40Elisa, electricity has not been able to intervene in the matter.

00:29:43That's what I was thinking.

00:29:45Yes, that's the key.

00:29:46My mother sometimes wore false eyes.

00:29:48Fake eyes!

00:29:49To scare us.

00:29:51What a joker.

00:29:52The lamp cord has been actively involved.

00:29:54That's it, Simeon, that's it.

00:29:56Simeon?

00:29:57Did you say?

00:29:58No, nothing at all...

00:29:59Hey, what were you talking about before, fake eyes?

00:30:02My mother used to wear them a lot.

00:30:04And some teeth.

00:30:06It's as clear as day.

00:30:08Your wife knew you had a heart condition.

00:30:11And he disguised himself as a ghost with fake eyes.

00:30:13and some fangs that we have among the innocent jokes.

00:30:17The lip.

00:30:18And that's it.

00:30:18Let's see what Don Alberto has to say.

00:30:22How silly!

00:30:23No, no, I warn you that...

00:30:24Mrs. Palomos could not possibly come up with such a vulgar crime.

00:30:26Hey!

00:30:27I know her well.

00:30:29And the wife of one of my employees can't imagine such stupidity.

00:30:32Then Palomos would be sent

00:30:33If his wife's brain couldn't do any more, huh?

00:30:36She doesn't want to look ridiculous, auntie.

00:30:37Have you heard pigeons?

00:30:38Doesn't it amuse you?

00:30:39Ready to assemble.

00:30:42What a fool he's become!

00:30:43Fake eyes and fake teeth.

00:30:46Hey, this is it.

00:30:48And you don't laugh.

00:30:49You have to get it.

00:30:50You have to get it.

00:30:51The thing is, she's my little ant and she's laughing on the inside.

00:30:53Let your laughter out, Don Alberto will see it right now.

00:30:57How was it?

00:30:59I give up.

00:31:01How was it?

00:31:01You have won.

00:31:03For God's sake, ma'am.

00:31:04How are we going to win if we're playing in their house?

00:31:06How was it, my dear friend?

00:31:08Come on!

00:31:09Yes, well, the lamp has played a big role, as you say.

00:31:13I knew that screwing in the light bulb would give me a shock.

00:31:17So I go and tell him,

00:31:19Emilio, there's no light bulb here.

00:31:20And he starts, you're always on about the lightbulb and the lightbulb.

00:31:22And me, look, there's no light bulb.

00:31:24And he keeps going on about the lightbulb, bringing another one.

00:31:25I give it to him, he twists it up and whoosh! it falls off.

00:31:28And does he lose consciousness?

00:31:29Yeah.

00:31:31You bring the lamp close to his hand.

00:31:32That.

00:31:32And a longer-lasting contact occurs.

00:31:35Enough to stop a failing heart.

00:31:37What talent!

00:31:38The police will only find the collapse

00:31:40and the victim's carelessness in screwing in the light bulb.

00:31:43Hey?

00:31:44You're worth a lot, Don Alberto.

00:31:45That's how you make those vinegar cruets with the red stopper.

00:31:48That's how they make them.

00:31:49It's wonderful.

00:31:50It relieves everything.

00:31:51I'm very used to police stuff.

00:31:53But I say that...

00:31:54You're not saying anything, ma'am.

00:31:55You have another glass of coke and don't say a word.

00:32:00Ah!

00:32:00How true it is that talent is demonstrated.

00:32:02In everything, Don Alberto.

00:32:03I confess to you, dear Palomos, that as soon as I entered the room

00:32:06And I saw the lamp on the floor and I said to myself

00:32:08That's the secret.

00:32:09And there it was.

00:32:10There it was.

00:32:11You'll do this, right?

00:32:13Not even for a peseta.

00:32:14Well, you're wasting your time.

00:32:15I propose a new murder.

00:32:16Whatever you want, Don Alberto.

00:32:17You two will verify this.

00:32:19And you'll stay, aunt.

00:32:21I'm hungry, Alberto.

00:32:23It's time for dinner.

00:32:25Auntie, dinner hasn't arrived yet.

00:32:26One more crime.

00:32:27And if dinner doesn't come, we start opening cans of preserves.

00:32:30You won't mind eating canned food.

00:32:32For God's sake, ma'am.

00:32:32As if you want to leave us without dinner.

00:32:34Crime committed in complicity is more fun.

00:32:36Will you accept me into the band?

00:32:38That.

00:32:38You come with us and your wife stays with us.

00:32:40OK.

00:32:43Auntie, will you stay still?

00:32:45Go ahead, Alberto.

00:32:46Don't take too long.

00:32:49What, Don Alberto?

00:32:51Are we working on the poisoning?

00:32:53I'm having a fantastic idea.

00:32:56Read.

00:32:57New crime by the mysterious Boston strangler.

00:33:00That will be our escape.

00:33:02And if Elisa wants to investigate, we can always pretend that a sadistic criminal has entered the house.

00:33:06Because what we're going to do with my aunt is simply...

00:33:10...to strangle her.

00:33:11That leaves traces.

00:33:12Don Alberto will put on some gloves.

00:33:14You two will be the ones to strangle her.

00:33:17But without gloves.

00:33:22With the collar.

00:33:25For the police.

00:33:26For the police, the case is quite clear.

00:33:30He got hooked.

00:33:32When the poor thing suffered a fainting spell.

00:33:34Ah, yes, yes.

00:33:36Elisa, we will leave enough traces for you to investigate in peace.

00:33:43OK.

00:33:44Good.

00:33:45Are you ready, aunt?

00:33:47Yes, you fool.

00:33:49The sooner you finish, the better.

00:33:50I go outside and move to the other side of the garden.

00:33:52You let me know from the advantage.

00:33:53No, but the footprints will be noticeable, Don Alberto.

00:33:55The police shouldn't be surprised to see how I live in the house.

00:33:58Everything is planned.

00:33:59Forward.

00:34:01Well, Mrs. Mercedes, would you like to come in here?

00:34:08Are you ready to settle in?

00:34:09Yes a lot.

00:34:10Would you like a cigar?

00:34:11And a little sip of cognac.

00:34:12Also.

00:34:13Great, man.

00:34:22Now he'll have to lean back a little further, because the collar doesn't stretch enough.

00:34:27That's not how you strangle her, Emilio.

00:34:29That's how you can tell it's a crime.

00:34:30There needs to be more naturalness.

00:34:32No, if the support doesn't arrive.

00:34:34Turn it up a little.

00:34:34Wouldn't it be better to kill her first and place her later?

00:34:37No, no, throw it up.

00:34:39No, not like that.

00:34:41That's how her head twists and you can tell right away that we've killed her.

00:34:43Gee.

00:34:45It's you, isn't it?

00:34:48Are you busy?

00:34:49No, not at all.

00:34:50If this can wait, you call, call.

00:34:52Thank you.

00:34:53Go ahead, go ahead.

00:34:54His car is locked out there and the poor guy has to call home.

00:34:58Can't you walk?

00:34:59No, ma'am, I won't move.

00:35:01I phoned, I phoned.

00:35:02Thank you.

00:35:03Have they scared Auntie yet?

00:35:05We're going to kill her any minute now.

00:35:07We're missing a few details, nothing important.

00:35:09You raise your head, madam, otherwise we won't drown you tomorrow.

00:35:12Joint.

00:35:13That's how I calmly strangle her.

00:35:17Virtudes, lower her legs, she's lifting them up, she has a tendency to do that.

00:35:20Antonia, the chains.

00:35:22Why don't you bring me the chains?

00:35:24If I don't cry, if I want them to bring me the chains.

00:35:27To run away.

00:35:28Speak up.

00:35:32The phone is full of noise.

00:35:33It looks like it's going to cut off.

00:35:36Hey, I'm getting nervous.

00:35:37This necklace is small, isn't it?

00:35:38Why isn't there a little bit of nylon thread?

00:35:40There you have it.

00:35:41Give it to me, give it to me, give it to me.

00:35:43God willing, it will arrive on time.

00:35:46I'd have a knife, sir.

00:35:49What is it for cutting the thread?

00:35:51What's wrong with him?

00:35:52Nothing, nothing.

00:35:53I don't speak.

00:35:54I never speak.

00:35:55My wife asks me, "What have you done?"

00:35:58And I say, let's play frog.

00:36:00It happens to me, I know what happens to me.

00:36:02And whatever I see, I'm always playing the frog game.

00:36:06Emilio, this man actually believes it's true.

00:36:08The fact that?

00:36:09He thinks we're actually killing the lady.

00:36:12Did you believe that?

00:36:13Man, I...

00:36:15But we're just playing, man.

00:36:18That?

00:36:19To the crimes.

00:36:21To the crimes.

00:36:21Of course, a perfect crime is planned and the slip of paper is sought.

00:36:26The fourth lady.

00:36:27Okay, okay.

00:36:28One of us plays dead.

00:36:29The other one is a murderer, and the rest stay behind to find out.

00:36:32How pale the man had become.

00:36:34That's why I noticed he had a somewhat strange expression.

00:36:37The lady...

00:36:38Would you like a cognac, sir?

00:36:41Can I offer you a cognac, Doña Mercedes?

00:36:43Yes, and another one to me.

00:36:44He's going to have a French cognac, a true Napoleon through and through.

00:36:57Great!

00:36:58The cognac is also rigged.

00:37:03Sure, happy innocents.

00:37:05Happy innocents.

00:37:06Okay, so what?

00:37:11Can I have the knife?

00:37:13No, I'll leave you with the nail tool, which is what I'm using.

00:37:16Ah, that's fine, that's fine.

00:37:18Would you mind holding the collar, friend?

00:37:21Eugenio Martínez.

00:37:22Ah.

00:37:23It's very easy.

00:37:25It involves attaching a little more nylon thread to the collar to better strangle it.

00:37:29Oh, it'll stick its tongue out!

00:37:31Is he going to stick his tongue out?

00:37:33Doña Mercedes, don't fall asleep.

00:37:34Yes, I can't sleep. I don't think the cognac agreed with me.

00:37:38Don Eugenio already says that when we strangle you, you're going to stick your tongue out.

00:37:41Whatever you want. The language and a ticket to Barcelona.

00:37:45Have you kicked the bucket, Don Eugenio?

00:37:47Yes, very well. I understand now.

00:37:48What you want is for whoever stays behind to believe that the lady drowned herself, huh?

00:37:54Exactly.

00:37:55You have collaborated in a murder, Don Eugenio.

00:37:57When I tell my family, they won't believe it.

00:37:59Why doesn't he stay until daybreak?

00:38:00No, no, my wife would think otherwise. She wants to keep a close eye on me.

00:38:05You can probably guess that you're taking refuge in some house.

00:38:08But just in case. Nice to meet you, ma'am.

00:38:11Eugenio Martín.

00:38:11Emilio Palomos, huh?

00:38:13Goodbye, ma'am.

00:38:14God, man.

00:38:15God.

00:38:15If he ever invents the perfect crime, let me know and I'll die laughing.

00:38:19Very kind.

00:38:19Be careful of the snow, it's icy.

00:38:22Yes, I know.

00:38:29But what the hell is going on?

00:38:31Wait a minute, Don Alberto, we had to splice it together.

00:38:34Come on, I'm freezing.

00:38:37Now, now.

00:38:43Virtues or you act as an accomplice as God intended, I get angry.

00:38:45The legs, which she raises.

00:38:47Now, nominal.

00:38:54Warn us, Don Alberto, that this little game will cost you pneumonia.

00:38:56Ah, that's right.

00:39:00Don Alberto, you can come in now, we've already strangled her.

00:39:03Damn the temperature.

00:39:05What do you think?

00:39:10Perfect.

00:39:11But I want to make it much more complicated.

00:39:14The telephone.

00:39:15No, bring the phone close to the corpse.

00:39:19Here?

00:39:20Leave me alone.

00:39:22It will appear that he ultimately wanted to call someone.

00:39:26Whom?

00:39:27That will be a good red herring.

00:39:29Listen, it's going to be going on all night.

00:39:32Wow, that can be fixed right away.

00:39:34Gee.

00:39:39What's happening?

00:39:40It has no line.

00:39:41You'll have to leave me alone, Don Alberto, because I know a lot about this.

00:39:43Do they understand the receipt up to the part about being measured by a meter?

00:39:46No, no, it sounds like "I came".

00:39:47Well, the snow is nothing out of the ordinary in these new neighborhoods.

00:39:49Well, it's annoying.

00:39:50It will fix itself.

00:39:51And if it's not fixed, we'll be cut off until tomorrow.

00:39:54If you need anything, you can call at the small hotel next door.

00:39:57That?

00:39:57It's a school, they're on vacation.

00:39:59Should we leave it hanging anyway?

00:40:00No, we will give up on this false lead.

00:40:03Go away!

00:40:04Okay, my wife can come in now.

00:40:07Doña Elisa, Doña Elisa, come here, you'll see what a painting, not even Las Meninas.

00:40:11I suppose it turned out well for them, if only because of the time it took.

00:40:15A regrettable accident, Mrs. Elisa.

00:40:17Her aunt got her necklace caught on that strange chair and...

00:40:20This is not the first time it has happened.

00:40:21There are old people who suffocate from sleeping with their medals on.

00:40:25Now it's about you discovering that it's a crime and not an accident.

00:40:27Let me see, let me see.

00:40:29Look at whatever you want, ma'am.

00:40:32Nothing here.

00:40:34Nothing there.

00:40:35Look at whatever you want, with complete confidence.

00:40:37Emilio, this lady is doing a great job of dying.

00:40:40She is very nice.

00:40:42Doña Mercedes, the milk donkeys have already passed by.

00:40:47Emilio, who plays the victim too well.

00:40:51Doña Mercedes, the French cognac that has taken a liking to it.

00:40:54Aunt.

00:40:55He drank a little.

00:40:57She's dead.

00:40:59She's going to be dead, she does it very well.

00:41:02She is very nice.

00:41:06Alberto is horrible, she's dead.

00:41:08We have to take off that damn collar, you pigeon.

00:41:12Doña Mercedes.

00:41:13Doña Mercedes doesn't know anything about Easter, woman.

00:41:15But how did you tie that knot, Emilio?

00:41:18It had to be done realistically, in the Italian style.

00:41:20Bicycle thief.

00:41:21Leave me alone.

00:41:21Dead.

00:41:27Strangled.

00:41:28You killed her, you pigeon.

00:41:32Emilio.

00:41:32Wow, what a game.

00:41:39Virtues, virtues!

00:41:41Where are we going?

00:41:42Go home, Emilio.

00:41:43Home.

00:41:43That frame is very pretty, but I don't like it.

00:41:44Come on.

00:41:45Wait, woman.

00:41:45Wait.

00:41:46Let's reason.

00:41:47According to the latest weather reports,

00:41:50The snow and wind storm is growing in intensity.

00:41:53The capital is literally enveloped in a whirlwind of snow

00:41:56which has brought all nightlife to a standstill.

00:41:59Palombo.

00:42:23Palombo!

00:42:24Palombo!

00:42:26Palombo!

00:42:29Palombo!

00:42:31Palombo!

00:42:39Palombo!

00:42:48Nothing.

00:42:50Not this one either.

00:42:53But what are you doing there, auntie?

00:42:57Eat.

00:42:58With these crimes of yours you are starving me to death.

00:43:01Try not to let them see you when they return.

00:43:03If they come back, they'll have left at a hundred miles an hour.

00:43:19There's no way, Alberto.

00:43:20The phones are broken.

00:43:21They don't give the dial tone.

00:43:23I know.

00:43:24Leave that alone.

00:43:24There is no trace of the palombo.

00:43:26As if there hadn't been a single soul in the entire colony.

00:43:28But it is necessary to report the case to the police.

00:43:30How could I have suspected that the pigeons would scare people like that and run away like that?

00:43:33It is not pleasant to remain here locked up with the corpse of the earth that dawns.

00:43:38No, it's not pleasant.

00:43:39But what do you want me to do?

00:43:40Should I sweep the snow away with a fan?

00:43:41What are you doing?

00:43:48Remove it from the heat.

00:43:49You won't believe that heat is the best thing for a corpse.

00:43:51Have you thought about the little hotel owned by the Diegues?

00:43:52Easter is happening in Valencia.

00:43:54And Luján?

00:43:55It's practically a kilometer to get there.

00:43:57And if this phone doesn't work, the same thing will happen to the one in Luján.

00:44:01Well, something has to be done.

00:44:02Hey, try walking 20 meters.

00:44:04It can't be done.

00:44:04We have to try, Alberto.

00:44:06We need to call the police.

00:44:07Okay, okay.

00:44:08I'll try.

00:44:09Go on, bring me the hobnailed boots.

00:44:12You didn't count on them being able to run away, did you?

00:44:15Be quiet.

00:44:16Your brain amuses me greatly, Alberto.

00:44:19And you're going to commit the perfect crime.

00:44:24And it is.

00:44:27Aunt Mercedes lives with us.

00:44:30Aunt Mercedes has a lot of money.

00:44:32Aunt Mercedes leaves us as her sole heirs.

00:44:35Who knows that Aunt Mercedes has a sister who's a drunk and has a dubious reputation?

00:44:38He recently returned to Spain after 25 years in the Philippines.

00:44:42Nobody in Spain.

00:44:43She always hid it.

00:44:45I was the black sheep of the family.

00:44:48The dishonor of honest Mercedes.

00:44:51You have to spend the money, and if possible, live.

00:44:54As for saving money, they'll kill you.

00:44:56But perfect, perfect.

00:44:58You were pretending to be dead in the chair.

00:45:00I used to take the pigeons out of this room.

00:45:02Then he put Mercedes in your place.

00:45:04Except Mercedes had been dead for an hour.

00:45:06Strangled by you with a nylon thread.

00:45:07Then we would split the money and you would go back to the Philippines.

00:45:10The perfect crime!

00:45:13Perfect!

00:45:15Rafina, you seem to be forgetting a very important detail.

00:45:19You offered to help.

00:45:21You're as much of a killer as I am.

00:45:23Run, Alberto!

00:45:23Why the rush?

00:45:28If the pigeons don't show up, things won't be so clear, auntie.

00:45:32The crime is perfect if the pigeons immediately confess to committing it.

00:45:35I'll leave through the back door.

00:45:37It is preferable to walk on snow than on ice.

00:45:41I'm going to go to the Diegues' little hotel.

00:45:43I'm sure there's someone.

00:45:44But he already knows he's stubborn.

00:45:46If the doves come in the meantime, don't open the door for them.

00:45:48How can I open the door if I'm dead?

00:45:49You lean out the window and whistle at me.

00:45:51So.

00:45:53A little more ease, auntie.

00:45:56This is like walking into the lion's den.

00:45:57This is the only sensible thing to do.

00:45:59In a moment of madness we fled.

00:46:00Are we guilty of this murder?

00:46:02No.

00:46:02Did I want to kill her?

00:46:03No.

00:46:05Don't we have Don Alberto and Doña Elisa to defend us?

00:46:07Look, the police here are going to find it very strange that in a decent house they're playing at strangling an old lady.

00:46:11What do you know about the games played in decent houses?

00:46:13Virtues, everything except running away.

00:46:14We have no other solution than the truth.

00:46:18Do your ears work?

00:46:29Yes a bit.

00:46:31I don't think they've left.

00:46:34Come.

00:46:48Oh, look, they've moved it!

00:46:54It's amazing what death can ruin.

00:46:56That's fine, you're not measuring it wrong.

00:46:57I killed her, but unintentionally.

00:46:59Don Alberto?

00:47:00Don Alberto?

00:47:02Mrs. Elisa?

00:47:04Don Alberto?

00:47:05Don Alberto?

00:47:05It's curious what happens with this door.

00:47:09Either you lean on the doorframe with both hands and ring the bell with your knee, or you try to ring the bell and crack your skull on the floor.

00:47:17What, have you killed her already?

00:47:19Yes, we've already killed her.

00:47:21They'll be having a great time, huh?

00:47:23You don't know that well.

00:47:24How was it?

00:47:25How was it?

00:47:25With the necklace, finally, huh?

00:47:26With the collar.

00:47:28So I'm the accomplice, huh?

00:47:30Don't forget.

00:47:31The one who won't forget is you.

00:47:33Look.

00:47:34And you're doing a great job getting back at me, aren't you?

00:47:37What do you mean she's dead?

00:47:39Yes, the wall of...

00:47:40What were you doing?

00:47:44That she is dead.

00:47:49The innocent ones, who are dead.

00:47:51Joker, little joke.

00:47:54Of course, you killed her, with the necklace.

00:47:57Listen, you're dead and this man killed you.

00:48:02Virtues, show it to him in all its terrifying reality, so that he may see it.

00:48:08Hey, don't cry.

00:48:15Mother of tears!

00:48:16Oh, mother of my soul!

00:48:18You seem like you're part of the family, relax.

00:48:20Virtues, come on, damn it.

00:48:21No, no, damn it, no, please.

00:48:23He doesn't want to calm down either.

00:48:24Yes, I want to calm down.

00:48:25I'm going home right now.

00:48:27No, quite the opposite, you stay here.

00:48:29But don't you see that you helped us kill her?

00:48:31His fingerprints are on the collar, sir.

00:48:33Hey, happy now, Paco, so next year you guys kill a lot of people.

00:48:36No, no, no, we were playing.

00:48:37No, we were just playing.

00:48:39The old woman drank a lot and must have fainted.

00:48:42She drowned herself.

00:48:43We are not guilty of anything.

00:48:44And there are the owners of the house, who witnessed everything.

00:48:47This house belongs to the director of my office.

00:48:50He's the one who knows all about the perfect crime egg that's out there in some novel by I don't know who.

00:48:54See the virtues.

00:48:57Vistudes? Can you tell me what's wrong?

00:49:00Nothing, nothing.

00:49:01We already have enough to deal with without you adding to it.

00:49:05I was telling you that as soon as we call Mr. Alberto, everything will be cleared up.

00:49:09At first we ran away when we saw that the old woman had hanged herself.

00:49:11But we have returned here because we are more innocent than we are today.

00:49:15That's not it, virtues.

00:49:16Hey girl! Snap out of it!

00:49:20And this gentleman is right. Let's go play hopscotch.

00:49:23Why do I have to play frog?

00:49:25Ma'am, let's stay calm. If everything is as your husband says, all we have to do is call the police and the homeowner.

00:49:31That one crossed the line!

00:49:33Who?

00:49:34The old woman.

00:49:36What old woman?

00:49:37That.

00:49:38But virtues, if it's there, it's there.

00:49:39What do you think? She went up, then came back down, the good woman was so happy.

00:49:43How? How can she go up and back down if she's sitting there? Can't you see her?

00:49:48Yes, sir. There it is.

00:49:50What are you trying to achieve? To scare us even more than we already are, virtues.

00:49:53It could all be an optical illusion. It's happened to my wife a few times.

00:49:57If you look closely at a person, you can later see them even in motion anywhere.

00:50:02You need to stay calm, ma'am. But what's wrong?

00:50:04I don't know about the frog, but you've been dragged into this. You have to take a chance anywhere, right now.

00:50:08Because?

00:50:08It has gone up.

00:50:09Who?

00:50:10The old woman.

00:50:10Which way?

00:50:11Around there.

00:50:13Hey, look. It's impossible that you climbed up there.

00:50:16And if what you want is to make me believe that...

00:50:18Alberto! Alberto! Is that you?

00:50:40Alberto! Alberto!

00:50:42Alberto!

00:50:43I had heard noises.

00:50:47It's useless, you can't walk.

00:50:49I approached the Diegues' house, but I couldn't hear anyone.

00:50:50I already told you.

00:50:51I thought I wouldn't be able to get back. It's the biggest snowfall I've ever seen.

00:50:56What do we do?

00:50:57There is no other solution but to wait.

00:51:02And the damn phone isn't working.

00:51:04What are you going to do?

00:51:08Put her on a bed.

00:51:09Put her on a bed.

00:51:12And Serafina?

00:51:13He stays up there, watching to see if anyone passes by.

00:51:15That seems very good to me.

00:51:22What is not possible is to lose your temper like this.

00:51:25This is what is not possible.

00:51:26Let's go.

00:51:26I'm not leaving.

00:51:27I'm not scared of anything, you understand?

00:51:28I'm not scared.

00:51:30Son, this isn't clear.

00:51:31Let's run away.

00:51:31Something must be wrong with that man.

00:51:34Either there are two old women, or the dead woman is walking but can't walk because she's...

00:51:38Florello, that's fine, he's blown it up.

00:51:40Take my word for it, it's worth leaving, even if you can't see anything outside.

00:51:44But, but I was there.

00:51:46Emilio, Martínez is right here.

00:51:48When something happens that you don't understand, the best thing to do is run away.

00:51:50Remember that tourist who asked me,

00:51:52What's in the city?

00:51:53I started running.

00:51:54Wait, virtues, wait.

00:51:57It's very clear, they've taken her to her nephews.

00:51:59While we were in there, scared to death like idiots.

00:52:01That could be it.

00:52:01Then now they have her lying there, as calmly as is natural.

00:52:08So all of this could be an optical reverberation.

00:52:11If only my aunt weren't already there.

00:52:13Alberto!

00:52:17But who locked the small bedroom?

00:52:19It's been closed for a long time.

00:52:21A car has stopped on the cross street.

00:52:22Are you sure?

00:52:23Yes, it looks like a taxi, I thought I saw a green light.

00:52:25You get there faster that way, you're right next to the ravine.

00:52:27Serafina, you over here.

00:52:29Go upstairs.

00:52:30Signal to him, call for help, let's go.

00:52:35Stay still, stay still, stay still.

00:52:37For the sake of the Virgin, be still.

00:52:38That's perfectly clear.

00:52:39Clear as day, that one's alive.

00:52:41More alive than us.

00:52:43You just can't get anything right.

00:52:44Focus, pigeons, focus.

00:52:46Well, she has to be alive.

00:52:48Come on, come on, now.

00:52:50She is not alive.

00:52:51Let's go.

00:52:52No no.

00:52:53Why don't we make a heroic decision and go to Logroño?

00:52:56Because this old lady is going to be the burden for all three of us, or they don't even realize it.

00:52:59Sir, admit that you are terrified.

00:53:01So why is he acting like a rooster?

00:53:02Because he keeps insisting, like a bogeyman, that we stay.

00:53:04And what does the song "La Marseillaise" say about me?

00:53:07To the gluttons of the patrín.

00:53:09Alberto! Alberto! Alberto!

00:53:26Stop shouting already.

00:53:27Whatever it was, it's gone.

00:53:29Either he didn't want me to leave or he didn't hear me.

00:53:30Did you open the door for me?

00:53:31Yeah.

00:53:32Now?

00:53:33Yeah.

00:53:33And before?

00:53:34No.

00:53:34Well, someone opened the door for me and closed it so fast I couldn't believe it.

00:53:38broken nose by pure miracle.

00:53:39And who was it?

00:53:40Ah, I catch on.

00:53:41On top of everything that's happening to me, I have to put up with your damn joke.

00:53:52I can't explain it.

00:53:53He went away.

00:53:54Perhaps it was our last chance.

00:53:55Why didn't you shout?

00:53:56Because I'm dead, damn it.

00:53:58For all intents and purposes, there are no other people alive here now but Alberto and you.

00:54:01It seems as if...

00:54:08Do you want to listen?

00:54:10Yeah.

00:54:11It seems as if he wants to give the signal.

00:54:13Maybe the problem will be fixed.

00:54:16Rejoice, Alberto.

00:54:17It seems the phone might work.

00:54:24Hello good.

00:54:25Hello good.

00:54:26Dear pigeons.

00:54:28What's wrong with him?

00:54:33No, nothing.

00:54:34I was just going to shake his hand.

00:54:35Lady.

00:54:37The gentleman is Don Eulogio.

00:54:39Ah.

00:54:39Eugenio Martínez.

00:54:41He was waiting inside his car for the snow to stop.

00:54:43And he came here to talk on the phone.

00:54:45He saw me alive.

00:54:46And he even corroborated the crime.

00:54:49Ah.

00:54:50We're surprised, pigeons.

00:54:52Why did they run away like that?

00:54:53That.

00:54:54Why did they run away?

00:54:55You said she was dead.

00:54:57Clear.

00:54:58We said she was dead.

00:54:59That's funny, isn't it?

00:55:01To leave, yes.

00:55:05But you already knew that was part of the game.

00:55:09What we couldn't have imagined is that you would be so surprised.

00:55:13Already.

00:55:14So there are no deaths, right?

00:55:17What kind of death do they want?

00:55:19Excuse me, ma'am.

00:55:21But my husband, myself, and here, terrified, have seen a dead woman.

00:55:27How curious.

00:55:32A dead woman here, in this armchair.

00:55:36Exactly, in that armchair.

00:55:38And who was it?

00:55:39Well, I would say that the lady was here.

00:55:42Oh.

00:55:42But Aunt Mercedes can't be.

00:55:44Look at her, she's alive.

00:55:46Do you want to touch it?

00:55:47No, I think it's disrespectful.

00:55:49Ah, dear pigeons, sit down, sit down, ma'am.

00:55:53And you, Don Eulogio.

00:55:55Eugenio, please.

00:55:56Eugenio, sit down, sit down.

00:55:58Eugenio, sit down, sit down, sit down.

00:56:28And his wife and here, Don Eugenio, saw her dead too.

00:56:32But at the same time they saw reality.

00:56:34My aunt walking around the room.

00:56:37Understood?

00:56:37Hey, I'm a utility inspector.

00:56:40Imagine the strange things they must have told me.

00:56:42But I had never heard of that.

00:56:44It's perfectly clear, son.

00:56:45What you saw in this armchair was a non-existent image transmitted by this gentleman who was terrified.

00:56:53It's perfectly clear, Emilio.

00:56:54Don't you remember my cousin Leoboro who was playing with some boys and they shouted,

00:56:58Was the last one a fool? Did Leodoro arrive last and get a sudden urge that led to the end of it?

00:57:03Well, the same thing has happened to you.

00:57:04I will never tire of praising his wife, Palomos.

00:57:08I think that to forget the incident we should play a game right now where I get killed again.

00:57:13No, no, I'm going back to my car.

00:57:15But sir, please.

00:57:16No, no, not me, I get easily influenced by anything.

00:57:18I beg you to...

00:57:18Don't bother.

00:57:19Okay, but if you need anything...

00:57:20I'll ask him, health comes first.

00:57:23Be careful of the ice, you might slip.

00:57:25Yes, I know, let's have a good time.

00:57:26Good night.

00:57:32Have you hurt yourself?

00:57:33No, nothing, I feel great, wonderful, goodbye.

00:57:36Bye bye.

00:57:39My mother, I just remembered my mother.

00:57:41It's natural, in unison.

00:57:42No, she's not feeling well, we've left her very sick, haven't we?

00:57:45Yes, terrible.

00:57:46Sir, are you going to leave without dinner?

00:57:47It's the same, with my mother in the state she's in.

00:57:48Aren't they going to find any cars?

00:57:49No, we walk, we like it, and even more so with snow.

00:57:53I'm from Candanchu.

00:57:54Furthermore, it's a shame that the friendly suggestion spoiled the cordiality of the atmosphere.

00:57:58But we had a lovely evening anyway.

00:58:00And wasn't this one?

00:58:01See you tomorrow at the office, Mr. Alberto, ma'am.

00:58:03Aunt.

00:58:16You and your perfect crimes.

00:58:19How funny!

00:58:21The phone works.

00:58:23What's the point now?

00:58:23Bad luck.

00:58:24They have not been convinced, Alberto, they will denounce us.

00:58:26No, and even if they try, we'll see what the police can discover.

00:58:29Elisa, quickly, put all the valuables in the house in a suitcase.

00:58:32Everything that can be sold.

00:58:34If we hurry, we can catch the plane in two hours.

00:58:38We'll have to walk, but we will walk.

00:58:39Me too?

00:58:45You're coming with us.

00:58:47And her?

00:58:50The burial.

00:58:52Elisa!

00:58:55Elisa!

00:58:56Come on!

00:58:57I'll be right there.

00:59:02I think so.

00:59:09I think I've included everything that's worth something, but I don't know, I'm all mixed up.

00:59:17Did you turn the drawers upside down all over the room?

00:59:18Yes, as if they had stolen something.

00:59:20Go with Serafina.

00:59:21No, no, I prefer to stay with you.

00:59:22Elisa, don't argue.

00:59:24If everything had gone well, by now we would have a fortune in our hands.

00:59:28It went wrong.

00:59:29I need you to obey me to the end, understood?

00:59:31Yes, Alberto, forgive me.

00:59:32And bury it already, it looks like it's going to start walking.

00:59:35Let's go this way, I need to turn off the main valves.

00:59:39No, no, I prefer to stay.

01:00:09Look, what was I telling you?

01:00:25Collective suggestion.

01:00:27There it is, it seems to me, what this old woman travels on.

01:00:30Look, look.

01:00:43It's as clear as day, they are two sisters, one murdered by them and the other alive.

01:00:47And they wanted to pin the crime on us.

01:00:49Of course, as we have seen in the living one, we have to get rid of the dead one.

01:00:52You and I look like idiots.

01:00:54Apparently.

01:00:55Come on, let's go inside.

01:00:56What a hero!

01:01:11Hey, that's great luck, the phone is working now.

01:01:13What are you going to do?

01:01:13Call the police.

01:01:14Isn't it better to leave?

01:01:15No, it's better to call the police.

01:01:17Explain things well, in detail.

01:01:18There it is, I rented it to you.

01:01:19Hey, it's 091.

01:01:24How are you all?

01:01:25Happy Easter.

01:01:27And that's why you're calling.

01:01:29Excuse me, a murder has been committed.

01:01:31Here in the neighborhood is Tomos Montes, a small hotel.

01:01:34The small hotels are very far apart and there is only one on each street.

01:01:37Yes, the dead woman is an old lady.

01:01:39Cao, cao, cao, cao, cao!

01:01:53He said that the dead woman was an old woman related to the owner.

01:01:56She has been strangled.

01:01:57And they want to blame me because I strangled another old woman while playing.

01:02:00As?

01:02:01What do you say?

01:02:02There are two old women.

01:02:04There are two old men in the tenor.

01:02:05Why shouldn't there be two old women here?

01:02:07Yes, and you killed her while playing.

01:02:08Yes, playing with my wife and a man.

01:02:12So what if it was the Holy Innocents' Day?

01:02:14He argued with the homeowner.

01:02:16Of course, and very violently.

01:02:17How could I be chosen for something like this?

01:02:19My name?

01:02:20My name is Emilio Pascuas.

01:02:22Cao, cao, cao, cao, cao, cao, cao!

01:02:38My name is Emilio Palomos.

01:02:50Why does he stay silent so often?

01:02:52He likes suspense.

01:02:54No, no, no, sir.

01:02:55It's because I was crossing with a pickaxe.

01:02:57No, it's not a bird.

01:02:59He's the killer with a pickaxe.

01:03:03My name is Emilio Palomos.

01:03:06I am named after my father.

01:03:07What do you want me to do?

01:03:08And here we go again with the innocent ones.

01:03:10Getting here is very easy.

01:03:13Virtudes, you who are better at finding your way.

01:03:15Tell him how he can get here.

01:03:16Take.

01:03:16Here's the lady I was talking about.

01:03:23Look, do you guys have a car?

01:03:24Yes, several.

01:03:26Well, you guys go as if you were going to Torrelobores.

01:03:30Do you know where there's a tree shaped like a lady with teased hair?

01:03:35Before, there was a brown dog scratching itself.

01:03:37Well, now I don't know if it will be there.

01:03:39Follow the tree.

01:03:41Well, everything's going downhill, everything's going downhill.

01:03:43There's a sign that says no entry.

01:03:45You pass.

01:03:46They arrive at a small square where all the couples from Madrid are gathered inside the 600.

01:03:50Don't bother them, because to bullfight and get married you have to get close.

01:03:54And don't stop until you reach a lake, but then you really might fall into the water.

01:03:57Queo, queo, queo, queo.

01:03:59Queo, queo, queo.

01:04:15Then they take a path to the left, start going up, keep going up, they come across a fence and they are already in the colony.

01:04:26Doesn't it sound like a safari when you put it like that?

01:04:28And wouldn't it be faster to get there by going up the San Vicente hill?

01:04:30Yes, but it's less interesting.

01:04:33Five minutes.

01:04:34Well...

01:04:35Queo, queo, queo, queo, queo, queo.

01:04:50Listen, listen, listen.

01:04:53Ah, what a time of year, eh, Mrs. Alberta.

01:05:13We had snuggled up here so comfortably.

01:05:16Who did you call?

01:05:17A, a, a, a my mother.

01:05:18You didn't want to, Palomos.

01:05:20Look, there it is, there it is.

01:05:21Yes, yes, yes.

01:05:22You two were just an alibi for us.

01:05:24What else?

01:05:25No, no, no, nothing more.

01:05:26That sounds great to us.

01:05:27Hey?

01:05:28Why should we give explanations, Don Alberto?

01:05:30No, not until tomorrow, the commissions.

01:05:32Palomos, you're not getting out of here alive.

01:05:34For the Virgin, for the Virgin, Don Alberto.

01:05:36It's still!

01:05:37I swear to God, the keyboard is lost.

01:05:38Equinox!

01:05:39Alberto!

01:05:40Open me, open me, my clouds!

01:05:42Open!

01:05:44No, no, no, no, no, no, no!

01:05:48Uncle!

01:05:49Dude, my love!

01:05:52I told you, we weren't born to live in society,

01:05:55We were born to go to continuous-showing cinemas...

01:05:59To your father.

01:06:01You are going to kill your father.

01:06:04I'll stay here until the police arrive.

01:06:10Here!

01:06:13To watch over the corpse.

01:06:14There!

01:06:16Nothing.

01:06:17Do not open the door even if you call out in a friendly manner.

01:06:19Virtu, from a higher unemployment rate!

01:06:21Open!

01:06:21Emilio, my love!

01:06:28What have you done with him, my hero?

01:06:30Meiporra!

01:06:31He's broken his head, he's broken it.

01:06:32Help me put it there!

01:06:34Oh!

01:06:36Don Alberto!

01:06:37Let's see...

01:06:42He's still alive!

01:06:43We need to call a doctor.

01:06:45If he called the police, there's no saving him from this.

01:06:49Death sentence for murder.

01:06:52You slipped up on me, all I did was run.

01:06:54The police are going to blame me.

01:06:56Don't worry, he's picked up the phone.

01:06:58Hey?

01:06:59His body is present.

01:07:01What are you?

01:07:02Where are you going?

01:07:03To Bocadalajara, with my uncle.

01:07:04But don't you see that he's given your name to the police? I don't know why you even said that.

01:07:06Why was that the logical thing to do?

01:07:08Well, now they're not only throwing the old woman on us, but this too.

01:07:17Will you excuse my coat?

01:07:19Don Eugenio, please come in.

01:07:20No, thanks.

01:07:21If they give me the coat...

01:07:22Do you remember collective suggestion, my friend?

01:07:27Yes sir.

01:07:27Do you remember the infection?

01:07:29I remember.

01:07:30Well, look.

01:07:31Okay, I'll take my little coat.

01:07:34If you don't finish this thing, we've got the perfect pair.

01:07:38How are the couple?

01:07:39Look.

01:07:42Hey, hey, don't cry.

01:07:45But what kind of bitches do you pick up, my dear sir?

01:07:47Stop crying.

01:07:48But what have I done?

01:07:50Is this how they have to punish me for forcing the payment of the profit tax?

01:07:55Lord, why didn't the snowfall catch me on Virisil Street?

01:07:59Wait, man, wait.

01:08:02What you have to say when the police come is that you cooperated in the murder of that old lady.

01:08:06He's just as busy as we are.

01:08:08Let's tell the truth.

01:08:09But the truth is, if the homeowners don't support it, it's unbelievable.

01:08:12For now, and until the cause is clarified, you'll be spending six years and one day in Carabanchel.

01:08:16And is this woman's wife still alive?

01:08:18He ran away with the other old woman.

01:08:20What can we do?

01:08:21Well, hide the bodies and run away.

01:08:23Of virtues, you, come on, to remove the traces.

01:08:26How do you remove a fingerprint?

01:08:28Wipe everything we've touched thoroughly with a cloth, woman.

01:08:31Ale.

01:08:32If you don't give me the scarf, I have no clothes.

01:08:34Well, you have to come with a rag.

01:08:37Okay, let's start with the heaviest one.

01:08:38We have to take him out of the house and throw him into a ravine behind it.

01:08:40Come on.

01:08:46Through the service entrance.

01:08:53I work happily, without fear of fatigue.

01:08:57Because I'll immediately rest in a flash.

01:09:00Flash, flash, flash.

01:09:06Let's see.

01:09:08Let's see.

01:09:09First, a little bit of rocking.

01:09:20And when I say three, we let go.

01:09:22A.

01:09:23Two.

01:09:25Three.

01:09:25Relón, don't mark the hours, because you're being a pain.

01:09:41The police, ma'am.

01:09:45Don Eugenio.

01:09:46Don Eugenio.

01:09:47Don Eugenio.

01:09:49Don Eugenio.

01:09:51Don Eugenio.

01:09:55Emilio.

01:09:57Emilio.

01:10:21Go.

01:10:23I'm coming.

01:10:25One moment.

01:10:42I'm taking a shower.

01:10:43Excuse me.

01:10:45I was putting on my robe and the three of them.

01:10:48Excuse me.

01:10:49I was putting on my robe and slippers.

01:11:03You are not wearing a robe or slippers.

01:11:16That's why I was putting them on, but I've thought better of it and taken them off.

01:11:19Already.

01:11:20Can I come in or are you going to close the door on me?

01:11:22No, no, no, please come in.

01:11:24Come in, come in.

01:11:26It has been impossible for us to come earlier.

01:11:28Where is?

01:11:29King Faru, well I think there are two of each kind in Rome, father.

01:11:31The killer.

01:11:32Why a murderer?

01:11:33Hasn't a murder been committed here?

01:11:35And did the criminal cross with a pickaxe?

01:11:36As far as I know, there's only one worker here with a pickaxe who's been harvesting for two years.

01:11:39that drain that had broken a little.

01:11:42Didn't you call?

01:11:43I don't.

01:11:44But who are you?

01:11:44The maid.

01:11:46In that suit?

01:11:47If she were to take it worse, it would be the lady.

01:11:49Who lives here?

01:11:50No, no, no, no.

01:11:51But how could you not know if she's the maid?

01:11:53I'm not very gossipy.

01:11:54Will someone pay you?

01:11:56Yes, yes, a gentleman pays me.

01:11:58Who is the owner?

01:11:59Yeah.

01:11:59What's it called?

01:12:00Pichichi.

01:12:01Listen.

01:12:01Everyone calls him Pichichi.

01:12:02They call and say, "Is Pichichi there?"

01:12:05No, tell Pichichi that we're waiting for him.

01:12:07I clean, they give me the money, I go home.

01:12:09Where do you live?

01:12:10In Ávila.

01:12:12And does he come every day from Ávila to clean the house?

01:12:15Ávila is so monotonous.

01:12:17You won't mind if we record this a little, will you?

01:12:19Well...

01:12:20Of course not!

01:12:20Well, Venancio, would you like to take a look around this part of the house?

01:12:29And the fact is that they spoke from this number.

01:12:32Hey, girl, tell me everything you know, and soon.

01:12:35I don't know anything.

01:12:37Before I get tired, let's go, beautiful.

01:12:39Oh, how rude.

01:12:42I say it must be because of the pigs.

01:12:45What pigs?

01:12:45The owner of the house trades in pigs.

01:12:48He puts a thousand pigs in a wagon and sends them to Palencia.

01:12:51As you know, there is a lot of competition with pigs in Spain.

01:12:55Well, he was visited by a Chinese man who was a friend of a gentleman from Vitoria who also had pigs.

01:13:00So one day they threatened him.

01:13:01To the one in Vitoria?

01:13:02To the Chinese.

01:13:03Apparently he said, a thousand pigs at three thousand pesetas is thirty thousand pesetas.

01:13:07And they thought he was making fun of them.

01:13:09And since she was a sore loser...

01:13:12Who?

01:13:12The woman.

01:13:12From Chinese.

01:13:13From Vitoria.

01:13:14So, they all started hitting the Englishman.

01:13:17An Englishman?

01:13:18He was a first cousin of a brother-in-law of the Chinese man's girlfriend.

01:13:20You either mesh or you don't.

01:13:23The Englishman stiffened and started kicking the pigs at the station.

01:13:27At Atocha station.

01:13:29In Oviedo, because everyone was there and it was closer to Palencia.

01:13:32And then the man with the pickaxe appeared, so called not because he carried a pickaxe,

01:13:37but because it had a point on the handkerchief.

01:13:39You either mesh or you don't.

01:13:41What did the gori use to get himself together?

01:13:42So you really believed it, that this was mine, and so on and so forth.

01:13:46The pigs that get scared come out of Oviedo, get into the football field and take advantage

01:13:49the uproar when Madrid scores a goal.

01:13:51What a mess...

01:13:52Already.

01:13:54Where are you from?

01:13:55From Candanchú, but I came here before I was born.

01:13:57Well, I mean from a very young age.

01:13:58You look like you're from Coria!

01:14:03A closed door, a broken display case, and some dresses.

01:14:05Let's take a look this way.

01:14:06Yes, Castro, as you order.

01:14:08I feel dizzy.

01:14:15Let's see if you can do better with the old one.

01:14:17It's because I'm not used to it.

01:14:18And the aunt?

01:14:26What has become of the old woman?

01:14:28The little old lady.

01:14:29Has it taken flight?

01:14:31Oh, I'm going to die tonight!

01:14:33I'm dying!

01:14:34Have you hidden it?

01:14:35Because?

01:14:36Under the waves.

01:14:38But truths!

01:14:39The young master.

01:14:44What a joy to see the young gentleman!

01:14:47Sit here, young master, and never get up, young master.

01:14:50The young master's friend who also feels

01:14:52And that the young master never gets up either.

01:14:55Thank you.

01:14:57Where were you?

01:14:58Throwing away a dead body.

01:15:00The cube.

01:15:01The trash can.

01:15:03Why aren't the ragpickers coming now?

01:15:04Is she your maid?

01:15:06Well...

01:15:06Yes or no?

01:15:07As if it were?

01:15:09Are you a friend of his?

01:15:10Yes, fellow sufferer.

01:15:12I'm going to explain something to you.

01:15:15A call was received from this phone 20 minutes ago.

01:15:19We were told that a murder had been committed.

01:15:23They talked about an old woman.

01:15:25Two old women.

01:15:27Then a woman got on the device.

01:15:29They seemed very excited.

01:15:31They named a killer who carried a pickaxe.

01:15:34Also, what's wrong with him?

01:15:36No, nothing, no.

01:15:37No, it's just that these things about murderers impress him tremendously.

01:15:40Eugenio, don't cry.

01:15:41The man didn't mean any harm by it.

01:15:44Furthermore, as soon as he remembers his wife, he cries.

01:15:46Why did he die?

01:15:47No, because he's alive.

01:15:48Stop crying, listen.

01:15:49It passes quickly.

01:15:50As soon as he understands that crying is dangerous.

01:15:52Okay, let's go, let's go.

01:15:53Let's get straight to the point.

01:15:56What about the pigs?

01:15:58What pigs?

01:15:59Those he sends to Palencia.

01:16:02That's funny.

01:16:03And the Chinese?

01:16:04Sangai Chek or Chuen Lai?

01:16:06The one with 30,000 pesetas.

01:16:07Ah, sure, sure.

01:16:11Are you going to deny that you, the Chinese man, and the gentleman from Vitoria insulted the Englishman?

01:16:15That's how you captured Monchito.

01:16:18Why won't you answer me?

01:16:19Because I don't know what you're talking about.

01:16:21Her maid told me...

01:16:22Ah, my friend, my friend, my friend, it's much easier than it seems.

01:16:26The lady was playing another joke on him.

01:16:29She's not my maid, she's my wife.

01:16:32It's true that we called the police.

01:16:33So that?

01:16:33To play an April Fool's joke?

01:16:36We said, what can you play at when you're playing pranks?

01:16:39I took out the garment and this friend said,

01:16:41I bet you wouldn't dare play an April Fool's prank on the police!

01:16:44Right?

01:16:45I bet you don't!

01:16:47Vanacious?

01:16:48Yes, Castro.

01:16:49Why do you say they called us?

01:16:51I don't know.

01:16:53Go ahead, tell him.

01:16:57This friend said,

01:16:58I bet you wouldn't dare play an April Fool's prank on the police!

01:17:01Right?

01:17:02I bet you don't!

01:17:04Would you like to grab some blankets and join us?

01:17:08Where to?

01:17:09To Pasapoga!

01:17:10Oh, oh, oh!

01:17:11I want to make a donation to the orphans of the police.

01:17:13Also, a close friend of Mr. Carmen, the commissioner.

01:17:15I'll make the donation, I'll make the donation.

01:17:17You are leaving.

01:17:18Nothing's happening here, nothing's happening.

01:17:20It's okay, it's okay.

01:17:21But, but...

01:17:23Thank you, we don't want that.

01:17:26We'll be much more comfortable in the dining room.

01:17:28There's a butane gas stove, for real.

01:17:29I hope it explodes and takes me down with it.

01:17:32Don't touch that door.

01:17:39Let's see if we can be more careful about where we throw things away, shall we?

01:17:42Yes, you, generous one, you.

01:17:44And you, both of you, whom I have seen.

01:17:47Wow, you gave me quite a scare.

01:17:49What did these men throw at him?

01:17:50The car is on top.

01:17:51But what?

01:17:51One dead.

01:17:52And these guys are coming with me because I know the police.

01:17:55and he's going to think I ran him over.

01:17:56Well, they're the police.

01:17:57No, man, no.

01:17:58Yes, they are very closed-minded and have a very bad temper.

01:18:03The Russians, the Russians, nobody can stand them.

01:18:06Enough with the Russians already, come on.

01:18:07Long live Spain!

01:18:08Viva!

01:18:09Sit down, patriot.

01:18:17These two men threw a man's corpse onto their taxi.

01:18:20Yeah.

01:18:21Are they really them?

01:18:23Well, he doesn't know what he's saying, he's delusional.

01:18:25Shut up.

01:18:26Where is what they threw away?

01:18:27Out there, in the taxi.

01:18:32But do you think someone can be identified tonight?

01:18:35With what, a trash can, huh?

01:18:36And what did we know about what was inside the trash can?

01:18:39We didn't even lift the lid.

01:18:40We don't look at the trash here.

01:18:42Listen, well, yes, yes, yes.

01:18:43He was a dead man, he was a dead man, but I didn't know that he was.

01:18:46Keep your hands still.

01:18:48It's true that I tripped over something.

01:18:49I don't know with what, but I felt something hit my foot.

01:18:51because I have very sensitive feet.

01:18:52It's about keeping your hands still.

01:18:54It is also true that this gentleman and I were carrying a trash can

01:18:57and nothing but a trash can.

01:18:59Man, my shoe!

01:19:01My shoe, which I thought I was never going to find.

01:19:03What a joy this brings me!

01:19:04It's an April Fool's joke.

01:19:05An April Fool's joke, since it's April Fool's Day.

01:19:09Taxi driver, stand up!

01:19:11No, he can't.

01:19:13Stand up!

01:19:16That?

01:19:17We cried together.

01:19:19I have no tears left.

01:19:28With what?

01:19:29With Philly Save.

01:19:30Always.

01:19:31What did he kill her with?

01:19:32I didn't kill her, I didn't kill anyone.

01:19:34A man who looked to be about forty years old and had a nasty bump on the back of his head.

01:19:39Castro, they had dug a hole under the shed and planned to continue.

01:19:42A little house for forever, right?

01:19:44That's what it looks like.

01:19:47Come on.

01:19:51Wait, wait, he's not guilty.

01:19:53It all started with a siphon.

01:19:54He was in Palencia and the siphon exploded and killed a pig and the herd went to Betanzos to bathe in the estuary.

01:20:01No, the owners of the house had killed one woman but they had another who looked just like her.

01:20:06They made us play out the crimes, and the lookalike pretended we had strangled her, understand.

01:20:10The similar one is removed, the original is put in place, and the pigeons go to jail.

01:20:14Who are the pigeons?

01:20:16This guy and me.

01:20:17And this one?

01:20:18He's not a pigeon, but he might as well be; his car broke down out there, he went in and found himself in trouble.

01:20:23Yes sir.

01:20:24And what about the one they threw on top of the taxi?

01:20:25That's what I'm saying.

01:20:27The owner of the house, the murderer, the boss of my office who slipped at the door, has broken his head.

01:20:32What's my fault?

01:20:33Are you listening?

01:20:34If you only knew what we have to say to the traffic cops when they catch us without our hats.

01:20:39Come on, gentlemen, let's walk.

01:20:41You first.

01:20:45And then to hear that "peace on earth" thing from men of good will.

01:20:53Tell me, Alberto, it's me.

01:20:56What's happening?

01:20:57Why are you talking like that?

01:20:58No, no, no, it's just that I, I, I, I've caught a cold, that's why my voice is hoarse.

01:21:04Oh, do you have a taxi?

01:21:06No, no, tourism.

01:21:07Well, it doesn't matter, and can you come all the way here?

01:21:09Yes, we'll be there in five minutes.

01:21:10In five minutes?

01:21:11Come running.

01:21:14See?

01:21:14Look, look, he's caught a cold.

01:21:16The murderer's wife and her aunt, the other old woman, the one who looks like this one, are coming this way.

01:21:19You can hunt them, they are.

01:21:20Listen.

01:21:21Give me that chance.

01:21:22Pocéramela.

01:21:23But don't be stupid, man of God.

01:21:25Even if everything is as you say, they will deny it.

01:21:28Come on, come on.

01:21:29We'll leave a man here and they'll be taken in for questioning when they arrive.

01:21:32I'm getting under the cushion with the old lady and nobody's going to get me up until those two come.

01:21:37You're leaving right now.

01:21:38Listen, I...

01:21:40That?

01:21:40I asked if I could call my wife and tell her not to wait for me for dinner for six years and a day.

01:21:45Speak up, man.

01:21:48Emilio, I have a plan.

01:21:49You're so decent.

01:21:50Imagine, a strategic plan.

01:21:52You are right, it is very possible that if they enter they will notice everything and not speak.

01:21:55But what if we get them to talk?

01:21:56Or better yet, what if they talk on their own without us saying anything?

01:21:59Virtudes, what trouble are you causing?

01:22:00Here we are all afraid and we will be foolish and not take advantage of their fear.

01:22:05Five minutes.

01:22:06Five minutes, for the love of God, until they arrive.

01:22:10I don't know if I find it funny or if I'm just tired.

01:22:14But I grant them.

01:22:17Thank you.

01:22:19No, freedom of the press.

01:22:21Either you give me freedom of the press, or those five minutes are useless to me.

01:22:24Go on, Venancio.

01:22:25Give him freedom of the press.

01:22:27Thank you, beautiful.

01:22:29You answer me about them.

01:22:30Safely.

01:22:31I don't.

01:22:32I was a normal person, with a big dorfin.

01:22:35I met them both before I got here.

01:22:37Now they're going to photograph me from the front and in profile.

01:22:40I am not responsible for anyone.

01:22:42I want to call home.

01:22:43That's what I want.

01:22:44Call now.

01:22:46Thank you very much, Inspector.

01:22:47I'm going to write a letter to the brigade chief congratulating him.

01:22:50Antonia, I am your husband.

01:22:57Hey, don't wait up for me for dinner.

01:23:05Nothing.

01:23:07Nothing's wrong with me.

01:23:08There's a lady here with fake eyes.

01:23:11Good night.

01:23:12Leave me alone, man.

01:23:13Leave me alone.

01:23:14What is being proposed?

01:23:15I need to be left alone.

01:23:16You stand there and listen to him.

01:23:17The other one there, Emilio.

01:23:18Put the crybaby in the school.

01:23:19Are they trying something?

01:23:20Just listen, please.

01:23:21Just so he can hear.

01:23:28A car is approaching, boss.

01:23:31Come on.

01:23:32Okay, but don't try any tricks with me.

01:23:34Will you deliver me from this, virtues?

01:23:38I'm freeing you.

01:23:39Take your teeth out, I'm going to give you a kiss.

01:23:41Handsome, handsome.

01:23:44Come on, come on.

01:23:55Alberto.

01:23:57Alberto.

01:23:58Alberto.

01:24:00But do you still have Aunt Mercedes here?

01:24:04My God!

01:24:12Alberto!

01:24:14No.

01:24:15It wasn't me, aunt.

01:24:17Alberto tried to strangle you.

01:24:18I needed your money.

01:24:20I don't.

01:24:21I love him and I would do anything he asked me to do.

01:24:23No!

01:24:24Let me!

01:24:26He was the one who wanted to kill you.

01:24:28At last!

01:24:30The police, ma'am.

01:24:32And Alberto.

01:24:33And my husband.

01:24:33Dead.

01:24:35I share your feelings.

01:24:37But why weren't we chosen?

01:24:40Alberto said you were all stupid.

01:24:42They are not guilty of anything.

01:24:44Careful, don't let the one get out of the car.

01:24:45Don't worry.

01:24:46She got her way, ma'am.

01:24:47Thank you.

01:24:48Come on, virtues, let's go.

01:24:49You two are waiting for me here.

01:24:51As?

01:24:52I'll take the crybaby who's most desperate to see his wife.

01:24:54That's it, that's it.

01:24:55We'll be right back.

01:24:56But...

01:24:56Yes, yes, inspector.

01:24:58They're innocent, Palomo.

01:24:59I know.

01:25:00Don't worry.

01:25:01Wait here.

01:25:03The court will come to collect the body.

01:25:04Don't lift it, it's time to start walking.

01:25:06Okay, okay.

01:25:08I said here.

01:25:10But don't delay.

01:25:12We were left cold.

01:25:13Tell the judge to hurry up.

01:25:23We haven't had dinner yet.

01:25:26Alberto, what's wrong?

01:25:28Why don't you come?

01:25:31Remember that we are here, Mr. Inspector General.

01:25:33Don't leave the house.

01:25:35No, sir.

01:25:35Don't worry, we're not moving from here.

01:25:37Whatever happens, we're here for you.

01:25:40Come on, let's go.

01:25:42Virtues.

01:25:43Virtues, a hug.

01:25:46The old lady was finally located after so many attempts to find her,

01:25:49because it's there under the sofa.

01:25:50It's there.

01:25:51No.

01:25:52Not me.

01:25:53No?

01:25:56I was the one who said we weren't moving from here.

01:25:58Whatever happened.

01:25:59Yeah.

01:26:00It was an April Fool's joke.

01:26:01Virtues.

01:26:02Come on.

01:26:03Ah.

01:26:03Yes.

01:26:04Ah.

01:26:05Forks.

01:26:06poems.

01:26:08Uh.

01:26:11Yes.

01:26:15T Has.

01:26:18Yes.

01:26:22Tpletes.

01:26:23Yes.

01:26:23T No.

01:26:24Thanks for watching the video.

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