- hace 2 semanas
Reparto: José Isbert, Ana Mariscal, Elvira Quintilla, María Dulce, Irene Caba Alba, Félix Dafauce, Antonio Garisa, Carmen Vázquez Vigo, Antonio Ozores, Félix Fernández, Lina Canalejas, Virgilio Teixeira, Elena Barrios, José Luis López Vázquez
Dirección: José María Forqué
Sinopsis: Tres monjas de paso por Madrid deben pernoctar en el convento de su orden. Al recoger sus maletas, descubren un cesto con un niño recién nacido y, aunque piensan entregarlo a la Beneficencia, deciden primero localizar a sus padres; para ello cuentan con la complicidad de Paco (Pepe Isbert), el mejor taxista que podían imaginar.
Dirección: José María Forqué
Sinopsis: Tres monjas de paso por Madrid deben pernoctar en el convento de su orden. Al recoger sus maletas, descubren un cesto con un niño recién nacido y, aunque piensan entregarlo a la Beneficencia, deciden primero localizar a sus padres; para ello cuentan con la complicidad de Paco (Pepe Isbert), el mejor taxista que podían imaginar.
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CortometrajesTranscripción
00:00:00Thank you!
00:00:30Music
00:01:00Music
00:01:30Thank you!
00:02:00Sir, the fast network coming from Irún is isolating during the second day of the ugly.
00:02:20Give it to me!
00:02:30Thank you!
00:02:37I've come from Irún like this, ma'am. From Irún.
00:02:42Sister Matilde.
00:02:46Have you seen him?
00:02:47Not yet, Sister Rosa. I just don't know what it's like.
00:02:50I don't know her either.
00:02:51But he must know us. He knows we've arrived.
00:02:56Give us the packages, Mother Lucia.
00:02:58Is this Mother Lucia?
00:02:59This?
00:03:00No, mother.
00:03:03It may have been delayed.
00:03:04More than the train.
00:03:07How strange that he's not here.
00:03:19I sent him the telegram.
00:03:21And the time?
00:03:22I put. On the train from Irún that arrives at nine thirty.
00:03:24Did you count the packages, sisters?
00:03:27No, mother.
00:03:28One, two, three, four, five, six, seven, eight, nine, ten and eleven.
00:03:33All.
00:03:34Few people.
00:03:35If I went to the net, it would go to a movie theater.
00:03:37We're approaching the mojitas.
00:03:39Not me. I know the sin.
00:03:41May God repay them.
00:03:43We'd better wait here.
00:03:50What will we do if he doesn't come?
00:03:52Shall we go to the convent?
00:03:53Wait, wait.
00:03:54Don't be reckless.
00:03:55Oh my God.
00:03:56And where will the convent be?
00:03:58I don't know, but asking around leads to Rome.
00:04:00A, B, C, up, already today.
00:04:02A, B...
00:04:03Have you seen the messenger from our convent?
00:04:04Who are you talking to?
00:04:05To the messenger.
00:04:06We arrived on the train from Irún.
00:04:07A messenger from Irún?
00:04:08No no.
00:04:09We came from Irún.
00:04:11And we await the messenger from our convent here.
00:04:14Yes, yes.
00:04:15Well, I don't know.
00:04:16Would you like a newspaper to read in the meantime?
00:04:17No no.
00:04:18Thank you so much.
00:04:19You're welcome to send.
00:04:20A, B, C, up, already today.
00:04:22Come with me, brother.
00:04:23You stay here and take care of the packages.
00:04:25Up, already from today.
00:04:26The brand.
00:04:28A, B, C, up, already today.
00:04:53Up, already from today.
00:04:54Above.
00:04:55Up, already from today.
00:04:56Above.
00:04:57Avamos.
00:04:58Three.
00:05:00Above.
00:05:02C, above.
00:05:03Lalo.
00:05:05S.
00:05:06Up, already from today.
00:05:07Above.
00:05:09Up, already from today.
00:05:10Above.
00:05:12Above.
00:05:14You.
00:05:16Up, already from today.
00:05:18Come on, us.
00:05:19Excuse me, sir, good sir,
00:05:30We have arrived from France
00:05:31and we have to continue our journey to Cádiz
00:05:33because we're going to board a ship there to go to Africa
00:05:35And we would like to know what time the train leaves from Cadiz.
00:05:38Cadiz, Cadiz, wait a moment.
00:05:43Hey you, here are the sisters who are leaving for Africa
00:05:45They want to know the departure time of the train from Cadiz.
00:05:47It's through Atocha, but there's no train until tomorrow.
00:05:50You have the 427 at 16.30, which is 4 thirty.
00:05:55At 6:40 p.m...
00:05:59So they will arrive around 12.
00:06:02Oh my God, what will become of us?
00:06:04If only the errand boy was there.
00:06:08What will be decided from today onwards?
00:06:14Is it the 17th today?
00:06:16For the whole day.
00:06:17Mother Lucia, Mother Lucia.
00:06:23Has the messenger arrived?
00:06:24No, it won't arrive today either.
00:06:25I got the day wrong in the telegram.
00:06:27Well, on the 18th, we would arrive on the 18th.
00:06:29And today is the 17th.
00:06:31He'll come to get us tomorrow.
00:06:32Well, we can't wait here until tomorrow.
00:06:35I am a scatterbrain, Mother Lucia.
00:06:37I never think twice before doing things.
00:06:39What will become of us?
00:06:41Well, we'll spend the day at the convent.
00:06:42So what do we do now?
00:06:43Collect the packages and find a taxi.
00:06:45What a blunder he's making.
00:06:47I'm stupid, stupid, stupid.
00:06:49I always ask for the date before posting it, and even the day of the week.
00:06:52And once I don't do it, well, boom, I make a mistake.
00:06:54Come on, sister.
00:06:59Whose basket is this?
00:07:01It's not ours.
00:07:02Well then, leave it.
00:07:08He's a child.
00:07:09A child?
00:07:10A child?
00:07:11A beautiful child.
00:07:15I entrust this son of mine to your charity.
00:07:20They left it while we were there.
00:07:22I have seen the woman.
00:07:24We're carrying it in our luggage, sisters.
00:07:27No no.
00:07:28He says he doesn't charge them anything.
00:07:30He has a good heart.
00:07:31He's gone now.
00:07:32They've left the child with us.
00:07:33Blessed Saint Barbara.
00:07:34So what do we do with it?
00:07:35The first thing to do is to notify the station manager.
00:07:37The authority here.
00:07:38And secondly, take him to the foundling home.
00:07:44What's happening?
00:07:45The sisters have found a child.
00:07:47On the train?
00:07:48No, not here.
00:07:49What's happening?
00:07:49That an abandoned child has been found.
00:07:51Yesterday I found a pair of shoes in the laundromat.
00:07:53What's happening?
00:07:54Some nuns have already found a child.
00:07:56From Africa?
00:07:57No, no, no.
00:08:06Miss.
00:08:07Miss.
00:08:11Busta hotel, beautiful?
00:08:15No.
00:08:15Why is this person in a cataleptic state today?
00:08:26Carburetor issue.
00:08:30Could it be that it's run out of gas?
00:08:33Are you just being stupid?
00:08:34It's soaked.
00:08:35Don't get heated, Mr. Paco.
00:08:41Don't get me worked up.
00:08:42I've been here since eight o'clock.
00:08:43Is it ten o'clock?
00:08:56What should I say to him/her?
00:08:57Eight pesetas.
00:08:58What are you going to have?
00:09:11What are you going to have?
00:09:11Thank you!
00:09:41Hey, is Andrés there?
00:09:45No, it's very urgent.
00:09:50From Conchita.
00:09:53At the restaurant?
00:09:57Fine, thanks.
00:10:11Bamba a la Parata Restaurant, how can I help you?
00:10:22No, it hasn't arrived yet.
00:10:24Tell him to call me as soon as he arrives.
00:10:26Very urgent.
00:10:3031, 74.
00:10:3574, 52.
00:10:41Who is it?
00:10:52It's me.
00:10:53Hello, Conchita.
00:10:54Weren't you at the boarding house this morning?
00:10:56But you're going on a trip.
00:10:59Not anymore.
00:11:00I had thought about going.
00:11:01Where?
00:11:04To my house.
00:11:06With the child.
00:11:08Were you taking it?
00:11:09Yeah.
00:11:09Where is?
00:11:10Hey, what are you doing there?
00:11:12Nothing.
00:11:13Come on, Loli.
00:11:13Yeah.
00:11:17Where is?
00:11:20In safe hands.
00:11:22Yes, yes.
00:11:24It was the best thing for him.
00:11:26My child couldn't stay at the Casablanca boarding house any longer.
00:11:29Poor maintenance.
00:11:30Without being able to breathe.
00:11:32Not a bit of sun.
00:11:34I couldn't.
00:11:38You understand.
00:11:39You've taken him to the foundling home.
00:11:41No.
00:11:41I've left him in good hands.
00:11:42I've already told you.
00:11:45He will be far from me.
00:11:47But perhaps this...
00:11:49may be better for him.
00:11:52Can I come with you, Andrés?
00:11:54He doesn't want to know anything about the child.
00:11:57Last night we argued, as usual.
00:11:59And I haven't seen him again.
00:12:04I'll tell him now.
00:12:07Now that everything is sorted.
00:12:09For.
00:12:16For.
00:12:22Gas, legs.
00:12:23Wait.
00:12:24What are you doing?
00:12:26It gives more gas.
00:12:30Did they add water to the gasoline?
00:12:33I've seen smarter people.
00:12:36That thing about engines.
00:12:37If it's not understood...
00:12:39You are mistaken, grandfather.
00:12:41That's not the way to go.
00:12:43I'm going to give you some syrup that's free, okay?
00:12:46I do.
00:12:47Go up.
00:12:48They can go up.
00:12:50But waiting still has to wait.
00:12:52Doesn't it work?
00:12:53And there isn't another one?
00:12:54This one.
00:12:55But the service is down due to a chronic illness.
00:12:59Oh, keep looking.
00:13:01The thing is, some people boast, and others understand.
00:13:03Hey?
00:13:04Oh, no.
00:13:05Oh, no.
00:13:07All you need is a motor, even if it's Chinese.
00:13:11Hey!
00:13:12There it is.
00:13:13So you can get soaked.
00:13:15It has extra pieces.
00:13:16Okay, fine.
00:13:17It's a miracle.
00:13:18Wart, shameless.
00:13:19I'm going to smash your face in, you idiot.
00:13:20We're going up now.
00:13:29You're going too far.
00:13:30To the foundling home, do you know the way?
00:13:31Well, gifts.
00:13:32I've been a taxi driver for 30 years, I'm from here, and that's all I'm saying.
00:13:35Now that I'm in a bad mood today.
00:13:37And with so much enthusiasm and going so far, we may not get there.
00:13:40Come on, support those who do a charitable work.
00:13:43And we took this child to the foundling home.
00:13:45Ah, well, it's nothing to brag about.
00:13:46Let's go, without responsibility.
00:13:48We'll see how he behaves.
00:13:55Bring on that palette.
00:13:56The noise of the horn scares the children.
00:14:13What if we sang it?
00:14:15Oh, Holy Mary of Buenay.
00:14:17And what will the driver say?
00:14:18Short.
00:14:19Give it to me.
00:14:26This kid is just hungry.
00:14:38You can tell by his voice.
00:14:39Do you have it?
00:14:40No.
00:14:41Try to feed him.
00:14:42That's what they have to do.
00:14:44Besides, we can't go to the orphanage with the baby crying.
00:14:47I wouldn't be or do it.
00:14:48Do you know if there's a dairy nearby?
00:14:50There will be one.
00:14:51Let's see.
00:14:51Well, that's the only thing I was missing.
00:14:53Go get some milk.
00:14:55And they're not going to give it to her in a rush.
00:14:56You'll also have to buy him some wine.
00:14:58But so be it.
00:15:00A little sigh was stolen from them.
00:15:02I've already lost it.
00:15:05And a dove stole it.
00:15:07And I take him to his nest.
00:15:09Oh, little dove, dovecote.
00:15:11Give me my sigh.
00:15:13I don't want to go down anymore.
00:15:15Palomia for you.
00:15:17A sigh.
00:15:18A sigh escaped me.
00:15:28I've already lost it.
00:15:30And a dove stole it from me.
00:15:32And I take him to his nest.
00:15:34A sigh escaped me.
00:15:48And he sends me to take it to my sweetheart.
00:16:00A sigh escaped me.
00:16:02I've already lost it.
00:16:03And a dove stole it from me.
00:16:06And I take him to his nest.
00:16:08No, no, no, no.
00:16:11By no means.
00:16:12I want to see it again.
00:16:13And a hundred times more.
00:16:15Oh, we're making art, ladies, art.
00:16:18And you dance like ducks.
00:16:20Because?
00:16:21Because they cannot speak.
00:16:22They are not enough, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:16:30You weren't listening to me.
00:16:43He hasn't even looked at me once.
00:16:45That's useless, useless.
00:16:46That man.
00:16:48Stop it.
00:16:49Stop for a moment.
00:16:50The pianist?
00:16:51Yeah.
00:16:55Could you interrupt for a moment, teacher?
00:16:57It makes the young lady nervous.
00:16:59What can you do?
00:16:59Yes, thanks.
00:17:02And now, can you tell me what that interesting thing was that you were thinking about?
00:17:06Not at all.
00:17:08I wasn't thinking about anything.
00:17:14Foolishness.
00:17:29What a serious face he's making!
00:17:40There's nothing as serious as hunger.
00:17:43You can go faster.
00:17:45You can go faster.
00:17:46Careful, man, not so much.
00:17:51So what's the decision?
00:17:52It's because of the child.
00:17:54And be very careful with other cars.
00:17:56I've been in Madrid for 30 years and I don't have a single scratch.
00:17:59I won't know anything else.
00:18:00So what driving is.
00:18:01AND...
00:18:01But he drives with his eyes closed!
00:18:14He didn't even see me coming.
00:18:15You'll see, dude, you'll see, you crazy guy.
00:18:17Crazy, but he blamed me.
00:18:19Oh, Lord.
00:18:19Finally.
00:18:21You're drunk, learn to drive.
00:18:23If you've gotten in my way.
00:18:25They're going to embody anyone, that's what happens.
00:18:28It's not that I'm holding my hand, crazy, my hand.
00:18:30And I have the street, which is worth much more.
00:18:32I've been driving for twenty years.
00:18:35Something must happen.
00:18:36He has to wear it, man.
00:18:38It has annoyed us more, I think it won't rain for a while.
00:18:41Woof, woof!
00:18:42Hey, oh, ay!
00:18:45Here they come from Perpetual Help!
00:18:49What's going to happen?
00:18:50Pig dance!
00:18:52No, no, no, no!
00:18:53The authorities have passed!
00:18:55Step by step!
00:18:56Passed!
00:18:56Shut up, Jacob!
00:18:57The two people in charge here.
00:18:59You will see the card.
00:19:00Is it insured?
00:19:01Yeah.
00:19:02Ma'am, we're in a big hurry.
00:19:04Who are you?
00:19:05We are the bride and groom, we are in this car.
00:19:06They are witnesses, they must testify.
00:19:08I'm very sorry.
00:19:09In case of an accident, both parties give statements.
00:19:12We're in a big hurry, we got married today.
00:19:14My congratulations, but that doesn't excuse him.
00:19:17He is a witness.
00:19:17My witness?
00:19:18You saw that a blind man threw himself at me.
00:19:19We haven't seen anything.
00:19:20But where were their eyes?
00:19:22We got married today.
00:19:24That is no reason not to declare.
00:19:26And you?
00:19:26Doesn't he have any witnesses?
00:19:27The three sisters.
00:19:29Well, everyone should give their statements.
00:19:30We're in a big hurry.
00:19:32I'm sorry, sisters, but they are the witnesses here.
00:19:34They're not going to let me rot.
00:19:35It's easy!
00:19:36What should we do?
00:19:37Everyone go to the central police station.
00:19:39Come on?
00:19:40Where are they leading us?
00:19:41To the police station.
00:19:43We will no longer be alone.
00:19:45If they put us in a dungeon, yes.
00:19:46Yes, they won't put us in separate places.
00:19:48You think?
00:19:49Maybe by saying that we got married today.
00:19:52Come on!
00:19:54No way, I'll pass!
00:19:55Passed!
00:19:57Passed!
00:19:57Passed!
00:19:57What's the matter?
00:20:14Are you very nervous?
00:20:15No no.
00:20:16What's going to happen to me?
00:20:17See you later.
00:20:19Do you think Andrés will be okay with it?
00:20:20that you gave the child to someone else to raise?
00:20:22If you don't want to know anything about him.
00:20:24But with men, you never know.
00:20:26When they want to get rid of us, they get angry about everything.
00:20:28Andrés loves me.
00:20:30If I were you.
00:20:31Anyway, I don't want to give you advice.
00:20:32Then you'd blame me and...
00:20:34He loves me.
00:20:36You looked deep into his eyes when he told you.
00:20:38Sometimes they tell the truth because of them.
00:20:41But you can't trust him either.
00:20:42Will you eat at the guesthouse today?
00:20:44Don't know.
00:20:45I said goodbye this morning.
00:20:46Maybe I'll come back, or maybe I'll look for another one.
00:20:49They are all the same.
00:20:50I've been to more than fifteen before going to the White House.
00:20:53See you later.
00:20:54Take care of your nerves.
00:21:14What's up, beautiful?
00:21:15Did they call on the phone?
00:21:23No.
00:21:24You give your permission.
00:21:37Forward.
00:21:37Good morning, Mr. Patricio.
00:21:44Hello, Isabelita.
00:21:45Hey, Paco.
00:21:46This is the third time this week.
00:21:48And what would you have done if it weren't for me?
00:21:50I liven it up.
00:21:51Hello, Paco.
00:21:51Goodbye, Don Jesús.
00:21:53That?
00:21:53Shall we proceed with the hearing?
00:21:54Say it like you always do, that it's someone else's fault.
00:21:56The truth.
00:21:57There's some real crap out there, it's like I examined it in the dark.
00:22:00That's what they say about you.
00:22:02Does he appear?
00:22:02Francisco Hernández Amaro, age...
00:22:0459 years old, taxi driver profession, married, residing at 6 Vistillas passageway.
00:22:12Does he declare?
00:22:12He states that this morning, as well as half an hour earlier, upon entering Plaza Herradores, coming from Arenal,
00:22:20It's a regular turn, and another car coming in from Santiago Street came right at me...
00:22:26And without me being able to prevent it...
00:22:28He hit the nail on the head.
00:22:28And without me being able to prevent it, it has destroyed a fender and a headlight.
00:22:33You would go around chatting with the travelers, as usual.
00:22:35About what?
00:22:36If there are three nuns and a child.
00:22:57Talk to him.
00:22:58What should I say to him?
00:22:58The truth is, we got married today.
00:23:09Good morning, Mr. Guard.
00:23:11We're in a big hurry, we got married today.
00:23:13They have to give their statements.
00:23:14Can we come back another day?
00:23:16After the honeymoon.
00:23:17It has to be now.
00:23:18Our godparents and the photographer are waiting for us.
00:23:21We got married this morning.
00:23:23I suppose they wouldn't have been dressed like that if they had gotten married last week.
00:23:25They have to wait.
00:23:28We'll be late, my love.
00:23:30Now that we were finally alone.
00:23:33I'll phone Mom.
00:23:34No, no, I'm not sure if she's coming.
00:23:36Don't offend Mom.
00:23:37I adore your mother.
00:23:39Yes, she told me so.
00:23:40All men are just like Dad.
00:23:42I said it so you wouldn't get upset, my love, sweetie.
00:23:45Oh, my love.
00:23:48They won't care if they take our statements first.
00:23:50We got married today.
00:23:52Yes, we do.
00:23:54Me first.
00:23:55I am part of it, and you are just witnesses.
00:23:58They've gotten me into quite a mess.
00:23:59We are not responsible.
00:24:00He is not responsible.
00:24:02Get married another day or never.
00:24:04I don't know how people have the humor to get married.
00:24:07With the way things are these days.
00:24:08I feel sorry for you, believe me.
00:24:10I feel sorry for you.
00:24:12I feel sorry for you and Mom.
00:24:14I feel sorry for the guardrail.
00:24:16Each one where it hurts.
00:24:18I feel sorry for the child.
00:24:19The child is the only one who doesn't understand anything.
00:24:21Was it stolen?
00:24:22No, we stumbled across it.
00:24:25I say this because if it's stolen, after three years and one day, nobody gets away with it.
00:24:31Let's see the other driver.
00:24:33You have to look to the right.
00:24:35And who are you to lecture me?
00:24:37What did they ask him?
00:24:43All.
00:24:44And what did you say?
00:24:45The truth.
00:24:46Well, the usual.
00:24:49That it was the other person's fault and that I couldn't prevent it.
00:24:53This morning, that thing about...
00:24:54About half an hour ago.
00:24:55Upon entering Herradores Square, living on Santiago Street,
00:24:59which was the standard address...
00:25:00Another one, coming in through the street of the fountains, threw a belt at me.
00:25:04And without me being able to prevent it, it wrecked my fender and a headlight.
00:25:08He already said that.
00:25:09It was the other one.
00:25:10And a lighthouse.
00:25:13Look how handsome he is.
00:25:14Do you know his name?
00:25:16No, that's not what it said on the paper.
00:25:18He may not even be baptized.
00:25:20If he were in danger, we would baptize him ourselves, wouldn't we, Mother?
00:25:23As long as there is a man, a man must baptize him.
00:25:25What would we name it?
00:25:27If we had a child, we would name him Secundino.
00:25:30Imagine calling a child, who can't defend himself, a second-in-command—that's a promise.
00:25:36My name is Secundino.
00:25:37And if it were a girl, we would name her María de la Soledad, Gustias Nieves.
00:25:41Is that your name?
00:25:42No.
00:25:44Nugget.
00:25:45It's not much, of course.
00:25:48Let the reverend mothers pass.
00:25:50We're in a big hurry.
00:25:51We got married this morning.
00:25:53If they're already married, what's the rush?
00:25:55We finished telling what happened right away.
00:25:58One moment.
00:26:00He was the one who jumped on me.
00:26:02You have seen it.
00:26:03I couldn't prevent it.
00:26:05Shall we go in with the child?
00:26:06The child is a minor, not clearly.
00:26:08Give it to me, give it to me.
00:26:08Uh-huh.
00:26:10Uh-huh.
00:26:11Uh-huh.
00:26:23Uh-huh.
00:26:24Thank you!
00:26:54Hey, you! What are you doing there?
00:26:59I'm waiting for a call.
00:27:01This isn't a phone company!
00:27:03Come on, I have to close up!
00:27:15You need a boyfriend, girl
00:27:17Am I no use to you?
00:27:18Do you want me to tell you something?
00:27:20This is where you see me, I'm in the women's tent.
00:27:22Leave me there!
00:27:22Leave me there!
00:27:24Come on, don't be late!
00:27:33Hello?
00:27:35Andrew
00:27:36Yes, it's me.
00:27:37I need to talk to you urgently
00:27:39I've been chasing after you like crazy all morning.
00:27:42Good
00:27:45OK
00:27:47Have you thought about the boyfriend?
00:27:53Let me
00:27:54But woman, you're asking for trouble.
00:27:55Idiot!
00:28:10Don't run, if I saw you sleeping
00:28:12When they sleep, they all look like little angels
00:28:16Who will it look like?
00:28:17To his father or to his mother?
00:28:18It's best if it doesn't resemble either of them.
00:28:21It's a shame to leave him at the orphanage with the other children.
00:28:24Motherless
00:28:25I saw a woman with a basket at the station.
00:28:27Could it be the mother?
00:28:28What a piece!
00:28:29Shh!
00:28:30Those voices are going to wake him up, driver.
00:28:32And he spoke naturally.
00:28:34This child is a mereño
00:28:36Let's see if he turns out to be the son of a prince.
00:28:39Anything could be
00:28:40Oh, Holy Virgin
00:28:42A prince
00:28:44What is the little angel doing?
00:29:00Is it going well?
00:29:01Is something wrong?
00:29:02Well, so be it, anyway, that's it
00:29:06It's the only gift children give us.
00:29:09Where could we clean it?
00:29:11Because that's not how we should hand him over to the sisters at the foundling home.
00:29:13At the shooting range, maybe
00:29:14Better somewhere else, in a pharmacy or a cafe
00:29:17Ah, same here
00:29:18Wherever it is, we're going to organize all of this.
00:29:21Do you have any clean clothes to put on him?
00:29:23No, of course not.
00:29:24Come on, come on
00:29:25We are asleep
00:29:32Where is he going?
00:29:46I know a place
00:29:47Where?
00:29:49Leave it to me
00:29:50This journey is my responsibility
00:29:52I won't charge it.
00:30:02Who lives here?
00:30:18I
00:30:18Come on
00:30:19That?
00:30:25Turn!
00:30:27Turn!
00:30:30Turn!
00:30:32What hurts?
00:30:33Not me, you
00:30:34Well, you're nobody shouting.
00:30:36You sound like a choir
00:30:37Tupaco is coming up with some nuns!
00:30:39Nuns!
00:30:49Who is he today?
00:30:50It is not yet known
00:31:02This is it
00:31:14Good morning, Mr. Paco
00:31:18Good morning
00:31:19Good morning, sisters
00:31:24I am the gatekeeper here to serve you.
00:31:26Is it a boy?
00:31:27It is supposed to
00:31:28It could be a girl, but it's a boy
00:31:30Something's wrong
00:31:31Don't get like that, Mr. Paco
00:31:33He's a child
00:31:33It says so on the paper.
00:31:34Portress
00:31:35What's happening?
00:31:36They bring a child
00:31:37A child?
00:31:38There's a document that says so.
00:31:39Come in, come in
00:31:41Come in
00:31:41Please come in, mother
00:31:43These sisters whom I have brought here because
00:31:52I'll explain it to you.
00:31:53She's my wife
00:31:54And these are three nuns
00:31:57Come in, come into the dining room
00:31:58It turns out these sisters have found a child at the station
00:32:03Someone who carelessly left it there
00:32:05With a written note entrusting him to our charity
00:32:08An abandoned child
00:32:09Come on, there are some mothers who don't deserve to be mothers.
00:32:11Embrace, darkness
00:32:12And who has any say in this matter?
00:32:17Woman, there's no need to get like that.
00:32:19Come on, I say.
00:32:20I dress however I want
00:32:21I'm at home
00:32:22Good morning
00:32:26This child smells
00:32:29I'm saying this in case you haven't noticed.
00:32:31The eleventh one, don't get in the way
00:32:33Good morning
00:32:40There's no need to get like that.
00:32:42Well yes
00:32:46This is the thing
00:32:47The child smells
00:32:49And I didn't think it was right that they cleaned it in the middle of the street
00:32:53And I thought you could change it here
00:32:55Since he has some of our clothes
00:32:57No
00:32:57Ours doesn't
00:32:59Apparently, you don't care.
00:33:04But not me
00:33:05You have a son
00:33:11We had one years ago.
00:33:13But he died on us
00:33:15Edge
00:33:15Imagine if this were yours
00:33:18It isn't
00:33:35Thank you, ma'am.
00:33:40What else can I do?
00:33:41I wasn't going to throw them out
00:33:41It's a charity work.
00:33:43I didn't have to do them
00:33:44Nobody does them with me.
00:33:45You don't need it as much as this creature does.
00:33:47And the mother, meanwhile, was out loitering somewhere.
00:33:49We don't know
00:33:49No decent woman is bothered by a child
00:33:51I would never have separated from ours for anything in the world.
00:33:54And he died on us
00:33:55When God arranges things
00:33:57I could also arrange them in another way
00:33:59Women
00:34:01I can't even say what I want in my own home
00:34:03Give it to me
00:34:04Be careful not to hurt him
00:34:10It's not the first time a child has cleaned.
00:34:12Nobody but me touches mine
00:34:14Give me the sponge
00:34:15And the soap
00:34:16And the hot water
00:34:17At your service
00:34:19And take off your hat
00:34:34Careful
00:34:35Careful
00:34:39Careful
00:34:41My mother said she put a patch on her backside.
00:34:58Come tonight for her
00:35:00I have a meeting now.
00:35:01Don't you see it?
00:35:02You have a kind heart, ma'am.
00:35:04Don't know
00:35:04If I have it, it's useless to me.
00:35:06Where are they taking him?
00:35:08To the foundling hospital
00:35:08This one's off to a good start
00:35:10I don't know how you are as a father
00:35:12But as for hygiene
00:35:14It's our son's clothing
00:35:24His name was Paco, like me.
00:35:26He died at the age of four
00:35:28I didn't know how to do it.
00:35:29He had one month left
00:35:30And I've been dry ever since.
00:35:32Poor little angel
00:35:33He will be well cared for at the foundling home.
00:35:35He will never meet his mother
00:35:37What if we looked for her?
00:35:39What if we all worked together to find the mother?
00:35:41Anyone can find a mother in this Madrid
00:35:43With two million of us
00:35:45Not counting the floating population
00:35:48And the tourists
00:35:49How I found her
00:35:50Going to give a spanking
00:35:51Clothes from a store
00:35:53If we asked
00:35:54Galerías Preciados
00:35:56Preciados 32 Madrid
00:35:57It's the name of the store
00:35:58They'll tell us who bought it.
00:36:00Sister Matilde, that's not possible.
00:36:01They can't know that in the stores.
00:36:03All buyer names
00:36:04I would try it.
00:36:05It would be so nice.
00:36:07Find the mother and tell her
00:36:08What would I say to him/her?
00:36:10Well, I would teach the child
00:36:12All washed and all combed
00:36:14And I would tell him
00:36:15Is he your son, ma'am?
00:36:17He lost it
00:36:18And we'll give it back to him.
00:36:19Keep it
00:36:20We can do anything for him
00:36:23Except replacing you
00:36:24Very good, very good, yes sir
00:36:26I would say the exact same thing.
00:36:27You, if you were caught on a bad day
00:36:29We should hear from you
00:36:30Our mission will end
00:36:31When we leave the child at the foundling home
00:36:33If I saw it again
00:36:33He would regret it
00:36:34I'm sure
00:36:36Me too
00:36:37Please don't insist
00:36:39We would embark on an impossible adventure
00:36:42You've got nothing to lose by trying.
00:36:43That is to say
00:36:43You lose whatever the taxi fare shows.
00:36:45But I'll pay for that.
00:36:47Paco said about the taxi metro
00:36:51We'll provide it.
00:36:52Clear
00:36:52Besides, we only have until eight o'clock
00:36:55We must return to the convent at that time.
00:36:58God willing, we'll find her soon.
00:36:59Sister Matilda
00:37:00I haven't decided anything yet.
00:37:02Hello
00:37:14Hello gorgeous
00:37:15Is Andrés there?
00:37:16It's in the cellar
00:37:17Should I send someone to call him?
00:37:18Don't bother, I'll go.
00:37:19Do you like it?
00:37:25This is the girl
00:37:26Andrew
00:37:32Andrew
00:37:33I need to talk to you
00:37:49Don't think it's nonsense, Andrés
00:37:53What is it about?
00:37:55We wouldn't be able to go out on the street
00:37:56Go anywhere
00:37:58Not now
00:37:58It's almost lunchtime
00:37:59I was afraid you would receive me worse
00:38:02After what happened last night
00:38:03You don't think it's important.
00:38:06The one she has?
00:38:08You said some very harsh words
00:38:09Against me and against the child
00:38:10And it's not the first time you've said them.
00:38:13And me this morning
00:38:15I had decided to leave with the child.
00:38:17Where to?
00:38:19To my house
00:38:20And apparently you haven't left.
00:38:22No
00:38:23But since you don't want to know anything about your son
00:38:25He should never have been born
00:38:27But I thought he would bring us together.
00:38:29Yeah, yeah
00:38:30What you wanted
00:38:31That I would marry you
00:38:32And of course, with the child involved
00:38:34All done
00:38:34But your game has been seen through.
00:38:36That's what I told you yesterday.
00:38:37This child instead of uniting us
00:38:39It will separate me from you
00:38:39Not anymore
00:38:42This morning I went with him to the station
00:38:45And I left it there
00:38:45To some nuns who took him in
00:38:48In better hands
00:38:51It can't be
00:38:52What have you done?
00:38:54Have you given up on it?
00:38:56Yeah
00:38:56For you
00:38:57Oh, no
00:38:58Not for me.
00:38:58I never told you to abandon him.
00:39:00Don't blame me
00:39:01So you think I should have taken care of the child on my own?
00:39:04You wanted it.
00:39:05But he's your son
00:39:06I'm not saying no.
00:39:07Of course not.
00:39:08Okay, fine.
00:39:11You'll see, Conchita
00:39:13This is a matter I do not wish to discuss.
00:39:15I know he would never understand us.
00:39:17But now the child is
00:39:18Yes, I don't know.
00:39:19I never thought you could do this
00:39:21It's a serious matter.
00:39:23Are you going to get angry with me now?
00:39:27What are you looking at?
00:39:29You love me, Andrés
00:39:30Your eyes don't deceive me
00:39:32I see written in them that you love me.
00:39:34Why are you trying to hide it?
00:39:36Yeah
00:39:38Yes, I love you
00:39:39Andrés, let's eat.
00:39:42I'm coming right away
00:39:43Stick with Medaea
00:39:45We'll talk about all of this later.
00:39:46But I've separated from my son forever.
00:39:48Didn't I tell you we'd talk later?
00:39:53Yet
00:39:54I thought it would be more important to you
00:39:57Knowing that I have separated from our son
00:39:58And that you've already lost
00:40:02Any chance of meeting him
00:40:04Let's wait and see.
00:40:21God willing, they'll achieve something.
00:40:22No
00:40:23Waiting is my thing.
00:40:26Married and a taxi driver
00:40:27Three-quarters of my life
00:40:30I've spent ages waiting
00:40:31We never know the name and address of the buyers
00:40:35Unless you give them to us so we can send you the purchase
00:40:37I don't know, but we'll try.
00:40:41The sisters want to know the person's name.
00:40:46He bought a boy's sweater
00:40:47Economy class
00:40:48Size zero blue
00:40:50About a month ago
00:40:52It's difficult.
00:40:58But you can see it
00:41:00You've chosen the wrong profession, sister.
00:41:02Don't say that.
00:41:04Hold on a moment
00:41:19Come on
00:41:20Lots of hanging
00:41:33And lots of flow
00:41:35But you're going by taxi.
00:41:37And they too
00:41:38Three weeks ago
00:41:40We sold forty dozen
00:41:41In three games
00:41:43Thirty-five dozen blue ones
00:41:45The blue ones are given to children
00:41:46But with that alone
00:41:47We didn't discover
00:41:48Who was the buyer?
00:41:49Sorry
00:41:55How many did they sell to the Sixth District orphanage?
00:42:17Three dozen
00:42:18Two dozen blue and one white
00:42:20And could you give us the address of the orphanage?
00:42:23Hey, you can't park here.
00:42:24Where then?
00:42:25In the other corner
00:42:26Can the child handle me?
00:42:28No jokes, okay?
00:42:29More serious than if I were confessing
00:42:31Do you want me to drive the car with a child in my arms?
00:42:34Yes, because he has it.
00:42:35That's my responsibility.
00:42:36That's a different story.
00:42:38Do you accept it, or are you responsible for all the victims it causes?
00:42:42Bring
00:42:42Mother Lucia, tell me how much the car looks alike
00:43:04No, it doesn't look like it.
00:43:06He's released his outline, the car isn't there
00:43:08I'm here now
00:43:12How boring
00:43:13Nothing
00:43:14Difficulties with the competent authority
00:43:18So where do we go now?
00:43:19To the birthplace of the Sixth District
00:43:21They'll surely be able to tell us about the woman we're looking for.
00:43:23On point
00:43:47And you, when are you getting married?
00:43:50Well...
00:43:50We don't know
00:43:51It must be known
00:43:52It doesn't matter that the date is then postponed seven times
00:43:54What matters is having a specific date.
00:43:57You work, right?
00:44:00Yes, I dance
00:44:02Ah
00:44:02That's not something you can count on.
00:44:04Because when you get married you'll leave him, I say.
00:44:06But you make a good three thousand pesetas
00:44:09Around there
00:44:10I got married in 1923 with one hundred duros.
00:44:13I have made men of five sons
00:44:15Well, the little one is a girl
00:44:17And I have built this establishment
00:44:19These are different times now.
00:44:20All times are good for those who know how to make the most of them.
00:44:23Get married
00:44:24Take on obligations.
00:44:26You'll see how you manage to earn more
00:44:28The best path, marriage
00:44:30A man alone, no matter how much he earns
00:44:31The lost money
00:44:33And don't be afraid of your children
00:44:34It is certainly true that everyone is born with a silver spoon in their mouth.
00:44:37Here it is
00:44:52Here it is
00:45:06Good morning, doctor
00:45:09Are you not coming in?
00:45:13I, I'm here as a tourist
00:45:15And I prefer to admire the building
00:45:17Blow
00:45:23It will have less than fifteen days
00:45:25No abandoned child has more
00:45:27Because?
00:45:28Mothers grow fond of them and do not abandon them.
00:45:30The store told us the jerseys were sold four weeks ago
00:45:33Yes, it matches.
00:45:34It was a private donation
00:45:35There are many charitable souls
00:45:37Souls perhaps
00:45:39Few people
00:45:41Give me the registration forms of those who signed up last month for the clothing distribution.
00:45:49Copy?
00:45:50No, no, the chips
00:46:01It's an ink stain
00:46:02They've washed the gown three times and it won't come out.
00:46:06Have you tried lemon?
00:46:08No no
00:46:08I like her, she's my relative.
00:46:10He applied lemon juice to a stain and it came off.
00:46:13But it has become like this.
00:46:14More clearly
00:46:15I took the suit to the dry cleaners and it shrank.
00:46:18A disaster
00:46:19But lemon on white food is not dangerous.
00:46:21Mine is brown
00:46:22Sure, man
00:46:23There are many registered
00:46:25Yes, but they are divided into two groups
00:46:26Those attended and those not attended
00:46:28We cannot attend to everyone.
00:46:30There are many people in need
00:46:32And much less charity than there could have been
00:46:35Of which there should be
00:46:36Uh-huh
00:46:37Wealthy people believe that if they give away one hundredth of what they have
00:46:41He has already done his duty to his neighbor.
00:46:43It's true
00:46:44Many people who have money
00:46:46Forget how much other people's pain can be alleviated with what you have left over.
00:46:49It's applied just like the lemon.
00:46:58No, it splits in two and is rubbed
00:47:00So?
00:47:02No, not completely.
00:47:03Uh-huh
00:47:04Here are the cards
00:47:07The helpful ones are of interest
00:47:08I've already separated them.
00:47:09Thirty-five
00:47:10Twenty-four girls and eleven boys
00:47:12Eleven visits
00:47:14We can do them in a couple of hours.
00:47:15Sister, don't you think that the poor live in the center of Madrid?
00:47:17And don't put too much stock in names.
00:47:20Especially if the father's name is not on file
00:47:22There is always a father
00:47:24But often he doesn't show his face.
00:47:27Sister, don't you think that the poor live in the center of Madrid?
00:47:32Yes, yes, yes
00:47:33Yes, yes
00:47:35Yes, yes
00:47:39Where do we go now?
00:48:06To Tetuán de la Victoria.
00:48:07If we found her there, I would die of embarrassment.
00:48:11Come on, don't exaggerate, brother.
00:48:13Nobody dies of embarrassment over something like that.
00:48:15On the contrary.
00:48:16Thank you!
00:48:18Thank you!
00:48:20Thank you!
00:48:22Thank you!
00:48:24Thank you!
00:48:26Thank you!
00:48:28Thank you!
00:48:30Thank you!
00:48:32Thank you!
00:48:34Thank you!
00:48:35Thank you!
00:48:36Thank you!
00:48:38Thank you!
00:48:39Thank you!
00:48:40Thank you!
00:48:41Thank you!
00:48:42Thank you!
00:48:43Thank you!
00:48:44Thank you!
00:49:15Thank you!
00:49:16Thank you!
00:49:17Thank you!
00:49:18Thank you!
00:49:19Thank you!
00:49:20And you, ma'am, may I ask what you pay for the apartment?
00:49:23With the increases, 49.75.
00:49:26I've had it since '32.
00:49:28You earn 20 pesetas with us.
00:49:29And you with us?
00:49:30We do, because we need it.
00:49:32And what about me?
00:49:33Do I live on the air of the sky?
00:49:35Kid, to your demarcation.
00:49:38Little creature, you could give him four more bricks.
00:49:41Even the chair?
00:49:42No!
00:49:43Kids, don't step on the line, it makes the lady feel hot here.
00:49:46And you, be very careful with your tongue.
00:49:49I told the truth.
00:49:50Well, if he insists, there's going to be a huge uproar.
00:49:53Okay, okay.
00:49:54Okay, ladies, don't make such a fuss, I'm getting nervous and I'm going to cut myself.
00:49:57How vulgar.
00:49:58We are not used to this.
00:50:00We are from Palencia.
00:50:01Ma'am, don't suffocate me, no way...
00:50:18Are they coming to ask for something?
00:50:19No no.
00:50:20Come in, come in.
00:50:22We are looking for the mother of a child.
00:50:25Does Esperanza Martín Poblete live here?
00:50:27It's me.
00:50:28Well, we've slipped up again.
00:50:32You are not the one we are looking for.
00:50:34She has lost a child and you have yours.
00:50:37I have four.
00:50:37Does everyone live here?
00:50:40Each family in a separate room.
00:50:42But the lady, who is a whole family in herself, has plenty of room.
00:50:46And we, who are two, are missing something.
00:50:48And what can I say to us, since there are seven of us?
00:50:51It's the housing problem.
00:50:54Mother, look at the hardship my children are facing.
00:50:56They are anemic due to lack of exercise.
00:50:59I could get to the chair, but the lady won't allow it.
00:51:04Intercede for the children, mother.
00:51:06I believe, ma'am, that the lady is right.
00:51:08Clear.
00:51:08I could let him get to the chair.
00:51:11I want half for myself.
00:51:13Only up to the chair.
00:51:15You're not going to put anything in that piece.
00:51:16Who knows?
00:51:17He's not going to put a bed there for other sublet tenants.
00:51:20They are children, they like to run.
00:51:22They need to exercise.
00:51:23You were a child once too, ma'am.
00:51:25I doubt it.
00:51:26Well, it's always me who has to give in.
00:51:31And let it be known that they owe everything to their mothers.
00:51:34But not every day.
00:51:36Saturdays and Sundays.
00:51:39Today is Saturday.
00:51:41Let them reach the chair.
00:51:44Even the chair, my children.
00:51:45You can cross the line and go all the way to the chair.
00:52:02Amen.
00:52:03Can I smoke now?
00:52:04Clear.
00:52:06I'm thinking.
00:52:08What if the mother doesn't show up?
00:52:10Would you keep it?
00:52:11Yes, for me.
00:52:13Everything is because of her.
00:52:14Either he develops a liking for it or I oppose it.
00:52:16He's already asleep.
00:52:18You're just dizzy from driving so much.
00:52:20The children don't need such a big car.
00:52:22And even less so a taxi.
00:52:23And especially not yours.
00:52:24It's like you're putting wine in it instead of gasoline.
00:52:26Would you like it to be ours?
00:52:28Ours would be 15 years old.
00:52:29Take this and it's 15 days old.
00:52:31It's because it's a bit behind schedule.
00:52:32But would you like it?
00:52:33No.
00:52:34He says no because he has agrol in his blood.
00:52:37But I know her and I know she thinks so.
00:52:40Now she's embarrassed that he knows how good she is.
00:52:43But...
00:52:43We poor people cannot be good.
00:52:45You wanted to be one, and you'll see how much it costs you.
00:52:48Time wasted, gas, food...
00:52:50Who will compensate you?
00:52:51The sisters will tell you that good is done for the love of God.
00:52:54And the mother, if you find her, will end up asking you for it.
00:52:57Perhaps I am not in a position to do anything else.
00:52:59And if I find her, I'll tell her, ma'am, if you don't want it, give it to us.
00:53:03And I, come on, come on, we'll take care of him.
00:53:07And if he ever regrets it, come back for him.
00:53:09And we will all be their parents.
00:53:11Because, as the saying goes, many parents can make a year better than a bad one.
00:53:15Three thirty.
00:53:16Yes, we must continue searching.
00:53:19What if we can't find it?
00:53:24If they can't find her, my husband knows what he has to do.
00:53:29Mrs. Asunción Martínez.
00:53:38Does Mrs. Asunción Martínez live here?
00:53:40Yes, there on the right, the artist's wife.
00:53:52Mother, mother, there is more mother.
00:53:59Sané Ignacio Doloyola is worth it to us.
00:54:04Where have we gotten ourselves into?
00:54:05They are sketches.
00:54:06Do the sisters want anything?
00:54:07Who recommends it?
00:54:09I am the only sketch artist left in Madrid.
00:54:11Did any sick little sister survive?
00:54:13Which saint is it for?
00:54:14I don't ask, because according to the saint, they are made on a tombstone, in paint, or in wax.
00:54:18I already have the wax ones.
00:54:19Unless they don't want a specialty.
00:54:21Look, look at this one, it's gorgeous and I'd let it go for a very low price.
00:54:25To Our Lady the Virgin of the Dove, who saved us from a fire in which seven neighbors perished.
00:54:29Then they said no, that the firefighters had saved them, all to avoid paying.
00:54:34The fact is that we didn't come here to ask you to do anything.
00:54:36The small door.
00:54:37Well, welcome them, less work, you say.
00:54:41We are looking for the mother of a child.
00:54:42From a child?
00:54:44Well, yes...
00:54:45Hey you little one, how many are we now?
00:54:47He can't count.
00:54:49Nobody here knows anything.
00:54:50It's hilarious.
00:54:51You know what I'm saying?
00:54:53You're an optimistic guy.
00:54:55However, getting worked up about it doesn't solve any problems.
00:54:58Well, pretend to be nice.
00:54:59Tiny.
00:55:00This house would be in a state of...
00:55:03There aren't enough shoes for everyone, but it would be worse if they were sick.
00:55:06Are they never?
00:55:07Yes, sometimes, but the bad thing would be if we were sad.
00:55:11Any orders?
00:55:12Here are the sisters looking for a child's mother.
00:55:15I am the mother of eleven.
00:55:17Are they the smallest?
00:55:18They have twelve days.
00:55:19There is no other option.
00:55:20Well, we were wrong.
00:55:22The mother we are looking for has lost her son.
00:55:25Did he die?
00:55:26No, he lost it.
00:55:28And we found it, we have it here.
00:55:31Oh, little rosebud, it looks just like a lily.
00:55:34No, if I didn't have a mother, I would keep him.
00:55:37If he looks like one of our twins, wouldn't you like to have had three again?
00:55:42Or four, or five, or twenty-five.
00:55:44Where eleven don't eat, twelve won't eat.
00:55:46As long as hunger doesn't take away our joy.
00:55:48Are they going hungry?
00:55:49Sometimes there isn't enough bread, but we have joy and children to share.
00:55:52They don't know them all yet.
00:55:54Come here and I'll introduce you.
00:55:56Come this way.
00:55:56For them, a visit is like a party.
00:55:59Children, we have visitors, please line up so we can see you all clearly.
00:56:06I will introduce them.
00:56:11Tina and Tona.
00:56:14Pepe and Pepito.
00:56:16We named them the same because we thought they were going to be one.
00:56:19Amalia, Amelia and Emilia.
00:56:22Quique and Kiko.
00:56:24Hey Kiko, what are you doing hiding there, huh?
00:56:25Because it's not a deletion.
00:56:27But you're handsome anyway.
00:56:30And these last two, Caesar and Augustus.
00:56:33We named them that to see if they're something big.
00:56:35Imagine if they all started crying one night.
00:56:38We don't hear this one crying so loudly that we can't hear if the others are crying.
00:56:43Kids, let's see if you can sing a song for the little sisters.
00:56:46One, two, three.
00:56:49Anton, Anton, Anton, Anton, Pirulero, Caracuás, Caracuás, Caracuás, let him attend to his game.
00:56:58And whoever doesn't pay attention, you big oaf, isn't a fool.
00:57:01Sing too!
00:57:03Anton, Anton, Anton, pirulero, caracuás, caracuás, attend to your game.
00:57:09And now? What will become of us?
00:57:12As usual.
00:57:14Eight hours have passed and it feels like an eternity.
00:57:18It's as if the child had died.
00:57:19If we are always going to be like this.
00:57:21Forgive me.
00:57:22All day long I have the impression that I hear him crying.
00:57:25The return, sir.
00:57:32I'll come and pick you up as soon as I'm finished.
00:57:34Yes, yes, I would appreciate it.
00:57:35I need you today.
00:57:37And cheer up that face.
00:57:38You need to make an effort to recover.
00:57:40In there.
00:57:42You can't imagine.
00:57:44Nobody can imagine it.
00:57:46They come to see us and they are undressing us with their eyes.
00:57:49I didn't realize it before.
00:57:51But now, since what happened with the child, I feel a horrible shame.
00:57:54Those are new ideas.
00:57:55It's natural that she has them.
00:57:57I think our son will always be among us, like an accusation.
00:58:02I will make you forget.
00:58:04Don't work tonight.
00:58:05They would replace her immediately.
00:58:07There are many waiting.
00:58:10Do you remember what Mr. Roca said?
00:58:12We will never be able to go with our souls held high, like a flag unfurled.
00:58:17Because you said so?
00:58:20The key.
00:58:37The key.
00:58:41Thank you.
00:58:42Because?
00:59:03How does he do it?
00:59:16What are you calling for?
00:59:21Calls!
00:59:23But haven't you heard?
00:59:26May God protect them.
00:59:28Beware! We're not here to beg.
00:59:33We are looking for a woman named Concepción Nieto.
00:59:36And what is the mother of a child of...?
00:59:38Oh! It's Conchi's boy, isn't it?
00:59:41Yes, ma'am.
00:59:42Do you know the mother? She used to live here.
00:59:44We could go in; there's a current. Do you know where it is?
00:59:48Who? Conchi. She left this morning.
00:59:50Come in, come in!
00:59:51Yes, yes, I think she left for Barcelona and took everything with her. Right?
00:59:55Yes, ma'am. Yes, ma'am.
00:59:57Do you know if he has family here?
00:59:59They all tend to have their families far away. She said she was from the province of Zamora and that she only had a mother.
01:00:04And where does he work?
01:00:05In a party room.
01:00:07In a party room!
01:00:09That's not my word!
01:00:11She'd won a bolero contest and thought she was a big shot. A pathetic woman.
01:00:16And how are they looking for her with the child? Are they coming to rescue her?
01:00:20You're nobody for throwing away cigarette butts. I'll hurry them up.
01:00:30She left with the child.
01:00:31Yes, he carried it in the basket. The father didn't show up here.
01:00:34They are inexperienced women who don't know how to keep quiet.
01:00:37Of course I don't care. As long as I get paid, I can't support all the women who come here.
01:00:43Right?
01:00:44Yes, ma'am. Yes, yes, ma'am.
01:00:46It's Conchita's child. Has something happened to him?
01:00:49Apparently not.
01:00:50Were they friends?
01:00:51From here. We met here. I did everything I could for her.
01:00:54But everyone is who they are. And she has her own ideas.
01:00:57Do you know the father?
01:00:58Seeing them together.
01:01:00And do you know where he lives?
01:01:01No, not that.
01:01:02But how are you keeping the child?
01:01:04He left it abandoned at the station.
01:01:06Did she abandon him?
01:01:08Poor Conchi.
01:01:10Do you think you'll do better than her?
01:01:12She was a decent girl.
01:01:14The thing is, she got lost because of a man.
01:01:17Stop laughing!
01:01:18Excuse me, sisters, but this woman really turns me on...
01:01:22Didn't he tell you where he was planning to go?
01:01:24No, he didn't tell me anything.
01:01:26Where does it take him?
01:01:27To the foundling hospital.
01:01:29If you ever find her, tell her she can go there to look for her.
01:01:33Thank you very much for your information.
01:01:36You?
01:01:40You're not from here either, are you?
01:01:41No.
01:01:42I am from Ébora.
01:01:44Like me.
01:01:45I am from Ébora.
01:01:46I was born on Olivar Street.
01:01:47And I'm in the one about Three Sighs.
01:01:49It's in the same neighborhood.
01:01:51We were neighbors.
01:01:52Yeah.
01:01:54We definitely know the same people.
01:01:56Sure.
01:01:58Are your parents there?
01:02:00No.
01:02:01They died.
01:02:02I never met my father.
01:02:04I was fifteen years old when my mother married someone else.
01:02:08Then I came to Spain.
01:02:10I felt suffocated in the house.
01:02:11And the atmosphere there was suffocating me.
01:02:13And here, in this boarding house and this life, you don't drown.
01:02:17Sometimes.
01:02:18But it's already done.
01:02:20All of that is now a long way off.
01:02:22My life is different now.
01:02:23I can't go back.
01:02:24Always.
01:02:25The soul does not change.
01:02:27In another place, where no one could remind you of the past,
01:02:30You would be the same person you were back then.
01:02:33And without any effort.
01:02:35Too late.
01:02:36No no.
01:02:37It's never too late.
01:02:38Look.
01:02:39We did not march to West Africa.
01:02:42I also find the atmosphere there suffocating.
01:02:45Each one.
01:02:46We have chosen a different path.
01:02:48You haven't chosen yet.
01:02:50I will pray for you.
01:02:52We have to go, sister.
01:03:03And we will have achieved nothing.
01:03:05Who knows.
01:03:06Anyway, there's nothing we can do here anymore.
01:03:11Goodbye, ma'am, and thank you very much.
01:03:22Bye bye.
01:03:23Bye bye.
01:03:24Bye bye.
01:03:25Bye bye.
01:03:26Bye bye.
01:03:27Bye bye.
01:03:28Bye bye.
01:03:29Bye bye.
01:03:30Bye bye.
01:03:31Bye bye.
01:03:32Bye bye.
01:03:33Bye bye.
01:03:34Bye bye.
01:03:35Bye bye.
01:03:36Bye bye.
01:04:06Bye bye.
01:04:07Bye bye.
01:04:08Bye bye.
01:04:09Bye bye.
01:04:10Bye bye.
01:04:11Bye bye.
01:04:12Bye bye.
01:04:13Bye bye.
01:04:14Bye bye.
01:04:15Bye bye.
01:04:16Bye bye.
01:04:17Bye bye.
01:04:18Bye bye.
01:04:19Bye bye.
01:04:20Bye bye.
01:04:21Bye bye.
01:04:22Bye bye.
01:04:23Bye bye.
01:04:24Bye bye.
01:04:25Bye bye.
01:04:26Bye bye.
01:04:27Bye bye.
01:04:28Bye bye.
01:04:29Bye bye.
01:04:30Bye bye.
01:04:31Bye bye.
01:04:32Bye bye.
01:04:33Bye bye.
01:04:34Bye bye.
01:04:35Bye bye.
01:04:36I've put it here for you.
01:04:45Conchita, three nuns have been asking about you.
01:04:49What did they want? They brought a child.
01:04:52Andrés, yes, I haven't told them anything.
01:04:55I can still see them from here.
01:04:57Are they going to take him to the orphanage?
01:04:58We cannot give the child to him, he does not belong to us.
01:05:01We have to take him to the foundling home.
01:05:03Now, if you want it, they will grant it to you.
01:05:05They want nothing more than relief.
01:05:07You have a need for your child, and your child needs your parents.
01:05:12How does he sleep? I like children like that, small and asleep.
01:05:16We all like them that way, but the fact is they were born to wake up and grow.
01:05:22Being a father isn't easy. I am one at heart.
01:05:26And a father without a son, since ours died.
01:05:30Twelve years of fatherhood etched into this place.
01:05:33Calculate if I'm behind schedule.
01:05:36We have to go.
01:05:37Good.
01:05:38Do you remember that this morning the engine wouldn't start?
01:05:42And she stopped looking at him.
01:05:44You were supposed to come with the child and I was supposed to wait for you.
01:05:49The car has always been in agreement with me.
01:05:52He knew before I did that the child was for me.
01:05:55The car should always be rested.
01:06:13No, no, no.
01:06:43No, no, no.
01:07:13No, no, no.
01:07:17We've been looking for her all over the city to return it to her.
01:07:21And I felt that they were looking for me and that my son was coming back to me again.
01:07:26Why did she abandon him?
01:07:28I had decided to go back home.
01:07:30Andrés didn't want the child.
01:07:32It needs to be free, without burdens.
01:07:34I am not accusing him.
01:07:36We have been so happy.
01:07:38And he's worth so much that maybe I've gotten my hopes up too high.
01:07:42I thought about my house.
01:07:44In my mother.
01:07:45In the life that awaited me.
01:07:47In my city, I was going to be a woman that anyone could point at.
01:07:51Friendless.
01:07:52Only.
01:07:54My mouth was dry.
01:07:55And I went to the fountain to drink water.
01:07:57Then I saw the sister.
01:07:59It was like a flash of lightning.
01:08:00I approached while the sister went to look for them.
01:08:03And I left, trying not to attract attention.
01:08:06I've had a horrible day.
01:08:08And suddenly a friend called me.
01:08:11The one about the pension?
01:08:12Yeah.
01:08:14Don't cry, sister.
01:08:16Sorry, mother.
01:08:19It was unintentional.
01:08:21Can I take it with me?
01:08:22Of course.
01:08:24It's yours.
01:08:25Where is she thinking?
01:08:26Don't know.
01:08:27Where is the child's father?
01:08:30If you would speak to me, mother.
01:08:32Yes, mother.
01:08:33We would love to meet you.
01:08:34It's time to pick them up.
01:08:36You two will stay in the convent.
01:08:38Yes, mother.
01:08:40You're coming with me.
01:08:42And the child?
01:08:43The child is always with you.
01:08:45And if you don't mind,
01:08:47They could both come to my house.
01:08:49The child already knows her.
01:08:50And the reverend mother knows my wife.
01:08:52I accept for her.
01:08:53So we walked.
01:08:55And I'm still driving a taxi.
01:08:56To the convent.
01:08:58To my house.
01:08:59And to hunt down the father.
01:09:06Is that you, Andrés?
01:09:16Yeah.
01:09:18What is on offer?
01:09:19If he can step out for a moment.
01:09:22Something is waiting for you out there on the street.
01:09:24Me?
01:09:25Yes, to you.
01:09:26Come on.
01:09:27Wait until this is over.
01:09:28He'll finish it later.
01:09:29Come on.
01:09:32You come with a lot of authority.
01:09:35It's subtle, but it's rising.
01:09:37It's not my doing.
01:09:38It's yours.
01:09:39I'm simply fulfilling the task.
01:09:46What will happen now?
01:09:47The best part, you'll see.
01:09:51There it is.
01:09:52It's him.
01:09:53What are you doing here?
01:09:56We had agreed that I would come to pick you up.
01:09:58I didn't want to come.
01:10:00You always do what others want.
01:10:02I know this for a fact.
01:10:02I am the one to blame.
01:10:04I brought her here by force.
01:10:05Tomorrow I will no longer be here and the child will then be seen.
01:10:07I shouldn't have had it.
01:10:08I warned him.
01:10:09Don't say that.
01:10:10She has done her duty.
01:10:12Yes, then he abandoned it.
01:10:13And what did you want me to do?
01:10:14That he would kill him?
01:10:15He's my son, Andrés.
01:10:16He is our son.
01:10:17You don't understand.
01:10:18I don't want any scenes.
01:10:19Coming here with people I don't know has been worse.
01:10:22Good afternoon.
01:10:23Andrew.
01:10:24Wait for me.
01:10:30Andrew.
01:10:33I have come to talk to you, and I will talk.
01:10:35I can't right now.
01:10:36I'm working.
01:10:38Can't.
01:10:40Can.
01:10:44Thank you.
01:10:48You have a hard heart, Andrés.
01:10:51It's very convenient to be a man when it comes to pleasure, but not when it comes to responsibility.
01:10:55Life isn't always as easy as it seems.
01:10:57For those who are afraid to face it, everything is very difficult.
01:11:01Conchita hasn't had it.
01:11:02Conchita hasn't had it.
01:11:02She abandoned the child.
01:11:03It was a burden beyond his strength.
01:11:06But if you had seen her when she got it back.
01:11:08She wanted to speak and tears welled up in her eyes.
01:11:10Theater.
01:11:11He has always liked comedy.
01:11:13Mother's instinct is not a comedy.
01:11:15Ah, that.
01:11:16If you knew your son, if you had him with you for a few days, you would no longer be able to separate from him.
01:11:23Don't you know the child?
01:11:24Not yet.
01:11:25Do you have a child and you don't know him/her?
01:11:26Well, if you want to meet him, he's at my house.
01:11:29It is not the palace of the Duke of Alba.
01:11:31But it's even better for a child of decent parents, yes.
01:11:35And who are you?
01:11:36I, Francisco Rodríguez Amaro, the taxi driver.
01:11:40And since you ask, I'll tell you that if you don't want the boy, I'll keep him.
01:11:44We don't all have to think the same.
01:11:46Don't you want to be a father?
01:11:47Well, I do.
01:11:48What's happening in Cadiz?
01:11:49Very good.
01:11:50I didn't know you had a child.
01:11:52I am with you.
01:11:53I have five children and if I had known in time, I would have adopted him myself.
01:12:00It's eight o'clock.
01:12:02I didn't think it was so late.
01:12:04I must be in the convent.
01:12:09Please forgive this intrusion into your home, but I had to talk to him.
01:12:13God willing, I have understood.
01:12:16Good afternoon.
01:12:20Ah.
01:12:22Travesía de las listillas 6 is my address.
01:12:25I'm telling you this so you know where the boy's adoptive parents live.
01:12:30Nothing else.
01:12:31Please forgive me if I have been disrespectful.
01:12:32Goodbye.
01:12:32Andrés, deep down, is not a bad person.
01:12:44Perhaps cowardly, very cowardly.
01:12:46But I think he'll understand.
01:12:49I was beginning to understand when Paco and I...
01:12:51Paco is the taxi driver.
01:12:53A humble man, full of goodwill.
01:12:55Men are good, mother.
01:12:58The thing is, they're ashamed to appear that way.
01:13:02Have you already bought your tickets for tomorrow?
01:13:04Yes, on the eight o'clock train.
01:13:06And you should all go, you must be tired.
01:13:08It has been a testing day.
01:13:09A day wasted because of me.
01:13:11No, maybe not.
01:13:13It's so hard to know when you're wasting time.
01:13:16Sister Asunción will accompany them.
01:13:17I will help you, ma'am.
01:13:29No, I'm the boss in my house.
01:13:30Yes, at home.
01:13:33She's in charge.
01:13:34You already have the bed.
01:13:35You'd better place your bet.
01:13:36And sleep until your body can't take any more.
01:13:39Tomorrow begins another day, and for you, another life.
01:13:42I'll look for a job right away.
01:13:44A different kind of job.
01:13:45One of our daughters would have had to work too.
01:13:48I'm sure I'll find it.
01:13:50Any job will seem good to me, as long as it's for the child.
01:13:53I'll tell my mother that I've stopped being an artist.
01:13:56I lied to her so she would be proud of me.
01:13:58Clear.
01:13:59Then, little by little, I will tell him the truth.
01:14:02They're your people, they'll understand.
01:14:05Well.
01:14:08Goodbye, Pichi.
01:14:10Goodbye, my daughter.
01:14:11Bye bye.
01:14:12And thank you for everything.
01:14:13Bye bye.
01:14:17Hey, tell Sole that the patch is five fifty, that it's one of the big ones.
01:14:43Are you going out?
01:14:44If I can't stand it.
01:14:46Today, off to bed.
01:14:48Look, our Godfather starts living at night.
01:15:03And without us we could endure more and live day and night.
01:15:08It would be like folding your life.
01:15:10And how to double the punishment.
01:15:11Well, that comes back.
01:15:14I feel happy today.
01:15:16We have acted as God commands.
01:15:18Edge.
01:15:23Do you think he'll stay?
01:15:25Don't know.
01:15:26If he stays home tonight, maybe.
01:15:29It's safe tonight.
01:15:30Danger lurks there.
01:15:32The good thing about spending the night at home is that the danger stays outside.
01:15:36Have you closed?
01:15:36Yeah.
01:15:37Well, leave the key here, in case he prefers to leave.
01:15:40Do you think he'll take the child?
01:15:42If I believed that, I'd tell you to throw the key off the balcony.
01:15:45The child, with or without his mother, is ours.
01:16:07Muchita, I love you.
01:16:17Much more than his son.
01:16:20Today I almost did something terrible because of you.
01:16:26And why are you so interested?
01:16:29Because I feel really sorry for her.
01:16:31And especially the child.
01:16:34Won't he come back here?
01:16:36I don't think so.
01:16:37He never really liked this job.
01:16:40One number!
01:16:50What's going to come out?
01:16:53Don't know.
01:16:55Come on?
01:16:55Come on?
01:16:55Where is the jer?
01:17:08At the back on the left.
01:17:09They send me from the dance academy.
01:17:28Ah, yes.
01:17:29To replace Conchita.
01:17:31Have you danced professionally?
01:17:34No, sir.
01:17:35The legs.
01:17:36It is, we are left with it.
01:17:37I hope he doesn't kick us out.
01:17:38No, sir.
01:17:39No.
01:17:39Oh, God!
01:17:48My sad heart will forget more.
01:18:10The happy awakening of his first love
01:18:17If I ever offended you, you must forgive me.
01:18:25Outside of our love, nothing would matter to me.
01:18:31When I found you, I couldn't express my passion
01:18:38You left me, without saying why, without knowing what
01:18:45You left, I always did for my heart
01:18:53And even if you don't hear from me, I won't forget you, I'll cut you out.
01:19:00My sad heart will forget more.
01:19:22Waking up happy from her first love
01:19:32The high-speed train to Algeciras, which is located on track two, will depart in three minutes.
01:20:00Attention, attention
01:20:03The fast train to Algeciras, which is located on track two
01:20:08May God bless him
01:20:09Do you need anything else, sisters?
01:20:11So, if we need anything
01:20:12No no
01:20:13Then go with God
01:20:14Let him accompany her
01:20:15Look
01:20:20Look!
01:20:29There they are! There!
01:20:34We have come to say goodbye
01:20:36And to give it his all
01:20:37And to tell them that Daphilo and I will be the godparents
01:20:44We are very happy to hear that
01:20:46Right, sisters?
01:20:47Yes, mother
01:20:47Goodbye, Andresita
01:20:51Bye
01:20:52Bye
01:20:53Are you crying, mother?
01:21:05No
01:21:05A piece of charcoal
01:21:06I must have gotten a bit of soot in my mouth.
01:21:09Bye
01:21:11Bye
01:21:12Thank you!
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