El Soplagaitas 1980 HD 1080 Completa Fernando Esteso, Rafael Alonso

Retroscreen Movies Revival

Reparto: Fernando Esteso, Rafael Alonso, Francisco Cecilio, Jenny Llada, Violeta Cela, Manuel Zarzo, Antonio Gamero, Antonio Ozores, Florinda Chico, Francisco Camoiras, Luis Barbero, Emma Ozores, Pilar Alcón  Dirección: Mariano Ozores  Sinopsis: Ramiro es un buen hombre. Es músico, pero el paro es tan grande que se ha tenido que poner a tocar una gaita escocesa en un Scotch Pub. Además, esta casado. Una noche que vuelve a casa del trabajo se tropieza en una esquina, con Julián; cree que le ha robado la cartera y para recuperar lo que piensa que es suyo ataca a Julián que es concejal del Ayuntamiento de la ciudad. El robo de esta cartera va a complicar la vida de Ramiro, la de Julián y la de muchos personajes más.

Transcript

00:00:00Thank you!

00:00:30Thank you!

00:01:00Thank you!

00:01:30Two turns to the right, one turn to the left, and her garter belt opens.

00:01:51But what does it say?

00:01:53Yes, man, it sounds like you want to open a treasure chest.

00:01:55Damn, what a house, wow...

00:02:00Ramiro, put down the bagpipes and wait on the tables, we can't keep up.

00:02:04Okay

00:02:05Thank you for the applause, don't get tired of it.

00:02:12Of course, you're here for what you're here for, just to get your hands on things.

00:02:17And here I am making art, damn it

00:02:19If it weren't for unemployment, I'd still be here.

00:02:22Well

00:02:23That?

00:02:25What's it going to be?

00:02:26Look, Ramiro, he's a new customer, what number are you going to give him?

00:02:29I have book 712

00:02:30Ah, yes, that short guy from the provinces who kicked the bucket

00:02:33If it is

00:02:33Well, well, I'm not superstitious, but what's with the numbers?

00:02:37Ramiro is a very decent man and doesn't like to know the names of his clients.

00:02:41That's why the numbers

00:02:42Very important people come here.

00:02:44Sometimes we have more members of parliament than the antelope or the village in the courts

00:02:48Well, it's that he wants

00:02:51A big hit, a body-to-body massage

00:02:54Porn movies

00:02:56Well, if you're a masochist

00:02:58Here we have two German women who, for a thousand pesetas, will give him such a beating that he'll break his back.

00:03:03No, I'm from Don Benito and I like red wine, and this girl looks like a construction worker.

00:03:09Ole, ole, that's how you talk, that's how

00:03:11Damn that hat, I knew they'd made it too big for me.

00:03:13Congratulations, I'll bring you the red wine now.

00:03:15And whenever he wants, Rosy will take him up that staircase to the bed of rural love.

00:03:19I liked this guy from Don Benito, right?

00:03:21This Ramiro is curious indeed.

00:03:22Very good person

00:03:24And very decent

00:03:25Let's see again, the 25,000 for the cups

00:03:28And in these, this other one that is from, from tobacco

00:03:32And it won't matter to me.

00:03:34And that's it.

00:03:37Come on Ramiro, I'll take you home and you'll get there faster

00:03:40I can't, the box doesn't fit.

00:03:43There's a difference of three pesetas, goodbye

00:03:45Goodbye, and for three pesetas we're going to be here all night?

00:03:48I give them to you, agony

00:03:49No, I'm not short three pesetas

00:03:51I have three pesetas left over.

00:03:53Well, keep them and let's go.

00:03:54It's unbelievable that you don't know me, goodbye

00:03:57But how can I keep three pesetas that aren't mine?

00:04:00Putting them in your pocket

00:04:01Come on Ramiro, you can't be that decent

00:04:04Right?

00:04:07I know, but I can't help it.

00:04:08Until I know who these three pesetas belong to, goodbye.

00:04:11I'm not moving from here, is that clear?

00:04:13So, let's see if it's in the tobacco.

00:04:15I don't know what's worse.

00:04:16Whether a scoundrel or a super decent person

00:04:19Perhaps the fear of the three pesetas doesn't make sense to me.

00:04:22Well, it must be from the tobacco.

00:04:26Well, I know myself, I'm capable of not sleeping all night.

00:04:30Let's see

00:04:30Excuse me, come in, come in

00:04:32Sorry, sorry

00:04:33Goodbye, good night

00:04:35Pussy

00:04:39My wallet

00:04:41The mother who gave birth to him

00:04:42He robbed me

00:04:45Still

00:04:58Oh, oh, mother

00:05:00Come on, pig

00:05:01Give me the wallet

00:05:03Hi, friend

00:05:04But don't squeeze the knife too hard, okay?

00:05:06No, stay still

00:05:07What are you going to do?

00:05:08Throw, throw away the gun

00:05:09But if

00:05:10And not

00:05:11I'm carrying weapons.

00:05:12Just in case

00:05:14Unbuckle your seatbelt

00:05:17Listen, no bullshit, okay?

00:05:20Hurry

00:05:21Yes, yes, okay, okay

00:05:22Take off your pants

00:05:26I'm not telling you

00:05:28At my age

00:05:29Don't touch

00:05:30I'm going to touch you

00:05:31Yes, yes

00:05:31Fast

00:05:32Yes, yes, yes

00:05:33Come on

00:05:33Don't look

00:05:34Come on

00:05:36Stop

00:05:37It is brought here

00:05:38Now run!

00:05:40And if you turn around, I'll stab you.

00:05:42Don't worry, I won't come back

00:05:44Don't worry, no

00:05:45Hurry

00:05:46Please forgive me

00:05:50But I've been told not to come back

00:05:52Caxi!

00:05:59Where is?

00:06:02Where is?

00:06:04Where is?

00:06:08If it's no longer possible to leave

00:06:10Quiet on the street

00:06:11The mother who gave birth to him

00:06:14Thank goodness

00:06:16I've made him a couple of balls

00:06:17And I went for him

00:06:18Because he's going to take what's mine away.

00:06:19He's going to take what's mine away.

00:06:20Because it looked like a sausage.

00:06:22That bastard

00:06:23Damn it!

00:06:24Ramiro!

00:06:26Oh, you gave me such a fright!

00:06:28Well, well then.

00:06:29The one I just took

00:06:30Fuck!

00:06:30What's happening?

00:06:31Did they ask you for your documents?

00:06:33No

00:06:33And what would have happened?

00:06:34If they had asked me?

00:06:35What, you could have gotten yourself into trouble?

00:06:37Working at night

00:06:38How could you even think of leaving?

00:06:40Leaving your wallet at home?

00:06:43What are you saying?

00:06:44Look at her!

00:06:46Documentation

00:06:46Money

00:06:47All!

00:06:49Oh!

00:06:50Oh, oh!

00:06:51Oh, oh, oh!

00:06:52What is mine?

00:06:53What is true?

00:06:54What, had I left it at home?

00:06:56And this?

00:06:58Aren't these pants yours?

00:06:59Don't touch it!

00:07:00Leave it there!

00:07:01What's happening?

00:07:01What's wrong with it?

00:07:02Nothing

00:07:02It's not mine

00:07:04I just took it from a guy on the street

00:07:06What did you say?

00:07:07I robbed a passerby

00:07:09You're crazy!

00:07:11Can you tell me what's wrong?

00:07:12You know him, Mom

00:07:13Do you think he's capable of stealing someone's wallet?

00:07:16Steal your husband?

00:07:17Don't make me laugh, it'll loosen my curls.

00:07:20Don't let anything loosen, funny girl.

00:07:22Because it's true

00:07:24I thought I had been robbed

00:07:29And that when he assaulted that poor man

00:07:32I was just getting back what was mine.

00:07:35Well, things would be very different for my daughter.

00:07:37Because what you have is better

00:07:39Not even by stealing

00:07:40Don't start

00:07:41Don't start

00:07:42I do what I can

00:07:43I am a musician

00:07:44But with the Playba joke

00:07:46We are in crisis

00:07:47And if I've gotten a job

00:07:49To play the bagpipes

00:07:50That's better than nothing.

00:07:51And shut up, damn it

00:07:53That I can't think

00:07:54What do you have to think about?

00:07:56Well, there's a wallet there.

00:07:57A wallet that I took from some guy.

00:08:00That means I'm a thief

00:08:03Has anyone seen you?

00:08:04How should I know?

00:08:05And that guy?

00:08:06That one, that one less.

00:08:07But if he was filled with fear like me

00:08:09Yes, well, nothing.

00:08:10The pants are checked.

00:08:12We'll keep whatever is of value.

00:08:14And we burned the rest

00:08:15And off to sleep

00:08:16It has good skin.

00:08:19He was a big shot

00:08:20And will it continue to be so, ma'am?

00:08:22I didn't kill it.

00:08:23Bring it here, bring it here, give me that

00:08:27I'm so nervous

00:08:29I'm a sausage.

00:08:31Do you have money?

00:08:32I don't know

00:08:33My God!

00:08:37At the very least, there are one hundred thousand.

00:08:38Stop telling me.

00:08:39Leave it alone!

00:08:40No, in the end he's going to be lucky

00:08:41In bagpipes

00:08:42What is this?

00:08:43It looks like a permit to leave the car

00:08:46In the town hall parking lot

00:08:48You didn't rob the mayor, did you?

00:08:52No, he didn't have a mayor's neck.

00:08:54Here are your documents

00:08:56The driver's license

00:08:57The identity one

00:08:58What's it called?

00:09:00Don Julián Rebolledo Cascajo

00:09:02What's happening?

00:09:04Do you know him?

00:09:05Man!

00:09:06What things you say!

00:09:07What would she know him from?

00:09:08Rather

00:09:09How could he not know her?

00:09:11So what's the decision?

00:09:12Rocío, do you know him or not?

00:09:14Of course he knows him!

00:09:16He knows it by hearsay

00:09:18Well, and photographs.

00:09:19Rebolledo Cascajo

00:09:20Don't you remember the municipal elections?

00:09:23Since his photograph was everywhere

00:09:25He is now a city councilor

00:09:27A councilor?

00:09:29Fuck!

00:09:30What a mess I've gotten myself into!

00:09:31I'll tell you what we're going to do

00:09:32We burned all of this down!

00:09:33Nothing!

00:09:34Nothing burns here!

00:09:36I plan to return it.

00:09:37Aha!

00:09:38That's it

00:09:38Yes, yes, yes

00:09:39I will go to the town hall

00:09:40I will see Mr. Cascajedo

00:09:41And I will tell him that

00:09:42No, they'll catch you, Ramiro

00:09:44They'll catch you

00:09:44Clear

00:09:45That perhaps

00:09:46May that be the best thing that could happen to my daughter

00:09:48Oh!

00:09:50I don't want to hear you talk about this matter anymore.

00:09:53You're making such a mess of things.

00:09:55We'll all end up in deep shit.

00:09:58Until!

00:10:02What's wrong with him?

00:10:03What do you want to happen to him?

00:10:04Did she just find out that her husband

00:10:05Is he a future common prisoner?

00:10:06I?

00:10:07No, no, no, no, no

00:10:08I have to return that wallet and the pants

00:10:11By the way, what's in those pants?

00:10:15Let's see

00:10:15Some keys

00:10:18From a Mercedes

00:10:20He will be a UCD councilor

00:10:22Hey?

00:10:24Huh?

00:10:26And the keys to your house?

00:10:29I've left him without a car

00:10:30Unable to enter his house

00:10:32Without documents and without a penny

00:10:34Come on, let's just say we're stark naked.

00:10:37No, no, no

00:10:38I am a decent man

00:10:39Damn, I went too far

00:10:40And this needs to be fixed.

00:10:41And he has it.

00:10:42We burned all of this

00:10:43And nothing happens

00:10:44We didn't burn anything

00:10:45Fire

00:10:47Well

00:10:47Well, you go to the town hall

00:10:49And you tell him

00:10:50Mr. Rebolledo

00:10:51I'm the joker who robbed him last night.

00:10:53But because I'm decent

00:10:55I regret it

00:10:56And I've come to return your things.

00:10:57No, no, no

00:10:58Clear

00:10:58That's how I see it.

00:10:59That's how they're filing me in papers

00:11:00No no

00:11:00This cannot be.

00:11:00No

00:11:01Ah, but I can tell you

00:11:02The one who robbed him

00:11:03He was a friend of mine

00:11:04That

00:11:04And he will tell you

00:11:05Bring that friend along

00:11:06And so I'll get them both in trouble

00:11:07No, neither.

00:11:09So

00:11:10Ah, one moment

00:11:12I already have the solution

00:11:14When are you supposed to come?

00:11:17Father Constantine

00:11:18To pick up his cassock?

00:11:23Mr. Julián Rebolledo Cascajo?

00:11:25Yes, Father, here it is

00:11:26I would like to speak with him

00:11:29He's having breakfast in the garden

00:11:30I will wait

00:11:31I'm going to announce to him

00:11:32Come in, father

00:11:33Step, daughter

00:11:35What day do you have off, daughter?

00:11:37As?

00:11:37No, what if you're a Libra, honey?

00:11:39I don't know

00:11:40Who do I advertise?

00:11:42To Father Constantine

00:11:44From the parish of Buen Remedio

00:11:46Please sit down

00:11:47Thank you

00:12:00The key is from here

00:12:01The key is from here, yes

00:12:01Follow me, Father

00:12:07I follow the daughter

00:12:11Father Constantine

00:12:13Come in, father

00:12:15Happens

00:12:16Sit down

00:12:17Would you like to have breakfast?

00:12:18No, thanks

00:12:19I do it early.

00:12:20Ah, of course.

00:12:21Because of those masses you have and all that

00:12:23Which masses?

00:12:24Ah, yes, of course.

00:12:25The masses, of course

00:12:26Here my lady

00:12:27Lady

00:12:28Nice to meet you, Father

00:12:29Well, if you don't want to take anything

00:12:31I'm going to continue

00:12:32Because today we have full

00:12:33And you have to eat a hearty meal.

00:12:34There's always a huge brawl going on there.

00:12:36Yes of course

00:12:37Work is being done both in the town halls

00:12:39But sit down

00:12:42Thank you

00:12:42Whatever comes your way

00:12:45Oh, really?

00:12:46Yes of course

00:12:47The tow truck that took your car

00:12:50And then you come along.

00:12:51Go ahead, give me the registration number

00:12:54From the Vatican?

00:12:55No, that's not it.

00:12:56No

00:12:57This morning, under the seal of confession

00:13:00A young man has given me your trousers

00:13:02Her wallet and her keys

00:13:03I regret leaving you last night

00:13:06At three in the morning

00:13:07In his underwear in the middle of the street

00:13:09You will understand that under the seal of confession

00:13:11I couldn't tell you the robber's name

00:13:13Even if I knew

00:13:14Open the package

00:13:16I think that's all.

00:13:17There's some confusion here, Father.

00:13:22Sure?

00:13:22And because nobody has robbed me.

00:13:24And even less so last night.

00:13:26I was up until all hours

00:13:27At a meeting

00:13:28With the traffic commission

00:13:30With other fellow council members

00:13:31Councilors?

00:13:33Just a moment, just a moment, just a moment

00:13:34You are Mr. Julián Cascajero

00:13:36Rebolledo

00:13:37Rebolledo Cascajo

00:13:38Julian looks similar

00:13:39But fortunately

00:13:41Nobody has mugged me

00:13:43Okay, and now if you'll allow me

00:13:45I'm going to get ready or I'll be late

00:13:47Yes, yes, of course.

00:13:49But anyway

00:13:50Here is the phone number for my parish.

00:13:52In case you need anything from me

00:13:54It won't be necessary

00:13:55But thank you very much, Father.

00:13:57Thank you so much

00:13:58Have the rags

00:13:59Anguish

00:14:02Accompany Father Constantine

00:14:04And give him alms.

00:14:05And some crusts of stale bread

00:14:06For their poor

00:14:07Thank you so much

00:14:08You are very kind.

00:14:09Very kind, Father

00:14:11Yes, thanks

00:14:12Daughter, do you have a napkin around here?

00:14:14It's left my hand sticky with butter.

00:14:17A little sloppy

00:14:17What strange things happen, Julian

00:14:19Yes, daughter, yes

00:14:20Even the thieves don't know who they're robbing anymore.

00:14:23They rob each other so much that they get tangled up.

00:14:24Yes, because you were at the town hall last night.

00:14:26That's me there, yes.

00:14:28Oh

00:14:29Are you back to your damn jealousy again?

00:14:32Hey

00:14:32Call Luis Colmena if you want

00:14:34Or to Enrique Abeja

00:14:35And even the mayor himself

00:14:37He saw us for a little while

00:14:38Okay, now I'm getting dressed and leaving.

00:14:42I'll be late

00:14:43Goodbye, darling

00:14:43When I got my first period I was scared

00:15:04But then the Democracy sanitary pad saved me

00:15:06Or I cut you off

00:15:07I have always used the Democracy sanitary pad

00:15:09And I have never, ever put on a show

00:15:11Look, look

00:15:12I still use the Democracy sanitary pad

00:15:16For mopping the floor, for cleaning dust

00:15:18And take the pots out, see?

00:15:21Democracy is absorbing, resilient, very powerful

00:15:24Different, competent

00:15:25And people don't notice it.

00:15:27I think this shot is the best.

00:15:36Are you going to listen to it, teacher?

00:15:38I'm coming

00:15:39Hang on a minute

00:15:43Why didn't I dedicate myself to the flute instead of this?

00:15:47Thank you

00:15:48Come on, Ramiro, don't get like that

00:15:55You tried to return it, didn't you?

00:15:57Yes, but that junk dealer says it's not his.

00:16:00And are you sure it's his?

00:16:01Come on, Paco

00:16:02How could I forget the face of the only man I've ever robbed?

00:16:05Furthermore, his documentation was there.

00:16:07There's no doubt, it's him.

00:16:09Ramiro, we've been friends since we went to the conservatory

00:16:12I took you into my father-in-law's Scottish pub

00:16:14And you always recommend me when you have a job, like in this case.

00:16:17And I think I can speak to you with confidence.

00:16:18Sure, man

00:16:19Keep the money and burn the documents

00:16:22Have you spoken to my mother-in-law?

00:16:24No

00:16:24Because?

00:16:26Because that's the same thing he told me last night.

00:16:27Ah, yes

00:16:28But I think there's something strange going on here.

00:16:30You see, that man couldn't speak because his wife was standing there.

00:16:33I have written a personal letter to the city council

00:16:36Telling him that if he wants to get in touch with me

00:16:38I called your father-in-law's pub

00:16:40Man, a priest giving out the phone number of a dive bar

00:16:43No, I told him that the number belongs to the parish of Buen Remedio.

00:16:48Well, don't torture yourself anymore.

00:16:49If the guy is interested, he'll call you.

00:16:50And if he doesn't call you, well, you've made a fortune.

00:16:53Okay, but how can I keep money that isn't mine?

00:16:55Okay, we're done.

00:16:57Thank you, gentlemen

00:16:57This nice guy

00:17:00Five years of solfège

00:17:02Piano Seven

00:17:02Two of harmony

00:17:03One of composition

00:17:05And six practicing with the eastern helicon

00:17:07To earn a few bucks by blowing on it twice

00:17:11To advertise a sanitary pad

00:17:13Hey?

00:17:14And what about when they call you?

00:17:16This life is awesome!

00:17:17Watch out, I'm coming

00:17:19Passed

00:17:20I was coming from a political dinner

00:17:23They put a knife to my neck

00:17:24And they took my wallet.

00:17:25It doesn't surprise me.

00:17:26The government does not govern

00:17:28And we're headed for chaos.

00:17:29Shut up, man, shut up

00:17:29What does the government have to do with it?

00:17:32There's a lot of unemployment.

00:17:33People have to eat

00:17:35And of course, he takes to the streets

00:17:36If there were a coalition government

00:17:38Another one who's just as bad

00:17:39There, there

00:17:39The important thing

00:17:41Apart from the fright they gave me, of course

00:17:43It's because it's inside the portfolio

00:17:45The document that the three of us signed yesterday was included.

00:17:47What are you saying?

00:17:49The draft incorporation of the company

00:17:51For the leasing of municipal cranes

00:17:53That

00:17:53But that's extremely dangerous

00:17:56How extremely dangerous?

00:17:57It could be our downfall

00:17:58If my party finds out that I have joined

00:18:00With two members of the opposition

00:18:01It terrifies me.

00:18:02And they find out that this society

00:18:04He will live off a contract-based arrangement.

00:18:06Of 50 municipal cranes

00:18:08They send me to...

00:18:09To Siberia

00:18:10In the end

00:18:11I called you so you would know.

00:18:13Father Constantine

00:18:14From the parish of Buen Remedio

00:18:16He has the wallet

00:18:16And why hasn't she recovered it?

00:18:18Because he wanted to give it to me in front of my wife

00:18:20If I say it's mine

00:18:22It's tantamount to acknowledging

00:18:23That I was with someone else that night.

00:18:25And I had told my wife

00:18:27That I had spent the night with you

00:18:29At the town hall

00:18:30And what if Martina finds out?

00:18:32You already know her

00:18:34He is capable of killing me

00:18:35We need to recover that document.

00:18:36Whatever it takes

00:18:37It will cost

00:18:38I don't know how much

00:18:40But it will cost

00:18:41Do nothing

00:18:42I'll take care of everything

00:18:44I will telephone Father Constantine

00:18:46And I will meet with him.

00:18:47Ramiro

00:18:53On the phone

00:18:54Can't

00:18:55I'm playing

00:18:56Tell my wife

00:18:56She's not your wife

00:18:57The councilman?

00:18:59Yeah

00:18:59Thank goodness you warned me

00:19:01Imagine giving out this phone number.

00:19:02Saying that in the parish

00:19:03What was I going to do?

00:19:04I wasn't going to give him the one from my house

00:19:05Take my place for a moment

00:19:07I've never touched this thing in my life.

00:19:09Then follow me

00:19:10He doesn't have a watch.

00:19:14He always has to drag me into these books.

00:19:16Be careful with the hat on top

00:19:24He puts the earpiece in his ear.

00:19:29And it blows here from time to time.

00:19:30Blow

00:19:31Come on, blow

00:19:32Hail Mary Most Pure

00:19:35Are you a father?

00:19:37But what about Father Constantine?

00:19:40No, it's not that I doubt his word.

00:19:42But from what I'm hearing

00:19:43More than a parish

00:19:44That appears

00:19:45In the Galician home

00:19:46You'll see

00:19:46What actually happens

00:19:48We have a christening coming up.

00:19:49You know?

00:19:49A Scottish boy

00:19:50A Scottish boy

00:19:51The father

00:19:53The father of the Scotsman

00:19:54He's celebrating

00:19:55I already suspected that.

00:19:57That he would call me

00:19:57To recover your wallet

00:19:58Right, Majo?

00:19:59Because it's yours

00:20:00No?

00:20:01Sure, yes

00:20:02But it's in front of my wife

00:20:04I couldn't talk to him

00:20:05Look, the best thing will be

00:20:06Let me come by tomorrow.

00:20:07I'll go see him there.

00:20:08Hey?

00:20:08Here?

00:20:09Oh, well, yes

00:20:11You are referring to the parish

00:20:13There is a gentleman

00:20:13What does he want you to play?

00:20:14I have no problem with that.

00:20:15Shut up, you joker

00:20:16The good Scotsman

00:20:17She wears skirts

00:20:18Shorter

00:20:19That of his girl

00:20:20What have they said?

00:20:20What do you want me to play?

00:20:22No, not me

00:20:23I don't touch anything

00:20:24It's the piper

00:20:25It's right here next door

00:20:26Well

00:20:28Okay, yes

00:20:30Tomorrow at ten o'clock

00:20:32We'll see each other at the parish

00:20:34Bye

00:20:35Then goodbye

00:20:36Keep blowing and listen

00:20:38Look

00:20:38Hang up the phone

00:20:39Come on

00:20:39Hang up the phone

00:20:40Let's see

00:20:48One, one

00:20:49Okay

00:20:49Very good, very good

00:20:50Now Barcelona or Sasuna

00:20:54Behave yourself, Saint Jeremiah of the Mount

00:20:57Saint Jeremiah, let's not mess this up.

00:21:01One, two

00:21:04Barcelona is playing at home, son.

00:21:07Ah, put it on.

00:21:09Put it on, put it on

00:21:09Well, that's up to you.

00:21:09Look, well, that's great.

00:21:10Well, I'll put it there.

00:21:10Okay, it's there, it's there, look

00:21:11There

00:21:12Let's see now

00:21:15Saint Jeremiah

00:21:18That way we never get through

00:21:19Out of seven correct

00:21:20Yes, I know.

00:21:21May the day you succeed

00:21:22One of fourteen

00:21:22They give us the monastery of El Escorial

00:21:24But son

00:21:24It's because these two

00:21:25He's very fat

00:21:25Excuse me, Father

00:21:27Let's go in and call

00:21:28But it's one thing

00:21:29Very urgent

00:21:29How can you put this in, magician?

00:21:37Look

00:21:38Last week's

00:21:39Look what I do

00:21:41Nothing

00:21:41Father

00:21:42We have come with some urgency.

00:21:46Man, yes

00:21:47Yes, that's it.

00:21:48You see, it's like when you want to

00:21:49So

00:21:50Perfect

00:21:51Sardinian

00:21:52That?

00:21:54An X

00:21:54Let's see, my son

00:22:00If this is not me

00:22:01But don't yell at me

00:22:01I'm not deaf

00:22:02Hey, I didn't say anything.

00:22:03I haven't even spoken

00:22:05Look, we came to see him

00:22:08Because we have a matter

00:22:09Okay, wait.

00:22:10I'm not deaf

00:22:10But you seem mute

00:22:11I'm going to get this started

00:22:13Let's see if

00:22:14It's a device

00:22:16Perfected by me

00:22:17DIY

00:22:18He's clumsy.

00:22:19Well, it looks like a Martian is leaving.

00:22:20Hey?

00:22:21No no

00:22:21Early is not

00:22:22What time is it?

00:22:23I don't know

00:22:23I don't wear a watch.

00:22:24Well, I don't know

00:22:25What's wrong with me, huh?

00:22:27What if I get like that?

00:22:28I'm listening to SER.

00:22:29If so

00:22:30Radio Intercontinental

00:22:32And if so

00:22:34Radio Andorra

00:22:34You won't get deaf, will you?

00:22:35No no

00:22:36If I get like that

00:22:37I hear you

00:22:38Funny

00:22:39Okay, so what's up?

00:22:40We're off to a bad start

00:22:41You'll see, you'll see

00:22:43A wedding in Article Mortis

00:22:45A friend who has had an accident

00:22:47And what is your friend?

00:22:48Well, I don't know.

00:22:49We haven't invented it yet

00:22:50Whatever this man is

00:22:50But...

00:22:51What does that matter?

00:22:53Say

00:22:53What do you do for a living?

00:22:55Ah, I'm a bagpiper

00:22:56Hey, the cider man

00:22:58No no

00:22:58No, no, you see

00:22:59No, the other one, man.

00:23:00Is...

00:23:01Construction worker

00:23:02Ah

00:23:03And he fell off the scaffolding

00:23:05What scaffolding?

00:23:06I don't know

00:23:06No, no, no

00:23:07Why would it fall?

00:23:08How should I know?

00:23:09He didn't tell me he's a bricklayer.

00:23:10Yeah?

00:23:10No, no, no

00:23:11He said it

00:23:12But just like the bricklayer said

00:23:12He could have said anything else.

00:23:13You'll see

00:23:14He's been in a car accident on the road

00:23:16He's cross-eyed, you know?

00:23:18He saw two roads

00:23:18And she must have gone in the wrong way

00:23:20Fuck!

00:23:21That's pretty serious, huh?

00:23:22Yes, but it turned out very well.

00:23:23No, no, no

00:23:24Don't talk to me like that

00:23:24I listen to the top 40.

00:23:26Stand in front

00:23:27There?

00:23:28There

00:23:29Ah, you'll see.

00:23:30She wants to get married on her deathbed.

00:23:32My friend

00:23:33He will take you to the accident site

00:23:35While I go get the girlfriend

00:23:36And I take her there

00:23:37Well, why have you come here?

00:23:39It was on our way

00:23:40Ah, he's a parishioner at my church.

00:23:42Oh, yes, of course.

00:23:43Parishioner, yes, of course

00:23:44Most Reverend

00:23:45Yes, yes, yes

00:23:46Well, I don't know.

00:23:47And what's its name?

00:23:49A gazillion Garcifurcios

00:23:50Don't abuse it

00:23:50No, this must be wrong.

00:23:52Because he has understood

00:23:53A gazillion Garcifurcios

00:23:55And that simply cannot be.

00:23:56Okay, but

00:23:56Three children

00:23:57Three children?

00:23:59What a strange surname, isn't it?

00:24:00I say that he has three children

00:24:01And another one is coming.

00:24:02That's why he doesn't want to leave that woman.

00:24:04And the unlegalized creatures

00:24:06Which?

00:24:07Let's go

00:24:08What's wrong, Dad?

00:24:14Does your stomach hurt?

00:24:15I'm listening to the Pope

00:24:16It crosses my path often

00:24:18Ask him if he has much more left.

00:24:19He's leaving, he's leaving, he's leaving, he's leaving

00:24:21Ah, he's gone now.

00:24:22Oh, really?

00:24:23How does he speak Polish?

00:24:24Well, I don't understand it at all.

00:24:25I'm waiting for the sacristan

00:24:26He's gone for the champagne

00:24:26For Mass?

00:24:27But now they're celebrating with champagne

00:24:29After the council

00:24:31They're going to take a pill

00:24:32No, man, it's my saint's day.

00:24:34Congratulations!

00:24:36Congratulations!

00:24:37Happy!

00:24:38Happy!

00:24:38Don't rape me, you fool!

00:24:40Oh well, it doesn't matter.

00:24:42I'm waiting for the sacristan

00:24:43I'll tell you what happened

00:24:44I'm going to get the girlfriend later

00:24:46And I take her to the accident site

00:24:48And you can marry them if you want.

00:24:49And if you don't want to, don't marry them.

00:24:50But what a mess!

00:24:51Come on, come on!

00:24:51Horror!

00:24:54Wait, wait, wait!

00:24:54I've come across José María García

00:24:56Wow!

00:24:58What he said about Porta

00:24:59It doesn't matter

00:25:00Go on, go on

00:25:00Well, look

00:25:02Since we're going out on the street

00:25:02The two of them together

00:25:03Let's make this prediction

00:25:04You put up the money

00:25:05And I to Saint Jeremiah of the Mountain

00:25:06And a millionaire

00:25:07We become millionaires

00:25:08Father

00:25:25Father Constantine

00:25:26Father

00:25:28Come on

00:25:28Good morning, father

00:25:30Good morning, my son

00:25:31Good morning

00:25:32Here it is

00:25:36That is yours

00:25:37Actually

00:25:38I came to ask you

00:25:39One favor, please?

00:25:40A big favor

00:25:41Which I would pay generously

00:25:43I mean

00:25:44That I would give

00:25:45A generous donation

00:25:46For charitable works

00:25:47From the parish

00:25:48What favor?

00:25:49Well, you see, Father

00:25:50Father!

00:25:51Father!

00:25:52Father!

00:25:54Father!

00:25:55You were saying that...

00:25:55Father!

00:25:57Oh!

00:25:58Please forgive me

00:25:59He had confused her

00:26:00With Don Saturnino

00:26:01Saturnine?

00:26:02The Stop?

00:26:03To confuse me

00:26:03Oh, what nonsense!

00:26:05No, it's gone out

00:26:06Time to buy some batteries

00:26:06For the device

00:26:07Let's celebrate, shall we?

00:26:08It's about

00:26:09From someone urgently

00:26:10Yes, well, he'll have to wait for her.

00:26:12Wait a minute, okay?

00:26:12It's dangerous.

00:26:13No waiting allowed

00:26:14Yes, excuse me a moment

00:26:16Come on, be quiet

00:26:17Come on, come on

00:26:17Look, I'm a friend

00:26:19From Don Saturnino

00:26:20Yes, fellow seminarian

00:26:21And I'm waiting for him.

00:26:22What's happening?

00:26:23I found myself in the street

00:26:24With Mr. Calafate's wife

00:26:26He is dying

00:26:28But is he dying?

00:26:29And is he walking around in the street?

00:26:30Are you red?

00:26:30No, the one who is dying

00:26:32It's Calafate

00:26:33Ah, poor thing, isn't it?

00:26:35So what?

00:26:36He has asked for confession

00:26:38That sounds great to me, man.

00:26:40But leave me alone

00:26:40It's that you

00:26:41He doesn't know Calafate

00:26:42He's more of an atheist than Stalin

00:26:44And he has asked for confession.

00:26:45Well, confess to him.

00:26:46No, we have to go see him

00:26:48Before he regrets it

00:26:49What a joker that short guy is!

00:26:51Won't the parish priest be long?

00:26:53You must go

00:26:54AND?

00:26:54I?

00:26:55Should I confess to him?

00:26:56But I, man, yes

00:26:57But yes, I am not

00:26:58I am not a priest

00:26:59Well, I mean, I'm not the one who

00:27:00This is not my parish

00:27:01What does it matter?

00:27:02He is a sinner

00:27:04Yes, yes, but no matter how much he has sinned

00:27:05I don't think I can

00:27:06I'm going to get the things.

00:27:07And I will accompany you, Father

00:27:08Okay, fine.

00:27:09But how is it valid?

00:27:11The short guy has already confused me.

00:27:12Come on, let's go

00:27:13We'll talk in any bar

00:27:14As?

00:27:15Well, I mean

00:27:16In any coffee shop

00:27:17Come on, come on

00:27:18Well, I wouldn't be interested.

00:27:20That they would see us together out and about.

00:27:21Because?

00:27:21Because I am a public figure

00:27:23Yeah?

00:27:23Here, take your wallet now.

00:27:24And let's each go our separate ways

00:27:25I need you to do me a favor

00:27:27Yes, yes, I'll do it over the phone.

00:27:29Father!

00:27:29The short guy again

00:27:30Father!

00:27:32Let's go, Father

00:27:33There is no time to lose

00:27:35I need to talk to this gentleman.

00:27:36They'll talk along the way

00:27:38It's right here

00:27:39Okay, but don't throw

00:27:40Listen, father

00:27:41I have the car out there.

00:27:42If you'd like, I can take you.

00:27:43You are very kind.

00:27:44Forgive me, my God

00:27:45Hurry, hurry

00:27:45What a mess I'm getting myself into, oh my god!

00:27:48I don't understand much about politics

00:27:49But I like Felipe Rodríguez

00:27:51Where should Alfonso Suárez be?

00:27:54The one I liked

00:27:56He was the short one

00:27:57He wouldn't let us say anything.

00:27:59But they didn't say he was dying.

00:28:02And it is.

00:28:03But he has always been very Andalusian.

00:28:06So much so that I think it has demanded

00:28:08That the niche has the number 151

00:28:11What detail?

00:28:11Has the parish priest not arrived yet?

00:28:13No?

00:28:14Is the parish priest here?

00:28:16As soon as Sebastian sees it

00:28:18It gets good from the impression

00:28:19Mom, here's the priest

00:28:22Pass, pass

00:28:23Hello good

00:28:24But isn't that Don Saturnino?

00:28:26I wasn't there

00:28:26I brought this father with me

00:28:28The matter was urgent.

00:28:28And this gentleman?

00:28:29He brought us in his car

00:28:31He's a friend of mine.

00:28:32But you'll see, ma'am

00:28:33I think they should wait for Don Saturnino

00:28:36What if the worst happens in the meantime?

00:28:38No no

00:28:39It's better if you go in.

00:28:40Don't be pessimistic

00:28:42Oh, the doctors have given up on him.

00:28:44But he's singing

00:28:46It's a cassette

00:28:47He's from Seville, you know?

00:28:49And he always wanted to die in his own environment.

00:28:51Come in, father

00:28:52Come in, ma'am

00:28:55But he is dying

00:29:02Or is the dew melting?

00:29:04He insisted that we dress him like that

00:29:06Look

00:29:07He wakes up

00:29:08Yeah?

00:29:09Hey!

00:29:11L said

00:29:12Hey?

00:29:13Yeah?

00:29:15Jobah!

00:29:15A priest!

00:29:16Out!

00:29:17Get out of here!

00:29:18But Quinito!

00:29:19Out!

00:29:19What is a priest?

00:29:20That's precisely why

00:29:22I am an atheist, thank God

00:29:25And I'm not going to allow a priest

00:29:27I ruined the last few minutes of my life

00:29:29Out!

00:29:30Out!

00:29:31Don't worry

00:29:32I am not a priest

00:29:33And that Dotana?

00:29:34It's a very long story

00:29:35But you can rest assured

00:29:38I am not a priest

00:29:40This father is a blessed man

00:29:42She lies to save my husband

00:29:44Lie

00:29:45He says it to get me to take the bait.

00:29:46If you want, I swear

00:29:48Well

00:29:49His word is enough for me.

00:29:51But he's not a priest.

00:29:53Who is it?

00:29:54Well, I'm a fan of singing.

00:29:57He's come here to find out

00:29:59To the most flamenco uncle in Spain

00:30:01How does he know that?

00:30:03It's all anyone is talking about

00:30:04The guy who asked

00:30:07Bury him in his short suit

00:30:09If I'm not careful

00:30:10They saddle me with a habit

00:30:12That my widow is a devout woman of agupa

00:30:14Okay, then stay.

00:30:15And you all leave me alone with this friend

00:30:17One moment

00:30:18Leave us alone

00:30:20And you go running for Don Saturnino.

00:30:23Anyone knows where it is.

00:30:25At kilometer 18 of the Valencia road

00:30:27And what is he doing there?

00:30:28So what?

00:30:29He'll be at the parish now.

00:30:30Run, go find him

00:30:31Well, I...

00:30:33No, it's better that this gentleman stays

00:30:35So that her husband

00:30:36Don't think it's a trap

00:30:37You're right.

00:30:38You are so kind.

00:30:39The truth, Father

00:30:42You are a great father

00:30:44And you're a big fool.

00:30:47Well

00:30:48And now...

00:30:50Shall you and I talk?

00:30:52Religion?

00:30:53No

00:30:54Of bullfighting, of singing

00:30:56Or whatever

00:30:57Do you know

00:30:59The sinful self?

00:31:02Me, a sinner?

00:31:03I, a sinner

00:31:04I think Manolo Escobá sang it.

00:31:07But I can't figure it out from the title.

00:31:08Okay, then go over it.

00:31:10It will be a double step.

00:31:11You see yourself in the mess

00:31:13I'm in this because of him.

00:31:14Come on, come on

00:31:16Take this wallet now!

00:31:19And leave me alone

00:31:20Uh, uh

00:31:21Fake cure

00:31:22I know the I am that

00:31:24Rafael sang

00:31:25But the sinful self

00:31:27It sounds like a prayer from a Blessed woman.

00:31:28What if instead of thinking

00:31:30In what one or the other sang

00:31:31You should use your brain to remember.

00:31:33What bad things have you done in your life?

00:31:36I don't know if I'll remember.

00:31:37Of all the shitty things I've done in my life

00:31:39And are you glad you made them?

00:31:41Man, no

00:31:42One doesn't make a bad mood.

00:31:44Well

00:31:45So then he tells that priest

00:31:48Who collects tasks

00:31:49That deep down

00:31:50She regrets having done them

00:31:51Hey?

00:31:52Ale, ale

00:31:53Start thinking about them

00:31:54Okay, fine.

00:31:55When I stabbed him

00:31:57To the neighbor who was something

00:31:58Tell him, ale

00:31:59But he no longer has the wallet

00:32:00What are you still doing here?

00:32:01Since you are a saint

00:32:02Father Constantine

00:32:03Do me a favor

00:32:04Sending it directly to the town hall

00:32:06Bring it here, pest.

00:32:07I'll send it now.

00:32:09If I'll finally finish this

00:32:10Where is?

00:32:10With this story?

00:32:12Hey, hey, hey!

00:32:12You're a farce!

00:32:14Come on!

00:32:14Yes, I'm coming, what a day!

00:32:15That?

00:32:17How's that memory doing?

00:32:19I've made a mess

00:32:20Look

00:32:21That I emigrated to America

00:32:22When I was very young

00:32:23And I made a fortune there

00:32:25I brought it here

00:32:26And I brushed her hair.

00:32:27All out partying

00:32:28And in a whore's body

00:32:29Oh, you little rascal!

00:32:31Oh, oh, oh!

00:32:31About troubles with the girls

00:32:33I also have to repent.

00:32:34Because that's it, huh?

00:32:36It was, I think you should

00:32:37Put everything in a bag

00:32:38And give him the whole sack

00:32:39To the priest who comes

00:32:40And in peace

00:32:40Look, priest farce

00:32:42I'm not stupid.

00:32:43You are a real priest

00:32:44So, to annoy my wife

00:32:46I'm going to confess to you.

00:32:48No, no, no

00:32:49Wait for the collector

00:32:51It's better, isn't it?

00:32:52No no

00:32:52You who understand music

00:32:54This gentleman is here

00:32:56Well, he should get under the bed.

00:32:58And don't listen to me

00:32:58Before, confess to me

00:32:59Look, you, if it's about the stabbing

00:33:01Wayward things

00:33:02I don't want to hear it.

00:33:02If the thing about the children with the saucepans

00:33:04That already provoked me

00:33:04I don't want to hear it.

00:33:05No, no, no

00:33:05Thank goodness

00:33:06I'm here now

00:33:07Come on, don't get nervous

00:33:09That?

00:33:10Confess, son

00:33:11That?

00:33:12That your sins will be forgiven

00:33:13Well, I see, it's true

00:33:15You look terrible, don't you?

00:33:17Death is written all over your face.

00:33:19Ah, but also his friend

00:33:20She's parsing it

00:33:21Spit it out.

00:33:23Father!

00:33:24Father!

00:33:24What is my husband?

00:33:26What does it say?

00:33:27Died?

00:33:27No

00:33:27It's not called dead

00:33:29He is said to be dead

00:33:30We're going to fix this

00:33:32Deaf

00:33:33Well, he's going to tell me

00:33:34And that the obituaries be in my name

00:33:35Father, please come with me

00:33:36Bring on the competition!

00:33:37No!

00:33:38I am a rotating priest

00:33:40Hey, I've seen that face somewhere before.

00:33:42Didn't you get any applause?

00:33:44No, not me

00:33:44That's Fradejas.

00:33:45This gentleman is the one who needs your help.

00:33:49Blow, Juanito Valderrama!

00:33:51Listen, I want to confess to you

00:33:53What if I tell this deaf man my sins?

00:33:55The whole neighborhood is going to find out

00:33:57Listen, Father, I've seen you somewhere else.

00:33:59That's very strange because I rarely go there.

00:34:01Well, it will be somewhere else.

00:34:03Well, I don't know.

00:34:03That's definitely possible because I go there very often

00:34:05Well, you're definitely singing, you know.

00:34:08Well, sing

00:34:10Of course, if I don't sing, I have to confess to him.

00:34:13Yes, of course, I have sung all my life

00:34:18Yes, ever since I was little, always

00:34:20Let's do one thing

00:34:21Ole, ole!

00:34:24You emigrated when you were young, didn't you?

00:34:25Yes, when I was young, when I was young

00:34:26Well, I'm going to sing her a song

00:34:28It will remind him of those times.

00:34:31Okay, and then I'll confess to you.

00:34:34We'll see.

00:34:35Grandpa one day

00:34:44When I was very old

00:34:47There in Seville

00:34:49He took my hand

00:34:54And I realized that he was already dying.

00:34:58Then he told me

00:35:03With very little strength

00:35:06And with less haste

00:35:08Promise me, son

00:35:12To old Seville

00:35:14You will go someday

00:35:17And to the south wind

00:35:20You'll say that his friend

00:35:22To a new land

00:35:24He gave his life to her

00:35:28And one day the grandfather

00:35:33He fell asleep

00:35:36Without returning to Seville

00:35:39Grandpa one day

00:35:42Like so many others

00:35:45With so much longing

00:35:48And in time, to grandpa

00:35:52I saw it in the villages

00:35:54I saw him in the mountains

00:35:56Every morning

00:35:57And in every legend

00:35:59Keep singing this

00:36:00Yes, very strong

00:36:01And I traveled through Spain

00:36:07Just like life itself

00:36:15The light is dying

00:36:16There you have it

00:36:20When they get over the madness they've caught

00:36:22He confesses it

00:36:24But I got in cleverly.

00:36:26Sing something to him

00:36:27When he gets tired

00:36:27If I don't hear him

00:36:28It's the same

00:36:29Oh my God

00:36:30What a bad time

00:36:32It's in the past.

00:36:32Now you can die

00:36:33No, don't worry.

00:36:34No, don't worry.

00:36:34See

00:36:35I'll accompany you

00:36:36The suffering when I die

00:36:37Oh dear, I've left it worse than it was.

00:36:39Mother

00:36:40No, I knew it!

00:36:42That this is a singer

00:36:43It's called, it's called

00:36:45Alberto Cortés

00:36:47No, man, no

00:36:47This is Bruno Tower

00:36:49I don't think so

00:36:51He looks a bit like him, son.

00:36:53What can I tell you?

00:36:55Let's see, this

00:36:55No, this one, this one

00:36:56It's already broken

00:36:57No, I won't confess.

00:36:59And since I've already left

00:36:59I'll place a bet, son

00:37:00But it's better not to say anything, Mom.

00:37:04That

00:37:05And that your husband is a windbag.

00:37:06Put your foot in it

00:37:07I can't call Julian's house

00:37:09I'm forbidden to do it.

00:37:10He's better than that great gentleman.

00:37:12Let me know from your own mouth

00:37:14The one who robbed him

00:37:14Your husband is an idiot.

00:37:16We're going to have a bad time, Mom.

00:37:17We're going to mess things up.

00:37:18They're already replying.

00:37:20Please

00:37:22Mr. Rebolledo Cascajo

00:37:24From whom?

00:37:27What did you say?

00:37:28Ah, very good.

00:37:29I'll see if it's there

00:37:30Who is it?

00:37:34Ask for Mr.

00:37:35Your secretary

00:37:36But if your secretary

00:37:37He's in bed

00:37:38With the flu

00:37:38He'll call her from bed.

00:37:40Okay, let him know.

00:37:41And then go pick it up

00:37:42Breakfast utensils

00:37:43Yes, ma'am

00:37:52Thank you, Anguish

00:37:55You are welcome

00:37:55Nugget

00:37:57How's that flu going?

00:37:59Hey?

00:38:00Are you crazy, Rocío?

00:38:02How did you come up with that?

00:38:03Call me at home?

00:38:04I told you that...

00:38:05Yes, I know.

00:38:06But it is very important

00:38:07Just so you know, my husband

00:38:08Whatever it is

00:38:09Can you tell me?

00:38:10When we see each other

00:38:11Next Thursday

00:38:11But you don't understand

00:38:13That this conversation

00:38:14My wife might be listening.

00:38:15It's because Mom

00:38:16He's insisted that I call you

00:38:17Because you need to know something, darling.

00:38:19Not another word

00:38:20I'll call you when I can.

00:38:22Your mother

00:38:23You are crazy

00:38:24Bye

00:38:25He hung up

00:38:26Do you see it?

00:38:28He got angry

00:38:29But he hasn't let you speak?

00:38:30That man is a fool.

00:38:32The foolish ones

00:38:32It was us

00:38:34What if his wife

00:38:35Has he found out everything?

00:38:36Oh, I don't like it.

00:38:37This mess

00:38:37I don't like

00:38:38Your husband

00:38:39He left very early

00:38:40Saying he was going to the Scottish pub

00:38:41But what the hell

00:38:42I was going to go at this time

00:38:42And there's nobody there?

00:38:44You're crazy

00:38:45You're crazy, Paco

00:38:47Which is quite a lot.

00:38:48Dress like this

00:38:48To work

00:38:49That's quite something.

00:38:50But I went out wearing these clothes

00:38:50You have to do whatever it takes.

00:38:51So that you won't be recognized

00:38:53And the cassocks

00:38:53You've already overused them.

00:38:54You look like a tourist

00:38:55Also, don't worry

00:38:56I'll give you a ride in my car.

00:38:57Even the town hall

00:38:57Yes, yes

00:38:58You can say whatever you want.

00:38:59But they're going to throw stones at me.

00:39:00Look, what you have to do

00:39:01It's speaking with a foreign accent.

00:39:18Tell me

00:39:27What did you say?

00:39:29The parish of what?

00:39:31No, he's mistaken.

00:39:33So what is it then?

00:39:35A what?

00:39:37A pub?

00:39:39Ah, a bar

00:39:40And what's its name?

00:39:44Would you mind telling me the sign?

00:39:46Yeah

00:39:48Yes, thank you very much.

00:39:50And forgive me

00:39:51Good luck!

00:40:03Good

00:40:04Damn your image

00:40:05I look like an advertisement

00:40:06From Long John's Whisky

00:40:07Go on

00:40:08Oh

00:40:09Oh

00:40:11And if I don't get it

00:40:12The sunroof

00:40:13I would have had to bring you

00:40:14In the trunk

00:40:15You're so funny, aren't you?

00:40:19There it goes, hey, you look

00:40:20Excuse my curiosity, mister.

00:40:23You who carry

00:40:23Underpants or panties?

00:40:25Let's see

00:40:25Girl, your hand

00:40:26Stay still

00:40:27Who knows what your father will wear?

00:40:29What's happening?

00:40:31He sees a slap

00:40:31The mother who bore them

00:40:34Don't bother the tourist

00:40:35Look

00:40:35And your teasing too?

00:40:37I'm dressed like a clown

00:40:38Because of you

00:40:39And on top of that, mockery

00:40:40Oh no, no

00:40:42It goes with a hand, no

00:40:43No no

00:40:43Mr.

00:40:44Hey

00:40:45The objects

00:40:47I don't understand

00:40:49I don't understand

00:40:49One moment

00:40:51Spanish

00:40:52One moment

00:40:53Lost and Found

00:40:56Ah

00:40:57Entering on the right

00:40:58Oh, thank you

00:41:00Lower your hand

00:41:02I told you before.

00:41:02No?

00:41:10Another one shakes his hand

00:41:11There

00:41:12Good morning

00:41:20Don't tell me any more.

00:41:22He's lost the bagpipes

00:41:23No, I don't lose anything.

00:41:25No no

00:41:25My

00:41:26My understanding

00:41:27My finding

00:41:30This

00:41:31What's it called?

00:41:34Oh, it's done.

00:41:35My find postman

00:41:38Ah, it's been found

00:41:38A postman

00:41:39I would be distributing

00:41:40No, rich

00:41:41No no

00:41:42You haven't understood me.

00:41:43No

00:41:43No, postman

00:41:44No

00:41:45No postman

00:41:46We erased postman

00:41:47Hey?

00:41:49Wallet

00:41:49My wallet find

00:41:51Oh, it's done.

00:41:52Yeah

00:41:52Wallet

00:41:54Here it is

00:41:55What I haven't found

00:41:57It has been the donations

00:41:58Graceful

00:41:59That has been found

00:42:00A wallet

00:42:00Oh, now

00:42:01And now I

00:42:03Goodbye

00:42:03No, one moment

00:42:05That?

00:42:05Please fill out this form

00:42:07No, I'm not signing anything.

00:42:08Look

00:42:10I speak little Spanish

00:42:12But don't write

00:42:14Neither potato

00:42:16Potato

00:42:17Do you understand?

00:42:18Ah, look

00:42:18One moment

00:42:18Here is the councilman

00:42:19Person in charge of services

00:42:20Don Arturo

00:42:21This gentleman has found

00:42:22A wallet

00:42:22And she comes to return it.

00:42:23It contains documents

00:42:24And money

00:42:24Let's see

00:42:25Let's see, let's see, let's see

00:42:27I come back

00:42:29Come back

00:42:30No, one moment

00:42:31Don't leave

00:42:32No, I see.

00:42:36These foreigners

00:42:38They are among the most decent.

00:42:39Oh, it's already here.

00:42:40Decent

00:42:40You see?

00:42:41He has almost 20,000 pesetas

00:42:43Well, then

00:42:44Goodbye

00:42:45Just a moment, please, mister.

00:42:47I speak English

00:42:48Lucky Australia

00:42:50Junkie at home

00:42:51United States of America

00:42:53Yes

00:42:53Yes, yes

00:42:54Yes, yes

00:42:55There, yes

00:42:56There, yes

00:42:56Yes, yes

00:42:57Clear

00:42:57Manuda cara

00:42:58It has this

00:42:59Yes

00:42:59Wow, wow, wow

00:43:00Much more yes

00:43:01That before

00:43:01Yes, yes

00:43:02Okay, okay

00:43:02Let's do one thing

00:43:03Leave your contact information here

00:43:04And in peace

00:43:05Breasts

00:43:06Let it be

00:43:08Breasts

00:43:10Me too, dude

00:43:11Because of the ones they make at the Moose

00:43:12Ah, the ones at 31

00:43:14Yes

00:43:15What girls to the eye

00:43:16That one, that one

00:43:17When you're 31

00:43:18Exactly, of course

00:43:19Oh, well, my non-card here

00:43:21Wait a moment, wait a moment

00:43:23Leave your contact information here

00:43:24Okay, okay, very good

00:43:25Well, I'll write it down right here.

00:43:26Don't worry

00:43:27So, which hotel are you staying at?

00:43:30Host in Spanish?

00:43:32Yes, yes

00:43:32Yes, I'm in Spain

00:43:34In Spain

00:43:35In Spain

00:43:36In Spain

00:43:37In Spain

00:43:37Hotel Imperial

00:43:38Hotel Imperial

00:43:40Hotel Imperial

00:43:41Well, that's it.

00:43:42Very good

00:43:43You can leave now

00:43:44Well, that's fine.

00:43:46That's it

00:43:46Okay, very good.

00:43:47You can take a certain

00:43:48Of his own

00:43:49Go to hell

00:43:50Yeah, yeah

00:43:50Goodbye

00:43:51Bye, bye

00:43:52Bye, goodbye

00:43:53Goodbye

00:43:54Bye, bye

00:43:54Fuck

00:43:55What's happening?

00:43:56Hey, I'm so dizzy, Mom.

00:43:57Hey, mister

00:44:00Tell me

00:44:00Oh, yes, it's for me

00:44:03For you, yes, you

00:44:04This has gotten stuck to him

00:44:06Oh, yes, oh, what things

00:44:12Where will I have a job?

00:44:14Goro, I say

00:44:14Where will I put my head?

00:44:17This one with the mustache

00:44:18He's got a bad temper.

00:44:19And you lower your hand

00:44:21It seems like a joke

00:44:22Come on

00:44:23These foreigners are amazing

00:44:25Yes, so amazing

00:44:26Those foreigners like me, bishop

00:44:28What did you say?

00:44:29Uh, no, nothing, nothing, nothing

00:44:31Let me have your wallet

00:44:32I know the owner

00:44:33I will deliver it to you personally.

00:44:35Good

00:44:35Don't worry

00:44:36Yeah

00:44:36Wow, what a mess I've made of my fingers, mother.

00:44:39Wow, what a breeze has picked up!

00:44:40Señorano, his back has fallen down

00:44:41No, it will be yours, sir.

00:44:43Oh, no, it'll be four seconds.

00:44:44The back

00:44:45My back, my back

00:44:46But?

00:44:47Oh dear, what a mess I've made

00:44:47Oh, the hat.

00:44:49I don't know why I get that impression

00:44:50That I'm showing my ass

00:44:51Oh, hehehe

00:44:53Uh, well, with this mess

00:44:55The Scots had a cold day

00:44:56In the balls of my nose

00:44:57Come on in, you look like a majorette

00:44:59How have you been?

00:44:59Oh, hello

00:45:00Perfect

00:45:04In this country they see a tourist

00:45:07And everything is easy

00:45:08Start it up, I'm finally getting rid of it

00:45:11That damn wallet

00:45:12Paco, you've released the handbrake

00:45:15You heard me right, kid.

00:45:17Our partner is a pig

00:45:19He made her return the wallet

00:45:20To a guy who came dressed as a Scotsman

00:45:22And the worst part

00:45:23It's because of the document that committed us

00:45:25Julian changed it

00:45:27So the only ones to blame now

00:45:29It's you and me

00:45:29It is not possible

00:45:30And what does he intend?

00:45:32Should we expose our butts during our matches?

00:45:35It's true, all right-wingers are the same.

00:45:36Yes, but fortunately

00:45:38I have the wallet

00:45:39So nobody has found out about anything

00:45:41And what do you plan to do?

00:45:43Return the ball to him

00:45:44You'll see

00:45:45I have a plan and it won't fail

00:45:47I'll get it going tonight.

00:45:49But man

00:45:50For 40 pesetas

00:45:51And with women with their breasts exposed.

00:45:52How can you expect the whisky not to be from a jug?

00:45:54From Ramiro

00:45:55No, nothing from Ramiro

00:45:56You have to fix this

00:45:58Because it makes me blush with embarrassment.

00:45:59Come down!

00:46:00And I'm very decent.

00:46:01There's a guy in room number 6

00:46:03He says he doesn't get excited unless you play the bagpipes for him.

00:46:05Let her father touch it

00:46:06Give a thousand pesetas as a tip

00:46:07I'll touch it for her

00:46:09You'll see, sir.

00:46:12The whiskey might not be real

00:46:13But real tits

00:46:14Tap, tap

00:46:15Ramiro passes by

00:46:33Forward

00:46:35Damn, what a sight

00:46:43I'm sorry, but I can't understand this foreigner

00:46:47I understood through pushing and shoving

00:46:48What does the music need to get into the right mood?

00:46:51And that's why I called you.

00:46:52At the table

00:46:54What does he want from me touching him?

00:46:57In a good way, of course.

00:46:59What is this idiot laughing about?

00:47:02That guy's face looks familiar to me, like a seal, you know.

00:47:05I think I know him, you know?

00:47:06It must have been in Malaysia

00:47:08Because I've slept with Englishmen

00:47:09With Belgians

00:47:10And even with a Chinese person

00:47:11And I've come to an understanding with them.

00:47:13But this

00:47:13I don't understand a thing.

00:47:15Go on, handsome

00:47:16Say something to friendship here.

00:47:18So that he can hear what you're babbling

00:47:19Do you know how to play the bridge over the Cuay River?

00:47:24You see it

00:47:24You can't understand a word he's saying.

00:47:26Pussy

00:47:27If I understand correctly

00:47:28And me too

00:47:29Of course, in my case it's normal

00:47:31Because I know languages

00:47:32Hey?

00:47:34Lost objects?

00:47:35Yes sir

00:47:36And you really do attack Christians.

00:47:39Like, sure.

00:47:40Well, well, well

00:47:43May speak English sometimes a little

00:47:47And sometimes dark

00:47:49Hey...

00:47:51Oh well

00:47:51What on earth am I talking about here?

00:47:53What's happening?

00:47:54I'm a native speaker, aren't I?

00:47:55You too?

00:47:56Well, that's it

00:47:56He was assigned the bridge over the Cuay River

00:47:58You give me the money

00:47:59And that's it.

00:48:00No, no, no

00:48:01I don't know strong

00:48:02I don't need bagpipes to get excited

00:48:04What I wanted

00:48:05It was for you to come here

00:48:07I?

00:48:08Ah

00:48:09Are you from the other side of the street?

00:48:13Well, count me out.

00:48:14No, no, no

00:48:14Come on, come on

00:48:15Don't rush

00:48:16You can earn a thousand pesetas.

00:48:18If you do what I tell you

00:48:20Already

00:48:20Take off my skirts

00:48:21And get into bed with you

00:48:23Bullshit!

00:48:24Come on, now

00:48:25No, no, no

00:48:25That's not it.

00:48:26So, where is it going?

00:48:27One thousand pesetas

00:48:27If you return this wallet

00:48:29Your wallet again?

00:48:31But I just won't be able to get rid of it.

00:48:33Yes sir

00:48:33And then

00:48:34You're going to the town hall tomorrow.

00:48:36And she leaves it in the mayor's office

00:48:37And why?

00:48:38Is this the mayor's office?

00:48:40Well, because...

00:48:40That way it will reach its owner sooner

00:48:43Do you think so?

00:48:44Come on, let's go

00:48:45I'll hand it in tomorrow and give it back to another idiot like you the day after.

00:48:48Well, sorry, I didn't mean to be rude.

00:48:50Hey, what should I do?

00:48:51I'm leaving, I'm staying

00:48:52That my working day has a limit

00:48:54Wait a little while

00:48:55Don't leave me alone with this man

00:48:57And what about my 5,000 pesetas?

00:48:59He takes his 5,000 pesetas from his wallet

00:49:01Nobody is going to claim them.

00:49:03Already

00:49:03And what about Mr. Cascajedo?

00:49:05That

00:49:05As soon as the mayor opens his wallet

00:49:08He will not be able to say

00:49:09Not a peep

00:49:09Well, that's it

00:49:11I've already run out of the thousand pesetas.

00:49:12Because I am incapable of keeping anything from anyone.

00:49:15Sure?

00:49:16And how did this wallet get here?

00:49:18Into your hands

00:49:19You see, well, it was all a misunderstanding

00:49:22I docked

00:49:24Well, it's best I don't tell anyone.

00:49:27Because otherwise, all three of us are going to end up crying.

00:49:29Bring it here, I'll return it.

00:49:30But I wouldn't want to be recognized.

00:49:33Dress up as something

00:49:34Are you an expert?

00:49:36Okay, and now that I've given her the little wallet

00:49:38Why don't you leave me alone with the maid?

00:49:40I've already spent a fortune

00:49:41Yes, of course, enjoy!

00:49:44Oh, that sucks

00:49:47The mess I'm in with my wallet

00:49:48That there's no way to leave it anywhere

00:49:50The mothers who gave birth to me

00:49:51Good evening, miss

00:50:01Are you looking for someone?

00:50:02Yes, thanks

00:50:03But I don't think he's here.

00:50:04Do you know Father Constantine?

00:50:06A priest here?

00:50:07You're kidding me

00:50:08Unclear

00:50:09Okay, I'll see if I can find it.

00:50:10Thank you

00:50:10Very good

00:50:18One moment

00:50:36Where could I talk to a friend?

00:50:39Without anyone bothering us?

00:50:41Don't tell me you found the priest here.

00:50:42Okay, but this is going to cost you a thousand pesetas.

00:50:46That's the rate

00:50:52Going down that staircase

00:50:54Door number two

00:50:55One last favor

00:50:57Can you notify the musician and tell him

00:51:00What am I waiting for you there?

00:51:02To the bagpiper?

00:51:03Is that what they call it?

00:51:04Well, among friends, yes.

00:51:05Well, to that one

00:51:06Get down here immediately.

00:51:07Right now

00:51:08Hey, Ramiro

00:51:14In room number two

00:51:14A girl is waiting for you.

00:51:15Another one who needs

00:51:17Bagpipe excitement?

00:51:18I don't know

00:51:18But it's good

00:51:19Well, I've certainly had a busy night.

00:51:23One, two, three

00:51:25Ah!

00:51:38And the log?

00:51:49Who?

00:51:50The gentleman

00:51:51Are you alone?

00:51:53No

00:51:53I am with you

00:51:55Listen

00:51:55I've seen you somewhere before.

00:51:58And I love you too.

00:51:59Father Constantine

00:52:00Ah!

00:52:02At the councilman's house

00:52:03But

00:52:04What are you doing here?

00:52:05I needed to talk to you

00:52:07The one who robbed my husband

00:52:08Where did he do it?

00:52:10I don't want any more trouble.

00:52:11Bye

00:52:12He's going to have more trouble.

00:52:14If you don't speak clearly to me

00:52:16What does a priest like you do?

00:52:18In a place like this?

00:52:20Apostolic work, my daughter

00:52:22There are many lost souls here

00:52:23Those to save

00:52:24Even if it's just bagpipes

00:52:25My blessing, my daughter

00:52:27Don't move, Father

00:52:29My husband is cheating on me

00:52:30And I want to know with whom

00:52:31Where was Julian robbed?

00:52:34Well, I

00:52:34The bagpipe

00:52:36One moment

00:52:36You are not a priest

00:52:39Clear

00:52:40You were the robber

00:52:43Who?

00:52:43I?

00:52:44Are you crazy?

00:52:46Crazy

00:52:46Just look how crazy I must be.

00:52:48If he doesn't speak clearly

00:52:49I'll say that she tricked me into coming here.

00:52:51And that he wanted to rape me

00:52:52Lady

00:52:53Don't get all disheveled on me

00:52:54I don't want any trouble.

00:52:55He's going to have them

00:52:56And great

00:52:57What is he doing with that hand?

00:52:58Where is she taking it?

00:52:58Oh, how dizzying!

00:52:59Oh, oh, oh!

00:53:00Are you completely crazy?

00:53:02I won't be able to continue working like this.

00:53:03I don't mind

00:53:04My husband is cheating on me

00:53:06And I'm going to pay him

00:53:08With the same coin

00:53:09Am I still taking things away from myself?

00:53:11Well, unless she takes off her false eyelashes

00:53:13I don't know what's going away

00:53:14You wanted it.

00:53:15Don't show me your beard

00:53:16It's because my mind starts racing.

00:53:17Avenue of America

00:53:19Pizarro Corner

00:53:20And who lives there?

00:53:22A server very close by

00:53:23But my husband

00:53:24He's not going to be involved with you

00:53:25Listen!

00:53:26Skirts are part of the uniform!

00:53:28I don't know anyone

00:53:29I live there

00:53:30And why did I need to know?

00:53:32To her husband's lover?

00:53:33Men always get involved

00:53:34With his wife's friends

00:53:36Well, that's just wishful thinking.

00:53:37To make it difficult, huh?

00:53:39Total

00:53:39I'm back where I started.

00:53:41Well, no

00:53:42I see her more

00:53:44More naked

00:53:45All I know is that she's married

00:53:47That her mother was with her

00:53:49When he spoke to my husband

00:53:50And her name is Rocío

00:53:52What did you say your name was?

00:53:54Dew

00:53:54Oh, how funny!

00:53:56That's my wife's name

00:53:57Dew?

00:53:59Yeah

00:54:00And do you live nearby?

00:54:01Where did Julian get robbed?

00:54:02Things aren't standing still

00:54:04Three houses down

00:54:05Well, don't tell me any more.

00:54:07We have horns

00:54:08No, absolutely not.

00:54:09My poor wife

00:54:11He is incapable of such a thing

00:54:13Well, I admit

00:54:14I admit there are a lot of coincidences

00:54:17But to think that

00:54:18That the saint of Rocío

00:54:20He's going to cheat on me.

00:54:21Let's go!

00:54:22No, I don't believe it.

00:54:23Do you know that I'm beginning to understand?

00:54:26Why do they call him the bagpipe blower?

00:54:28Lady

00:54:29She was, she was a lady

00:54:30But my husband is cheating on me.

00:54:32And I'm going to deceive him

00:54:33Come here

00:54:34So that?

00:54:36Revenge is the pleasure of the gods, isn't it?

00:54:38Well, we're going to get our revenge.

00:54:40With a little hat and everything

00:54:41Listen

00:54:44You will have something to avenge.

00:54:45But I don't

00:54:46My wife is not unfaithful to me

00:54:48But what do you need?

00:54:50Seeing them together in bed?

00:54:52Well, not even then

00:54:53Because you and I are in bed together

00:54:55And nothing happened.

00:54:56You're more stupid than good.

00:54:58No

00:54:59I am a decent person

00:55:01If I ever find out

00:55:04That Rocío is unfaithful to me

00:55:05I will get my revenge

00:55:05And by the way

00:55:07I would like it to go with you

00:55:09Meanwhile

00:55:12Thank you so much

00:55:13Because you are very rich

00:55:15But

00:55:16Nothing to be done

00:55:17Leave

00:55:20If I fix the bagpipes

00:55:22Because it has stayed

00:55:23Just think of all the things one misses out on by being decent.

00:55:27Bye

00:55:29But do you think no one will recognize you like that?

00:55:33Nobody?

00:55:34I'm going to apply for a street vending permit.

00:55:36Who's going to notice me?

00:55:38Pussy

00:55:38Well, everyone

00:55:39What a look!

00:55:40Nothing

00:55:41They'll notice everything.

00:55:43Except on my face

00:55:43And also

00:55:44I'm well prepared.

00:55:45Look

00:55:46Look

00:55:46Bye kid

00:55:52See you

00:55:53Luck

00:55:53Fuck

00:55:54It was the right cover

00:55:57You attend to me

00:56:04Fierce

00:56:05Representative

00:56:06From the competent authority

00:56:08The secretariat

00:56:09From the most illustrious

00:56:10And most excellent

00:56:10Mr. Mayor

00:56:12First floor

00:56:13Thank you, my brother.

00:56:15And goodbye, boys.

00:56:16Companions of my life

00:56:17Dear party

00:56:19From those times

00:56:20Don't be surprised

00:56:21This verse is mine

00:56:22But it was stolen from me.

00:56:23We have to give that, man.

00:56:27Goodbye my brother

00:56:35This is going well for me

00:56:39Look

00:56:39The truth

00:56:41Fuck

00:56:43Chora on the left

00:56:45You attend to me

00:56:54Girl

00:56:55Could we talk?

00:56:57Can I spend a little time with you?

00:56:59Oh

00:57:00How lovely

00:57:01red skirt

00:57:02That you look good wearing

00:57:03What did you say?

00:57:04The skirt

00:57:05As

00:57:06What do you call it?

00:57:08Here in the motherland?

00:57:09So

00:57:10The fart

00:57:11I wanted something

00:57:14Ah

00:57:15If I came to request

00:57:16A permit

00:57:17For street vending

00:57:18You understand, don't you?

00:57:21I come from there

00:57:22Of the daughter homeland

00:57:24Well, look

00:57:24Here comes the councilman

00:57:25Case manager

00:57:26Mr. Dominguez

00:57:27This very discreet gentleman

00:57:29He's coming to ask for a permit.

00:57:30Please go to my office

00:57:31And my secretary will attend to you.

00:57:32Well, no.

00:57:33She was just passing by

00:57:34I wanted to deliver something

00:57:35That I have found

00:57:36What does he mean?

00:57:38A small purse

00:57:39I'll help you, miss.

00:57:41Let's see

00:57:42A little purse, you say.

00:57:44Yes, my brother

00:57:45Here it is

00:57:46But I have to give it to her.

00:57:48Personally, in my hand

00:57:49To the most excellent mayor

00:57:51It's busy

00:57:51I will give it to her.

00:57:53Very pretty, huh?

00:57:55The little purse, yes

00:57:56It has good skin

00:57:57Oh, it has a photo.

00:57:59Let's see

00:58:00Pussy

00:58:02Eche pibe

00:58:03What a load of rubbish

00:58:04This is my dearest wife

00:58:06I got the wrong wallet

00:58:07This is mine

00:58:08I must have the other one

00:58:09Here

00:58:10Below the joropillo

00:58:11Let's see

00:58:11Yeah

00:58:13Here it is

00:58:14Here's the little purse

00:58:16Very good

00:58:17Well, I'll take care of it.

00:58:18If it is made available

00:58:19To the mayor himself

00:58:19As you say

00:58:20Yes, my brother

00:58:21But please

00:58:22Make sure you receive it

00:58:24The Most Excellent Mayor

00:58:25In person

00:58:26Without fail

00:58:27Yes, without fail

00:58:28You say so

00:58:29As if it were difficult for him

00:58:30Let go of it

00:58:31Fuck

00:58:31You don't know that very well.

00:58:33My brother

00:58:34Bye kid

00:58:35See you later, buddy

00:58:36And the permit

00:58:38What does it say?

00:58:40What permit are you talking about?

00:58:42The street vendor

00:58:43Oh no

00:58:44I've thought about it more.

00:58:46And I'm going to sign

00:58:46As a native player

00:58:48In a football team

00:58:49That's a good idea!

00:58:50Right, kid?

00:58:51Bye

00:58:51See you later, my brother.

00:58:53Let's see what the hell

00:58:57I'm going to have to wear a disguise.

00:58:58Next time

00:58:59Yes, yes sir

00:59:04This is my husband

00:59:05But at this moment

00:59:06He's not at home

00:59:07Well, it doesn't matter.

00:59:08I only came to bring you

00:59:09This wallet

00:59:10That has left

00:59:11In an apartment

00:59:11Wrong city council

00:59:13That darn wallet again?

00:59:14No, there are those who

00:59:15He gets rid of her.

00:59:16I think

00:59:17That it must be given to her

00:59:18Personally

00:59:19To the mayor himself

00:59:20And with this document

00:59:21That's what's important

00:59:22And how did you get that wallet?

00:59:24Because I am an employee

00:59:25From the city council

00:59:26But also

00:59:26Perhaps the lady

00:59:28I could give it to her

00:59:29To Mr. Rebolledo Cascajo

00:59:30Any Thursday like this

00:59:32Why does he say that?

00:59:36No reason

00:59:36My things

00:59:37Ladies

00:59:38Mister

00:59:39Oh mom

00:59:44Things are getting ugly

00:59:45This guy

00:59:46He knows about my relationship with Julián.

00:59:48Don't be hysterical, girl

00:59:49Why would I know?

00:59:50But you haven't heard

00:59:51Give him the wallet

00:59:52One of these Thursdays

00:59:53Well

00:59:54So what the hell?

00:59:55What is needed

00:59:56Don't let your husband find out

00:59:57And if he finds out

00:59:57Screw him

00:59:58That a woman has

00:59:59She doesn't deserve it.

01:00:00What you have to do

01:00:01It's about separating from him immediately.

01:00:02And why?

01:00:03Well, because

01:00:04For a brief detail

01:00:05Period.

01:00:06Excuse me, teacher

01:00:08It's because we're running late.

01:00:10Sorry

01:00:11Clear

01:00:12If they come directly

01:00:13From the high plateau

01:00:14Very funny

01:00:15This Cheikovsky

01:00:16Okay, let's go

01:00:17Come on, let's go

01:00:18Okay

01:00:18It's because you put yourselves in a certain place too

01:00:24What the hell

01:00:25One moment

01:00:25What's wrong with that Nikon?

01:00:27He's going to dismantle our studio.

01:00:28Man

01:00:28Careful, don't throw me away!

01:00:30Careful

01:00:31Help me Paco

01:00:32Don't go here alone.

01:00:33Yeah

01:00:33Come this way

01:00:34Help me

01:00:34Thanks Paco

01:00:35Damn, you're suffocating me, Paco.

01:00:37Be careful, Paco

01:00:38Let me in

01:00:39Don't insist

01:00:40And you know I don't like to dance, Paco.

01:00:42What are you doing?

01:00:42That's it

01:00:45I've already found it.

01:00:46Help me

01:00:47Sit down

01:00:47Forgive

01:00:50We're ready.

01:00:52Clear

01:00:52Come here

01:00:53From a costume ball

01:00:54Bring that with you

01:00:55Are you drunk?

01:00:56Attentive Romero

01:00:57This is the teacher speaking to you.

01:00:58No sir

01:00:59Oh

01:01:05Guess where I hit myself with the bola?

01:01:07Be quiet

01:01:08He's rude.

01:01:13No

01:01:14You're right

01:01:15I'm out of my mind

01:01:16You're not going to believe that your wife

01:01:20Hey?

01:01:22Last night when I arrived

01:01:23She was already asleep

01:01:25And I thought it was so sweet

01:01:26So innocent

01:01:27That I haven't dared

01:01:28I didn't say anything to her this morning.

01:01:30Look, Ramiro

01:01:32You're too good.

01:01:33You look like a fool.

01:01:34The bagpiper

01:01:37Clear

01:01:38Yes of course

01:01:39But sometime you'll have to jump.

01:01:40Everyone steps on you

01:01:42What do you want?

01:01:43I don't like arguments.

01:01:44If the gaucho and his friend have finished

01:01:48Could we record?

01:01:50Yes, yes

01:01:51We're ready

01:01:52Yeah

01:01:52Thank you so much

01:01:53300 million

01:01:55I think this joker is just messing around.

01:01:58Well, believe it or not, I can remember his father

01:01:59Yeah

01:01:59Be quiet

01:02:00We recorded

01:02:03Okay, okay

01:02:04Okay, here you go.

01:02:04For persistent constipation

01:02:12Always use suppositories via rapid injection.

01:02:17Fast-track suppositories will give you intimate pleasure

01:02:22Relaxing

01:02:24Warm and fragrant

01:02:26By acting gently

01:02:28And at the moment

01:02:30Use suppositories via rapid transit

01:02:32And live happily ever after.

01:02:33Cheerful

01:02:35And happy.

01:02:37Fast-track suppositories

01:02:39For your colon

01:02:41Friend

01:02:41No, no, and no.

01:02:47It was a fort

01:02:49Hand a trope

01:02:50Mr. Bagpipe Blower

01:02:52Mr. Milk Blower

01:02:55That's enough.

01:02:56Shitty musician

01:02:57Only my friends insult me

01:03:00And I'll hit you with a helicopter blast that'll knock you off your feet.

01:03:03Little blowpipe

01:03:04Dude, it was a joke.

01:03:05Well, you should play those jokes on your father.

01:03:08Even the best ones

01:03:13There comes a time

01:03:14Something that is not here

01:03:15That is already

01:03:17Let's go

01:03:18Ah

01:03:19And how he retaliates

01:03:21And don't call me

01:03:21I'll go back to the loin thing here.

01:03:24No, man

01:03:25What reprisals am I going to take?

01:03:27Just in case

01:03:28Wait

01:03:29Okay?

01:03:30Is the recording valid?

01:03:31Okay, okay

01:03:31Well, see you next week, guys.

01:03:34Come on

01:03:34That's enough, for goodness' sake!

01:03:36Bagpipe thieves, pickpockets and bastards

01:03:38And one keeping quiet

01:03:40Well, I've had enough.

01:03:40You'll see what it's like tomorrow.

01:03:42The door

01:03:42Damn, but be careful.

01:03:44That didn't come out once

01:03:45You gave me quite a fright, Ramiro!

01:03:48I thought you were going to kill the teacher

01:03:50Yeah

01:03:51I went overboard with that Beethoven thing.

01:03:53I'm sorry

01:03:54Yes you're right

01:03:56You did well.

01:03:57But I didn't expect that from you.

01:03:59It's been an explosion

01:04:01But I regret it

01:04:03It won't happen to me again.

01:04:04That's what always happens to shy people.

01:04:06When you explode

01:04:07You guys are messing things up

01:04:08Hey

01:04:08Ramiro, you have something to do with this.

01:04:10With a certain Father Constantine

01:04:11Because?

01:04:12Because yesterday a hot aunt came over.

01:04:14Asking about that priest

01:04:15And he ended up locking himself in down there with you.

01:04:16And now call someone else

01:04:17And it says

01:04:18If it's possible to put

01:04:20That Father Constantine

01:04:21Yeah

01:04:22He's a friend of mine.

01:04:24The thing is, he doesn't have a phone at home.

01:04:26And I take his messages

01:04:27Bring it here, give it to me

01:04:28Yes, he chose the location on purpose.

01:04:31Go on, get out of here

01:04:33Hail Mary Most Pure

01:04:37I need to see you, Father.

01:04:38No, no, not now

01:04:40I will go see him at the parish tomorrow.

01:04:43Okay, fine

01:04:44See you tomorrow

01:04:45Apparently it's very urgent

01:04:50What should I do, Paco?

01:04:52Go see him

01:04:52But tonight you must talk to your wife

01:04:54To make things clear

01:04:55And forget about everything else

01:04:57But the rest is just my fault, Paco

01:04:59That you don't realize

01:05:01I don't believe it

01:05:02Right?

01:05:03No

01:05:03Nothing

01:05:06I'll talk to Rocío tonight.

01:05:08And I'll make everything clear.

01:05:09You'll talk to him tonight.

01:05:11And you make everything clear

01:05:12But what am I going to explain to him?

01:05:14I'm not going to confess to him

01:05:15That I'm deceiving him

01:05:16Daughter

01:05:17You're as dumb as you are beautiful.

01:05:18That's something you never confess.

01:05:19He always refuses

01:05:20Whatever happens

01:05:21But I'm a terrible liar, Mom.

01:05:23You don't have to lie

01:05:24Just don't let him talk about it.

01:05:26I'll pretend to be asleep like last night.

01:05:28No, daughter

01:05:29No

01:05:29Get ready

01:05:32Perfume yourself

01:05:33Put on a nightgown that doesn't cover you up any more.

01:05:36That the conscience

01:05:37And wait for him, ready to fulfill your marital obligations.

01:05:40With more enthusiasm than ever

01:05:41And you know that two breasts are more powerful than two carts.

01:05:44You have very nice breasts.

01:05:46Like your fucking mother, which is me

01:05:48Haven't you fallen asleep?

01:06:00No

01:06:00I wasn't sleepy.

01:06:02What's that?

01:06:06The fact that?

01:06:07The portfolio

01:06:07Ah, yes

01:06:09The portfolio

01:06:10But

01:06:11But

01:06:13What are you doing here?

01:06:14Yes, I left it at the town hall this morning.

01:06:15A gentleman brought her.

01:06:17It says you must deliver it personally to the mayor.

01:06:20What the hell is in this wallet?

01:06:23That there's no way to get rid of it

01:06:24You should have kept the money

01:06:26And to have thrown away the rest

01:06:27No way

01:06:28I

01:06:29Yes, I know you're very decent.

01:06:31I do

01:06:33But

01:06:34Are we all equally decent?

01:06:39Forget about that wallet

01:06:40And tell me

01:06:41What do you think of the nightgown I bought?

01:06:43That's disgusting

01:06:43An indecency

01:06:44You're so sweet, darling.

01:06:47Come

01:06:48Come here

01:06:49Take things off

01:06:50Clear

01:06:50I'm not going to bed dressed.

01:06:52But

01:06:53I wanted to talk to you

01:06:54Because I've been told that you're...

01:06:56Nothing

01:06:56Not to talk at all

01:06:58I'm fed up with talking.

01:07:00What I'm going to do now

01:07:02It is acting

01:07:03Yeah

01:07:03But you don't know

01:07:05You can't imagine

01:07:06The things they've told me

01:07:07I've been told that you're giving me the cold shoulder.

01:07:09I love you

01:07:10And I need your virile and powerful love.

01:07:13As powerful as it is

01:07:15Of course, one within one's modesty

01:07:17Well, he can't help it either.

01:07:19While walking down the street

01:07:20They tell him things that still...

01:07:21Call the doorman in case I have a heart attack

01:07:25But girl

01:07:31What are they doing today?

01:07:32Baked Tiger

01:07:33Because?

01:07:34Why do I love you?

01:07:35Come

01:07:36Come to me

01:07:37Yes, but

01:07:38It's just that before

01:07:39Look

01:07:39Not that I care much

01:07:40I don't really care about anything.

01:07:42Know?

01:07:42But we should clarify one thing.

01:07:43Regarding the horns

01:07:45Not that I care

01:07:47What we have to do

01:07:48It's getting dark

01:07:50But girl

01:07:51You've always had this

01:07:52Women

01:07:53How are you?

01:07:56Say

01:07:56What are you like?

01:07:58I was already forgetting

01:08:00You can do whatever you want with me.

01:08:03Because I love you

01:08:05How long ago

01:08:10You didn't have a migraine?

01:08:13Oh, at least since Christmas

01:08:15Who's going to eat your marzipan?

01:08:21Can you hear it?

01:08:23Ala, ala

01:08:25One, two, three

01:08:25Testing

01:08:26Testing

01:08:27Nothing, there's no sound at all

01:08:28There is no sound

01:08:29It's coming, get ready

01:08:31He is parking the car

01:08:32But if I can't

01:08:34Can't you see that Miguel Bosé is there?

01:08:35Grab the microphone?

01:08:36Well, it's coming.

01:08:36Wait, I'll fix it for you

01:08:38But when I go in

01:08:40Go with him

01:08:40Wherever they see us, okay?

01:08:43There is no sound

01:08:44One, two, three

01:08:46Nothing, yes

01:08:47Are you seeing that's why?

01:08:48My parishioners are falling asleep

01:08:49Why can't he hear me?

01:08:51No, it's just that this

01:08:51This is something to see

01:08:52Okay, father

01:08:54I want to confess

01:08:55That, condense

01:08:56Condense the sound

01:08:57What needs to be done

01:08:58It's the only way

01:08:58Confess, Father

01:08:59That's because 20 years ago

01:09:00That I do not confess

01:09:01Ah, confess

01:09:02Yes, confess

01:09:03Yes, come this way

01:09:04Hey, do you understand anything about sound?

01:09:06I don't understand anything

01:09:06No, I would like to calm my soul.

01:09:08You know what?

01:09:09Yes, that's what we're going to do.

01:09:10That's what we're going to do.

01:09:11Don't worry

01:09:11Oh, it's so cool in here

01:09:13Come on, put me on, put me on

01:09:15Talk to me later

01:09:19Okay?

01:09:20Have you left?

01:09:21No, I don't know.

01:09:21How are you, father?

01:09:23Very good, son

01:09:24Disgusting

01:09:24I'm going to have a coffee

01:09:25Will you come with me?

01:09:26Wait, what I have to tell you is confidential.

01:09:29But here?

01:09:30With so many people?

01:09:32But what if there's nobody there?

01:09:33Well, not now.

01:09:34But it's going to get like that very soon.

01:09:35Now comes a divorce

01:09:36Like a divorce?

01:09:37Who would even think of saying "divorce"?

01:09:39How can a divorce happen here?

01:09:39A wedding

01:09:40That

01:09:40That's it

01:09:42I have an idea

01:09:43Come on, father

01:09:44There?

01:09:46No, I'm not going to confession.

01:09:47But I'm really glad to be able to talk to you without you seeing my face.

01:09:50If it's not a formal confession, then you'll say.

01:09:53This is the portfolio

01:09:55Your wallet again?

01:09:56There's just no way to get rid of it.

01:09:58When that parishioner of yours stole it from me, he had no idea what he was getting himself into.

01:10:02Listen, I'm very honest and I haven't touched a single penny.

01:10:04What are you saying, Father?

01:10:05Well, I mean, he didn't touch a penny.

01:10:06No, that's not what this is about.

01:10:09The important thing is a document that was inside it

01:10:11Which document?

01:10:12It's a commitment

01:10:14What is it? Where is it going?

01:10:28It smells like vegetables in here

01:10:29Sorry

01:10:30So you three are shameless councilors

01:10:34No, we just wanted to start a business, that's all.

01:10:38But clearly immoral

01:10:39No

01:10:40Father

01:10:41What do you want?

01:10:43Confess

01:10:43I'm busy

01:10:45Father

01:10:45What?

01:10:47Confession, Father

01:10:48There's no one here, daughter

01:10:49Well, Grandma, because...

01:10:52Don't pay any attention to that gossip, Father.

01:10:54I've come here precisely to confess

01:10:56Of all the stupid things I said to him a little while ago

01:10:59She's shameless, father

01:11:00But the way I've put it, green

01:11:02I have to confess

01:11:03I can't

01:11:04Okay, wait a minute, listen.

01:11:07I have to get out of here

01:11:08No, no, father

01:11:09I need to read the document that's currently in the wallet.

01:11:12Because a city hall secretary

01:11:15He told me it might be manipulated

01:11:17Father, father

01:11:18Then we continued

01:11:19They haven't finished confessing to me yet.

01:11:20Have you worried me about this?

01:11:21But I still have the sins of lust.

01:11:23And I'm tremendous at that.

01:11:24Oh man, oh

01:11:26I see you've put up the "sold out" sign, huh?

01:11:29Well, it's just that...

01:11:30They're too much for just you, huh?

01:11:32This one with the face of a scoundrel, leave it for me.

01:11:34Why don't you do me a favor?

01:11:35Why can't the two old women get along better?

01:11:37Come, go to Mary Most Pure

01:11:38Without sin, confessed

01:11:39No, you'll see.

01:11:39But I want to talk to Father Constantine

01:11:42Ah, destiny

01:11:43Ignore him

01:11:44The batteries don't work, listen.

01:11:46Less than a plaster cat

01:11:47Come, come, sins, sins

01:11:48Currency evasion

01:11:49Father, I have not yet confessed my sins to you in a pure manner

01:11:51What is there to say to each other?

01:11:52This is way more fun, man.

01:11:54Go on, go on

01:11:55You said that the document might have been manipulated

01:11:58Yes, Father.

01:12:00Yeah

01:12:00As?

01:12:02Falsifying it

01:12:03To blame me

01:12:04Let the mayor know

01:12:05And to orchestrate a party-level scandal

01:12:07And who would ever think of such a thing?

01:12:09To anyone

01:12:10Because I myself am precisely the one who

01:12:13When I brought her the wallet for the first time

01:12:15I had removed my name, leaving only

01:12:17The one about the other two councilors

01:12:18What a nerve!

01:12:21What do you want?

01:12:21Nothing, I haven't heard any of that long stuff he said

01:12:23Because Radio Spain keeps getting in my head.

01:12:25Hey, I'm going to see if I get lucky by looking over there.

01:12:26Ignore him

01:12:28But you have no shame

01:12:30Father

01:12:31That's what that wretched woman told him.

01:12:32The one who has no shame is restituta

01:12:35Prostitute, so old-fashioned

01:12:37Man, no

01:12:37Don't insult me, father, or I'll get you.

01:12:39Hey, you sound like a pious old woman.

01:12:41Whom?

01:12:42Me?

01:12:42Please, Father

01:12:43Will you leave us alone?

01:12:44That's it, that's it

01:12:45I want to live in peace.

01:12:47And that night I was coming from seeing a little friend

01:12:51So a little friend

01:12:53Who is that little friend?

01:12:56He's a lover I have

01:12:57Was it a long time ago?

01:12:59No, it was this morning during the purchase.

01:13:02But what does the purchase have to do with this now?

01:13:03Shut up, man!

01:13:04But if I remain silent, how will I confess?

01:13:06And give it to him

01:13:07Well, I did nod off.

01:13:08Don't be surprised

01:13:09Because Calvo Sotelo is speaking in the Cortes

01:13:10And the sheep get bored.

01:13:12Come with me, Father

01:13:12I'm a member of the PSOE (Spanish Socialist Workers' Party).

01:13:13And I have many social sins.

01:13:15Well, then, confess to Felipe González.

01:13:17At the next party congress

01:13:19Go on, son

01:13:19Follow

01:13:20My lover

01:13:22She's a girlfriend I had before I got married

01:13:24We met by chance last year

01:13:27I invited her for drinks and...

01:13:29And did he hook up with her?

01:13:31Yes, father

01:13:32Well yes

01:13:32I started insulting her

01:13:33It doesn't surprise me.

01:13:35I would have killed him!

01:13:38You too?

01:13:39Is it to kill her?

01:13:41Be quiet, Susana Estrada's office just popped into my head!

01:13:44Please turn up the volume, Father

01:13:45I'll try, son

01:13:46Well, that's the only one we were missing.

01:13:49Follow

01:13:50See you every Thursday

01:13:51Oh, really?

01:13:52And she's a good girl

01:13:53Well, it's really good, isn't it?

01:13:56But the strip is flawed.

01:13:57Clear

01:13:57Do you know her too?

01:13:58Are you speaking to me politely?

01:13:59Oh no, of course not.

01:14:00You're talking about the Estrada

01:14:01It's confusing me

01:14:01You say it's very good

01:14:03But he sleeps with you

01:14:04And maybe

01:14:05She's even married

01:14:08Yeah

01:14:09She's married to a lousy musician

01:14:12The one everyone calls the windbag.

01:14:14What a head!

01:14:17We just need one more to come.

01:14:19And confess up there.

01:14:20Why has it gotten like this?

01:14:22Oh, I must have broken it with the guernos

01:14:24Oh, my head!

01:14:26Oh yes, Father

01:14:27The beer he had drunk

01:14:29It's a rat flavor

01:14:30What is it?

01:14:30And she had a chinchón

01:14:31No, a big bump on the head.

01:14:33If it had to be done

01:14:33Because it's pure pine.

01:14:34Father!

01:14:35I'm going to hell

01:14:36Okay, then go ahead and reserve your place.

01:14:38For this gentleman

01:14:39Because of the things I assume

01:14:40What are you saying?

01:14:41Because, well, I can't hear anything, of course.

01:14:43Listen

01:14:43Tell me

01:14:44You are not

01:14:44What's it called?

01:14:46No

01:14:46Dew

01:14:47Dew

01:14:48Rocío, yes sir

01:14:49But that doesn't matter.

01:14:51I'll come back here tomorrow to get that wallet.

01:14:54And I'll take it with me.

01:14:54So that you don't have to

01:14:55More headaches

01:14:56Does that sound good to you?

01:14:58Listen, listen

01:14:59Pay attention, listen

01:15:00This is really big

01:15:01Listen, you'll see now

01:15:03And it seems that at this moment

01:15:04Enter

01:15:05If with a gun in his hand

01:15:07Sit down, damn it!

01:15:10It's all messed up again.

01:15:11And I think I have

01:15:13The expired passport

01:15:14Oh my, Pedrín!

01:15:15Let's get to the quotation marks

01:15:17And we're going to buy cans

01:15:18We in the UCD will not be shaken up again

01:15:20Thank goodness I'm a provisional second lieutenant

01:15:22What are you doing?

01:15:22Take off your cassock

01:15:23The cassock?

01:15:24Yeah

01:15:24Let go, let go

01:15:25You never know what might be better

01:15:26Come on, let's go

01:15:27So what do you do every Thursday that makes you get home so late?

01:15:30I've already told you, woman

01:15:32There is a commission at the town hall

01:15:34But those hours never end.

01:15:36Well

01:15:36It's because after the commission

01:15:39There are many things to talk about

01:15:41Do you know the bagpipe blower?

01:15:46Good morning

01:15:46What's wrong with you?

01:15:50There are some things he just can't swallow.

01:15:52Don't tire him out

01:15:56She's a friend of the bun who's gone astray.

01:16:01Well

01:16:02And what are you doing here at this hour?

01:16:05What are you saying?

01:16:05I have come because you called me.

01:16:07I?

01:16:08I was going to leave home

01:16:09When your secretary phoned me

01:16:11But if my secretary is in bed with 38

01:16:14Well, one of the 38 has quoted me here

01:16:17Hey, that's weird

01:16:18Mister

01:16:19What do you want?

01:16:20Mr. Fernandez

01:16:21Feliciano

01:16:22Let it in, woman, let it in

01:16:23How odd

01:16:26Who could have summoned him here?

01:16:29Another of the 38

01:16:30Happens

01:16:30Julian, what's wrong?

01:16:33Hi, Martina

01:16:33Hello

01:16:34Hello, man

01:16:34Would you like a cup of coffee?

01:16:36No, less coffee and let's get to the point.

01:16:38What are you doing here?

01:16:40I received a note that I should come urgently.

01:16:42Like me

01:16:43Well, I haven't called.

01:16:45What do you mean, no?

01:16:47So, who organized this meeting?

01:16:49Oh dear, they've stepped on the cat.

01:16:52The bagpiper

01:16:53Father Constantine

01:16:57The gaucho

01:16:59The Scotsman

01:17:01Yes, sir

01:17:02The priest

01:17:03The Scotsman

01:17:04The Argentinian

01:17:05And the bagpiper

01:17:06All one person

01:17:07How are you, beautiful?

01:17:15What have you noticed?

01:17:16Ah, don't worry

01:17:18They are the bolas.

01:17:19Listen

01:17:20Listen, father

01:17:21What do you do?

01:17:23Have

01:17:23Blow

01:17:24And it keeps inflating it.

01:17:25Hey, here's my wife

01:17:27These are delicious!

01:17:29Yes sir

01:17:30His wife

01:17:31And very good

01:17:31And it's so delicious!

01:17:32What I like most about her

01:17:34It's a mole.

01:17:34What do you have here?

01:17:35Through the right breast

01:17:37Martina

01:17:38But when has he seen you?

01:17:39This lunar cure?

01:17:40Well, I've seen it.

01:17:41And soon

01:17:42I'm going to eat it

01:17:43Oh well

01:17:44But what has happened in the Vatican?

01:17:45Well, I don't know about the Vatican.

01:17:47But here

01:17:47Anything can happen

01:17:49Bye, girl

01:17:50See you later, my sister.

01:17:51Those two shameless women

01:17:55Let them pass

01:17:56Look at her

01:17:58Look at her

01:17:59Dew

01:18:01Ah, you know her.

01:18:02Whom?

01:18:04This whore

01:18:04As soon as you saw her

01:18:05You said Rocío

01:18:06I?

01:18:08I said

01:18:09How cold!

01:18:10Didn't I say it was cold?

01:18:11It's useless for you to lie, Julian.

01:18:13I've confessed everything

01:18:15Yeah

01:18:15I have skillfully interrogated her

01:18:17How wild

01:18:18You keep quiet

01:18:19Or I'll hit him with a bagpipe.

01:18:20Let him wake up

01:18:21We are in a free country, my friend.

01:18:23Not a friend at all.

01:18:24And free for what?

01:18:26Hey?

01:18:27To cheat on him

01:18:29To anyone

01:18:29Man

01:18:30Look, shut up

01:18:31Or I'll take the bolas.

01:18:33And I leave it at that

01:18:33One moment!

01:18:35I deny having had

01:18:36Nothing to do with it

01:18:37With this young lady

01:18:38Don't bother, councilman

01:18:39That we have sung plainly

01:18:40No no

01:18:41They've told me everything

01:18:42Thursday meetings

01:18:44At night

01:18:45Which municipal commission, huh?

01:18:47Ha ha!

01:18:47Ah!

01:18:48And they've also told me

01:18:48That as a man

01:18:49It misses more often than a shotgun

01:18:51At the fair

01:18:51Ha ha!

01:18:52Half an hour in bed

01:18:53At most

01:18:54And there you have it!

01:18:55Out on the street

01:18:55Ha!

01:18:56Because you might come

01:18:57Otherwise

01:18:58Oh, half an hour!

01:19:01Congratulations, beautiful!

01:19:02He can't stand me

01:19:02Not even ten minutes

01:19:03Okay, okay

01:19:04I'm leaving, okay?

01:19:05These family dramas

01:19:06I don't care

01:19:06What do you say?

01:19:07You're not moving from here, no

01:19:08Maybe these messes

01:19:09They don't care

01:19:10But others did.

01:19:11That?

01:19:11And now let's go with them

01:19:13Do you remember the famous little purse?

01:19:18Which wallet are you referring to?

01:19:19Oh!

01:19:20And this seal with glasses who's trying to con me

01:19:22Act foolish and I'll fill your bagpipes with bagpipes!

01:19:24We already know which wallet he's referring to.

01:19:25What's wrong with her?

01:19:26Hey, don't yell at me or I'll fill your face with my fingers, eh!

01:19:29If it makes your wallet, you don't care.

01:19:31Nor the twenty thousand pesetas that were in it, right?

01:19:33What matters to all of you

01:19:35It's the document that was inside.

01:19:36Won't you tell what I told you under the seal of confession?

01:19:40Oh! Look at him, look at him!

01:19:42But if he's bringing it on himself, look at him.

01:19:43What confession! What confession if I'm not a priest!

01:19:47This pig, this

01:19:49He changed the document, removing his name.

01:19:51So that you would appear as the only ones to blame

01:19:53Don't listen to him!

01:19:54Yes, yes, yes, it's a pig

01:19:56But we already knew that.

01:19:57Clear

01:19:57But what you don't know

01:19:59This is

01:20:01Come here, I've been wanting to see you.

01:20:02This did the same thing as that pig

01:20:04And that you

01:20:05So, it's hard to say which of the three has the least shame.

01:20:09Come on, what if this gets made public in the next elections?

01:20:13Not even their father will vote for them

01:20:14But that's our problem.

01:20:17That you don't care

01:20:19Yes, I do care!

01:20:21Does it matter to him?

01:20:23Yes, it matters to him.

01:20:24It seems to matter to him

01:20:25Of course I care!

01:20:27Come on, because I'm fed up with them...

01:20:30Hey, I'm getting a real shock.

01:20:31That scoundrels like you

01:20:33Drive as you please

01:20:35To good people like me

01:20:36And on top of that

01:20:38Say we're a bunch of blowhards.

01:20:40And that's over.

01:20:41So that

01:20:42That company for the exploitation of municipal offices

01:20:45It will be established

01:20:46Ah

01:20:47Me too

01:20:48I will be the manager

01:20:49With a salary of 300,000 pesetas per month

01:20:53Which is almost what a member of parliament earns

01:20:57I bet the windbag is the smartest one!

01:20:59One moment!

01:21:00I refuse to do that!

01:21:03But if she's being sought

01:21:05You can see it now.

01:21:05Wait, wait

01:21:06Hang on a minute

01:21:07Because when a bagpiper gets uncovered

01:21:09It can do everything

01:21:10Why are you asking for that position?

01:21:13What makes you think we're going to give it to you?

01:21:14That!

01:21:15They're going to give it to me.

01:21:16Because if I don't go to the mayor

01:21:17And I tell him everything, and that's it.

01:21:18Do you think the mayor is going to believe you?

01:21:20That's it, that's it!

01:21:21You'll believe me!

01:21:22Because one can be a windbag.

01:21:24But not an idiot

01:21:25Hey?

01:21:26The three documents that have passed through my hands

01:21:28At the time, I took them to a notary.

01:21:30Who drew up a record of each one of them

01:21:33Oh dear!

01:21:34And copies of those minutes are being made right now.

01:21:37On the way to the mayor's office

01:21:39And from the leaders of your respective parties

01:21:41What a bummer!

01:21:43This guy doesn't sink

01:21:44Okay, okay, let's stay calm.

01:21:46And what if we appoint him as the company's manager?

01:21:51And we give him that salary?

01:21:53Well, then

01:21:54So I keep the notarized documents

01:21:56And I won't take them out unless you take my feet out of the pot.

01:21:59But what about the copies that are on their way to the city council and the political parties?

01:22:03Huh?

01:22:04That's if you don't wake up, partners.

01:22:06They are going to reach their destination

01:22:08But how do we intercept them?

01:22:10Hey, well, in the same way that you intercepted the wallet whenever you felt like it

01:22:13Ah, and if I were you, I'd hurry up, eh?

01:22:16Because the mayor's secretaries and your bosses' secretaries must already be opening the mail.

01:22:21Let's go, let's fly!

01:22:22Hold on a minute, partners

01:22:25Another thing

01:22:25Take those two sluts away.

01:22:27If they're still there, I'm going to crack them again.

01:22:30Come on, come on, he's gone mad and he might gore us!

01:22:33Your father is going to give you the horn wound.

01:22:34Oh, and start looking for a bachelor apartment.

01:22:37Because I won't let you in here anymore.

01:22:39Unfortunate!

01:22:41Flow!

01:22:41Gulf!

01:22:42Unfortunate!

01:22:43Get out of here!

01:22:43Come on!

01:22:46Do you know that for being a windbag, you've done very well?

01:22:49The world is full of blowhards

01:22:52Where could I get it?

01:22:54What if we all exploded at once?

01:22:56There wouldn't be so many bullies or scoundrels stepping on our necks

01:23:01But I don't just do that well

01:23:03Revenge is the pleasure of the gods

01:23:06No revenge whatsoever

01:23:08I like you and there's nothing in my conscience that can stop me now.

01:23:13What if we went to the bedroom?

01:23:16I don't think I'll get that far.

01:23:18This sofa might be worth

01:23:21And all for me alone.

01:23:23Oh, am I going to have a heart attack?

01:23:26Oh, and get ready

01:23:27Because I'm not satisfied with just ten minutes

01:23:30Less talk, less nonsense.

01:23:32No, not at all.

01:23:33Today the bagpipe-blower is finished

01:23:36Can?

01:23:46Dispatch?

01:23:47Listen?

01:23:49Man, I see a gentleman here looking for something

01:23:50Hello, Mr. Julián Rebolledo?

01:23:53It's not...

01:23:55But if he wants something, it's with his wife.

01:23:58Damn, a priest!

01:24:01But father, what are you doing here?

01:24:03Nothing, it's just that we were here talking about how prevention is better than cure and of course

01:24:07But what does he want?

01:24:09I found this wallet on the floor of my parish this morning, so...

01:24:15Another wallet?

01:24:17Yes, it belongs to Mr. Rebolledo.

01:24:18And since I see that you're like family

01:24:20Well, give it to you.

01:24:21I?

01:24:22No, no, no, no, absolutely not.

01:24:23I don't want this wallet

01:24:24No, it's just that something happened to me once with a wallet that hasn't happened to you.

01:24:27Hasn't it happened to me?

01:24:28But you know what happened to me with a wallet

01:24:30Here, here, here

01:24:30That I don't want the wallet, it hasn't been thought of

01:24:32No, Mr. Santalita

01:24:34Thank you!

01:25:04Thank you!

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