- hace 2 meses
Reparto: Juanjo Menéndez, José Luis López Vázquez, José Bódalo, José Isbert, Gracita Morales, Manolo Morán, Guadalupe Muñoz Sampedro, Laly Soldevila, Amparo Soler Leal, Lluís Torner
Dirección: Antonio Isasi-Isasmendi
Sinopsis: Una mujer felizmente casada se distingue por su facilidad para mentir constantemente. Su marido le reprocha que está desocupada, y de ahí le viene la afición a la mentira. Una noche, la criada le abre la puerta a su novio que junto con un socio pretende desvalijar la casa.
Dirección: Antonio Isasi-Isasmendi
Sinopsis: Una mujer felizmente casada se distingue por su facilidad para mentir constantemente. Su marido le reprocha que está desocupada, y de ahí le viene la afición a la mentira. Una noche, la criada le abre la puerta a su novio que junto con un socio pretende desvalijar la casa.
Categoría
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CortometrajesTranscripción
00:00:00Hey, hey, fire station, this is the bishopric, I'm the secretary of your illustriousness, just a moment.
00:00:11The fire chief?
00:00:12No, not the chief firefighter, but as if he were, yes, most illustrious, at your service, eminence, no further excellence would be lacking.
00:00:26And you already know, one of their ladder trucks in front of the church.
00:00:30Before twenty minutes.
00:00:32The plan is to install the illuminated star on the bell tower.
00:00:36And I didn't take long, okay?
00:00:45Hey, do you think I look like a real priest?
00:00:47Well, it's just that I was hitting you...
00:00:48Good evening, Reverend.
00:01:07Good night, son.
00:01:07You'll have to excuse me, but with Christmas here, all the guys are on duty.
00:01:11Clear.
00:01:11We came to your child and I alone.
00:01:13It is an honor for us.
00:01:14His Eminence is delighted with the fire department and has instructed me to convey his blessing to them.
00:01:20These workers are taking a long time, don't you think, Father Coyuctot?
00:01:27The idea is to place the star at the top of the bell tower.
00:01:35Do you understand?
00:01:35That way it will be closer to the bell tower.
00:01:37Sure, sure.
00:01:37Well, that's what this guy and I do, but in a little while.
00:01:40There's no reason to.
00:01:41No, no, if not, if not, if I have the star.
00:01:42We wouldn't want to take advantage.
00:01:43Come on, you to the scale.
00:01:44Me to the star.
00:01:45Tonight even the guards got drunk.
00:02:01That's why I'm not afraid of anyone stopping me.
00:02:08I don't have to contribute until early tomorrow.
00:02:16That night I felt like dancing and singing.
00:02:23Sing, look, drink, for tonight is Christmas Eve.
00:02:27And at this time there's no need to be sad.
00:02:30Bring the cravings and fall into the lioli.
00:02:33Bring the chains and sing happily.
00:02:38Above.
00:02:44Above.
00:02:45To my goalkeeper's son.
00:02:47Don't stop, man, we're going to give it to you all night.
00:02:49Today he brought the stretcher.
00:02:51Above.
00:02:53For asking for the Christmas bonus.
00:02:56To the corner shopkeeper.
00:03:00To the corner shopkeeper.
00:03:03It has already received attention.
00:03:05Help me.
00:03:35Let's put it here.
00:03:43Tour!
00:03:45Hey?
00:03:47But what are they doing?
00:03:49Hey!
00:03:51Runs!
00:03:53Waterfall! Waterfall!
00:03:55Hey! Hey!
00:03:57Mackerel! Malra...
00:04:01The cassocks! The cassocks!
00:04:03The cassocks! Impostors!
00:04:05Father!
00:04:07Father!
00:04:09But father!
00:04:11But father!
00:04:13Father!
00:04:15Father!
00:04:17Did you hear that? What?
00:04:19But father!
00:04:21But we are Saquistans!
00:04:23That's weird.
00:04:25But father!
00:04:27But father!
00:04:29So what now?
00:04:31Everything is covered in the regulations.
00:04:33It didn't split you!
00:04:34We don't see them here, old folks!
00:04:36Be quiet!
00:04:37Yes, yes, shut up.
00:04:38So what do I tell him?
00:04:40My girlfriend now!
00:04:41Anyone can convince her
00:04:43that I spent Christmas Eve
00:04:45in the church.
00:04:46Saturnine!
00:04:47I order you to!
00:04:48The strong spirit!
00:04:49And morality!
00:04:51How much higher it is than now!
00:04:53Oh!
00:04:55Is this the house?
00:05:08No no.
00:05:09That.
00:05:10Ah!
00:05:13The signal.
00:05:14To leave right now,
00:05:16You'll see how everything works with perfect precision.
00:05:21Works!
00:05:22Works!
00:05:23Works!
00:05:24This thing won't even fire!
00:05:28Impossible!
00:05:29Hey, don't get like that.
00:05:31Don't you know that after the results of the football matches,
00:05:34What's most surprising is the electrical system in a SEAT?
00:05:37So?
00:05:38The Escorial dinner party has gone down the drain!
00:05:41Oh, my liver!
00:05:43Ah!
00:05:44Ah!
00:05:45Ah!
00:05:50So?
00:05:51The Escorial dinner party has gone down the drain!
00:05:54Ah!
00:05:55Oh, my liver!
00:06:00Okay, so what do we tell your wife?
00:06:02Lisa already knows.
00:06:03If anyone calls, say that we have gone to the Hotel Felipe II in El Escorial.
00:06:06Yes, ma'am.
00:06:07And she is not afraid of losing them, or having them taken away.
00:06:10I'm talking about jewelry, with all the hustle and bustle of Christmas Eve.
00:06:13Oh!
00:06:14That's true, you're right.
00:06:16Take it.
00:06:17Save them.
00:06:24You may leave, Lisa.
00:06:25Thank you very much, ma'am.
00:06:27But really, you don't want me to help you get dressed?
00:06:30You're a delight, Lisa.
00:06:32He never runs out of desire to...
00:06:34of...
00:06:36Oh!
00:06:37What is it called that Germans like so much?
00:06:39Work!
00:06:40That's it, work.
00:06:41Yeah.
00:06:42In the few days she's been home, she's made it look like sunshine.
00:06:45Yes, I can't stand still.
00:06:46Oh!
00:06:47How strange you are, daughter.
00:06:48I'm not weird, I'm from Vitoria.
00:06:50Ah!
00:06:51Okay, okay.
00:06:52Since you don't want to go out, you can go to bed.
00:06:54And you know, if anyone calls, say we went to the Carlos V in Toledo.
00:06:57Because?
00:06:58Why?
00:06:59Because I have to tell you that you're going to the Hotel Carlos V in Toledo,
00:07:02when in reality they go to the Hotel Felipe II in El Escorial.
00:07:05Ah, well, I don't know, since they were father and son, well...
00:07:08Well, let's say we went to the Hotel Felipe II.
00:07:10That's what I'll say.
00:07:15Say.
00:07:16Who?
00:07:17Lorenzo, the tato!
00:07:18What does the canseque say?
00:07:19What on earth is going on? We've been waiting for over a minute for plates to sit in front of the house!
00:07:22Is the plan the plan?
00:07:23He's my uncle, a first corporal in the Civil Guard.
00:07:27Ah.
00:07:28So, how's it going?
00:07:29How about the Civil Guard?
00:07:30What are you saying, you idiot?
00:07:32The young gentlemen will soon leave.
00:07:34And I'm going to sleep.
00:07:35That?
00:07:36Yes, yes, everything's fine.
00:07:38Happy Easter, uncle!
00:07:40Three-quarters of an hour?
00:07:41Well yes.
00:07:45I love him like a father.
00:07:47It's visible now, it's visible now.
00:07:48And now, if the lady doesn't send anything else, I...
00:07:51Nothing, good night.
00:07:52Good night.
00:08:05Merry Christmas Eve, Mom.
00:08:07Hello, daughter.
00:08:08How is it to be?
00:08:09Very happy, Mom.
00:08:11Very cheerful, Mom.
00:08:12And Carlos?
00:08:13We're going to have dinner at the Hotel Las Sirenas in Segovia.
00:08:16What do I know?
00:08:17Does it remind you of anything?
00:08:18Yes, Mom, yes.
00:08:20He hasn't left her.
00:08:21Continue with the redhead.
00:08:23Yes, Dolores.
00:08:24Her name is Dolores.
00:08:26Well, I would say Mercedes or something else so as not to upset you, but...
00:08:30It's Dolores.
00:08:33Yesterday he gave her a check for 50,000 pesetas.
00:08:35And he bought her a washing machine, a refrigerator, and a television.
00:08:37It's not like it's a raffle.
00:08:39What a mess.
00:08:41Lorenzo, his friend, had the nerve to come and tell me about it in great detail.
00:08:45To humiliate me.
00:08:46Clear.
00:08:47Look, daughter.
00:08:48Don't worry.
00:08:49I see Carlos and skillfully question him.
00:08:52With third-grade education and brainwashing.
00:08:54No no.
00:08:55Don't get involved in anything.
00:08:56I'll see how I can fix it.
00:08:58Merry Christmas Eve, Mom.
00:09:01And if you need anything, just call the Hotel Condestable in Burgos.
00:09:06Goodbye, Mommy.
00:09:08Come on.
00:09:09That?
00:09:10Oh, that'll be a while, their car's broken down.
00:09:11Damn it, man.
00:09:12Okay, we'll take a little nap.
00:09:13Well, it's just that I was hitting you...
00:09:14One moment.
00:09:15Checkmate to the king.
00:09:16Idiot.
00:09:17Can I call my girlfriend?
00:09:18And?
00:09:19Since they don't go out, it's possible their father will lend us the car.
00:09:21That?
00:09:22That?
00:09:23That?
00:09:24That?
00:09:25That?
00:09:26That?
00:09:27That?
00:09:28That?
00:09:29That?
00:09:30That?
00:09:31That?
00:09:32That?
00:09:33That?
00:09:34That?
00:09:35That?
00:09:36Okay, it's possible that our father will lend us the car.
00:09:38Hey?
00:09:39Imposing.
00:09:40And you think of saying this now?
00:09:41Man, I...
00:09:42Come on, come on!
00:09:48Two...
00:09:49Hey, when was the War of Independence?
00:09:51In 1808.
00:09:53The last two digits reversed, 8-0.
00:09:56AND...
00:09:58The French Revolution?
00:10:00In 1789.
00:10:02Nine, eight...
00:10:04And how many were those musketeers from Dumas?
00:10:07Three.
00:10:08Ah, yes, right, three.
00:10:11Thank you.
00:10:12Hey, don't tell me you have to do all that just to make a phone call.
00:10:14I forgot the agenda in the other suit.
00:10:16And since you know I have such a bad memory, I have to look for advantages.
00:10:19And are you an architect?
00:10:20Yes, but abstract.
00:10:21Yeah.
00:10:22Luisita!
00:10:23I'm Lorenzo.
00:10:25How was that family dinner, honey?
00:10:27Well, Carlos's car has broken down and we can't go to El Escorial.
00:10:33No, the plan fell through and we're stuck at home if you don't lend us a hand.
00:10:39Hey, honey.
00:10:40Don't call me honey!
00:10:41Call it the Swedish way!
00:10:43Who?
00:10:44A Swedish woman.
00:10:46Ah, Hildegard.
00:10:47Ah, swimming champion.
00:10:50For God's sake, Luisita, I'm very strange, but strange enough to know Swedish women.
00:10:54And on top of that, be cynical.
00:10:56And here I am, dying.
00:10:58I don't know any Swedish women, damn it.
00:11:02I?
00:11:03I?
00:11:04Me, give a woman a kiss, me.
00:11:06But if they don't let themselves.
00:11:08And the Swedish women, after three weeks in Spain, didn't either!
00:11:12Yes, yes.
00:11:14Now, with the common market, things are different.
00:11:17They've also told me so.
00:11:20Carlos!
00:11:21Carlos?
00:11:22Hey, hey Carlos, have you seen me with any Swedish girl?
00:11:25Of course not.
00:11:26Hey!
00:11:27I don't want to hear from you!
00:11:28As soon as I catch a cold, grab it and off you go!
00:11:31Come and sin!
00:11:32Unchaste!
00:11:33We're finished!
00:11:34No, we're not finished!
00:11:36Rufina!
00:11:37Bring me more ice!
00:11:39And another hot water bottle!
00:11:42Hey!
00:11:43That?
00:11:46She's hung up!
00:11:47Come on, there's nothing we can do with this thing.
00:11:50What did you tell him, Carlos?
00:11:51Whom?
00:11:52To Luisita!
00:11:53I?
00:11:54Nothing!
00:11:55But nothing, nothing at all!
00:11:56No!
00:11:59But, but let's see, why did Luisita say all those awful things to me?
00:12:02You'll know.
00:12:04Carlos, what a mean joke you've played on me.
00:12:06Don't be an idiot, I never play jokes.
00:12:08And with the liver whipping less.
00:12:10Phone?
00:12:11Yes, in the living room.
00:12:14Phone?
00:12:15Yes, in the living room.
00:12:16Could it be Luisita?
00:12:17When he hangs up on me, I call back right away to give him a call.
00:12:18Leave it to me, I'll explain everything to you.
00:12:19Luisita, I'm glad you decided to call.
00:12:20It seems to me that...
00:12:21Give me, give me, give me, let me tell him.
00:12:22Are you Mom?
00:12:23Hey Carlos, I know you're with Dolores.
00:12:24Well yes.
00:12:25Of course I recognize it, but don't worry, it's nothing important.
00:12:28You know that excesses are always committed around this time of year.
00:12:30Nerve.
00:12:31Who's shameless?
00:12:32Who?
00:12:33Who?
00:12:34Who?
00:12:35Who?
00:12:36Who?
00:12:37Who?
00:12:38Who?
00:12:39Who?
00:12:40Who?
00:12:41Who?
00:12:42Who?
00:12:43Who?
00:12:44Who?
00:12:45Who?
00:12:46Who?
00:12:47Who?
00:12:48Who?
00:12:49Who?
00:12:50Who?
00:12:51Hey, ma'am.
00:12:52Yes, indeed, I'm with Dolores.
00:12:54It was more intense a week ago, but it's always been like this, ma'am.
00:12:57Shame about what?
00:12:59There are thousands of people who suffer from liver pain and they don't hide it.
00:13:02Of course I was referring to those Dolores.
00:13:05Well, I'm referring to the household appliance Dolores.
00:13:08Madam, to give a woman fifty thousand pesetas she has to be Madame Curie.
00:13:12I don't understand a thing.
00:13:14Well, be careful with Dolores' boyfriend.
00:13:16Yes, yes.
00:13:17He's looking for you with a knife.
00:13:19All of that is disgusting slander.
00:13:21Who told him?
00:13:22Lorenzo!
00:13:23Hey?
00:13:24What kind of trouble are you having with Dolores?
00:13:27But what Dolores?
00:13:28Ma'am, speak clearly.
00:13:30EITHER...
00:13:31Hey, lady!
00:13:32Monster!
00:13:33Listen!
00:13:38Lorenzo!
00:13:40Without violence.
00:13:42Have you ever accompanied me to a woman's apartment?
00:13:44Never.
00:13:45Have you seen me having any fun?
00:13:47And have you seen me with any Swedish women?
00:13:49Answer!
00:13:50What do you want me to say? I didn't see you!
00:13:51What a dirty shoulder!
00:13:54And I would like to know...
00:13:58I'd like to know whose pants these are.
00:14:00Yours?
00:14:01Mine?
00:14:02I've never worn suspenders in my life.
00:14:04And I don't have any suits in this color.
00:14:06And what are they doing there?
00:14:07Well, I don't know.
00:14:08Is a living room not a suitable place to take your pants off?
00:14:11Of course.
00:14:14Julia, my love.
00:14:15Today more than ever I know that your idiot of a husband doesn't deserve you.
00:14:19And that you should definitely quit.
00:14:21Good grief, what with the pants.
00:14:23I'm fed up with having to run away unexpectedly because he's coming.
00:14:26Don't worry about leaving him.
00:14:28He finds comfort in Dolores.
00:14:30That disgusting redhead.
00:14:32You no longer belong to him.
00:14:33A very strong kiss from you.
00:14:37Lorenzo!
00:14:38And John.
00:14:39What a coincidence.
00:14:40Okay.
00:14:41Hey, Carlos, you don't think I...?
00:14:43Oh well.
00:14:44That is a hideous monstrosity.
00:14:46Besides, that's not my handwriting.
00:14:48It's typed.
00:14:49That's why I say it's not my handwriting.
00:14:51Open your jacket.
00:14:56That's what I thought.
00:14:57You wear suspenders.
00:14:58Well yes.
00:14:59And you left your phone contacts in the other suit.
00:15:03Well yes.
00:15:04Maybe it's a gray suit.
00:15:05Yes sir.
00:15:06Precisely.
00:15:07Precisely.
00:15:08Are you going to think...?
00:15:09Hey, no.
00:15:10I'll be trying it on for a while!
00:15:11Try it!
00:15:12Try it!
00:15:13Try it!
00:15:14Try it!
00:15:15Corteanga.
00:15:16Try it!
00:15:17Try it!
00:15:18Try it!
00:15:19Try it!
00:15:27Try it!
00:15:28Try it!
00:15:29Try it!
00:15:30Try it!
00:15:31Yeah.
00:15:32Yeah.
00:15:33House of the Lords of Poveda!
00:15:34I'm going to look for it now. Who's calling?
00:15:36From Lorenzo. Wait a moment.
00:15:42Hey, hey, Carlos.
00:15:45Did you say Lorenzo?
00:15:48Little Lorenzo?
00:15:49But what is this?
00:15:50That's what I was going to tell you, I didn't realize it before.
00:15:52There are countless Lorenzos. There's Lorenzo González.
00:15:54Lorenzo del Escorial.
00:15:57And?
00:15:58Of course you can't go out.
00:16:00Of course I'll call her.
00:16:02Julia! Julia, hurry up!
00:16:04The phone's getting cold!
00:16:09What? Are we leaving now?
00:16:11Oh!
00:16:13But, but, Carlos, what's wrong?
00:16:15For now, the most important thing is that they call you on the phone.
00:16:17A certain Lorenzo.
00:16:18Hello, Lorenzo.
00:16:21Hello, Lorenzo.
00:16:22Yes. Yes, I know.
00:16:25No, it's not possible.
00:16:26Home should come first, Lorenzo.
00:16:29Don't be like that, kid.
00:16:31Someday, maybe.
00:16:31Here?
00:16:36You've left something here and you don't know what it is.
00:16:39Well, at first glance...
00:16:41Come and get them because I have them.
00:16:44Yes, in the hand.
00:16:45Listen!
00:16:46What does this mean?
00:16:50It's a very long story.
00:16:51No, no. You tell me.
00:16:53Carlos, life is like Rabel's bolero.
00:16:56It's always the same.
00:16:58Stop messing around and let's finish this.
00:17:00Who is that guy?
00:17:01Lorenzo is in front.
00:17:03Well, he's leaving.
00:17:03I have nowhere to have dinner.
00:17:04But do you really think we're going to have dinner with this scene in front of us?
00:17:07Julia.
00:17:08Hey.
00:17:10Low!
00:17:10Julia.
00:17:16Carlos, a man has fallen madly in love with me.
00:17:19And this?
00:17:21A regrettable oversight.
00:17:23Don't blame me.
00:17:24I was a little weak.
00:17:25Oh well.
00:17:26Please don't scold me.
00:17:29Let me tell you.
00:17:30Tell me. Go on, tell me.
00:17:33This year, when you stayed in Madrid and sent me to spend the summer in Robledo de Chabela,
00:17:39He appeared.
00:17:40Like a prince charming.
00:17:43Then...
00:17:45Oh my God.
00:17:46Don't make me tell you everything.
00:17:51That's more than enough.
00:17:53Good night.
00:17:55Carlos!
00:17:56You're not going to leave.
00:17:59Of course, right now.
00:18:00But, but, it's Christmas Eve for me.
00:18:01That's why.
00:18:02Good night.
00:18:02Wait, Carlos.
00:18:03There's nothing to wait for.
00:18:03It's a lie.
00:18:05That?
00:18:06Everything I've told you is a lie.
00:18:09What is a lie?
00:18:10Yes, that's a lie.
00:18:12Nothing at all happened in Robledo.
00:18:14I bought those pants myself.
00:18:16I typed the letter at my cousin's house.
00:18:19And the man I called on the phone is Clemente, her boyfriend.
00:18:22And you orchestrated the mess with Dolores and the Swedish woman with this wretch.
00:18:27Well yes.
00:18:29But why?
00:18:31Just to say something.
00:18:34Just to say something.
00:18:35To say something, Luisita has gotten angry with him.
00:18:37For example, your mother called me a monster.
00:18:40For example, we had a falling out with the American cultural attaché.
00:18:43No, that wasn't just to say something.
00:18:45It was because I said I was a Russian spy.
00:18:47And because Americans believe everything they say, he stopped greeting me.
00:18:51I'm a Russian spy, with this face I have from Alicante.
00:18:55Lies, lies, incredible messes.
00:18:57Three years of marriage without stopping for a moment.
00:19:00But, sir, why?
00:19:03Because?
00:19:04I thought that if you felt jealous, maybe you'd become more interested in me.
00:19:08Jealousy?
00:19:09But if you don't give yourself time to feel jealous.
00:19:12If it's to cut off your head and then say, look, well, I did it out of jealousy.
00:19:15Hey Carlos, don't get like that.
00:19:16But if there is one thing I hate with all my senses, no matter how Spanish I am, it is lying.
00:19:22Julia, you've earned it.
00:19:24I swear on my life that I will never believe a word you say again.
00:19:27No, not that.
00:19:28Yes indeed.
00:19:28But they're not lies.
00:19:30It's strange.
00:19:31I suddenly notice that my body is asking for it.
00:19:33I have to lie or I'm going to faint.
00:19:34And he has to imagine something strange and unusual.
00:19:38Yeah.
00:19:38Carlos, what your wife has is called a dramatic concept of existence.
00:19:43What my wife has is called something that I won't mention because of the date.
00:19:48Don't be a hick, I read it in a book.
00:19:51Look, there are beings who are not content with things happening normally
00:19:55and they have to introduce the dramatic element into their lives.
00:19:59You'll see how everything will work out when you have a child.
00:20:03If I had a child, then perhaps by taking care of him,
00:20:06I didn't feel this anguish that forces me to explode with a lie.
00:20:09But I'll never have a child.
00:20:13Why not?
00:20:17Carlos.
00:20:20That?
00:20:22Specify.
00:20:23It's an old story.
00:20:24When I was in Paris.
00:20:27Some Germans thought I was Jewish and...
00:20:30Julia, you've never been to Paris.
00:20:35Oh, Carlos, forgive me.
00:20:37I speak again without realizing it.
00:20:39Carlos, I promise you, I swear to you on whatever you ask of me,
00:20:42that I will never lie again.
00:20:43I don't believe you.
00:20:43But, man...
00:20:44I don't believe it!
00:20:45Carlos, I swear to you on us, on our love,
00:20:48that this lie is the last one.
00:20:49I believe that when...
00:20:50Be quiet.
00:20:51But you don't notice that I'm sincere.
00:20:55Okay, Julia.
00:20:57I grant you this opportunity.
00:20:58Think carefully, this is the last one.
00:20:59I'll talk about your next lie in the street.
00:21:01Yeah.
00:21:03You must be content with living gently,
00:21:05go to the cinema and the theatre,
00:21:07have children.
00:21:09You'll have them.
00:21:10And have fun normally?
00:21:13Yes, Carlos.
00:21:14The truth above all else.
00:21:17Let's see if it's true.
00:21:20Come on, give me a drink.
00:21:24Whiskey!
00:21:25The good kind we give to visitors.
00:21:28Whiskey.
00:21:29I just want whisky.
00:21:31From the other one!
00:21:33Whatever you say.
00:21:34Well, we can't go to Felipe II for dinner.
00:21:38The car has broken down.
00:21:40Would you like a whisky, Lorenzo?
00:21:42Well.
00:21:43Which one?
00:21:44And so on.
00:21:45You say Lorenzo is stupid.
00:21:47and he drinks everything that's put in front of him.
00:21:48Hey!
00:21:48I swear on my father that you said that
00:21:50and that I'm not lying.
00:21:52And what's he bringing this up now?
00:21:53Did you say it?
00:21:55Yes, devil!
00:21:56But I didn't mean to imply that he was stupid,
00:21:58but he was candid,
00:21:59naive,
00:22:00good boy,
00:22:01excellent person,
00:22:02a dreamer,
00:22:04director of a bank,
00:22:05league champion.
00:22:06You understand, Lorenzo,
00:22:07I called you stupid with the best intentions.
00:22:09This!
00:22:10And give him whiskey!
00:22:11Yeah.
00:22:12From the other one!
00:22:13Oh yes, yes, Carlos.
00:22:15Yes, it's practically impossible.
00:22:17find a car
00:22:18and too late to join us for another dinner.
00:22:21Luisita, perhaps,
00:22:22If we make peace,
00:22:24Could you give us something to eat?
00:22:25But, Luisita,
00:22:26She's a cheapskate.
00:22:28Hey, hey!
00:22:28Is this guy saying that?
00:22:30I?
00:22:30What, I'm saying that?
00:22:32I swear on our love
00:22:33and that I'll be left dead here
00:22:34if it's not true.
00:22:37Well, Lorenzo,
00:22:38I say stingy,
00:22:39But with a nuance,
00:22:40Do you understand?
00:22:41By saying stingy,
00:22:42I mean...
00:22:43Generous,
00:22:44detached,
00:22:45Valenciaga model,
00:22:46Miss Spain.
00:22:47That's enough, isn't it?
00:22:48I mean,
00:22:49overly careful
00:22:50of its economy,
00:22:51Wow.
00:22:53And you,
00:22:53Enough with the exaggeration
00:22:54with the truth.
00:22:55There is a social truth
00:22:56to be treated,
00:22:57living.
00:22:57a normal truth.
00:23:00That's the one you should use.
00:23:03Tell another truth nicely.
00:23:04and I grab the door
00:23:04And I'm leaving.
00:23:06Carlos,
00:23:07You've grown tired of me.
00:23:09But, sir...
00:23:11Does your mother like me?
00:23:13No.
00:23:13Does he dislike me?
00:23:14Yeah.
00:23:15Every time he sees me
00:23:15he tells me,
00:23:16Listen,
00:23:16Do I dislike you?
00:23:17No.
00:23:18So,
00:23:19behave like your mother,
00:23:20For example.
00:23:20No.
00:23:20Don't snore so loudly
00:23:27that you're going to wake up.
00:23:36Well,
00:23:37since we can't go
00:23:38to the Escorial,
00:23:39I propose we improvise
00:23:40a dinner here at home.
00:23:42I'm in.
00:23:43We only have champagne.
00:23:44I was thinking
00:23:44that Álvarez closes late.
00:23:46We still have time
00:23:46to buy some cold chickens.
00:23:48I'll go see the neighbor
00:23:49to look for the nougat he offered me.
00:23:50That way he might not come.
00:23:52Hey,
00:23:52But don't tell him,
00:23:53Since you are a pious woman,
00:23:54Don't come to my house.
00:23:55that we're bored
00:23:55And it gives us Christmas Eve.
00:23:57Go on, Lorenzo.
00:23:58We're going to be a little cold.
00:24:00Come on, let's go.
00:24:02Take.
00:24:12Look,
00:24:13It's coming out now.
00:24:19But she goes alone.
00:24:24Look,
00:24:24to enjoy.
00:24:25Shut up, you idiot.
00:24:31That gives me a bad feeling.
00:24:34Elisa does not make the sign.
00:24:36We need to find out.
00:24:39Start the car.
00:24:40Take a walk around the block
00:24:41and when I leave the house
00:24:43I'll be waiting for you on the corner.
00:24:45But you're going to leave me alone, boss.
00:24:46Come on,
00:24:47cover me.
00:24:48Okay, okay.
00:24:49The gun.
00:24:50The gun.
00:25:10The Poveda family?
00:25:11No, Juan,
00:25:12that have not gone to the history.
00:25:14With a key.
00:25:14They'll be back soon.
00:25:19We have time.
00:25:20In three minutes
00:25:21we will have finished.
00:25:22Bring the jewelry.
00:25:23Go on.
00:25:23Oh, mother.
00:25:25Why are they going to take it?
00:25:26We're going in a fire truck,
00:25:28Do you understand?
00:25:28Before whom everyone turns away.
00:25:30And move it now.
00:25:31Can't.
00:25:32I'm afraid.
00:25:33Fear, fear.
00:25:34Here, cheer up.
00:25:35No, the other one.
00:25:36On the other hand,
00:25:36But what does the other one bring you?
00:25:37I don't have this little multi-tool on my own.
00:25:38Shut up about the jewelry!
00:25:56Come on!
00:25:58Come on!
00:25:58Thank you!
00:26:28Thank you!
00:26:44Don't look! Don't look!
00:26:55Hello good?
00:26:56Yeah!
00:26:57I convinced her it was very risky. They're worth at least a million.
00:27:00One and a half million or more.
00:27:02Put them in the basket.
00:27:04Hurry up and get yourself the silver cutlery.
00:27:27What are you doing, you idiot? I'm hiding behind an alibi!
00:27:52It was dirty, Juan.
00:27:54But you'll be a beast, daughter.
00:27:57They're made of wax, Juan.
00:28:05Better. That way they'll think he was an amateur thief.
00:28:07My ears are ringing. I'm terrified.
00:28:10What you have is a potato that not even a gypsy could jump over.
00:28:13Well, I'm a little tipsy and that's it.
00:28:15But I love you, Juan. I love you.
00:28:19Juan.
00:28:21Juan.
00:28:23That's enough, daughter. That's enough.
00:28:33Juan.
00:28:35Take me with you, Juan. They'll be here soon. I love you.
00:28:38The hands.
00:28:39But anyway, here it is. I love you.
00:28:41No.
00:28:42The plan is the plan. You have to stay here for a few months.
00:28:45No one will suspect you. Plans are plans. Just stay put.
00:28:49Good evening, Mrs. Rosa. And please excuse my liberty.
00:28:51Nothing, nothing. That's what we neighbors are for.
00:28:53And if you want, you know, come over to my house and we'll have a drink together.
00:28:55And we drank together. Since we're not going out...
00:28:57Bye bye.
00:28:59Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan.
00:29:02I love you, I love you, Juan.
00:29:04Muah, muah, muah.
00:29:06Yay!
00:29:08Ouch!
00:29:10Oh! Don't let me die! Oh!
00:29:18And now comes the worst part. Hold it in without screaming.
00:29:22Ah!
00:29:24Ah!
00:29:25Ah!
00:29:26You must withstand the blow without resisting.
00:29:28Come on, throw your eyes.
00:29:29Ah!
00:29:30Ah!
00:29:31Be quiet!
00:29:32But, you idiot, what did you think this was, a sack race?
00:29:34Ah!
00:29:35Ah!
00:29:36Shut up, devil!
00:29:37But don't think you're going to faint.
00:29:38Ah!
00:29:39I'm going to give you one that...
00:29:40Ah!
00:29:41Ah!
00:29:42Ah!
00:29:43Ah!
00:29:44Ah!
00:29:45Ah!
00:29:46Ah!
00:29:47Ah!
00:29:48Ah!
00:29:49Ah!
00:29:50Ah!
00:29:51That's great.
00:29:52It cannot be opened.
00:29:53Hey, do you want me to try?
00:29:55No, don't worry.
00:29:56The girl who must have left her key in the door.
00:30:03Elisa!
00:30:04Elisa!
00:30:05Elisa!
00:30:22Elisa!
00:30:23Elisa!
00:30:35Elisa!
00:30:36Look, it's done.
00:30:55Goodbye, Mrs. Rosa.
00:31:06We're going to tell lies, they'll move, we're going to tell lies, they'll move, we're going to tell lies, they'll move, we're going to tell lies, they'll move.
00:31:36Come on, come on, come on, the big mess, come on, come on, come on, because today is Christmas Eve, because today is Christmas Eve.
00:32:01Which, by the way, could have been any other night.
00:32:03Ande, ande, ande, la marimorena, ande, ande, ande, la marimorena.
00:32:17Good night.
00:32:20Hello, good day.
00:32:23Happy Easter, ma'am.
00:32:26Thank you very much, likewise.
00:32:29Thanks a lot.
00:32:30The plumber, right?
00:32:35Well no
00:32:37Tell me, and your husband?
00:32:50He's coming, and with him a friend of his, so, I know.
00:32:55Stop!
00:32:56No! You won't be your thief!
00:32:59They call us that
00:32:59But there's a lot to discuss on this matter.
00:33:02I will give him everything of value in the house
00:33:04Don't worry, I have everything very well stored away.
00:33:07Then leave!
00:33:08Look
00:33:09Oh!
00:33:11Father, father, just one little glove!
00:33:14Father, father, just one little glove!
00:33:16Father, father, just one little glove!
00:33:18Come on, come on, old man!
00:33:20But only one, okay?
00:33:22Come on, get in!
00:33:28Come on, boy!
00:33:29Me too!
00:33:30Go get your boy, old man!
00:33:31Go get your boy, old man!
00:33:32Go get your boy, old man!
00:33:34Go get your boy, old man!
00:33:34If I had stayed still, I would still be alive
00:33:37And how do you expect anyone to stay still when they're about to be killed?
00:33:40Look, ma'am, now it's a matter of getting the dead man out of here
00:33:43That way they'll believe he tricked her with the jewels
00:33:46And they will look for her
00:33:48And not me
00:33:49You're on top of everything, huh?
00:33:54It's a secret between you and me.
00:33:55Not a word to anyone
00:33:58Not even her husband
00:34:00I swear that if he finds out sooner or later
00:34:03They kill her!
00:34:05Me?
00:34:05Yes sir
00:34:06To you!
00:34:08But who?
00:34:09My boys
00:34:09An innocent priest can be one of my boys
00:34:12They love me very much
00:34:15Do you understand?
00:34:17And what about a gypsy woman who comes to beg for alms?
00:34:20Hey?
00:34:20It can dry her out in one shot
00:34:22Understood?
00:34:24It's terrible.
00:34:26Yes, ma'am
00:34:27And now, walking
00:34:29I'm going to take out the body
00:34:31Let's set the scene, give me
00:34:39Fast
00:34:41Look through the medal
00:34:50Yes sir
00:34:52Is anyone coming?
00:34:56No, sir
00:34:57Open the door
00:34:58My husband
00:35:03Stay, close the door
00:35:05Listen carefully
00:35:12Now it will open
00:35:15But you must get them to leave here immediately.
00:35:17Three minutes is enough for me to get this over with.
00:35:20Open what you can
00:35:23Open up, Julia!
00:35:24You'll see what a surprise awaits you.
00:35:26Well, you'll see what you get!
00:35:30And don't forget, there are two weeks here.
00:35:32I'll kill all of you at the slightest indiscretion.
00:35:35You realize I'm not joking, right?
00:35:38What are you joking about?
00:35:39Well then, let's go
00:35:40Look, look, look
00:35:53Go on! Go on! Go on! Go on, butterfly!
00:35:56Come on! Come on! Come on! Come on! Come on! Come on!
00:36:04Go on!
00:36:06Look, look, look.
00:36:07And a little chorus.
00:36:09It seems to be revealing.
00:36:10Already.
00:36:11Something like that.
00:36:12Come on! Come on! Come on! Come on!
00:36:14Come on! Come on! Come on!
00:36:16What have you brought?
00:36:18Wait a minute.
00:36:19One moment.
00:36:20One moment.
00:36:21Ha ha ha!
00:36:23Chicken! Puagral ham Inés Café!
00:36:25And they gave us a triple whisky.
00:36:27The good stuff! Come on, come on, come on!
00:36:29Marimo! Come on, let's have dinner here in our little corner!
00:36:33We'll bring the table. Come on, Lorenzo, come here.
00:36:35Help me. Let's move the sofa.
00:36:37Aaah! No!
00:36:40It brings bad luck.
00:36:42Why don't we have dinner in the kitchen, huh?
00:36:44Because, Carlos, it's not a bad idea.
00:36:45Come on, come on, come on! To Marimo! Let's go!
00:36:49Oh, it's Christmas Eve!
00:36:51Come on, come on, come on! La Marimorena!
00:36:54Come on, come on, come on! It's Christmas Eve!
00:36:57Come on! Come on! Come on!
00:36:59Come on! Come on! Come on!
00:37:00Oh no! Gentlemen first!
00:37:02No! It must be the ladies! Come on!
00:37:04No! With the new law, we have the right to give way to you!
00:37:06Ha ha ha! Go, go! The Marimorena!
00:37:09Come on, come on, come on!
00:37:19Come on, come on, come on! La Marimorena! Come on, come on! Christmas Eve! This Christmas Eve!
00:37:29This Christmas Eve!
00:37:34No! No! No! No!
00:37:36No!
00:37:46But Julia
00:37:48That Lucita!
00:37:51Come on, come on, come on! Come on!
00:37:53Lorenzo!
00:37:55Lorenzo!
00:37:57Lorenzo!
00:37:59Oh my God! Forgive me, Maria, it's there!
00:38:01Let's see! Oh no! It's not hiding there!
00:38:03It's dangerous! Up! Quick!
00:38:09Who? Who is it?
00:38:11Hello, Luisita! Yes!
00:38:13Hello! Hello, Lorenzo! It's Luisita!
00:38:15Now he's getting... Did you hurt yourself, Lorenzo?
00:38:17Can you tell me why you tripped Lorenzo up?
00:38:19Me? Me, the tripper?
00:38:20Yes, and you. He didn't kill himself because God is great.
00:38:22What's it like? Very good.
00:38:23But, Julia, what on earth is wrong with you?
00:38:25No, it's just that I fell.
00:38:26And now, who's going to be faster at doing something?
00:38:28Yeah.
00:38:31Hello!
00:38:32I thought you might want some candied fruit.
00:38:36Thank you very much. Goodbye.
00:38:41How are you? How are you? Are you having a good time?
00:38:43Well, you see, very good. And you?
00:38:46As a family!
00:38:48Oh!
00:38:49Do you have a dead person in your house?
00:38:51Narrowly?
00:38:53No. Why?
00:38:55No. I was saying.
00:38:58Well no.
00:39:00That's just my own doing.
00:39:01That.
00:39:02Good night.
00:39:03Good night.
00:39:04Happy.
00:39:05Happy Easter!
00:39:06Yeah.
00:39:07Bye bye.
00:39:09Carlos.
00:39:10Carlos, I...
00:39:11Luisita, Luisita.
00:39:12I've hung up again.
00:39:13And that was after having me glued to the phone for an hour.
00:39:18Don't worry, man. You guys always do the same thing.
00:39:21You're very weak with your girlfriend.
00:39:22Oh my, he's drunk the whiskey. And the good stuff.
00:39:23I.
00:39:24I.
00:39:25It was me. I had nothing to do and I said to myself, well, I'll drink the whiskey.
00:39:29Bravo!
00:39:30Don't joke around, Lorenzo. This woman's situation is serious.
00:39:31Carlos, this woman is your wife.
00:39:32Carlos, this woman is your wife.
00:39:33Anything but whisky. Well, I'll go find another bottle.
00:39:34No! I'll bring it to you. No. Don't worry, I'll bring it to you.
00:39:35No. Don't worry, I'll bring it to you.
00:39:36And you always do the same thing.
00:39:37And you always do the same thing. You're so weak with your girlfriend.
00:39:39Oh my, he's drunk the whiskey. And the good stuff.
00:39:40I!
00:39:41It was me. I had nothing to do and I said to myself, well, I'll drink the whiskey.
00:39:46Bravo!
00:39:47Don't joke around, Lorenzo. This woman's situation is serious.
00:39:51Carlos, this woman is your wife.
00:39:53Anything but whisky. Well, I'll go find another bottle.
00:39:58No! I'll bring it to you. No. Don't worry, I'll bring it to you in a moment.
00:40:03You all stay put, okay? Don't move, I'll be right back. Just a moment. It's only a moment.
00:40:09Hey, what do you think might happen to him?
00:40:10He'll be looking for ways to introduce a dramatic element on Christmas Eve.
00:40:14Because he wants to give it to us, Lorenzo. Whoever wants to fall for it.
00:40:17She was a drinker. Once, when we were dating, I called her house and the maid answered.
00:40:22The young lady is in the bathroom, cutting her wrists.
00:40:26A healthy tip. Don't forget this little device.
00:40:31No, don't worry.
00:40:41Rough.
00:40:56Whiskey.
00:41:02Cognac.
00:41:03That?
00:41:04What have you brought, cognac?
00:41:05Oh yes, that's true.
00:41:06Why is your hair messed up?
00:41:07Me. It must have been when I opened the closet.
00:41:09There's a fan inside.
00:41:11The door that lets in air.
00:41:13Don't worry. I'll bring you another bottle right away, okay?
00:41:15Don't worry. Don't you worry.
00:41:17Oh, let go.
00:41:33No, no, no.
00:41:34Not much, okay? It's not a good idea.
00:42:04Not too much, okay? You can damage your liver.
00:42:11Have you noticed? How are these boots made?
00:42:13What a cat! What a cat! But we don't have a cat!
00:42:16But some cat will come, if I call it.
00:42:18You're going crazy!
00:42:20Yes, yes, I'm going crazy.
00:42:22And I'm going to start screaming when you least expect it.
00:42:24I can't take it anymore!
00:42:25What's wrong?
00:42:26Well, he's come in!
00:42:27What, what, what!
00:42:29I hate Easter!
00:42:31Congratulations! Have a good night!
00:42:33You don't eat much!
00:42:35And what about the poor, huh?
00:42:37How do poor people spend Christmas Eve?
00:42:38Have we asked ourselves that?
00:42:40Oh no!
00:42:41And what about the homeless?
00:42:42They spend Christmas Eve under a tree.
00:42:45But you can hear her.
00:42:47What do they have to do with you social studies?
00:42:49It's not that unusual.
00:42:53What is this?
00:42:56Mine. It's mine. Mine.
00:42:58What, you suddenly dress up as a waiter?
00:43:00Well yes.
00:43:01Well.
00:43:03But again, Julia, again.
00:43:17You've already made one of your usual messes.
00:43:19But...
00:43:19The dramatic element.
00:43:20What I've invented is a fishmonger lover.
00:43:22AND?
00:43:22No.
00:43:23Whose turn is it to make me jealous now?
00:43:27I can't speak.
00:43:28Even more beautiful.
00:43:29Mrs. Poveda cannot speak.
00:43:31He even does the role and everything.
00:43:33No.
00:43:33And there are still more dramatic elements to come.
00:43:35For sure yes.
00:43:36Let's see.
00:43:37Let's see where the socks and the hat are.
00:43:40No.
00:43:40No, no, Carlos.
00:43:41No.
00:43:41For the love of God.
00:43:42For our love.
00:43:43Don't go upstairs, okay?
00:43:44And then they talk about the actresses' crisis.
00:43:46Let me.
00:43:47Don't move, Lorenzo.
00:44:04Stay still, Lorenzo.
00:44:06But what's going on?
00:44:08He faked a robbery!
00:44:15Yeah?
00:44:16Who?
00:44:17Well, this is laughable.
00:44:24Who do you think is calling, Julia?
00:44:26I don't know.
00:44:28Lorenzo.
00:44:29Of course, it's the same one from the pants, the one from Robledo.
00:44:32It's Clemente, isn't it?
00:44:33No, I swear I didn't.
00:44:35This time I have nothing to do with it.
00:44:37But you see, Lorenzo, if it's to bring her out in a comedy sketch.
00:44:41You might think it's silly, but I'm getting nervous.
00:44:45No, no, no.
00:44:45It's almost laughable.
00:44:46You'll see.
00:44:51Well?
00:44:52Hey, what are you?
00:44:53A little coffee, father.
00:44:55No, son, I'm on duty.
00:44:58Are you the boss?
00:45:00Yes, man, yes.
00:45:01Whatever you want.
00:45:03He tells me that if I'm the boss it's hilarious, come on.
00:45:07Tell me, tell me.
00:45:09Does your voice sound strange to you?
00:45:10No, it's just that I've cooled down.
00:45:11No, it's just that I've cooled down.
00:45:12And so on.
00:45:13Yes, I am the boss.
00:45:15You want to talk to her, right?
00:45:19With me.
00:45:19Hey?
00:45:21No, no, no.
00:45:25No?
00:45:27No.
00:45:30Already.
00:45:31That's crazy.
00:45:35Yeah, it's awesome, boss.
00:45:37I can't keep driving around in the fire truck.
00:45:39And he's given all the kids in the neighborhood rides.
00:45:41You have a long way to go.
00:45:43You see.
00:45:44This one is funny.
00:45:46He says I still have a long way to go.
00:45:47He does nothing but drive around in circles with the fire truck.
00:45:50Well, no, I'm not far off.
00:45:53Yes, I'm finished.
00:45:55Yeah.
00:45:56Come, I'll be waiting for you with open arms.
00:45:59That's it, with the fire truck.
00:46:02Goodbye, man.
00:46:05Well, if it weren't enough to make you cry.
00:46:07What imagination, what madness.
00:46:09Listen, Carlos.
00:46:10I don't need to hear any more lies.
00:46:12I'll fix this in a moment.
00:46:20I don't need to hear any more lies.
00:46:50It's getting worse and worse.
00:47:14I think treatment should be implemented.
00:47:16And I've thought about calling you as a friend and as a psychiatrist.
00:47:20Nothing, man.
00:47:20Everything will be alright.
00:47:22Julia, she's more normal than me.
00:47:24Okay, I'll stop by tomorrow.
00:47:25No, no, Pepe.
00:47:26Tonight.
00:47:26And you'll have chicken with us for dinner, okay?
00:47:28Alright.
00:47:29Well, we'll be waiting for you.
00:47:31Goodbye, Pepe.
00:47:34Yes, I called the psychiatrist.
00:47:36It's the only thing I can do for you.
00:47:38But, but, Carlos.
00:47:38There's no need to dramatize.
00:47:40This is not a mental asylum.
00:47:42Pepe Barrios is a good friend and a good doctor.
00:47:44He is alone.
00:47:44And he doesn't care whether he has dinner at his house or mine.
00:47:46And by the way, let's prepare dinner.
00:47:48Ah, I'm in.
00:47:49Let's turn on the oven.
00:47:50Because?
00:47:51It might sound silly, but I want to heat up the cold chicken.
00:47:56Regarding chicken.
00:47:57Father!
00:48:06God bless you!
00:48:07I am very unhappy, Father.
00:48:09I am very unhappy.
00:48:10Help me, Father.
00:48:11Help me!
00:48:12Mother, where have I gotten myself into?
00:48:13Shoot, boss, shoot!
00:48:14Hello, idiot.
00:48:15Pssst.
00:48:16It's on our side.
00:48:17Listen.
00:48:18Delighted, ma'am.
00:48:19I am the boss's second-in-command.
00:48:21Look.
00:48:23Deceased.
00:48:24A tragic accident.
00:48:25We have to take her to Ampera's car.
00:48:26Maria, can you come here for a moment?
00:48:28Go!
00:48:30Take it all at once.
00:48:31Be very careful, okay?
00:48:32Now there are two guns in the house.
00:48:34I don't know.
00:48:36Pack everything up and let's go, Juan.
00:48:39You don't understand, idiot.
00:48:40Elisa needs to be taken out of here.
00:48:41Our only chance to free ourselves from the burden of going
00:48:43that they think she is the thief.
00:48:45Come on!
00:48:46Take the dead meat towards the door.
00:48:47I'm going for the jewelry.
00:48:52Did you destroy it?
00:48:53Well, you know what I'm saying.
00:48:54Better.
00:48:54It's mine, mine, on a platter.
00:48:56Look.
00:48:57Look now.
00:48:58Go on.
00:49:00Go on.
00:49:02Go on.
00:49:04But what are you doing?
00:49:05No, I can't, people.
00:49:07Idiot.
00:49:10And how would we get rid of this mass?
00:49:12As long as it goes away quickly.
00:49:14Go up and get it.
00:49:14You stay here, very still.
00:49:16Well.
00:49:16Carlos.
00:49:19Carlos.
00:49:21Carlos.
00:49:22That?
00:49:23The oven.
00:49:24Leave it now.
00:49:25No no.
00:49:26Don't touch anything in that oven, okay?
00:49:28Yes, the key is there.
00:49:29Don't touch any keys.
00:49:30Let's not have a problem.
00:49:31Yes, a disappointment.
00:49:33Come on, get out of there.
00:49:35Get out of there.
00:49:35Have a whisky and calm down for once.
00:49:38Go on.
00:49:38What's happening?
00:49:39No, me.
00:49:40Yeah.
00:49:41I assure you, Carlos, that...
00:49:42Nothing, nothing.
00:49:43Have a drink.
00:49:44We'll go down right away.
00:49:45Aha!
00:49:45Aha!
00:49:45Aha!
00:49:46Aha!
00:49:48Aha!
00:49:49Aha!
00:50:02Aha!
00:50:04Aha!
00:50:05Aha!
00:50:05Hey, where do you keep the talcum powder?
00:50:11Here.
00:50:35Jesus, Jesus.
00:50:43Thank you.
00:50:45You are welcome.
00:50:48Give me the talcum powder.
00:50:51Lorenzo.
00:50:52The talcum powder seller.
00:50:58Thank you.
00:51:00You are welcome.
00:51:05That's it.
00:51:13The solution.
00:51:14Ah, thanks for the solution.
00:51:18We'll eat the chicken cold.
00:51:19But, Carlos.
00:51:20With mayonnaise sauce.
00:51:21We didn't bring mayonnaise.
00:51:23I'll make the mayonnaise.
00:51:24Cold chicken with Povedana mayonnaise sauce.
00:51:26Something sensational.
00:51:33Julia.
00:51:35What is this?
00:51:38Julia, you've always been a loser.
00:51:40What story are you going to make up about this hat?
00:51:42I don't know anything.
00:51:43Nothing.
00:51:44What I can't understand is where she gets this wardrobe from.
00:51:47My God, it's enough to make you despair.
00:51:48Carlos, don't yell at me.
00:51:49I'm reaching the limit of my strength.
00:51:52Let's see.
00:51:53Where did you get this hat?
00:51:55I don't know anything.
00:51:56So a priest has come to the house.
00:51:58Well, maybe.
00:51:59Julia, my love, will you please come with me to the kitchen and show me where they are?
00:52:06the eggs and oil to make the mayonnaise sauce?
00:52:09Yeah.
00:52:09Wow, what a little armchair.
00:52:13It feels like a train seat as soon as we're not paying attention in the reserved areas.
00:52:16No, no, no, no.
00:52:46Good evening, Father.
00:53:13Good night, son.
00:53:16Is this yours?
00:53:19Yes, son.
00:53:20Good night.
00:53:20Good evening, Father.
00:53:23Goodbye, son.
00:53:24Goodbye, father.
00:53:25The priest!
00:53:46The priest!
00:53:47What's happening?
00:53:48The priest has already left!
00:53:49The priest!
00:53:50The priest!
00:53:50He was there kneeling in prayer!
00:53:51Praying?
00:53:52Yes, and then he gave me his blessing and left.
00:53:54Let's take it one step at a time, Lorenzo.
00:53:56You came in here and saw a priest.
00:53:59That?
00:54:00A priest who has left.
00:54:02Yeah.
00:54:03And you haven't asked him what he was doing kneeling there?
00:54:05No, because they kneel a lot.
00:54:08That's impossible, Lorenzo.
00:54:09But I kissed his hand.
00:54:11But I invented the priest.
00:54:13Well?
00:54:13I've seen a priest, according to my father.
00:54:17But, Lorenzo, come on, here it is.
00:54:18Poor guy.
00:54:18Hey kid, what's that?
00:54:19Poor Lorenzo.
00:54:20But what do you want, to send me to a psychiatrist too, huh?
00:54:22I saw a priest, and I saw a priest!
00:54:24But, Lorenzo...
00:54:24Leave him alone!
00:54:25Have you seen a priest?
00:54:26Let's see.
00:54:27Which way did that priest go?
00:54:29That way?
00:54:31The bedroom?
00:54:32Can?
00:54:33Perfect.
00:54:34We're going to search it from top to bottom.
00:54:35No!
00:54:36No, not that!
00:54:37Yes, let's go.
00:54:37No, and what if I ask you not to subject him to that test?
00:54:40Take care of yourself, Julia, and ask God that we find a priest.
00:54:44Because if we can't find it, the neighborhood starts with you.
00:54:47And with an electroshock.
00:54:48Below!
00:54:48That?
00:54:59Come on.
00:55:01Get off!
00:55:06Aha!
00:55:10Go on, start.
00:55:13I have time.
00:55:14There's no rush.
00:55:15Keep searching until you find a priest.
00:55:18You're going to search the room from top to bottom.
00:55:20Christmas for the malnourished!
00:55:27Oh, oh, oh, oh!
00:55:28Aha!
00:55:28Aha!
00:55:28Aha!
00:55:29Aha!
00:55:34Oh, oh, oh, oh!
00:55:35Low!
00:55:37No!
00:55:38Police station, hair salon, perfumery!
00:55:41And in our Christmas broadcast for the malnourished,
00:55:43We are now giving away a lamb to the first needy person who calls our station.
00:55:47and tell us the names of the three wise men from the East.
00:55:51You have exactly three minutes to answer.
00:55:55Here.
00:55:58No.
00:55:58Search, search.
00:56:22Curse!
00:56:23She rejected it!
00:56:24Subscribe to the channel!
00:56:54Subscribe to the channel!
00:57:24To the kitchen!
00:57:25Fast!
00:57:29Hide!
00:57:31To the kitchen!
00:57:33To the kitchen!
00:57:34Hide!
00:57:35Good night!
00:57:44Good evening, Mrs. Poveda!
00:57:45It allows us to use the phone!
00:57:46You're not broken!
00:57:47Of course!
00:57:48Sister Mary of the birth of the child Jesus!
00:57:50Do you know that they give a lamb to the first person who says the names of the Three Wise Men?
00:57:54A lamb would be a wonderful Christmas gift for our little orphans!
00:57:57We are the little sisters from the Bethlehem orphanage!
00:57:59Yes, yes, for the contest!
00:58:01Well, they are Melchior, Gaspar, and Balthazar!
00:58:08Correct answer!
00:58:09Very good, little sister!
00:58:12Well, you see, there's no sign of any priests here.
00:58:14Because?
00:58:15Because it's not logical.
00:58:17Thank you!
00:58:18Happy Easter!
00:58:20Happy Easter!
00:58:21Happy Easter!
00:58:22See?
00:58:23It's about nuns answering a radio contest call from their convent.
00:58:28It would be illogical for them to answer from a party room or from my house, for example.
00:58:33Bye bye.
00:58:34And many thanks to the little orphans.
00:58:36Bye bye.
00:58:36Bye bye.
00:58:37Goodbye, sores.
00:58:41What? Have you found the priest?
00:58:44Neither alive nor dead.
00:58:45Man, dead.
00:58:52We spend so much time recording and we forget to look out the window.
00:58:54Maybe he was in the garden.
00:58:57My God, use your head, you idiot.
00:58:59If a priest had entered, by chance, why would he leave through the window?
00:59:03You'd think we were left-wing.
00:59:05Idiot.
00:59:06Answer that question for me.
00:59:08Yes you can.
00:59:09No, right?
00:59:10And you can't because it doesn't make sense.
00:59:12Because it's not normal.
00:59:13And in life, even the strangest things usually happen.
00:59:17Oh, don't get like that with Lorenzo.
00:59:19Anyone can have a hallucination.
00:59:21You're confusing me.
00:59:23You brought me here to entertain you.
00:59:25You have said that it is preferable to hit the buffoon and confuse the fool.
00:59:28Well, let's confuse the fool.
00:59:30Lorenzo.
00:59:30You hate me.
00:59:31You find me original because I'm from the Asuna family.
00:59:33You're making fun of my system for remembering phone numbers.
00:59:35You play cruel pranks on me every day.
00:59:38Once you entered my office and forced me to flee in terror.
00:59:40You ran away terrified because you had a sudden urge and I asked him for a light, nothing more.
00:59:44Sure, and to a man who is standing on a plane,
00:59:46calculating the resistance of the concrete of the Sagún dam,
00:59:48You get close to his ear and say "fire".
00:59:50Let's see where they find him.
00:59:52No, sir.
00:59:53I didn't say fire.
00:59:54But fire, simply.
00:59:56And you ran out shouting, "Architects first, architects first!"
01:00:00No, you did it on purpose.
01:00:01I want dinner.
01:00:03I want to have dinner right now, grab a chicken and eat it.
01:00:05It's just not going to be possible.
01:00:06Yes, but the priest...
01:00:07Let's go to the kitchen.
01:00:09Will you help me or not?
01:00:10Yes, what's wrong?
01:00:10Nothing.
01:00:11That's why.
01:00:11And I gave the hat to the priest.
01:00:12Very good, you gave him the hat.
01:00:14And what are you doing there with the lamp?
01:00:15Come on, that's it, something, isn't it?
01:00:18Why are you putting it on the sofa?
01:00:19That.
01:00:19Sure, and if not me, then what?
01:00:21Where do I sit?
01:00:23Oh, God.
01:00:42Okay, we'll take the gadgets and then I'll make the mayonnaise.
01:00:50Here, put out cutlery for three.
01:00:51Why did you move the table?
01:01:03Why did you move the table?
01:01:07Go on, grab it from there.
01:01:16And now let's go for the rest.
01:01:35Yes, if you want me to lend you a hand...
01:01:38Well, look, yes, move the pine tree out of the way.
01:01:39We'll have dinner in our little corner.
01:01:41Whatever you say, Carlos.
01:01:42Where has the tato put it?
01:02:07Over there.
01:02:08Over there?
01:02:08It was slipping away behind the curtain.
01:02:10Good idea.
01:02:11It has a couple of minutes.
01:02:13Take advantage of them.
01:02:14Fast.
01:02:17Are you Lisa?
01:02:18It scares me.
01:02:19Ovenezca.
01:02:20He knows what awaits him, if he doesn't...
01:02:22Oh, keep the garden next to the garage.
01:02:24I'll put the guy in the car and go back for him without the jewelry.
01:02:28Hello good.
01:02:28That...
01:02:29Julia, here are the...
01:02:39Ah.
01:02:40Ah.
01:02:48No.
01:02:49No.
01:02:50No.
01:02:51No.
01:02:51No.
01:02:52No.
01:02:52What's happening?
01:02:53There, there.
01:02:54Don't worry, man.
01:02:55There are more dishes.
01:02:56It's too much, way too much.
01:02:57A priest can be seen.
01:02:58But everything I've seen now...
01:03:00What are you saying?
01:03:02No, nothing.
01:03:03What happened?
01:03:04Nothing.
01:03:06No, I'll go.
01:03:07It will be the psychiatrist, thank God.
01:03:08Come in, Pepe.
01:03:09Tell me.
01:03:10Are they going to do it again?
01:03:11The fact that?
01:03:12Open it, carry a priest on your back, and slam the door in my face.
01:03:16Us?
01:03:17We did that?
01:03:18Oh!
01:03:19He said it to bring my brother-in-law and the children to see it.
01:03:21Let's see if that gets rid of their obsession with football.
01:03:24He was right, I've seen it.
01:03:26The first person who mentions a priest to me will get punched.
01:03:30What the hell have you combined with that woman?
01:03:32Carlos, I swear to you that...
01:03:33No, shut up, shut up.
01:03:34Don't swear anything to me.
01:03:36Lorenzo, grab hold of that.
01:03:37Can I ask what you're looking at?
01:03:39No, nothing, nothing.
01:03:42Where could she have gone?
01:03:44Who?
01:03:46I'm not telling you.
01:03:47Who?
01:03:48No, that's going to sound exotic to you.
01:03:50At once.
01:03:51Who?
01:03:52The priest!
01:03:54The priest!
01:03:55Yes, a big guy wearing a sweater was carrying him on his shoulders.
01:03:57And Julia was dragging a woman along, I saw it.
01:04:01Did you see all that?
01:04:02Yeah.
01:04:03And what do you think?
01:04:04I haven't closed my eyes because if I don't close them in time I'll see the burial of the Count of Orgad.
01:04:09Lorenzo.
01:04:09Leave!
01:04:17I don't know if you're suffering from a delirium tremens attack or if you have a idiotic sense of humor, but I can't stand you anymore.
01:04:24Julia, for the Virgin's sake, tell her that everything is true.
01:04:26But...
01:04:27But if it isn't, Lorenzo...
01:04:30Leave and let's have a peaceful night!
01:04:32I have nowhere to have dinner.
01:04:42Take a break and come back when you're feeling better.
01:04:45And now for the mayonnaise.
01:04:59Good heavens, what a night!
01:05:04Julia, would you like to move the screen aside so we can set the table?
01:05:09The screen, which gets in the way when setting the table.
01:05:11Ah, of course.
01:05:13Annoying to set the table.
01:05:18Where do I put it?
01:05:20Well, I don't know.
01:05:21Take it to the office.
01:05:22Yes, yes, of course.
01:05:25To the office.
01:05:25I have to take the screen to the office!
01:05:29Since he's here to announce it!
01:05:31Truly, Carlos.
01:05:33Sorry.
01:05:34Well then!
01:05:34Yeah.
01:05:50Why are you wearing it like that?
01:05:52Hey?
01:05:53Ah, so it doesn't get wrinkled.
01:06:05I was in the garden.
01:06:06Irrefutable proof that the priest exists and...
01:06:08No, Carlos.
01:06:08Yes, Carlos.
01:06:09It's my fault.
01:06:11You?
01:06:11Yeah.
01:06:12I asked Lorenzo to help me.
01:06:14The whole fabulous story of the priest is related to Lorenzo and the neighbor.
01:06:17Speak, I'm listening.
01:06:18The priest wasn't really a priest, but a lover in disguise who had to fight for my love at gunpoint.
01:06:24with another lover who was also the neighbor's brother-in-law.
01:06:28I convinced them and they all agreed to play their part.
01:06:31That's why Lorenzo shouted, "To the priest!"
01:06:34And he said everything else.
01:06:37You see it.
01:06:39You see it like when you tell the truth, it shows.
01:06:42Clear.
01:06:43You realize it.
01:06:46Everything you just said fits perfectly and is normal.
01:06:49Because, in fact, it's logical that there shouldn't be any priests on the street at this time of day.
01:06:53And Lorenzo helped you because he felt sorry for you.
01:06:57The gear.
01:06:59That's what I call the gears.
01:07:01Logic above all.
01:07:03And that way you can heal by always telling the whole truth.
01:07:06Clear.
01:07:07Clear.
01:07:07Lorenzo!
01:07:17Hey, Lorenzo!
01:07:19Come on!
01:07:20Come inside, it's cold!
01:07:31Oh, kind heart!
01:07:33I know everything.
01:07:34The priest, the priest.
01:07:36You're a good priest indeed.
01:07:37Come closer to the fire.
01:07:39And don't do it again.
01:07:41Well.
01:07:45And without any advantages.
01:07:54Mrs. Rosa, is that you?
01:07:56Let's see when he comes to have that drink with us.
01:07:58Angry? Not at all.
01:08:01Well, we'll wait for it.
01:08:03Until now.
01:08:03Finally, in just a few minutes, a delicacy fit for such gentlemen.
01:08:10Cold chicken with Povedana mayonnaise sauce.
01:08:12No, no, no, no.
01:08:13What's happening?
01:08:30No, no, no, no.
01:08:32No, no, no, no.
01:08:34Excuse me, ma'am, I've made a mistake again.
01:08:55Ah, yes, I know who you are.
01:08:57You are the doctor friend of the Poor couple.
01:09:00Exactly, well, excuse me.
01:09:02So you've been invited too
01:09:04Yes, but this time I'm here as a doctor
01:09:06As I was saying, the Pobrita are having a party full of crazy surprises.
01:09:11Really?
01:09:12I can't fit the melon
01:09:14And I assure you they have a good supporting cast.
01:09:16Swearing, nuns, men with guns
01:09:18Gee!
01:09:25Lorenzo
01:09:32Lorenzo
01:09:34Lorenzo, come here
01:09:36How annoying
01:09:39That?
01:09:43That?
01:09:46Two
01:09:50And there were three woodcutters.
01:09:55Then came the other one, four
01:09:56But they killed him.
01:09:57Three, that's it, three
01:09:59Luisita
01:10:02No, no, and no.
01:10:04Luisita, darling, tell me who I am
01:10:06Carlos and Julia are confusing me more and more.
01:10:08They're driving me crazy
01:10:09Help me
01:10:09Wow, what a weight off my shoulders
01:10:12I thought you had forgotten about me
01:10:14I love you
01:10:15I'll take this to the car and come back for the jewelry.
01:10:19Be careful not to mess with me, did I understand?
01:10:22It's a serious case
01:10:42It's a serious case
01:10:44Yeah, yeah, surprised.
01:10:45Poor father
01:10:46How awful!
01:10:47Poor father
01:10:47My neighbors are having quite a party!
01:10:51And the good thing is that they have a fire truck
01:10:53Truly and completely
01:10:54And if
01:10:55It's occurring to me
01:10:58We could play a little joke on them too.
01:11:00Man, that's great!
01:11:01Very good
01:11:02But which one?
01:11:03It's a matter of thinking about it.
01:11:04Hey, why don't we get married right now?
01:11:23That way I have an excuse to leave.
01:11:24Why is this...?
01:11:26I need a man
01:11:27That?
01:11:27No, listen, listen, listen, no, no
01:11:30No, look, it's ju...
01:11:32No
01:11:32You see, honey, it was me.
01:11:34What did I say?
01:11:35I need a man
01:11:36And me too
01:11:39Now that everything was going so well
01:11:41Hey, Lorenzo
01:11:42Come
01:11:43Come, I need a man
01:11:45I came to Carlos, my friend.
01:11:46And I would rather have a friend than be gone.
01:11:47No no
01:11:48I need a man
01:11:49Let it not be Carlos
01:11:50Julia, don't do that, no matter how fashionable it is.
01:11:52You'll regret it later
01:11:53But you just don't understand.
01:11:54I need a man who can call the police
01:11:56Carlos believes that all of this is a lie.
01:11:57Me too
01:11:58I don't know, huh?
01:12:01Well, now you see
01:12:02Look
01:12:04What do you think now?
01:12:07Oh, mother
01:12:07Who would faint now?
01:12:23What we need to do is call the police
01:12:24Do you know the phone number?
01:12:25No
01:12:26The phone?
01:12:27The phone?
01:12:27The guide, the guide?
01:12:28Ah, yes
01:12:28No, impossible.
01:12:30The thief burned the page
01:12:31Oh, the thing is, I knew it by heart.
01:12:32The district police station number
01:12:34What was it like?
01:12:34Come on, come on
01:12:35Two
01:12:36Two
01:12:36How many apostles were there?
01:12:38Bacila, what comes next?
01:12:39Let me do it my way
01:12:40That's how it is, agreed.
01:12:41Ah, it's there.
01:12:43Who?
01:12:44José
01:12:44The one from...
01:12:45How many apostles were there?
01:12:48Twelve
01:12:49On the contrary, twenty-one
01:12:54That's it, two twenty-one
01:12:55Two twenty-one
01:12:56Two
01:12:57Two twenty-one
01:12:59When did the European war begin?
01:13:01Which?
01:13:01The one from the fourteenth
01:13:03So, in nineteen fourteen
01:13:05How do you say the last two?
01:13:06One, four
01:13:07One, four
01:13:08Ah, right, fourteen
01:13:10That's it, two twenty-one
01:13:11Fourteen
01:13:11Two twenty-one
01:13:12Fourteen
01:13:13Oh my God, I can't hear anything anymore
01:13:15What are they doing now?
01:13:16Keep going, Lorenzo, keep going
01:13:17When was the Battle of the Nabaras of Tolosa?
01:13:19Hey?
01:13:20Oh, that's something I really don't know.
01:13:22Stop, franchise!
01:13:23I don't know what to do anymore.
01:13:24Oh!
01:13:30Oh!
01:13:31Ah, very good.
01:13:39What were they trying to pull on me, huh?
01:13:41No
01:13:41Well, now I'm taking that monstrosity of a ren
01:13:43No
01:13:43No, de ren, no
01:13:45But, if it's on our side
01:13:46How can I believe that?
01:13:49Look me in the face, sir
01:13:50I am not a sir, I am Juana Secas
01:13:53Well, look at my face, Don Juan
01:13:55Shut up and let's go!
01:13:56Lorenzo!
01:13:56I did it!
01:13:57Mayonnaise!
01:13:59Mayonnaise!
01:13:59Lorenzo!
01:14:00Lorenzo!
01:14:01Julia!
01:14:02Mayonnaise!
01:14:02The unbeatable mayonnaise!
01:14:04Mayonnaise!
01:14:04You're a poor guy!
01:14:05You're a dude!
01:14:05Ah!
01:14:06Ah!
01:14:06It's mine, it's mine, it's mine!
01:14:07Ah, yes, yes, yes, it's mine!
01:14:08Ah, I see!
01:14:09Ah, I see, I see!
01:14:10Ah, I see, I see, I see, I see, I see!
01:14:19Ah, I see, I see, I see!
01:14:23No.
01:14:32Come on, let's go.
01:14:34Hands up.
01:14:36Where are they going?
01:14:46Why don't you put those little hands here for me?
01:14:48And you, Lorenzo, move the cart to the designated spot.
01:14:51Come on.
01:14:52Go.
01:14:53The sofa needs to be moved.
01:14:56There, there.
01:14:57A spider, a fat tarandula.
01:14:59Over there.
01:15:00Julia, come on, Julia.
01:15:06Why did you bring the sofa here?
01:15:08No, you're the one who ran him over.
01:15:09You haven't noticed because you're so strong.
01:15:11No.
01:15:16What happens now?
01:15:17There, a mouse.
01:15:18Was it a spider?
01:15:19Yes, but my mouse, my ameal, ate it.
01:15:21Okay, very good, Julia.
01:15:22Julia ate it.
01:15:23Oh, no, no, a mouse.
01:15:24Straight ahead.
01:15:25So.
01:15:25So come in, Julia.
01:15:26Straight ahead.
01:15:33Julia, which way do you want to turn the table?
01:15:36For whomever you want, Carlos.
01:15:37To the right.
01:15:39Come on.
01:15:40Yours or mine.
01:15:41Let's go!
01:15:45So.
01:15:46And now, the three seats.
01:15:47Left, right, and center.
01:15:49Lorenzo, where do you like to be?
01:15:52In Torrelodones.
01:15:54Lorenzo, where have you gone?
01:15:56Lorenzo, what are you doing there?
01:15:58Well, here I was, being given a shoe.
01:16:01But how can you tie anything if you're wearing loafers?
01:16:04Oh, well, it's true.
01:16:06I knew it, I can't find the shoelaces.
01:16:07I can't find the shoelaces.
01:16:09One moment.
01:16:10I, Carlos Poveda, lawyer and exemplary taxpayer.
01:16:12Do I want dinner?
01:16:14I'll go upstairs to change my clothes.
01:16:15I'll go down these stairs, since you don't know what I'm going to do.
01:16:19I want to eat a chicken!
01:16:29Let's go now.
01:16:30You carry the basket and you open the door.
01:16:32Come on!
01:16:36Let's go upstairs, ma'am!
01:16:38The competition.
01:16:39No way.
01:16:39This neighborhood is mine.
01:16:41Back!
01:16:43Well, the card is face up.
01:16:46What do you want?
01:16:46All!
01:16:47No way.
01:16:48I've almost finished the job.
01:16:50Half.
01:16:51Hey?
01:16:51Okay.
01:16:52Okay.
01:16:52Okay, let's buy some time.
01:16:56I'm going to take that to the car and come back to divide the loot.
01:16:59You go ahead.
01:17:00Oh, no tricks!
01:17:01The loot doesn't leave here.
01:17:02Wow!
01:17:03Take that and take it to your friend's car.
01:17:06Hey, it's cold and everything.
01:17:08Yeah, I don't think it's cold anymore.
01:17:09I don't believe anymore.
01:17:10Let's get to work!
01:17:12Open the basket!
01:17:13Go on, go on, go on, go on.
01:17:16Open the basket!
01:17:21But, Julia.
01:17:24But, Julia, for the love of God, enough with the stories.
01:17:28Don't play anymore.
01:17:30That's enough weird stuff for today.
01:17:32Stop him, Carlos!
01:17:33It's the thief!
01:17:34The thief?
01:17:35Yes, yes, the thief.
01:17:36Ah, very good.
01:17:37Nice to meet you.
01:17:38And now go away, okay?
01:17:39Thank you very much and happy Easter.
01:17:40Happy Easter!
01:17:41Happy Easter!
01:17:42No, don't let him hear that it's you.
01:17:44Watch out, it's going off!
01:17:45Another broadcast, another broadcast!
01:17:46Now he's a millionaire!
01:17:47The award for best choir!
01:17:48But, ladies...
01:17:49You're doing well by taking part in the party!
01:17:56He already created it!
01:17:57He already created it!
01:17:57We've brought one to me and now we're going for the other!
01:17:58Yes, yes!
01:18:01Be quiet!
01:18:01Be quiet!
01:18:04Open up, little donkeys!
01:18:06Open the donkeys!
01:18:08Ana, the mother, is shouting that we're carrying him!
01:18:11Open up, little donkeys, I want to kill!
01:18:15That one!
01:18:16That one!
01:18:17Thief!
01:18:17You, you, you, the sultana!
01:18:21Give us back the sultanas you stole from us!
01:18:23What did you do in our sultana?
01:18:24Ann!
01:18:24What's going on in my house?
01:18:27We're just missing one more firefighter!
01:18:29There it is!
01:18:30Damper!
01:18:31Yo, yo, to the damper!
01:18:33Yes, I'm right-wing!
01:18:34Come on, come on, come on!
01:18:35Come on, come on, come on!
01:18:37Come on, come on, come on!
01:18:37Come on, come on, come on, come on!
01:18:38Come on, come on, come on, come on!
01:18:39Come on, come on, come on, come on!
01:18:40Pepe!
01:18:41Pepe, thank God!
01:18:42Dead!
01:18:43Pepe, it's going well!
01:18:45Oh, well!
01:18:46No!
01:18:48No!
01:18:49No, Carlos, it's loaded!
01:18:50It's loaded!
01:18:51It's loaded!
01:18:52Hey, you've messed things up!
01:18:53That...
01:18:53No!
01:18:55No!
01:18:55Serena!
01:18:58Carlos, what a joy!
01:18:59We've got him cornered!
01:19:00Yes, lie!
01:19:00Dead!
01:19:05Dead, father!
01:19:06Just a sacristan!
01:19:07Dead!
01:19:07I'd rather give in to resignation!
01:19:09Dead!
01:19:10Can you hear that correctly?
01:19:12Yeah!
01:19:13And now?
01:19:16Hey, little donkey!
01:19:17Alright, donkey, alright!
01:19:19Oh, what a hurry he arrived!
01:19:21Don't you want to sing?
01:19:23Don't you want to sing with the jack?
01:19:23No, I'm the voice!
01:19:26Yes, mother!
01:19:27Yes, I love you!
01:19:27No, I'm the voice!
01:19:34Oh, what a hurry he arrived!
01:19:35Hey, little donkey!
01:19:39Let's see!
01:19:40They both start tomorrow too!
01:19:44Dead!
01:19:45Cold, freezing!
01:19:46Accordance!
01:19:46Resination!
01:19:47We are nobody, we are nobody!
01:19:49Carlos, what are my jewels, Carlos?
01:20:00Invacil!
01:20:16Again, again!
01:20:18To you!
01:20:19Dead!
01:20:28Dead!
01:20:30Dead!
01:20:44And next time you organize a carnival for guards and robbers.
01:20:47For the sake of Christ's nails, leave your valuables alone.
01:20:49With so many costumed characters, it wouldn't be surprising if some pieces disappeared.
01:20:53And then who knows who it was, okay?
01:20:57Okay, let's make a toast.
01:21:00For the joy.
01:21:01Because of the goldfish.
01:21:02For the sake of common sense.
01:21:03Logically.
01:21:04For the reason.
01:21:05For the reason.
01:21:06For the reason.
01:21:06For the reason.
01:21:07For the nougat act.
01:21:10For the day it's fine.
01:21:12It's good at night.
01:21:14And at this time there's no need to be sad.
01:21:17Give it a little bit.
01:21:19Give it a go, good.
01:21:21And there's no need to do anything; I want her to have a good time.
01:21:24Subtitled by Jnkoil deomi.
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