- 2 days ago
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00:00:00Boop!
00:00:30Boop!
00:01:00Boop!
00:01:03Yes, Sergeant?
00:01:28Take this down, Joe.
00:01:29Half a moment while I get my notebook.
00:01:33Right.
00:01:35Scotland Yard reports cars stolen in London.
00:01:38Right.
00:01:39Open tourer.
00:01:41Right.
00:01:42Gray and blue.
00:01:44Right.
00:01:45Aluminium wheels.
00:01:48Right.
00:01:49Blue leather upholstered.
00:01:52Right.
00:01:53Last scene heading for Slough.
00:01:56Have you got that?
00:01:58Er, er, what was the registration number?
00:02:00Registration number.
00:02:01This is a stolen car.
00:02:02All right.
00:02:03I'll keep my eyes open.
00:02:05I'm sorry to bother you, sir.
00:02:06May I see your license?
00:02:07Yes.
00:02:08Certainly.
00:02:09I'm sorry to bother you, sir.
00:02:10May I see your license?
00:02:14Yes.
00:02:15Certainly.
00:02:16I'm sorry to bother you, sir.
00:02:17May I see your license?
00:02:22Yes.
00:02:23I'm sorry to bother you, sir.
00:02:24May I see your license?
00:02:25Yes.
00:02:26Certainly.
00:02:27I'm sorry to bother you, sir.
00:02:28I'm sorry to bother you, sir.
00:02:29May I see your license?
00:02:30Yes.
00:02:31Certainly.
00:02:32I'm sorry to bother you, sir.
00:02:33May I see your license?
00:02:34Yes.
00:02:35Certainly.
00:02:36Yes.
00:02:37Well, what's it about?
00:02:38Wait a minute.
00:02:39Wait a minute.
00:02:40Please.
00:02:41I can't make out what you're saying.
00:02:43Yes, we'll watch it about.
00:03:00Wait a minute, wait a minute, please.
00:03:03I can't make out what you're saying.
00:03:05Yes, this is the Daily Gazette.
00:03:07What?
00:03:09What man?
00:03:09I tell you, I'm certain it was Weinhardt.
00:03:12He came to my house this morning selling lavender.
00:03:15A great, big, horrid person.
00:03:17Where are you?
00:03:18Yes?
00:03:19Hello.
00:03:20What?
00:03:20Where are you speaking from, please?
00:03:22From my bar.
00:03:24I'm simply perfectly positive it was Mr. Weinhardt.
00:03:27What shall I do?
00:03:29Oh, try smelling salts.
00:03:31Hello.
00:03:31Found him.
00:03:32Where?
00:03:33Giggles.
00:03:34Giggles.
00:03:36Wick.
00:03:37Giggles what?
00:03:38Wick.
00:03:39Yes.
00:03:40Yes.
00:03:41Got a ring around his leg.
00:03:45Oh, Weinhardt?
00:03:46No, no.
00:03:47A carrier pigeon.
00:03:50What time was that?
00:03:51He called at 743 to London.
00:03:52Doesn't stop to get to keep his course.
00:03:53Yes, that's right.
00:03:54Here, here.
00:03:55What about that 500 quid you're offering for the information?
00:03:57He says he thinks that Weinhardt got on a train at Luton headed for London.
00:03:58And Luton?
00:03:59I just had a perfect prices boy who says it's absolutely convinced that Weinhardt made eyes
00:04:03at him in his bar.
00:04:04That's a lot of baloney.
00:04:05Ah, but that mine Weinhardt seems to have over ten doubles.
00:04:06I wish I had.
00:04:07Oh, no, don't you do.
00:04:08Do you mind?
00:04:09I'm trying to break this down.
00:04:10I'm trying to break this down.
00:04:11I'm trying to break this down.
00:04:12What time was that?
00:04:13What time was that?
00:04:14What time was that?
00:04:15He called at 743 to London.
00:04:16He called at 743 to London.
00:04:17Doesn't stop to get to keep his course.
00:04:18Yes, that's right.
00:04:19Here, here.
00:04:20Ah, but that mine Weinhardt seems to have over ten doubles.
00:04:22I wish I had.
00:04:23Oh, no, don't you do.
00:04:24Do you mind?
00:04:25I'm trying to break myself a-smoking.
00:04:27We've all noticed that in the office.
00:04:30What a comic.
00:04:32Oh, Fred.
00:04:33Now what is it?
00:04:35Have you got a match?
00:04:37No.
00:04:38You want me to smoke it for you?
00:04:41What a pity.
00:04:42You left the paper down, then it looked ridiculous.
00:04:45Every other paper's carried this story this morning,
00:04:47with Weinhardt's name and a description.
00:04:49The mail's got a picture.
00:04:51We are nowhere.
00:04:52All you had was bandit kills policemen.
00:04:57And we were only able to save our faces
00:04:59by offering a reward of 500 pounds at the stop press.
00:05:02Beg pardon, Mr. Martin.
00:05:04Mr. Williams would like to see you.
00:05:05All right.
00:05:06But you never reported that Weinhardt had robbed a bank.
00:05:09That he stole the car to get away.
00:05:10That he'd got a scar on his face and a birthmark on his hand.
00:05:13That he was able to be identified by his fingerprints on the abandoned car.
00:05:17All these other fellows found out about it.
00:05:18You never knew that it was Weinhardt.
00:05:20But, sir, I couldn't...
00:05:21I don't want any excuses.
00:05:22We are here to print news.
00:05:23That's what we're for and nothing else.
00:05:24Now get out and stay out.
00:05:26Mr. Williams, you don't mean...
00:05:27I do.
00:05:28You're fired.
00:05:29You're fired.
00:05:30Oh, Carlton.
00:05:31Yes, Mr. Williams.
00:05:32Oh, get out!
00:05:39Keep your chin up.
00:05:40Oh, Martin.
00:05:41Yes, Mr. Williams.
00:05:43How about the Cutler-Will story?
00:05:45I've been through the files.
00:05:46I'm going to write it up now.
00:05:47All right.
00:05:48Keep it short.
00:05:49We should want all the space we can for the Weinhardt affair.
00:05:50All right.
00:05:51Get on with it.
00:05:52Yes, Mr. Williams.
00:05:53Well?
00:05:54How about giving me a chance on this Weinhardt story, sir?
00:05:57I could do it.
00:06:00Yeah?
00:06:01Who?
00:06:02Oh, put her through to Mr...
00:06:04What?
00:06:06Oh, all right.
00:06:08Yes, I'll take it.
00:06:09Yeah, what are you saying?
00:06:10Chance to do what?
00:06:11To handle a big story.
00:06:12No, no, Martin.
00:06:13This is too big for you.
00:06:14You haven't got the experience.
00:06:15Yes, Mr. Williams.
00:06:16Oh, I've got my eye on you.
00:06:17You'll get your chance, all right.
00:06:18But this is the kind of story that gives a man a chance to show what he can do.
00:06:21All right, Martin.
00:06:22All right.
00:06:23All right.
00:06:24Get off my desk.
00:06:25It's bad for the varnish.
00:06:27I'm polishing it for you.
00:06:28And you'll gloss the seat of your pants.
00:06:32Good morning, Miss Graham.
00:06:33Morning.
00:06:34Oh, Miss Graham.
00:06:35Yes, O'Connor?
00:06:36Just one moment.
00:06:37A cable for you.
00:06:38Oh, thanks.
00:06:39I hope it's not bad news.
00:06:40Well, it must be for my mother in Montreal congratulating me.
00:06:43Uh-huh.
00:06:45Didn't they have any chairs where you were brought up?
00:06:50Don't you mess about with these proofs.
00:06:52They're Miss Graham's.
00:06:53Well, those Canadians certainly can write mush.
00:06:56And don't you say anything against Canada?
00:06:58The brother went out there 30 years ago, and he made a fortune.
00:07:01Well, get an earful of this.
00:07:03And don't forget, children.
00:07:05If you join our tiny-top band, you get a beautiful badge in four colors
00:07:09from your loving Auntie Janet.
00:07:11Wisecracking, eh?
00:07:12Oh, he likes to hear himself talk.
00:07:14So you've given up your tiny-tots and become a real reporter, eh?
00:07:17Fiddy you don't give up your tiny-tots.
00:07:19I'll take more soda with them.
00:07:20Thanks, Jim.
00:07:21Public hero number one.
00:07:23Don't you forget.
00:07:24It was a children's page that helped to build a birth circulation.
00:07:26Mac's right.
00:07:27The tiny-tots of today are the registered readers of tomorrow.
00:07:29And if you don't watch your step, you won't be here that long.
00:07:32That's all right with me.
00:07:33If I'm fired, Mac will be taking his usual subscription for the dear departed.
00:07:37Ah, there's no need to make fun about that.
00:07:40There's many a down-and-out owe something to Mac's subscription list.
00:07:43And we may all need it someday.
00:07:44No good journalist lasts ten years on one paper.
00:07:47How long you been here, Mac?
00:07:48Hmm?
00:07:49Twenty years.
00:07:51Oh, way and do some work, you blithering skite.
00:07:56Never you mind, Mac.
00:07:58Twenty years is a darn good record.
00:08:00I know it is.
00:08:01On one paper.
00:08:07You see that?
00:08:08The office gave me that after fifteen years.
00:08:13A token of esteem and regard.
00:08:16Is that an umbrella?
00:08:18I thought it was a walking stick in deep mourning.
00:08:20Oh, don't open it, man.
00:08:22There's a real umbrella no good to be opened.
00:08:25Yes?
00:08:26Well, what was it you wanted?
00:08:27I can't give you any information over the phone.
00:08:30Can't you send someone to see me?
00:08:32Would it be worth your while?
00:08:34All right.
00:08:35I'll send one of our men at once.
00:08:36Oh, half a minute.
00:08:38What's the name and address?
00:08:42Carson, we've got a pencil there.
00:08:43Yes.
00:08:44Take this down.
00:08:45All right.
00:08:46Go ahead.
00:08:47Margo Morland.
00:08:50Twenty-three.
00:08:51What's that?
00:08:52Oh, I beg your pardon.
00:08:53Thirty-three.
00:08:54Denby Mansions.
00:08:55Made a Vale.
00:08:56All right.
00:08:57Just a minute.
00:08:58Ask Martin to come back.
00:09:00Right.
00:09:01I'll send someone now.
00:09:02Yes.
00:09:03Tonight.
00:09:04How about celebrating?
00:09:05What?
00:09:06Your promotion.
00:09:07Oh, I'd love to if I'm through in time.
00:09:08Oh, Martin.
00:09:09See you later.
00:09:11All right.
00:09:12Just a minute.
00:09:13Ask Martin to come back.
00:09:14All right.
00:09:15Just a minute.
00:09:16Ask Martin to come back.
00:09:17Right.
00:09:18I'll send someone now.
00:09:19Oh, I'd love to if I'm through in time.
00:09:21Oh, Martin.
00:09:22See you later.
00:09:32Oh, J.B. won't you?
00:09:35You got that, Carson?
00:09:36Right.
00:09:37Now, go to this address.
00:09:38There's a woman there who says she's got some kind of a story for us.
00:09:40Right.
00:09:41And hand over that other job to McPherson.
00:09:42I don't suppose this means much.
00:09:43She's probably given birth to quartets or something.
00:09:45I get a move on.
00:09:46Charlie, we'll be sorry to lose you.
00:09:49Thanks, Mac.
00:09:50But it's all part of the life of the old street.
00:09:52I say, Mac.
00:09:53J.W. wants you to take over that cutler story.
00:09:55I've got to do another job.
00:09:56I'll get you the dough.
00:09:57Okay.
00:09:58Thanks, Mac.
00:09:59Charlie.
00:10:00Come back and see me later.
00:10:01Okay.
00:10:05Now, here, boys.
00:10:06Here.
00:10:07I'm thinking we'd better keep up the old tradition
00:10:09and take up a wee bit subscription for the poor laddie.
00:10:12Exactly.
00:10:13Hands up, everybody.
00:10:14Men may come and men may go, but Mac collects forever.
00:10:16Well, the lad's got to eat till he gets another job.
00:10:18Well, why don't you give him this invitation to Lady Titlypush tonight?
00:10:21It's the finest food in London and the worst indigestion.
00:10:23Ah, none of that.
00:10:24Come on.
00:10:25No side-stepping.
00:10:26I want half a crown from each of you.
00:10:27What's he gonna do with the money?
00:10:28Buy an umbrella that opens?
00:10:29Ah, never do you mind.
00:10:30Come on, come on.
00:10:31Fark out.
00:10:32What about you?
00:10:33Would you mind leaving till a bit later, Mac?
00:10:34I haven't had my expenses.
00:10:35All right.
00:10:36I'll remind you.
00:10:37I shan't be more than ten minutes.
00:10:38All right.
00:10:39Would it be all right if I took Janet with me?
00:10:41A woman's angle on the story might be useful.
00:10:42Well...
00:10:43It shan't be long.
00:10:44Did J.W. say it would be all right?
00:10:45No, but she doesn't start a new job till tomorrow.
00:10:46Oh, I suppose it's all right.
00:10:47Thanks.
00:10:48But don't quote me.
00:10:49Janet, would you like to go out in the story with me?
00:10:50Yes, but I don't think I can.
00:10:51But Max says it's all right.
00:10:52Go on.
00:10:53Get your things.
00:10:54Hurry.
00:10:55Wait a minute.
00:10:56Wait a minute.
00:10:57I didn't say yes.
00:10:58There you are.
00:10:59And I didn't say no.
00:11:00Thanks.
00:11:01Are you ready?
00:11:02Are you ready?
00:11:03I didn't say no.
00:11:04Thanks.
00:11:05Are you ready?
00:11:06Well, yes, I'm ready.
00:11:07I'm ready.
00:11:08No, no.
00:11:09Okay.
00:11:10Oh, I'm ready.
00:11:11I'm ready.
00:11:12I'm ready.
00:11:13Oh, I'm ready.
00:11:14I'm ready, sir.
00:11:15Oh, I'm ready.
00:11:16Oh, I'm ready.
00:11:17Well...
00:11:18I'm ready.
00:11:19Oh, I'm ready.
00:11:20Are you ready? Now you get a line on how a real reporter works.
00:11:23Fine. What's his name?
00:11:24Gats.
00:11:25No one ever let me take my sweetie on a story.
00:11:27Ah, get he, then the girl's got to get some experience.
00:11:29Experience? Jim's got the right idea.
00:11:31I wouldn't mind taking on a few pupils myself.
00:11:33There's a paragraph for your gossip column.
00:11:34Better in the agony column.
00:11:35Ah, yeah, the bonnie lot. You make me blush.
00:11:37Hide your blushes with your umbrella, Mac.
00:11:39You keep my umbrella out of this.
00:11:41Mine's a beard.
00:11:42Eh?
00:11:43Mine's a scotch.
00:11:45Come on, let's go.
00:11:50Hello?
00:11:55Mr. Capra-Leader.
00:11:56Who's speaking?
00:11:57Mr. Carson.
00:11:58Don't hurry.
00:11:59Hold on, sir. I think he's in his office.
00:12:02All right. Put him through.
00:12:05Oh, yes, Mr. Carson. What is it?
00:12:09What?
00:12:10I don't know.
00:12:11I don't know.
00:12:12I don't know.
00:12:13I don't know.
00:12:14I don't know.
00:12:15I don't know.
00:12:16I don't know.
00:12:17I don't know.
00:12:17What is it?
00:12:19What?
00:12:20What?
00:12:21Wait a minute, please.
00:12:22Please, uh, Sylvia.
00:12:24All right, go ahead.
00:12:25What?
00:12:26What?
00:12:27What?
00:12:28Moreland?
00:12:29How long ago?
00:12:30About five minutes ago.
00:12:32The news editor is sending a reporter along there now.
00:12:36Moreland must be off to that ÂŁ500 of what the Gazette is offering.
00:12:40Can you get onto Weinhardt and tip him off?
00:12:42But that don't give me much time until the reporter's already started.
00:12:45And supposing I cannot find out where Weinhardt is?
00:12:48Now, don't get rattled.
00:12:50I wrote the wrong address.
00:12:51That'll hold him up for a bit.
00:12:52You've got to work far too below the entry.
00:12:54Then why can't you go and stop the moment?
00:12:56Maybe I cannot get in touch with Weinhardt.
00:12:59I tell you, I don't want to get messed up in this.
00:13:01All right, all right.
00:13:02Let's see what I can do.
00:13:04It's all for the battle.
00:13:06Well, she doesn't seem to be in.
00:13:19Perhaps she got tired of waiting.
00:13:21Well, that'll be J.W.'s fault for giving us the wrong number.
00:13:24Jill, look!
00:13:25Is that blood or is that blood?
00:13:27Something's happened in there.
00:13:28You don't think?
00:13:29I'm going to see if I can find another way in.
00:13:31You wait here.
00:13:33Oh.
00:13:34Oh, pardon me, but do you know if Miss Morland's gone out?
00:13:37Well, she was in an hour ago, Miss.
00:14:11I'm sorry to disturb you, but I represent the Gazette.
00:14:12Do you know Miss Morland?
00:14:13Has she lived here long?
00:14:15Good.
00:14:16Did she have many friends?
00:14:17Men or women?
00:14:18Men mostly?
00:14:19Now tell me, have you heard or seen anything suspicious about her?
00:14:41What, for instance?
00:14:43Eh?
00:14:43I said, have you heard or seen anything about her that seems suspicious?
00:14:49Eh?
00:14:50What have you seen or heard about Miss Morland that seems suspicious?
00:14:55Eh?
00:14:57Listen, I...
00:14:58Just a minute.
00:15:01I represent the Daily Gazette, and I want...
00:15:04No, thank you.
00:15:06I don't want the Gazette.
00:15:07I always take the mail.
00:15:10Good morning.
00:15:11Good morning.
00:15:41Good morning.
00:15:41Mm-hmm.
00:15:42Good morning.
00:15:42Good morning.
00:15:43Well?
00:15:44You'd better not go in, dear.
00:15:45What's happened?
00:15:46She's dead.
00:15:47Looks like suicide.
00:15:48I'll get a policeman.
00:15:50See what you can find out from the people in the other flats.
00:15:51I've already started that.
00:15:52Good.
00:15:53And don't let anybody go in there.
00:15:54Did you want something?
00:15:55Oh, yes.
00:15:56Do you live here?
00:15:57Yes, but I'm very sorry.
00:15:58I never buy from Traveller.
00:15:59Just a moment.
00:16:00I'm a reporter from the Gazette.
00:16:01Oh, indeed.
00:16:02Oh, yes.
00:16:03I'll run away from Traveller.
00:16:04Oh, no.
00:16:05I'll run away from Traveller.
00:16:06Well?
00:16:07You'd better not go in, dear.
00:16:08What's happened?
00:16:09She's dead.
00:16:10Looks like suicide.
00:16:11I'll get a policeman.
00:16:12See what you can find out from the people in the other flats.
00:16:13I've already started that.
00:16:14Good.
00:16:15And don't let anybody go in there.
00:16:16Did you want something?
00:16:17Oh, yes.
00:16:18Do you live here?
00:16:19Yes, but I'm very sorry.
00:16:20I never buy from Traveller.
00:16:21Just a moment. I'm a reporter from the Gazette.
00:16:23Oh, indeed.
00:16:24I'm making inquiries about Miss Morland.
00:16:26Now, I've wanted to talk about her for a long time.
00:16:28Yes, a most extraordinary person.
00:16:31The very first time I saw her, I said,
00:16:33what an extraordinary person Miss Morland is.
00:16:36Well, are you psychic?
00:16:38Well, I don't think so.
00:16:39Well, I am.
00:16:41And I pride myself on having an intuitive insight
00:16:43into the hearts and minds of people.
00:16:45The first time I met her,
00:16:47I thought, here is a creature to study.
00:16:50We can't stop gossiping in the corridor.
00:16:52Won't you come in and have a cup of tea
00:16:54and we can discuss Miss Morland thoroughly?
00:16:56I'm afraid I won't have time now.
00:16:58How long have you known Miss Morland?
00:16:59I don't know her.
00:17:00Oh, I only moved in yesterday.
00:17:02Are you quite sure you won't change your mind
00:17:04and join me in a cup of tea?
00:17:06I'm afraid I can't.
00:17:07I'm sorry.
00:17:08Or perhaps some other time.
00:17:09Yes, thank you.
00:17:17Did you find out anything?
00:17:18Who's this?
00:17:19She's all right.
00:17:20She's with me.
00:17:21It's round there, flat 33.
00:17:23The door's open.
00:17:25Be careful.
00:17:26She's just inside the door.
00:17:28You'd better stay here, dear.
00:17:30Do you want to see Miss Morland?
00:17:43Yes, why?
00:17:44I wouldn't go in there if I were you.
00:17:45Why not?
00:17:46Has something happened to her?
00:17:47Yes.
00:17:48She's not dead.
00:17:49I'm afraid so.
00:17:50This is terrible.
00:17:51Just a moment.
00:17:52Were you a friend of hers?
00:17:53Yes.
00:17:54No.
00:17:55Why do you ask me this?
00:17:56Who are you?
00:17:57I'm a reporter.
00:17:58And I think you can tell me something.
00:17:59I don't know anything about her.
00:18:00Just give me a minute.
00:18:01No.
00:18:02Nothing's been touched as far as I can see.
00:18:03Right you are.
00:18:04The inspector will be around in a few minutes.
00:18:05Good.
00:18:06You won't tell anyone I've been here but you've even seen me.
00:18:07Promise.
00:18:08I can't do that.
00:18:09You must.
00:18:10Nothing I can say will help that poor woman now.
00:18:12I don't know anything about her.
00:18:13Why do you ask me this?
00:18:14Why do you ask me this?
00:18:15Who are you?
00:18:16I'm a reporter.
00:18:17And I think you can tell me something.
00:18:18I don't know anything about her.
00:18:19Just give me a minute.
00:18:20No.
00:18:21Nothing's been touched as far as I can see.
00:18:22Right you are.
00:18:23The inspector will be around in a few minutes.
00:18:24Good.
00:18:26You won't tell anyone I've been here, but you'll even see me.
00:18:29I promise.
00:18:30I can't do that.
00:18:31You must.
00:18:32Nothing I can say will help that poor woman now.
00:18:35It's something else.
00:18:38Something to do with me.
00:18:40If you were to tell anyone I've been here, it would mean the end of everything I've hoped
00:18:45for.
00:18:46Why don't you confide in me?
00:18:47You can trust me and I might be able to help.
00:18:50I'd like to but I daren't.
00:18:53I can't.
00:18:54But if they knew I'd been here, it might mean my death too.
00:18:58Your death?
00:18:59That's why I want you to promise.
00:19:01You will promise.
00:19:03You will.
00:19:04Oh, please.
00:19:05All right.
00:19:09All right.
00:19:12What's that?
00:19:40A picture of Margot Moreland. It's been torn in half.
00:19:44You'd better not touch anything until the inspector gets here.
00:19:53What are you doing?
00:19:55Getting through to my paper.
00:19:57Well, don't go away. The inspector may want to ask you a few questions.
00:20:00You couldn't blast me out of here.
00:20:02Hello, Daily Gazette. Martin here. Put me through to Mr. Williams.
00:20:06What? All right, then. Give me MacPherson.
00:20:10Hello. MacPherson speaking.
00:20:13Yes, Jim.
00:20:17What?
00:20:19Oh, good work, boy.
00:20:21Wait a minute. Wait a minute. I'll take it down.
00:20:24Ready, go.
00:20:27Uh-huh. Repeat that.
00:20:31Right.
00:20:33Wait a minute.
00:20:40Let's go.
00:20:42Uh-huh.
00:20:44Let's go.
00:21:14Oh
00:21:33Oh
00:21:35Good morning, Mr. Martin.
00:21:45Hello, what do you want?
00:21:46I don't want anything.
00:21:47It's Mr. Macpherson.
00:21:48He told me to pick up those cuttings you had for him.
00:21:50Oh, yes.
00:21:51Come in, I'll get them for you.
00:22:05Gosh, oh, me, oh, my.
00:22:17Mr. Martin.
00:22:18What is it?
00:22:18You've got a caller.
00:22:22Miss Glomfield's up there, doesn't she?
00:22:24Now, you mind your own business.
00:22:33Okay.
00:22:34Hurry.
00:22:35Now, then, you take these and buzz off.
00:22:39Gosh, it must be nice to be your reporter.
00:22:51Morning, Janet.
00:22:52Hello.
00:22:53Sorry I've been so long.
00:22:54Where have you been for the last 24 hours?
00:22:56I was trying to get a line on that moorland woman.
00:22:58Be right with you.
00:22:59Where did you disappear to yesterday?
00:23:01I looked for you when that inspector had finished with me.
00:23:04I couldn't find you anywhere.
00:23:04I got tired of waiting and went back to the office, but you didn't turn up.
00:23:09Hungry?
00:23:10Am I hungry?
00:23:12I could eat the hind leg off a cow.
00:23:15There won't be a moment.
00:23:16I say, when you ask people to breakfast, don't you usually provide the food?
00:23:21Salt isn't food.
00:23:22Butter is.
00:23:24You know, I've got a hunch that that wasn't suicide.
00:23:28So I read in your story.
00:23:29So I read in your story.
00:23:29What gave you that idea?
00:23:31Well, I don't know.
00:23:32There were several things that seemed a bit queer to me.
00:23:34If it was murder, and I could find out who killed that woman and why, I'd come through
00:23:41with a story that had convinced J.W. that I could handle a bigger jumper.
00:23:44How about those people you talked to?
00:23:49Did you get anything from them?
00:23:50Nothing that would help.
00:23:52Well, that's a pity.
00:23:54I suppose I'll have to stay right where I am.
00:23:58Jim.
00:23:59Jim.
00:24:00Yes?
00:24:01You know I love you, and I'd do anything in the world to help you.
00:24:06Hey.
00:24:07What's all this about?
00:24:09If someone told you something, and it would get them into trouble if it was printed, what
00:24:14would you do?
00:24:15Well, that depends.
00:24:17But if it meant their death?
00:24:19Did you find out something yesterday?
00:24:22Yes.
00:24:23You did?
00:24:24What?
00:24:25I... I can't tell you.
00:24:30Why not?
00:24:31Because I promised not to tell anyone.
00:24:33Promised?
00:24:34Promised who?
00:24:35Now look here, Janet.
00:24:36Haven't you better tell me what all this means?
00:24:38If you've got information that'll help me, you must let me have it.
00:24:41I can't.
00:24:42I can't.
00:24:43I gave my word.
00:24:44Now if this was murder, you can land yourself in a packet of trouble by withholding vital information
00:24:48from the police.
00:24:49Oh, the police will never find out about her.
00:24:51What?
00:24:52Who?
00:24:53That I can't tell you.
00:24:54Janet, darling.
00:24:55You trust me, don't you?
00:24:56You've always told me everything.
00:24:57Yes.
00:24:58Then tell me about this.
00:24:59I will.
00:25:00Yes?
00:25:01If you'll promise not to use it.
00:25:02All right.
00:25:03Well, yesterday, when I was waiting for you in that hall, a girl came to see Margot Morland.
00:25:07Yes?
00:25:08I stopped her and told her what had happened.
00:25:09She seemed terribly frightened.
00:25:10I tried to question her, but she wouldn't tell me a thing.
00:25:11She pleaded with me not to tell anyone she'd been there.
00:25:12Finally, she said it might mean her death, too.
00:25:13What?
00:25:14Jim, if you could have seen that poor girl's face.
00:25:15The look in her eyes.
00:25:16I couldn't do anything else but promise.
00:25:17Who was she?
00:25:18What was her name?
00:25:19I don't know.
00:25:20Didn't you ask her?
00:25:21Well, no.
00:25:22Before I got a chance, she ran away.
00:25:23You should have followed her.
00:25:24I did.
00:25:25Where did she go?
00:25:38To a restaurant in Soho.
00:25:39What did you find out there?
00:25:40Well, I didn't go in.
00:25:41Why not?
00:25:42Well, I was afraid after what she'd said I might get her into trouble.
00:25:44What was the name of this restaurant?
00:25:46What are you going to do?
00:25:47To find out who she is?
00:25:48To find out who she is.
00:25:50Which of you as many of us were inside of you.
00:25:53I don't know what to do.
00:25:54To find out who she is. She may have been lying.
00:25:56It's my job to get her story.
00:25:57But you promised me you wouldn't print that.
00:25:59But you'll be letting the paper down.
00:26:01And you'll be letting me down.
00:26:02All right. Keep your information.
00:26:12I'm sorry, miss. The beauty editor's out.
00:26:16Why didn't you tell her she was out getting her face lifted?
00:26:18Send that, will you?
00:26:22Yes, sir. I want to see Mr. Williams.
00:26:25Oh, he left ready to go right in, Inspector.
00:26:26Good.
00:26:27Point.
00:26:28Then what happened?
00:26:29I'll show you. Look out, lads.
00:26:31Instead of jabbing the ball, he gave a push-through.
00:26:34One!
00:26:36I beg your pardon.
00:26:38It is not granted.
00:26:43Now, show me how Cotton held the club.
00:26:44That'll take a bit of doing.
00:26:46I want to see if I can play the shot.
00:26:47You... All right. Come on.
00:26:48Now, now.
00:26:49That's right. Now.
00:26:51No, no, not so fast.
00:26:53That's all right.
00:26:54In the name of...
00:26:55That's my umbrella.
00:26:56Oh, no, where'd I never hear from?
00:26:58Ha-ha!
00:26:59Good umbrella.
00:27:03Mr. McPherson?
00:27:04What's this?
00:27:05Flowers.
00:27:06I didn't think they were watermelons.
00:27:07Well, you asked.
00:27:08That's enough of that.
00:27:09Who are the four?
00:27:10Miss Graham.
00:27:11Who sent them?
00:27:12Mr. Martin, of course.
00:27:14Oh.
00:27:15All right, I'll attend to them.
00:27:17All right, eh?
00:27:17What, the flowers?
00:27:19No, Jim and Janet.
00:27:20If you mind your own business.
00:27:36Hello, Inspector.
00:27:37Sorry to have kept you waiting.
00:27:38That's all right.
00:27:41Morning, Mac.
00:27:41Good morning, Jim.
00:27:42Give me a bit of that paper, will you?
00:27:45I'll put them in her desk.
00:27:47Oh, thanks.
00:27:51What's bothering you, Inspector?
00:27:53Are you absolutely certain that when Margot Morland rang up yesterday,
00:27:56she gave no inkling of the information she had to sell?
00:27:58I'm sorry.
00:27:59I can't tell you any more than I did yesterday.
00:28:03And there's nothing...
00:28:06What?
00:28:07I'll have it read for you in 10 minutes.
00:28:13Oh, Carson.
00:28:14Yes?
00:28:16Just a minute.
00:28:18Is that fellow Martin in the office?
00:28:19I'll find out.
00:28:20I want to ask you a few questions.
00:28:25Here, try that.
00:28:26It's a bigger piece.
00:28:35Well, what are you working on now?
00:28:36I haven't finished with that Morland case yet.
00:28:38Beg pardon, Mr. Martin.
00:28:40Mr. Williams would like to see you, sir.
00:28:41All right.
00:28:42Put that with the flowers, will you, Mac?
00:28:43See that Janet gets it.
00:28:44It's important.
00:28:45Uh-huh.
00:28:50Oh, Mac.
00:28:50Yes?
00:28:51Have you seen Frederick about that quarter-page ad?
00:28:53Oh, no.
00:28:55I'll go and do it now.
00:29:06Good morning, Mr. Carson.
00:29:10Oh, hello, Janet.
00:29:11Oh, aren't those lovely?
00:29:13Oh, like them?
00:29:14They're beautiful, but really, you shouldn't have.
00:29:16Oh, that's all right.
00:29:17I, uh, I thought they looked rather nice on your desk.
00:29:20Martin.
00:29:21Now, why did you infer in your story this morning that Margo Morland's death was not suicide?
00:29:25Because it didn't look like it.
00:29:26Oh, and those bruises on her arms and wrists.
00:29:28Yeah, I read that, but that doesn't prove it wasn't suicide.
00:29:30And when I discovered the body, it was lying near the door.
00:29:32Yeah, I read that, too.
00:29:33And when people blow their brains out, they usually fall dead on the spots.
00:29:36They don't go dragging themselves around.
00:29:37Well?
00:29:38And that blood near the window, how do you account for that?
00:29:41You're right.
00:29:42It was murder.
00:29:43So he was right.
00:29:44Now, I'll tell you something you don't know.
00:29:46The police surgeon reported this morning that her right wrist was broken.
00:29:49What's your theory?
00:29:50Well, you can't fire a revolver with a broken wrist.
00:29:53She evidently had a struggle with someone, she was shot,
00:29:55and then the murderer put the gun in her hand to make it look like suicide.
00:29:58Is this a story?
00:30:00Is this a story?
00:30:01I'll have it on your desk in 20 minutes.
00:30:02Just a minute, ma'am.
00:30:03Mr. Williams, this story's not to be published.
00:30:05What?
00:30:05Why not?
00:30:06Because we want the murderer to think we accept it as suicide.
00:30:09Why?
00:30:09But we've already published the suicide.
00:30:11And we've sent a statement to the evening papers contradicting that.
00:30:13Oh, Mr. William.
00:30:14And I want you to do the same.
00:30:16Have you any suspicions?
00:30:18I'm sorry, I can't discuss that.
00:30:19But look, no.
00:30:20Got an assignment yet?
00:30:22No.
00:30:23I'm still clearing up the tiny target.
00:30:25Excuse me, Mr. Fredericks wants you to see if that's okay.
00:30:27Okay, Mac, I'll have a look at him.
00:30:28Degville.
00:30:29Yes.
00:30:30Did you get your expenses?
00:30:32Yes, I did.
00:30:32Right, what about that money for Charlie?
00:30:34I'll tell you what I'll do with you.
00:30:35What?
00:30:35I'll toss you that block with.
00:30:36Oh, no, you won't.
00:30:37Dan, you win.
00:30:38Huh?
00:30:39Five, Bob?
00:30:40That's the first double I've ever had from you.
00:30:42It's okay, Mac.
00:30:43Oh, Carson, can I have a word with you?
00:30:44Yes.
00:30:45How about you, Janet?
00:30:47The collection for Charlie?
00:30:49What's the matter?
00:30:50Are you not well?
00:30:51I've got a headache.
00:30:53Oh, I'm sorry.
00:30:54Here, wait a minute.
00:30:56Try one of these.
00:30:57No, thanks.
00:30:58Mac, do you think I could go out for a bit?
00:31:00It's really important.
00:31:01But you've only just got here.
00:31:03Hadn't you better wait till you see if you're wanting?
00:31:05I've got to see someone.
00:31:07But it's a wee bit risky going off at this time of day.
00:31:09Look, my whole future happiness, Dabana.
00:31:12What?
00:31:13Do you mean that, Janet?
00:31:19How soon can you get back?
00:31:20Oh, I won't be long.
00:31:21Where will you be at the wonky?
00:31:22I've been latching at Capparelli's in Soho.
00:31:24Well, how about it, Carson?
00:31:26I'll see you about it later.
00:31:29Thanks, Mac.
00:31:30Hurry back, lass.
00:31:32Oh, Carson.
00:31:34Yes?
00:31:35Do you want to come in in this whip-round for Charlie?
00:31:37I'll see you about it later.
00:31:38Oh, no dodging.
00:31:39I've only got a ten-shilling note.
00:31:41But that'll do fine.
00:31:42Charlie needs all he can get.
00:31:44I hope it's a good one.
00:31:47Well, I must get busy.
00:31:50And it's understood that you don't print anything I said.
00:31:53All right, Inspector.
00:31:54Good morning.
00:31:55And good luck.
00:31:58All right, Martin.
00:31:59Mr. Williams.
00:32:00Yeah?
00:32:01I've got a hunch that may lead to a clue.
00:32:02Well, why didn't you tell the Inspector?
00:32:04It was only a hunch.
00:32:05What is it?
00:32:06A few hours, and if I'm right, I'll bring you back some of your hearts.
00:32:08Yeah, but what is it?
00:32:11Oh, Bill.
00:32:12Uh-huh.
00:32:13What about that money for Charlie?
00:32:14He's just coming in.
00:32:15Oh, there you are.
00:32:16That represents a lot of money in bear.
00:32:17Well, I'll be doing you both a good turn.
00:32:19Huh.
00:32:20Hello, Charlie.
00:32:21How's things?
00:32:22Hello, lad.
00:32:23Sorry I'm late, Mac.
00:32:24I've been off for a job.
00:32:25Oh, did you get it?
00:32:26I'm not sure yet.
00:32:27Oh, well, in any case, here's a wee bit something from the boys that will help the tide.
00:32:29Oh, please, Mac.
00:32:30I can't.
00:32:31Stitch, stitch.
00:32:32It's always been the custom in this office when anybody passes away.
00:32:35Or gets the push.
00:32:36Well, there are some that deserve it most that manage to escape it.
00:32:40What was I saying?
00:32:42Something about passing away.
00:32:44Here, Charlie.
00:32:45And don't forget that opportunity knocks more than once at a good man's door.
00:32:49But you've got to put up your own door.
00:32:50Run away.
00:32:51I can't tell you how much I appreciate this thing.
00:32:53Oh, that's all right.
00:32:54Good luck to you, Charlie.
00:32:59See this man.
00:33:00He may have a job for you.
00:33:02That's nice of you.
00:33:03Oh, forgive you.
00:33:04Where's Janet?
00:33:05Me?
00:33:06Oh, she's, uh, gone out.
00:33:07She had to meet somebody.
00:33:08It was very important.
00:33:09What?
00:33:10Does JW want her?
00:33:11No.
00:33:12You shouldn't have let her go.
00:33:13Well, I told her it was a bit risky, but she would go.
00:33:15Mind, I'm not taking any responsibility.
00:33:17Have you any idea where she was going?
00:33:18Yes.
00:33:19Yes, she told me now.
00:33:20Where was it again?
00:33:21Some Italian place, uh...
00:33:23Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:33:27Uh-huh.
00:33:28She said she'd be there if they wanted her.
00:33:29Isn't that in Soho?
00:33:30Yes.
00:33:57Good morning, Madame.
00:34:00He-he-he, Elone.
00:34:01Yes?
00:34:02Uh, Gilles, uh, table seven.
00:34:03This way.
00:34:05Uh, huh.
00:34:06Uh, hello.
00:34:07Uh, Gilles.
00:34:08Uh, table seven.
00:34:09This way.
00:34:10Uh-huh.
00:34:11Mm-hmm.
00:34:13Uh-huh.
00:34:14Uh-huh.
00:34:15Uh-huh.
00:34:16Uh-huh.
00:34:17Uh-huh.
00:34:18Uh-huh.
00:34:19Uh-huh.
00:34:20Uh-huh.
00:34:21Uh-huh.
00:34:22Uh-huh.
00:34:23Uh-huh.
00:34:24Uh-huh.
00:34:25Uh-huh.
00:34:26Uh-huh.
00:34:27Uh-huh.
00:34:27Please, please, signora.
00:34:32Hello. What are you doing here?
00:34:34What does one usually do in a restaurant?
00:34:36Your table, signora.
00:34:37Are you waiting for someone?
00:34:38No.
00:34:39May I join you?
00:34:40If you like.
00:34:41I'll stay here.
00:34:42Not very, signora.
00:34:43Well, how about a cocktail?
00:34:44No, thanks.
00:34:45Now, bring me a martini.
00:34:46We'll order later when you come back.
00:34:47Yes.
00:34:49Oh, and make it dry.
00:34:51Lunch here often.
00:34:52What? Oh, no.
00:34:53Cigarette.
00:34:54Well, how do you like your reporting job?
00:34:59I've hardly had it long enough to find out.
00:35:01I heard in the office you were with Martin on that Morland case.
00:35:03Well, not exactly.
00:35:04What?
00:35:05I mean, not officially.
00:35:06Oh.
00:35:07I just went along to see if I could get a woman's angle on it.
00:35:09You know, I don't think it quite fair of Martin taking you on that case.
00:35:12Why not?
00:35:13Well, crime reporting's not a woman's job.
00:35:15You'd hardly call suicide a crime, would you?
00:35:17You don't understand.
00:35:18I didn't exactly mean that.
00:35:19But you never know where it's going to lead to, do you?
00:35:22No.
00:35:23What are you talking about?
00:35:24I only know if I'd been in Martin's place, I wouldn't have taken it.
00:35:28Ah, but you weren't in Martin's place.
00:35:29No.
00:35:30Tell me, what gave Martin the theory it wasn't suicide?
00:35:34I don't know.
00:35:35He's been so busy, I've hardly had time to discuss it with him.
00:35:38Oh.
00:35:41Good morning.
00:35:42Table for one, sir?
00:35:43Thanks.
00:35:44I'm joining someone.
00:35:45Well, how about the truck?
00:35:47Oh, hello, Martin.
00:35:49Carson, do you mind?
00:35:50I want a word with Miss Graham.
00:35:53Certainly.
00:35:57You had no right to follow me here.
00:35:58Now, Janet, darling, don't let's quarry.
00:36:00But you started it.
00:36:01I'm sorry, I lost my temper.
00:36:02Well, I'm glad you realized.
00:36:04All right, I'll forgive you.
00:36:05I've got something important to tell you.
00:36:07But mind, keep it under your hand.
00:36:10I was right about that, Morland woman.
00:36:12I've just heard Inspector Greville say that it was murder.
00:36:15And you've got to help me.
00:36:18Jim, I told you I...
00:36:19I'm just warning you to keep your eyes open.
00:36:21You think they know something?
00:36:22I don't know.
00:36:23But it's mighty queer that they should suddenly turn up here like this.
00:36:26Or maybe they should scream here by chance.
00:36:28Well, if they turn up again, you can bet they're onto something.
00:36:31If this is the restaurant and that girl's here, you've got to point her out to me.
00:36:35I can't break my promise to her.
00:36:36Then she is here.
00:36:37I don't know.
00:36:38But don't you see you're interfering with justice?
00:36:41Suppose she is in danger.
00:36:43The police will protect her.
00:36:46The situation's altered now.
00:36:48I'm not going to sit here and argue with you.
00:36:54Believe me, I shall feel a lot safer when Weinhardt gets out of the country.
00:36:57But please, please, can't you see I'm busy?
00:37:07Just a moment.
00:37:08Yes, Miss.
00:37:09That young lady who just passed, who is she?
00:37:10Oh, that's Mr. Capparelli's stepdaughter.
00:37:11Would you tell her someone would like to speak to her?
00:37:12Yes, Miss.
00:37:14Oh, um...
00:37:15Yes, sir?
00:37:16Did you ever see that woman before?
00:37:37No, sir, not that I remember.
00:37:38Are you certain?
00:37:39Yes, sir.
00:37:40Why?
00:37:41Well, if you happen to remember that she did come here, don't forget that the Gazette pays
00:37:45well for information.
00:37:46Yes, sir.
00:37:47Oh, and, uh, you'd better take that.
00:37:50You'll always find me there.
00:37:52Very good, sir.
00:37:53Where's your boss?
00:37:56I'll get him first, sir.
00:37:57Thanks.
00:37:58Castilean robbing Banks is one thing, murder's another.
00:38:01Oh, I wish I'd never come in with you.
00:38:03If they get Weinhardt, now we may all be.
00:38:05Oh, they never get him.
00:38:06Do you know where he's hiding?
00:38:07That I tell no one.
00:38:08Too dangerous with the big reward your paper offers.
00:38:11Well, I'm not taking any more chances until I find out what these two are up to,
00:38:14and I'm not coming here again.
00:38:20Yes?
00:38:21There's a Mr. Martin who would like to speak to you, sir.
00:38:23All right.
00:38:24Wait a minute.
00:38:25That's that newspaper reporter.
00:38:26Let me know what he wants.
00:38:27All right.
00:38:31But even if I did as you asked, what could I tell the police?
00:38:34I know nothing.
00:38:35Then you must release me from my promise.
00:38:37Please don't ask me to do that.
00:38:38All right.
00:38:39I'll give you until tomorrow, and if I haven't heard from you by then, I'll have to.
00:38:42Well, you wouldn't.
00:38:45Here's my car.
00:38:46It has the home number and the office one.
00:38:48Please think it over.
00:38:51That's her picture.
00:38:52But you cannot expect me to remember everyone who comes here, senor.
00:38:55And you don't remember her?
00:38:56If I did, I would say so.
00:38:57That's a pity.
00:38:58Someone tell you she come here?
00:39:00Huh.
00:39:01Now you're asking questions.
00:39:07Ronnie!
00:39:08Wait a minute.
00:39:09Madame, she's not satisfied.
00:39:11She's going.
00:39:12I find I can't stay.
00:39:13I am so sorry.
00:39:14That's the sign.
00:39:33Thank you, sir.
00:39:37Thank you, ma'am.
00:39:38Here's the sign.
00:39:39This is the sign.
00:39:40Come on.
00:39:52Is Caporelli?
00:39:54Yes, I just seen Carson.
00:39:56Well?
00:39:57Wait a minute.
00:40:03But I tell you, it's not safe here.
00:40:05Does Carson think those two are on to something?
00:40:07He's not certain.
00:40:08He's just saying keep my eye on them.
00:40:14It's been deserted for years.
00:40:16It's a place that the police would ever think of looking for me.
00:40:18I'll need some food.
00:40:20You bring it.
00:40:21Suppose those reporters suspect something and follow me.
00:40:24Get Carson to bring it.
00:40:26Have him there about ten.
00:40:28Got a pencil?
00:40:30See.
00:40:31This will tell him how to get there.
00:40:37It's at Lumley's factory.
00:40:39Camden Town.
00:40:48I'm terrified.
00:40:49I wish you wouldn't come here anymore.
00:40:51Why don't you get out while there's still time?
00:40:53I wish I could.
00:40:54Why not go to the police?
00:40:56Make a clean breast of it.
00:40:57Tan King's evidence.
00:40:58I'll help you.
00:40:59I can't do that.
00:41:00I'd never get another job in England.
00:41:01Besides, I daren't give them away.
00:41:02You could go abroad.
00:41:03I'll come with you.
00:41:04You'll be safe then.
00:41:05I haven't any money.
00:41:06I'm broke to the wide.
00:41:07Otherwise, I should never have got myself into this jam.
00:41:09Ronnie.
00:41:10What are we going to do?
00:41:11Just keep quiet for a few days.
00:41:13Why not?
00:41:14It'll get away and it'll all blow over.
00:41:15I'm so worried.
00:41:16Leave it to me.
00:41:17Oh, Mr. Martin.
00:41:18Yes?
00:41:19We've been looking for you everywhere.
00:41:20What's the matter?
00:41:21Mr. Williams wants you at once.
00:41:22All right.
00:41:23Oh, Carson.
00:41:24Yes?
00:41:25See if you can find out where Martin's gone.
00:41:27Oh, Mr. Martin.
00:41:28Yes?
00:41:29We've been looking for you everywhere.
00:41:30What's the matter?
00:41:31Mr. Williams wants you at once.
00:41:32All right.
00:41:33Oh, Carson.
00:41:34Yes?
00:41:35See if you can find out where Martin's gone.
00:41:36Oh, Mr. Martin.
00:41:37Yes?
00:41:38Yes?
00:41:39Yes?
00:41:40What have you done with that picture you took from the morning woman's flat?
00:41:41I wanted it to print with my story.
00:41:42You're interfering with my job.
00:41:43You know you have no right to remove anything from that place.
00:41:44Oh, come, Gravel.
00:41:45Why all this fuss over a photograph?
00:41:46Well, it may prove important.
00:41:47I've just heard from the maid that it was in the dead woman's flat and I want it.
00:41:49Well, how's that going to help you?
00:41:50It had been torn in half and I want to trace who was on the missing half.
00:41:53I've already attacked.
00:41:54I've already attended to that.
00:41:55I've just got this copy from the photographers.
00:41:56And won't you be surprised?
00:41:57Weinhardt.
00:41:58She must have been after that reward we were offering.
00:41:59I wonder if Weinhardt overheard her when she was telephoning you.
00:42:00Or somebody tipped him off.
00:42:01Yes?
00:42:15Yes, he's here now.
00:42:16For you, Martin, this is important.
00:42:17What's wrong with that?
00:42:18Why?
00:42:19I don't know if Weinhardt was talking about that.
00:42:20He said it was in the dead woman's flat and I want it.
00:42:21Well, how's that going to help you?
00:42:22It had been torn in half and I want to trace who was on the missing half.
00:42:24I've already attended to that.
00:42:26I've just got this copy from the photographers.
00:42:27And won't you be surprised?
00:42:28Why not?
00:42:29For you, Martin. This is important.
00:42:31Hello?
00:42:32Is that Mr. Martin?
00:42:34This is Jules.
00:42:36A waiter at Caporelli's.
00:42:38The one you gave the card to.
00:42:40Well, what is it?
00:42:42If I tell you where...
00:42:47Of course we won't give you away. Where is he?
00:42:49He's... he's going to meet someone tonight at 10.
00:42:53Lumley's factory.
00:42:54How do you know?
00:42:56Yes, yes, you'll get your money all right.
00:43:00If we capture Weinhart.
00:43:02Who's that?
00:43:03All right.
00:43:04I've just had a tip that Weinhart's meeting someone at 10 o'clock at Lumley's factory in Camden Town.
00:43:08Who told you?
00:43:09A waiter at Caporelli's in Soho.
00:43:10What's his name?
00:43:11Jules.
00:43:12Have you got a map of London?
00:43:13Over here.
00:43:14How about my covering this story with you?
00:43:15Here you are.
00:43:16I know the place.
00:43:17Right by the railway.
00:43:18Used to be in old glassworks.
00:43:19It's deserted now.
00:43:21Do I cover this story with you?
00:43:22What?
00:43:23I gave you the tip.
00:43:24All right.
00:43:25Pick me up at the yard at 9.30.
00:43:26We'll start from there.
00:43:27Is this the place?
00:43:28Yes.
00:43:29Hothergill Road.
00:43:36Now you understand.
00:43:37Try and get in by the back entrance.
00:43:39Right.
00:43:40Go ahead.
00:43:41Very good, sir.
00:43:42Come on, boys.
00:43:43Have you got a match?
00:43:44Here.
00:43:45I hope this isn't a wild goose chase, Martin.
00:43:46What makes you think that?
00:43:47I've had this place watched ever since you got that tip and there hasn't been a sign of anyone going in there.
00:43:52But if Wynarty is using this place as a hideout, surely...
00:43:53I know.
00:43:54This fellow Jules, what do you know about him?
00:43:55Only what I told you.
00:43:56Why?
00:43:57I tried to get in touch with him at Caporelli's and they told me he'd given up his job and gone.
00:43:58What?
00:43:59Know about it?
00:44:00The others have started.
00:44:01Okay.
00:44:02Get the boys.
00:44:03Come on.
00:44:04Come on.
00:44:05Come on.
00:44:29Thank you very much.
00:45:42Inspector, I think somebody's been in here.
00:45:48All right.
00:45:50DeVore, Carl, St. Clair, come with me.
00:45:52You two stay here.
00:46:06I've got that torch.
00:46:20If you don't come out, I'll shoot.
00:46:32It's Jules.
00:46:34The waiter from Gapparelli's.
00:46:36Poor Devon.
00:46:38So he's got rid of another of his squealers.
00:46:40He seems to know all the moves.
00:46:42Right. Somebody must be tipping him off.
00:46:44Well, there's something for you to find out.
00:46:46I'm going to get this story through to my paper.
00:46:50Sinclair.
00:46:52Look at this.
00:46:54A new wine art sensation.
00:46:56Body found in Camden Town Factory.
00:46:58Murderer again evades police.
00:47:00You know, Miss, these papers fairly gets on my nerves.
00:47:02Nothing but politics and horrors.
00:47:04Not that I believe all I read in the papers myself.
00:47:06Oh, no, I take it all with a dose of salt.
00:47:08Did your young man write all that?
00:47:10I don't know.
00:47:12Maybe he's still on the papers.
00:47:14I suppose so.
00:47:16I suppose so.
00:47:18I'm going to get it all over the place.
00:47:20It's all over the place.
00:47:22I'm going to get it all over the place.
00:47:24You know, Miss, these papers fairly gets on my nerves.
00:47:26Nothing but politics and horrors.
00:47:28Not that I believe all I read in the papers myself.
00:47:30Oh, no, I take it all with a dose of salt.
00:47:32Did your young man write all that?
00:47:34I don't know.
00:47:35What's the matter, dear?
00:47:37Have you had a teeth?
00:47:39I meant to ask you yesterday, Mrs. Gamble.
00:47:41Will you change the bathroom curtains?
00:47:43All right, dearie, I'll see to it.
00:47:45My word, you don't look half tired, you don't.
00:47:47And as for Mr. Martin.
00:47:49Poor thing, I'm wondering.
00:47:51This here newspaper business must be very hard on them.
00:47:53You were home again all last night.
00:47:57Oh, well, I must be getting on with this bed of yours.
00:48:05It does seem pitty.
00:48:07He's such a nice young man, too.
00:48:11I hope I...
00:48:13I hope I haven't said anything wrong, Miss.
00:48:15You know, that's the worst of me.
00:48:17My old man says every time I open my mouth I put my foot in it.
00:48:19Have a cup of tea, will you?
00:48:20It'll do you good.
00:48:21No thanks, Mrs. Gamble.
00:48:22Oh, do.
00:48:23Oh, do.
00:48:24There's nothing like a cup of tea when you're upset.
00:48:26Do you know if it hadn't been for the tea pot?
00:48:28I'd have made myself a widow many a time.
00:48:35Never mind.
00:48:37Maybe you'll make it up tomorrow.
00:48:40No.
00:48:41Whatever you want, Miss?
00:48:42You're going to talk a little bit more about a blow.
00:48:44I'll give you back over here.
00:48:45I'll give you back a little bit more.
00:48:46A little bit more.
00:48:48I've been a widow many a times.
00:48:50Never mind, maybe you'll make it up tomorrow.
00:48:53I know it's your pride.
00:48:55All women are a luck.
00:48:57And you're no exception.
00:49:00But remember this.
00:49:02We've got our future to think of.
00:49:04After all, you're going to marry me.
00:49:06Now, don't argue. You are.
00:49:09You may smile, but you are.
00:49:12And you're going to like it.
00:49:15You're not angry with me, are you?
00:49:21I wonder what you thought when you read my story.
00:49:26I suppose you didn't read this.
00:49:28All right.
00:49:30Now, just make sure that you do.
00:49:45You know, Miss Menculia, you can't live with them and you can't live without them.
00:49:59And they're all alike.
00:50:01They start it when they're kids.
00:50:03Take my young Harry now, for instance.
00:50:05There's a handful for you.
00:50:07The other day he was scootering in the middle of the road.
00:50:09So, I calls out to him, I shouts out,
00:50:11Come in here, you Eddie.
00:50:12Your father's waiting to murder you.
00:50:14Of course, he'll come in then, the little devil.
00:50:17Huh.
00:50:18He drives me, bar me do sometimes.
00:50:20Not that I'd be without him, you know, bless his heart.
00:50:23Thank you, Mrs. Gamber. I can finish.
00:50:25You sure?
00:50:26All right.
00:50:27Owen, and don't you be downhearted, Miss.
00:50:30It's a long lane that's got no ending.
00:50:32You take my advice.
00:50:33You make it up with him.
00:50:35You make what up?
00:50:37What are you talking about?
00:50:39You and him.
00:50:41After all, what's a little tiff between friends?
00:50:44It ain't as if Mr. Martin had had an accident.
00:50:46It was in the mortuary.
00:50:48As I always say, my dear, while there's life, there's hope.
00:50:53Oh, my goodness.
00:50:55It's me talking to you and I'm forgetting all about all the rest of me flats.
00:50:58My goodness, I've got to get on with my work.
00:51:00You don't mind, do you, Miss?
00:51:01Good morning.
00:51:02Good morning, Miss.
00:51:04Good morning, Miss.
00:51:25Good morning, Miss.
00:51:26Oh, Mr. Martin?
00:51:27Yes?
00:51:28Why don't you go up and see her?
00:51:29Did you say she wanted me to?
00:51:31Well, no. Women's like that. They won't say so.
00:51:34You know, there's many a life being ruined because a man won't give way.
00:51:38Oh, yes. Thanks very much.
00:51:42All right. I was only trying to do a good deed.
00:52:01Oh, yes.
00:52:07Ha-ha!
00:52:10Ha-ha!
00:52:14Ha-ha!
00:52:22Hi!
00:52:26Hello, Tom. What are you doing here?
00:52:30Just keeping an eye on the police.
00:52:38Hello, Tom. What are you doing here?
00:52:41Just keeping an eye on the police.
00:52:56I'll see you later.
00:53:06Watch out. I can't talk here.
00:53:09All right. Come inside.
00:53:19Winehouse's last job makes it a downside too hot for me.
00:53:22First Moorland, and now Jules.
00:53:24There's no telling who's going to be next.
00:53:26What do you mean?
00:53:27I mean, I'm clearing out. Now. Today.
00:53:30Before I go, I want that 200 quid for my share.
00:53:33But it's not possible.
00:53:35I tell you, I've got to have it.
00:53:37I tell you, I have not got that much money.
00:53:39All right, then. Get it from Winehouse.
00:53:41Now listen. I'll tell you what I do.
00:53:43I give you up now. It's all I got here.
00:53:46The rest you get later. You come back, no?
00:53:50All right, then. I'll... I'll be back in half an hour.
00:53:53All right, then. I'll... I'll be back in half an hour.
00:53:55Va bene.
00:53:56Va bene.
00:54:02Solveig.
00:54:03Yes?
00:54:06How long will it take you to get ready to go away?
00:54:07Why? Has something happened?
00:54:09I haven't time to tell you not.
00:54:10Where are you going?
00:54:11I haven't made any arrangements yet.
00:54:13But I've got to get out of the country. And as soon as possible.
00:54:15Well, where shall I meet you?
00:54:16All right. As soon as you're ready, go round to my place.
00:54:20I'll pick you up there.
00:54:23I'd better go out the back way.
00:54:29Out about it. Winehouse knows all the moves in advance.
00:54:31There's been a serious leakage of information, and from this office...
00:54:34You don't suggest that anyone on my staff...
00:54:36Winehouse must have been warned, and I'm going to get to the bottom of it.
00:54:38I'll go through this place with a fine tooth comb, if necessary.
00:54:41Yes.
00:54:49Oh, Carson.
00:54:51Would you mind?
00:54:57Oh, Carson.
00:54:58Don't go.
00:54:59I may need you for a moment.
00:55:11Oh, Tony!
00:55:12Yes, Miss?
00:55:13If Mr. Caparelli wants me...
00:55:14tell him I've gone to the cellar to get a bag.
00:55:15All right, Miss.
00:55:16Oh, Tony.
00:55:34Yes, miss?
00:55:35If Mr. Caparelli wants me, tell him I've gone to the cellar to get a bag.
00:55:39All right, miss.
00:55:42There's only one way I can get out of here, and Carson's got to help.
00:55:45Do you think you can trust him?
00:55:47It's my only chance to get away.
00:55:49Get him on the phone.
00:55:51Tell him you've got a trunk you want him to take to Milan.
00:55:54There's a thousand pounds in it for him.
00:55:58I'll cook his goose when I get him there.
00:56:06Oh, Connor.
00:56:07Sir, Mr. Carson, has he come in yet?
00:56:08Yes, sir, but he's just gone out again.
00:56:09If you weren't Mr. Carson, I saw him getting to a taxi at the corner.
00:56:12Gone round to your place, I think.
00:56:13How do you know?
00:56:14I couldn't tell the driver Chepty Mansions.
00:56:15Good, okay, thanks.
00:56:17Yesterday, when we got the tip about Fothergill Road, there were only four of us in this room.
00:56:20You, Martin, that fellow Carson, and myself.
00:56:22Oh, what do you want me to do?
00:56:24Get Martin and Carson in here.
00:56:25I'll talk to them one at a time.
00:56:32Now, Carson.
00:56:37That's strange, he's rushing off like that.
00:56:38But you don't think...
00:56:39He was one of the four in here yesterday, and he heard what we were saying just now.
00:56:42Well, I'm going to find out what he's up to.
00:56:44Hold on.
00:56:44He may be in the newsroom.
00:56:45I'll go and see.
00:56:49Yes, sir?
00:56:51Oh, Mr. Martin and Mr. Carson have just gone out, sir.
00:56:57Well, one of my men has just seen Carson go out.
00:56:59The back number of departments upstairs on the left, sir.
00:57:05Do you know where Mr. Carson and Mr. Martin went?
00:57:07I'm not sure, sir, but I think they're going to Chepty Mansions.
00:57:09Right.
00:57:09Come on, Harry.
00:57:12Well, do you know where Miss Graham's gone?
00:57:17And you're positive Mr. Carson's not there.
00:57:20I've already told you, miss.
00:57:21He left you some time ago.
00:57:29Hello.
00:57:57Hello.
00:57:58Hello.
00:57:59Yes, this is Miss Graham speaking.
00:58:02Who?
00:58:03The girl at Caparelli's.
00:58:05Oh, I am glad you called up.
00:58:07If I tell you where Wineheart is, will you promise not to let the police know where you've got the information?
00:58:13Where is he?
00:58:14He's at the restaurant now.
00:58:17Yes.
00:58:18He's hiding in the...
00:58:20Are you certain?
00:58:21Yes.
00:58:23I'll wait for you at the restaurant.
00:58:25You will hurry.
00:58:26All right.
00:58:27You leave this to me.
00:58:28Yes, yes, at once.
00:58:40What?
00:58:41Oh, Janet, I thought this was Martin's flat.
00:58:43He's on the floor below.
00:58:44Oh, thanks.
00:58:44Mr. Carson, would you call the office for me and tell Jim I've gone to Caparelli's?
00:58:48Caparelli's?
00:58:48Yes, I've got a tip that Wineheart's going to be there.
00:58:50Listen, you can't do that.
00:58:51It's dangerous.
00:58:52Oh, don't worry.
00:58:52I can look after myself.
00:58:53Oh, but really, I can't allow you to.
00:58:54But I've got to get that story.
00:58:56What are you saying?
00:58:56You're our cover.
00:58:57What are you trying to do?
00:58:58You've got no right to do that.
00:58:59Let me go.
00:59:00Do you hear?
00:59:01Let me go.
00:59:03Janet, wait a minute.
00:59:03What's going on here?
00:59:04Jim, Wineheart's a Caparelli.
00:59:06You can't let her go there.
00:59:07Call the police and get that story.
00:59:08I'll be with you in a minute.
00:59:10No, you don't.
00:59:11Get up.
00:59:12I want to send you over to the police.
00:59:13What for?
00:59:14So that you can tell them only now about Wineheart.
00:59:15Yes.
00:59:15Come on, get up.
00:59:30Now, come Martin, give me a chance to get away, please.
00:59:32Cut that, come on.
00:59:41Caparelli's.
00:59:42Yes, in Soho.
00:59:44Now, Sergeant, you will hurry them.
00:59:45What time do you say he'll be back?
01:00:11He'll be back half an hour.
01:00:12You are crazy to try and get away from here in that trunk.
01:00:14It's my only chance.
01:00:16If the police are watching the police,
01:00:16they'll never suspect Carson when he takes away from here.
01:00:20Because they're money.
01:00:21See, see.
01:00:25Oh, I'm sorry, miss.
01:00:26But we ain't open yet.
01:00:28Thanks.
01:00:28There's a young lady messing about out there, sir.
01:00:42She's going upstairs.
01:00:43All right, all right.
01:00:44Yes, sir.
01:00:45Who is it?
01:00:46That girl report I tell you about.
01:00:47See what she wants.
01:00:49I beg your pardon.
01:00:50I am very sorry, miss.
01:00:51You are a little bit too early.
01:00:56We are not open yet for some little time.
01:00:56Well, couldn't I get some coffee?
01:00:57Oh, sorry.
01:00:58Very sorry.
01:00:59There is a nice place up this street.
01:01:00What is it?
01:01:01What do you want?
01:01:02It's all right, Capparelli.
01:01:03Where's Winehouse?
01:01:04Who is he?
01:01:05I do not understand.
01:01:06I do not know what you are talking about.
01:01:07No?
01:01:08Go ahead, boys.
01:01:09Search the place.
01:01:10But wait a minute.
01:01:11Whoever it is you want is not here.
01:01:12Oh, cut that out.
01:01:13Take him along.
01:01:14But please, please don't do that.
01:01:15I tell you everything.
01:01:16Well, what do you want?
01:01:17Well, what do you want?
01:01:18Well, what do you want?
01:01:19I do not understand.
01:01:20I do not know what you are talking about.
01:01:21No?
01:01:22Go ahead, boys.
01:01:23Search the place.
01:01:24But wait a minute.
01:01:25Whoever it is you want, he is not here.
01:01:26Oh, cut that out.
01:01:27Take him along.
01:01:28But please, please, don't do that.
01:01:29I tell you everything.
01:01:30Well...
01:01:31Reinhardt is in there.
01:01:32I'll show you.
01:01:33Turn back.
01:01:34Oh, my God.
01:01:35Fuck you.
01:01:36Go easy.
01:01:37You better come quietly.
01:01:38If you don't do what I tell you, I'm going to get you.
01:01:40Get back on, Enos.
01:01:41You better get in.
01:01:42We're going to get you.
01:01:43You haven't got a chance.
01:01:44Come on.
01:01:45Hey, where are you going?
01:01:46I'm from the Gazette.
01:01:47I've got to get in.
01:01:48Come on.
01:01:49I know you don't.
01:01:50Oh, man.
01:01:51Hey, back around.
01:01:52You're full of holes.
01:01:53Shut that gun.
01:01:54You think I'm fooling, eh?
01:01:55Let me go.
01:01:58Keep that.
01:02:00Let me go.
01:02:02Let me go.
01:02:03Keep that.
01:02:05Let me go.
01:02:06Let me go.
01:02:07Let me go.
01:02:08Get that to our axe.
01:02:09See if there's another way into the cellar.
01:02:10Yes, sir.
01:02:11Hurry up.
01:02:12Now, go ahead.
01:02:29Take a look in there.
01:02:31Let me go.
01:02:33Let me go.
01:02:34Let me go.
01:02:35Let me go.
01:02:36Let me go.
01:02:37Let me go.
01:02:38Let me go.
01:02:39Let me go.
01:02:40Let me go.
01:02:41Let me go.
01:02:42Let me go.
01:02:43Let me go.
01:02:44Let me go.
01:02:45Let me go.
01:02:46Let me go.
01:02:47Let me go.
01:02:48Let me go.
01:02:49Let me go.
01:02:50Let me go.
01:02:51Let me go.
01:02:52Let me go.
01:02:53Let me go.
01:02:54Let me go.
01:02:55Let me go.
01:02:56Open that door.
01:03:11Jim!
01:03:15Jim! Jim!
01:03:17Get back to the office and give Williams the story.
01:03:19Oh, I can't. I won't leave you.
01:03:21I'm all right. Do as I tell you or I'll never forgive you.
01:03:24It's all right, miss. I'll look after him.
01:03:25Don't stay. Hurry.
01:03:28Don't wait here.
01:03:31How is he?
01:03:32Looks pretty bad, sir.
01:03:35Yes, ma'am.
01:03:36I'll tell you what. You'd better see the leader right here about that, will you?
01:03:38Right.
01:03:39What's the matter?
01:03:40Have you been in a bargain, Basil?
01:03:41I've got a great story.
01:03:42Weinhardt. They've got him.
01:03:43Weinhardt? Where?
01:03:44Is that a fact? Where did you get this?
01:03:45I was there.
01:03:46There? What do you mean, there? Where?
01:03:47Caporelli's.
01:03:48Caporelli's? But you mean a Weinhardt.
01:03:49Listen, but I thought Jim was covering the story.
01:03:51He was. He was wonderful.
01:03:52What a scoop. Listen, where is Jim?
01:03:54He's in hospital.
01:03:54What happened to him?
01:03:55He was hurt.
01:03:56They're capturing Weinhardt.
01:03:57He wouldn't let me go with him.
01:03:58He said I had to get the story through first.
01:03:59Well, Hardy Lyson must get on with it.
01:04:01Miss Graham, Mr. Williams wants to see you at once.
01:04:03Oh, Mac, will you call the hospital?
01:04:04Which one?
01:04:05The Middletons.
01:04:06Find out how he is.
01:04:07Martin hasn't got back yet.
01:04:09I want to see him the moment he gets here.
01:04:11Yes, Mr. Williams?
01:04:12This is Inspector Gravel.
01:04:14Is your name Janet Graham?
01:04:15Yes.
01:04:16Where'd you get this money?
01:04:18Well, it's not mine. Why'd you ask?
01:04:21Is this your bag?
01:04:22Yes. Where did you get it?
01:04:24In your flat.
01:04:25And this money was lying beside it.
01:04:26And this letter was wrapped round the money.
01:04:30Excuse me, sir, but don't you think it's high time that Miss Graham was getting on with the story?
01:04:33What story?
01:04:34Hasn't she told you?
01:04:35Told me what?
01:04:36That Jim Martin has caught Weinhardt.
01:04:38What?
01:04:39Why didn't you tell me?
01:04:39Can I use your phone?
01:04:40Go ahead.
01:04:41Mac, what did you find out about Jim?
01:04:42The ring in the back.
01:04:43What were you doing on that story?
01:04:44And where's Martin?
01:04:45He's hurt.
01:04:45He's in the hospital.
01:04:46Yeah, where are you going?
01:04:46I'm going to see him.
01:04:47You'll stay here.
01:04:48You weren't assigned to this story, but you stuck your nose into it.
01:04:50Now get back to your desk and write it.
01:04:52But Mr. Williams.
01:04:53This is a newspaper and it's got to go to press.
01:04:55We've got no time in Street Street for personal feelings.
01:04:57What's that?
01:04:57He may be dying.
01:04:58Are you fond of Martin?
01:05:00I love him.
01:05:01Then you won't let him down.
01:05:02He was assigned to this story.
01:05:03You're the only person that knows it.
01:05:05Now go ahead and write it.
01:05:06Mr. Williams is right, Janet.
01:05:08Just a moment, Miss Graham.
01:05:11You still haven't told me how you bought this money?
01:05:12I've told you I know nothing about it.
01:05:14And how do you explain this letter?
01:05:16Well, it's in Mr. Martin's writing, but I never received it.
01:05:18These notes are part of the money Weinhardt stole from the bank.
01:05:20Here, hold your cuddies, Inspector.
01:05:22I saw Martin write this.
01:05:23He gave it to me to put with some flowers he sent Miss Graham.
01:05:26But I thought those flowers were from Carson.
01:05:27What?
01:05:29Inspector, Carson was at my flat.
01:05:31Do you suppose he could have...
01:05:33All right, Miss Graham.
01:05:37Come on, lass.
01:05:38If you thought that girl had something to do with the money...
01:05:41Just a minute.
01:05:42Give me Scotland Yard.
01:05:43Well, I didn't know then that Carson had been to her flat.
01:05:45What's that got to do with the money?
01:05:47Headquarters have just informed me that Caporelli has made a full confession involving Carson.
01:05:50Carson?
01:05:51Yes, he must have got the money from Caporelli's.
01:05:52Well, you never could tell in this life.
01:05:53Do you think he'd get away?
01:05:54Not for long.
01:05:55Hello.
01:05:56Is that Scotland Yard?
01:05:57How is it?
01:05:58What's that?
01:06:01All right.
01:06:02Well.
01:06:03They're going to phone back again later.
01:06:04Then it's serious.
01:06:05Oh, no, no, no.
01:06:06They said he would be all right.
01:06:07You're not just telling me that.
01:06:08Of course not, Janet.
01:06:09Oh, man.
01:06:10Oh, come on now.
01:06:11Come on.
01:06:12Pull yourself together.
01:06:13We've got to get the story written.
01:06:14Oh, it's for Jim's sake, you know.
01:06:15Oh, he wouldn't have you let the paper down now, would he?
01:06:17All right, man.
01:06:18Ah, that's the girl.
01:06:19Come on now.
01:06:20Give me the facts and I'll take away.
01:06:22How did you get on to Weinhardt being at Caparelli's restaurant?
01:06:24Well, I was in my room.
01:06:26Uh-huh.
01:06:27Caparelli's daughter telephoned me.
01:06:29She said Weinhardt would be there.
01:06:31Just as I was about to be.
01:06:32Of course.
01:06:52Oh, come on now, Janet.
01:07:01Calm yourself.
01:07:02Walking up and down won't help.
01:07:03You're only wearing yourself out.
01:07:04And you're wearing out your shoes, too.
01:07:05Oh, come on.
01:07:06Sit down.
01:07:07I can't.
01:07:21I can't.
01:07:22I can't when I don't know what's really happened to Jim.
01:07:24If you don't dress yourself, the doctors will have another case in their hands.
01:07:27Oh, Mac, I never should have left him.
01:07:29I should have come here with him.
01:07:31I know it's serious.
01:07:32If it had been, the doctor would have told us.
01:07:34So why won't they let me see him?
01:07:36He's been here for hours.
01:07:37Didn't you hear the doctor say that he needed quiet?
01:07:40Until they're satisfied.
01:07:41There are no complications.
01:07:42What time is it?
01:07:43Hmm?
01:07:47Oh, Mac, ask him again.
01:07:48See if you can find out anything.
01:07:50Oh, I don't think we'll need to know.
01:07:52What?
01:07:53I don't think we'll need to.
01:07:54Jim!
01:07:55Oh, Jim, I thought I was never going to see you again.
01:07:58Doctor, is he all right?
01:07:59Of course I'm all right.
01:08:01All he needs is a few days rest.
01:08:03And a little attention.
01:08:04Did you get that story through?
01:08:05Aye, she didn't let the paper down.
01:08:07Well done, girl.
01:08:08Oh, I never could have done it without Mac's help.
01:08:10Ah, rubbish.
01:08:11He's a real reporter here.
01:08:12You want to be alone?
01:08:13Oh, Mac!
01:08:14Just a minute.
01:08:15You can be the first to congratulate us.
01:08:17We're going to get married.
01:08:18Married?
01:08:20Oh, well, in that case, here is your first wedding present.
01:08:24Oh, thanks, Mac.
01:08:25Look.
01:08:26It's never been used.
01:08:30That's grand.
01:08:31Good night.
01:08:32Good night.
01:08:33Good night.
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