- 2 days ago
Category
🎥
Short filmTranscript
00:00:00The
00:00:30Oh, how I love you
00:00:36Play the will be mine
00:00:41Oh, how I say love you
00:00:50What life might all the time
00:00:56Again, you've heard our noted dramatic troupe
00:00:59Play another act in the boudoir
00:01:00I hope the ladies can calmly retire after so much excitement
00:01:05If not, kindly communicate with your favorite radio announcer
00:01:08Alpine
00:01:10And now folks, to warm you up
00:01:12We're going to let the three McCarthy girls
00:01:14Do their red hot cap dance number for you
00:01:21All ready, girls?
00:01:23We're ready, Mr. Klein
00:01:25All right, let's go
00:01:26More family as we have, huh?
00:01:32Yes, and I've been reading it
00:01:36Why, some of these crazy things are down right in these things
00:01:39If any more slush like this comes in, I'm going to burn it before you see it
00:01:55Well, can I up it if I have sex appeal over the radio?
00:01:57Oh, well, you better keep it over the radio
00:02:00If they'd ever see you, good night letters
00:02:03Ah, just listen to this one
00:02:04My dear Mr. Klein
00:02:06What a wonderful radio announcer you are
00:02:08I have simply fallen in love with your voice
00:02:11My husband will be out of town next week
00:02:14If you care to come
00:02:15Uh-oh, I think I'll file this one
00:02:18No, you don't
00:02:19Say, you know you're supposed to marry me
00:02:21Well, I haven't accepted you yet, have I?
00:02:22No, but your application has been received and Tom can't send me notes
00:02:26Well, you better send your order through, don't me, Oprah
00:02:28I don't take no for an answer
00:02:30No?
00:02:30Yes
00:02:31Yes
00:02:31No
00:02:31No
00:02:32And don't forget, my mama was Spanish
00:02:35That settled the family
00:02:36Settled what?
00:02:38I can't marry you
00:02:39My father always warned me about Spanish women, so I can't marry you
00:02:42But Al, listen, what Al?
00:02:45No, I can't marry you
00:02:46As a matter of fact, I don't like chili for breakfast
00:02:48But Al, I will not marry you
00:02:50What?
00:02:50But you don't marry me, I might kill myself
00:02:52Wait a minute, don't do it here
00:02:53We haven't got room on the program for it
00:02:55But in the world, Brenda was sad
00:02:57She was late again in June
00:02:59Hey, Al, let me announce Brenda tonight
00:03:01You promise to let me announce sometime?
00:03:03Baby, as the secretary, you're okay
00:03:05But a radio announcer, not so hot
00:03:07Oh, here comes Brenda now with that big stiff hand
00:03:11Wait a minute, not so loud
00:03:12Won't forget the big stiff
00:03:13Always this joint, you know
00:03:14Hello, Al
00:03:15Hello, Brenda
00:03:16Mr. Hampton, you're late again, young lady
00:03:19I know, but it's all worth talking
00:03:21Correct as usual
00:03:22Your privilege, being the owner of our radio station
00:03:24Come on here, you're on
00:03:26I'll see you later, I've got to go down to some joke
00:03:28All right, George
00:03:29Hello, Captain
00:03:29You've heard the McCarty girls do their tap number on the contended Towers Milk Chocolate Hour
00:03:40Aren't they great?
00:03:42Oh, if you could only view them with the naked eye as I do
00:03:45Oh, it's even more beautiful than I thought it was
00:03:52Just the same, they'll be on next week at the same time
00:03:55Now we're going to have the real treat of the evening
00:03:57Miss Brenda Lassell is going to prune that insinuating little melody
00:04:01One sweet song
00:04:03And how she will prune it
00:04:05This is Station XIX, Alpine announcing
00:04:08Aren't you glad you're alive, folks?
00:04:10You bet you are
00:04:10Keep your ears open
00:04:11Don't go away, folks
00:04:12All right, let's go
00:04:14You could go on
00:04:28Working forever
00:04:30Driving forever
00:04:33Hoping forever
00:04:35But I know where this is
00:04:49It never misses
00:04:54Oh, get yourself
00:05:08Somebody who will fondle and bustle you
00:05:14And living is one sweet song
00:05:20And then you rent a kitchenette apartment
00:05:34Not so far away from town
00:05:36If far enough
00:05:49If far enough
00:05:51No places won't come around
00:05:53And they just went
00:05:55When a visitor says howdy
00:05:58Who people say
00:06:02Who's just like you
00:06:03Then living is one sweet song
00:06:07Gee, I'm sorry it's over
00:06:17I could listen to her sing all night
00:06:19Oh, I don't think she's so much
00:06:21She's great
00:06:22But you may change your mind about it
00:06:24When you get to New York
00:06:25And she refuses to accept that song we get
00:06:27She can't refuse
00:06:29I wrote it for her
00:06:30I wouldn't let anyone else sing it
00:06:32Then maybe it will never be shown
00:06:34Oh, yes, it will
00:06:35She didn't reply to that letter you wrote her
00:06:38Well, she's probably pretty busy
00:06:40You know those big artists usually are
00:06:42That's why I'm going to see her in person
00:06:44Oh, hey
00:06:45I think it's awful, silly
00:06:47You're making a good living
00:06:49Right here in Belly Falls
00:06:50Giving piano lessons
00:06:51I want to make more than a good living
00:06:53I want to make a big name for myself
00:06:55Writing songs
00:06:56If I can get her to sing my number
00:06:58I'll be made overnight
00:06:59Don't be too sure
00:07:01I am sure
00:07:02That's why I'm going to New York
00:07:04Believe me
00:07:05I don't think you care for me
00:07:08Of course I do, Mary
00:07:09Why, you're the only girl I ever thought of
00:07:12I'm doing this for both of us
00:07:14And I'm going to give you a big kiss
00:07:16You're a sweet girl, Mary
00:07:19I understand you've had an offer for a talking pitch
00:07:22Is going to take it?
00:07:23Oh, no
00:07:23Ward doesn't want me to go to Hollywood
00:07:25No, you see
00:07:26We're going to be married in a couple of weeks
00:07:27No, I didn't know that
00:07:29Am I invited?
00:07:30Certainly
00:07:30Providing a course that I accept you
00:07:33That's great
00:07:34I always wanted to go to a society wedding
00:07:36I'll tell you what
00:07:37I'll announce the guests
00:07:38But my dear fellow
00:07:40One doesn't announce guests at church weddings
00:07:42I didn't know that
00:07:43But I was always married at City Hall
00:07:45Oh, Mr. Sal
00:07:49Mark Rashman is on the phone
00:07:51And says he has a swell new song
00:07:53Written specially for you
00:07:54Oh, dear, these songwriters
00:07:56Tell him I have all the songs I can use
00:07:58Wait a minute, Brenda
00:07:59You better talk to him
00:07:59He's one of the biggest composers in New York
00:08:01You know
00:08:01But I have all the songs I can use
00:08:03Even some famous composers
00:08:04Have you call me about 10 days?
00:08:06Sure
00:08:07I'll tell him
00:08:11Come on, darling
00:08:16I've got a table
00:08:17That was there for us at Toledo
00:08:18Want to come along, Al?
00:08:19I'd love to
00:08:20But I've got to stay here
00:08:22And say goodnight to the customers
00:08:23Goodnight
00:08:24Goodnight, Al
00:08:25Hope you have a good time
00:08:26You will
00:08:26Goodnight, Al
00:08:26Have a good time
00:08:28Sorry you won't come along
00:08:29I'd like you when I'm busy
00:08:30Goodnight
00:08:30Goodnight
00:08:31Goodnight
00:08:31Goodnight
00:08:32Goodnight
00:08:32Goodnight
00:08:33Goodnight
00:08:33Goodnight
00:08:34Goodnight
00:08:35Oh, don't forget your song, Harry
00:08:41Oh, I'm glad you thought of
00:08:43Isn't that lovely?
00:08:47You know, this is the last time I'll see you and like him back
00:08:49Well, don't be going to wait too long
00:08:52You know how I love you
00:08:53Goodbye
00:09:01Goodbye
00:09:05Bye
00:09:08Bye
00:09:09Say bye
00:09:11432W, please
00:09:20Is this Ed Lowry?
00:09:30Hello, Ed.
00:09:32Say, listen, Harry's going to New York in the morning.
00:09:35Are you going to take me to the dance tomorrow night like you promised?
00:09:40No, I won't give you a kiss unless you take me to the dance.
00:09:46Almost time, you know, what time it is, sir, Gallahad.
00:09:49Right you are for once, Sour Milk.
00:09:51Give me the gong.
00:09:51Now tell the customer what time it is.
00:09:55Folks, when you hear the strike of the gong,
00:09:57it will be exactly, exactly 11 o'clock Eastern Standard Time.
00:10:02Hello, Mike, where's the gong?
00:10:04Hurry up.
00:10:05Hurry up, hurry up.
00:10:06Five seconds more, folks.
00:10:07Just five seconds, then it will be...
00:10:09Hurry up, make a noise like one, make a noise like one.
00:10:12Three seconds more, folks, and it will be 11 o'clock, exactly.
00:10:15Two seconds, one second, and now you're...
00:10:18Believe it or not, folks, it's exactly 11 o'clock.
00:10:34Now, young man, this is the best room in the house.
00:10:37Seven dollars a week in advance.
00:10:39Seven dollars?
00:10:39Seven dollars per.
00:10:41Haven't you got anything cheaper?
00:10:42Nothing cheaper.
00:10:44Well, all right, I'll take it.
00:10:50There's five, six, seven.
00:10:55And remember, young man,
00:10:57I don't tolerate any of my rumors bringing girls in here.
00:11:01This is a respectable room and house.
00:11:03But I don't know any girls.
00:11:05Oh, you'll get to know plenty before you're in New York very long.
00:11:08So, mind what I say.
00:11:12Well, madam, is there a telephone about?
00:11:15Oh, in the hall outside your door.
00:11:17Thanks.
00:11:18Oh, you're welcome.
00:11:18Van de Greer, 2100.
00:11:22Vandegreer 2100.
00:11:52Yes, this is the Liberty Broadcasting Station.
00:12:00No, no, we can't give out Mrs. Sal's address.
00:12:06No, positively not.
00:12:08But I got a song I wrote for her.
00:12:11Oh, it's a wonderful number. She'll be glad.
00:12:15Oh, you won't.
00:12:18I see. Yes, Harry King.
00:12:22Fellowes Falls, Vermont.
00:12:24She don't know me, but...
00:12:26Oh.
00:12:29All right.
00:12:48Listen, brother. Will you please stop telephoning me?
00:12:56I can't put you in touch with Mrs. Sal.
00:12:59It's against the rules.
00:13:01And she don't need no new songs.
00:13:03She told me, see?
00:13:04But, gee, I gotta get the song to her.
00:13:07It means everything to me.
00:13:09Sorry, big boy, but for the last time, there's no use.
00:13:13And you better not come around here again, either.
00:13:16For the manager says he's gonna throw you out.
00:13:21I said he'd throw you out.
00:13:26Oh, he can't, eh?
00:13:29Oh, I don't believe he can.
00:13:31That's why I licked Ed Lawry a nosy fossil with one hand tied behind my back.
00:13:39Poor kid.
00:13:41What's that?
00:13:43He licked a couple of punks with all his hands and feet tied behind him.
00:13:47Who?
00:13:48Oh, you know, the rude boy from Vermont who's been trying to crash the gates with a song for Brenda.
00:13:53Oh, yeah, I know him.
00:13:55I've had a couple of talks with him.
00:13:57I feel sorry for him, too.
00:13:59Having a tough time.
00:14:00Reminds me of the tough breaks I had when I come to this man's town.
00:14:05Go on.
00:14:06You never had no tough break.
00:14:08Why, everything was made too easy for you.
00:14:10Says you.
00:14:11Says I.
00:14:12Ah, skip the gutter.
00:14:17I understand.
00:14:18Your mother objected to no marrying you.
00:14:20No, not you, darling.
00:14:22Anybody.
00:14:23You see, my mother has no...
00:14:24She doesn't think I'm quite good enough for you.
00:14:26That's it, isn't it?
00:14:27Of course, I realize my ancestor didn't found me yours.
00:14:31Oh, darling, that's not it.
00:14:32She doesn't want me to marry anybody just now.
00:14:35The fact is, she's threatened to disinherit me if I do get married.
00:14:40You love me madly.
00:14:42Don't you, boy?
00:14:43You know I do, darling.
00:14:45Well, how about you?
00:14:47I'm not so sure.
00:14:49You're joking.
00:14:51Not entirely.
00:14:52And I wish you wouldn't tell everyone we're going to be married until you consult my wishes in the matter.
00:14:58Well, we are going to be married, aren't we?
00:15:00We've been running around together for a year now.
00:15:02Yes, a year.
00:15:04During which time you propose to me at least twice a week?
00:15:08Yes, because I love you.
00:15:10I can't get along without you.
00:15:12And from what you're saying, you can't get along without your mother's money.
00:15:16And you evidently can't have those.
00:15:18I don't know what to do.
00:15:20My dear boy, respect your mother's vision.
00:15:24Save your money and marry a society again.
00:15:29Say, Brenda, you take me a care, perhaps.
00:15:31But you wouldn't have me throw away a million dollars, would you?
00:15:35Certainly not.
00:15:37No woman could possibly be worth that much.
00:15:40Well, Brenda, that's not the way to take it.
00:15:43Listen, boy, you've been very good to me.
00:15:46Given me a chance to become a successful singer.
00:15:49Given me a Senate contract and all that.
00:15:52And I'm really very strong with you.
00:15:54I have it.
00:15:55We'll get married on the quiet.
00:15:57I'm going to tell Mother anything about it.
00:15:59No, thanks.
00:16:00No secret marriages for me.
00:16:02Excuse me, Brenda, Miss Alpha.
00:16:04It is thanks for your support of the radio station.
00:16:07Oh, thank you, Marie.
00:16:08Please get my rest.
00:16:09Please.
00:16:10Come on, Ward.
00:16:11I want to...
00:16:16Hey, it's no use, big boy.
00:16:18You can't see her because she ain't come in yet.
00:16:20And you know what the boss told you the last time you were here?
00:16:23Well, you better beat it.
00:16:25Oh, I know what he said.
00:16:26But I'm going to see her.
00:16:28Well, you're going to get a punch in the nose if you're not careful.
00:16:31Oh, maybe not.
00:16:32Baby, yes.
00:16:33Oh, let me see you when she comes in.
00:16:35You pretend you didn't see me.
00:16:37I can't do that.
00:16:39Oh, gee.
00:16:40What am I going to do now?
00:16:42Hello, Cassie.
00:16:43Good evening, Mrs. Michelle.
00:16:44I guess I have more time than once.
00:16:45You've got ten minutes to spare.
00:16:47Gee, she's more beautiful than I could.
00:16:48Say, are you going nuts about her, too?
00:16:49Oh, she's not.
00:16:50Oh, she's not.
00:16:51Oh, she's not.
00:16:52Oh, she's not.
00:16:53I'm going to talk to you.
00:16:55Oh, no, you don't.
00:16:56Oh, you're going to talk to me.
00:16:57Oh, no, you don't.
00:16:58Oh, no.
00:16:59I don't know, Mrs. Michelle.
00:17:00I guess I have more time than once.
00:17:01You've got ten minutes to spare.
00:17:03Gee, she's more beautiful than I could.
00:17:05Say, are you going nuts about her, too?
00:17:08Oh, she's beautiful.
00:17:10You said that before.
00:17:21I'm going to talk to you.
00:17:22Oh, no, you don't.
00:17:23No.
00:17:24I'm sorry.
00:17:25I won't take it back in your time.
00:17:27Now, where do you think you're going?
00:17:29I'm going to talk to Miss LaSalle.
00:17:31Yeah?
00:17:32Well, I told you a hundred times to keep out of here.
00:17:35Now, get out and spare.
00:17:37Oh, please, don't be too rough with him, Mr. Jones.
00:17:40Oh, won't I?
00:17:44I forgot to tell you that he licked a couple of guys with everything tied behind him.
00:17:49I don't want to hurt you, Mr. Jones,
00:17:51but I don't like people shaking me.
00:17:53Now, wait a minute, Frank.
00:17:54I know you're the big boss around here, but this kid's a friend of mine.
00:17:57Now, let me talk to him.
00:17:58I can explain things.
00:17:59Okay, Al, but I warn you now, don't shake him.
00:18:02That's a promise.
00:18:04Thanks, Mr. Jones.
00:18:05You're welcome.
00:18:06Now, don't pay any attention to him.
00:18:08He's always clowning that way.
00:18:10Suppose you and me go in a huddle up here.
00:18:11We'll talk this thing over.
00:18:13Talk to you and tell you something you don't know.
00:18:15Sit down.
00:18:16Make yourself comfortable.
00:18:18Unimportant, I said I was going to talk to him alone.
00:18:21That's okay with me, baby.
00:18:23You do the talking and I'll do the listening.
00:18:25And how?
00:18:27Now, I know what you're up against.
00:18:29But you won't get any place with Brenda the way you're going at it.
00:18:32I know, but I'm broke and I have to do something.
00:18:35Well, my advice is...
00:18:37Tune off.
00:18:38I'm doing the broadcasting.
00:18:40I like you, kid.
00:18:41I don't know whether your number's any good or not.
00:18:43But I want you to find out.
00:18:45That's what I'm waiting for.
00:18:47Yeah?
00:18:48Well, what's your racket, anyway?
00:18:50I'm a music teacher.
00:18:52Principally, piano.
00:18:54Good.
00:18:55I am good.
00:18:56Yeah?
00:18:57Well, he's modest, anyway.
00:18:59Mm-hmm.
00:19:00Where do you come from?
00:19:01Bellows Falls.
00:19:02Vermont.
00:19:03Bellows Falls?
00:19:04Vermont.
00:19:05Oh!
00:19:06Sounds like a lot of cows.
00:19:07Oh, no.
00:19:08It's a big town.
00:19:09Railroad.
00:19:10The courthouse and everything.
00:19:11No!
00:19:12Yeah!
00:19:13Right down you.
00:19:14Don't you know that every bird on Tin Pan Alley wants her to sing a song?
00:19:17Yeah.
00:19:18What chance have I got?
00:19:19I'll tell you what you can do.
00:19:20Brenda's giving a party tonight.
00:19:21What you want to do is get in your tuxedo, move in on the party, make good yourself, then
00:19:33a hand of your brain child.
00:19:36But I haven't been invited to the party.
00:19:37No.
00:19:38And besides, I haven't got a tuxedo.
00:19:40Well, you can rent one for a few bucks.
00:19:43Right for one, dummy.
00:19:45Now, what do you say?
00:19:46You'll have a good time there, nobody will pay any attention to you, because there's always
00:19:50so many people there.
00:19:51And I'll take care of you.
00:19:52Now's your only chance.
00:19:53Will you do it or not?
00:19:54Sure.
00:19:55I have nothing to lose.
00:19:56That's the idea.
00:19:57Keep up the old bluff if you want to make good in the big city.
00:20:00Now, there's Brenda's card.
00:20:01Get out of here now, because I don't want her to see you.
00:20:04Thanks, Mr. Hine.
00:20:06And you too, Miss Patsy.
00:20:07It's okay, Mr. King.
00:20:09I don't know why you're doing this all for me.
00:20:11That's all right, Hank.
00:20:12I had the same trouble as myself when I first came to the city.
00:20:15I'll see you at the party.
00:20:17Say, Big Hearted, that poor goof is going to be led to the slaughter by you yet.
00:20:25He's going to get in a jam sure.
00:20:27This poor kid needs a break.
00:20:29If he knows his onions, he'll make good, too.
00:20:31He'll be an onion all right.
00:20:33But why now are you...
00:20:35Will you stop asking questions?
00:20:37Do I look like I took the Edison test?
00:20:40Now, out of the way, my public is waiting.
00:20:42But, Al, don't you...
00:20:44Mary, you come in here this instant.
00:20:57Are you going to stay out there all night?
00:20:59I'm coming, Mother.
00:21:01And I am.
00:21:03Go along, sweetheart.
00:21:05You're going about your business, Ed Lowry.
00:21:07Oh, Mother, I wish you wouldn't treat me as if I were a child.
00:21:13I don't want you guys.
00:21:14You've had all hours of night, but that's good for nothing, Ed Lowry.
00:21:17You're an engaged girl, and I want you to act like one.
00:21:20While Harry's away in New York, trying to just make a fortune.
00:21:23I suppose you want me to sit at home, whittling my thumbs until he returns.
00:21:27Yes, I do.
00:21:29You're going to marry Harry King.
00:21:32Why, his father was one of the most respected men in this community.
00:21:36And that's more than your father was.
00:21:38You married him.
00:21:39Don't you be so sassy, young lady.
00:21:42You go on upstairs and answer those last two letters that Harry wrote to her,
00:21:46or I'll take you to task.
00:21:48Apple Swords, Mother, and Baloney.
00:21:50Baloney.
00:21:51What are you doing?
00:21:52What are you doing, what are you doing?
00:21:54What are you doing?
00:21:59Oh my God.
00:22:00What are you doing?
00:23:06Excuse me, boys.
00:23:08I have to look after my guest.
00:23:09I can't talk to you now.
00:23:10Wait just a minute, brother.
00:23:12Now, don't be so stubborn.
00:23:14All we have to do is sneak over to Jersey and be married.
00:23:16Mother will know anything about it.
00:23:18I just can't go along this way.
00:23:19You get over it.
00:23:20Think of all the society girls you know.
00:23:22Oh, now, I'm pretty.
00:23:24I'll do anything you say.
00:23:25Listen, boys.
00:23:26You are usually a most valuable man.
00:23:28And you have some very good faith.
00:23:30And you have some deceptively bad.
00:23:32And I like you very much.
00:23:34And I might marry you sometime.
00:23:36If you weren't afraid of your father.
00:23:38Mother needs no anything about it.
00:23:42No secret marriage for me.
00:23:44Remember that.
00:23:45Oh, my friend.
00:23:46Oh, my friend.
00:23:46You two love our channel.
00:23:48It's really annoying.
00:23:49You're the host, you know.
00:23:50How about a dime?
00:23:51I'd love it.
00:23:53Excuse me, boys.
00:23:55And excuse me, boys.
00:24:10Nice floor, isn't it, Al?
00:24:12Yeah, why don't you use it?
00:24:17I'm tired.
00:24:19I don't know why you should be tired.
00:24:21You've been using my feet all night.
00:24:24Well, Marjorie Kane.
00:24:25How are you?
00:24:26Hello, Bill.
00:24:27How'd you say you?
00:24:28You folks are a little late.
00:24:29Want to do a number for her?
00:24:31Sure.
00:24:32If Brenda wants me to.
00:24:33Oh, you know she wants you to do one.
00:24:34I'll go right over to the ambulance
00:24:36if you've got anything I know.
00:24:37Yeah, you go tell him to play for you.
00:24:39Bill, you'll find the crock in the kitchen under the sink.
00:24:48Say, listen, Big Bill.
00:24:49You're broadcasting over my frequency this evening,
00:24:53so don't go beyond your wavelength.
00:24:55All right, Stattie.
00:24:57I'm having one horrible, beautiful evening.
00:25:00Come along with me.
00:25:01Hey, kid, you're looking wonderful.
00:25:24I don't feel that way.
00:25:25I'm awfully glad to see you, Mr. Pine.
00:25:27I was getting cold feet.
00:25:29Oh, that's all right, Vermont.
00:25:31We'll tune you in on the right station.
00:25:33Don't you worry, kid.
00:25:34I'm going to take you over to Brenda right now.
00:25:36And no matter what I say about you, it's okay.
00:25:38You understand?
00:25:39Put yourself over big and then small.
00:25:42Come on, let's go.
00:25:42Out of the way, small chief.
00:25:43Oh, Walt, right.
00:25:44Come on.
00:25:45Are you enjoying yourself?
00:25:47Oh, Brenda.
00:25:48Brenda.
00:25:49I want you to meet one of your admirers, Mr. Harry King from Vermont.
00:25:52Came all the way from Vermont just to meet you.
00:25:55Did you really do that, Mr. King?
00:25:57Yes, ma'am.
00:25:59I'm awful glad to know you.
00:26:01I'm very happy to know you.
00:26:03It was sweet of you to come.
00:26:05And believe it or not, his forefathers came over on the well-known Mayflower.
00:26:09They brought up the whole state of Vermont.
00:26:11And he made his millions for maple syrup.
00:26:16Really?
00:26:17Ain't that right, Harry?
00:26:20Yeah.
00:26:20I mean, certainly.
00:26:23Mr. James, may I present Mr. King?
00:26:26Glad to know you, Mr. King.
00:26:28Come, let me introduce you to come high up again.
00:26:36Say, Al, do you lie to be smart or were you born that way?
00:26:40Nature's gift to little Al.
00:26:43Hello.
00:26:44Marjorie King is getting ready to do a number.
00:26:46That means more work for your Uncle Al.
00:26:53All ready, babe?
00:26:54All set.
00:26:55All right.
00:26:55Wait a minute, folks.
00:26:56Everybody, please.
00:26:58Just a second.
00:26:59Now listen closely.
00:27:00For the next two minutes, you're going to be entertained free of charge by little Miss
00:27:04Marjorie King.
00:27:06You're going to sing a brand new number.
00:27:07My Big Boy.
00:27:08Okay, let's go.
00:27:09Now I'm happy, it's so happy I've been so.
00:27:27I just keep thinking of the day he'll say bless Mary.
00:27:34I have to, I have to meet my brother.
00:27:39If you see someone falling strong, that's my Big Boy coming along.
00:27:46Oh, hey, he's a neat, hey, he's a sweet.
00:27:49He's a wonderful baby.
00:27:52Look at style, look at him smile at me.
00:27:56My Big Boy, when we're alone, he holds his own.
00:28:01And I don't think, baby, he's just a grand.
00:28:06You want to stand, oh, gee.
00:28:08My Big Boy, if we were through, I'd feel so blue, cause it had ended.
00:28:16My heart would break, I know the aches, but it would be mended.
00:28:20Each day I just sigh and weep, I'd never sleep.
00:28:24Tell me, what would my day be?
00:28:27I don't know who died, but I'm glad he's my Big Boy.
00:28:42Hey, he's me, hey, he's weak.
00:28:46He's a wonderful baby.
00:28:48Oh, that style, look at him smile at me.
00:28:52My Big Boy, when we're alone, he holds his own.
00:28:58And I don't think, baby, he's simply grand.
00:29:02You want to stand, oh, gee.
00:29:04My Big Boy, if we were through, I'd feel so blue, cause it had ended.
00:29:10My heart would ache, I know the aches, but it would be mended.
00:29:17Each night I just sigh and weep, I couldn't sleep.
00:29:21Tell me, where would my day be?
00:29:24I don't know who died, but I'm glad he's my Big Boy.
00:29:28I love my women weak, but why?
00:29:41Oh, Daddy, I'm so weak.
00:29:43Come over to the house sometime, bring your dolls.
00:29:45I mean, I've always been your best life.
00:29:49So, get out of here, you bloody people.
00:29:52Wait a minute, wait a minute.
00:29:53Scatter this tarum, Passanova, or you'll be broadcasting your next announcer to the funeral parlor.
00:29:58Just a friend, a sympathetic pal, that's all you are.
00:30:02Now, come over here to me.
00:30:03Yes, try to get someplace else.
00:30:06Ward, I want you to know Mr. King.
00:30:08Mr. King, this is Mr. Ward Hampton.
00:30:11Mr. King is one of my greatest admirers.
00:30:13Well, he came all the way from Vermont just to meet me.
00:30:16Indeed.
00:30:17How are you?
00:30:18Well, I'm all right.
00:30:29Pretty music, isn't it?
00:30:30Yes.
00:30:31What's that, Brenda?
00:30:31I'm sorry, Ward, but I promised this one to Mr. King.
00:30:34Oh.
00:30:35Oh, my favorite.
00:30:39He didn't like that very well.
00:30:41There's going to be lots of things he won't like from now on.
00:30:45He's awfully nice if you'd let me dance with him.
00:30:48I like you.
00:30:49Are you ready?
00:30:51I don't dance very well.
00:30:52You're just modest.
00:30:54That's what Mr. Spine said.
00:30:56I don't do that.
00:30:57I don't do that.
00:31:09I don't like that.
00:31:11I don't like that.
00:32:17What's that?
00:32:35Somebody just pull the cork, baby.
00:32:37Mr. Salve, this has been the most wonderful evening of my life.
00:32:56Has it?
00:32:57You know, you're beautiful.
00:33:02Oh, now you're just flattering me.
00:33:05No, ma'am.
00:33:06I really mean it.
00:33:08Honest I do, Miss LaSalle.
00:33:09You're very sweet.
00:33:11Why not call me Brenda?
00:33:13All my friends, you.
00:33:14May I?
00:33:15Sure.
00:33:17Now you've talked about New York, even.
00:33:20Tell me something about yourself.
00:33:22How your family made a fortune when you make a sugar industry for instance.
00:33:27Well, you see?
00:33:28Of course, I know it comes from trees.
00:33:31Yes, it comes from trees.
00:33:33They bore a little hole in the tree and then they, uh...
00:33:36Then they drive a little wooden cloth into the hole.
00:33:38Yes, I know that.
00:33:40That's right.
00:33:41And that's where the sap comes from.
00:33:43Yes, that's where the sap comes from.
00:33:46Yes, that's where the sap comes from.
00:33:48Boy, you saw it with me.
00:33:51Mr. King and I were deeply interested in discussing...
00:33:54Discussing saps, yes.
00:33:55I've heard that.
00:33:57Not sap, Lord.
00:33:58Sap, maple sugar sap.
00:34:00Understand me?
00:34:01Oh, yes.
00:34:01Maple sugar sap from Vermont.
00:34:03Yes.
00:34:04Where the sap comes from.
00:34:06Boy.
00:34:07Mr. Hampton, I may be slow to understand, but when I do, I understand awfully well.
00:34:13What are you trying to do, Mr. King?
00:34:15Act the Wounded Heroes Park?
00:34:16No, Mr. Hampton.
00:34:18But I don't like your tone.
00:34:20Gentlemen.
00:34:22I do hope I'm not using the wrong words.
00:34:25I'm sorry if I forgot myself.
00:34:27I apologize.
00:34:28Granted.
00:34:29And you, Warren?
00:34:30Oh, of course I apologize.
00:34:32It's just as well you interfered, uh, for Mr. King's sake.
00:34:35Your apology is also accepted.
00:34:38I'm glad you are so solicitous about Mr. King.
00:34:41Oh.
00:34:42Well, I must be trotting along now, Brenda.
00:34:44I'm not, uh, used to these late hours.
00:34:49I wanted to thank you for a most charming evening.
00:34:52I'm glad you enjoyed yourself.
00:34:54Please do call me.
00:34:55I'm sure you have pain to say privately.
00:34:58Yes, I have.
00:35:00Privately.
00:35:02Good night, darling.
00:35:03Oh, uh, Mr. King.
00:35:13I'll leave you here to entertain Miss LaSalle.
00:35:16Thanks.
00:35:17She's very, very easily amused.
00:35:20Yes, you've amused me quite often, Warren.
00:35:23Good night.
00:35:24Good night.
00:35:25I'm sorry if I was a little touchy.
00:35:35I shouldn't have gotten sore just because he called me a sap.
00:35:38Certainly not.
00:35:39Maple sap is very sweet.
00:35:42Well, I guess I'll be running along this weekend.
00:35:44I mean, uh, Brenda.
00:35:48I want to thank you for a lovely evening.
00:35:50Don't try.
00:35:52It was charming of you to call.
00:35:54May I call again?
00:35:55I'd be delighted.
00:35:56Please do call me.
00:35:58I will.
00:35:59Good night.
00:36:00Good night.
00:36:00Good night.
00:36:01Ma, look what Ed Lowry found in this New York paper.
00:36:14Broadway gossip.
00:36:15Brenda LaSalle, a beautiful radio star, is being seen these nights with a handsome youngster named Harry King, reputed to be a Vermont millionaire.
00:36:23We wonder what Brenda has done with Ward Hampton, her high society boyfriend.
00:36:28A Vermont millionaire.
00:36:31Now you know how Harry's carrying on and how much he thinks of me.
00:36:34Well, I'm thrilled with him.
00:36:35I'm going to write him and tell him so.
00:36:37You're going to do nothing of her kind, young lady.
00:36:39You're going to go right upstairs this minute and pack your bag and go down to New York and see Harry.
00:36:45Well, I won't do it, Mother.
00:36:46I'm sick of him anyway.
00:36:48Yes, you will do it.
00:36:50You're going to marry Harry King.
00:36:53And if this LaSalle woman is trying to grab him off, then you have to go and take him away from her because he belongs to him.
00:37:00Who's to you?
00:37:03I knew this would happen when you didn't answer those last two letters he wrote to.
00:37:07Oh, applesauce, Mother.
00:37:09What?
00:37:09What?
00:37:10What?
00:37:10I'll do it right away.
00:37:11You better do it.
00:37:14Sorry to bring you to a cheap place like this, Brenda.
00:37:17All the good we're trying to close this time of the morning.
00:37:20It's perfectly all right, Lori.
00:37:21All I want is a cup of coffee.
00:37:29Well, I guess coffee for two is all you want, boy.
00:37:34Yes, Senator.
00:37:37Fresh, Colin.
00:37:38I think you said you're calling him a boy.
00:37:45Here's our coffee now.
00:37:46Any more importance from you, young man, I'll report you to the manager.
00:37:54I'm the manager.
00:37:59You'll get no redress there, Ward.
00:38:02You're right.
00:38:03Of course I'm right.
00:38:06Maybe he really missed out to you for some sanity.
00:38:11I see here, Brenda, when are you going to stop running around with this Mott person?
00:38:14I can't see what you see in him unless he's probably so ridiculously wealthy.
00:38:25Don't people ever quit eating?
00:38:27If they did, buddy, you and me would quit eating, too.
00:38:35You know, Ward, I really like him very much.
00:38:39He's intrepidant, he's earnestness.
00:38:42He's money.
00:38:42Why, he's nothing but a rude.
00:38:45Nothing to recommend him but his maple sugar.
00:38:49At least very modest about it.
00:38:51Why, he's never even known he's money.
00:38:53In fact, he seems to avoid it something.
00:39:01Listen, Brenda.
00:39:03You've admitted that you like me as well as any man.
00:39:08More, I think more.
00:39:09Fine, you've admitted that.
00:39:12But you constantly refuse to marry me because...
00:39:14Because of your mother's objection.
00:39:16Good.
00:39:18Now, I've had three or four talks with Mother this last week.
00:39:23And she's softened.
00:39:24Here's a proposition.
00:39:26No secret marriages.
00:39:27No, no secret marriages.
00:39:28Just let's be quiet when we're two friends.
00:39:31Tomorrow night happens soon.
00:39:32And I'll take you to her immediately after your marriage.
00:39:45And I know she'll love you as soon as she sees you.
00:39:47Do you think so?
00:39:48I know so.
00:39:49What do you think, Brenda?
00:39:50You've been a persistent suitor, Roy.
00:39:57And I believe you really love me.
00:40:01And I'll do it.
00:40:04Brenda, darling.
00:40:06Providing nothing happens to make me change my mind.
00:40:10It's only 24 hours.
00:40:12All right, Roy.
00:40:13It's a bargain.
00:40:14I have something here for you.
00:40:18I've been carrying it around for a month.
00:40:22Oh.
00:40:22You like it?
00:40:23It is beautiful.
00:40:26You are.
00:40:28Not here, dear.
00:40:29Somebody might be walking.
00:40:32Well, you want to trot along now?
00:40:36Yes, I think I will.
00:40:37I'm tired.
00:40:38Fine.
00:40:44But all right, I'll do as you say.
00:41:01Good night, Senator.
00:41:04This means everything to me.
00:41:12I've fallen in love with it.
00:41:14You love Brenda.
00:41:15Well, why tell me about it.
00:41:16Tell it to her.
00:41:18Is she thinking I'm a millionaire?
00:41:21Instead of a dishwashing songwriter?
00:41:23Tell her the truth.
00:41:25Brenda's real.
00:41:26Regular.
00:41:27Well, it was my fault you broke in on the party.
00:41:30Tell her you only wanted her just to, you know,
00:41:32warp her your numbers.
00:41:34Funny thing I never even mention her anymore.
00:41:37But tell her all about it.
00:41:38More than luck in the world to you.
00:41:39I guess you're right.
00:41:42I might as well tell her the truth.
00:41:43It's going to be pretty tough, though.
00:41:46You're a great pal, and I'll never forget it.
00:41:48My Boy Scout training, that's all.
00:41:52Come out of it.
00:41:54When you're at the bottom, no place to go but up.
00:41:58I guess that is everything now, Marie.
00:42:08Yes, same thing to me, Mr. Mother.
00:42:10I'll tell her that you were to send her to Trump,
00:42:12and she'll find her when Mr. Hanson and I will be.
00:42:14We love you, sir.
00:42:15And I wish Mother Mademoiselle very much happy.
00:42:19Marie, you've been with me a long time,
00:42:22ever since you were a child.
00:42:24And you know me better than anyone,
00:42:26with a possible exception at the time.
00:42:28Yes.
00:42:29I know Mother Mademoiselle's hard struggle for success,
00:42:32for you have helped others.
00:42:34I know how few you can trust,
00:42:36and my heart goes out to this.
00:42:39I wonder if I will be happy.
00:42:42I wonder if I'm doing the right thing.
00:42:46You mean, Mother Mademoiselle,
00:42:47that you are not sure about you and Mr. Hanson?
00:42:51Yes.
00:42:52I've always fancied that I cared for him,
00:42:55but last night, after I promised to marry him,
00:42:58I began to worry, to wonder.
00:43:02I couldn't sleep.
00:43:04Yes, I see.
00:43:06There's young Monsieur King.
00:43:08He's very fine.
00:43:09Say something.
00:43:11He is so refreshing, so different,
00:43:15so filled with an appreciation of life.
00:43:17Oh, do you think I'm falling in love with him, Marie?
00:43:21Oh, Mother Mademoiselle should know
00:43:22what is in her own heart.
00:43:24I'll make pardon, Miss Marcelle.
00:43:26Mr. King is calling.
00:43:30Sure, Mr. King, how do you?
00:43:33Oh, now Mother Mademoiselle has the opportunity
00:43:35to find out.
00:43:43Hello, Harry.
00:43:44Hello, Brenda.
00:43:45My, you're looking fine today.
00:43:46This is a surprise,
00:43:48but I'm glad you came.
00:43:50I have something to tell you.
00:43:52You going away?
00:43:54Well, I just thought
00:43:56I might go on a little vacation.
00:43:58Oh, I hope you won't be gone long,
00:44:00because, well,
00:44:02just because.
00:44:03Come.
00:44:04Let's sit down
00:44:05and you can tell me all about it.
00:44:09Look, I brought you something.
00:44:11Maple sugar.
00:44:13Oh, thank you, Harry.
00:44:14Now, what is it you wanted to tell me?
00:44:20Brenda, you've been my dream girl.
00:44:23But there was a little girl back in my hometown
00:44:25and I thought I cared for
00:44:26until I met you.
00:44:29Then...
00:44:29Harry,
00:44:30I didn't know this would happen.
00:44:31I haven't been playing fair with you.
00:44:35No, I haven't been playing fair with you.
00:44:38I'm not a millionaire,
00:44:39as you've been thinking.
00:44:41I'm just a poor songwriter,
00:44:43trying to get you to sing one of my numbers.
00:44:47Look.
00:44:48And that was the only way I could get to you.
00:44:58Then that first night,
00:44:59you were so nice to me.
00:45:01And then let me see you after.
00:45:02Well, I...
00:45:03I fell in love with you.
00:45:07But, Harry,
00:45:08why did you...
00:45:09I suppose now that you know the truth,
00:45:10you won't have anything to do with me.
00:45:12I'm glad you told me the truth.
00:45:14You see, I loved you so much that,
00:45:17well,
00:45:18I almost was fool enough
00:45:19to ask you to marry me.
00:45:21Me without a penny in the world.
00:45:27Will you forgive me?
00:45:30Oh, I know you're awfully mad,
00:45:31aren't you?
00:45:34No.
00:45:34I don't think you'll find him in there,
00:45:45young woman.
00:45:46I don't recollect him going out, though.
00:45:48Well, I've just got to find him.
00:45:50Quick, it's important.
00:45:52Oh.
00:45:53And, uh,
00:45:53what do you want to see him about?
00:45:55I don't discuss my business with strangers.
00:45:58Can you tell me where he might be?
00:46:00Oh, I might.
00:46:02If you had better manners.
00:46:04I'll go around to the Liberty Radio Station.
00:46:06He's generally hanging around there, right here.
00:46:09Thanks.
00:46:10Oh, don't mention it, I'm sure.
00:46:13We only expect to be gone on our honeymoon
00:46:15in a few weeks.
00:46:16Meanwhile, Jones,
00:46:16I'll leave everything in your hands.
00:46:18Very well, Mr. Hanson.
00:46:22Hello.
00:46:23Oh, yes, Miss Macelle,
00:46:24how are you?
00:46:26Tonight, you are going to sing
00:46:27Oh, How I Love You,
00:46:29a new number by Harry King.
00:46:33All right,
00:46:33I'll give that information to Al.
00:46:35Goodbye.
00:46:36You can forget that.
00:46:38Miss Macelle is not going to sing
00:46:40any song by Mr. Harry King
00:46:41over my station.
00:46:43But, Mr. Hampton,
00:46:44you know Miss Macelle
00:46:45has the sole right
00:46:46to choose her own songs.
00:46:47It's in a contract.
00:46:48I don't care about a contract.
00:46:51Never mind, Jones.
00:46:53I'll, uh,
00:46:53I'll see Miss Macelle
00:46:54about a person.
00:46:56Go on,
00:46:56take care of that other thing,
00:46:57do you, please?
00:46:57All right,
00:46:58I'll go over to the cash end.
00:47:14I beg your pardon, Mr.,
00:47:16but can you tell me
00:47:18where I can find a boy
00:47:19the name of Harry King?
00:47:20Well, who are you?
00:47:24I'm his fiancee
00:47:25from Bellows Falls.
00:47:26I'd like to get in touch
00:47:27with him right away.
00:47:29Oh, so you're engaged to him,
00:47:31are you?
00:47:32Well, that's news.
00:47:34What's news?
00:47:35When I find him,
00:47:36I'm going to give him
00:47:37some news.
00:47:38Hmm,
00:47:39you're not angry with him,
00:47:40are you?
00:47:41Am I?
00:47:42Say,
00:47:42do you know what?
00:47:43He's been down here
00:47:44pretending he was a millionaire
00:47:45and running around
00:47:47with that LaSalle woman.
00:47:48Why, he's got a nerve.
00:47:50He's just a poor country boy,
00:47:52crazy about writing songs.
00:47:54Hmm.
00:47:55Well, if he's not sort of a chap,
00:47:56you don't want to marry him,
00:47:57do you?
00:47:58Well,
00:47:59I would if I thought
00:48:00he was going to make any money.
00:48:02Oh, I see.
00:48:03You're quite a businesswoman,
00:48:04aren't you?
00:48:05I'd be a fool
00:48:06to let some other woman get him
00:48:08just when he's making good.
00:48:10Wouldn't I?
00:48:11Certainly you would.
00:48:13Well, you're such a nice little girl,
00:48:14I'd like to help you.
00:48:16Oh, would you?
00:48:17You know,
00:48:18I love him so much,
00:48:20it's breaking my heart.
00:48:23Yes, I can see that.
00:48:26Come here, sit down,
00:48:27tell me all about it now.
00:48:28Well, you see,
00:48:29we've been engaged
00:48:30for about a year.
00:48:36Gee, it's wonderful of you
00:48:37to arrange to sing
00:48:38my number tonight.
00:48:40You know,
00:48:40all my dreams
00:48:41are coming true.
00:48:42They deserve to come to you.
00:48:44You have parents.
00:48:45Why, your song is beautiful.
00:48:48If my song goes over tonight
00:48:50and I make a lot of money,
00:48:52will you, uh,
00:48:53marry me?
00:48:56Uh, will you?
00:49:13Don't ask me to give you
00:49:14my answer now, Harry.
00:49:16There is something
00:49:16I have to clear up first.
00:49:18Gee, sweetheart.
00:49:19Yes?
00:49:20Well, I'll breathe
00:49:23a whole lot better
00:49:24when you do.
00:49:26Gee, it's great
00:49:27to call you sweetheart.
00:49:28You're sweet, too.
00:49:29Now, run along
00:49:30and let me get my beer
00:49:31so that I may sing
00:49:32you a song properly.
00:49:34And stop by for me.
00:49:35We'll go to the radio station
00:49:36together.
00:49:38Well, I have some business
00:49:39to attend to,
00:49:40but, uh,
00:49:41I think I can get off.
00:49:42Oh, that's fine.
00:49:44Bye-bye.
00:49:45Bye-bye.
00:49:45Bye-bye.
00:49:45Bye-bye.
00:49:55Mrs. Sally?
00:49:57She's on the balcony.
00:49:59Bye.
00:50:02Brenda.
00:50:03Hello, boy.
00:50:04I'm glad you came.
00:50:05I have something to tell you.
00:50:06Yes, and I have
00:50:07something to say to you.
00:50:08What do you mean
00:50:09planning to sing a song
00:50:10by this fellow king
00:50:10over the station tonight?
00:50:12Why, I won't have it.
00:50:13Oh, no?
00:50:14No, and I've instructed
00:50:15Mr. Jones not to put it
00:50:16on your program.
00:50:17You're not going to do
00:50:18any favors for that
00:50:18miserable little puppy.
00:50:20What a contemptible
00:50:21thing to do.
00:50:22You seem to forget
00:50:23that my contract
00:50:24specifies that I may
00:50:25sing any song I choose.
00:50:26And please don't
00:50:27slander Harry King.
00:50:29I'll say anything
00:50:30I like about him.
00:50:31Do you know
00:50:31who he really is?
00:50:33Why, he's nothing
00:50:34but a Vermont farmhand
00:50:35down here posing
00:50:36as a gentleman
00:50:36just to get you
00:50:37to sing his song.
00:50:38I'm quite aware
00:50:39of Harry's deception.
00:50:40He told me
00:50:41all about it himself.
00:50:42And you're still
00:50:43going to sing his song,
00:50:44eh?
00:50:44Certainly.
00:50:44Well, you certainly
00:50:46are a fool
00:50:46who will let him
00:50:47bamboozle you
00:50:47the way he has.
00:50:49And believe me,
00:50:49tonight after we're
00:50:50married,
00:50:50you'll never see him
00:50:51again.
00:50:52Oh, yes.
00:50:54That's just what
00:50:54I want to see you
00:50:55about.
00:50:56I'm not going to
00:50:56marry you tonight
00:50:57or any other time
00:50:58yours.
00:50:59What?
00:50:59I mean it.
00:51:00I found it only today
00:51:01that I never could
00:51:02love you.
00:51:03And the contemptible
00:51:03little gesture
00:51:04you have just made
00:51:05in regard to Harry's
00:51:05song justifies my
00:51:07true feelings about
00:51:07me.
00:51:08Why, you just promised
00:51:09to marry me last night.
00:51:10Providing, remember?
00:51:12Providing that in the
00:51:12meantime nothing
00:51:13happened to make me
00:51:14change my mind.
00:51:15Well?
00:51:15That thing has
00:51:16happened.
00:51:18So you're going to
00:51:19throw me down for that
00:51:20miserable little trip,
00:51:21eh?
00:51:21That's exactly what
00:51:22I'm doing.
00:51:24Harry is fine and
00:51:25clean.
00:51:25He's not likely to
00:51:26thank heaven.
00:51:28I've cared for you
00:51:29yet.
00:51:29But you were afraid
00:51:30of your society
00:51:31then.
00:51:32You humiliated me
00:51:32time and time
00:51:33again.
00:51:34Then Harry came
00:51:35along and I stooped
00:51:36low enough to use
00:51:37him to arouse your
00:51:37jealousy.
00:51:38And in doing so,
00:51:40I learned to love
00:51:41him.
00:51:42I didn't know it
00:51:42until this afternoon,
00:51:44but I know it
00:51:44now.
00:51:45So you and I are
00:51:46true, Ward.
00:51:48Oh, you're just
00:51:49angry now, Brenda.
00:51:50I don't mind if
00:51:51you sing his song.
00:51:52I said I was
00:51:52through, Ward Hampton.
00:51:53And I meant it.
00:51:56Here's your ring.
00:51:59Now please, go.
00:52:03Well, you'll
00:52:04regret this, Brenda.
00:52:05I want to know
00:52:06your contract,
00:52:07and I'll blacklist you
00:52:08at every broadcasting
00:52:09station in the country.
00:52:11That is quite likely,
00:52:13but I'm not afraid.
00:52:15Now get out.
00:52:18Very well.
00:52:19Goodbye.
00:52:21I'm going over and
00:52:41have a little talk with Brenda.
00:52:43Joan says that Hampton
00:52:44won't ever sing Harry's
00:52:45song tonight.
00:52:45I don't like the looks
00:52:46to think.
00:52:47I'm going to find out
00:52:48about it.
00:52:48Go ahead and put your
00:52:49foot into it, smart guy.
00:52:51You started all the
00:52:52trouble around here
00:52:53in the first place
00:52:53with your bright ideas.
00:52:55Well, I'm just so bright
00:52:56that you'd marry me
00:52:57if you could.
00:52:57You bet I will win.
00:52:59See, what did I tell you?
00:53:00As far as I'm concerned,
00:53:02baby, you're still
00:53:02in circulation.
00:53:04So, so long.
00:53:09She's in the hall,
00:53:10Mr. Stone.
00:53:11She said her name
00:53:12is Mary Wood,
00:53:13and wanted to speak
00:53:14to you about Mr. King.
00:53:16Oh, very well,
00:53:17Cuddle.
00:53:18You may show we're in.
00:53:19Really?
00:53:19Yes, I'm Mr. Stone.
00:53:41Please be seated.
00:53:44What can I do for you?
00:53:46Do you know how it seems?
00:53:48Yes, I do.
00:53:49But I'm from his home town.
00:53:52Do you think he's going
00:53:53to make any money
00:53:54with his home?
00:53:56Why, yes, I believe
00:53:57Harry has a fine town.
00:53:59And one day,
00:53:59he'll be worth
00:54:00fine out of money.
00:54:01Oh, that's wonderful.
00:54:04Then why are you
00:54:05taking him from me?
00:54:07I don't understand.
00:54:09Oh, just because
00:54:10he's going to get rich?
00:54:11You can't have him.
00:54:13He belongs to me.
00:54:14We've been engaged
00:54:15and he promised
00:54:15to marry me.
00:54:17I beg you, Charlie.
00:54:18I don't know
00:54:19what you're talking about.
00:54:20Oh, of course
00:54:20you don't know
00:54:21what I'm talking about.
00:54:23He wouldn't tell you
00:54:24about me.
00:54:26Oh, I loved him
00:54:27too much.
00:54:34Are you trying to tell me?
00:54:38Yes.
00:54:38Mr. King.
00:54:50Mr. King.
00:54:52Oh, Harry.
00:55:11Harry, what are you doing here?
00:55:13Harry, I found you at last.
00:55:15It doesn't matter.
00:55:18Miss Wood has told me
00:55:19everything.
00:55:20What do you mean?
00:55:21What have you told her?
00:55:23All about us.
00:55:25But there's nothing to tell her.
00:55:27I wrote to her
00:55:27and told her I didn't love her.
00:55:28But I loved you.
00:55:29You're lying, Harry King.
00:55:31Mary.
00:55:31It's no, Miss Harry.
00:55:32I can't stand it for you
00:55:33and Miss Wood.
00:55:34She's the one for you
00:55:35to consider.
00:55:36But there's nothing wrong.
00:55:37I won't give you up.
00:55:38Listen to me, Harry King.
00:55:39Take this girl and leave
00:55:40before I tell you
00:55:41something you won't like to hear.
00:55:42Brenda, I love you
00:55:43when I know you love me.
00:55:44That's just where you're wrong.
00:55:45I don't love you.
00:55:46I never did.
00:55:47I simply used you
00:55:48to make Ward Hampton jealous
00:55:50and you've helped me.
00:55:51Thanks very much.
00:55:53Mr. Hampton and I
00:55:54are going to marry tonight.
00:55:55Understand?
00:55:56Tonight.
00:55:57I don't believe it.
00:55:58I won't believe it.
00:55:59You will believe it
00:55:59if you stay around here
00:56:00long enough.
00:56:01Oh, how do you think
00:56:02I could love a simple-minded
00:56:03country yokel like you
00:56:04when I have a world
00:56:05of real men to choose from
00:56:07and you was out of dollars.
00:56:09Go back where you came from
00:56:10and stay there.
00:56:11That's where you belong.
00:56:13Come on, let's go home now.
00:56:20What did you say,
00:56:21Howdy, dear?
00:56:42I'm waiting for Brenda.
00:56:43In the living room.
00:56:44Okay, exactly.
00:56:51I just met
00:56:52Perry and another girl outside.
00:56:55Anything wrong?
00:56:57Oh, Al.
00:56:59I've lost him.
00:57:01Who, Hampton or Harry?
00:57:03Harry.
00:57:04And he meant so much to me.
00:57:07Oh, now, come on.
00:57:08Tell Uncle Al all about it.
00:57:11You used to tell me
00:57:12your troubles back
00:57:12in the old hometown.
00:57:14Come on, do it again.
00:57:17Well, it all started
00:57:19the night of the party.
00:57:20Mm-hmm.
00:57:21When I met her.
00:57:23And then I sent him
00:57:24away with her.
00:57:25I thought it was the best thing to do.
00:57:29I know how she must have spent
00:57:31if she doesn't as I do.
00:57:33I'll bet she's a country gold digger.
00:57:35She's lying.
00:57:36He never told me anything
00:57:37about another girl.
00:57:38And he's one honest kid, too.
00:57:40I felt so pleased.
00:57:41Well, if you loved him,
00:57:42why'd you send him away?
00:57:43Come on, let's get him
00:57:43before he leaves town.
00:57:44No, Al.
00:57:44I know, but if you love him,
00:57:45let's hurry.
00:57:46I'd rather not.
00:57:48Well, Harry or no, Harry,
00:57:49you've got to get to the studio
00:57:50and you've got to hurry.
00:57:53You're right, Al.
00:57:55And I'm going to sing
00:57:56Harry's songs.
00:57:57That's the baby.
00:57:57Come on, now, get your barnet on.
00:57:58Hurry up now.
00:57:59Hurry, hurry, hurry.
00:58:02Young man,
00:58:04what did I tell you
00:58:05about bringing young hussies
00:58:06into this room?
00:58:07I'm not a hussy.
00:58:08So you say.
00:58:09That's all right, Miss Tibbs.
00:58:10I'm leaving tonight.
00:58:12Tonight?
00:58:12Yes, right away.
00:58:15Well, I'll be sorry
00:58:16to lose you, Mr. King.
00:58:17You've been a good rumor.
00:58:19Thanks, Miss Tibbs.
00:58:20But I'll be glad
00:58:21to leave New York.
00:58:23Now.
00:58:24Well, I'll go down
00:58:25and get those shirts
00:58:26that I laundered for you
00:58:27and bring them right up to you.
00:58:28All right.
00:58:33Take it easy, Brenda.
00:58:35I'll wait in silence.
00:58:42Listen, stupid.
00:58:44Here's your one chance
00:58:45in your life to make good.
00:58:46You've always wanted
00:58:47to announce Brenda.
00:58:48I'm going to let you
00:58:49announce it tonight.
00:58:50There's a fight going on
00:58:51between her and Harry,
00:58:52and if I find it,
00:58:52I can fix things up.
00:58:53Okay, stupid.
00:58:54What do I get
00:58:55for doing the announcing?
00:58:56If you do a good job,
00:58:57maybe I'll marry you.
00:58:58You will?
00:59:00Papa, come to Mama.
00:59:02I said maybe.
00:59:10You've certainly got
00:59:11a lot of sweat clothes
00:59:11since you've been down here.
00:59:13I bet Ed Lowry will be sure
00:59:15when he sees you all
00:59:15talked about.
00:59:17All right.
00:59:18What's the matter?
00:59:20Jealous of Ed?
00:59:22Hmm.
00:59:24Good evening, all.
00:59:25This is Patsy Greene,
00:59:27America's girlfriend,
00:59:28announcing.
00:59:29No, folks, don't go away.
00:59:31I'm not going to sing,
00:59:32and you ought to be glad, too.
00:59:34Our next number on the program
00:59:36is going to be
00:59:37our lovely sweetheart of the year,
00:59:40Miss Brenda Lacelle,
00:59:41singing a wonderful new song
00:59:43written by a clever young chap
00:59:45named Harry King.
00:59:47The song is entitled
00:59:49Oh, How I Love You.
00:59:53Unbutton your ears, folks.
00:59:54It's going to be hot.
00:59:55Let's go.
01:00:01And since I met you, honey,
01:00:09I'm in my story.
01:00:12You've turned my sadness
01:00:16right into sadness.
01:00:21What do you thought
01:00:25of being into a story?
01:00:29It's very plain to see
01:00:35what you've done to me.
01:00:39Let's get out of here.
01:00:53I don't want to hear it.
01:00:54Let's hear it.
01:01:06I don't want to hear it.
01:01:10I don't want to hear it.
01:01:11I don't want to hear it.
01:01:13Come on, we're going to take you to Camp Jonathan Cohen.
01:01:28I don't want to hear that song anymore.
01:01:30I can't keep you and I, must pay the church a little visit.
01:01:41I want to get a hold of Harry King, I'm glad to have him quick.
01:01:45Oh, you're too late, mister.
01:01:47And you have to go next up and climb it down to the corner to get a taxi.
01:01:51Say that you will be mine.
01:02:00Oh, taxi!
01:02:07Harry! Harry! Wait a minute, wait a minute.
01:02:10You wouldn't leave without some goodbye, would you?
01:02:12I'm sorry, Albert.
01:02:13I know all about that.
01:02:15But boy, Brenda loves you. She loves you.
01:02:18She just told you about Hampton on account of what this dame told her.
01:02:21What did you tell her?
01:02:23Oh, I didn't say anything except that I wanted you to marry me.
01:02:27Oh, yeah? That ain't all she told her. Come here.
01:02:32She did, did she?
01:02:33She did.
01:02:34So that's your little game, huh?
01:02:36Oh, Harry, I love you.
01:02:37I didn't want to lose you.
01:02:39That's why I said what I did.
01:02:41And Mr. Hampton told me to.
01:02:43Oh, so that doodle bug was in on it too, huh?
01:02:46That's enough. Get in there.
01:02:50Where to, mister?
01:02:51Any town in Vermont.
01:02:52Oh, okay.
01:02:53Oh, well, I'd rather marry Ed Lowry anyway.
01:02:55I hope your goldfishes have fleas.
01:03:05What a tough break for Ed Lowry's gonna get the rest of his life.
01:03:08Then he's a nice boy, too.
01:03:10Come on, we gotta go to the studio.
01:03:13Folks, you have just heard Miss Brenda LaSalle saying,
01:03:16Oh, how I love you.
01:03:18Written by Mr. Harry King.
01:03:20Now, we've had so many requests over the telephone tonight
01:03:23for her to do this number again.
01:03:25But she's kind of consented to sing it once more
01:03:27and dedicate it to the author, Mr. Harry King,
01:03:30who is here himself in the studio tonight.
01:03:33Okay, let's go.
01:03:36Come on, folks, hurry up, hurry up.
01:03:38They're waiting for you.
01:03:39It's you. Come on.
01:03:41Just an unavoidable little delay, folks, that's all.
01:03:44You know how these dedication ceremonies are.
01:03:46There we are.
01:03:53You know how I love you.
01:03:56How I love you.
01:03:59May that you will be mine.
01:04:08Always day for you.
01:04:16On my, my, your side.
01:04:22My little heart beats so loud, what is it?
01:04:30My little disease, you and I
01:04:35Must take us to the little visit, oh my heart
01:04:45Lay it out, you will come on
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