- 2 weeks ago
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🎥
Short filmTranscript
00:00:00The
00:01:30Oh, dear.
00:01:40Oh, dear.
00:02:10What are you doing?
00:02:35Oh, my goodness.
00:02:36You didn't half startle me.
00:02:38You wait till old Sharpie gets on to you.
00:02:40She'll startle you, all right.
00:02:42Look at the time.
00:02:43What have you been doing?
00:02:47Get a move on.
00:02:48Don't stand mooning there.
00:02:52Get a move on.
00:02:54Stasier?
00:02:55Stasier!
00:02:56There you are.
00:02:57Now you're for it.
00:02:59What's the matter?
00:03:00Why don't you answer the bells?
00:03:01The lady's too busy watering her flower garden to do any work.
00:03:05Don't blame me if the dinner party's a failure.
00:03:07What's this?
00:03:12What's this?
00:03:13Where did this come from?
00:03:15I found it.
00:03:16Found it?
00:03:17Upt your old tricks again, eh?
00:03:19It was nearly dead.
00:03:20Nobody wanted it.
00:03:21I'm not talking about this.
00:03:23I'm talking about my bowl.
00:03:25Oh, no!
00:03:26Yes!
00:03:27What right did you do to teach it?
00:03:29It wasn't being used.
00:03:31I only wanted to borrow it.
00:03:32The same sort of bothering, I suppose, that got you into the reformatory.
00:03:34It wasn't the reformatory.
00:03:36Industrial school, then.
00:03:37Home for good for nothings.
00:03:38You're not going to take it away.
00:03:39My bowl?
00:03:40I most certainly am.
00:03:41My flower!
00:03:42My flower!
00:03:43You can't take it away!
00:03:44I'm sure it wants to be here.
00:03:46I don't want you, Mrs. Rothbard.
00:03:48There you are.
00:03:54It broke.
00:03:58Get on and answer those bells.
00:04:01You hateful.
00:04:03Hateful.
00:04:08If only there was one decent person in the world.
00:04:11But there isn't.
00:04:16There isn't.
00:04:25Well, you asked for it.
00:04:27You got it.
00:04:30Oh, shut up.
00:04:32You better get round with your upwaters if you don't want some more trouble.
00:04:36Fat lot I care about them.
00:04:38Well, you know they're all bursting to get down to the engagement party.
00:04:42Engagement party.
00:04:44And him old enough to be her father.
00:04:46Don't forget his champagne.
00:04:48One bottle between eight.
00:04:50Mean old pig.
00:04:53Fat lot of life Miss Vivian's got.
00:04:56If ever she does marry him.
00:04:57She'll marry him, all right.
00:04:59Can't afford not to with them parents.
00:05:06Poor Miss Vivian.
00:05:10Vivian!
00:05:10Oh, well, of course, if you want to see your father in prison, rubbish.
00:05:24I wish it were.
00:05:28Now, darling, why not let me announce the engagement?
00:05:32I can't see any harm in that.
00:05:34Can't you?
00:05:36Well, at least it would tide things over until...
00:05:39Until you could find a higher bidder for me.
00:05:41Don't be indecent.
00:05:45Darling, will you help me fasten my dress?
00:05:52Look at the way you've put it down.
00:05:54You've spilt half of it.
00:05:56Oh, well, it'll have to do with a lick and a promise.
00:05:57I shall report you to Mrs. Sharp.
00:06:01I shouldn't, Mother.
00:06:03She might present the bill.
00:06:07Stacey up.
00:06:09Stacey up!
00:06:10All right!
00:06:13Come along, hurry up.
00:06:14Whatever have you been doing?
00:06:15Get the bottles after the cocktails and a jug of water.
00:06:19Is that the Major?
00:06:20Ah, Major Tunky.
00:06:24May I have a word with you?
00:06:25Dear lady, the exigencies of the moment...
00:06:27I shall keep you a second.
00:06:35Sit down.
00:06:39May I remind you, Mrs. Sharp, that on this particular occasion, I'm rather in a hurry?
00:06:43I seem to have heard that before somewhere.
00:06:45The last time I presented my account, to be precise.
00:06:50I suggest, Mrs. Sharp, that you accept a post-dated check for £100 payable in three months.
00:07:01By which time, the chances are that my daughter will be Mrs. Wright, and I shall be in a position to pay.
00:07:07Meanwhile, I go on keeping all three of you.
00:07:09Oh, I put it to you as a gamble.
00:07:11Vivian hesitates, but that's natural.
00:07:14Family pride, Mrs. Sharp.
00:07:16There is such a thing as family pride.
00:07:18Now, a businessman is always prepared for business, Mrs. Sharp.
00:07:22And, um, let me see.
00:07:23Today is, um...
00:07:26There you are.
00:07:30Mind you, if this isn't met...
00:07:32It shall be met, Mrs. Sharp.
00:07:34On the honour of a soldier.
00:07:35I'm putting my trust in Miss Vivian.
00:07:39Chris!
00:07:41Chris!
00:07:43Yes, Vivian?
00:07:43You're...
00:07:45You're not staying in tonight for the dinner, are you?
00:07:49Why not?
00:07:50Don't.
00:07:51Please.
00:07:52I hear your Mr. Wright is giving champagne.
00:07:55I don't see why I should miss that.
00:07:57Chris!
00:07:57I may as well see it out to the end.
00:08:00Don't make it any harder for me than it is.
00:08:03If it's so hard, why are you going through with it at all?
00:08:06I can't help myself.
00:08:12Vivian!
00:08:14Aren't you dressed yet?
00:08:16No, Mother.
00:08:17Well, go and finish, then.
00:08:19We mustn't keep Mr. Wright waiting.
00:08:21No, no.
00:08:22Mr. Wright mustn't be kept waiting.
00:08:25Vivian, what have you been saying to him?
00:08:28Oh, leave me alone, Mother!
00:08:33How's Vivian?
00:08:34Very edgy.
00:08:35Is she being difficult?
00:08:36Yes, rather.
00:08:37Well, she's got to come to heel.
00:08:39Is anything wrong?
00:08:39I've just given Sharp a first data check for £100.
00:08:41Sure, but I had to do something.
00:08:43Well, hurry up and dress.
00:08:45You don't want to be late.
00:08:46No, I don't want to be late tonight.
00:08:58Has our musical genius provided us with a theme song for this festivation?
00:09:02Yes.
00:09:03What do you think of this?
00:09:04For the bride-to-be.
00:09:05I can't give you anything but love, baby.
00:09:12Father's debts are all I've plenty of.
00:09:15Baby.
00:09:17Now, now, now.
00:09:18Be careful.
00:09:19Don't crack the enamel.
00:09:21Is that pass for wit in your gramophone shop?
00:09:24Yes, please, miss.
00:09:26Good evening, Mrs. Tomkin.
00:09:27Good evening.
00:09:28May I join you?
00:09:29I'm not interrupting, uh, tete-a-tete, am I?
00:09:33What time did the major get in last night?
00:09:45About half past eleven, quarter to twelve. Him and old Wright.
00:09:48Drunk? All the usual. A bit fuddled, you know.
00:09:51When are we allowed to congratulate dear Vivian on her engagement?
00:09:55Before dinner or after?
00:09:58I really don't quite know what has been decided.
00:10:01Children nowadays, you know.
00:10:03Dear, I do hope nothing's gone wrong.
00:10:06She's worked so hard for it, hasn't she, poor child?
00:10:09Dear Miss Cutter, at Vivian's age,
00:10:12hard work isn't necessary.
00:10:14Natural charm and a natural complexion.
00:10:18Ah, there, I think Vivian's been so wise.
00:10:21Make-up doesn't suit her and, how shall I put it, rather instant type.
00:10:27But old men do so fall for that, don't they?
00:10:35Look who's honouring us. Baronet's cousin, dear Mrs. Dooley.
00:10:39Oh, I beg her pardon, Mrs. de Hooley.
00:10:44We were just talking about you, dear.
00:10:49I was in two minds about coming down.
00:10:53Bad news.
00:10:54Oh, what a loss.
00:10:57Not your cousin, Baronet.
00:10:59The Marquis.
00:11:01He was the head of our line.
00:11:03The Marquis.
00:11:13No, no, no.
00:11:16I want a son, I want you to cry.
00:11:18No, no, no, no.
00:11:19No, no, no, no!
00:11:21Mr. Largo, we've got a rival outside.
00:11:28Sounds very like one of your records.
00:11:31Shall I open the window a little way for you?
00:11:34Better not, Miss Kite.
00:11:36They see a lady that expects something.
00:11:38Stesia, you're going to open the window a little.
00:11:40Oh, go on.
00:11:41Why not pay up your tapings or throttings
00:11:42and enjoy the luxury of feeling honest?
00:11:44Only you hate me each.
00:11:45You do as you're told.
00:11:51Lay up. We're all a-listening.
00:11:54Baggage.
00:11:55What can you expect, considering where she came from?
00:11:59I'm surprised that you're keeping her, Mrs. Sharp.
00:12:01It's all right. I'm just giving her enough room.
00:12:03There you are. You see, it's the type.
00:12:05The little unfortunates always revert to type.
00:12:09And you revert to an old tabby cat.
00:12:11That will do.
00:12:12You know, you're asking for trouble.
00:12:13I don't care.
00:12:14Don't care was made to care.
00:12:15Who would think I'm afraid?
00:12:16You can only send me back.
00:12:18Well, go on. Send me back.
00:12:19I'm sick of having it flung in my face where I came from.
00:12:21Send me back.
00:12:22It wouldn't be any worse than this rotten hole.
00:12:24You keep a civil tongue in your head.
00:12:25Well, so it is.
00:12:26And a lot of rot is in it.
00:12:27Look at them.
00:12:28There isn't a decent one among them.
00:12:29You're talking a lot of nonsense you don't know anything about.
00:12:32And I don't want to know.
00:12:34They're not human, that lot.
00:12:35None of us are.
00:12:36Look at you.
00:12:37You're an old thief.
00:12:38How dare you?
00:12:39Oh, I'm just as bad.
00:12:42Worse.
00:12:43What are we all living for?
00:12:45That's what I want to know.
00:12:47What's the good of us?
00:12:49Miss Kite's perfectly right.
00:12:50You're a useless little slut and you'll go back to the gutter where you came from.
00:12:54All right.
00:12:56I will.
00:12:57Now.
00:12:58Stay easy on.
00:12:59Come back.
00:13:00Where do you think you're going?
00:13:01The river.
00:13:02Anywhere out there.
00:13:08Good evening.
00:13:09What do you want?
00:13:10I understand you have a room to let you go.
00:13:12Well, we haven't.
00:13:16No.
00:13:27Will you please come in?
00:13:32No, no, please.
00:13:39Please, will you wait a minute?
00:13:58What is it?
00:13:59What are you grinning at?
00:14:00He wants the room.
00:14:01Room?
00:14:02What room?
00:14:03The third floor back.
00:14:04Third room?
00:14:05Who is it?
00:14:06Who's he?
00:14:07Well, what's he like?
00:14:10A gentleman?
00:14:11Sure, I'd better go.
00:14:15I'm afraid there's been a bit of a mistake.
00:14:17You see, my maid will...
00:14:18Good evening.
00:14:19Good evening.
00:14:20As I was saying, my maid put the card up unknown to me.
00:14:24But you have the room to let.
00:14:26Well, as a matter of fact, do you mind coming along to the office?
00:14:33After you.
00:14:43Now then.
00:14:46Oh, thank you.
00:14:52Now then.
00:14:53Now we can talk business.
00:14:55To begin with, I know you'll excuse the question.
00:14:57What are you?
00:14:58I?
00:14:59I'm a wanderer.
00:15:03You mean a traveller?
00:15:04Yes.
00:15:05A traveller.
00:15:06For pleasure?
00:15:07Or...
00:15:08Mm-hmm.
00:15:09For pleasure.
00:15:10Are you from abroad?
00:15:11I've seen so much of the world.
00:15:15What we call a cosmopolitan.
00:15:17Exactly.
00:15:18You see, I have to be a bit particular.
00:15:20We try to keep ourselves rather, if I may say so, on the select side here.
00:15:24You see, we have the army represented in the person of Major Tomkinson family.
00:15:27Then there is big business in the person of Mr. Wright.
00:15:30I expect you've heard of Rice Housing Estates in Poplar.
00:15:32One of the most populated districts.
00:15:33Very remunerative.
00:15:34I'm sure.
00:15:35Then there is, uh, Mr. Penny, rising architect.
00:15:38Oh, I'm forgetting Mrs. de Hooley.
00:15:40Her second cousin by marriage is the baronet, you know.
00:15:45I live so out of the world.
00:15:47Then there's Miss Kite, one of the models.
00:15:50And Mr. Larkham, interested in music, on the commercial side.
00:15:53Yes, I think we can claim to be a very representative little circle here.
00:15:56I shall be glad to meet them.
00:15:58Of course.
00:15:59You'll understand that my charges are a little higher than the ordinary boarding house.
00:16:02Of course.
00:16:03For the room, I have to offer you, overlooking my little back garden.
00:16:07Very quiet.
00:16:08Lots of fresh air.
00:16:10I usually ask two pounds ten a week.
00:16:11To you, seeing the time of year, shall we say two pounds?
00:16:15Is that quite fair?
00:16:16Fair?
00:16:17I mean, to you, I can afford to pay your proper price.
00:16:19Two pounds will be quite satisfactory.
00:16:20Quite sure?
00:16:21Quite.
00:16:22Quite.
00:16:23Quite.
00:16:24Quite.
00:16:25Quite.
00:16:26Quite.
00:16:27Quite.
00:16:28It's very kind of you.
00:16:29Very kind indeed.
00:16:30Light, of course, will be extra.
00:16:31Of course.
00:16:32And gas.
00:16:33Of course.
00:16:34Of course.
00:16:35I leave myself entirely in your hands.
00:16:36I shall be safe.
00:16:37How peaceful.
00:16:39You like London.
00:16:40Oh, yes, I like it very much.
00:16:42Oh, yes, I like it very much.
00:16:44Yes, I like it very much.
00:16:46Yes, I like it very much.
00:16:48Yes, I like it very much.
00:16:50But I like it very much.
00:16:51How I do.
00:16:52Well, the two pounds will be quite satisfactory.
00:16:55Quite sure?
00:16:56Quite.
00:16:57It's very kind of you.
00:16:58Very kind indeed.
00:16:59Light, of course, will be extra.
00:17:00Of course.
00:17:01And gas.
00:17:02Of course.
00:17:03I leave myself entirely in your hands.
00:17:04I shall be safe.
00:17:05Oh, yes, I like it very much.
00:17:07Then you'll take this room?
00:17:08If you will have me, of course.
00:17:10Let me see. You will want some money in advance, won't you?
00:17:13Oh, thank you very much. I'll give you your receipt later.
00:17:17By the way, we're having a little party tonight.
00:17:19Mr. Wright, the property owner I spoke to you of, is getting engaged to Major Tumpkin's daughter.
00:17:22How charming. Very much in love?
00:17:25Well, it's a good match from both points of view, so we're having a party.
00:17:28Throwing the tables together and all being very sociable.
00:17:30I hope you won't mind. Just for tonight.
00:17:33I should be delighted.
00:17:347.30 then.
00:17:46I'm afraid you'll find us a very strange galère.
00:17:50Oh, thank you.
00:17:54But there, it takes all kinds to make a world, doesn't it?
00:17:57And oh, it's so interesting.
00:17:59I feel we're going to have a great deal in common.
00:18:02I beg your pardon?
00:18:04Haven't we met somewhere?
00:18:06Monthly, 1927, perhaps.
00:18:08My dear husband's cousin, Sir Humphrey, you know, had the Villa Banner now.
00:18:12Almost everyone was there at one time or another during the season.
00:18:15I wasn't.
00:18:17Were you right?
00:18:18You must find it very crude over here.
00:18:21Even in the best hotels, one is liable to meet with every class of individual.
00:18:25As I was saying to the dear Duchess.
00:18:28Ladies and gentlemen, I should like to say a few words.
00:18:38As you may or may not all know, I'm a man of property.
00:18:42Oh, I make no bones about it.
00:18:45I'm a self-made man.
00:18:47And every penny I've made has gone into the safest thing I know.
00:18:52Bricks and mortar.
00:18:54Safety first.
00:18:56That's my motto.
00:18:58They can strike.
00:18:59They can go on the dole.
00:19:00They can play old Harry with the country.
00:19:02But they must have a roof over their heads.
00:19:07And they say, you can't collect in the poor districts.
00:19:11Don't tell me.
00:19:13I've collected for the past 15 years.
00:19:16And I shall go on collecting.
00:19:19It's all a matter of character.
00:19:23And so, take my tip, ladies and gentlemen.
00:19:26And put your money in bricks and mortar and keep it there.
00:19:32Well, having got that off my chest, I...
00:19:37Here, here.
00:19:39Here, here.
00:19:40Here, here.
00:19:45Well, I'm going to make a little confession.
00:19:49I suppose every man makes a fool of himself some time in his life.
00:19:54Oh, more than once.
00:19:56Well, my turn's come now.
00:19:59Here, here.
00:20:01I needn't tell you what my little spot of bother is.
00:20:04Or how I feel about it.
00:20:07But, er, all I can say is it's got me pretty bad.
00:20:11To the tune of 500 quid, to be precise.
00:20:15Hooray!
00:20:19Tied up to this little bit of nonsense.
00:20:22Perhaps some of the ladies would like to have a look.
00:20:25Ah, how wonderful.
00:20:26Extraordinary.
00:20:27Ah!
00:20:28Just like the dear Duchess's.
00:20:29Ha, ha.
00:20:30Flawless.
00:20:31You're a lucky girl.
00:20:32Stop it!
00:20:33Stop it!
00:20:34Stop it!
00:20:35Stop it!
00:20:36Stop it!
00:20:37Your monkey's got the ring.
00:20:39Excuse me, lady.
00:20:40He's found a pretty thing.
00:20:41Give me back at once.
00:20:42Good luck, sir.
00:20:43Good luck, lady.
00:20:44May all your troubles be little ones.
00:20:45Go away.
00:20:46For the music.
00:20:47We don't get to beggars.
00:20:48Care out, my man, or we'll put the police on your track.
00:20:49We hate it.
00:20:50Go away.
00:20:51Go away.
00:20:52Come away.
00:20:53She has trouble.
00:20:54You're a lucky girl.
00:20:55I love it.
00:20:56You're a lucky girl.
00:20:57Stop it!
00:20:58Stop it!
00:20:59Stop it!
00:21:00Stop it!
00:21:01Your monkey's got the ring!
00:21:02Excuse me, lady.
00:21:03He's found a pretty thing.
00:21:04Give me back at once!
00:21:07Good luck, sir.
00:21:08Good luck, lady.
00:21:09May all your troubles be little ones.
00:21:10Go away!
00:21:11For the music.
00:21:12We don't give to beggars.
00:21:13Hear out, my man, or we'll put the police on your track.
00:21:15We hate it. Go away.
00:21:16We don't encourage foreigners.
00:21:18Oh, you fat-bellied lot of swine.
00:21:20Oh, miserable lot of devils.
00:21:23I hope your food chokes you.
00:21:34Well, ladies and gentlemen, I give you a toast.
00:21:38To the future Mrs. W.
00:21:41Good luck. Your health.
00:21:42Yes, your health.
00:21:45Mrs. W.
00:22:02Well, aren't you going to put it on?
00:22:04Yes.
00:22:05Wake up, darling.
00:22:10Oh, my dear.
00:22:13Good.
00:22:14Wake up, darling.
00:22:15Good luck, darling.
00:22:27Vivian.
00:22:35Well, I've had enough of this.
00:22:37I'm off.
00:22:44Come, come, my dear.
00:22:45You go on after her.
00:22:46I'll look after him.
00:22:51Well, really.
00:22:53Extraordinary performance.
00:22:55Wasn't the ring good enough for her or what?
00:22:58Well...
00:23:02Shall we take coffee in the drawing room?
00:23:04Oh, my dear fellow, you mustn't take it like that.
00:23:08Oh?
00:23:09What do you expect me to do?
00:23:10Laugh and clap hands?
00:23:11Don't you see what it means?
00:23:13Yes.
00:23:14As plain as the nose on your face.
00:23:15She hates my guts.
00:23:16Nonsense, my dear fellow.
00:23:17Not at all.
00:23:18It's just nerves.
00:23:19Nerves.
00:23:20Oh, wait a minute.
00:23:21I'll bet you what you like.
00:23:23She's up there on her bed, crying her eyes out,
00:23:25and wondering what on earth she can do
00:23:27to make it up with you again.
00:23:28Oh.
00:23:29Yes.
00:23:30Yes, my dear.
00:23:31Oh, mother.
00:23:32I don't seem to realize we're all going to be turned into the street
00:23:35by that horrible woman.
00:23:37They'd all be sniggering and whispering.
00:23:39What did you think of that dress she was wearing tonight?
00:23:41Not a penny under twenty.
00:23:42My dear, I wish I could afford that dressmaker's bill.
00:23:45Must be enormous.
00:23:47Poor thing.
00:23:48She needed it.
00:23:49It's rather reminiscent of a prize rabbit, don't you think?
00:23:52Oh!
00:23:53You clumsy slut.
00:23:55Well, it's your own port.
00:23:56You shouldn't put it on the floor.
00:23:57What's the table for?
00:23:58You little prison rat.
00:23:59A lot you know about tables or anything else where you come from.
00:24:02Well, I certainly haven't learned much here.
00:24:04Now, run away.
00:24:05Run away now.
00:24:06Don't be putt.
00:24:07May I have your cup, please?
00:24:11Oh, oh.
00:24:12May I have you?
00:24:14Right there.
00:24:16Right there.
00:24:18I'm afraid you're in for a disappointment.
00:24:22I beg your pardon?
00:24:23That child.
00:24:24I like her.
00:24:25It does you credit, of course.
00:24:27But isn't that the teeniest bit out of date?
00:24:30What do you mean?
00:24:31Can one extend one's sympathies outside one's own class like that?
00:24:35Perhaps it's because of my wider experience.
00:24:37Oh, granted, granted.
00:24:38But human nature is human nature all the world over.
00:24:41And you can't make a silk purse out of a sow's ear.
00:24:45How admirably expressed, dear Mrs. de Hooley.
00:24:49Remember that, my dear man, won't you?
00:24:51Hello.
00:24:52Have you heard the Rhythm Brothers version of this?
00:25:06Pretty hot, eh?
00:25:08I like it as you were playing it just now.
00:25:13What?
00:25:14The old-fashioned straight stuff?
00:25:15Oh, any fool can play that.
00:25:17Not as you were playing it.
00:25:18I think I'm not too rotten on the Irish, eh?
00:25:20You have talent.
00:25:21Really?
00:25:22Ah, well, what's the good of it?
00:25:25Got to be a top notch if it'll be any good at that.
00:25:29Oh, my life.
00:25:33Part of your life.
00:25:35I've only seen it.
00:25:41In more senses than one.
00:25:43You must hear some of my records.
00:25:45Perhaps you'll have keynotes.
00:25:47Oh, yes, yes.
00:25:48But not only.
00:25:49Oh, yes, yes. But not all the time.
00:25:52For instance, tonight.
00:25:54So many hearts must be longing for music like that.
00:25:58Tonight.
00:26:19Good night, Mother.
00:26:29Good night, Mother.
00:26:35Good night, darling.
00:26:37Somehow it was like that music.
00:26:52And then he said, thank you.
00:26:56That's something I haven't heard these six months, nor I'm not likely to.
00:27:02Perhaps I'm wrong, but somehow I think things are going to be different.
00:27:07Good night.
00:27:21Good night, old gentleman.
00:27:28Oh, please, may I?
00:27:31I'm so sorry for what happened tonight.
00:27:34I do hope you don't think we're always like that.
00:27:36No, no, I understand.
00:27:38Good night.
00:27:40Good night.
00:27:53Oh, could I speak to you for a moment?
00:27:55Of course.
00:27:56Can't get up?
00:27:57Would you come in?
00:27:59Would you come in?
00:28:00How beautiful.
00:28:20Do you mind telling me what you know about her?
00:28:22What I know?
00:28:24What's the influence you have over her?
00:28:26I watched her all through dinner.
00:28:28She never took her eyes off you.
00:28:29You are wrong.
00:28:30I watched her too.
00:28:33It was you who was in her mind.
00:28:36And she's very unhappy.
00:28:39I know I behaved pretty badly.
00:28:41But it wasn't just that.
00:28:42Believe me, it was.
00:28:44Will you forgive me if I speak frankly?
00:28:46I'm a stranger to you.
00:28:49And because of that, perhaps I'm able to see you all a little more clearly than you see yourself.
00:28:55You love each other.
00:28:57But for some reason, you are denying it.
00:29:01There's not much mystery about it as far as she's concerned, is there?
00:29:05She's turning me down for a better match.
00:29:07That's not what I saw.
00:29:10Oh?
00:29:10Well, what did you see?
00:29:14Another motive.
00:29:17Not the selfish one.
00:29:18You mean she's sacrificing herself for her parents?
00:29:22Partly.
00:29:23But also for another.
00:29:25Another motive.
00:29:25I thought it was for you.
00:29:33Oh, what's the good of talking about it?
00:29:45You're quite right, of course.
00:29:46And it's my fault.
00:29:48She thinks she's saving my career.
00:29:51She thinks if we marry, it'll be a failure.
00:29:53And I made her think it.
00:29:54I put it into her head because I hadn't the courage to accept the responsibility of marriage.
00:29:59Those ghastly parents.
00:30:00I've been a complete spineless lunatic.
00:30:06And the hell of it is that I've only realized it when it's too late.
00:30:11Is it too late?
00:30:12Oh, of course it's too late.
00:30:15She despises me.
00:30:17She thinks I'm a moral card.
00:30:19I don't believe that.
00:30:23Do you think...
00:30:26No.
00:30:29I know how I let her down.
00:30:32I shouldn't waste time on regrets.
00:30:36Good night.
00:30:42What's the motto?
00:31:09Catch them young, sweet them rough.
00:31:12And tell them nothing.
00:31:21Well, good night, future father-in-law.
00:31:23Good night, my son-in-law.
00:31:25Good night.
00:31:36Hello.
00:31:39Hello.
00:31:39Come in here a sec.
00:31:44It's too late.
00:31:45I don't know.
00:31:46Come on.
00:31:46Good night.
00:31:53Get up.
00:31:55Good night.
00:31:59Good night.
00:32:01Good night.
00:32:10Good night.
00:32:11Good night.
00:32:11Let's go.
00:32:41Phew, it's going to be a scorcher today.
00:32:46Yes, some's going to enjoy their bank holiday.
00:32:58Good morning.
00:33:00Oh, good morning, sir.
00:33:02Lovely day for bank holiday, isn't it?
00:33:03Yes, lucky for everyone.
00:33:05Yes, I hate it when it rains.
00:33:06It spoils it, sir, for the kids.
00:33:07Where are you going today?
00:33:09Me?
00:33:09Oh, I never get out on bank holidays.
00:33:12They're all at home, you see.
00:33:13I see.
00:33:14Of course.
00:33:15When I was a kid, I used to go out.
00:33:16We used to go down to Battersea Park and watch the steamers on the river.
00:33:19Once we were going on one to Hampton Court with a Sunday school treat.
00:33:22But I got the mumps and another girl had to take my place.
00:33:25She brought me back some lovely roses.
00:33:27They were a bit dead, but you could still smell them.
00:33:28Excuse me, they're waiting.
00:33:32Good morning.
00:33:33Good morning.
00:33:33Good morning.
00:33:41Good morning.
00:33:42Good morning, your man.
00:33:43Good morning.
00:33:44How do you like our London weather?
00:33:46It's a beautiful day, isn't it?
00:33:47The day for the country or the sea.
00:33:50Will you wait till this afternoon?
00:33:51It's going to be a regular scorcher.
00:33:52You won't be able to breathe.
00:33:54Good morning.
00:33:55Good morning.
00:33:55It's going to be a lovely day, I think.
00:33:57I've put you at that table over there.
00:33:59There.
00:34:03Do you mind if I open the window?
00:34:18Oh, look at Jack.
00:34:19He's got his best on his own holiday.
00:34:21Oh, check it.
00:34:23Little beggar, he wants a penny.
00:34:25Now, put Jack on behind this one, do they?
00:34:29What do you want?
00:34:31May I?
00:34:32Oh.
00:34:32Jacko, get it.
00:34:36Oh, good.
00:34:37Bravo, Jacko.
00:34:38Bravo.
00:34:40Oh, there's your friend with the gramophone again, Mr. Lockham.
00:34:43I believe it's a publicity stunt.
00:34:46You're not suggesting that's one of our records, are you?
00:34:49Isn't it?
00:34:50Has the same delightful, stretchy sound.
00:34:53Hey, can't you play something more modern?
00:35:02Tiger rag or something?
00:35:05Oh.
00:35:07Nylon.
00:35:08What?
00:35:08Ha, ha, ha.
00:35:10Come and have a look at this.
00:35:12What's all the excitement?
00:35:13Ha, ha, ha.
00:35:15Ha, ha, ha.
00:35:16Ha, ha, ha.
00:35:16Ha, ha, ha.
00:35:17Ha, ha, ha.
00:35:18Ha, ha, ha.
00:35:18Ha, ha, ha.
00:35:19Ha, ha, ha.
00:35:19Ha, ha, ha.
00:35:20Ha, ha, ha, ha.
00:35:21Ha, ha, ha, ha.
00:35:21Ha, ha, ha, ha, ha.
00:35:22Ha, ha, ha, ha, ha.
00:35:50Gosh, what a lovely scind.
00:35:51Almost Mediterranean, isn't it?
00:35:57Never seen it, except on the pictures.
00:36:00Still, I wouldn't mind being there.
00:36:04Phew, it's hot.
00:36:06You Londoners are so lucky to have your river.
00:36:10That's an idea.
00:36:12I'd have a good mind to get a boat out for the day.
00:36:15It'd be hard work pulling your boat.
00:36:17What about a steamer?
00:36:19That's more like your Uncle Harry.
00:36:23Why shouldn't we all go?
00:36:25On a steamer?
00:36:26Yes, down the river to the sea.
00:36:28I mean, as my guests.
00:36:32Well, that's very nice of you, old man.
00:36:34Do you mean everybody?
00:36:36Yes.
00:36:37I think there's a splendid idea.
00:36:39What about you, Miss Kite?
00:36:41Me?
00:36:42Oh, well, if it's going to be a party.
00:36:45It would give me great pleasure.
00:36:49I'd love to.
00:36:51And Stasia.
00:36:52Me?
00:36:53Stasia?
00:36:54Why not?
00:36:55If Mrs. Sharp can spare you.
00:36:57Well, I don't know what the Tompkins are doing, or Mr. Right, or...
00:37:00Oh, leave it to me.
00:37:07And Mrs. de Hooley.
00:37:11Won't you change your mind?
00:37:12Yes, do, Mrs. de Hooley.
00:37:14But I...
00:37:15You don't...
00:37:16You don't want me.
00:37:17Of course we want you.
00:37:18The party would be incomplete without you.
00:37:20You can act as cook's guide for us.
00:37:22Well, I...
00:37:23I mean, don't know what to say.
00:37:25You must come, really.
00:37:26You must come.
00:37:27Oh, well.
00:37:28Oh, you must come, you must.
00:37:29What do you have to say, dear Watson?
00:37:30They're all going on the river.
00:37:31Who?
00:37:32Everybody, Mrs. de Hooley and Miss Kite.
00:37:33You're Chris and even old Sharpie herself.
00:37:35The new lodges throwing a party.
00:37:37And they say, if you go, I can go.
00:37:39Oh, Stasia, you...
00:37:40But it's a fact, really.
00:37:41What's all this about?
00:37:42Oh, there's a party.
00:37:43You're all invited.
00:37:44It's free.
00:37:45Where?
00:37:46On the river.
00:37:47But it's free.
00:37:48Free.
00:37:49I think I'll go.
00:37:50This?
00:37:51After last night.
00:37:53Run along, Stasia.
00:37:54And say I should not go.
00:37:56Oh, what about you?
00:37:57Oh.
00:37:58What about you?
00:37:59Oh, what about you?
00:38:00I really think it sounds a jolly good idea.
00:38:01Sure.
00:38:02Why not?
00:38:03It's free.
00:38:04They're all going.
00:38:05At least, I haven't asked Mr. Wright.
00:38:06Oh, I see.
00:38:07I'll go and ask him now.
00:38:08Wait a minute.
00:38:09Wait a minute.
00:38:10I think I can arrange this.
00:38:11It may be a chance to patch things up.
00:38:12Oh, come on.
00:38:13Oh, God.
00:38:14I'll fix it.
00:38:15Come in.
00:38:16Hello, old fellow.
00:38:18Shh.
00:38:19Oh, come on.
00:38:20I'll fix it.
00:38:22Come in.
00:38:23Hello, old fellow.
00:38:24Shh.
00:38:25I'll fix it.
00:38:26Come in.
00:38:27Hello, old fellow.
00:38:29Shh.
00:38:30I say.
00:38:31Feeling rotten?
00:38:33Horrible.
00:38:34Oh, that's bad.
00:38:36We must do something about that.
00:38:38Nothing.
00:38:39Bad.
00:38:40Nonsense.
00:38:41We can't have that.
00:38:42We've got a big day in front of us.
00:38:44What about a trip to Margit?
00:38:45Margit?
00:38:46Please.
00:38:47Oh, make him say yes.
00:38:48Make him say yes.
00:38:49Make him say yes.
00:38:50Make him say yes.
00:38:51Make him say yes.
00:38:52Make him say yes.
00:38:53Make him say yes.
00:38:54Make him say yes.
00:38:55Make him say yes.
00:38:56Make him say yes.
00:38:57So you see, my dear fellow, it's absolutely perfect.
00:39:02Invigorating breezes.
00:39:03Romantic surroundings.
00:39:05Vivian.
00:39:06Repentant.
00:39:07Plenty of opportunities for Tate or Tate.
00:39:09Return home.
00:39:10Triumphant.
00:39:11I don't believe a word of it.
00:39:14But you win.
00:39:16I fixed it.
00:39:29Oh, my God.
00:39:59Oh, my God!
00:40:29Come in, Chewhead, now hit!
00:40:39Come in, Chewhead, come in!
00:40:43Come in, Chewhead, come in!
00:40:46Come in, Chewhead!
00:40:53Chewhead!
00:40:56I thought you said Vivian was sorry for her behavior.
00:41:26She's been deliberately avoiding me ever since we got on the boat.
00:41:29My dear fellow, when will you realize that there's a time and a place for her?
00:41:35Extraordinarily green the water is.
00:41:38Yes, isn't it?
00:41:43I was a swine last night.
00:41:46It's all right, Chris. I know how you felt.
00:41:49But that's no excuse for me trying to hurt you.
00:41:51Oh, please, darling. It's forgotten.
00:41:55You're not going on with it now, are you?
00:41:58I don't know.
00:41:59Oh, you can't.
00:42:01Don't you see how difficult it is?
00:42:04What will happen to mother and father?
00:42:06Oh, there must be a way out for us without hurting them.
00:42:09I've thought and thought about it till I can't think anymore.
00:42:14Chris, I shan't be able to bear it if I have to lose you.
00:42:20Did you?
00:42:22You won't have to.
00:42:23I'll find a way.
00:42:25We must find a way, darling.
00:42:27If only we could.
00:42:29Oh, it's so hot.
00:42:31There's a nice breeze, though.
00:42:33Yes.
00:42:34Oh, look.
00:42:48Did you see the bloody tower?
00:42:49Those walls were 18 feet thick.
00:42:51If they'd locked you up in there, you could scream your insides out and they'd never hear you.
00:42:54Isn't it wonderful?
00:42:55That's Mrs. Dehulia Cushion.
00:42:56There's a good girl.
00:42:57Cushion?
00:42:58I'll show you where.
00:42:59Oh, careful, please.
00:43:00Where?
00:43:01Officer, there.
00:43:02Oh, I'm so sorry.
00:43:03Excuse me.
00:43:16Over to the right, Sheila.
00:43:18Hold it.
00:43:20Okay, come along, girls.
00:43:25Do you mind if I join you?
00:43:47No, no, do.
00:43:49I'll arrange myself at your feet.
00:43:51No, no.
00:43:52Sit down.
00:43:55Sorry.
00:44:00Here.
00:44:03Pardon me.
00:44:04Will you be comfortable there?
00:44:07This intolerant sun, I mean.
00:44:09It's beautiful.
00:44:10Oh, women of my age have to think of these little things.
00:44:15I'm going to make you a confession.
00:44:17You'll probably think it very outré of me.
00:44:21You interest me.
00:44:23I'm so glad.
00:44:25Are you?
00:44:26Why?
00:44:27I wanted to interest you.
00:44:29You are clever.
00:44:31You have a wit that a witty woman can be the best friend in the world.
00:44:35You think I'm clever?
00:44:37Most certainly.
00:44:38And witty?
00:44:39Indeed.
00:44:40Don't you mean catty?
00:44:41No, no.
00:44:42A little caustic, perhaps.
00:44:44I suppose one grows bitter as one grows old.
00:44:48Old?
00:44:49Yes.
00:44:50Old.
00:44:51The wrong side of thirty.
00:44:54Now, for goodness sake, don't start telling me it's a beautiful age.
00:44:57I couldn't bear it.
00:44:58Beauty is not a matter of age.
00:45:00Oh, yes it is.
00:45:02Age is ugly.
00:45:04It's no good talking a lot of nonsense to me about the beauty of the mind or the soul.
00:45:10I never wanted it.
00:45:12I only wanted...
00:45:14I...
00:45:15Ah, there you are.
00:45:16This is the who he says...
00:45:17Oh, Miss Kite.
00:45:18Is there anything wrong?
00:45:19You look ever so pale.
00:45:20I'm...
00:45:21Can I get you anything?
00:45:22Can I get you a lemonade?
00:45:23Yes, if you don't mind.
00:45:24Okay, Miss Kite.
00:45:25Back in a sec.
00:45:26Oh, Miss Kite.
00:45:27Oh, Miss Kite.
00:45:28Is there anything wrong?
00:45:29You look ever so pale.
00:45:30I'm...
00:45:31Can I get you anything?
00:45:32Can I get you a lemonade?
00:45:33Yes, if you don't mind.
00:45:34Okay, Miss Kite.
00:45:35Back in a sec.
00:45:46Oh, Miss Kite.
00:45:47Oh, no.
00:45:48Will you get me a lemonade, please?
00:45:49It's for Miss Kite.
00:45:50Well, what'll you have?
00:45:51A lemon for Miss Kite.
00:45:52What about you?
00:45:54No, sir.
00:45:55Come on.
00:45:56It's a holiday.
00:45:57Please, I've got to get back.
00:45:58You're going to have a drink with me first.
00:46:00All right?
00:46:01Nothing for Kite?
00:46:02Oh, all right.
00:46:03Then I'll have a lemonade.
00:46:04Bebers, they're racing.
00:46:06They're racing.
00:46:07They're racing.
00:46:08They're racing.
00:46:09They're racing.
00:46:10They're not that rare.
00:46:12Oh, Miss Bebers!
00:46:13I mustn't miss them.
00:46:14I mustn't miss anything today.
00:46:25Come on!
00:46:26Come on!
00:46:27Come on!
00:46:28Come on!
00:46:29Come on!
00:46:30Come on!
00:46:31Come on!
00:46:32Come on!
00:46:33Come on!
00:46:34Come on!
00:46:35Come on!
00:46:36Come on!
00:46:37Come on!
00:46:38You, you.
00:46:39Not that I care for this complete disregard of decency nowadays.
00:46:43You don't agree?
00:46:44If you mean those children.
00:46:46Children?
00:46:47They seem to be very happy.
00:46:49I'm afraid I'm not very interested in child welfare.
00:46:52Or in children at all, if it comes to that.
00:46:55Or in life.
00:46:57Life?
00:46:58I've told you.
00:47:00Life is a fraud.
00:47:14No!
00:47:15No!
00:47:16No!
00:47:17No!
00:47:18No!
00:47:19No!
00:47:21No!
00:47:22No!
00:47:23No!
00:47:24No!
00:47:25No!
00:47:26No!
00:47:27No!
00:47:28No!
00:47:29No!
00:47:30No!
00:47:31No!
00:47:32No!
00:47:33No!
00:47:38Where is it?
00:47:39What is it?
00:47:40It's Miss Kite.
00:47:41She's running off the stadium.
00:47:42Oh, Kite?
00:47:43No, I don't believe it.
00:47:48Do something! Do something, can't you?
00:48:13Hooray!
00:48:30Is she all right?
00:48:32Yes. Where's Miss Tyler?
00:48:34Where is she?
00:48:36What? Here she is! Hooray!
00:48:43Hooray! Hooray! Hooray! Hooray! Hooray! Hooray! Hooray!
00:48:45Hooray! Hooray! Hooray! Hooray!
00:48:55Hooray! Hooray!
00:49:11Come on, swallow it down!
00:49:14What is it?
00:49:15Never mind. Get it down, you.
00:49:20Oh, it'll make me drunk.
00:49:21Well, better a drunk hero than a dead one, as the poet says.
00:49:24Oh, don't be silly.
00:49:25Oh, you can be as modest as you like, but that was a real fine bit of work.
00:49:28As not many would have had the pluck.
00:49:30That's very nice of you, Mr. Larkin.
00:49:32And it wasn't only the doing it, it was the way you did it.
00:49:35No fuss and nonsense. That's the kind I like.
00:49:38You're making me very embarrassed.
00:49:44Oh, heavens!
00:49:48Don't do that.
00:49:50You look grand.
00:50:03What's all this?
00:50:05Shh. She's asleep.
00:50:14It might be the old days, when Vivian was a kid.
00:50:24George, I've been wondering if we're doing right about her.
00:50:30I know.
00:50:32I was thinking about it.
00:50:35When the accident happened, I felt as if I were losing my own child.
00:50:40I don't know why, but I've been quite excited.
00:50:46It's the scare, I suppose, the crowds.
00:50:48One can let oneself go in a crowd.
00:50:50Calm back.
00:50:51Come on, Mr. Hulley, we're nearly in.
00:50:52I don't think I'll go ashore.
00:50:54Good gracious me, why not?
00:50:56I'm not feeling myself.
00:50:57You're missing all the fun.
00:50:58Come and join in.
00:50:59You will soon feel better.
00:51:00Well, if you think so.
00:51:02Is everything all right, dear?
00:51:05I feel a bit odd.
00:51:07Mr. Larcombe's been leading me astray.
00:51:13So who's gone? Did you hear it?
00:51:15Yes, yes.
00:51:16Oh, I forgot to give it to Zach.
00:51:18Wouldn't you like to keep it?
00:51:19Me?
00:51:20Yes.
00:51:21Oh, don't you think it's good enough?
00:51:23It's not good enough.
00:51:24Oh.
00:51:37Isn't there some other way out?
00:51:53Well, of course there's a way.
00:51:54Work.
00:51:55That's easy enough to say.
00:51:56Oh, that traveller's job that Stephen's offered to me.
00:51:58Don't be absurd, you couldn't stand that for a week.
00:52:01Well, of course I should.
00:52:02If it were for all of us.
00:52:04It's better than selling one's own flesh and blood.
00:52:16Hold it, sir.
00:52:18Hold it.
00:52:19Hold it.
00:52:21hold it sir hold it thank you now what should we call the picture love's young dream
00:52:33dreaming you'd come into a fortune or something no i was wanting to talk to you that little
00:52:40arrangement we made i think it would be better if we settled the matter by direct payment what's
00:52:44the idea what's the matter with the way we fixed it well i'm thinking things over i don't feel
00:52:52justified in asking vivian to make the sacrifice sacrifice yesterday it was an honor well what i
00:52:58really mean is that well i don't think we need argue about it that's how we feel you'll excuse us
00:53:06i see well it's up to you
00:53:36you've had a successful day
00:54:03they look tired but happy i mean you you've done your stuff very nicely haven't you
00:54:13you mean given them a good time you know what i mean perhaps i do
00:54:19it's not easy for them to find themselves the illusions are so strong you mean the realities
00:54:28they can't see them now it's all lovely and rosy star and moonshine you've got them all gooey
00:54:36and dripping with sentiment that's all right wait till the morning wait till they have to face a few
00:54:43cold facts in the light of day i'll give you best tonight my turn in the morning
00:54:52how much longer are you going to be in there
00:55:17good morning i'm afraid i first came but look at the time i'm sorry that's his fault he's been in
00:55:32there half an hour but i have an appointment at 9 30
00:55:34and i have to be in the office at nine oh have you well listen now then now then
00:55:41little birds in their nest i can't think what you've been doing in there judging by the result
00:55:47excuse me
00:55:51hello she pipped you there losing your pep aren't you
00:55:57oh dear what love can do
00:56:01stasia stasia how often do i oh good morning mr rice that girl playing you up a bit this morning
00:56:15that's the result of yesterday she began the morning by getting up late always the same
00:56:19give them an inch and they'll take an ale oh is that the accounts you're making up
00:56:24yes well i'll settle mine now if you like oh thank you mr wright that's very kind of you
00:56:29no no no not at all i'm sure it'll be welcome just 20 pounds yeah 20 pounds right i wish they were
00:56:36all as prompt as you are nothing dud about this check of course not i wouldn't say the same about
00:56:43another one you're holding though but particularly if you're counting on me as security oh yes owes the
00:56:51word because he'll never be able to pay you you'll see about that well it's a bit of luck you were
00:56:57able to get such a nice lot for your third floor back i suppose he had good credentials hmm what well
00:57:03anyway you won't be missing me now if i go oh mr wright you're not leaving us are you well i don't
00:57:09no i don't somehow like the atmosphere the last few days too much of the kiss me hardy stuff for my
00:57:16liking i think i might be better out of it oh don't say that mr wright hmm well we'll see
00:57:22oh nosy what's up i heard did you well you ought to be pleased me yes if vivian does turn me down
00:57:40i shall have some bits and pieces to chuck away when are you coming up to have a look at them hey
00:57:46oh when sorry about that bathroom made you a bit rushed didn't it certainly did i thought so
00:58:16give the old girl a chance
00:58:29oh dear oh dear we are putting our feet in it this morning aren't we caught his girlfriend
00:58:48having a dip in the rouge box
00:58:53sorry old man didn't know it was a case of love's young dream
00:58:59you see i wasn't so far wrong was i what are you going to do about it
00:59:07what do you expect me to do well how about a little lecture lecture then because they are upset
00:59:14i see too high and mighty to interfere this morning hey
00:59:18then now then and what about a little service oh right i'm not an eight-handed octopus
00:59:23good morning uh any mail for me i put it on your table mr kris
00:59:37no luck having a good one competition work hmm yes why do you waste your time with that stuff
00:59:55the idea mr wright is to make a little money money there isn't any money for you in that not for some
01:00:01years anyway
01:00:08you've got talent why don't you do something about it
01:00:13what exactly do a job make some dough spend it
01:00:16oh that's easy if you've got the guts sugar thank you
01:00:20plenty of room in the building trade for qualified men with brains
01:00:27designing jerry-built houses i suppose don't talk soft there's a thousand and one jobs you could do
01:00:33for me what with all these new regulations and whatnot you mean you can make use of my name and
01:00:38qualifications to cover up your dodging of the housing reform act uh milk i mean i've got a contract
01:00:45waiting for somebody who's capable of holding down a fat job at a good screw
01:00:51and that's straight enough isn't it milk it's hardly the word i should have chosen thank you
01:01:02would you care to have a squint at that contract
01:01:04i'm sorry i'm not your man well there's no hurry think it over
01:01:24stay there hello anything wrong oh dear i'm in a terrible state my cam your brooch is missing ah
01:01:30there you are you see oh dear you don't think it's been stolen do you who do you think would
01:01:35have taken it don't ask me only you've got to expect something with all the riffraff we're
01:01:40getting in this place now stay there good morning have you seen my cameo brooch me yes you no
01:01:50i haven't said i didn't die she's afraid of his fingers yeah do you think i took it well
01:01:55someone's taken it haven't they why me you wouldn't expect me to accuse one of the guests would
01:01:59you after all it wouldn't be surprising considering where you've come from what's this what's all this
01:02:05noise you're all alone hypocrites all smiley one day and telling me i'm the thief the next who's the thief
01:02:11what is this i'm sick of it well i'm the softy what do i want to go straight for better be like the
01:02:19rest of them take my chance while i've got it and clear out here here you don't stay shut up but
01:02:24something mind telling me what this is all about i've lost my brooch your cameo brooch yes it's in
01:02:29the letter rack i picked it up in the passage last night and popped it in for you really mrs
01:02:34delhooney i do think you should take more care of your things one of these days you'll really lose
01:02:37something wolf wolf wolf
01:02:54well it's all right just a friendly word of warning old sharps on the warpath this morning
01:03:00what do you mean she's heard something i don't think she's so keen on that post dated check as
01:03:05she was not unless you find a new security just to warn you you know
01:03:16what's that my lord we were fools to quarrel with him oui i thought it was your noble gesture
01:03:22you know perfectly well that i should never have done it if it hadn't been for you going all sentimental
01:03:29so that's our little hero is it for goodness sake don't sit up in bed there nagging
01:03:36oh may i have a word with him yes yes i've spent half my life looking after you what do i get for you
01:03:45will you be quiet oh vivian listen i wanted to you see it's no good chris we can't risk it
01:03:54oh i'm sorry but it's true a month ago i might have faced it but you weren't so sure of him
01:04:06and now i've lost my courage i couldn't face a life like mother's you mean you think i might turn
01:04:12out like your father oh we both should without money you said so yourself i never said that vivian i never
01:04:18said it oh what is it what are you laughing at this is so like one of the scenes i've been listening
01:04:26to all my life oh no don't be angry chris listen don't you see it's for your sake as much as for mine
01:04:36i don't want either of us to be to be like they are i want you to go on and do all the things that
01:04:43you want to do to be a great success and a great man i want you to build those hospitals which you
01:04:52as a property of slum landlord's wife will come and open i suppose now you listen to me
01:04:58if you're going to give up your ideals and everything else for the sake of comfort and safety
01:05:04i'm going to do the same i had a nice little offer today from your mr wright what to take over this
01:05:10slum property and do a little faking to get around the new acts well what are you looking so miserable
01:05:15about you'll get your share of it you can sell yourself why shouldn't i anyway that's what i'm going
01:05:24to do tonight if i haven't put a bullet through his head before that chris chris chris
01:05:54you know the old saying don't you major the lord helps them who help themselves don't you see
01:06:10the hole you're putting me into give that bell another push for me will you
01:06:18there's a limit to what a man in my position will swallow not if someone else pays
01:06:24you'll be all right after he's had a couple oh there you are
01:06:33i want some more whiskey well i don't think i ought to get it without asking sharpie oh scared of her
01:06:41the fact that i care for her or any of them if it comes to that oh that's how we're feeling
01:06:46eh that's the stuff here come here a sec
01:06:56did you mean what you said what you know what you said about not being a softie
01:07:05depends come here kid
01:07:07i'm all right where i am now come on what's up today got the blues
01:07:16bit different today all of them from yesterday hmm a lot of hypocrites yes you might have thought
01:07:21they were human mightn't you must have had a touch of the sun or something you know kid one of these
01:07:27days you'll find out who your real friends are who's that don't forget later
01:07:40well what is it can i speak to you all right
01:07:58well may i sit down
01:08:03help yourself
01:08:10thanks
01:08:24well
01:08:26mr wright
01:08:28you have a great influence in this house you can't say i didn't warn you
01:08:32do you get any pleasure out of spoiling their lives
01:08:35lots and your own
01:08:37don't you worry about me my troubles i settle for myself
01:08:42what about your ambitions a home affection respect
01:08:45i'm trusting to my money to buy those
01:08:47a home perhaps
01:08:49and a wife
01:08:50perhaps they wouldn't satisfy you you want to achieve not buy
01:08:57you were poor once weren't you
01:08:58do you see that bread and dripping that's the best thing i put in there for the first 12 years of my life
01:09:06and not too much of that either
01:09:08and you see those
01:09:10and you see those plenty of good solid leather there
01:09:13well till i left school i never had a pair of boots to me name
01:09:19if the charity lady ever gave me any they were popped too sweet
01:09:23everything i've got i've earned with these and with this there you are
01:09:31what do you mean there you are that's what you will want to go on doing achieving things with this
01:09:41you know perfectly well it's not you they respect but your money that's your unhappiness
01:09:46and what's yours i'll tell you what it is
01:09:54you want to change all their natures don't you
01:09:57oh yes you do only you want them to do it for themselves
01:10:00it's no good for you otherwise is it they'd only go back on you the moment you left them
01:10:04no oh yes they would
01:10:06it'd be different if i did it wouldn't it
01:10:10you'd like me to let old tomkin off his debts and release vivian from her promise
01:10:15and probably you'd like me to settle everyone else's affairs for them
01:10:19adopt that slavery and bring her up to be a lady
01:10:22and all out of my own goodness of heart it would make you i know it would make me happy
01:10:30well i don't want that kind of happiness see
01:10:38they cannot endure
01:10:41we are we are not strong enough
01:10:45well go on you help them if you want it so much
01:10:52i
01:10:55i
01:10:57no you mustn't interfere whatever happens you must not interfere
01:11:05well wait and see what's going to happen
01:11:14and before very long too
01:11:17i've got them all
01:11:19there
01:11:21they'll all come crawling to me before the night's out
01:11:23what'll you bet vivian penny tomkin and the kid
01:11:29your dear little stasia
01:11:33she'll come what about that you can't do this oh why not
01:11:41it's up to her no one's forcing her
01:11:46anyway it's bound to happen sooner or later
01:11:50why are you trembling
01:11:51i'm afraid who for for you so much evil set free
01:12:03it will destroy who
01:12:06me yes
01:12:08who cares
01:12:15i don't want your sympathy
01:12:18keep it for those that need it
01:12:21you hear
01:12:38for you so much
01:13:08Let's go.
01:13:38Let's go.
01:14:08Let's go.
01:14:38Let's go.
01:15:08Let's go.
01:15:38So you decided to come.
01:15:42I expect it's all a have.
01:15:44What? What's that?
01:15:46Those presents you were talking about.
01:15:49I bet they're a have.
01:15:50Well, we'll see.
01:15:51Come on, Eagle.
01:15:56Come on. What's up?
01:15:58Afraid?
01:16:00No one saw you, did they?
01:16:01Where is everybody?
01:16:05All in their kennels.
01:16:07I know them.
01:16:10I know them all.
01:16:11Mr. Wright.
01:16:19Mr. Wright.
01:16:19What is it?
01:16:23What are you staring at?
01:16:24You look so queer.
01:16:26Aren't you well?
01:16:27Nothing wrong with me.
01:16:28Nothing wrong with me.
01:16:30All right, I'll see them all out.
01:16:32All this lot.
01:16:33Anyhow.
01:16:37Come on.
01:16:40Here.
01:16:41Good by.
01:16:47Good by.
01:16:49Good by.
01:16:51Good by.
01:16:55The End
01:17:25The End
01:17:55The End
01:18:25Help me. Help me.
01:18:55Oh, it's you.
01:18:58I thought you said she's...
01:18:59She's here somewhere, I swear it.
01:19:00I heard her scream.
01:19:02She must be in that room.
01:19:03Let's go and see.
01:19:07What did I tell you?
01:19:10What are you doing here?
01:19:13What's wrong?
01:19:14Oh, another party?
01:19:23Why wasn't I told?
01:19:26Dead?
01:19:28How did it happen?
01:19:30It wasn't me.
01:19:31What are you doing in here?
01:19:32Yes, what?
01:19:33Nothing.
01:19:34No need to ask what you were going to do.
01:19:36Oh, no, you don't.
01:19:43I saw a creep past my room.
01:19:44I knew there was something wrong.
01:19:45Look at this.
01:19:46I found it on the dressing table.
01:19:47The ring's gone.
01:19:49Where is it?
01:19:49I haven't got it.
01:19:50Come on.
01:19:51Where is it?
01:19:52You'd better own up.
01:19:53I haven't got it.
01:19:56I have got the ring, Miss Vivian.
01:19:57Oh, Stacey.
01:19:58Now, don't sympathize with her.
01:19:59Come on.
01:20:00Out with it.
01:20:00How did it happen?
01:20:01Come on.
01:20:02You must know.
01:20:02You were in here.
01:20:03Now, where's that ring?
01:20:04Only one thing to be done.
01:20:05Hand her over to the police.
01:20:05No.
01:20:06Yes, call the police.
01:20:07No, no, no, no, no.
01:20:08Not them, not them.
01:20:10They'll send me back.
01:20:11Oh, I couldn't go back there.
01:20:12I couldn't.
01:20:13You don't know what it's like.
01:20:16How dare you be so cruel?
01:20:25Can't you see you are terrifying this child out of her life?
01:20:28It's our duty to call the police.
01:20:30She is a little criminal, isn't she?
01:20:32She is a human being like yourselves.
01:20:35Are you so very much better than she?
01:20:38What the devil do you mean?
01:20:41You, for instance, with your debts and your fears and your revolver in your pocket,
01:20:49and you signing away your honor to a man you despised,
01:20:53and you, who were prepared to sell yourself,
01:20:57and you, who would have allowed it,
01:20:59and you, and you,
01:21:00how can you hurt and torment this child,
01:21:04and you yourselves?
01:21:05That's quite enough.
01:21:07She's got the ring.
01:21:07And she was the only one with him.
01:21:11She has not got the ring.
01:21:15It is here.
01:21:17He's got the ring!
01:21:18Ah, now we understand the loving interest in the little orphan.
01:21:23Yes, why didn't one us to send for the police?
01:21:26All friends, I expect.
01:21:29We'll soon see.
01:21:30Stop it!
01:21:40Stop it!
01:21:43It isn't true.
01:21:45He didn't do it.
01:21:47He's good.
01:21:49Do you hear me?
01:21:51He's good.
01:21:51I am bad.
01:21:56I'm wicked, if you like.
01:21:59You can do what you like about me.
01:22:05But not him.
01:22:07Not him!
01:22:13Mrs. Sharf!
01:22:14Mrs. Sharf!
01:22:15Yes?
01:22:16Mrs. Sharf!
01:22:17You're wanted.
01:22:18The police.
01:22:19Are you the landlady?
01:22:20Yes, this is my house.
01:22:22There's been an accident.
01:22:24Someone's fallen from a window.
01:22:25Window?
01:22:26Looks as though it might be from this room here.
01:22:41This explains it.
01:22:46Oh!
01:22:48The gramophone man.
01:22:50Oh, my shoulder.
01:22:55Tell me, what happened?
01:23:01He ain't dead, is he?
01:23:03I swear I didn't mean to hurt him.
01:23:06Suddenly, he crumpled up like...
01:23:09It must have been his heart or something.
01:23:13It was his fault.
01:23:15Always flashing that ring around.
01:23:17And anybody in my shoes would have had a go for it.
01:23:29That other fellow.
01:23:32Ask him.
01:23:33He saw it.
01:23:34He just stood there.
01:23:39He just stood there.
01:23:42Staring at me.
01:23:46Face it out, he says.
01:23:51Wish I had...
01:23:52My hand.
01:24:01Yes, sir.
01:24:23Tea? That's a bright idea.
01:24:32It's like seeing for the first time, as if we'd always been blind.
01:24:38It's going to be all right now.
01:24:40Yes.
01:24:43I wonder, do you think he'd join us?
01:24:52Let's go and find him.
01:24:55Will you come with me?
01:25:22It was so nice of you to come.
01:25:26I came because you wanted me.
01:25:52Thank you very much.
01:26:05THE END
01:26:35THE END
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