- 2 days ago
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Short filmTranscript
00:00:00The End
00:01:30Well, if it isn't Jack Maitland turning up the town again, who's out in the front seat?
00:01:39Millie Blake?
00:01:40Millie?
00:01:41Oh, oh, let me see.
00:01:43Oh, what a fallen fire she is.
00:01:48Well, there wasn't any of these rarings going on before her old man died.
00:01:53That girl needs a father.
00:01:55Millie knows how to take care of herself.
00:01:57And don't I know it.
00:01:58Well, maybe she does.
00:02:02Oh, I love this.
00:02:05I've never ridden fast enough.
00:02:06I get a thrill out of it.
00:02:08Hmm, I want excitement.
00:02:10I want to live to go everywhere and see everything and fill everything.
00:02:17How would you like to go to New York, Millie?
00:02:19Oh, I love it.
00:02:20But, oh, it'll be a long time before I get there, I guess.
00:02:24How would you like to go with me?
00:02:33Listen, that's the one thing I won't do.
00:02:37I thought we settled that a year ago at Millers Farm.
00:02:40Oh, I mean it.
00:02:41I think you're the most beautiful girl in the world and I'm the man to take care of you.
00:02:46Am I being proposed to?
00:02:48You're getting the news broken to you gently that you're going to be Mrs. Jack Maitland of New York.
00:03:10That looks funny.
00:03:20It looks great.
00:03:40You're welcome.
00:03:43Anything else, sir?
00:03:45Ice water?
00:03:46If I want anything, I'll call you.
00:03:48Thank you, sir.
00:03:49Sure.
00:04:03Millie.
00:04:07Why, darling, you're trembling.
00:04:10It's just excitement.
00:04:14Mrs. Jack Maitland.
00:04:25Are you sleepy?
00:04:27Sleep?
00:04:28Oh, no.
00:04:30No.
00:04:32Why don't we drive to New York now?
00:04:34Now?
00:04:35It's only two hours.
00:04:39I'll see you.
00:04:40Who is your boss?
00:04:44My husband.
00:04:46Do you love him?
00:04:48Yes.
00:04:53Afraid of him?
00:04:58I guess I'm silly.
00:05:01Of course you are.
00:05:02Now, come on, darling, and get some rest.
00:05:04You're all tired.
00:05:05Get out.
00:05:05A little rest will do you worlds of good.
00:05:15I have to telegraph.
00:05:17Telegraph?
00:05:18Yeah, my mother.
00:05:20Oh, good heavens.
00:05:21I'll telephone her.
00:05:23You get to bed.
00:05:32Hello.
00:05:33Give me long distance, please.
00:05:42Hello, Mrs. Blake?
00:05:43Uh, this is Jack Maitland.
00:05:47Millie wants to talk to you.
00:05:48Hold the wire, please.
00:05:49Yes.
00:05:49Hold, hold phone.
00:05:50Oh, Millie.
00:05:53Millie.
00:05:57Come on, darling.
00:05:58This is long distance.
00:06:00Step on it.
00:06:01I don't have anything to put on.
00:06:07Oh, here.
00:06:25Please hurry, honey.
00:06:29Hello, dear.
00:06:31I'm married.
00:06:39I married Jack Maitland.
00:06:41We're in a hotel in Greenwich.
00:06:44Married?
00:06:47Well, if you're married to such a fine man, Jack Maitland,
00:06:49what are you crying about?
00:06:52But I never got married before.
00:06:55How can I tell?
00:06:56I'll write to you when we get to New York.
00:07:06Goodbye, dear.
00:07:07Goodbye, dear, dear.
00:07:08Bye, dear.
00:07:08Mr.
00:07:09Julie.
00:07:14Millie.
00:07:18Did you tell her?
00:07:21Yes.
00:07:22What did she say?
00:07:26She said, for you to be good to me.
00:07:28Oh, my God, to me.
00:07:50I got a little girl.
00:07:52You did?
00:07:54Well, think of that.
00:07:56Oh, my little baby.
00:07:58Yes, dear.
00:07:59Do you want your bath now, huh?
00:08:01You do?
00:08:02Will your mama give it to you?
00:08:04Oh, you dear.
00:08:07Mother loves you so.
00:08:10Precious woman.
00:08:11Come on, stand up.
00:08:13Oh, you're getting so big, honey.
00:08:15I don't know, my little girl.
00:08:17Come on.
00:08:18Shall we go in?
00:08:20All righty.
00:08:24Come in.
00:08:26It's time for the baby's bath, Miss Maitland.
00:08:31Oh, let me give her a bath, will you?
00:08:34I'll do it just like you do it.
00:08:36Now, Miss Maitland, don't tease.
00:08:38Oh, go on.
00:08:39Please let me.
00:08:40I'm sorry, Miss Maitland.
00:08:47Say, whose baby is this?
00:08:49Well, what's that all about?
00:08:51What's that all about?
00:08:59Oh, it's that governess.
00:09:00You'd think she owned my baby.
00:09:03I only see her in about ten minutes a day.
00:09:07Oh, Jack.
00:09:08Don't be cross.
00:09:11Honey, it's awful.
00:09:12I haven't got a thing to do all day long until you come home.
00:09:15It's too bad about you, isn't it?
00:09:17A beautiful home, all the clothes that money can buy,
00:09:19and a car to ride around in.
00:09:21Oh.
00:09:22That doesn't make up for being lonely.
00:09:25Yes?
00:09:26Yes?
00:09:28The little bags are all packed, sir.
00:09:29And the car is at the door.
00:09:31Yes.
00:09:33Oh, Jack.
00:09:34Are you going to go away again this weekend?
00:09:37My business demands it.
00:09:39Oh, honey.
00:09:41Forget business for a couple of days.
00:09:43Let's be like we're used to, just the two of us.
00:09:46Are you going to start that again?
00:09:51I'm sorry, I...
00:09:53I won't talk about it anymore.
00:09:55Sure.
00:10:15You're a sweet kid.
00:10:21I thought you were going to forget again this morning.
00:10:23Forget what?
00:10:24You kissed me.
00:10:25Well, you see, I didn't.
00:10:27Oh, but Jack, I...
00:10:29I mean a real kiss, the way you used to.
00:10:33There you are.
00:10:37Well, what's the matter now?
00:10:39Don't you love me anymore?
00:10:41Well, of course I do, sweet, but...
00:10:43You don't kiss like it.
00:10:45Well, good heavens, dear, I can't waste all my days billing and cooing.
00:10:48I have business to look after.
00:10:50Well, business didn't bother you when we were first married.
00:10:54You don't love me anymore, that's what it is.
00:10:57I loved you when I married you, and I love you now.
00:11:00Well, then why do you leave me day after day?
00:11:03I get so lonesome I could die.
00:11:06Do you think I go away because I want to?
00:11:09Why are you always kicking?
00:11:11Well, why shouldn't I kick?
00:11:13I'd like a little fun for a change.
00:11:15I'd like a little loving once in a while.
00:11:18And what do I get?
00:11:19You're down town all day, when you do come home at night, you go to bed and you snore.
00:11:23Listen, I'm not going to stand here and argue with you, I have a train to catch.
00:11:26Goodbye.
00:11:28That's right, run!
00:11:30You big coward, run!
00:11:49Good morning, Minnison.
00:11:53Good morning, Mother.
00:11:55How's the baby?
00:11:56Oh, she's just like a little angel.
00:12:01What's the matter, sweet?
00:12:03I'm afraid I was close with Jack this morning.
00:12:11Oh, he'll get over it.
00:12:13I'm sure of that.
00:12:14It takes time for young people to adjust themselves to each other.
00:12:20And a whole lot of patience.
00:12:23You do like me a little, don't you?
00:12:26I love you, Millicent.
00:12:28I was thinking only this morning that if I had a daughter, I should want her to be just like you.
00:12:36I could just hug you to pieces, Mother.
00:12:40Thank you, dear.
00:12:42Maybe we're Jack now.
00:12:44Maybe we're Jack.
00:12:50Hello?
00:12:52What?
00:12:54Why, Angie Wickersham!
00:12:57When did you get to New York?
00:12:59And you never told me.
00:13:02Why, Angie and I grew up together.
00:13:06Well, I didn't ring you because I thought you might be too proud to talk to me.
00:13:09Well, then I got thinking you might get sore if I didn't. So I did.
00:13:15So she did.
00:13:18Oh, I live with a girl named Helen.
00:13:22Oh, I'm working.
00:13:24So you're a sales girl at Mason's.
00:13:26I'm a sales girl at Mason's.
00:13:27You've got the day off.
00:13:28I've got the day off.
00:13:30Tell her to meet you in front of Mason's at one.
00:13:33Can you meet me in front of Mason's?
00:13:35One o'clock.
00:13:37One o'clock?
00:13:39All right.
00:13:41I'd like to see you pretty bad.
00:13:43Goodbye.
00:13:44Goodbye.
00:13:47I got her to come.
00:13:49You got her to come?
00:13:51She's coming in spite of you.
00:13:54I guess I know how to talk to a friend from home without you telling me.
00:13:58Did you tell her how to bring your room rent?
00:14:01You'll get your money now, will you fade?
00:14:14Well, I never knew they had cabarets running in the daytime.
00:14:27Oh, yes.
00:14:29It's a place for tired businessmen to relax in.
00:14:33Oh, hello.
00:14:35Same as usual?
00:14:37Yes, thanks.
00:14:39I'll take Ginger out.
00:14:40I come here pretty often.
00:14:45Yes, I see you're rather well acquainted.
00:14:48It isn't hard for a girl to get acquainted in this town.
00:14:51Oh, Angie.
00:14:53Don't try to spoof me.
00:14:54I'm your friend.
00:14:56Tell me, how did you happen to come to New York?
00:14:59Well, I got engaged to a man who got his divorce in Mexico.
00:15:04You would.
00:15:06Well, how can a girl tell what's going to happen in Mexico?
00:15:08Oh, Angie.
00:15:12Hello, Miss Riley.
00:15:13Oh, hello, Max.
00:15:14I'm looking for my girlfriend.
00:15:16Oh, never mind.
00:15:17There she is.
00:15:18All right.
00:15:23Oh, there you are, my dear.
00:15:25Hello, Helen.
00:15:26Miss Riley, Miss Blake.
00:15:28Oh, uh...
00:15:29Mrs. Maitland now, is it not?
00:15:31Oh, just Milly, if you'd like.
00:15:32Won't you have something?
00:15:34Cream to milk.
00:15:35Not hard to manage, you know.
00:15:36This is a pleasant little witch party.
00:15:41Say, what's that crack?
00:15:43I... I beg your pardon.
00:15:45Beat it. Beat it. Go on, beat it.
00:15:48Oh, well...
00:15:49I hope you don't misunderstand, my dear.
00:15:51No, I... I don't.
00:15:54Oh, then I can relax.
00:15:57Say honestly, Milly.
00:15:59You're a good egg.
00:16:00Good egg.
00:16:01Well, I hope so.
00:16:02Say, I...
00:16:03I like to call my home.
00:16:04My husband's away.
00:16:05And...
00:16:06Suppose we have dinner tonight.
00:16:07Gee, that'd be swell.
00:16:08Where's the phone?
00:16:09Right over there by the door.
00:16:10I'll show you, Milly.
00:16:12No, don't bother.
00:16:13I can find her.
00:16:17Say, you know, Angie?
00:16:20I like that dame.
00:16:22What ails you?
00:16:25Well, the dirty cheater.
00:16:29Who?
00:16:30Him. Her husband.
00:16:32That one with the blonde...
00:16:33Yeah.
00:16:37Well, what ever made you bring her here, you little moron?
00:16:40Well, how did I know?
00:16:41Why, he's in here all the time.
00:16:43I've never seen him.
00:16:44Oh, we have that blonde dame in here five days a week.
00:16:47Really?
00:16:48Here we are.
00:16:53Here she comes.
00:16:54Oh, get her out of here.
00:16:55Tell her you're sick.
00:16:56Tell her anything.
00:17:13Do we have dinner here?
00:17:14Oh, no.
00:17:15The food here is terrible, Milly.
00:17:16Let's go to Cavanaugh.
00:17:17Yes, let's.
00:17:18Well, are we going to have our drinks?
00:17:20Oh, we can get some drinks over there.
00:17:22Yes, and it's so stuffy in here.
00:17:23I feel a little faint.
00:17:25Yeah, come on, Milly.
00:17:26Let's blow.
00:17:27Oh, I love this tune, that playing.
00:17:29Let's watch him dance a few minutes.
00:17:34Oh, oh, come on, Milly.
00:17:35Let's not eat here.
00:17:36Well, all right.
00:17:46Jack.
00:17:50Honey, let's not dance anymore.
00:17:51I want to sit down with you.
00:17:52All right, good.
00:17:54Good.
00:18:08Oh, I'll bet that dame can suck.
00:18:11Her father was a blacksmith.
00:18:13Really?
00:18:14Come on, beautiful.
00:18:15What can we do for you?
00:18:16Millie.
00:18:17Who is this woman?
00:18:18Who wants to know?
00:18:19Quiet.
00:18:20What for?
00:18:21Say, what are you butting in here for?
00:18:22Please, will you come on?
00:18:23Let's get out of here.
00:18:24Take your hands off me.
00:18:25Take your hands off me.
00:18:26Take your hands off me.
00:18:27Will you keep quiet?
00:18:28This is my wife.
00:18:29That wouldn't mean anything to her.
00:18:30Oh, your wife.
00:18:31Will you keep quiet?
00:18:32You'll have everybody in the place in here.
00:18:33Let them come in.
00:18:34Well, Mrs. Maitland, we'll have a showdown, and right now.
00:18:37Tell her what I am to you, or I will.
00:18:39Go on, tell me what he is to you.
00:18:40She doesn't know what she's talking about.
00:18:41I don't know what she's talking about.
00:18:42I don't?
00:18:43Well, I'm his sweetheart, that's what I am, and you don't mean a thing to him.
00:18:44Millie!
00:18:45Wait, will you hold her?
00:18:46So this was your important business.
00:18:47Let me go.
00:18:48Come on, let me go.
00:18:49Let me go.
00:18:50Let me go.
00:18:51Let me go.
00:18:52Let me go.
00:18:53Take your hands off me.
00:18:54You and I are through, you chief.
00:18:55This is my wife.
00:18:56Oh, Mr. Maitland, we'll have a showdown, and right now.
00:18:58Tell her what I am to you, or I will.
00:18:59Go on, tell me what he is to you.
00:19:00She doesn't know what she's talking about.
00:19:01I don't?
00:19:02Well, I'm his sweetheart, that's what I am, and you don't mean a thing to him.
00:19:05Millie!
00:19:06Wait, will you hold her?
00:19:07So this was your important business.
00:19:08Let me go.
00:19:09Citizen, please, will you come out of here?
00:19:10I must have dragged you.
00:19:11Take your hands off me.
00:19:12You and I are through, you chief.
00:19:18Oh, Millie, I'm terribly sorry.
00:19:20Gee, Millie, you look kind of sick, honey.
00:19:22Don't you think we'd better go?
00:19:24I'm all right.
00:19:25Millie, will you come out of this place?
00:19:27If it's good enough for you, it's good enough for me.
00:19:29But you can't be seen here.
00:19:31From now on, I don't care where I'm seen.
00:19:33As long as I'm not seen with you.
00:19:48Come in.
00:20:01Oh, Millie, how are you?
00:20:03How are you?
00:20:04Oh, fine.
00:20:05Hello, Millie.
00:20:06Yeah, I'm glad to see you.
00:20:07Well, so this is the heaven divorce dropped you into.
00:20:11Uh-huh.
00:20:12Floyd Avenue on the elevator.
00:20:14Oh, it isn't so bad.
00:20:16Well, I'm really with marriage.
00:20:19From now on, I'll play my own way.
00:20:21Well, thank heavens, you salvaged some good clothes anyway.
00:20:24This is nice.
00:20:25Here.
00:20:26Slip it on and they'll take you to the domino room and show you off.
00:20:29And we'll get you a job in the courses just like we started with.
00:20:32That ought to get you a quick offer.
00:20:34But I can't afford to go out at night.
00:20:37Well, you certainly can't afford to stay home nights.
00:20:40Not at this stage in the game.
00:20:43I've got to get up in the morning early and look for work.
00:20:47What?
00:20:48Work?
00:20:49Well, of course.
00:20:50Well, when are you going to find time for opportunity?
00:20:53Well, don't you call a good job an opportunity?
00:20:56Well, I wouldn't call it very substantial.
00:20:58Now, just what kind of a job would you like?
00:21:02Well, I don't know.
00:21:05I don't know.
00:21:06I see.
00:21:07You're just going to pass up everything and become a working girl.
00:21:10Yes, I guess that's it.
00:21:12What I can't understand is giving up that baby and not collecting for it.
00:21:17I think it's unnatural.
00:21:18Terrible.
00:21:19But wouldn't it be selfish to take her away from that beautiful home?
00:21:23And besides, it isn't really like giving her up.
00:21:27I call her up every night.
00:21:29And I see her Sunday.
00:21:41Isn't she a darling?
00:21:43Well...
00:21:45And...
00:21:51I suppose nothing matters when you've got something like that.
00:22:13Mr. George, don't call for Mr. Johnson.
00:22:20No, thanks. I have my dinner at home.
00:22:22But if I ever come to Akron, I certainly will.
00:22:28You know, I could use you very nicely in one of our shows.
00:22:31Thanks, Mr. Marks, but I don't want to join your show, or any show for that matter.
00:22:35What do you like to tell rich brokers?
00:22:39No, thanks. I've met all the rich brokers I care to in the last two years, right here.
00:22:51Good morning, Mr. Damien.
00:22:54Good morning, Millie.
00:22:57Hello, Jim.
00:22:58Hello, Mark.
00:23:00Some cigarettes, Chief.
00:23:02It's a lucky thing for you. You haven't got Miss Blake in your show.
00:23:07Lucky? How?
00:23:09Well, you'd never find another girl lovely enough to match up with her.
00:23:13Oh, that stops me.
00:23:16I bet you went to bed early to crack them out that good.
00:23:19I stepped around till four.
00:23:21Well, you certainly don't look it.
00:23:23No?
00:23:24I have to get my good old eight hours, or I'll never get any place.
00:23:28Just what is your ambition, Millie?
00:23:33Oh, to keep my independence, and perhaps a little comfort.
00:23:38Finding it difficult?
00:23:40Sort of.
00:23:41Really?
00:23:43You know, independence seems to be a hard thing to hang on to.
00:23:47Well, how about the comfort?
00:23:49Oh, lots of offers.
00:23:50Oh, I see.
00:23:52Then I'll have to wait my turn in line.
00:23:55Huh?
00:23:56Oh, no, you won't.
00:23:58Well, that's interesting.
00:24:00There isn't any line.
00:24:02And that's unbelievable.
00:24:05Oh, yes?
00:24:06Yes.
00:24:07Hello, Millie.
00:24:08Oh, hello, darling.
00:24:09Hello, Millie.
00:24:10Hello.
00:24:11Well, how's the press this morning?
00:24:12Not so good, Jim.
00:24:13What a crop of eyes you three have.
00:24:16You ought to see the tonsils.
00:24:19Why don't you boys go up to my room and ask Henry to mix you a pickup.
00:24:22Oh, thanks, Jimmy.
00:24:24These bankers have such tender hearts.
00:24:27Why shouldn't they run the country?
00:24:29Don't ask me riddles.
00:24:30Come on, let's get the life saver.
00:24:35Well, as I was saying...
00:24:41See you later, Tommy.
00:24:43So long.
00:24:44Come on.
00:24:48Millie?
00:24:49Goodbye.
00:24:54Smarty.
00:24:55I couldn't let him get away with that.
00:24:56As sick as I am.
00:24:57Oh, Tommy, why don't you slow down?
00:25:00You'll never get any place until you do.
00:25:03I wish I felt as good as you look.
00:25:05Uh-huh.
00:25:06Well, you got to start the night before for that.
00:25:08Hello, Millie.
00:25:09Sorry I was late.
00:25:10Oh, that's all right.
00:25:11Well, what's the idea?
00:25:14This is my day off.
00:25:16Say, when you take a day off, it's a national holiday.
00:25:19What do you say we go to Coney Island and celebrate?
00:25:22No, Tommy, I wouldn't risk having you fired.
00:25:24Oh, don't worry.
00:25:25I take that risk 365 days a year.
00:25:28What do you say?
00:25:29I can fix it with the editor.
00:25:32All right.
00:25:34I'll go get that pickup and be right back.
00:25:36If we go to Coney, no pickup.
00:25:38Okay.
00:25:39No pickup.
00:25:40Okay.
00:25:41No pickup.
00:25:44Goodbye.
00:25:45Have a good time.
00:25:51Well, for heaven's sake.
00:25:53Say, who's been gilding these lilies?
00:25:55Hello, Millie.
00:25:56Hello.
00:25:57Hello, Millie.
00:25:58Oh, don't you look great.
00:26:00We're just back from Saratoga.
00:26:02Hmm.
00:26:03What a season we've had.
00:26:05Oh, they're lovely.
00:26:06You know Mr. Rock, don't you?
00:26:08I'm afraid so.
00:26:09We're lunching at Sherry's.
00:26:10Yeah, what's going on there?
00:26:11A trade convention?
00:26:12Soak your head.
00:26:13Would you like to come along, dear?
00:26:14No, I'm going to Coney with Tommy.
00:26:15What a man.
00:26:16I have my moments.
00:26:17I'll be back in a minute.
00:26:18What in the world do you see in that egg?
00:26:21Oh, he's a nice boy, and he doesn't try to pour me.
00:26:24She goes out with men for the darnedest reasons.
00:26:28Oh, say, we saw Maitland in Saratoga.
00:26:30And of all the parties he threw.
00:26:32You know, Millie, every time I think of you turning down that Maitland dough,
00:26:36I get chill blamed.
00:26:37Oh.
00:26:38When I'm through with a man, I'm through.
00:26:39When I'm through with a man, I'm just beginning.
00:26:41Let's go, huh?
00:26:42All right.
00:26:43You don't mind if we run?
00:26:44No, bring it up sometime, Millie, will you?
00:26:45Sure, I will.
00:26:46Don't let Millie eat too much.
00:26:47No, I won't.
00:26:48Come on, dear.
00:26:49Look at her, going to Coney with a reporter.
00:27:06I don't know what it is, but that town you two came from leaves.
00:27:13I don't know what it is, but that town you two came from leaves a terrible mark.
00:27:20What kind of a mark?
00:27:22Oh, shut up.
00:27:31Wouldn't the ancient house get a laugh out of it?
00:27:33You should blow it.
00:27:35I don't. I know what I like to do.
00:27:37Oh, yeah?
00:27:39That's you?
00:27:41Uh-huh.
00:27:42Uh-huh.
00:28:04Look at everybody. They look so tiny.
00:28:06They look so tiny.
00:28:08You might wake up your back.
00:28:10Let it sit on my right.
00:28:11Oh!
00:28:12Oh!
00:28:13Oh!
00:28:14Hey!
00:28:15Hey!
00:28:16This is so nice!
00:28:18All right, all right.
00:28:20Get her eyes!
00:28:22You're such a little baby!
00:28:24All right!
00:28:25You're such a little baby!
00:28:26Good night!
00:28:27Thanks for a swell day, Tommy.
00:28:30I never knew before I could do it on ice cream soda.
00:28:33You didn't.
00:28:34You know what you need is a guardian.
00:28:36That's right.
00:28:38You know, what I need is a wife.
00:28:42Well, don't look at me and say it.
00:28:44I held a wife's job once.
00:28:47This would be different.
00:28:49Maybe it'd be different, but it'd still be a terrible position.
00:28:53I'd rather be in the tobacco business.
00:28:59Do I, uh...
00:29:01Uh-uh. You don't.
00:29:05Good night.
00:29:07Good night.
00:29:23Yeah, that's nice to be a geranium and bloom out in the spring.
00:29:27And when the birds return from the south, I can merrily sing.
00:29:31Hoor-la, hoor-la.
00:29:33Hoor-la, hoor-la, hoor-la.
00:29:37Just because they grow in the kind of a cottage dry and still,
00:29:41One would think that the poor things would never again a thrill.
00:29:45But then they find their delicate thanks around the windowsill.
00:29:51Oh, that's life to be a geranium instead of a jack and steel.
00:30:02Love the geranium instead of a jack and steel.
00:30:06Let's go!
00:30:12Mr. Lodge!
00:30:14Mr. Lodge!
00:30:15You've got to cut out Mr. Lodge!
00:30:17It's past midnight and the neighbors are complaining!
00:30:20Quiet down!
00:30:21Quiet down!
00:30:22Quiet down!
00:30:23We're trying to think it's wrong!
00:30:24Just put that down and cut out!
00:30:30Don't believe it!
00:30:31All the children!
00:30:32Look, everybody pretend we're drunk!
00:30:36Jimmy, you've come to spend your vacation!
00:30:38Tommy, I thought you might need some reinforcements about now!
00:30:40Hey, Millie, we're saved!
00:30:41The Marines are here!
00:30:42Hello, Jimmy!
00:30:43Hello, Jimmy!
00:30:44Hello, Millie!
00:30:45I'm glad to see you!
00:30:46Hello there, Mike!
00:30:47Give me that!
00:30:48Hey, wait a minute!
00:30:49Wait a minute!
00:30:50You don't know how heavy that is!
00:30:51Lead the way, Millie!
00:30:52Right!
00:30:53Come on!
00:30:54Come on!
00:30:55Come on, Mike!
00:30:56Say, what brings Jimmy Damier here?
00:30:57What brings Jimmy Damier anywhere?
00:30:59The dame!
00:31:00It's nice, ain't it?
00:31:01It's nice, ain't it?
00:31:02It's nice, ain't it?
00:31:03It's nice, ain't it?
00:31:04It's nice, ain't it?
00:31:05It's nice, ain't it?
00:31:06Come on!
00:31:07Come on, Mike!
00:31:12Say, what brings Jimmy Damier here?
00:31:15What brings Jimmy Damier anywhere?
00:31:17The dame!
00:31:21It's nice seeing you again, Miss Millie!
00:31:23Yeah, that'll be all, Mike!
00:31:25Yes, sir!
00:31:28Good night, Miss Millie!
00:31:29Good night!
00:31:34Here, Miss Newman!
00:31:35I'll drink for some.
00:31:36Well, I might have one.
00:31:38One!
00:31:39Hey, Tommy!
00:31:40Tommy, listen!
00:31:41Say, Tommy!
00:31:42Jimmy Damier is out in the kitchen
00:31:44all alone with Millie!
00:31:46Sh-sh-shall I sock him?
00:31:48Don't be silly!
00:31:49Jimmy's my pal!
00:31:52And don't you worry about little Millie!
00:31:54Come on, come on!
00:31:55Hey!
00:31:56Johnny!
00:31:57Come on!
00:31:58Hey!
00:31:59Hey!
00:32:00Johnny!
00:32:01Come on!
00:32:02Hey!
00:32:03Hey!
00:32:04Okay!
00:32:05Let's have fun!
00:32:06I've seen the hidden door, right?
00:32:07Yeah!
00:32:08That's fine, boy!
00:32:09That's okay!
00:32:11I don't want to be the rain the afternoon!
00:32:14Close the door, darling!
00:32:16Well, I...
00:32:17I guess the party's over.
00:32:20I don't know when I've had a better time.
00:32:22You know you're wonderful to talk to, Millie.
00:32:24I loved hearing about your travels.
00:32:27It must be wonderful to see the world.
00:32:30I...
00:32:31I want you to see my mandarin robes.
00:32:36Don't you think you should put them in a museum for everyone to see?
00:32:39Uh-uh.
00:32:40No, I keep those for people I like.
00:32:42Oh.
00:32:43That's the kick in having them.
00:32:45I see.
00:32:47Well, suppose we toddle along.
00:32:50We?
00:32:51Uh-huh.
00:32:52We?
00:32:53We.
00:32:54We.
00:32:55The party seems to be over.
00:32:57I'll see you home.
00:32:59Will you?
00:33:01Naturally.
00:33:06Have you a hat?
00:33:07That's all I came in.
00:33:12Our host.
00:33:26Poor Tommy.
00:33:27Oh, he'll be all right.
00:33:29Oh, he's a great kid, Tommy.
00:33:30Oh, it's from the other two.
00:33:31Hmm.
00:33:32Have...
00:33:33gone to the...
00:33:34What?
00:33:35Turkish bath, Johnny.
00:33:36Oh, ha.
00:33:37Well, let's get going, shall we?
00:33:38My car's outside.
00:33:39Oh, ha.
00:33:40Oh, ha.
00:33:41Oh, ha.
00:33:42Oh, ha.
00:33:43Oh, ha.
00:33:44Well, let's get going, shall we?
00:33:45My car's outside.
00:33:46Oh, ha.
00:33:47Oh, ha.
00:33:48Oh, ha.
00:33:49Oh, ha.
00:33:50Oh, ha.
00:33:51Oh, ha.
00:33:52Oh, ha.
00:33:53Oh, ha.
00:33:54Oh, ha.
00:33:55Oh, ha.
00:33:56Oh, ha.
00:33:57Mary.
00:33:59Millie.
00:34:00Yes.
00:34:01Millie?
00:34:03Yes, just a minute.
00:34:06Good night, Jim.
00:34:31Good night?
00:34:33What's the idea?
00:34:35Aren't I seeing you home?
00:34:37Not this trip.
00:34:39You're kind of slow making up your mind, aren't you, Millie?
00:34:42No.
00:34:45My mind's made up.
00:34:49Good night.
00:34:51I see.
00:34:54Good night, Millie.
00:35:05What's going on?
00:35:12Nobody home.
00:35:14Hey, look at this joint!
00:35:17It's all cleaned up.
00:35:19We must have a little fairy in our home.
00:35:30Since when did Tommy take to reading the women's fashion page?
00:35:49Come on, Tommy.
00:36:01Hello.
00:36:02Tommy.
00:36:04Look, bouquet and everything.
00:36:06I've gone romantic on you.
00:36:08Oh, Tommy, you're so sweet.
00:36:11I was just thinking about you.
00:36:13I know. I can feel it all the way up Broadway.
00:36:17I wish you didn't have to work.
00:36:19So do I.
00:36:21We ought to have had today together.
00:36:23But aren't you grateful for what we have?
00:36:25Sure I am.
00:36:27Gee, I'm happy.
00:36:29Are you, darling? I am, too.
00:36:31Oh, come on, Millie. Marry me, won't you?
00:36:35I want something to hold us together.
00:36:38But, Tommy, love will do that.
00:36:41If it can't, then the rest doesn't matter.
00:36:43But, darling...
00:36:44Oh, it's like I said, Tommy.
00:36:46I tried it once and it didn't work out.
00:36:48Now I...
00:36:50I wouldn't marry the best man living.
00:36:53And you are that to me.
00:36:55But I'll stick to you, Tommy.
00:37:16That's a good fortune, Milly.
00:37:17I'll give you a fortune now.
00:37:21Good luck, Millie.
00:37:21You deserve it.
00:37:25You certainly do.
00:37:26Say, you know, I don't think the answer had that much good sense.
00:37:29Oh, I'm a big shot now.
00:37:30Private secretary and everything.
00:37:32Well, that calls for a few hearty congratulations.
00:37:35I think it's just swell the way you kept abreast with us.
00:37:39Oh, I've been lucky.
00:37:40Oh, I've been lucky.
00:37:41That's one reason I'm giving that party tonight at the Claritin.
00:37:44We'll be there.
00:37:45So, as a matter of fact, it's a double celebration.
00:37:48It's for Tommy's good luck, too.
00:37:50Say, what's that reporter bulled out of you now?
00:37:53Jimmy Damier's giving him a publicity job in the Haymarket Bank.
00:37:57Oh, rad.
00:37:58Isn't that rad?
00:37:59It's a surprise, too. Tommy doesn't know what it's all about.
00:38:02That's what I've always suspected.
00:38:04Oh, now, stop it.
00:38:06Why don't you get Mr. Damier to do something for you for a change?
00:38:10Yeah, why don't you start looking out for little Millie?
00:38:12These things don't last, you know.
00:38:14I'm not worried.
00:38:16After four years?
00:38:18It's time you started.
00:38:22I've decided it's time I looked around for an advantageous marriage.
00:38:26Oh, really?
00:38:27I feel I've done all that can be done with the present situation.
00:38:34Here you are, honey.
00:38:35Well, I'm going to call Tommy.
00:38:37Excuse me.
00:38:38So now she's got him in the bank.
00:38:41Well, he won't have to worry about money anymore.
00:38:44No.
00:38:45But the bank will.
00:38:48Go.
00:38:49Go.
00:38:50You can't.
00:38:52Oh, Tommy, it's going to be a wonderful party.
00:38:55You can come late, can't you?
00:38:58But you know what these assignments are.
00:39:01But it won't take all night.
00:39:03You can come any time before daylight.
00:39:07And tell me, I've got a big surprise.
00:39:11I'll tell you at the party.
00:39:13You'll be sure and come now.
00:39:16Oh, all right, honey.
00:39:18But I don't know what time it'll be, though.
00:39:23So long.
00:39:24Come on.
00:40:24She cannot disguise an angel and devil look out of her eyes.
00:40:32If you've ever met, you'll never forget that Millie's a redhead.
00:40:39It's a little surprise.
00:40:51Max just wrote it.
00:40:52Do you like it?
00:40:54Oh, Jimmy, I love this.
00:40:56I'll have one written for you.
00:40:58Me too.
00:40:59Oh, I didn't have any idea Tommy would be so late.
00:41:06Maybe he's out on a special assignment.
00:41:08Yes, he is.
00:41:09Blonde or brunette.
00:41:10Oh, Jimmy.
00:41:11That doesn't sound like you.
00:41:12Well, I'm not worrying if you're not.
00:41:14Yes, I've been around the world several times.
00:41:17I'm starting again.
00:41:18Just as soon as I can straighten out some matters in Omaha.
00:41:20Oh, I just love to travel.
00:41:22You know, I've given up the idea of marrying for love.
00:41:23I mean, a cute love.
00:41:24Someday I hope to marry a nice conservative gentleman just to travel.
00:41:28Suppose we have lunch tomorrow.
00:41:31I want to show you my itinerary.
00:41:48Oh, Mr. Hawksworth.
00:41:51Angie.
00:41:54Let's go and see, Dan.
00:41:56Certainly.
00:41:58You, partner.
00:42:00I think I'll go phone Tommy.
00:42:02Sure.
00:42:04Excuse me.
00:42:08Oh, my God.
00:42:10Oh, my God.
00:42:12Oh, my God.
00:42:14Oh, my God.
00:42:16Oh, my God.
00:42:18Oh.
00:42:24Oh, my God.
00:42:48You'll pardon me just a moment, won't you?
00:42:50I'm so sorry.
00:42:52Oh, it's nothing.
00:43:11Oh, Ella.
00:43:12Ella, will you wipe my show off, please?
00:43:14Oh, hello, Helen.
00:43:15How are you?
00:43:17Who's throwing your party?
00:43:19Millie Blake for Tommy Rock.
00:43:21Say, there's a dame ought to have her brains taken out and renovated.
00:43:25Yeah?
00:43:26I'll say so.
00:43:27Passing up a boy like Jimmy Damier to let a cheap reporter play her for a sucker.
00:43:33Talk her out of that and you'll be doing something.
00:43:36Say, maybe I couldn't.
00:43:38What do you mean?
00:43:40I could tell her whose apartment Tommy Rock's parked in right this minute.
00:43:45Oh, hello, Millie.
00:43:46I didn't see you.
00:43:47What do you mean?
00:43:48Oh, don't pay any attention to her, Millie.
00:43:50You shut your trap, Roscoe.
00:43:51Go on, Roscoe.
00:43:52You started it.
00:43:53Now finish it.
00:43:54Sure, I will.
00:43:55Get out.
00:43:56No, I won't.
00:43:57She wants it, she'll get it.
00:44:00Go on.
00:44:01He's in Madge Bergman's apartment.
00:44:03You're a liar.
00:44:04Oh, am I?
00:44:05All right.
00:44:06I'll show you.
00:44:08Oh, give me a nickel, someone.
00:44:10Say, you beat it, you meddling little...
00:44:12She can't call me a liar.
00:44:13Here's your nickel.
00:44:14What do you want to listen to her for, Millie?
00:44:19Give me Bryant 3342.
00:44:22Oh, come on, Millie, let's go.
00:44:23She's tight.
00:44:24Let me alone.
00:44:27Hello, that you, Madge?
00:44:29This is Clara.
00:44:31Say, listen, dear.
00:44:32I left my bag at your apartment this afternoon, and all my money's in it.
00:44:37Listen.
00:44:38I thought your boyfriend could bring it down.
00:44:42But if Tommy's coming down, why can't he slip me the bag?
00:44:47I'm sitting right by the table.
00:44:49Right by the door.
00:44:52Oh, nobody will see him.
00:44:56Okay.
00:45:02Well, how will you like it when I get the bag?
00:45:05You won't.
00:45:07No.
00:45:08Just watch my table.
00:45:10It's right by the door.
00:45:31Well, what's wrong, Millie?
00:45:32What?
00:45:33Why the sudden flower?
00:45:34Oh, I...
00:45:35I was just wondering if Tommy could be...
00:45:36Oh, he'll be alone soon.
00:45:37Sure.
00:45:38Sure.
00:45:39Oh, he'll be alone soon.
00:45:40Sure.
00:45:41Sure.
00:45:42Who...
00:45:43What's wrong, Millie?
00:45:44Why the sudden flower?
00:45:45Oh, I...
00:45:47I was just wondering if Tommy could be...
00:45:48Oh, he'll be alone soon.
00:45:49Sure.
00:45:50Oh, who...
00:45:57Like Tom.
00:45:58Can you see Tom?
00:45:59Oh, he'll be alone soon.
00:46:00Sure.
00:46:02Why, Tom?
00:46:03Well, I think Tom.
00:46:04He'll be alone soon.
00:46:05Thank you, Tommy.
00:46:18That's all right.
00:46:20Hey, look out, Millie, that isn't water.
00:46:36No?
00:46:37Well, come again.
00:46:38Jimmy, I'm a redheaded woman.
00:46:40Look out for me.
00:46:41Come on, everybody.
00:46:42We've been expecting you for weeks.
00:46:44Hello, honey.
00:46:46How are you, Jim?
00:46:47I'm fine, Tommy.
00:46:48Sit down, Tommy.
00:46:49Now that the white-haired boy is here,
00:46:51let's bring the big surprise.
00:46:53Well, say, what is all this?
00:46:55A surprise for you, Tommy.
00:46:57We're going to start you all out in the world right.
00:46:59Hey, Millie, Millie.
00:47:01Oh, let loose, Jimmy.
00:47:03All right.
00:47:04Say, what's up, Jimmy?
00:47:05Well, you're not going to be a surprise for me, Tommy.
00:47:07We're going to start you out in the world right.
00:47:09Hey, Millie, Millie.
00:47:10Hold it loose, Jimmy.
00:47:11All right.
00:47:12Say.
00:47:15Don't you like it?
00:47:17Mr. Tommy Rock doesn't know it yet,
00:47:19but as a result of his recent achievements
00:47:21in New York journalism,
00:47:23it gives me the very greatest pleasure
00:47:25to offer him the position of publicity director
00:47:27at the Haymarket Bank.
00:47:29Say.
00:47:31Will you take it, Tommy?
00:47:33I suppose it's thanks to you, huh?
00:47:36Will you take it anyhow?
00:47:37Will I take it?
00:47:39Oh, good boy.
00:47:40Attaboy.
00:47:41Now, as I was saying.
00:47:42Let me finish it, Jimmy.
00:47:43Why, of course.
00:47:44Mr. Rock will take anything
00:47:48without bothering where he finds it.
00:47:50Even a passport numbers
00:47:52don't mean anything in Mr. Rock's life.
00:47:54He simply gets the idea
00:47:57that he's necessary on the inside
00:47:59and goes right in.
00:48:01Why, Millie.
00:48:02You just heard Mr. Rock say he'd take this position.
00:48:06Well, now that he's in such a taking mood,
00:48:09I'm going to ask him to take something else.
00:48:12For Gates.
00:48:13Well, Millie, what ails you?
00:48:15I'm just fixing things up for your blonde friend.
00:48:18I'm big hearted.
00:48:20Say, what's the idea?
00:48:22Get out, will you?
00:48:23You're crowding a party.
00:48:24Millie, Millie.
00:48:25Come on, Jimmy.
00:48:26Buy us a place.
00:48:27This is all night.
00:48:28Oh.
00:48:37Before I go anyplace with you,
00:48:38you're coming somewhere with me.
00:48:40What are you going to do?
00:48:41Never mind.
00:48:42There's something I've got to do.
00:48:44Now, listen.
00:48:45Say, who follows who?
00:48:46I follow you?
00:48:47No, sir.
00:48:48You follow me.
00:48:49Jimmy, I'm a red-headed woman.
00:48:53I'm a red-headed woman.
00:49:14Well, what's the idea of coming here, Millie?
00:49:17I don't know.
00:49:18I thought there were...
00:49:20a few things around here Mr. Rock wouldn't need.
00:49:24My picture, for instance.
00:49:32Bird, you wouldn't like that around.
00:49:39Those little knickknacks.
00:49:41I made them myself just to make things kind of homie.
00:49:46Here, Millie.
00:49:47Now, come on.
00:49:48Put yourself together.
00:49:49Don't you worry about me!
00:50:19Let's go!
00:50:26Put yourself together.
00:50:40Not that fun!
00:50:42Hello, George.
00:50:44Say, did the poor leave my railroad tickets here with you?
00:50:52Yes, here they are, Johnny.
00:50:54Ah, thanks, George.
00:50:56What if I don't see you again?
00:50:58Merry Christmas!
00:51:00Merry Christmas!
00:51:02Oh, Jimmy!
00:51:04Well, hello, Tommy.
00:51:06Where are you going with that turkey?
00:51:08Albany.
00:51:10Albany, huh?
00:51:12Christmas dinner with the wife.
00:51:14Home stuff, you know.
00:51:16Well, you'll be a little late for Christmas dinner in Albany, won't you?
00:51:18No.
00:51:20I don't have to be there until Thursday the day before Christmas.
00:51:24Oh, well, today is Christmas.
00:51:26Yesterday was Thursday.
00:51:28Thursday?
00:51:30Well, what if it became a Wednesday?
00:51:32I'm going to telephone her and find out about this.
00:51:35Hello, Jim.
00:51:37Why, hello, Mark.
00:51:38Merry Christmas.
00:51:39Same to you.
00:51:40What's wrong with Holmes?
00:51:41He's lost something.
00:51:42Yeah?
00:51:43Yeah.
00:51:44What?
00:51:45Wednesday.
00:51:46Oh.
00:51:47Who are you dining with tonight, Jim?
00:51:49I'm dining alone.
00:51:50Oh, oh.
00:51:52Who's Millie playing around with now?
00:51:54At this moment?
00:51:55Oh, it may be a grand duke.
00:51:57Oh, oh.
00:51:58Who's Millie playing around with now?
00:52:00At this moment?
00:52:01Oh, it may be a grand duke.
00:52:03Or it may be anybody.
00:52:09I think I'll give her a ring, Marks.
00:52:25Bailey!
00:52:26Oh, that's delicious.
00:52:28Delicious?
00:52:30Say, that story's been spoiling in the ice box for six months.
00:52:36Well, really?
00:52:37Elmer.
00:52:38Yes, dear.
00:52:39Oh.
00:52:40Well, we must be going.
00:52:42Yes, dear.
00:52:43Say, what's the matter?
00:52:45Can't you stand a healthy story since you're married?
00:52:47My dear, married life has done nothing to my sense of humor.
00:52:49You're right about that.
00:52:51Oh, will somebody answer that phone?
00:52:54Answer it yourself.
00:52:55It's probably another division of your love parade.
00:52:58My camel up.
00:52:59All right.
00:53:00Helen, can we drop you somewhere?
00:53:01Oh, thanks, awfully old thing.
00:53:02But I'm spending the afternoon with Millie.
00:53:04Petey.
00:53:05Don't you drop me anywhere.
00:53:06All right.
00:53:07Hasn't Millie changed?
00:53:08Oh, don't be silly.
00:53:09She's just trying to forgive me.
00:53:10Tommy Rock.
00:53:11After six months.
00:53:12Say, has it ever occurred to you there are brains that remember six months?
00:53:16Really?
00:53:17Well, we must be at Tommy Rock.
00:53:19How long have you been to her?
00:53:20Tell me.
00:53:21I'm not to go.
00:53:22Ellen, can we drop you somewhere?
00:53:23Oh, thanks, awfully old thing.
00:53:24But I'm spending the afternoon with Millie.
00:53:25Petey.
00:53:26Don't you drop me anywhere.
00:53:27All right.
00:53:28Hasn't Millie changed?
00:53:29Oh, don't be silly.
00:53:30She's just trying to forget Tommy Rock.
00:53:31After six months.
00:53:32Say, has it ever occurred to you there are brains that remember six months?
00:53:35Really?
00:53:37Oh, well, we must be coming along.
00:53:41Bye-bye.
00:53:41Goodbye.
00:53:44Oh, hello, dolly.
00:53:48Mr. Millie, why don't you and I go someplace?
00:53:52Huh?
00:53:53Well, Angel, come on over here.
00:53:58Uh-uh, not with that gang you've got there.
00:54:02Did you get my present?
00:54:04Uh-huh.
00:54:05I was swell, Jimmy.
00:54:07But I don't know why you sent it, because it's going to go right back.
00:54:11I still pay my own way.
00:54:17Oh, Jimmy, how you swear.
00:54:22Say, listen.
00:54:24Why don't you give me a New Year's party at the lodge?
00:54:27You can't do that.
00:54:28Oh, shut up.
00:54:31Does that put you in a better frame of mind, darling?
00:54:34Now, have a nice Christmas.
00:54:40Bye-bye.
00:54:48What's the idea about New Year's?
00:54:51You heard me.
00:54:52Oh, I can't stand this, Millie.
00:54:54Why not? You won't be there.
00:54:56Jimmy Damier, one of the field, eh?
00:55:03That's a laugh.
00:55:04Yes, and after two years, it's getting on my nerves.
00:55:07Oh, forget her.
00:55:09Forget her?
00:55:10You don't know, Millie.
00:55:12She gets in your blood.
00:55:13I never knew a woman like her.
00:55:20But, Millie...
00:55:21Run along.
00:55:22You spend Christmas with your wife.
00:55:24I don't understand.
00:55:25I thought...
00:55:26I've changed my mind.
00:55:28Goodbye?
00:55:30Merry Christmas.
00:55:31And a Happy New Year.
00:55:32I just want to wish you a Merry Christmas.
00:55:59Merry Christmas.
00:56:02Do you remember the last one we had together?
00:56:06I haven't been giving it much thought.
00:56:09But, thanks for the good wishes.
00:56:12Oh, say, Millie, I'm feeling kind of low.
00:56:16Couldn't I drop over for a little while?
00:56:23No, I'm sorry, Ty.
00:56:25I'm busy.
00:56:27But, Merry Christmas.
00:56:29And thanks for calling up.
00:56:32Goodbye.
00:56:32You're welcome.
00:57:02Oh, don't cry, Millie.
00:57:06You know what you need?
00:57:09A good drink.
00:57:16Merry Christmas.
00:57:18What?
00:57:20Hey, what are you talking about?
00:57:23You got everything you want, haven't you?
00:57:26Sure.
00:57:27Everything.
00:57:29That's good.
00:57:32Are you sorry for that?
00:57:34No.
00:57:36That old Jimmy Damien.
00:57:38He's been calling up all night.
00:57:43He's probably lost his keys and wants to get in somewhere.
00:57:49He's not going to get in here tonight.
00:57:52He can only come here when I say so.
00:57:55Hey, I know what's the matter with you.
00:57:57That Tommy Rock calling out for any of those flowers.
00:58:02I'm sure all the others had bottles.
00:58:06Say, why don't you get him out of your mind?
00:58:09He's nothing but a good looking tramp.
00:58:13But, Alice, you don't understand.
00:58:17You've never really been in love.
00:58:21Oh, no.
00:58:22Hey, listen, there was an actor in Toledo.
00:58:29Oh, I just cried.
00:58:31My eyes out.
00:58:34Oh, Alice.
00:58:36I didn't mean to make you cry.
00:58:38It's all right, Millie.
00:58:39It's all right.
00:58:41Forget them.
00:58:42They're all alive.
00:58:44Hey, the only thing I ever got out of love
00:58:47with the pain.
00:58:51Men are all trapped.
00:58:53Oh, awful tramp.
00:58:57Scow.
00:58:59Scow.
00:59:00Scow.
00:59:00I'm sorry.
00:59:01Don't worry.
00:59:01Oh, yeah.
00:59:02I'm sorry.
00:59:04It's all right.
00:59:06But, Alice, I'm sorry.
00:59:06She's raised her heart
00:59:10on hopeless affairs.
00:59:13She's Millie, the redhead,
00:59:19but nobody cares.
00:59:24Oh, my God, my God, my God.
00:59:29Hey, Mr. Tew, please.
00:59:48Well, hello there, Jimmy.
00:59:50Why, hello, Millie.
00:59:51Hello.
00:59:52Hello, Mark.
00:59:59Well, she still goes to the best places, doesn't she?
01:00:05You're false.
01:00:06You spoiled it.
01:00:10What happened anyway?
01:00:12You know how Millie always used to be?
01:00:14Insisted on working and doing as she pleased.
01:00:18I could never be with her unless she wanted me to.
01:00:21Finally, it got on my nerves.
01:00:24Well, you can laugh, Mark, but you never knew her.
01:00:28Praises be.
01:00:31She looks good to me, though.
01:00:34Even if she has a daughter of 17.
01:00:41Is she, is she anything like...
01:00:44She's going to be a queen.
01:00:46Really?
01:00:48Haven't you seen her?
01:00:49No, no, I haven't seen her since she was a little kid so high.
01:00:53I sent her a present once and I nearly got my head bitten off.
01:00:56Well, I don't know.
01:00:57Oh, no.
01:00:58Get a knife, old boy.
01:01:00You'll wish you were back at college.
01:01:03Taking her to parties.
01:01:04Yeah?
01:01:05Where do you ever see her?
01:01:07Me?
01:01:10I'll let you in on a little secret.
01:01:13To please my old mother, I go to church.
01:01:16Oh, yeah?
01:01:18The kid attends with old Mrs. Maitland.
01:01:20Oh, I see.
01:01:22I know that they're making it slightly.
01:01:26Say, Mark.
01:01:28Call for me Sunday, will you?
01:01:31Golf?
01:01:32Uh-uh. Church.
01:01:36The walls will fall in.
01:01:50The walls of the glorious.
01:01:54The land hangs over the angels of name.
01:02:07Ooh.
01:02:10Ooh.
01:02:15Ooh.
01:02:16Ooh.
01:02:17Ooh.
01:02:18Ooh.
01:02:19Ooh.
01:02:20Ooh.
01:02:41Hello, Millie. How are you?
01:02:43I'm fine.
01:02:45Say, have you seen anything of Jimmy Damier tonight?
01:02:49Why, yes. There he is, over there.
01:02:52Let me have a table.
01:02:54Why, sure.
01:02:55Tell Mr. Damier that I want to see him immediately.
01:03:01Is that okay?
01:03:02You bet.
01:03:03All right.
01:03:04Oh, Jim.
01:03:05What?
01:03:06Yeah?
01:03:07Where?
01:03:08There?
01:03:09All right.
01:03:10Will you excuse me?
01:03:11Certainly.
01:03:12I'll be right back.
01:03:13I'll be right back.
01:03:14Okay.
01:03:15I'll be right back.
01:03:16Okay.
01:03:17Okay.
01:03:18I'll be right back.
01:03:19I'll be right back.
01:03:20Okay.
01:03:22I'll be right back.
01:03:23Hello, Millie.
01:03:24Hello, Millie.
01:03:25Hello, Millie.
01:03:26How are you?
01:03:27How are you?
01:03:28How are you?
01:03:29How are you?
01:03:30I haven't seen you forever so long.
01:03:31Sit down.
01:03:32I wish I could see you.
01:03:33How are you?
01:03:34How are you?
01:03:35How are you?
01:03:36How are you?
01:03:37How are you?
01:03:38How are you?
01:03:39How are you?
01:03:40How are you?
01:03:41How are you?
01:03:42How are you?
01:03:43How are you?
01:03:44I haven't seen you forever so long.
01:03:45Sit down.
01:03:46I wish I could, Millie.
01:03:47But I'm rather...
01:03:48Please.
01:03:49Sit down.
01:03:50Sure.
01:03:51Sure.
01:03:52Well, what's on your mind?
01:03:53There's something I want to tell you about.
01:03:55What's on your mind?
01:03:56There's something I want to tell you about.
01:03:57What's on your mind?
01:03:58Well, what about what about?
01:04:14I've heard from half a dozen people,
01:04:16that you're seeing around the Maitland home.
01:04:19Oh, yeah.
01:04:21Maitland and I have a business deal together.
01:04:23Oh, yes?
01:04:24Oh, yeah. Well, Maitland and I have got a business deal together.
01:04:29Why should that worry you?
01:04:31Because you're seeing my little girl, Connie, and I want you...
01:04:35Now, just a minute, Millie. Just a minute.
01:04:38It's not my fault if she happens to be home when I'm dining there.
01:04:42You've taken her to the theater.
01:04:43Yes, but her grandmother's been along.
01:04:46Why, she's a kid of 16.
01:04:48That wouldn't mean anything to you.
01:04:51Oh, no?
01:04:51Well, I'm much obliged for your good opinion of me.
01:04:57However, I don't think it's anybody's business where I go or with whom.
01:05:02No?
01:05:03No.
01:05:04Well, this happens to be my business.
01:05:07If you hurt my baby, I'll...
01:05:10I'll stop at nothing.
01:05:16Oh, what rot.
01:05:18Please, Jim, won't you do this for me?
01:05:25It's only for my peace of mind.
01:05:28It's not much I'm asking.
01:05:30Only to keep away from my little girl.
01:05:34It's not much I'm asking for my little girl, but it's not much I'm asking for my little girl.
01:05:37Sure, sure.
01:05:38If you're so wrought up about it, all right.
01:05:42Will you shake on it?
01:05:43Sure.
01:05:45You've always been a good friend, Jim.
01:05:48Feel better now?
01:05:49A lot.
01:05:50Fine.
01:05:50We'll say it for old times' sake.
01:05:52For old times' sake.
01:05:58Will you sit down and have a drink with me?
01:06:00I wish I could, Millie, but I'm very busy tonight.
01:06:03Yes.
01:06:04I know.
01:06:07Well, goodbye.
01:06:18Goodbye, Grandma.
01:06:19I'll be down next weekend.
01:06:22Isn't this something new?
01:06:23You're coming in from school every weekend?
01:06:26As long as you say I may.
01:06:28It's all right at school, you know.
01:06:31And Uncle Jimmy's going to take me to the matinee next Saturday.
01:06:35It's good of you, Jimmy, to drive her out to school.
01:06:38Oh, not at all.
01:06:39It's only a mile or so beyond the lodge.
01:06:41Lucky for me, we were going at the same time.
01:06:42We'll be seeing you next week.
01:06:44Yes, I'll telephone.
01:06:45Good.
01:06:45Goodbye.
01:06:47Goodbye, sweetie.
01:06:49Goodbye.
01:06:51Goodbye.
01:06:52Goodbye.
01:06:53Goodbye.
01:06:53Goodbye.
01:06:54Goodbye.
01:06:55Goodbye.
01:06:55Goodbye.
01:06:56Goodbye.
01:06:56Goodbye.
01:06:57Goodbye.
01:06:57Goodbye.
01:06:58Goodbye.
01:06:58Goodbye.
01:06:59Goodbye.
01:06:59Goodbye.
01:07:00Goodbye.
01:07:00Goodbye.
01:07:01Goodbye.
01:07:01Goodbye.
01:07:02Goodbye.
01:07:02Goodbye.
01:07:03Goodbye.
01:07:03Goodbye.
01:07:04Goodbye.
01:07:04Goodbye.
01:07:05Goodbye.
01:07:05Goodbye.
01:07:06Goodbye.
01:07:06Goodbye.
01:07:07Goodbye.
01:07:07Goodbye.
01:07:08Goodbye.
01:07:08Goodbye.
01:07:09Goodbye.
01:07:09Goodbye.
01:07:10Goodbye.
01:07:11Goodbye.
01:07:12Goodbye.
01:07:13Goodbye.
01:07:14Goodbye.
01:07:15Goodbye.
01:07:16Goodbye.
01:07:17Goodbye.
01:07:18Come back in a couple of hours, will you, Mike?
01:07:41Yes, sir.
01:07:42All right.
01:07:48Oh, my, but it's lovely here.
01:08:02Like it?
01:08:03Mm-hmm.
01:08:04Oh, I'm cold.
01:08:05There.
01:08:06Now, you come on and sit by the fire.
01:08:13First of all, I'm going to take off your coat.
01:08:15And now the hat.
01:08:19Thanks.
01:08:20Now, you sit down here and make yourself comfortable.
01:08:24I'll take off your galoshes.
01:08:26It's sure it's cold out, isn't it?
01:08:29Mm-hmm.
01:08:30There.
01:08:31Now, we've got to warm up those pretty little legs.
01:08:34I'll warm by the fire.
01:08:36Huh?
01:08:37Hello?
01:08:38Oh, this is Mike, Miss Millie.
01:08:40Yeah.
01:08:41Say, maybe I'm talking out of turn, but I just felt I had to tell you this.
01:08:46But listen, if it gets past you, it's going to cost me my job.
01:08:50Well, I picked up your daughter with Damien and I had her home.
01:08:54But Mike, he was taking you to school, wasn't he?
01:08:56Well, he didn't take her to school.
01:08:58He stopped off at his lodge up in the country instead.
01:09:01Yeah, they're there now.
01:09:03The kids seem to think it was just a lark.
01:09:06They're present.
01:09:07Hello?
01:09:08Hello?
01:09:09Hello?
01:09:10Hello?
01:09:11Hello?
01:09:12Hello?
01:09:13Hello?
01:09:14Hello!
01:09:17Hello?
01:09:21I think I can talk your grandmother out of her objections if you'll just have patience.
01:09:47Oh, I'm crazy to get started.
01:09:49Are you?
01:09:50I've always wanted to be an actress, ever since I was a baby.
01:09:54Well, I think you're quite old enough to do as you please now.
01:09:58Oh, you're a piece to say that, Uncle Jimmy.
01:10:00Am I?
01:10:08Driver, driver, put it up to $60.
01:10:11I'll give you $50 if you put it up to $60 and keep it there.
01:10:15$50 and keep it there.
01:10:20It's great to be here talking about my career.
01:10:23Instead of fooling around with the girls at school.
01:10:26Yeah.
01:10:27Yeah, not quite so conventional, huh?
01:10:30Well, if I'm going to have an art career, I certainly can't be bothered about conventions.
01:10:35Certainly not.
01:10:36But I hope your grandmother won't mind.
01:10:39My being here?
01:10:40Yes.
01:10:41I suppose she would.
01:10:42Yeah, I suppose so.
01:10:43Yeah, not so good, huh?
01:10:44Well, you know that my preparing for the stage is a secret.
01:10:46And that my being here is part of that.
01:10:48So, I don't think it's necessary to mention it.
01:10:49I don't think so either.
01:10:50Will you have a little more cider?
01:10:51Do you think I'd better?
01:10:52Oh, it can't possibly hurt you.
01:10:53There.
01:10:55It tickles my nose.
01:10:56Does it?
01:10:57But I like it.
01:10:58Do you?
01:10:59Well, have some more.
01:11:00Have some more cider.
01:11:01Do you think I'd better?
01:11:02Oh, it can't possibly hurt you.
01:11:03There.
01:11:05It tickles my nose.
01:11:06Does it?
01:11:07But I like it.
01:11:08Do you?
01:11:09Well, have some more.
01:11:10Don't slow down.
01:11:11Hurry.
01:11:12Hurry.
01:11:13All right.
01:11:14All right.
01:11:15All right.
01:11:16I always have such a good time when I'm with you, Uncle Jimmy.
01:11:19Yeah, well, now suppose we forget the uncle part of it, right?
01:11:22Well, let's go.
01:11:23Let's go.
01:11:24Let's go.
01:11:25Let's go.
01:11:26Let's go.
01:11:27Let's go.
01:11:28Let's go.
01:11:29Let's go.
01:11:30Let's go.
01:11:31Let's go.
01:11:32Let's go.
01:11:33Let's go.
01:11:34Let's go.
01:11:35Let's go.
01:11:36Let's go.
01:11:37Let's go.
01:11:38Let's go.
01:11:40Let's go.
01:11:41Let's go.
01:11:42Let's go.
01:11:43Let's go.
01:11:44Let's go.
01:11:45Let's get the uncle part of it for just now.
01:11:47And, and you call me Jimmy.
01:11:48All right.
01:11:49Jimmy.
01:11:50All right.
01:11:51And just for that, I'm going to show you something.
01:12:04There.
01:12:05Oh.
01:12:06Oh how gorgeous.
01:12:08Can I just slip that mandarin coat on you?
01:12:11May I?
01:12:11Yes, indeed.
01:12:14Would you please step on it?
01:12:18It's not far from us.
01:12:19Please, hurry, hurry.
01:12:22Let me see it.
01:12:25And if it matches your beauty, it's yours.
01:12:29It does.
01:12:30Really?
01:12:32Oh, Jimmy.
01:12:35Oh, Jimmy.
01:12:37You're the most wonderful man in the world.
01:12:50You're the most beautiful girl I ever saw.
01:13:07You're the most beautiful man in the world.
01:13:16Someone coming, you better go upstairs.
01:13:18Oh, but I want to go out.
01:13:19Go upstairs.
01:13:21Hurry up now.
01:13:21Go in that room.
01:13:28Let me in.
01:13:29Jim, it's Millie. Let me in.
01:13:43Hello, Millie. What do you want?
01:13:50Say, what do you mean, breaking in here like this?
01:13:51You dirty swine after all your promises.
01:13:54Where's my little girl?
01:13:55Well, how do I know? She isn't here.
01:13:56No?
01:13:57No.
01:13:57Well, I'm going to go see.
01:13:58You're going to do nothing of my kind.
01:13:59Please, don't.
01:14:00Give me a hand, you have my little girl.
01:14:02No, no.
01:14:03Just don't.
01:14:05Nothing of my kind.
01:14:06Get on to her.
01:14:07Come on.
01:14:08Help me!
01:14:08Help me!
01:14:11Mother!
01:14:11I knew it!
01:14:12Look out, Millie. What are you doing?
01:14:13I warned you, you creep.
01:14:14Oh!
01:14:15Oh!
01:14:16Oh!
01:14:17Oh!
01:14:18Oh!
01:14:19Oh!
01:14:20Oh!
01:14:21Oh!
01:14:22Oh!
01:14:23Oh!
01:14:24Oh!
01:14:25Oh!
01:14:26Oh!
01:14:27Oh!
01:14:28Oh!
01:14:29Oh!
01:14:30Oh!
01:14:31Oh!
01:14:32Oh!
01:14:33Oh!
01:14:34Oh!
01:14:35Oh!
01:14:36Oh!
01:14:37Oh!
01:14:38Oh!
01:14:39Oh!
01:14:40Oh!
01:14:41Oh!
01:15:08Oh!
01:15:09Oh!
01:15:10Do you hear this unknown woman leave the house?
01:15:14I... I don't know.
01:15:16You will answer yes or no.
01:15:18I don't know, I said.
01:15:20Miss Blake, you've already testified that you heard a woman leave the house just after the shot was fired.
01:15:26Now, weren't you interested in seeing who this person was who might have been a witness to the shooting?
01:15:33Donald Fitt.
01:15:34Why not? Because you already knew?
01:15:36Your Honor, I object.
01:15:39Objection sustained.
01:15:46What were you doing when you thought you heard this woman leave the house?
01:15:52I can't remember.
01:15:55Miss Blake, you received a long distance telephone call from a new Rochelle pay station.
01:16:01Didn't you?
01:16:03I don't know where it came from.
01:16:05Who telephoned?
01:16:07I don't know.
01:16:09What did that person tell you?
01:16:12I can't remember.
01:16:14She can't remember.
01:16:18Didn't they tell you that Demir had another woman at his lodge and didn't you, enraged by jealousy, go out there and shoot him?
01:16:27Framing in any way you like.
01:16:30I don't know what I'm up here for anyway.
01:16:32Your Honor, there's no need for any further questions.
01:16:36Miss Blake, don't you realize that by refusing to answer, you were placing yourself in a very serious position?
01:16:46I can't quite see why this defendant was placed on the stand.
01:16:52Your Honor, the defendant refused to confide in me.
01:16:55I hope that by placing him on the stand, I might get some enlightenment myself.
01:16:57Any further questions?
01:16:59No.
01:17:00Excuse me.
01:17:02Court is now adjourned until two o'clock.
01:17:06Court is now adjourned until two o'clock.
01:17:14Court is now adjourned until two o'clock.
01:17:16Court is now adjourned until two o'clock.
01:17:20Here comes old Fallon.
01:17:22Hello, boy.
01:17:24Well, Bob, what do you think?
01:17:26We've just got one chance.
01:17:27We've got to play it hard.
01:17:28How's Millie?
01:17:29Same as ever.
01:17:30Won't budge an inch.
01:17:31Her silence has put her in a tough spot.
01:17:33Gee, we've got to put this thing over.
01:17:34You fellas got to stay on the job.
01:17:35I'll do my part.
01:17:36Pipe down, fellas.
01:17:37Here's the D.A.
01:17:38Hello, Frank.
01:17:39Hello, Steve.
01:17:40Give me a good cigar.
01:17:41I'll do my part.
01:17:42Pipe down, fellas.
01:17:43Here's the D.A.
01:17:44Hello, Frank.
01:17:45Hello, Steve.
01:17:46Give me a good cigar.
01:17:47I'll do my part.
01:17:48Pipe down, fellas.
01:17:49Here's the D.A.
01:17:50Hello, Frank.
01:17:51Hello, Steve.
01:17:52Give me a good cigar.
01:17:54You boys do a little more work on him.
01:17:57We've got to keep him thinking our way.
01:17:59But don't overdo it.
01:18:05Hi, Henry.
01:18:06Hi, D.A.
01:18:07Hi, T.
01:18:09Well, hello, boys.
01:18:11Well, how'd you like it this morning?
01:18:13Oh, you got the case all sewed up.
01:18:15I'll say we have.
01:18:16I was just saying,
01:18:17you've proved the clearest case of jealousy
01:18:19I've ever heard of.
01:18:20Jealousy was the motive, all right.
01:18:22I proved that beyond a doubt.
01:18:24How's this?
01:18:25Pointing an accusing finger at the attorney for defense,
01:18:28the orator's voice rang out like a pistol shot.
01:18:31Cherchez La Femme, he cried.
01:18:34Find the woman.
01:18:36Is that a headline, or ain't it?
01:18:38It is.
01:18:39Cherchez La Femme.
01:18:41No, I think I'd better say it in plain English.
01:18:44Find the woman.
01:18:45Well, I'll use the French in the paper.
01:18:47You know, it kind of gives it more class.
01:18:49Well, that won't be bad.
01:18:51Sure, we're gonna have a big afternoon.
01:18:53Say, this little town will be on the map for a while anyhow.
01:18:56If you tried this case in New York,
01:18:58you'd be the next governor.
01:19:00Well, thanks, gentlemen.
01:19:02Well, now if you'll excuse me,
01:19:04I've got to get back to the court house.
01:19:06Don't forget to hear my summarization this afternoon.
01:19:08We'll be right there.
01:19:11We'll be right there.
01:19:16Friendly, I only hope we can put this over.
01:19:18Oh, boy, so do I.
01:19:21Oh, Mike.
01:19:22Where's Tommy Rock?
01:19:23He's right there.
01:19:27Hello, Mike.
01:19:28What are you doing here?
01:19:29Say, what's the idea?
01:19:30What do you mean?
01:19:31Well, I don't like the looks of this thing,
01:19:32and from now on, you can count me out.
01:19:34Now, wait a minute, Mike.
01:19:35You gave us your word you'd keep out of town
01:19:37until the trial was over.
01:19:38Yeah.
01:19:39That was because you guys still would help Millie.
01:19:41Well, it hasn't done any good so far.
01:19:43And I'm going to the district attorney.
01:19:45Now, listen, Mike.
01:19:46You can't do that.
01:19:47Well, we're all for Millie.
01:19:48You know that.
01:19:49Well, I'm not so sure.
01:19:50But you've got to believe us.
01:19:51Now, they've got us almost licked.
01:19:52We've got just the one chance.
01:19:54And you're not going to spoil everything, are you?
01:19:56Are you?
01:19:57Well, I don't know.
01:19:58The way things have been handled,
01:20:00it all looks a kind of screwy to me.
01:20:02Ah, wait a minute, Mike.
01:20:04What's the matter with you?
01:20:05Yes, Millie, you know that.
01:20:08Who was this other woman?
01:20:10Who was there with Damier at the time?
01:20:13Isn't it reasonable to suppose
01:20:15that she was the one who took the place of the defendant?
01:20:18Who, faded by a life of dissipation,
01:20:22had been discarded from Damier's affections?
01:20:25She won't tell you why she took that long ride
01:20:28in the middle of the night with a gun in her hand
01:20:30to shoot down a man in cold blood?
01:20:33But isn't it clear to you?
01:20:35Her motive was jealousy.
01:20:37And what right had such a defendant,
01:20:40even to the privilege of jealousy?
01:20:42Why, there's no palliation.
01:20:44No one distraught with grief
01:20:46and an overwhelming sense of injury committed this crime.
01:20:50And if this isn't so, why doesn't the defendant
01:20:53produce the other woman?
01:20:55Find that other woman.
01:20:57Let her come here if she can and tell us otherwise.
01:21:00Mother!
01:21:01Mother!
01:21:02Oh!
01:21:05Connie!
01:21:07Go away, Connie!
01:21:08No, Mother, I'm going to tell you, please.
01:21:10No, Connie, no, you shouldn't have come.
01:21:12Please don't listen to me.
01:21:14Please, Mother, please.
01:21:16Oh, my baby.
01:21:18Oh, Connie, why did you come?
01:21:21My mother, did you think I wouldn't come?
01:21:23Your Honor, what does this mean?
01:21:25It means, Your Honor,
01:21:26we're going to place this young girl on the stand.
01:21:28The unknown woman.
01:21:30The daughter of this defendant.
01:21:32But, Your Honor...
01:21:33We mean, Your Honor,
01:21:34to prove that Millicent Blake
01:21:35went to the lodge that night
01:21:36and shot Jimmy Damier.
01:21:38Not from jealousy,
01:21:40but to rescue her innocent 16-year-old daughter
01:21:43from this blackguard
01:21:45who had lured her there under such circumstances
01:21:47that the shooting was justified.
01:21:49I won't let you!
01:21:50I won't let you!
01:21:51Your Honor, this is most unethical.
01:21:52Order!
01:21:53Order!
01:21:54Baby, no!
01:21:55We're in the witness.
01:21:56Order!
01:21:57Order!
01:21:58I guess we fixed them.
01:22:02Take a look at the jury.
01:22:03Take a look at old Santa Claus.
01:22:04Saunders.
01:22:05Sure c'est la femme.
01:22:06Do you fellows pull this frame up?
01:22:07We just couldn't bear
01:22:08let the government get out of Manhattan.
01:22:09Do you solemnly swear
01:22:10that the evidence you give in this case
01:22:11to be the truth,
01:22:12the whole truth,
01:22:13and nothing but the truth,
01:22:14so help you God?
01:22:15Yes, sir.
01:22:16What is your name, my dear?
01:22:17Constance Maitland.
01:22:18Is that lady your mother?
01:22:19Yes, sir.
01:22:25What is your name, my dear?
01:22:26Constance Maitland.
01:22:27Is that lady your mother?
01:22:29Yes, sir.
01:22:30Then juror number nine said that he'd have shot anyone
01:22:32that tried to make an actress out of his daughter.
01:22:35But that kid putting her on her
01:22:37and giving her a job,
01:22:39that kid is putting her on her.
01:22:40He said that kid,
01:22:41that kid,
01:22:42that kid,
01:22:43that kid,
01:22:45that kid,
01:22:46that kid,
01:22:47that kid,
01:22:48that kid,
01:22:49that kid,
01:22:50that kid!
01:22:51Well,
01:22:53I don't know.
01:22:54Well,
01:22:55I don't know.
01:22:56I don't know.
01:22:57but that kid putting her arms around her mother's neck
01:23:01was the most beautiful sight I've ever seen.
01:23:04I hope she keeps them there.
01:23:06It'll be good for both of them.
01:23:08You driving Millie back to New York, Tommy?
01:23:12Me?
01:23:13What gave you that idea?
01:23:16I don't know. I was just wondering.
01:23:18Here they come.
01:23:27I don't know.
01:23:35Old Lady Maitland suddenly stuck by her.
01:23:38Well, so have a couple of other people.
01:23:41It looks like Millie's going back home.
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