- 2 days ago
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01:54yourself or I'll come along a chaperone. Oh, why don't you, Paula? Go ahead, Paula. If you'd swing
01:58on a chandelier once in your life, maybe you'd forget this trip to the islands. Oh, don't be
02:02silly, Burton. I've got my work to do. Oh, Paula. Goodbye, goodbye. Mm, me too? Oh, no. Thank you.
02:09Goodbye. Goodbye. Crazy youngsters. As one old gray beard to another, what do you do for your
02:19rheumatism? Burton, you came here only to settle my business. As your godfather, I have some rights,
02:24and you worry me, Paula. We'll stick to business. All right. All right. Here's a bill of sale for the
02:29house and furnishings. Sign here and here. Yes. Oh, by the way, will this forwarding address reach you
02:35all right? Just Miss Paula Kendall, care of American Medical Research, Haiti? Yes, that'll reach me.
02:40Over and above traveling expenses, you have 5,000 left. I'll draw on that as I need it.
02:49Well, who's the lady? Oh, that's my little Paula. And Paula, this is, uh, what's your name?
03:10McMaster's. I never heard of you. Stop it. Stop it. Time you two were in bed. Why, Paula.
03:18Oh, uh, well, I didn't meet... Come here. Come here. Now, you'll just have to go. That's all
03:24there is to it, mister. Please. Well, where'd the man go? Nice man. Where's the nice man?
03:31Oh, Clarice. Come on, nice man. Come on. What is it with me, Paula? Every time I meet a nice
03:38man, woof, he disappears. Now, Clarice, where have you been? Look, I brought you something.
03:44See? Thank you. Now, baby, are you sure you didn't get in any trouble? Oh, no, no, no trouble.
03:51First, we all went to the ogle floor. We all went to the ogle floor for supper. Yes. And then
03:57we got dancing at the bell tavern. And then we got married. And then we all went for breakfast.
04:01What did you say? And then we all went for breakfast. No, before that. We got married.
04:05Oh, Clarice, you are married. I know. Right before breakfast. Clarice, you were married
04:11six months ago in New York. Don't you remember Mr. Michael Andrews? Where's Mike? I want to
04:17talk to Mike. I'm taking you out of the country to get you away from me. Now, you sit up here.
04:21You know, all this young ain't helped me get to sleep any faster, Paula. I'm tired.
04:26Oh, Clarice, this is bigamy. Was it that, uh, that Mr. McMasters?
04:30Mr. McM... what? Oh, no, no.
04:33Oh. Well, who was it? Who do you think? Who do you think, Paula? A millionaire. A millionaire.
04:40Clarice. Oh, Clarice. Oh, dear.
04:55Uh, Mr. Williams, please. Oh, Burton. Paula. What can they do to a bigamist? A bigamist?
05:01Well, can they send her to jail? Not more than ten years. Oh, Burton, you've got to come
05:08over here right away. Well, it's just around the corner. Can't you run? Rush! Hurry!
05:14Paula. Paula.
05:16Paula.
05:17Paula.
05:22Miss Kendall, please. I'm Miss Kendall. Indeed. You look surprisingly well for the morning
05:27after a mardi gras. What's that? I beg your pardon. My name's Howells. I represent the man you married
05:32last night.
05:33I'm afraid there must be some mistake. Exactly the way I feel about it. That's why I'm here.
05:45Oh, Mr. Howells, please take this chair. Thank you. Uh, where is that, uh, uh, Mr., um, what is his name?
05:53Your husband's name, young lady, is Stephen Cormac. You don't mean Stephen D. Cormac.
05:58Stephen Dorchester Cormac. He left an hour ago on his yacht for Valparaiso.
06:01Oh, but he can't. I've got to talk to him. Doesn't he realize what happened?
06:05I'm here to handle the matter for him. Oh, but you can't. He's the only one that can do anything.
06:10Miss Kendall, I've been handling Mr. Cormac's mistakes for years, ever since his wife died.
06:15I believe I'm competent. In the case of the usual broken heart, I'm accustomed to paying $3,000.
06:21Since this is marriage, I'm willing to go to five.
06:25You can have your check immediately, and I'll handle the divorce.
06:28Divorce?
06:29Why, yes. We're ready to let you sue on the grounds of desertion.
06:32We believe that would be the fairest way to handle the matter.
06:35All right. Excuse me.
06:45Come on.
06:55Burton, this is Mr. Howell. He's ready to arrange a divorce.
06:58How dare you? How dare I what?
07:00Burton!
07:01You don't know who you're dealing with, my man. Miss Kendall is a lady.
07:04She married her husband because she loves him, and didn't you?
07:06Well, you know perfectly well that I...
07:08Why, of course I do.
07:09What do you mean by trying to buy her a good name? To break up her marriage?
07:13Why, it's insulting. If I were 20 years young...
07:16Burton, stop it. You know this is the only way out.
07:18No, my dear. I can't allow you to sacrifice yourself. I have a feeling...
07:21Please.
07:22I have nothing more to say to you.
07:23Well, that's a relief.
07:27You have my offer.
07:28When you will see me again without this belligerent little gentleman,
07:32I shall be waiting at the ambassador, Miss Kendall.
07:34Mrs. Cormack.
07:36Well, now you've done it.
07:37Yeah, haven't I?
07:38And just in the nick of time.
07:39Did he see Clarice?
07:40No.
07:41Then give me a hand. We've got to get her out of here.
07:42Burton, have you gone mad? Howells is ready to give us a divorce.
07:44Not if I can help it.
07:45Suing for divorce is the surest way of sending Clarice to prison.
07:46Why?
07:47Clarice has committed a crime. She's married two men. One, two.
07:51We can't touch last night's marriage because that would show her to be a bigamist.
07:54Then off she'd go for ten long years.
07:55Then what can we do?
07:56Get hold of husband number one, Michael Andrews.
07:58We've got to get that marriage annulled. Do you understand?
07:59I'm beginning to.
08:00Then help me get her on her feet down to the boat and out of the country.
08:02Okay.
08:03Yes, I'm getting tired.
08:04I'm getting tired.
08:05I'm getting tired.
08:06Are you ready to go out of the country?
08:07I'm getting tired.
08:08I'm getting tired.
08:09I'm getting tired.
08:10I'm getting tired.
08:11I'm getting tired.
08:12I'm getting tired.
08:13It's a little bit tired.
08:14I'm getting tired.
08:15I'm getting tired.
08:16I'm getting tired.
08:17I'm getting tired.
08:18and out of the country.
08:22Burton, she can't leave the country.
08:24Howells will get suspicious.
08:26No, that's our only piece of luck.
08:28He thinks you're the one that married Cormac.
08:30You'll stay behind.
08:31Oh.
08:34Burton, you're not asking me to act as that man's wife.
08:38You'll have to.
08:38I can't.
08:40I don't know how.
08:41Well, it won't take any experience, Paula.
08:43He's out of the country.
08:44You'll never see him.
08:45Well, even so, I...
08:46Oh, I...
08:47Do you want to see this child go to jail?
08:49No.
08:50Well, then get her bags.
08:51Call a taxi.
08:54Mr. Young, stop flirting with me.
08:56I'm going to call a cop.
08:57Oh, no cop.
08:58I'll get a taxi.
08:59You remember Uncle Burton, don't you?
09:01Yeah.
09:12Now, my dear.
09:12Well, she's gone.
09:14For the time being, she's safe.
09:15Now, who are you?
09:15Why, I'm...
09:17You're a Clarice.
09:18You're very gay.
09:19You want to dress like her.
09:21Come now, what else?
09:22Well, I'm going to call Mr. Howells, and I'm going to tell him I'm ready to take my place
09:25in the Cormac home and be a model wife.
09:29You're going to do everything you can to prevent them from starting a divorce.
09:33That would be fatal.
09:34Yes, but how far is Valparaiso?
09:36Now, don't worry about Cormac.
09:38Before he even thinks of returning, I'll get hold of Andrews, and we'll have our annulment.
09:42Yes, but are you sure that you're positive you can get it?
09:45For any one of a number of good reasons.
09:47Andrews may be slightly colored or insane.
09:49But he isn't.
09:50Well, then, we'll pay him to write a letter that will serve as evidence that the marriage
09:54was a fraud.
09:55That doesn't sound quite within the law.
09:57It isn't.
09:58Neither is posing as Mrs. Cormac.
10:00But that's just what you're going to do.
10:01Oh.
10:06Now, Paula, make that call.
10:08Burton, you're a very dishonest old gentleman.
10:11Paula, you're practically an adventurous.
10:13Oh, dear.
10:13Ambassador will tell.
10:22Yes?
10:23Miss Kendall?
10:24I beg your pardon.
10:25Mrs. Cormac.
10:27Are you ready to accept my proposition?
10:29I insist on taking my position as Mrs. Cormac.
10:32You intend to take up your residence in the Long Island home?
10:36Very well.
10:37Then let me tell you something.
10:40No.
10:42How many?
10:43Nevertheless, when you're ready to take me home, I'm ready to go.
10:49Atta girl, Paula.
10:50I'm the mother of two children.
10:55Alfred.
10:58The children I was telling you about.
11:00Patricia, Henry, this is your new mother.
11:03How do you do?
11:04We're going to be good friends, aren't we?
11:06No.
11:06No.
11:08Well, uh...
11:10Alfred, what is this?
11:12Excuse me, sir, but we were just preparing a reception for Mrs. Cormac, so to speak.
11:19Oh, please don't bother.
11:20I don't want you to make a fuss over me.
11:22No, ma'am.
11:23We won't.
11:24That's right.
11:24I just want to take things as they come.
11:26No, ma'am.
11:27We won't let you do that either.
11:28We're not going to let you take a thing.
11:30So you can get right out and start looking for some other poor old man to be fuddled.
11:34What's that?
11:35Try moving into someone else, move out with his bankroll.
11:37But you won't do it here.
11:39Why, you...
11:39Why, you...
11:41Here we are.
12:02Blackjack.
12:03In my opinion, the finest two-year-old in the country.
12:05I don't want your opinion on horses.
12:07I want your help for Clarice.
12:09Let's stick to the point.
12:10I'm right on the point, Mr. Williams.
12:12You see, this year Blackjack will be carrying all the smart money, of which, personally, I haven't any.
12:18Oh, pardon me.
12:19We're perfectly willing to pay you.
12:21$1,000?
12:23Pardon you?
12:23I adore you.
12:24It's going to be a pleasure to help Clarice.
12:26Now, what was it you wanted me to do?
12:28Just write that letter.
12:29Date it before your marriage.
12:37Tell her you're a duke and willing to throw your entire fortune at her feet.
12:41Funny, I might have told her that very thing, too.
12:44By the way, who did you say she married?
12:45Stephen Cormac.
12:47Dee?
12:47Dee.
12:48And if accepted her sister Paula into the court...
12:50I don't count on that much longer.
12:51The children resent her.
12:53They'd do anything to get her out of the house.
12:55It's going to be a great pleasure to help Clarice.
12:58But do, what about the letter?
13:04I'm going to get Paula a letter personally.
13:06But the money's right here.
13:08You want to bet on that horse, don't you?
13:10Bet on it, Mr. Williams?
13:11I'm going to buy it.
13:16I beg your pardon.
13:17I would like to see Master Henry and Mrs. Patricia, please.
13:20Hello.
13:22Do you mean us?
13:23I do.
13:25May I see you in private, please?
13:27Huh.
13:28Sure.
13:28Come on in.
13:30Never mind.
13:30I won't be long.
13:37Michael D...
13:39Dimitri.
13:41Andrews.
13:42I've come to warn you.
13:43What?
13:44Shh.
13:45You have a leech in this house.
13:47A viper.
13:47A scorpion.
13:48You from the exterminating company?
13:50Of course not.
13:52I'm talking about that woman your father married.
13:53She stinks.
13:54Before she wrecks your life as she wrecked mine.
13:57Get rid of her.
13:58Good day.
13:58Hey, wait a minute.
13:59One second.
14:00Do you know her?
14:01No.
14:01Why?
14:03She was dazzled by me.
14:04She followed me to the Alps, to the Riviera, to the Monte Carlo.
14:06So, she would still be following me?
14:08No.
14:09You mean it?
14:10But she took every penny I had.
14:12She'll be avoiding you, too.
14:14Get rid of her.
14:15Good day.
14:16Don't go.
14:16Look.
14:17We can't get rid of her.
14:18But you can help us, Mr. Andrews.
14:20You said she followed you.
14:22If I wished it, one snap of my fingers and she'd come running like a little poodle.
14:26Would you consider snapping them just to help us out?
14:30I never wish to see that lady again.
14:32Good day.
14:33We're willing to pay you.
14:34What, then?
14:34Don't be offended, Mr. Andrews.
14:36He didn't mean it.
14:37Oh, I just thought he might get her out of the house.
14:39We couldn't expect him to do it for nothing.
14:42Could we?
14:42I could never do such a thing for pay.
14:44No, of course not.
14:45Certainly not.
14:46I would do it only for revenge, Ann, perhaps, to get back what the lady took from me.
14:50We'll give it to you.
14:51Every penny of it.
14:52The $30,000, my dear children, they are the least.
14:55$30,000?
14:57I don't think we could give you that much.
15:00Young man, same with me.
15:03I don't think I could ever face her again.
15:05Good day.
15:06Oh, well, we'll get the money.
15:09That is, if you're sure, you can dazzle her.
15:11Is she different from any other woman?
15:12I dazzle them all.
15:14No.
15:14Oh, Pat, do you feel it?
15:17Huh?
15:18Yes, I think I do a little.
15:21But don't go by me.
15:23We can go by the lady herself.
15:24Just tell her that Michael, give me three Andrews is here.
15:26She'll rush down, and I'll give you whatever proof you want.
15:29If you'd hold her hand, that'd be something.
15:31I shall hold the lady's hand.
15:33And pinch her cheek.
15:37Um, would you sort of put your arm around her and whisper her in her ear?
15:41I should even kiss the tips of her fingers, all five of them.
15:44That is, if it's a deal.
15:45It's a deal.
15:47If you can do it, we'll get the money.
15:49Send for her.
15:51Uh, Alfred?
15:52Yes, sir?
15:53Oh.
15:54Oh.
15:55There's a Mr. Michael Dimitri.
15:57I understand, sir.
15:58Hmm.
15:59Is there some way you can watch?
16:01In the dining room, sir.
16:02Oh, I beg your pardon.
16:04He's right.
16:05Come on, and we'll show you.
16:06Mr. Andrews, if you've come to give me the letter, where is it?
16:31Mr. Andrews, you promised me that letter.
16:32You need $30,000 to buy a horse?
16:40It's an out-and-out steed.
16:42Oh, Mr. Andrews, what has Clarice got to do with the horse?
16:51I won't let you swindle those children.
16:53Look, look, look, look, they're watching us from the dining room.
16:56I don't care.
16:56I won't let you swindle those children.
17:00If you do as I tell you, I'll get my horse, you'll get the letter, the kid will get rid of you.
17:04I won't do it.
17:05Oh?
17:06Oh.
17:07You won't do it, and Clarice will get 10 years.
17:10Oh.
17:12I'm smiling.
17:13Uh-huh.
17:13That's better.
17:14That's much better.
17:15Now, come on, loosen up.
17:20Hey.
17:21Hey.
17:21Hey.
17:21Hey.
17:22Hey.
17:22Hey.
17:22Hey.
17:23Hey.
17:23Hey.
17:24Hey.
17:25Hey.
17:25Hey.
17:26Hey.
17:26Hey.
17:29Well, was I convincing?
17:31It was elegant, but...
17:33Oh, a credit?
17:34No, it's just the money.
17:36There'll be a slight delay.
17:38Oh, don't let that worry you, my dear children.
17:40Just let me have half tonight, the rest can wait.
17:42Five or six years?
17:43You see, we'll have to pay you out of our allowance.
17:46I didn't ask for a pension.
17:49I leave you with your new mother.
17:52Oh, uh...
17:53I'm sick about this, Mr. Andrews, but we'll find a way.
17:56We'll do anything.
17:57Why, Mr. Andrews, still here?
17:58Yes, uh, we've introduced ourselves, and from what your little daughter tells me, I'm afraid
18:01our dinner engagement is off.
18:02It's nothing.
18:03Nothing serious.
18:04As long as little Patricia is so ill, I wouldn't consider taking her mother out of the house.
18:09I think she understands.
18:10Oh, wait a second.
18:11Don't go!
18:12Mr. Andrews, conditions might improve.
18:13Mrs. Cormack, for the sake of us all.
18:16Now, children.
18:17I'm sorry about that.
18:18Well, that's all right.
18:19Let's try being friends.
18:20If it's advice or sympathy you need, or a shoulder to cry on, well...
18:26Here it is.
18:27Thanks, lady, but you can keep your shoulder.
18:28Be a little more considerate, young man.
18:29I was just trying to help your sister.
18:30She's not feeling very well.
18:31You needn't bother.
18:32If nothing money won't cure.
18:33Money?
18:34Money.
18:35Well, there are all sorts of ways of getting money, if it's for a good cause.
18:36It's for a good cause.
18:37Yes, I'm sorry.
18:38I'm sorry about that.
18:39I'm sorry about that.
18:40Well, that's all right.
18:41Let's try being friends.
18:42If it's advice or sympathy you need, or a shoulder to cry on, well...
18:44Here it is.
18:45Thanks, lady, but you can keep your shoulder.
18:46Be a little more considerate, young man.
18:48I was just trying to help your sister.
18:50She's not feeling very well.
18:51You needn't bother.
18:52If nothing, money won't cure.
18:54Money?
18:55Money.
18:56Well, there are all sorts of ways of getting money, if it's for a good cause.
19:00It's for a good cause, all right.
19:02A very, very good cause.
19:03A downright crusade, that's what.
19:05Well, then, by all means, let me join up.
19:07And I'll help you get it.
19:08Can you?
19:09If we stick together...
19:10We'll stick closer and gum, lady.
19:12That is, until we get the dough.
19:14Then it's simply a matter of liquidating your assets.
19:17Our what?
19:18Both furs, jewelry, cars.
19:21That's $10,123.32.
19:24Well, that's a start.
19:26What do you mean, a start?
19:28We've sold everything we've got.
19:30Except a couple of old ginger ale bottles.
19:32Oh, my, oh, my.
19:33What have you got to my, oh, my about?
19:36You haven't given up anything.
19:37I know, but...
19:38Well, I'm as worried as if I were in trouble myself.
19:41Haven't you any old emeralds or something?
19:44I'm afraid that you...
19:45If we had half that money by tonight, I know I'll get the rest of it.
19:48You do?
19:49I'll look around and see if I can't find an emerald.
19:53Stop here, please.
19:58I'll get that money and be right home.
20:00If she gets that money, she won't have any home.
20:03If.
20:04All right, driver.
20:07Hey!
20:10Well?
20:11What happened?
20:12Well, I was walking down Fifth Avenue, and there in the gutter, what do you think?
20:15An emerald.
20:16No!
20:17Let's see.
20:18Wow!
20:19We oughta thought of looking in the gutter.
20:21Oh, she's only kidding, aren't ya?
20:22Sure, she got this from Burton Williams.
20:25Who's he?
20:26Oh, um, he...
20:27Well, he's just a man over at the American Security Bank.
20:30I borrowed the money in your name.
20:32Gee, thanks, Mrs. Er...
20:34Thanks a lot, lady.
20:35That's all right.
20:36Were there any messages for me?
20:38No, I don't...
20:39Sure, Mr. Andrews called.
20:40Everything's all right now.
20:41He's coming over to take you to dinner.
20:43Oh, I'd better rush.
20:45Good evening.
20:46Oh, hello.
20:47Come in.
20:48We wanna see you.
20:49Patricia.
20:50I'm so happy to hear you've gotten over your illness.
20:51Every penny of it.
20:52Fifteen thousand, correct?
20:53Mr. Andrews, how long do you think it will be before, you know, you snap your fingers?
20:56We don't want to rush you any, but we can have the rest of the money in two or three days.
20:58Uh, two or three?
20:59Just let me see.
21:00Today she's weakening.
21:01Tomorrow she'll be anxious.
21:02Perfect.
21:03In three days she'll be willing to follow me to the end of the earth.
21:04Hot diggity, right on schedule.
21:05Yes, but what are you going to do when you get her there?
21:06Drop her.
21:07Shh.
21:08Mr. Andrews, do your best to do your worst.
21:09The lady will come home completely dazzled.
21:10I don't want to rush you any, but we can have the rest of the money in two or three days.
21:12Uh, two or three?
21:13Just let me see.
21:14Today she's weakening.
21:15Tomorrow she'll be anxious.
21:16Perfect.
21:17In three days she'll be willing to follow me to the end of the earth.
21:20Hot diggity, right on schedule.
21:22Yes, but what are you going to do when you get her there?
21:26Drop her.
21:27Shh.
21:32Mr. Andrews, do your best to do your worst.
21:35The lady will come home completely dazzled.
21:45Dinner at the Rift, the Opera, and dancing at the Rainbow Room.
21:49Delightful.
21:52Come on.
22:00Shake.
22:01Not until she leaves for good I won't.
22:03What chance has she got?
22:04Papa will get our cable tonight and in 24 hours he'll be home and we'll have the rest of our money.
22:09Maybe.
22:10No maybe about it.
22:11Wait till he sees her with Andrews.
22:13Eating at the Rift, going to the Opera, dancing at the Rainbow Room.
22:16Dazzled.
22:22Hello, George.
22:23Hello, Mr. Cormack.
22:24The car is right over here, sir.
22:25That's the boy.
22:26Dave.
22:27Hello, Pa.
22:28Hello.
22:29Hello.
22:30Hello, Pat.
22:31Oh, we're glad to see you.
22:32Oh, wait a minute.
22:33What's all this affection?
22:34We've decided you're a man that needs help.
22:36Now what are you two politicians after?
22:37A new yacht?
22:38Or did you stumble across something in a store window?
22:39Oh, no.
22:40Don't get us wrong.
22:41It's that woman.
22:42Well, well, it's a pleasure to welcome you, sir.
22:43Thank you, Alfred.
22:44Is Mrs. Cormack home?
22:45Oh, yes, sir.
22:46She came in just half an hour ago.
22:47Well, will you tell her?
22:48Let me get her.
22:49Come on, Steve.
22:50Oh, here you are, Alfred.
22:51Yes, sir.
22:57Oh, Mrs. Cormack.
22:58Oh, Mrs. Cormack.
22:59Yes?
23:00There's a gentleman here to see you.
23:01Oh, tell Mr. Ernst.
23:02Oh, well, it's a pleasure to welcome you, sir.
23:03Well, it's a pleasure to welcome you, sir.
23:04Thank you, Alfred.
23:05Is Mrs. Cormack home?
23:06Oh, yes, sir.
23:07She came in just half an hour ago.
23:08Well, will you tell her?
23:09Let me get her.
23:10All right.
23:11Come on, Steve.
23:12Oh, here you are, Alfred.
23:13Yes, sir.
23:20Oh, Mrs. Cormack.
23:22Yes?
23:23There's a gentleman here to see you.
23:25Oh, tell Mr. Andrews.
23:27I'll be right down.
23:28Just as you say.
23:38Oh, Steve.
23:39Don't sit down.
23:40Stay on your toes.
23:41Yes, yes, of course.
23:46She'll be down in a jiffy.
23:49Let me help you.
23:55She's fainted.
24:10As gracefully as Pavlova.
24:12That was before your time.
24:16She's really very lovely.
24:23That's a beautiful mouth and those eyelashes.
24:29They're real.
24:31Well, aren't you going to do something?
24:33I should, shouldn't I?
24:34Get some help.
24:35Get some water.
24:37Get some water.
24:40Easy with enough.
24:53Hurry up for that water.
24:54We've got to bring her, too.
24:55Yes, by all means.
24:56I'd like to meet her.
24:57Say, Steve, didn't you meet her when you married her?
24:59Why, yes, of course.
25:01But I met so many people that night,
25:03it was all a little hasty and vague and hazy.
25:06Sounds like you got married in a fog.
25:08A high fog.
25:09They're bad in New Orleans.
25:20Hello.
25:21Hello.
25:22I'm Mr. Cormack.
25:23Oh, I'm...
25:24I'm...
25:25Mrs. Cormack?
25:26Yes.
25:27How do you do?
25:28How do you do?
25:29Silly of me to faint like that.
25:31Oh, it was beautiful to watch.
25:33I liked your eyelashes.
25:34They flutter.
25:35I don't think I ever fluttered before.
25:37You know as little about yourself as I do.
25:40I'm afraid, though.
25:41Maybe that's right.
25:42Well, then, let's both find out what you'll like.
25:44We'll...
25:45We'll go somewhere and have dinner, baby.
25:47She can't.
25:48She's got a date.
25:49Why, Patricia, what a silly notion.
25:51I can't spend the evening at home.
25:53You were going to sit around all night with your coat on?
25:56Oh, it was chilly.
25:57That's probably why I fainted.
25:59I'd better go up and rest.
26:01Yes, of course you're tired.
26:02I'll tell you what.
26:03I'll order dinner.
26:04And we'll have it together quietly in your room.
26:06We've got some important things for you to do.
26:08Since when do I have to do important things?
26:11Since we decided you're a helpless old man.
26:17Just forget that they ever said that.
26:20Go to bed.
26:21What?
26:22What?
26:23Run along, you're growing children.
26:24We're Cormack.
26:25And you said we've got to stick together.
26:26Yes, I know.
26:27We'll stick together some other time, but not now.
26:30Go ahead.
26:31Remember, it's the hours before 12 that count.
26:33Steve, we've got to talk to you alone.
26:35You don't know it's been going.
26:36Oh, this is no time for talk.
26:38It's your homecoming.
26:39It calls for celebration.
26:40You're tired.
26:41I'm fine.
26:42We celebrate.
26:43I'll rest.
26:44Won't be a minute.
26:45I want to speak to Mr. Andrews.
26:59We'd like to speak to Mr. Andrews.
27:00Mr. Michael Dimitri Andrews.
27:02Of course it's the same man.
27:05Get off the line.
27:06Hello.
27:07I've got...
27:08Get off the line, you!
27:09I've got to talk to Mr. Andrews.
27:11We've got to talk to Mr. Andrews.
27:13But who wants to speak to Mr. Andrews?
27:15I do.
27:16We do.
27:17Now look, we've been waiting here for over.
27:18Will you please get off the line?
27:20But he's left the hotel.
27:22Good.
27:23He's on his way up here now.
27:24How long ago did he leave?
27:25He left for Chicago.
27:27Chicago?
27:28Chicago.
27:29Oh, I know.
27:43I've got to talk to Mr. Andrews.
27:46Burton Williams, please.
27:47Oh, why must he be eating at a time like this?
27:50Don't tell me he was hungry.
27:52Well, do you know where he went?
27:55What restaurant?
27:56Have you the phone number?
27:58Well, do you know the address?
28:01Oh, just a minute.
28:03Fluttering and fainting.
28:05Why, she's got Steve half ruined already.
28:07He hasn't got our resistance.
28:09He's weak-minded.
28:10One look at Andrews.
28:15Would give your father strength.
28:16Unquestionably.
28:17But Andrews is gone.
28:19Oh, and it's me brother Lord Rogan.
28:21Him that's the private detective.
28:22What's the man to bring him back?
28:24Get Rogan.
28:25And until he finds Andrews,
28:26it's up to us to keep Steve from falling.
28:28If we have to hold him up with our bare hands.
28:30That's right.
28:31Supervisor, I'm not trying to be difficult.
28:33I merely asked information if...
28:35Well, never mind.
28:39I'm not upsetting any plans you've made.
28:42Oh, no.
28:43No.
28:44Where shall we die?
28:45The Ritz?
28:46Waldorf?
28:47Oh, I'd prefer...
28:48Layman's health food and vegetarian lunch.
29:09Table for two.
29:10Roll your own, mister.
29:12Oh, thank you.
29:14Excuse me, ma'am.
29:16For a cup of coffee,
29:17could I tell you fine upstanding citizens?
29:18One of the most remarkable incidents...
29:19Oh, no, please.
29:20Well, if you'd only bear with me for a few moments...
29:22Some other time.
29:27Burton.
29:28Here he is.
29:29Well, I guess she means me, Stephen Cormack.
29:32Oh, dear, dear, dear.
29:34Don't let me interrupt you, Mr...
29:36Burton Williams.
29:38Would you mind getting me something to eat?
29:40I'd like some steak, some potatoes,
29:42some chicken, a little turkey,
29:44some soup and dessert.
29:45I'll get a little of everything.
29:47Excuse me.
29:50Oh, Burton.
29:51Keep calm.
29:52You're doing fine.
29:53It's not how I'm doing.
29:54It's Andrew's.
29:55He's disappeared.
29:56Now, you keep calm, please.
29:57But he can't do that.
29:59I'll find him.
30:00I'll get him and bring him back here.
30:01Don't you be afraid.
30:02Well, it's not Andrew's I'm afraid of.
30:04Cormack?
30:05But he thinks you're his wife.
30:06We haven't a thing to worry us.
30:08We?
30:09Well, it'll only be for a week.
30:10A few days, maybe.
30:11Burton?
30:12Well, he won't know.
30:13I mean, you'll get used to it.
30:14You want me to get used to living in a house
30:16with a man who thinks he's my husband?
30:18No, no.
30:19That's impossible.
30:20Come on.
30:21Let him find out about Clarice.
30:22We'll run for him.
30:23Oh, no, we can't.
30:24Can't.
30:25Oh, then what?
30:26Burton, you've known me for a long time.
30:29Do you think I could take the chance?
30:32Well, you're practical, too.
30:34I am.
30:35I'm sensible and practical.
30:37Got a good level head on your shoulders?
30:39Yes, sir.
30:40Just hold tight.
30:41You'll win through.
30:42I'll hold tight.
30:43I'll win through.
30:44I'll do it.
30:45Chicken and turkey were made of spinach.
30:48So I bought hamburgers.
30:49They're made of vegetables.
30:51Nothing here is what it seems to be.
30:53Congratulations.
30:55I always hoped that some fine man would come along for this young lady.
30:58You're not going.
30:59Well, I have my work to do.
31:00And after all, your husband is your job.
31:02Oh, Burton.
31:03Goodbye.
31:04Goodbye.
31:05Goodbye.
31:06Goodbye.
31:07Goodbye.
31:08Goodbye.
31:09Thoughtful, Roger.
31:10Good night.
31:25Good night.
31:26Good night.
31:27Goodbye.
31:28Goodbye.
31:37Good night.
31:47Good night.
31:48Me.
32:49Yes, if you could shove this against there.
32:54That's easy.
33:00Like that?
33:02Yes, thank you.
33:04That'll do.
33:06Good night.
33:08Good night.
33:10Good night.
33:11Good night.
33:41Good night.
34:11It says the Isles of Greece are intoxicating.
34:14Old Normandy is quaint and the South Seas are glamorous.
34:18What do you think?
34:19I think Long Island is glamorous.
34:21Oh, but the place is infested with children.
34:25We can't be a real proper, respectable couple without a honeymoon.
34:28Oh, I can't go on a honeymoon with you.
34:31Oh, I can't very well go by myself.
34:34I'd be conspicuous.
34:35We can't leave here.
34:36There's your work.
34:37You've just settled out the plan.
34:39Put new life in the whole organization.
34:40Well, then, we'll combine business with pleasure.
34:43I'll put Cormick's patent letters on every barefoot native we meet.
34:47Come on, what do you say?
34:47When do we leave?
34:48No.
34:49Why?
34:51Oh, just no, that's all.
34:52Well, is it because...
34:53Oh, please.
34:55No.
34:56Is it because we've only known each other a week?
34:59Hasn't that been long enough?
35:01It's been a lifetime.
35:01The kind of a life I never thought I'd live.
35:04And the kind of a life you don't like.
35:06Is that it?
35:07Oh, no.
35:08It's been exciting.
35:09It's been fun.
35:10It's been...
35:11Well, it's been happiness.
35:12Why can't we stretch that week into years?
35:16Forever.
35:18Why not?
35:19Now, just a minute.
35:21I'm the one that's asking the questions.
35:23Well, just this once, let me answer them.
35:25I want to see the Isles of Greece.
35:27I want to see old Normandy.
35:29The glamour of the South Sea.
35:30And I want to see them with you.
35:33And I'm going to say so.
35:34No matter what happens.
35:35Nothing's going to happen.
35:37What will happen?
35:38Mr. Conner.
35:40You're a darling.
35:42Howells is expecting these contracts at the plant.
35:44Very good, sir.
35:46Hello, hello, hello.
35:50Well, what's the matter with you two?
35:52Feeling feverish?
35:54It's not us, Steve.
35:55We want to talk to you about her.
35:58No.
35:58You think she's pretty nice, don't you?
36:00Well, conservatively, I do.
36:03You've got to admit she's been the making of your pot.
36:06I am a different man.
36:07Well, the whole house is different.
36:09She's been swell.
36:10And she's awfully pretty, too.
36:13Well, I've been hoping this would happen.
36:15Well, I haven't been any too good a father since, well, these past few years.
36:21But now this place is happy.
36:23Now it's a home.
36:24I feel, I feel alive.
36:26We're all together again, and she's responsible.
36:29It was pretty important that you like her.
36:32And I'm glad you do.
36:33Well, yeah.
36:36I like her fine, but go on, tell him, Hank.
36:40Well, I like her fine, too, only we know a man who says that...
36:45Yes?
36:46Well, he says he can lure her, sort of.
36:49He says he can run away with her to the ends of the earth.
36:51Well, that's quite a statement, isn't it?
36:53Who is he?
36:54A gentleman by the name of Andrews.
36:56All he has to do is snap his fingers, and she comes running like a poodle.
37:00And he says if we can be up at the Red Swan Inn by midnight tonight with $15,000,
37:04well, we'll never see her again.
37:07And you were going to get this money and give it to him?
37:10We can't get it, and you wouldn't want to give it to us, would you?
37:14Me?
37:15Not a cent.
37:17Okay, we'll call the whole thing off.
37:18Of course.
37:26What are you worrying about now?
37:28Oh, nothing, nothing.
37:29Not going through with it now, even if he does guarantee results.
37:33Sure, it is worth the money, even if she would have gone away with him.
37:38Yeah, I'd like to go on liking Our Lady, not even wondering if she would have.
37:44No.
37:46No, not even wondering.
37:48Yes, sir?
37:49Oh, Alfred, would you please ask Mrs. Cormack to come down?
37:52Certainly, sir.
37:52$15,000, a snap of the fingers, a fine pair of meddlers you turned out to be.
38:03Well, in the beginning, it was just to save you from her.
38:07Why do you think I want her to be saved?
38:09She's everything I've ever wanted.
38:11She's beautiful, she's gracious, she's honest.
38:16She's left, sir.
38:22Dear Mr. Cormack, please don't be offended of mine leaving so suddenly.
38:34My aunt, if I keep to see, is dangerously ill.
38:37No matter what happens, I like you very much.
38:40That's all.
38:42Yes, no matter what happens to her aunt, she still likes me very much.
38:46Why, that makes everything all right.
38:48Sure, here we are worrying and all the times she's taking care of her aunt.
38:51I guess that Mr. Andrews isn't as good as he thought he was.
38:56There you are.
38:57You can give that to your Mr. Andrews, you can finish the deal.
39:01Steve, what are you going to do?
39:03I'm going upstairs and laugh myself sick.
39:06Gee, I didn't think he'd take it that hard.
39:11You could have seen he likes her.
39:13Pop hasn't made a mistake since she's been here, has he?
39:17No, well, maybe we've went a little too far.
39:20Don't say we, you've ruined everything.
39:24Pop will go into another fog again.
39:26And maybe meet another lady.
39:28Yeah, and she might be a thousand times worse.
39:31Of course she will.
39:32She couldn't be any better.
39:34There won't be any other lady.
39:35This one's staying.
39:37I'm going to ask her myself, personally.
39:39Won't do any good.
39:40Andrews will have her so fascinated, she mightn't even listen to you.
39:44Say, I can be pretty fascinating myself.
39:52Hello, where is everybody?
39:54What kind of a place is this, anyhow?
39:55Hello, service!
39:57Where are you?
39:57Is everybody dead around here?
40:00Well, nobody died recently, son.
40:04But I ain't promising nothing.
40:05Never mind that.
40:06Have you any word for us?
40:08Well, I'd say just bothersome.
40:10No, no.
40:11I'm Henry Cormack.
40:12Is there any message for me?
40:14No.
40:14No message for Patricia Cormack, either?
40:17No.
40:17No, but I got a note here for Hank Cormack.
40:20Well, what is it?
40:21I'm Hank Cormack.
40:23Said don't falsify and I'll register.
40:25Mr. Michael Demetri Andrews wants to know when you're going to arrive.
40:30Up in 703.
40:32Way up on the seventh floor?
40:34Shucks, no.
40:35The first.
40:41Come in.
40:42Mr. Andrews.
40:44Mr. Andrews.
40:44Mr. Andrews.
40:45Hello.
40:46Patricia.
40:47Boss.
40:48Is she here?
40:50Room 704.
40:51As per agreement, COD.
40:53Now, look, Mr. Andrews, if it was too much trouble getting her here.
40:56Think nothing of it, my boy.
40:57On an enterprise like this, I pour out my very soul.
41:01We don't want you to strain yourself any, Mr. Andrews.
41:03You have to check, no?
41:05No.
41:05The point is, Mr. Andrews, we're asking you, please, not to dazzle that lady anymore.
41:10Keep the money you've got.
41:11Only go away.
41:12The deal's off.
41:14Why, you must be joking, my dear children.
41:18This is no such deal.
41:20You must understand, you can stop the ocean waves from waving.
41:23You can stop Niagara Falls from falling.
41:26But you cannot stop this lady from running away with me.
41:29Do you mean it?
41:30Of course, Patricia.
41:32Our deal must continue.
41:34Nothing doing.
41:35Let's get her out of here.
41:36Impossible, my dear boy.
41:37Well, don't you make a move to stop us.
41:38I won't make any move, Anstie, right here like this.
41:41I'll do nothing but think and wish that she runs to me.
41:44She can't resist.
41:45She must run to me no matter what you do.
41:50Stop looking at her, Pat.
41:51I don't want any trouble with you.
42:04Oh, I didn't expect.
42:09This is a surprise.
42:10How do you feel?
42:11Is there a tug?
42:12Like some power's pulling you?
42:13I know.
42:14Oh, unless you meet Hank here.
42:15She doesn't feel it.
42:16We've still got a chance.
42:18Come on.
42:20You're in terrible trouble.
42:22Hank, Pat, come back here.
42:26Hank, Pat.
42:27It's all right, lady.
42:29Put those bags down.
42:30Give me my things.
42:32Put my things down.
42:33Now, I'm not leaving.
42:35I can't.
42:36We understand, lady.
42:37It's that guy, Andrews.
42:38He's got you weak and helpless.
42:39It's the same with every woman he meets.
42:41It's not your fault.
42:42But now that we've settled with him,
42:43you can come home, can't you?
42:44You've settled with him?
42:45Uh-huh.
42:46We'll leave in a moment.
42:48Just let me go to my room.
42:49Watch her, Pat.
42:50It's Andrews.
42:50He's luring her back.
42:51Look, what?
42:52Hank.
42:53Can't you stale yourself against that man?
42:59Please, until we get you out of the door.
43:02Let me go.
43:03Did she come back?
43:04I mean it.
43:05You've got to excuse us for doing this, lady,
43:06but it's for your own good.
43:08Grab her like that.
43:08I'll get her around the neck.
43:10Hank.
43:12Pat.
43:13Stop it.
43:13Oh, oh.
43:23Do you ever think she'll come out alone?
43:29You've got to give me that letter.
43:31Oh, you don't know how it feels.
43:32Oh, don't I?
43:33Well, how would Edison feed if he didn't invent the electric light?
43:35How would Columbus feed if he didn't discover America?
43:37Well, without blackjack, that's how I feed.
43:39Well, all that's nothing to how you feel when you're in love.
43:41Oh, don't you understand?
43:43I love that man.
43:44You, you, oh, Twana, well,
43:48do you think that Michael Dimitri Andrews
43:50would come between two people in love?
43:51Yes.
43:53You hurt me.
44:11It's Pop himself.
44:15I've got it.
44:16Listen, Paula.
44:17You can help Clarice.
44:18You can get your letter.
44:19You can go away from here.
44:20I ask for nothing.
44:22Nothing?
44:22Except the key to the house.
44:24Well, don't get worried now.
44:25I won't take a lot of things.
44:25Just a couple of vases or a carpet or a stone.
44:27You'll do no such thing, Mr. Andrews.
44:28Now, behave yourself.
44:30People go to jail for robbery.
44:31Don't worry.
44:31Now, listen, darling.
44:32Listen.
44:33I know a Hungarian lawyer by the name of Baxter.
44:35Well, to him such things are nothing.
44:37Nothing at all.
44:37Remember just before I got married to Clarice?
44:40When that bookmaker got hurt so badly?
44:41Remember?
44:42Well, I was definitely in the wrong then
44:44until Baxter pleaded insanity.
44:45And the year before that, darling,
44:46he pleaded insanity and you were acquitted?
44:49Yeah.
44:49It's a matter of court record.
44:51My word of honor.
44:51Oh, Mr. Andrews.
44:54Well, then, you will get the key.
44:57That's great.
44:57You'll go to town right now.
44:59Oh, Mr. Andrews.
45:00Definitely.
45:01Definitely.
45:02Steve, there's no way for you.
45:08Now, wait a minute.
45:09Don't get excited.
45:10Be calm, Pop.
45:12Now, listen.
45:13Listen, Steve.
45:14She's not going through with it
45:15if I have to commit murder.
45:16Murder?
45:17Steve, you can't go around killing people.
45:19She isn't here.
45:20Andrews isn't here.
45:21Honest, Pop.
45:22She went to Piquete, like she says.
45:24There's nobody in Andrews' room.
45:26What room?
45:26703 on the first floor.
45:28Steve.
45:31Now you've done it.
45:33What do we do?
45:34He'll murder him.
45:35Al, Steve's going to kill a man.
45:39Mr. Andrews.
45:40Mr. Cormack?
45:41Yes.
45:42I've been wanting to talk to you
45:44for quite some time.
45:45I've been looking for a chance
45:46to talk to you.
45:46Splendid.
45:47We can settle this whole matter
45:48as gentlemen.
45:49As gentlemen.
45:50That's right.
45:54Man and a woman.
45:55Pop killed him.
45:57Murder?
45:58Yes.
45:58Come on.
46:00Come on.
46:00Come on.
46:01Come on.
46:06Steve, you can't murder him.
46:08It's again the rules.
46:09Burton.
46:20Burton.
46:21Oh, Burton.
46:22What?
46:22What?
46:23Oh, Paula, go away.
46:25No, sir.
46:26Now you sit up here and listen.
46:27I've got the most amazing news.
46:28All right.
46:29All right.
46:29Turn your back.
46:30I'll get into my robe.
46:32Here.
46:33Don't mind me.
46:34After what I've been through,
46:35life holds no terrors.
46:37The police have arrested Andrews.
46:39Police?
46:40When?
46:40Last year when he married Clarice.
46:42Isn't it lovely?
46:43Last year.
46:44Paula, please go away.
46:45Oh, but he was acquitted.
46:47Pleaded insanity.
46:48Burton, don't you understand?
46:50A judge and a jury said Andrews was insane
46:52at the time he married Clarice.
46:54Paula, you call up the oddest hours.
46:56But isn't insanity one of the good causes
46:58for annulling a marriage?
46:59What's that?
47:00Isn't insanity one of the causes for annulling a...
47:02I heard you the first time.
47:03Why, of course it is.
47:04That's all we need.
47:05I'll file the annulment papers in the morning.
47:07Oh, Burton.
47:08I've won.
47:09I'm finished.
47:10I'm free.
47:11And when Clarice gets back, she'll be free.
47:13She's coming back?
47:14Oh, yes.
47:14I wired her days ago,
47:15as soon as we made our deal with Andrews.
47:17She's on the plane now,
47:18gets here tomorrow night.
47:19But, Paula,
47:20you understand, don't you,
47:21that this annulment makes Clarice
47:23the real Mrs. Stephen Gormack?
47:24Because when she married him,
47:25she was a single woman.
47:26Of course.
47:28Oh.
47:30Clarice is Steve's wife.
47:32Yes, Paula.
47:32That's the way it is.
47:34Well,
47:35Clarice always wanted to marry a millionaire.
47:38That's the way it is.
47:51Where on earth have you been?
48:01Oh, I beg your pardon, ma'am,
48:02but I'm at my wit's end.
48:04The whole house is at my wit's end.
48:06Alfred,
48:07please don't tell them I'm here.
48:08I've just come back for my clothes.
48:10Yes, but...
48:10Alfred, promise me.
48:12All right.
48:13Very well, ma'am.
48:14Very well.
48:16Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
48:22I, I want to talk to you.
48:24What happened?
48:25Oh, where'd she go?
48:26There she is, big as life.
48:27I want the truth.
48:29What's been going on between you and Mr. Andrews?
48:31If he were just another man, there might be some excuse.
48:34If he even liked you to be at least honest,
48:36but to fall in love with some man that these children paid is bad taste.
48:41It's downright depravity.
48:43I ought to divorce you.
48:44No, Mr. Cormac.
48:45You can't divorce me and you can't bawl me out
48:48because I'm not your wife.
48:49Just let me be a lesson to you.
48:52I'm the sort of thing that happens when you start proposing between drinks.
48:55Oh, oh, well.
48:57You married my sister and you can't blame her
48:59because, well, you're nice enough to make any woman forget she's got a husband.
49:04Hey, and you can't blame me
49:05because I was trying to save my sister from jail.
49:08Why, you can't even blame Andrews because she was his wife.
49:10So you see, Mr. Cormac, it was all your fault.
49:13Everything's going to be all right.
49:18Clarice's first marriage is being annulled.
49:21But, Mr. Cormac, don't ever let a thing like this happen again.
49:32And us treating us shameful.
49:35The whole lot of us.
49:36Just think of what she's done for us.
49:38And now she's going.
49:39Don't let her.
49:41Get down on your knees and beg her to stay.
49:43Well, don't sit there doing nothing.
49:45Get going, Pa.
49:46Hurry up, Steve.
49:46Mrs. Cormac, Mrs.
49:48Lady.
49:48Yeah, hey, lady.
49:50Lady.
49:50Lady, look.
49:51Listen.
49:52Lady.
49:56What's your name?
49:57Paula Kendall.
49:59Go on, Steve.
50:00Down on your knees to her.
50:01Tell her we think she's swell.
50:03Well, they think you're swell.
50:05Tell her what you think.
50:06I think so, too.
50:08Tell her we love her.
50:10We do, Paula Kendall.
50:11We love you.
50:13We don't want you to go.
50:14We want you to stay here from now on.
50:17How about it?
50:19You make me awfully happy.
50:21Very proud.
50:23And I love you.
50:24All three.
50:25I can't stay.
50:27You see, you're my sister's husband.
50:29You're my sister's children.
50:31I don't belong here anymore.
50:33Nonsense.
50:33I don't even know your sister.
50:36You married her.
50:37She's the real Mrs. Cormac.
50:38What are we going to do?
50:40There's nothing any of us can do except,
50:43well, maybe help me pack.
50:58Goodbye, Paula.
50:59Goodbye, ma'am.
51:00Goodbye, cook.
51:01Goodbye, ma'am.
51:02Goodbye, ma'am.
51:06Oh, Patricia.
51:09I wanted you to have this.
51:12Oh, darling.
51:15It's a little too heavy to carry, Pat.
51:17May we send it to you?
51:19Yes.
51:21Care of the American Medical Research.
51:23Haiti.
51:24Goodbye, darling.
51:26Goodbye, Hank.
51:27Goodbye, lady.
51:28Goodbye, lady.
51:28Goodbye, lady.
51:32Goodbye, Mr. Cormac.
51:33Bye.
51:35I beg pardon, but it's the other Mrs. Cormac to see Mr. Cormac.
51:41Clarice, baby.
51:43Don't you baby me.
51:45You're the man I want to talk to.
51:47Yes.
51:47Yes, there are a few things I should explain.
51:49Michael here has done all the explaining I want to listen to.
51:51And of all the outrageous situations I ever stepped into, this is the worst.
51:55Well, who are you to talk?
51:57My little sweet, I'm your mother and I'm your wife.
52:00And I come home to find my legally married husband carrying on with my own sister clandestinely in the open.
52:05Clarice.
52:05I can explain it.
52:06Throw her out, Pop.
52:07I'm going to sue you, Mr. Cormac, for a divorce.
52:09And I'm going to name my own sister as correspondent.
52:12Clarice, if you do that, why...
52:13We'll be free.
52:14Yes.
52:15I'll be free to do as I please.
52:16Well, that's none of my business.
52:18All I want is to see justice done.
52:19And done fast.
52:27Mr. Cormac.
52:28Michael.
52:28Michael.
52:28Just one moment, my angel face.
52:31I'm just trying to explain to Mr. Cormac that out in Belmont he owns half a horse.
52:36Boss?
52:37Miss Patricia?
52:38Michael.
52:49Just like a poodle.
53:05I hope to say Ϊau.
53:07We'll be right.
53:08εetγͺESH abedient.
53:09We'll take my started.
53:10I haven't done something to say.
53:12It's really boring.
53:12We're going to do this.
53:13I'm going to find aοΏ½οΏ½.
53:14It's a pozy gracious.
53:14We'll be fine.
53:15Thanks Π²ΡΡ.
53:18Your growth.
53:18We'll be fine.
53:19And when you're throwing it up in Belmont,
53:20let's give it up.
53:21And I'll be fine.
53:21We're going to do it if you want it in Belmont.
53:22Let's give it up.
53:23The GM1st.
53:26You're going to be fine.
53:28And I'll notice you.
53:29Let's get it up.
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