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00:00THE END
00:30Could you shut the radio off, please?
00:34Yes, sir.
01:00C.O.D., Barry. The boy's waiting.
01:18Well, what is this, dear?
01:20It's a dear little riding habit, darling.
01:22I saw it at Martang's and couldn't resist the temptation to get it for you.
01:25Well, I'm sorry, honey, but I haven't the money.
01:28Perhaps later, when I get that raise at the bank.
01:31We're quite a little behind now.
01:33Mother, I've asked you to let me buy the things I need.
01:36Oh, very well.
01:38But it's always expected and promises.
01:40In the meantime, you're ashamed to appear before your friends.
01:43Muriel, I'm sorry I can't buy you everything you want.
01:47I'd like to, and I've tried.
01:49It would be better, Barry,
01:51if you'd spared us this repetition of all these old promises
01:54and really do something about it.
01:55Oh, Mother.
01:58We won't want it. Will you take it back, please?
02:06And before her father died, the poor child had everything she wanted.
02:10You've told me that before.
02:12I've already gone beyond my means in trying to please her, make her happy.
02:17Come on, finish your breakfast, Gary.
02:22Come on, finish your breakfast, Gary.
02:27Money.
02:29Money.
02:30All right.
02:33I'll get it.
02:35I'll get it.
02:38I'll get it.
02:39Some way.
02:45Never mind, dear.
02:46Perhaps now he'll do something.
02:51Mother, you're driving me insane.
03:03I'll have to stop.
03:04I'm sorry.
03:05You're driving me insane.
03:06But, how could you stop?
03:07Bye.
03:08Bye.
03:09Bye.
03:10Bye.
03:11Bye.
03:13I'll get it.
03:16Bye.
03:17Bye.
03:18Bye.
03:19Bye.
03:21Bye.
03:22Bye.
03:24Bye.
03:25Bye.
03:26Bye.
03:27Bye.
03:28Bye.
03:29Here.
03:30Calling all the time.
03:44Calling all the time.
04:00Ambulance.
04:18Seventy-seven.
04:29Ambulance.
04:30Seventy-second and Parkway Boulevard.
04:32Auto wreck.
04:34Yeah.
04:59All right.
05:02Yeah.
05:04Right.
05:06You poor child.
05:31I'm not thinking of myself.
05:33I suppose you're thinking of Paris.
05:35Thief of scounder.
05:37How can you think such a thing?
05:39After all the disgrace he's brought upon you.
05:41And upon me.
05:42Who made him a thief?
05:44I did. You did.
05:45Are you insane?
05:47I was never more sane in my life.
05:49Barry's not the guilty one.
05:50I am.
05:51His wife who promised to love him and help him.
05:53My child, you're overwrought.
05:54Oh, I'm not overwrought.
05:55I'm speaking the simple truth.
05:57Barry loved me.
05:59More than anything else, he wanted me to be happy.
06:02But I wasn't willing to live on his salary.
06:04No, I had to have this.
06:06And these.
06:07Muriel!
06:08Oh, Mother, why was I so selfish?
06:11Muriel, dear, you're being foolish.
06:13It's all been a big mistake.
06:14You should never have married him.
06:16I couldn't understand it.
06:18I know you couldn't, Mother.
06:20It's all very simple.
06:22I love Barry.
06:24I still do.
06:26I love Barry.
06:27I love Barry.
06:32Muriel, where are you going?
06:33To see Barry.
06:34To...
06:35To jail?
06:36I'm going to Barry.
06:37Well, you mustn't do such a foolish thing.
06:39I forbid it.
06:40I feel like a cheat, letting you in for all this.
06:55I'll be waiting for you when you come back.
07:08No, you won't.
07:10I'll be waiting.
07:11I'll move your Fran and go.
07:12Oh, Bobby.
07:13Yeah,ler.
07:15That guy goes under this egg.
07:17I've had a good sword.
07:18What about myjak, I mean?
07:19I'm going to do this.
07:20Good luck, guys.
07:21Oh, mon, he has a Thought.
07:22Yes, sir.
07:23What...
07:24Let's go.
07:54I don't know.
08:24All righty, Warden.
08:50Now, you men are going to find me fair with you, and ready to meet you halfway if you break
08:58no rules.
08:59In assigning you to your various tasks, I'm going to try to arrange it so you'll be employed
09:06at the work with which you're familiar, the same occupation you had on the outside, if
09:10possible.
09:11Are you a trade?
09:12I'm a bricklayer.
09:13All right.
09:14Put him with the construction gas.
09:15And yours?
09:16Bank teller.
09:17I'll try to use you in the office.
09:20Have you, uh, trade?
09:21I'm a traveling salesman.
09:24Look, morning again.
09:25Some woman, I'll bet.
09:26Yeah, they can't leave a guy alone, even in prison.
09:30Oh, boy.
09:31Oh, boy.
09:32Oh, boy.
09:33Oh, boy.
09:34Oh, boy.
09:35Oh, boy.
09:36Oh, boy.
09:37Oh, boy.
09:38Oh, boy.
09:39Oh, boy.
09:40Oh, boy.
09:41Oh, boy.
09:42Oh, boy.
09:43Oh, boy.
09:44Oh, boy.
09:45Oh, boy.
09:54Yes, sweetheart.
09:56Oh, boy, drawn.
09:59I don't take women curious, but they've got a short memory.
10:05How long you in for?
10:07seven years.
10:11Seven years.
10:13Seven years is a long time.
10:15And ain't no woman going to wait for a guy that long,
10:17especially if she's young and pretty.
10:19Well, they're not all that kind.
10:21Maybe not, but all I know is I lost me three women.
10:24And every time I get out of stir,
10:25I got to start working all over again on a new skoit.
10:30Yes, sir. Seven years is a long time.
10:33A mighty long time.
10:40Seven years is a long time.
11:10Seven years is a long time.
11:36She said she'd wait.
11:39Yeah, they all do.
11:40Please be seated, Mrs. Fleming.
11:48I'll tell Mr. King you are here.
12:10Well, this is an unexpected pleasure, Mrs. Fleming.
12:40How are you?
12:42Very well, thank you, William.
12:43I just came over to have a little chat about Muriel.
12:47A very pleasant topic always.
12:49Won't you sit down?
12:55For a little while, William, you must overlook her melancholy state of mind.
13:00The poor child has had a shock.
13:03A great shock.
13:04Yes, I know.
13:05Her former husband.
13:07By the way, what about him?
13:10He's dead.
13:15He died in prison.
13:21Well, let's forget it then.
13:23After all, it's all in the past.
13:26Of course, it's been a terrible experience for the poor child.
13:30Yes, of course.
13:32Muriel, well, both of us have always had everything we wanted.
13:35And now to be suddenly deprived of all that.
13:38Well, uh...
13:39Yes, I can understand.
13:42Yes.
13:43Of course, everything will be very different now.
13:47And I thought perhaps an ocean voyage.
13:49Um...
13:50You were planning a honeymoon abroad, weren't you?
13:53Well, I thought...
13:54Uh...
13:54Yes.
13:55Yes, of course.
13:58Of course, you quite understand, William, from our various conversations.
14:02That Muriel must always have her mother with her.
14:04I just mentioned long now.
14:09There's so much to do in preparation for the wedding.
14:11Is there anything I can do?
14:13Oh, no, William.
14:14You've been so liberal already.
14:15No, there's nothing that you can do for the moment.
14:19Oh, uh...
14:19William.
14:20I think it'd be better if you didn't tell Muriel about my little visit.
14:24You see, she's so easily upset in her present mental condition.
14:28All right.
14:28I'll just keep it a little secret between us.
14:30Yes.
14:31There is one thing more.
14:33I feel I may as well say it now.
14:35Yes?
14:36I'm afraid I'm going to be very selfish about Muriel.
14:39Perhaps jealous would be a better word.
14:41Oh, William.
14:42At your age, why, you're joking.
14:44No, I'm not.
14:44I'm very jealous about all my possessions.
14:47And when Muriel marries me, she's going to become my dearest possession.
14:50And I promise you I should be very jealous of her.
14:52Well, I can assure you there'll be no cause for worry on that door.
14:56Bye-bye.
14:57Goodbye, Mrs. Lennox.
14:58It's nice to have seen you.
15:11There, dear.
15:12You're marrying a fine man.
15:14So you're going to be very happy.
15:28I'm going to be very happy.
15:44Bye-bye.
15:44Bye-bye.
15:45Bye-bye.
15:46We're going to be very happy.
15:47Bye-bye.
15:48Bye-bye.
15:48This is it
16:01William King well-known sportsman and lawyer is sailing with his bride Muriel Fleming on a honeymoon tour of the Orient
16:18Don't take it so hard bud. Wait till you get out. I'm getting out ahead yet. I got something in mind
16:48I
17:08Come all right
17:13If that's not a lobster, I'll tell you about it. How I left it right?
17:19You know it's all about the racket. He's ready to go to work
17:31All right
17:33I guess you can live here with me until we find you a prospect. I have a party in mind
17:40How do you need dough?
17:4220
17:43Just returned from his honeymoon in the Orient
17:46Good
17:47I've heard they go to nightclubs a lot, and I thought we might why sure we'll drop around tonight
17:51You can point him out to me
17:54Have a drink
17:56You can put on the wine
17:58Yes, that is my Claudina
17:58Come on
18:01Beth
18:06Oh
18:07Yoool
18:10And
18:11Yep
18:12Thank you
18:12I'm
18:13what
18:13You
18:13oh
18:14blah
18:15pursuing
18:15oh
18:16Oh
18:16You
18:16You
18:17Oh
18:17I feel
18:18possible
18:18You
18:19Oh
18:20You
18:21What
18:22Hun
18:23Don't you think you've stared at him long enough?
18:28Oh, please, Bill.
18:29I'm not flirting with a man.
18:30I can see.
18:31There's no need to lie about it.
18:32Well, the fool hasn't taken his eyes off you since he came in.
18:34Even a cat wouldn't do that unless you'd encourage him.
18:53Now, this has gone far enough.
18:58I have a good mind, too.
18:59Oh, please don't make it to me.
19:02It's enough, Alan.
19:04You'll forget this is business.
19:08You're going to spill the beans.
19:09Can't you see you're attracting too much attention?
19:13Yes.
19:14Yes, more wine.
19:15Yes, sir.
19:19Unless you can conduct yourself as my wife should,
19:21this is the last time we'll be seen in public together.
19:26Hey, what's the matter with you?
19:51Thank you, sir.
20:02We're going.
20:03I've had enough of this.
20:21I've never seen anything so brazen, so outrageous, so...
20:36I have to go home now.
20:38Oh, you want to go home now?
20:40Now that your friend is gone, you're no longer interested.
20:42Oh, stop it, stop it.
20:43That's all I've heard from the day we were married.
20:45Man, man, man.
20:47I'm thinking of it.
20:54Join me in December together, and what do you get?
20:57A typhoon.
20:59That's right.
21:01When I marry, my wife's got to be old enough to be my mother.
21:05But you're already married to a girl young enough to be your granddaughter.
21:12That's right.
21:14I forgot.
21:17Hmm?
21:20Here's to the ladies, old and young, married or single.
21:24That's right.
21:25That's right.
21:44How do you remind me of the appointment this evening?
21:46The director's meeting.
21:47Oh, yes, this is Thursday.
21:49Uh, get Mrs. King on the phone.
21:51Hello, here.
21:52Come in.
22:04Oh, there you are.
22:05Oh, I'll only be a minute, darling.
22:07Hello.
22:09To whom were you speaking?
22:11Why, it's Mother.
22:12She came in just as the phone rang.
22:15Oh, I see.
22:18I shan't be home until late this evening.
22:20Uh, no, wait, wait.
22:23On second thought, I shan't be home at all this evening.
22:26I'll remain in town.
22:28Here.
22:30Here.
22:31Goodbye.
22:42Cancel the director's meeting.
22:43I won't be able to attend.
22:44Yes, sir.
22:45Uh, shall I get Mrs. King on the phone again, sir?
22:48Certainly not.
22:50Yes, sir.
22:51Well, what's the matter?
22:52You seem so upset.
22:53Mother.
22:54Barry's back.
22:55What?
22:56I saw him last night.
22:58Fool, if he hadn't done enough to us already.
23:00Why, you'd think he'd be ashamed to come back to this town.
23:02Mother, this is how it is.
23:04What?
23:05Well, what's the matter?
23:06You seem so upset.
23:08Mother.
23:10Barry's back.
23:11What?
23:13I saw him last night.
23:14What?
23:16I saw him last night.
23:18Fool!
23:20If he hadn't done enough to us already,
23:22why, you'd think he'd be ashamed
23:24to come back to this town.
23:26Mother, this is his home.
23:28Home? His home is in the penitentiary
23:30where he belongs.
23:32Oh, what a fool I've been.
23:36What a hopeless, selfish fool.
23:38Muriel.
23:40Muriel, dear, you're forgetting yourself.
23:42Oh, no, I'm not. I'm remembering.
23:44I'm remembering I didn't have the courage
23:46or the common decency.
23:48Shh, my dear.
23:50Oh, you needn't be worried, Mother.
23:52He hates me. He showed that last night.
23:54Well, I like that. Art has practically ruined
23:56your whole life. Why, if it hadn't been for Bill.
23:58Oh, Mother, don't go over that again, please.
24:04Muriel, dear, you mustn't upset yourself so.
24:06Remember your position. Why, you've got everything.
24:08Everything.
24:10Yes, everything.
24:12Muriel.
24:14I'll let it, please go.
24:28Mr. William King's residence.
24:30No. This is Butler's day off.
24:40No. Mr. King will not be home this evening.
24:44Just say that an old friend of the family calls.
24:48Well, the situation is made to order.
24:56If you put this over,
24:58tomorrow you're on the road to success.
25:00I'll put it over, all right.
25:02Good.
25:04So long, and good luck.
25:18Wait here.
25:42Wait here.
25:48What happened.
25:50I didn't save time.
26:04I was born.
26:06I was born until I didn't last.
26:08When you are in so old.
26:09I think we are in so old.
26:10You will be back to the school of California,
26:12so I didn't realize how many times I remember oh my god.
26:14I didn't have to take time.
27:27Why, Bill.
27:28Here's Bill.
27:30You didn't expect me, did you?
27:32Well, no, I thought...
27:33Well, where's your friend?
27:35Why, please, Bill, what's happened?
27:37You know what I mean.
27:38I saw him come in here.
27:39Where is he?
27:39Why, there's no one here.
27:41I didn't think even you would have the audacity to try and lie out of it now.
27:45Have you suddenly become insane, Bill?
27:46There's no man here, I swear it.
27:48Get away from there.
27:49I'll put that away if I were you.
28:03Hardly sorry this had to happen, King.
28:05But it really isn't my fault.
28:07You see, I was led to believe that you wouldn't be home tonight.
28:09And I'm sure, Muriel, uh, Mrs. King, was under the same impression.
28:16Oh, wait.
28:17Well, you can shoot me anytime, but think of the consequences, the scandal.
28:21Oh, I can appreciate your feelings, old man.
28:23But after all, things like this do happen in the best of family.
28:26Good night, Mr. King, and, uh, Mrs. King?
28:37Barry, wait!
28:46My wife.
28:47Why, you're no better than any...
28:49You...
28:49Don't you come near me.
28:56Don't you come near me.
29:26What are you doing here?
29:28Are you crazy?
29:33Why didn't you do what I told you instead of killing the man?
29:35I never intended to do what you asked.
29:37I went there for a different reason.
29:39The lady was once my wife.
29:41My interest in her was purely personal.
29:43Oh, so that was your game, huh?
29:46Well, look at this.
29:56Now, you'd better be on your way.
30:08No.
30:10Now, I've got to get back to her some way.
30:13She kept my name out of this.
30:14And I'm not yellow enough to run out on her and let her fight it alone.
30:19An odd way you select to commit suicide.
30:22Now, I'll take that chance.
30:23If you need a hideout, go aboard the Sea Queen.
30:36There's no gambling there now.
30:38Only a watchman aboard.
30:41That'll be the last place the cops will ever look for you.
30:44Thanks.
30:45Naturally, you all have alibis.
30:57But I can't accept any of it.
30:58But since Mr. King was killed in his wife's room,
31:02the act seems closer to her than to anyone else.
31:06So now I'm going to ask Mrs. King to tell in her own words
31:11exactly what happened up to the moment Mr. King was murdered.
31:15I've told you all I know already.
31:20There was a man hiding in the room.
31:22Was it by any chance Barry Webster?
31:26Go ahead.
31:29Mr. King.
31:31He thought the man came to see me.
31:35He accused me.
31:37The man left.
31:41After that, it's all sort of a blur.
31:45Mr. King had a gun.
31:48I tried to get him to put it away.
31:51He wouldn't do it.
31:54I remember hearing a shot.
31:58Mr. King was lying on the floor.
32:00She's speaking the honest truth, sir.
32:06Please be quiet, Mrs. Kenworthy.
32:10It's all very plain.
32:11The murderer was hiding in the room.
32:13A robber, no doubt.
32:14When Mr. King discovered him, he was shot.
32:17So that's your idea, is it?
32:18Exactly, that's correct.
32:20Well, I'm not so gullible.
32:22It's my opinion, someone listening to my voice was the murderer of William King.
32:29And until this crime, this cold-blooded murder is cleared up,
32:33every person present is under police surveillance.
32:37That's all for the present.
32:38That order refers to you, too, Mrs. King.
32:44I might say it refers especially to you.
33:01Extra!
33:02King Mortis still on, sir.
33:04We know all about it.
33:04Beautiful wives, it's right there.
33:06Extra!
33:08Thank you, Mrs. King.
33:38Thank you, Mrs. King.
34:08I'm sorry, what did you do?
34:38you come here listen Muriel after last night I I guess you'll find it difficult
34:43to believe me but I just wanted you to know that I'm taking all the blame for
34:49what happened
34:52sorry what would you think me of last night making me think you're cheap
35:11oh I was crazy I guess all I could think of was the prison and and your promise to
35:16wait I thought it was my chance to get even I'm sorry but you're not the only one
35:24who's suffering
35:28you must go now if they find you here but I can't bear to have you suspected
35:32now you don't think I killed him I know you didn't because I killed him
35:42I've written a letter to the district attorney I guess I'll leave it to them
35:48to catch me
35:49very much go now you must get away they know I'm not anxious to go back to prison
35:56but I'm staying around until they see how foolish they are and suspecting you
36:00in the meantime if you need me I'll be aboard the Sea Queen you know the gambling boat
36:08after edit appear he'll take you out good night in real
36:13father
36:15there can't be any mistake you're positive about me
36:34sure I'm positive sir I heard him say I killed him
36:39well Dave what are you to say to this I've got this to say proves mrs. King is
36:45innocent not by a darn sight it does it proves she lied when she testified she
36:50didn't know the man hiding in her room that's why we were listening outside
36:54mrs. King's door at midnight
36:57mr. King always asked me to watch all mrs. King's movements sir are you sure you
37:04didn't shoot William King yourself no sir you may go now
37:15it's as clear as day that woman and her lover contrived that conspired I should say
37:20I brought the seat he said it was important
37:27I want to be jailed
37:28I want to be jailed
37:34William King is found shot to death in the floor of his wife's bourgeois his gun was not discharged his widow testifies there was a stranger in the house
37:41then
38:06Then an eavesdropping maid comes in here with the story that the lover visited the widow and confessed the murder.
38:13And now you tell me that the lover is the woman's ex-husband.
38:22Why, this note is conclusive evidence of her guilt after she claimed she didn't know this man was there.
38:31Send in Larkin.
38:32I know a lot of them.
38:34Larkin, Keith wants you.
38:37What do you want?
38:38I don't know. You better go and see.
38:41You're making a mistake, Dave.
38:42Well, I don't think so.
38:44Yes, sir.
38:45Uh, Larkin, arrest Mrs. William King. Lock her up in a murder charge.
38:48Yes, sir.
38:51Get Mrs. William King on the phone with me, please.
39:00There's nothing to be alarmed about, Muriel.
39:02Merely a police routine.
39:03We'll have you out in 24 hours.
39:06Well, well, why don't you move?
39:09Yes, sir.
39:10Come on, man. I'm going to make him arrest.
39:11Well, well, why don't you move?
39:12Yes, sir.
39:13Come on, man. I'm going to make him arrest.
39:14Well, well, why don't you move?
39:15Mary?
39:16They're coming to arrest me, Mary.
39:17I've got to get away.
39:18You must give me your uniform.
39:19Yes, anything I can do.
39:20Here, I'll do that.
39:21Here, I'll do that.
39:22The hotel rings they have a car on the north drive.
39:23I can leave it motor running.
39:24Yes, ma'am.
39:25I can leave it motor running.
39:26Yes, ma'am.
39:27Yes, ma'am.
39:28I can leave it motor running.
39:29Yes, ma'am.
39:30.
39:31.
39:32.
39:33.
39:35.
39:36.
39:37I can't leave it motor running.
39:38Yes, ma'am.
39:39.
39:40.
39:41.
39:42.
39:45.
39:46.
39:47.
39:48.
39:49.
39:50.
39:51.
39:52.
39:53.
39:54Thank you, Rick.
40:05Yes, ma'am.
40:16Wasn't that Mrs. King?
40:18Looked like her.
40:19That trailer.
40:24Look at her.
40:54Which way did you go?
40:58I wasn't looking.
41:02Hey, Bart, did you see a girl burning up the road along here?
41:06Yeah, down the shore road.
41:08She nearly hit me.
41:11Better stick than you are.
41:24Is Ed here?
41:36That's me.
41:37Take me out to the...
41:38I want to see Barry Webster.
41:40Yeah, come on.
41:54Say, ain't that her car?
42:04What?
42:06Come on, I got an idea.
42:19Hello, Chief.
42:20Lock and talking.
42:21I got a car.
42:22Found it deserted at the pier.
42:24What?
42:26I don't care anything about deserted cars.
42:29Bring her in.
42:31Wait a minute, wait a minute.
42:32Hello, hello.
42:35What did he say?
42:36Bring her in.
42:37You're going to do it?
42:38Sure.
42:39If I can find her.
42:40Where?
42:42Come on.
42:49Hey, Bart.
42:50Yeah.
42:51Where's the girl that was in that road?
42:53Search me.
42:54I said, where's the girl that was in that road?
42:57Oh, she's gone out there on the Sea Queen.
43:00You mean that old deserted gambling ship out there?
43:02Yeah, that's it.
43:06I wonder what she's doing out there.
43:08Well, uh...
43:09Let's go.
43:11Let's go.
43:11Let's go.
43:11Let's go.
43:11Let's go.
43:13Let's go.
43:13Let's go.
43:13Let's go.
43:14Let's go.
43:14Let's go.
43:15Let's go.
43:15Let's go.
43:16Let's go.
43:16Let's go.
43:17Let's go.
43:17Let's go.
43:17Let's go.
43:18What is it, Miss?
43:41Oh, please take me to him.
43:43There's nobody aboard with me.
43:44I'm the watchman, Miss.
43:45Oh, he told me to be here.
43:46Barry Webster.
43:48I must see him.
43:49Oh.
44:08Barry.
44:16Barry, I had to come.
44:18To tell you, you must go away.
44:20If they'd capture you now, I couldn't bear it.
44:24I can't go.
44:25I've told you that.
44:29But Barry, you must listen.
44:32You can't help me by staying.
44:33It's no use, Muriel.
44:35I'm responsible for the...
44:37for what happened.
44:38But I'm not yellow enough to run out and leave you to take the blame.
44:40Barry.
44:41Barry.
44:41You can't do it.
44:50You didn't kill William King.
44:52What do you mean?
44:56I killed him.
44:59You see, Barry, it's too late.
45:01You can't help me by staying here.
45:03I can't help you.
45:27You're a bastard.
45:32You're a brave little liar, Muriel.
45:36Now, listen to me.
45:37I said that I shot King, and it's going to stick, understand?
45:41And you're going to say nothing more about it.
45:44Barry, what are we going to do?
45:46You're going home and stay there.
45:48I'll find a way out of this.
45:49You mean you go away where they won't find you?
45:51Well, I don't know yet.
45:53Let's go together.
45:54Well, that's foolish.
45:55Impossible.
45:58Oh, listen, Barry.
46:00It isn't foolish.
46:01It isn't impossible.
46:03Oh, I know we've made a mess out of our lives.
46:05We're both outcasts now, fugitives.
46:07Let's try to get away together.
46:09Anywhere.
46:11We'll try to undo all those horrible mistakes we made.
46:14It's too late.
46:16Well, don't say that.
46:18We'll go away where they'll never find us.
46:20We'll be happy because we'll have each other again, Barry.
46:24It's our life.
46:25It's our only chance of happiness.
46:27I know it.
46:29Then we'll go?
46:30We'll try it.
46:37Come on.
46:44Oh, Mr. Buster.
46:47There's a police boat coming along side.
46:48Thanks, Mike.
46:59Thanks, Mike.
46:59Where is she?
47:20Where is she?
47:29Where is who?
47:30No stalling.
47:31Where's a woman?
47:32I'll bite.
47:33Where is she?
47:34A smart guy, Harry.
47:36Duffy, you go up in front and look around.
47:40You boys follow me.
47:48Bill, you better go down and look around the hole.
47:51Yes.
47:51I'll go down and look around the hole.
48:00Ren.
48:00Ren.
48:02What?
48:03Why don't you stay where I can see you?
48:05You look around here, I'll take care of the other side.
48:17Sure.
48:35Red! Red!
48:51What?
48:54What are you doing in there?
48:56Why, you just told me...
48:59That's right, go ahead in.
49:05Come out of there.
49:14Oh, yeah?
49:28Say, you laughing at me, you young buzzer?
49:35I'll give you one foot back and I'll come out with it.
49:51You go up and take a look around the deck.
49:53If there's anyone down here, I can handle them.
49:55By myself.
49:56All right.
50:26Fred, Fred, help me.
50:56Come and get me!
50:57What?
50:58Oh, gee, gosh.
50:59I didn't know who it was.
51:00Come on.
51:08I didn't mean to grab you.
51:09Skip it.
51:12I didn't know it was you locking.
51:13I didn't mean to grab you.
51:14Skip it.
51:15Well?
51:16Well, looks like she's not here.
51:19There's a fast boat astern.
51:20I came out in it.
51:21Shall we take a chance?
51:22Yes.
51:23I've got to be sure.
51:24Start all over again.
51:25Get in the other side.
51:26You two, Rep.
51:34Now's our chance.
51:40Rep!
51:41Rep!
51:42There they are!
51:56No time for the ladder.
51:57We've got to jump.
52:16Come on.
52:17We're back!
52:18Let's go!
52:20We've got to go.
52:21All right, let's go!
52:22Hold the擡.
52:23Come on!
52:24Move the guy with her!
52:26Come on, Victor!
52:27No!
52:28Get out!
52:29Get out!
52:30Get out!
52:31You got out!
52:32You got out!
52:33Get out!
52:34Get out!
52:35Go!
52:36Get out!
52:37You got out!
52:40Go!
52:41Go!
52:42Get out!
52:43Oh, my God.
53:13Let's go.
53:37Hang on.
53:43We can't make it.
54:00Oh, Mr. Milroy.
54:02I'm so worried.
54:03My daughter has disappeared.
54:05I want you to help me find me.
54:06What, madam?
54:07Why do you think I've been up all day?
54:09Sit down, little Flemming, and tell us what happened.
54:13I'm afraid she may have killed herself.
54:16What?
54:30Then you think your daughter has destroyed herself?
54:34I fear she has, or will.
54:36Oh, do help me find her.
54:38We've tried.
54:40Then your daughter did kill her husband.
54:43No, no, I tell you she did not.
54:46Then who did kill him?
54:48Come on, now.
54:48Who did it?
54:50You can't tell him.
54:50He's busy.
54:52I don't care how busy he is.
54:54I've got to see him.
54:55My son.
54:56Didn't my secretary tell you I was busy?
54:58Yes.
54:59But I've come to tell you the truth about the whole thing.
55:03Supposing you tell us just what did happen, Mrs. Geller, really?
55:08Night before last, it was.
55:10About 11 o'clock at night, I heard a terrible commotion on the second floor, in the direction
55:17of Miss Muriel's boudoir.
55:20I took an old gun that's been laying in my trunk for years, and hurried out of my room,
55:25thinking there were burglars in the house.
55:31There was murder in his eyes when he lifted the gun to shoot her.
55:36I saved her life by shooting him.
55:39Just why have you waited till now to tell all this?
55:47I never look for trouble till trouble finds me.
55:50I'm a busy woman.
55:52There's no time for courts and the like.
55:54Then why are you telling it now?
55:57Because you were foolish enough to think Miss Muriel done it.
56:01I tried for murder.
56:02Justifiable homicide.
56:08You'll have to prove that in court.
56:10Here's the gun you've been looking for.
56:12Don't point that gun at me.
56:13Put it there.
56:17Milroy speaking.
56:18Hello, Chief.
56:19Black and talking.
56:21I got him.
56:24They captured Mrs. King in that whist of hell.
56:27Oh, thank heaven she said it.
56:29I told you we'd get him.
56:32Hello?
56:34Yes.
56:35No, I know that.
56:38Shall I bring him in?
56:40I don't want them brought here.
56:42Turn them loose.
56:45What?
56:47Turn them loose?
56:48I said turn them loose.
56:51You mean turn them loose?
56:58What do you say, Locke?
56:59What do you say?
57:02I hope that job's waiting for you.
57:10I hope so.
57:11What did you say in the telegram?
57:13I said I was an expert chicken rancher.
57:15How long does it take to hatch a chicken?
57:18Well, I'm not sure.
57:19Three, four months, I guess.
57:25What's wrong now?
57:26We're out of gas again.
57:31So, Locke?
57:33Come on.
57:35What are you going to do?
57:36We'll shove it over the brow of the hill and let it coast to the next gas station.
57:43Get under the wheel.
57:45Me?
57:46I don't know anything about a car.
57:48Come on.
57:49It's going to take off.
57:54Come on.
57:55I want to work there.
57:58Come on.
57:59Come on.
58:01Something in here.
58:02I think it's going to beivan.
58:04Water, alone.
58:06Come on.
58:07How long are you going to day one?
58:08I'm going to.
58:10I don't know anything.
58:11You nice to see it.
58:12Come on.
58:12I'm going to take off.
58:13I think it's going to be rulesy.
58:14There we are.
58:39Now she'll coast the rest of the way.
58:40Give me a cigarette.
58:44Oh.
58:49Never mind, honey.
58:50She's all right.
58:51She can run anything.
58:53Except you and me.
58:54From now on.
59:14You
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