- 6 months ago
Category
🎥
Short filmTranscript
00:00:00And now for our feature presentation.
00:02:30Good evening. It's intermission time. Our service is friendly and quick. You'll find hot dogs, hamburgers, pizza, your favorite candies, hot and cold beverages, and other delicious snacks.
00:02:41So add to your fun of watching the movie. Visit our refreshment stand right now. We're glad to have you with us tonight. We hope you'll come to see us often. It's great to get out to the movies.
00:02:53We're just three minutes away from the start
00:03:23We'll see you next feature. Still time to visit our refreshment stand.
00:03:25We'll see you next time.
00:03:27We'll see you next time.
00:03:37We'll see you next time.
00:03:39We'll see you next time.
00:03:49We'll see you next time.
00:03:51We'll see you next time.
00:03:53We'll see you next time.
00:04:01We'll see you next time.
00:04:21We'll see you next time.
00:04:23We'll see you next time.
00:04:47Whatever your choice.
00:04:49Whatever your choice from the snack bar, things go better with Coke.
00:04:53We'll see you next time.
00:05:21We're now just one minute away from the beginning of our next feature.
00:05:25For your convenience, our refreshment stand will remain open after the feature begins, so you still have time to add to the fun of watching the movie.
00:05:33Before we begin our next feature, we'd like to remind you to replace your speaker before leaving the theater.
00:05:39If it is accidentally damaged, please notify someone at the refreshment stand.
00:05:44Again, thank you for coming out to the drive-in tonight.
00:05:47As you leave, please drive carefully and come back soon.
00:05:51Come back soon.
00:06:1310, 9, 8, 7, 6, 5, 4, 3, 2, 1, SHOT!
00:06:23Never such violent, vicious horror.
00:06:33Never such stark nerve-shattering terror.
00:06:37And never a woman who loved like this.
00:06:41Her schizophrenic embraces making corpses of her lovers.
00:06:45Their bodies savagely scarred by her flesh-ripping claws.
00:06:51The vampire beast craves blood.
00:06:55There's nothing I can do.
00:06:57He's dead.
00:06:59All of her victims are men whom this psycho fiend has to have to satisfy her desperate, inhuman hunger for a love mate.
00:07:07That move.
00:07:11Does it make you feel romantic?
00:07:15No man is immune to her irresistible you.
00:07:19No man can survive her insatiable lust for blood.
00:07:23Because she's something more than mortal woman.
00:07:27She's the incarnation of evil.
00:07:31It was a horrible creature, sir.
00:07:35With huge eyes, sir.
00:07:37With wings.
00:07:39Wings, sir.
00:07:43A vampire beast craves blood.
00:07:47I'm going to destroy you both.
00:08:03But there's no escape from the diabolical power that turns this beautiful woman into a giant death's head killer.
00:08:13Terrifying creature of murder and horror.
00:08:19The vampire beast craves blood.
00:08:25Starring Peter Cushing.
00:08:27Robert Fleming.
00:08:29Let no one leave.
00:08:43Move on yet to your peril.
00:08:47We will not stop until we have discovered the vampires who seek the life of this beautiful girl.
00:08:57And her lover.
00:09:01Watch out.
00:09:03They may be hovering over you.
00:09:05Or you.
00:09:07Or you.
00:09:09Or you.
00:09:11Danger stalks through the night.
00:09:13No one will say their fury would follow us to the ends of the earth.
00:09:19No, we must destroy them altogether.
00:09:23Scourge of mankind.
00:09:25They shall be found.
00:09:27I hereby summon to this place next week every person within the sound of my voice.
00:09:33You shall be judges of this eerie conspiracy.
00:09:37Here we shall meet Lionel Barrymore.
00:09:39Elizabeth Allen.
00:09:41Bayla Nugosi.
00:09:42Gee.
00:09:43Hershel.
00:09:44Lionel Barrymore.
00:09:45Gee.
00:09:46Gee.
00:09:47Gee.
00:09:48Gee.
00:09:49Gee.
00:09:50Gee.
00:09:51Gee.
00:09:52Gee.
00:09:55Think.
00:09:56Gee.
00:09:57Gee.
00:09:58Gee.
00:09:59Gee.
00:10:00Gee.
00:10:01Lionel Barrymore, Elizabeth Allen, Baila Nugosi, Gene Kershaw, Lionel Atkins, Mark of the Vampire.
00:10:18From Lugosi, Land of the Voodoo, comes the most infamous cult of all, Baila Nugosi as Murder-Le-Gendre.
00:10:42I see death. Master of the Undead Damned, the sinister power behind the White Zombie.
00:11:02Zombies? Yes, they are my service.
00:11:07This soul-killer takes men from their graves to be his slaves, his instruments of terror, and now this fiend plots to possess woman.
00:11:27Only a pinpoint, a silver mark, in a glass of wine, or perhaps a flower.
00:11:37Keep it, Monsieur. Keep it. You may change your mind.
00:11:53Not dead? Are you mad? I saw her die. The doctors signed the certificate. I saw them bury her.
00:12:01Captive in the borderland between life and death. Her brain drained of the life spark.
00:12:10The white zombie obeys the unholy commands of her demon master.
00:12:19As creatures carry out his cursed will, terror explodes in horror and heartquake.
00:12:37Zombies! Allez, vite! Allez!
00:12:44Never eyes so evil. Never powers so potent. Never magic so black. Baila Dracula Nugosi.
00:12:56As the master of the White Zombie.
00:13:03beat her in power in mail.
00:13:05Ben Speому be the little a little.
00:13:06Detire!
00:13:07Prediction!
00:13:08Be RESOUInd can look at those secretmarks.
00:13:09The
00:13:33THE END
00:14:03THE END
00:14:33THE END
00:15:03THE END
00:15:05THE END
00:15:07THE END
00:15:11THE END
00:15:13THE END
00:15:17THE END
00:15:19THE END
00:15:21THE END
00:15:23THE END
00:15:25THE END
00:15:27THE END
00:15:29THE END
00:15:31THE END
00:15:33THE END
00:15:35THE END
00:15:37THE END
00:15:39THE END
00:15:41THE END
00:15:43THE END
00:15:45THE END
00:15:47THE END
00:15:49THE END
00:15:51THE END
00:15:53THE END
00:15:55THE END
00:16:01THE END
00:16:03THE END
00:16:05THE END
00:16:07THE END
00:16:09THE END
00:16:11THE END
00:16:13THE END
00:16:15THE END
00:16:17THE END
00:16:19THE END
00:16:21THE END
00:16:23THE END
00:16:25THE END
00:16:27THE END
00:16:29THE END
00:16:31THE END
00:16:33THE END
00:16:35THE END
00:16:37THE END
00:16:39THE END
00:16:41THE END
00:16:43THE END
00:16:45THE END
00:16:47THE END
00:16:48THE END
00:16:49THE END
00:16:50THE END
00:16:51THE END
00:16:52THE END
00:16:53THE END
00:16:54THE END
00:16:55THE END
00:16:56THE END
00:16:57THE END
00:16:58THE END
00:16:59THE END
00:17:00THE END
00:17:01THE END
00:17:02THE END
00:17:03THE END
00:17:04THE END
00:17:05THE END
00:17:06THE END
00:17:07THE END
00:17:08THE END
00:17:09THE END
00:17:10THE END
00:17:11THE END
00:17:12THE END
00:17:13THE END
00:17:14THE END
00:17:15THE END
00:17:16THE END
00:17:17That'd be a good name for our bandage.
00:17:20Apache.
00:17:21Ah, Apache.
00:17:22Why, Splendid.
00:17:24Would you like to try whether they are real?
00:17:27Aye.
00:17:28And leave you unprotected?
00:17:30Never.
00:17:31Oh, yes.
00:17:34Oh, come on, now.
00:17:35Attention, attention, ladies and gentlemen.
00:17:48Step closer.
00:17:49Closer.
00:17:51Behind this curtain is the strangest creature your eyes will ever behold.
00:17:57Eric, the ape man.
00:17:58The monster who walks upright and speaks a language even as you and I.
00:18:05The ruler of the jungle whose giant hands can tear a man in half.
00:18:10Eric, the ape man.
00:18:12The beast with a human soul.
00:18:15More cunning than a man and stronger than a lion.
00:18:20Step up, ladies and gentlemen.
00:18:22Step right in.
00:18:23Shall we go into this one?
00:18:25All right.
00:18:27Vultures and children, half-race.
00:18:30Step up, ladies and gentlemen.
00:18:31Don't miss this opportunity.
00:18:33I wait.
00:18:34Let's sit over there.
00:18:40No, mademoiselle, not there.
00:18:42Take a seat in front so that you can see everything.
00:18:49This Korea killed six men, you see.
00:18:52What a funny-looking man.
00:19:04He's a show on himself.
00:19:06Did you notice his accent?
00:19:08I wonder where he comes from.
00:19:11I never heard an accent right there.
00:19:15Silence.
00:19:16I'm Dr. Miracle, monsieur, madame.
00:19:23And I'm not a sideshow charlatan.
00:19:26So if you expect to witness the usual carnival hocus-pocus,
00:19:31just go to the box office and get your money back.
00:19:33I'm not exhibiting a freak.
00:19:35I'm not exhibiting a freak.
00:19:37A monstrosity of nature.
00:19:39But a milestone in the development of life.
00:19:51The shadow of every day hangs over us all.
00:19:58The darkness before the dawn of man.
00:20:04It's all right.
00:20:18Don't be afraid.
00:20:19It's only a bab-bab-bab-bab-bab-bab-babboon.
00:20:21I'm not afraid.
00:20:23Neither am I.
00:20:24Listen to him, brothers and sisters.
00:20:28He's speaking to you.
00:20:32Can you understand what he said or have you forgotten?
00:20:38I have relearned his language.
00:20:41Listen.
00:20:41I will translate what he says.
00:20:59My home is in the African jungle
00:21:02where I lived with my father and my mother
00:21:06and my brothers and sisters.
00:21:09that I was captured
00:21:10by a band of hairless white apes
00:21:14and carried away to a strange land.
00:21:20I'm in the prime of my strength.
00:21:27And I'm lonely.
00:21:39Here is the story of man.
00:21:50In the prime of chaos
00:21:52there was the seed
00:21:55which rose and grew
00:21:57into the tree of life.
00:22:02Life was motion.
00:22:03Fins changed into wings.
00:22:06Wings into ears.
00:22:08And growling reptiles
00:22:11grew legs.
00:22:15Aeons of ages passed.
00:22:19And there came a time
00:22:21when a four-legged thing
00:22:24walked upright.
00:22:26Behold, first man.
00:22:41Heresy.
00:22:43Heresy.
00:22:44Heresy.
00:22:46They still burn men for heresy.
00:22:49Then burn me, monsieur.
00:22:53Light the fire.
00:22:55Do you think your little candle
00:22:58will outshine the flame of truth?
00:23:01Do you think
00:23:01these boards and curtains
00:23:03are my whole life?
00:23:06They are only a trap
00:23:11to catch the parries
00:23:13of fools.
00:23:18My life is consecrated
00:23:21to great experiment.
00:23:25I tell you I will prove
00:23:28your kinship with the ape.
00:23:30Eric's blood shall be mixed
00:23:36with the blood of man.
00:23:43I wish I knew it.
00:23:46Madame and Monsieur.
00:23:49If any of you wish
00:23:50to make the acquaintance of Eric,
00:23:52come forward.
00:23:57There is no need
00:23:58to be afraid.
00:24:00He is behind bars
00:24:02and cannot hurt you.
00:24:05Let's go up.
00:24:06Oh, no, Pierre.
00:24:07I'm afraid.
00:24:08I'm not afraid.
00:24:22He likes you, Camille.
00:24:26Look, he wants your bonnet.
00:24:27Eric is only human,
00:24:29mademoiselle.
00:24:30He has an eye
00:24:31for beauty.
00:24:43You have made a conquest,
00:24:46mademoiselle.
00:24:47No!
00:24:50Eric!
00:24:51Eric, get back!
00:24:52You fool!
00:25:06Do you want to be killed?
00:25:14Oh, that has ruined your part.
00:25:17I will replace it, mademoiselle.
00:25:20I will send you a new one
00:25:21with Eric's compliment.
00:25:23Will you tell me where you live
00:25:25and what your name is?
00:25:26Never mind, monsieur.
00:25:27It was an accident.
00:25:28But I insist.
00:25:31Where do you live, my child?
00:25:32It is not necessary, monsieur.
00:25:34Come, dear.
00:25:35Follow her.
00:25:47I must know where she lives.
00:25:52You liked her,
00:26:03didn't you, Eric.
00:26:07He he he he.
00:26:11He he he he.
00:26:24One.
00:26:25Two.
00:26:27Two.
00:26:28Three.
00:26:29Two.
00:26:30Sweetheart.
00:27:00Have I ever told you that I love you?
00:27:05Camille, I love you.
00:27:08Let me look at you.
00:27:10You're like a flower, soft and fragrant,
00:27:14pure and beautiful.
00:27:16Darling.
00:27:17And you're like a star, too, a white morning star.
00:27:23And your hair, it's full of stardust.
00:27:27You're like a song the girls of Providence sing on May Day.
00:27:30And like the dancing in Normandy on May Day.
00:27:33And like the wine in Burgundy on May Day.
00:27:36Oh, Camille, I love you.
00:27:37And I love you, too, Pierre.
00:27:57I love you, too, I love you.
00:28:10No.
00:28:13No.
00:28:14No.
00:28:14No.
00:28:17No.
00:28:18Oh.
00:28:19No.
00:28:20No.
00:28:21No.
00:28:21No.
00:28:22No.
00:28:23No.
00:28:24No!
00:28:26Oh, oh, oh, oh, oh.
00:28:56A lady in distress?
00:29:20Who are you?
00:29:22Come with me.
00:29:24Where?
00:29:26My carriage.
00:29:29No, no!
00:29:32Why are you trembling at my foot?
00:29:34Your hand is cold. It chills me.
00:29:37Come. I will help you.
00:29:41No. No.
00:29:56I'll help you.
00:30:02No.
00:30:04No.
00:30:06No.
00:30:07Be patient.
00:30:19I'm in pain, mademoiselle.
00:30:22It will only last a little longer.
00:30:34Ah, you stubborn hush!
00:30:37Ah!
00:30:39It will only last one more minute and we shall see.
00:30:43We shall know if you are to be the pride of silence.
00:30:47Ah!
00:30:51Ah!
00:30:54Ah!
00:30:56Ah!
00:30:58Ah!
00:31:03Ah!
00:31:05Ah!
00:31:06Ah!
00:31:09Ah!
00:31:12Ah!
00:31:14Ah!
00:31:16Ah!
00:31:18Ah!
00:31:20Ah!
00:31:21Ah!
00:31:22Ah!
00:31:23Ah...
00:31:34Ah!
00:31:35Ah!
00:31:36Ah!
00:31:37Ah!
00:31:38Ah!
00:31:39Ah!
00:31:41Ah!
00:31:42It's black spots.
00:32:01Rattled plants.
00:32:06You.
00:32:12Your blood is rotten. Black as your sins.
00:32:21You cheated me. Your beauty was alive.
00:32:42Dead. You are. You are dead.
00:33:12Janusz, Janusz.
00:33:21Get rid of it. Get it away.
00:33:42There's no place there said rock and roll.
00:33:44You come from a party to the store.
00:33:46If you like to pop there, you dig the scene.
00:33:49You'll forget every place that you've ever been.
00:33:51So come on now, get the place inside.
00:33:53Cause the Rock House Box saves a single night.
00:33:56Yeah!
00:33:57A driving movie full of juicy people.
00:34:15Wow!
00:34:18It's a trap!
00:34:20Help! Help! It's Pick! We've had it, men.
00:34:28A pleasant aroma for you, but not for mosquitoes.
00:34:33Pick is easy to use. Light it and forget it.
00:34:36The exclusive aluminum-lined ashtray top means not an ash falls on the dash.
00:34:42Pick's aroma keeps mosquitoes, gnats, and sand flies away.
00:34:46Pick is the best protection for barbecues, fishing and camping trips, or just relaxing in the yard.
00:34:52No more sleepless nights or mosquito bites.
00:34:55Pick is harmless to children and pets, too.
00:34:58So if you don't want our company ever anywhere, just like Pick and see what I mean?
00:35:04Bye!
00:35:06Pick is on sale at the refreshment station.
00:35:08There's no place there, said rock and roll.
00:35:11You can't find a part left through the store.
00:35:13If you like to pop, then you'll dig the sea.
00:35:16You'll forget every place that you've ever been.
00:35:18So come on now, get the place inside.
00:35:20Call the Rock, house, box every single night.
00:35:23Yeah!
00:35:36Yeah!
00:35:43Will my search never end?
00:36:08Three this week.
00:36:32Three women, all of them, life is hard, river is kind, river is soft.
00:36:46It rocks them to sleep, and asks no pay.
00:36:55Three women, always more, always young.
00:37:01A man?
00:37:17A woman.
00:37:20Age?
00:37:23Oh, Eddie.
00:37:25Thousand or thirty.
00:37:27Cause of death?
00:37:29Drowning.
00:37:34Profession?
00:37:40Yes.
00:37:44Identification?
00:37:46None. She was naked.
00:37:50Number 13.
00:37:58Mom is very delicate.
00:38:01The center.
00:38:05One big chủ Harley?
00:38:09Which ishmmm?
00:38:15Right?
00:38:16Well, Monsieur Dupin, what brings you here?
00:38:46The two women, what about them?
00:38:50Monsieur, would you be good enough to show them to me once more?
00:38:54If you wish, Monsieur Dupin, I will show you three.
00:38:58Three?
00:39:04You mean there's been another one?
00:39:06Yes.
00:39:08Let me see her.
00:39:10Yes.
00:39:16There's the body.
00:39:23The same marks.
00:39:41Marks?
00:39:42See them?
00:39:42They're on the others, too.
00:39:55Monsieur, you must let me take a specimen of this woman's blood.
00:40:00Impossible.
00:40:01Since that whole body disappeared last week, the inspector is very strict about medical students.
00:40:08Then, uh, you bring it to me.
00:40:10It's against all regulations.
00:40:20Tomorrow night, huh?
00:40:23Good night, Monsieur.
00:40:24The macaroni's ready.
00:40:49The coffee's getting cold.
00:40:53Aren't you going to eat your lunch?
00:40:59You give five francs to that old ghoul down at the morgue,
00:41:03and I have to turn magician and pull a loaf of bread out of my nose so we can eat.
00:41:07Dupin, you might at least have decency to come to the table.
00:41:20Pierre, why don't you go down to the morgue and live there,
00:41:24instead of making a morgue out of our home?
00:41:33Vampire.
00:41:35Vulture.
00:41:37Body snatcher.
00:41:40Say something.
00:41:44Come in.
00:41:51Speak of the devil.
00:41:55Good morning, Monsieur.
00:41:59You've got it, eh?
00:42:00Yes, Monsieur.
00:42:02I've got it.
00:42:03But who knows?
00:42:05At the price of my job, perhaps.
00:42:08I am a married man, Monsieur.
00:42:10I have children.
00:42:12And if the police should even suspect that I was holding anything back from them,
00:42:16I should be put behind bars.
00:42:19No use.
00:42:20No use.
00:42:20We haven't a centime.
00:42:21Yes, Monsieur.
00:42:23I must owe you the money.
00:42:24The morgue must give us credit.
00:42:27Then I will trust you.
00:42:30Monsieur the morgue keeper, perhaps you have an extra slab for my friend here.
00:42:35Why not take him in?
00:42:36Why not take him in?
00:42:36Why not take him in?
00:42:36Why not take him in?
00:42:37Why not take him in?
00:42:38He eats nothing.
00:42:39He doesn't talk.
00:42:40He never changes his position.
00:42:43I'm sure he'd make you a very fine tenant.
00:42:46I'll pack his things and send them down.
00:42:50You don't live badly here, Monsieur.
00:42:53I had to hurry myself up here without lunch.
00:42:57Oh.
00:42:58Oh.
00:42:59And now you have to hurry back for your lunch.
00:43:02Why, that's too bad.
00:43:04Good appetite to you and your quiet guests.
00:43:07Goodbye.
00:43:08Good day, Monsieur.
00:43:09If you'd pay half as much attention to your studies as you do to this nonsense, what grades
00:43:24you'd get.
00:43:27Hmm?
00:43:27What'd you find out?
00:43:31After the carnival last night, I performed an autopsy.
00:43:35The victim didn't die of drowning.
00:43:37There was no water in her lungs.
00:43:40Oh, so that's what you were up to.
00:43:43I thought you were with Camille.
00:43:45Huh?
00:43:47Of what did the victim die?
00:43:49Paul!
00:43:50Here it is again.
00:43:51What?
00:43:52The same foreign substance in the blood of each victim.
00:43:56Look, Paul.
00:43:59All three died from the same cause.
00:44:04Some strange poison, perhaps.
00:44:07Something introduced into the bloodstreams that caused their death.
00:44:10What could it be?
00:44:12I don't know.
00:44:15That's what I have to find out.
00:44:19Oh, Pierre, you must pull yourself together.
00:44:22While you're becoming fanatical.
00:44:24Look at yourself in the mirror.
00:44:26Your eyes are getting glassy.
00:44:28Just like that old charlatan's.
00:44:29Dr. Miracle, eh?
00:44:35What did you make of him?
00:44:37Oh, he's a faker.
00:44:38Did you pay attention to what he said?
00:44:40You mean about us being the product of evolution?
00:44:43Yes.
00:44:43Has it occurred to you that he might be right?
00:44:49Eat your lunch.
00:44:52Dr. Miracle.
00:44:55He's a strange man.
00:45:00Pierre!
00:45:01See what the concierge has just brought up.
00:45:25Mother!
00:45:31Come quickly!
00:45:33I'm coming.
00:45:34I'm coming.
00:45:41Oh, for goodness sake, what is it?
00:45:43What are you so excited about?
00:45:45See what just came?
00:45:47New bonnet.
00:45:48A bonnet?
00:45:49Oh, it's lovely.
00:45:53Are you sure it's for you?
00:45:54My name's on the box.
00:45:56Isn't it pretty?
00:45:57Oh, now, who could have sent it?
00:45:59Maybe it's from Pierre.
00:46:00Oh, where would Pierre get money enough to get a present like that?
00:46:05Maybe there's a card inside the box.
00:46:19It's from Dr. Miracle.
00:46:29And who is Dr. Miracle?
00:46:31You know, I told you.
00:46:33The funny old man at the side show who owns the ape.
00:46:35Oh, I see.
00:46:37The ape took your bonnet and the gentleman's replacing it.
00:46:40Well, that's very nice of him.
00:46:42It's a beautiful bonnet.
00:46:44Shall I wear it to the picnic?
00:46:46Why not?
00:46:47I wonder how he found out where we live.
00:46:49Well, didn't you tell him?
00:46:51He wanted to know, but Pierre wouldn't let me tell him.
00:46:54Oh, isn't that funny?
00:46:58Well, anyway, you have a new hat.
00:47:01Camille!
00:47:02Camille!
00:47:03There they are.
00:47:06Hello!
00:47:07Ah, there she is.
00:47:09Everybody ready?
00:47:10One, two.
00:47:11Her father
00:47:13Wanted her to wear
00:47:15The funny, funny little man
00:47:17My father wanted her
00:47:18To wear
00:47:19The funny, funny little man
00:47:21My father wanted me
00:47:23To wear
00:47:24The funny, funny little man
00:47:26But I would not be wet
00:47:27I said
00:47:28To such a funny little man
00:47:31Come on, Camille
00:47:31Hurry up, hurry up
00:47:32Did you bring the chicken?
00:47:32Why aren't you dressed up?
00:47:33Why aren't you dressed up?
00:47:38But she would not be seen
00:47:38She said
00:47:39We're such a funny little man
00:47:39But she would not be seen
00:47:40She said
00:47:41We're such a funny little man
00:47:42But she would not be seen
00:47:44But she would not be seen
00:47:46She said
00:47:47We're such a funny little man
00:47:49But she would not be seen
00:47:50She said
00:47:51We're such a funny little man
00:47:53Lorette, I am absolutely mad about you.
00:48:06No, no, no.
00:48:08Years ago, I gave up believing in students.
00:48:12But Marie, I mean what I said.
00:48:16Then here's to a truthful student.
00:48:18The animal doesn't exist.
00:48:20But, Meniere, I'll give you my word.
00:48:22So, we'll speak to my parents tonight?
00:48:26Well, it's you I love, Suzette.
00:48:28Not your family.
00:48:32Oui.
00:48:34Don't I look different to you today?
00:48:36Different?
00:48:37How?
00:48:38You're a blind donkey.
00:48:41Something new I've got on.
00:48:47With my bonnet.
00:48:50Oh, of course.
00:48:51It's beautiful.
00:48:52And it's a gift.
00:48:55A gift?
00:48:56Well, well.
00:48:57Who, Brown?
00:48:58Yes.
00:49:01Henri, that poet.
00:49:06Yes, again.
00:49:07That butterfly collector, Moreau.
00:49:10Oh, Pierre.
00:49:12You'd better give up.
00:49:14It's from Dr. Miracle.
00:49:16Miracle.
00:49:22Miracle.
00:49:29Miracle.
00:49:30Yes.
00:49:31Wasn't it nice of him?
00:49:32Did he bring it himself?
00:49:33No.
00:49:34But he sent a note.
00:49:35So, he found out where you live after all.
00:49:37And I can't imagine how.
00:49:39He must have had us followed.
00:49:41What did the note say?
00:49:43He asked me to come to his tent tonight.
00:49:45That's strange.
00:49:47What could he want?
00:49:49You mustn't go.
00:49:51Why not?
00:49:52I wonder what Dr. Miracle is up to.
00:49:55Paul calls him a faker.
00:49:57But he isn't.
00:49:58He isn't an ordinary man.
00:50:01I'll go see your Dr. Miracle tonight.
00:50:04Very well, Pierre.
00:50:09Get that pole down the whole way.
00:50:11Oh, crazy.
00:50:12Move.
00:50:13Hold this right up here, a little ramble up front.
00:50:14Move this box back.
00:50:15Come on, come on, come on.
00:50:16That's what's going on, isn't it?
00:50:17It's not as great as it is.
00:50:18I'm not a little help here, boss.
00:50:19Hold it up.
00:50:20Don't let it play on the ground.
00:50:21Come here, Donnie.
00:50:22I'm afraid I don't go in the way.
00:50:23Come here, Donnie.
00:50:24Come here, Donnie.
00:50:25Come here, Donnie.
00:50:26Come here, Donnie.
00:50:27Come here, Donnie.
00:50:28Come here, Donnie.
00:50:29Come here, Donnie.
00:50:30Come here, Donnie.
00:50:31Come here, Donnie.
00:50:32Come here, Donnie.
00:50:33Move this.
00:50:34Come here, Donnie.
00:50:35Come here, Donnie.
00:50:36Come here, Donnie.
00:50:37Come here, Donnie.
00:50:38Come here, Donnie.
00:50:39Come here, Donnie.
00:50:41Hold that.
00:50:42Now, wait on.
00:50:43Get this box over here.
00:50:44Get the box over here.
00:50:45Get the box over here.
00:50:46That's right.
00:50:47I'll move it.
00:50:48What is the matter, Eric?
00:50:51Are you restless?
00:50:52Be quiet.
00:50:59What is the matter, Eric?
00:51:01So, we have a caller.
00:51:12Dr. Miracle, I...
00:51:13No show tonight, young man.
00:51:15The carnival is over.
00:51:17I've already seen your performance.
00:51:21Doctor, I wanted to talk to you.
00:51:25First, the young lady to whom you sent the hat wants me to thank you for her.
00:51:31Then she is not coming.
00:51:34She sends her regrets.
00:51:37Very well.
00:51:40Good night.
00:51:46Are you going away?
00:51:48Yes.
00:51:50We moved to Munich in the morning.
00:51:53Excuse me.
00:51:54I must attend to my work.
00:51:57I'm a medical student.
00:51:58And the things you said in your lecture were very interesting.
00:52:04Have you experimented, doctor?
00:52:07Yes.
00:52:10Have you written any papers?
00:52:13None to be shown.
00:52:14I had hoped you'd let me come to see you.
00:52:19Have you a house in Paris?
00:52:20No.
00:52:22I sleep here.
00:52:24This tent is my home.
00:52:26Good night, young man.
00:52:29Good night.
00:52:29Good night.
00:52:40No, no.
00:52:41That's not the miracle stuff.
00:52:43He's not going with us.
00:52:45He's going to stay in Paris.
00:52:47Load on.
00:52:51Pull ahead.
00:52:52All right, boy.
00:53:19He got out with the ape, and I'll swear they were talking to each other.
00:53:43They went inside, and after that, there was no sign of life, not a sound.
00:53:48So you went home?
00:53:49Well, I dropped in at the morgue.
00:53:52Pierre.
00:53:53Pierre, what will you come to?
00:53:56Why are you always visiting that horrid old place?
00:54:00Don't you worry, darling.
00:54:02Look, there's all of our Paris spread out before us.
00:54:09I like to see the little lighted windows twinkling like stars.
00:54:13Wouldn't it be fun to know all that was going on inside those houses?
00:54:17Perhaps it's just as well that we don't know.
00:54:21Think of what all those walls are hiding.
00:54:24Broken hopes and bodies and hearts.
00:54:26Absent dreams, starvation, madness, crimes of the streets, and tragedies of the river.
00:54:35Paris, my city.
00:54:36I hate to leave you alone tonight.
00:54:50Hold me tightly, Pierre.
00:54:52I could hold you forever, Camille.
00:54:56Pierre.
00:54:56Pierre.
00:55:06Good night, dear.
00:55:11Good night, Pierre.
00:55:13By the way, you always keep your door bolted at night, don't you?
00:55:19Not always, Pierre.
00:55:23Be sure and lock it tonight, dear.
00:55:25Will you promise?
00:55:26If you think so.
00:55:29Good night.
00:55:30Good night.
00:55:36Good night.
00:56:06Good night.
00:56:08Good night.
00:56:33Good night, dear.
00:57:01Good night, Mother.
00:57:03Good night.
00:57:14Pierre?
00:57:18Yes.
00:57:19Mademoiselle, you will pardon the late hour, but I have to see you.
00:57:31What do you want, Monsieur?
00:57:35Don't be alarmed, Mademoiselle.
00:57:39I'm leaving Paris tonight, and there is something I have to tell you.
00:57:43May I come in?
00:57:44Oh, no, Monsieur.
00:57:45My mother has gone to sleep.
00:57:48My carriage is downstairs, Mademoiselle.
00:57:51We can drive to a cafe and talk.
00:57:54Oh, that's impossible.
00:57:55But it is of greatest importance.
00:58:00Oh, please go away.
00:58:02Mademoiselle, you must come.
00:58:06Please, do me this favor.
00:58:09Oh, let me close the door.
00:58:10I'll call for help.
00:58:11But I have a message for you from Eric.
00:58:16He talks only of you.
00:58:19He can't forget you.
00:58:20There's something you must know.
00:58:27Are you insane, Monsieur?
00:58:29Oh.
00:58:30Oh.
00:58:30Oh.
00:58:30Oh.
00:58:31Oh.
00:58:32Oh.
00:58:33Oh.
00:58:34Oh.
00:58:35Oh.
00:58:36Oh.
00:58:37Oh.
00:58:38Oh.
00:58:39Oh.
00:58:40Oh.
00:58:41Oh.
00:58:42Oh.
00:58:43Oh.
00:58:44Oh.
00:58:45Oh.
00:58:46Oh.
00:58:47Oh.
00:58:48Oh.
00:58:49Oh.
00:58:50Oh.
00:59:20Oh.
00:59:20Oh.
00:59:20There Eric, she's up there.
00:59:50Gorilla.
00:59:57Gorilla.
01:00:03Paul.
01:00:04Paul, Paul, wake up.
01:00:05Wake up.
01:00:06Where's the matter?
01:00:07What?
01:00:08I found it.
01:00:09It's the blood of a gorilla.
01:00:10Gorilla?
01:00:11Those women, don't you understand?
01:00:13They died because a gorilla's blood was injected into their veins.
01:00:19Camille!
01:00:21Camille!
01:00:23Camille!
01:00:49Camille!
01:00:50Camille!
01:00:51Camille!
01:00:52Camille!
01:00:53Camille!
01:00:54Camille!
01:00:55Camille!
01:00:56Camille!
01:00:57Camille!
01:00:58Camille!
01:00:59Camille!
01:01:00Camille!
01:01:01Camille!
01:01:02Camille!
01:01:03Camille!
01:01:04Camille!
01:01:05Camille!
01:01:06Camille!
01:01:07Camille!
01:01:08Camille!
01:01:09Camille!
01:01:10Oh, darling, what is it, what's the matter?
01:01:38Oh, darling, what happened to you, please?
01:01:45I'll get you a glass of water.
01:01:48Oh, my baby.
01:01:53Mother!
01:01:58Camille!
01:02:07Come here!
01:02:14Come here!
01:02:18Mother!
01:02:20Hey!
01:02:22Someone help me break it down!
01:02:24Help!
01:02:26Let me go!
01:02:29Come here!
01:02:31We want to get in!
01:02:33We want to get in from the area!
01:02:35Let us get in!
01:02:36The area!
01:02:37We want to get in!
01:02:39What are you about? What is it? What do you think?
01:02:59Money. Jewels.
01:03:05This is not a robbery. There is no body, so it isn't a murder.
01:03:09He's carried her away. She's gone.
01:03:12Who are you? Where do you come from?
01:03:14He's her sweetheart. He comes here every night.
01:03:17Sweetheart. You may wait for the prefect.
01:03:21But we was fine, Camille. Let me go, you fool. It'll be too late.
01:03:26You may tell all that to the prefect. Now, what is your name?
01:03:31Pierre Dupont. Pierre Dupont. And where do you live?
01:03:36Oh, don't you understand? Her life is in danger.
01:03:40I understand. Where do you live?
01:03:42Oh, you fool! You stupid fool!
01:03:45So, your name is Victor Albert Adolph Jules Hugo Louis Dubois. Eh?
01:03:59Yes, sir.
01:04:00Why did you not investigate when you heard the first scream?
01:04:05I... I was afraid.
01:04:08Stupid. Incredibly stupid.
01:04:11Yes, sir. I...
01:04:16Stupid.
01:04:20How about the era, Herr Prefect?
01:04:22What is your name and business?
01:04:24I am Franz Odenheimer. I own a restaurant.
01:04:28Odenheimer. In your own way, tell us what happened.
01:04:31You see, I was just going to bed.
01:04:35When suddenly, I heard a scream.
01:04:39Right away, I ran across the street and I was one of the first ones to enter this room.
01:04:48On the way upstairs, I heard a voice.
01:04:53And that voice was speaking Italian.
01:04:58Do you speak Italian?
01:05:03No.
01:05:04Were you ever in Italy?
01:05:06Yes.
01:05:08No.
01:05:09How do you know it was Italian?
01:05:12Because I am sure it was Italian.
01:05:16Ah.
01:05:21Alberto Montani.
01:05:23What do you know of this affair?
01:05:27Well, I also heard the voice.
01:05:30But it was not Italian.
01:05:32No.
01:05:33I am Italian.
01:05:34I speak Italian.
01:05:35I speak Italian.
01:05:36I speak Italian.
01:05:37When I ran up the stairs with the other, I heard the voice.
01:05:40It was not Italian, no.
01:05:43It was Danish.
01:05:45You speak Danish?
01:05:46No.
01:05:47Were you ever in Denmark?
01:05:50No.
01:05:51How do you know it was Danish?
01:05:53My intuition.
01:05:54It was not Danish.
01:05:55I beg your pardon, Your Honor.
01:05:56I am a native of Denmark.
01:05:57Danish is my native tongue.
01:05:58I heard the voice, but it was not Danish.
01:05:59It was German.
01:06:00Italian.
01:06:01Not German.
01:06:02I am a native.
01:06:03No.
01:06:04No.
01:06:05No.
01:06:06No.
01:06:07No.
01:06:08No.
01:06:09I heard the voice, but it was not Danish.
01:06:12It was German.
01:06:14Italian.
01:06:16No.
01:06:18No.
01:06:19No.
01:06:20No.
01:06:21No.
01:06:22No.
01:06:23No.
01:06:24No.
01:06:25No.
01:06:26No.
01:06:27No.
01:06:28No.
01:06:29No.
01:06:30No.
01:06:31No.
01:06:32蓮子!
01:06:59Bring in the young man !
01:07:01Sir the prefect will question you now now you might as well come quietly don't try and make any
01:07:14more trouble young man what is your name mine oh I can tell you who committed the murder and where
01:07:29you can find him who an ape he's out of his mind if you don't listen to me now you'll be guilty of
01:07:40the second murder second murder so you know there has been one yeah if you'll only listen to me I'll
01:07:47explain very well tell us what you know there were two women in this room the only door was
01:07:59locked and bolted everybody heard screams the sound of a terrible struggle within two minutes the door
01:08:04was broken down no one was here one of those women was carried away I tell you the other one was
01:08:10murdered and her body must be somewhere in this room
01:08:13mother young man you know too much I arrest you for the murder yes and another murder may be happening
01:08:36now the confession you wish to make no an accusation dr. miracle in the room or his guilty of four
01:08:43murders so far this week and by now perhaps a fifth do you accuse this doctor dr. miracle has a captive
01:08:52ape it committed this crime no one man could have done this three men couldn't have pushed that body up
01:08:58the chimney I tell you that ape killed her and carried her daughter off through the window
01:09:03you're insane come on wait here is proof that is not human it's the hair of an ape
01:09:21believe her blood is no curse that bersenwyneth her blood is perfect
01:09:38uh
01:09:41uh
01:09:45uh
01:09:46uh
01:09:47uh
01:09:48uh
01:09:50uh
01:09:50uh
01:09:51Why did you not see this?
01:09:53Why did you not see this?
01:09:59Huh?
01:10:06Why did you not see this?
01:10:21That's the house, monsieur.
01:10:34Open.
01:10:39This is an empty house. No one lives here.
01:10:42But it's not empty, I tell you. We must break in.
01:10:47There's another door at the side.
01:10:49We'll try it.
01:10:51Please.
01:10:57Police!
01:11:00We cannot stop now.
01:11:03Hold them off until I'm ready.
01:11:06Come, Erick.
01:11:07Erick.
01:11:08Erick.
01:11:09Erick.
01:11:10Erick.
01:11:11Erick.
01:11:12Erick.
01:11:13Erick.
01:11:14Erick.
01:11:15Erick.
01:11:19Erick.
01:11:20Erick.
01:11:21Erick.
01:11:22Erick.
01:11:23Erick.
01:11:24Erick.
01:11:25Erick.
01:11:26Erick.
01:11:27Erick.
01:11:28Erick.
01:11:29Erick.
01:11:30Erick.
01:11:31Erick.
01:11:32Erick.
01:11:33Erick.
01:11:34Erick.
01:11:35Erick.
01:11:36Erick.
01:11:37Erick.
01:11:38Oh
01:11:43Back to your cage
01:11:55Somebody's borrowing it open
01:12:08Oh
01:12:23Hurry
01:12:29Camille
01:12:33He's dead
01:12:35Let me...
01:12:37Why look! There he goes!
01:12:38It's a knife
01:12:42Get that duree
01:12:43Get that duree
01:12:44It's coming
01:12:45Come on
01:12:53Come on
01:12:55Come on
01:12:56Come on
01:12:58Come on
01:13:00Come on
01:13:01You fool!
01:13:21You fool!
01:13:31The, the, the, the, the, the, the, the.
01:14:01Oh, no, no, no, no, no, no!
01:14:31Oh, no, no, no, no, no!
01:15:01Oh, no, no, no, no, no!
01:15:31Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no!
01:15:41Name?
01:15:43Miracle, I believe, or something like that.
01:15:45Number two.
01:15:51Number two.
01:15:55Age?
01:15:57Oh, any age, it doesn't matter.
01:16:01Profession?
01:16:02They say he was a scientist or something.
01:16:06Death caused by?
01:16:07An ape.
01:16:09An ape.
01:16:19THE END
01:16:49Please remember to replace the speaker on the post when you leave the theater.
01:17:19The END
01:17:31The END
Comments