- hace 3 días
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
Categoría
🎥
CortometrajesTranscripción
00:02:59¡Ah, excuse me, sir!
00:02:59What have I here, dear?
00:03:04What have I here?
00:03:07Dear.
00:03:08Come on, big brain. Let's hear from you.
00:03:11Excuse me, sailor.
00:03:13What have I here?
00:03:15Here means a cigarette case.
00:03:18Wrong again, professor.
00:03:20I suppose you know we're starting this act tomorrow night.
00:03:22My own sweet angel, it means a cigarette case.
00:03:26It means a fountain pen, nitwit.
00:03:27Darling, you're a liar.
00:03:28Thank you, professor.
00:03:30Well, you came with the wrong cue.
00:03:31That's right, to put me in the wrong.
00:03:32I never argue with a lady.
00:03:34I'm not a lady, I'm your wife.
00:03:35You're welcome.
00:03:37What have I here, dear?
00:03:40Ladies?
00:03:41Uh, oh, a fountain pen.
00:03:43Oh, yes.
00:03:45Well, let's try again, professor.
00:03:47What am I holding?
00:03:49Uh-oh, that's cheating.
00:03:51Well, if you don't trust me, I shall get a divorce.
00:03:53Judge, my wife didn't trust me.
00:03:55One of these days, I shall have you destroyed.
00:03:57Oh, that'd be nice.
00:03:58So now what?
00:04:00So now what am I holding?
00:04:02Uh, darling, do you by any chance happen to remember the exact day when we were married?
00:04:11Don't change the subject.
00:04:12Well, you see, uh, what I wanted to say was that since next April is going to be one of
00:04:18our anniversaries that I might go out and buy you a nice big Christmas tree.
00:04:23What am I holding?
00:04:24You're holding a box of chocolates.
00:04:26Wrong.
00:04:26Right.
00:04:26Wrong.
00:04:27Right.
00:04:27Miss Nowall, peruse the book.
00:04:29Go on, peruse it.
00:04:31Oh.
00:04:32Oh.
00:04:33What were you saying about our anniversary?
00:04:35What am I holding?
00:04:36What am I holding?
00:04:37You glory.
00:04:38You glory.
00:04:42You glory.
00:04:45I say, where's Mother?
00:04:47Mother!
00:04:49Mother!
00:04:50I see.
00:04:51I see.
00:04:51I see.
00:04:52Can't we have a port, huh?
00:04:53What for?
00:04:54Remember a fool and his mummy a swoon party.
00:04:56Yes, and you'll remember it.
00:04:57Mother, to all the saints, we're coming to the street.
00:05:01Oh!
00:05:01Stop then!
00:05:02What's that, Leo?
00:05:08Can I show?
00:05:10Come along.
00:05:11Seven hundred.
00:05:13Well, Simon, I see you've got everything.
00:05:15Come on.
00:05:16Let's go.
00:05:17Oh, you're wasting time.
00:05:18Come on.
00:05:33Now, madam, have you anything to declare?
00:05:35I have not.
00:05:35Cigarettes?
00:05:36No.
00:05:36No.
00:05:38Perfume?
00:05:38No, no, no.
00:05:39Open this bag, please.
00:05:41Have you anything to declare, sir?
00:05:43Uh, oh, no, thank you.
00:05:45No.
00:05:46Here's a pretty thing.
00:05:47What is it?
00:05:48Pretty thing?
00:05:48That's, uh, powder compact.
00:05:50Right, darling.
00:05:51You open this suitcase, please, sir.
00:05:53No cigars, cigarettes, cameras, or perfume?
00:05:57No perfume.
00:06:00Now, what have we got here?
00:06:01What have we got here?
00:06:03That's, uh...
00:06:04Wait a minute.
00:06:04Wait a minute.
00:06:05A bottle of whiskey.
00:06:06Eh?
00:06:07Where?
00:06:08Oh, I figure.
00:06:08Pardon me.
00:06:09I didn't mean that.
00:06:10There isn't one.
00:06:11You said there was.
00:06:12Yes.
00:06:13Well, you see, you said to me, what have we got here?
00:06:16Yeah.
00:06:17And the answer to that is a bottle of whiskey.
00:06:18Yes.
00:06:19You see?
00:06:20Yes.
00:06:20Oh, I'm afraid I don't.
00:06:23Well, where is it?
00:06:24Yes, sir, but you don't understand.
00:06:25I mean, it's a, it's a gag.
00:06:27Yeah.
00:06:27Seems like it.
00:06:29Open this case, will you, please?
00:06:31Yes, but listen to me.
00:06:32I'm the great Maximus.
00:06:34Yes, very likely you are.
00:06:35Last week we had a man here who said he was Napoleon,
00:06:37but that doesn't alter the fact that whiskey is dutiable.
00:06:40Yes, but you don't understand.
00:06:41We're a music hall term.
00:06:43We're just starting on a tour.
00:06:44I'm a, m, a mind reader.
00:06:45Yes, that's what I have to be, too.
00:06:47And I'm going to find that whiskey if I have to search all night for it.
00:06:51Put that in your mind and read it.
00:06:52There you are, Max.
00:06:53I told you this new act of course, Cabal.
00:06:55You should be like your father.
00:06:57Stick to the old routine.
00:06:58The proof of the pudding's in the eating.
00:07:03Here, look here, my man.
00:07:04We shall miss our train.
00:07:05Yes.
00:07:06Ah.
00:07:07You with this, gentlemen?
00:07:08Well, I...
00:07:09Right, well, come on, open up this case.
00:07:12Anything to declare?
00:07:14No.
00:07:14No perfumes?
00:07:15No.
00:07:16No cameras?
00:07:17No.
00:07:17No cigarettes?
00:07:18No.
00:07:19No cigars?
00:07:20No.
00:07:21No cigars?
00:07:23No.
00:07:23Oh, nothing to declare, eh?
00:07:25No.
00:07:26No cigars?
00:07:28Cigars.
00:07:29Well, what about this?
00:07:31Hey, here.
00:07:31Don't open that.
00:07:32What do you think I am?
00:07:34Eh, it's a trick.
00:07:35Yeah, like his disappearing whiskey, I suppose.
00:07:37Right.
00:07:38Please.
00:07:38It took me two hours to pack that.
00:07:40Oh, did it?
00:07:41Well...
00:07:42Ha, ha, ha.
00:08:05No point.
00:08:05Ladies and gentlemen!
00:08:08It is with great pleasure...
00:08:10That I present to you...
00:08:12The greatest mind-reading and thought-transmission act...
00:08:15That has ever appeared before the public!
00:08:18My dear dear dear dear dear...
00:08:19It won't wait mother.
00:08:20Everything will be all right.
00:08:21Max, take the old trick!
00:08:22Just as your daddy, remember, fool rushing...
00:08:24¡Suscríbete al canal!
00:08:54que tendrán al menos de ti.
00:08:57Te pedirán que probarán el maravilloso poder de este maravilloso pair
00:09:03y verán por ti el mejor ejemplo de telepatía de comunicación
00:09:09el mundo ha sido conocido.
00:09:13Señoras y señores,
00:09:16todos los mejores tricks,
00:09:17como todos los mejores cosas en la vida,
00:09:20son simples, pero a veces difícil de explicar.
00:09:22Yo no prefiero ser un superman.
00:09:25Los poderes que tengo,
00:09:27son más o menos, por ustedes.
00:09:31Mademoiselle René es entre ustedes.
00:09:34Ella va a pedirle a la parte de ella
00:09:36de cualquier artículo personal.
00:09:39La luz de pensamiento emanando de ella
00:09:42va a llegar a la luz para mí.
00:09:45Para decirlo simplemente,
00:09:46es como si Mademoiselle René
00:09:48era mi propia electricidad,
00:09:51motivando la fuerza
00:09:52que me da la fuerza
00:09:54que me da la fuerza
00:09:54para transmitir a ti
00:09:56mi conocimiento
00:09:57de lo que está en ella.
00:09:59Y, por los misterios
00:10:02de los poderes de pensamiento
00:10:03de la fuerza de pensamiento
00:10:03voy a describir el objeto
00:10:05que está en ella.
00:10:13¿Any artículos,
00:10:14señoras y señores?
00:10:15¿Any personal artículos?
00:10:16¿You, sir?
00:10:17¿Qué de vosotros?
00:10:18No, ¿no?
00:10:19No, no, no.
00:10:19No, no, no.
00:10:20No, no, no, no.
00:10:21No, no, no, no.
00:10:22No, no, no, no.
00:10:23No, no, no, no.
00:10:23No, no, no, no.
00:10:23No, no, no, no, no.
00:10:24No, no, no, no, no.
00:10:24Thank you.
00:10:26Thank you very much.
00:10:27Are you ready?
00:10:28Absolutely, mademoiselle.
00:10:30I have a very charming thing here.
00:10:32Can you tell me what it is?
00:10:35It is...
00:10:37a lipstick.
00:10:39Got the first one right anywhere.
00:10:40Oh, that's beautiful.
00:10:42May I thank you very much.
00:10:47I should like you to tell me
00:10:49what I have now.
00:10:50What you have now...
00:10:53is a tie pin.
00:10:57All right.
00:10:59Yes, but there's many a slip toots
00:11:00the cup on the lips.
00:11:01Miss.
00:11:03Ask him to tell you what this is.
00:11:05Any personal artículos, ladies and gentlemen.
00:11:08Anything you could.
00:11:09And rest, this one's a bit unusual.
00:11:11Oh, I'm sure you'd like the great master
00:11:13to tell you what this is.
00:11:14Oh, yes.
00:11:15What have I this time?
00:11:17That, mademoiselle, is a watch.
00:11:19A wristwatch.
00:11:21A wristwatch.
00:11:21There you are.
00:11:22Time.
00:11:23Watch.
00:11:24And now, mademoiselle Renée
00:11:27will repeat her performance
00:11:29for the benefit of the ladies and gentlemen
00:11:31in the dress circle.
00:11:33Here, that's all very well,
00:11:34but what about this?
00:11:35Yeah!
00:11:38Thank you, ladies and gentlemen.
00:12:02I suppose she knows her way.
00:12:07How do I get up to the circle?
00:12:09Round the front.
00:12:11Ticket office facing.
00:12:12I don't want a ticket.
00:12:13I'm part of the show.
00:12:14You mean you're one of the artists?
00:12:15Yes.
00:12:15Can't you see my makeup?
00:12:17Artists aren't allowed in front
00:12:18without permission.
00:12:20I've got permission
00:12:20and the stage is waiting.
00:12:22Well, you'll have to ask the manager
00:12:23at the ticket office.
00:12:24Why can't I go through this way?
00:12:25Because it doesn't lead to the circle.
00:12:28Well, will you please tell me
00:12:28how I can get up to the circle?
00:12:31Mademoiselle Renée up there yet?
00:12:32No, she's not here.
00:12:34She's left her.
00:12:37Where's the old girl got to?
00:12:41Hey, what have I got here?
00:12:49What have I got here?
00:13:10Look at her.
00:13:19¡Oh, Dios mío!
00:13:47¡Oh, Dios mío!
00:14:11He said it was about your wife.
00:14:15That's right.
00:14:16It's from a hospital.
00:14:20That letter is two days old.
00:14:26You'd better go to your wife.
00:14:31Don't tell me she's worse.
00:14:40Excuse me, ma'am.
00:14:46This is the act I rehearsed.
00:14:50I know what it is.
00:14:55And you.
00:14:57I see a railway journey.
00:15:05I see a railway journey.
00:15:07I see a sea.
00:15:10I see a sea.
00:15:13Bring down.
00:15:21Max.
00:15:22Are you all right?
00:15:24What's the matter?
00:15:26What's the matter?
00:15:31¡Muy bien!
00:15:34¡No!
00:15:35¿Qué pasa?
00:15:40¡Muy bien!
00:15:52¿Qué te pasa?
00:15:53¿Mény?
00:15:55¿Mény?
00:15:58¿Mény?
00:15:59¿Mény?
00:16:00¿Qué te pasó?
00:16:03No sé.
00:16:05No sé.
00:16:08I know.
00:16:10My father had it.
00:16:11A gift to see.
00:16:25Take your seats, please,
00:16:27for the first dinner service.
00:16:30First dinner service,
00:16:32please, take your seats.
00:16:36Well,
00:16:37it may have been real clairvoyance.
00:16:39But how can you be sure?
00:16:42Anyway, I think it's dangerous.
00:16:45Don't worry, my sweet.
00:16:47It only happened once.
00:16:48Hasn't happened since.
00:16:50It may never happen again.
00:16:54Well, it does.
00:16:56We'll make our fortunes.
00:16:58These things come and go.
00:16:59No one knows why.
00:17:01Perhaps there was someone in the Thetamax,
00:17:03in sympathy with you.
00:17:04Sort of, um...
00:17:06sort of...
00:17:07You know, like you say in the act,
00:17:08sort of battery to your wireless receiver.
00:17:11That's it.
00:17:13Now I'll be a clairvoyance.
00:17:15This being an English railway,
00:17:17the menu will be tomato soup, roast beef,
00:17:20apple tart, cheese and biscuits,
00:17:22coffee, cooking sex.
00:17:23Ha ha.
00:17:25Now, Mr. Proppy, you show your skill.
00:17:28What about blue boy for the 2.30 tomorrow?
00:17:31I'm supposed to be a clairvoyant,
00:17:33not a dipster.
00:17:34Oh, not much good foreseeing the future
00:17:36if you can't double the dough.
00:17:38Never count your chickens before they're hatched.
00:17:41Talking of chickens, what about this one?
00:17:55I've seen that girl before.
00:17:56That girl?
00:17:59That.
00:18:00I don't...
00:18:06That girl.
00:18:10A journey.
00:18:12That's my oldie, please.
00:18:33Ok.
00:18:36Well, have you gotten there.
00:18:39You've gotten there pretty much?
00:18:41You've come out, I'm appreciate it.
00:18:41Do I need any questions, sir?
00:18:41Sure.
00:18:42It's a canal of damage.
00:18:42no te voy a ir a la station.
00:18:45El accidente.
00:18:47¿Qué significa?
00:18:48No, no, no, no, no, no.
00:18:50Este es un tipo de malas, ¿no?
00:18:55Si, si es un malas rara,
00:18:56si es un malas advertencia,
00:18:57te vas a sacar todo lo que te vas a la policía.
00:19:00Hay un penal de cinco hundas para este tipo de malas.
00:19:02¿Puede si te quiera?
00:19:04¿Por qué?
00:19:07¡Nadies y generales!
00:19:08¡No, no, no, no, no, no, no, no, no, no, no!
00:19:09Mother, Simon.
00:19:18I don't know why we're doing this.
00:19:25Now, come along, everybody.
00:19:26Get aboard again, please.
00:19:28You don't seem to realise we've stopped in a tunnel.
00:19:30I tell you to warn the rest of the passengers to get off the train.
00:19:33Are you coming aboard?
00:19:34No, I'm not.
00:19:35Very well, you stay here on your own responsibility.
00:19:38Are you with a lamp?
00:19:40Get these people out of the tunnel, will you?
00:19:42Why do you let them off the train?
00:19:44Now, don't argue. Look after these people.
00:19:47Now, stand clear, please.
00:19:54Stand clear there, please.
00:20:11Here, let's get out of this.
00:20:13Come on, then, before the next train comes through.
00:20:32Hey, what are you doing on the train?
00:20:34I just got off the train.
00:20:35You mean the Manchester train?
00:20:37Yes, he stopped it.
00:20:44Hello?
00:20:45Hello?
00:20:47Hello?
00:20:47What?
00:20:51Where?
00:20:53How did it happen?
00:20:59There's been a smash.
00:21:01Oh!
00:21:01Max!
00:21:03I've closed the section.
00:21:04Excuse me.
00:21:05Can I use the phone?
00:21:06Oh, no.
00:21:07I want to speak to my father.
00:21:08Oh, use that one, then.
00:21:09Can you see the smash?
00:21:11Hello?
00:21:11Is it mad?
00:21:12Hello?
00:21:13A gorgeous telescope.
00:21:15Can you give me a London number?
00:21:16How many of them?
00:21:18Fleet 9000.
00:21:20Yes, the Daily Sun.
00:21:21Here, none of your newspaper stuff here.
00:21:23I thought you wanted to speak to your father.
00:21:24I do.
00:21:25He's the owner of the paper.
00:21:28Oh, Christine, dear.
00:21:29How are you?
00:21:33Good heavens.
00:21:36Wait a moment.
00:21:38Hello?
00:21:39Simon.
00:21:40Hold your front page.
00:21:42You'll probably have to set it up again.
00:21:57Excuse me, please.
00:22:04I've never seen so many cars in all my life.
00:22:08Never mind the cars.
00:22:09They left my front door in with a knocking.
00:22:11I think it's an outrage.
00:22:12I should think so.
00:22:13What's an outrage, Simon?
00:22:15These newspaper men have spelled my name wrong.
00:22:17You should be very pleased to have your name on the front page at your time of life.
00:22:20What do you mean, my time of life?
00:22:21This man.
00:22:22If you please.
00:22:23Now, old man, what are you doing here?
00:22:25Must you do that?
00:22:26I'm sorry, Mr. Bimenter.
00:22:28Thank you.
00:22:33And thick and fast they came at last.
00:22:36And more and more and more.
00:22:40Hello, Maxie.
00:22:41I'll have to let them in.
00:22:42Mr. Maximus is not going to see anyone until after breakfast.
00:22:46But isn't this front door?
00:22:47And please, please, you don't burn his omelette.
00:22:49I won't burn his omelette.
00:22:50Mr. Rupert Boddy.
00:22:52Variety agent.
00:22:53Mr. Sam Leopold.
00:22:55He's a London manager.
00:22:56Mr. Joseph Leeman.
00:22:57Mr. Claude Simmons.
00:22:59You know, Max will offend some of these people if he doesn't see them.
00:23:03Here's a man who really matters.
00:23:06James J. Bimenter.
00:23:08Bimenter?
00:23:08Mm.
00:23:09J. L. Corcoran's representative.
00:23:11You can't keep him waiting.
00:23:14At last.
00:23:15Then wait my door down.
00:23:17All the big bugs in the variety business are waiting for you.
00:23:19Let them wait.
00:23:20But J. J. Bimenter's amongst them.
00:23:21I once waited five hours for Mr. Bimenter and then he slipped out to the back door.
00:23:25And now he's waiting at your front door.
00:23:26I'm in no mood for business today.
00:23:28Mrs. Jones?
00:23:29Show Mr. Bimenter in.
00:23:31And what have I here?
00:23:32Please.
00:23:32A baggage.
00:23:33Don't drop me.
00:23:33I'm not insured.
00:23:34I want to talk business.
00:23:35Madam, your bath is ready.
00:23:36No, let us wait.
00:23:37We'll not only go and quickly too.
00:23:38Farewell and scrub.
00:23:39I want to meet Mr. Bimenter.
00:23:41I want to meet Mr. Bimenter.
00:23:42One moment.
00:23:47Good morning.
00:23:49May I present my wife?
00:23:53How do you do?
00:23:54I was just on my way to the bath.
00:23:59Excuse me.
00:24:02Good morning.
00:24:03You've probably heard of me.
00:24:05I'm James J. Bimenter.
00:24:06Thee, Mr. Bimenter.
00:24:08Quite.
00:24:09Won't you come in?
00:24:12My partner.
00:24:13How are you, sir?
00:24:14My lady mother, the Duchess.
00:24:16How do you do?
00:24:17How do you do?
00:24:19Won't you sit down?
00:24:21Thank you.
00:24:21Thank you.
00:24:23I happened to be in Manchester when I received a call from Mr. Coburn.
00:24:28Which Mr. Coburn?
00:24:31Thee Mr. Coburn.
00:24:32Well, to come straight to business.
00:24:34Mr. Coburn was impressed by your, shall we say, performance in prophesying the Manchester train accident.
00:24:41He's going to give you a hundred pounds a week for four weeks at the London Paladrome.
00:24:45How much?
00:24:46A hundred pounds.
00:24:47He didn't say a hundred.
00:24:48He did.
00:24:48But it isn't enough.
00:24:49What?
00:24:50What are you saying, Max?
00:24:51Max!
00:24:51You may thank Mr. Coburn for the offer, but I am not in the market.
00:24:54You mean to say you ought to give more?
00:24:55I mean that the effort of true clairvoyance is infinitely fatiguing.
00:25:00Now, listen.
00:25:01You're getting thirty pounds a week at present.
00:25:03I want three hundred.
00:25:05Good morning.
00:25:06Good morning.
00:25:08Ah, Mr. Sam Leopold.
00:25:11Leopold can't pay more than Mr. Coburn?
00:25:12We'll see.
00:25:13Simon, show Mr. Leopold in.
00:25:15Just a moment.
00:25:16I'll make it a hundred and fifty.
00:25:18Uh, good morning.
00:25:20Two hundred.
00:25:21Will you walk into my parlour, said the spider to the fly?
00:25:25You're not worth a penny more.
00:25:26Mr. Dick Crowe.
00:25:27Simon, show Mr. Crowe in two.
00:25:29I'll make it two hundred and fifty.
00:25:30Three hundred.
00:25:31You're loony.
00:25:31It's money for jam.
00:25:32Two hundred and fifty?
00:25:33Three hundred.
00:25:34It can't be done.
00:25:35You're sure?
00:25:35Certain.
00:25:36We'll see.
00:25:37Where are you going?
00:25:37To get a second opinion.
00:25:38My opinion's the only one you want.
00:25:40Let me tell you, Mr. Leopold.
00:25:41You tell him, not me.
00:25:44Anything the matter with him?
00:25:48I'm offered two hundred and fifty pounds a week.
00:25:51Any advance on two fifty?
00:25:52Going.
00:25:53Going.
00:25:54Swollen head.
00:25:55That's what's the matter with him.
00:25:57Three hundred pounds.
00:25:58Who does he think he is?
00:25:59I've been in this business for twenty-f-
00:26:00What, you still here?
00:26:02Well, did you see them?
00:26:03All of them.
00:26:04What are they offering?
00:26:05Two hundred and fifty?
00:26:07Three hundred?
00:26:08Don't you want your head?
00:26:11Three hundred.
00:26:12I don't believe it.
00:26:13Will you please?
00:26:15No, I won't.
00:26:16Good morning.
00:26:19Now, who's the three hundred merchant?
00:26:21There wasn't one.
00:26:22I was bluffing.
00:26:23I thought he'd fall for it.
00:26:25Well, that's torn it.
00:26:27Well, of all the...
00:26:28Shh.
00:26:32Well, I think we might be able to fix it.
00:26:34Three hundred?
00:26:35Three hundred.
00:26:36And expenses.
00:26:37And expenses.
00:26:38Good morning.
00:26:38Good morning.
00:26:39Aye, aye.
00:26:40What about a contract?
00:26:41My word is my bond.
00:26:42Well, what about a bid on account?
00:26:44Oh, all right.
00:26:46There you are.
00:26:47There's a ten pound note.
00:26:50There you are.
00:26:51There you are.
00:26:52All right.
00:26:52One more.
00:26:54Has Mr. Demeter gone?
00:26:55My darling, we're a success.
00:26:57We go to the London paladrome at three hundred a week.
00:27:01And you can go and buy any personal article with rings on your fingers and bells on your toes.
00:27:09Mr. Max is a flop.
00:27:11You're bound to admit it.
00:27:12Why, he's keeping people out of the theater.
00:27:14All this week he hasn't told the audience a single thing.
00:27:17What Mr. Coburn wants is prophecy.
00:27:19Mr. Max is doing his best.
00:27:21Well, Mr. Coburn says his best is bad.
00:27:23What Mr. Coburn wants is prophecy.
00:27:25Mr. Max can't turn them out like sausages.
00:27:26Well, Mr. Coburn says he's got it.
00:27:28He's a clairvoyant, not a pork butcher.
00:27:29Well, anyhow, Mr. Coburn wants results.
00:27:31Prophecies by Saturday or you're through.
00:27:34Is that what Mr. Coburn says?
00:27:35His very words.
00:27:36What Mr. Coburn wants is prophecy.
00:27:40I'll prophesy a murder in a minute.
00:27:44Good morning.
00:27:53Darling, I don't think we shall be at the paladrome after this week.
00:27:57Well.
00:27:58Now, don't say I told you so.
00:28:00Why and when to keep quiet?
00:28:01Well, I suppose we've got till Saturday.
00:28:03Something may come to me.
00:28:05If only my mind weren't this awful blank.
00:28:07You know, the more I try to see things, the emptier it gets.
00:28:10Then all those people out front every night wanting me to tell them who's going to win the boat race
00:28:14or how many kittens the cat's going to have.
00:28:16I know how you feel.
00:28:18I think you ought to give it up.
00:28:20Yes, I do.
00:28:21I've been watching you.
00:28:22It's constant effort.
00:28:23It's making you ill.
00:28:25Oh, I'm all right.
00:28:27Sweet, can't we go back to the old act?
00:28:30Ten pounds a week and lodgings for the night.
00:28:32We were happy then.
00:28:34Aren't you happy now?
00:28:36I've been happier.
00:28:38Well, don't you like this sort of life?
00:28:42I like it if you do.
00:28:44Hi.
00:28:45Sweet, what's the matter?
00:28:47Well, I haven't seen very much of you lately, have I?
00:28:51Well, isn't that a pleasant change?
00:28:53I suppose it ought to be, but you've become a habit.
00:28:57Bad habit, darling.
00:28:58Well, good women always marry the wrong men.
00:29:02You'd pass in a crowd.
00:29:05Do you know, Matt?
00:29:06You don't even need me in the act anymore.
00:29:11Rene.
00:29:13What's worrying you?
00:29:19Hello?
00:29:22Miss Sean?
00:29:24See me?
00:29:27All right, shut up.
00:29:29Christine, Sean.
00:29:30Mm, nice girl there.
00:29:32Lovely head.
00:29:34Oh, pleasure.
00:29:35Come in.
00:29:36Good morning, darling.
00:29:37Hello, Foxy.
00:29:38Good morning.
00:29:39Morning, Simon.
00:29:40Good morning.
00:29:41So simple.
00:29:42How do you feel?
00:29:43Like yesterday's beer.
00:29:45You hear a bit of a go?
00:29:46I think the entire hotel did.
00:29:48He says what Mr. Coburn wants is prophecies.
00:29:52Well, that's not unreasonable.
00:29:54Thanks, my dear.
00:29:55I'm very worried about you.
00:29:57This clairvoyant business nearly killed your granddad.
00:30:00Oh, no, Topsy.
00:30:01I adore you, but you are an old pessimist.
00:30:04After all, Coburn's only human.
00:30:06One or two prophecies a week could keep him quiet.
00:30:09Simon, I cannot switch it onto order.
00:30:11I know.
00:30:13But don't you think you could help yourself out a bit?
00:30:16Well, what will you have?
00:30:17Performing elephants?
00:30:18A bearded lady?
00:30:20Now, you know what I mean.
00:30:22Use your imagination.
00:30:24You mean fake.
00:30:26Come in.
00:30:28Ms. Sean is here, sir.
00:30:29All right, I'm coming.
00:30:30Where's my coat?
00:30:31Here it is.
00:30:32Thank you, sweetie.
00:30:34Ms. Sean?
00:30:35Yes, Christine, Sean.
00:30:36She's an early bird.
00:30:37The street's not aired yet.
00:30:39Wait a minute, Max.
00:30:43Here you are.
00:30:44I'd like you to look your best for your public.
00:30:51Hello.
00:30:52How nice to see you.
00:30:59What's the matter?
00:31:00Do I look different or something?
00:31:02No, you're just the same.
00:31:04Well, how are you, anyway?
00:31:05Terrible.
00:31:06Too early to be anything else.
00:31:07Well, you look a little worried.
00:31:10What's the matter?
00:31:11You don't miss much, do you?
00:31:14Sit down, I'll tell you.
00:31:16I wonder what she wants to see him for.
00:31:17I don't know.
00:31:19Something about the newspaper, I suppose.
00:31:21Perhaps you're all right.
00:31:22Might be another boost.
00:31:23You know Coburn?
00:31:24The villain of the piece.
00:31:26Well, he and Father dined together last night.
00:31:29Oh, he was horrible about you.
00:31:31Did he use the word charlatan?
00:31:34Do you think I'm that?
00:31:36Do you think I'd be here if I did?
00:31:39Well, he may have been right.
00:31:40Well, it's a bit of good, that would.
00:31:41I do hope it's nothing serious.
00:31:43So do I.
00:31:45Had enough shots for one day.
00:31:47What we need is some advertising.
00:31:50But your gifts are real ones.
00:31:51So real.
00:31:52I'm no good to Coburn.
00:31:57Good morning, Miss Shaw.
00:31:58Good morning.
00:31:59Oh, Max darling, you forgot your handkerchief.
00:32:01Thank you.
00:32:03How are you?
00:32:04Very well, thank you.
00:32:07You are sent by hand, sir.
00:32:08Marked very urgent.
00:32:09Thank you.
00:32:12Where is it, Max?
00:32:13It's from Coburn.
00:32:14I know what that is.
00:32:17What primitive said?
00:32:19Yes.
00:32:19From Saturday?
00:32:20From Darwin.
00:32:21Oh, dear.
00:32:22There you are.
00:32:23Is there any answer, sir?
00:32:24What?
00:32:25Er, no.
00:32:27I wish you'd tell me the winner of the derby, sir.
00:32:30Ortolycus.
00:32:33What did you tell that, Paige?
00:32:36Paige?
00:32:37What do you mean?
00:32:39He asked you for the derby winner.
00:32:40You told him something.
00:32:42Oi!
00:32:42Paige!
00:32:44Paige!
00:32:46Here!
00:32:46Oi!
00:32:47Oi!
00:32:48Come here, Miss.
00:32:48Here.
00:32:50What did Mr. Maximus say?
00:32:51What else?
00:32:52He said, Otolycus, sir.
00:32:54But there ain't no such animal.
00:32:56There is.
00:32:56I remember the name.
00:32:58Here.
00:32:58Where's the Becky?
00:33:00Here it is.
00:33:02Jerry Lynn.
00:33:02Three to one.
00:33:03Danny.
00:33:03Five to one.
00:33:04Great for Charles.
00:33:05Six to...
00:33:05It's not here.
00:33:06It is.
00:33:07It is.
00:33:07Look.
00:33:08Otolycus.
00:33:08Oh.
00:33:10A hundred to one.
00:33:12Otolycus.
00:33:13That's right.
00:33:15That's right.
00:33:17Otolycus will win the derby.
00:33:21Otolycus.
00:33:22Otolycus couldn't win the derby if he had ten legs and they fed him on dynamite.
00:33:26Otolycus.
00:33:26He's not a horse.
00:33:27He's a joke.
00:33:28Joke or not, he'll win.
00:33:30You'll pardon me.
00:33:31This is my job.
00:33:32I've had twenty years' experience on the turf.
00:33:33Not a matter of experience, Mr. Brooks.
00:33:35I know and you know it all.
00:33:37Superstitial.
00:33:37All we've got to decide is whether we can afford to let the paper carry the story or not.
00:33:41But, sir, we'd be a laughing stock.
00:33:43Not when Otolycus wins.
00:33:46Daddy, Maximus was right about the trade.
00:33:47Otolycus can't win.
00:33:48They're only running him in the hope you fall dead to save expense of shooting him.
00:33:52Can't we run it in question form?
00:33:54Can Sear foretell derby winner?
00:33:56Then whatever happens, we're all right.
00:33:58I'm opposed to it.
00:33:59It's news and it's safe, sir.
00:34:01We'd be backing a loser.
00:34:04I'll take a chance.
00:34:05You win, my dear.
00:34:07All right.
00:34:07Get the paper out.
00:34:08Hello, everybody.
00:34:10It's a brilliant scene down here at Epsom.
00:34:12The downs are crowded as usual and the interest in this year's derby is greater than ever because of the
00:34:16sensational prophecy made by the great Maximus.
00:34:19I think this must be a record attendance.
00:34:22And certainly the volume of traffic is greater than ever before.
00:34:25No doubt this is partly due to the fact that Mr. Maximus himself is expected to be present at the
00:34:29race.
00:34:30By the way, I had great difficulty in getting here myself.
00:34:33The traffic was so bad, so I hope he left his London hotel in plenty of time.
00:34:43This way, please.
00:34:46Excuse me, Mr. Maximus.
00:34:47May I introduce you to Mr. Heard of the Broadcasting House?
00:34:50How do you do, Mr. Heard?
00:34:50This car, Mr. Maximus.
00:34:52This car?
00:34:52And then he can discuss your broadcast on the way to the court.
00:34:54This may matter, please.
00:34:56Do you mind going down without me?
00:34:58Mr. Maximus, if you please.
00:34:59My trust is.
00:35:00Your name?
00:35:00Simon.
00:35:01Oh, thanks very much.
00:35:03Aren't you excited?
00:35:04How do I look?
00:35:05You look like the Queen of Sheba, darling.
00:35:11Who's that woman?
00:35:14Christine Shawn.
00:35:16Ah.
00:35:28People are still pouring into the stands.
00:35:30And there's a steady stream of cars making its way...
00:35:34Isn't it?
00:35:34Oh, I've just heard that Mr. Maximus has managed to get here.
00:35:38I must say, I think he's lucky.
00:35:39Because with this traffic congestion on the roads,
00:35:41I'm afraid there are bound to be thousands of people
00:35:43who'll never get to the course in time for this year's derby.
00:35:49Come on.
00:35:50Get a boob on.
00:35:51We didn't come to see a motor show.
00:35:55Sorry, I'm a bit louder, would I?
00:35:56Yes, sir.
00:35:57Everything seems pretty well said for another great derby.
00:36:00Perhaps we should be in time for next year's race.
00:36:05Great, sir, Simon.
00:36:06A really perfect collection of three-year-olds.
00:36:08Here comes Jenny Lynn, yesterday's favourite.
00:36:10She looks in fine condition.
00:36:11And Hesperus.
00:36:13There's Tiger Man.
00:36:14I like to look at them.
00:36:15Hello.
00:36:16And here comes Autolicus,
00:36:17the horse tipped to win by Maximus the clairvoyant.
00:36:19It seems incredible that one man should have that influence.
00:36:22In a moment I'll speak to you himself.
00:36:23Jenny Lynn's the obvious bet for today.
00:36:25On form there's nothing to touch her.
00:36:27Though Tiger Man has certainly shown real promise recently.
00:36:29Yes, yes.
00:36:29I learned my little piece on the way down.
00:36:31But I say, I can't be what's happened to my wife.
00:36:33The last time I saw this horse run was at Newbury.
00:36:36He finished strongly on a mile and a quarter.
00:36:38As for Autolicus, despite Mr. Maximus's assurances, I'm afraid I can't see him finishing the course.
00:36:43Still, as they say, the Derby's always a gamble.
00:36:50They're going over to the start now.
00:36:51I think we've just got time.
00:36:52Here's Mr. Maximus.
00:36:54I think we can speak.
00:36:56Good old Max.
00:36:56Bless his heart.
00:36:59Hello, everybody.
00:37:01I can't say much because they're almost ready to start.
00:37:06As regards Autolicus, well, it just came to me.
00:37:10And, well, that's that.
00:37:13Events may prove I'm wrong, but I think I'm right.
00:37:16And, well, that's all.
00:37:18Goodbye.
00:37:19Thank you, Mr. Maximus.
00:37:20Now, they're lining up at the starting gate.
00:37:23They're under starter's orders.
00:37:25They're...
00:37:26They're moving up.
00:37:27They're moving up.
00:37:28Any moment now.
00:37:30Hello.
00:37:31A perfect start.
00:37:34I can't see you sitting for the moment.
00:37:36They're all bunched up.
00:37:37I can't see Jenny Lynn, Faithful Charles, Tiger Man, and Hesperus in front.
00:37:45They're on the corner now.
00:37:45I can't see it.
00:37:47I can't see it.
00:37:50It's Jenny Lynn in the lead.
00:37:51She's setting a tremendous pace.
00:37:53She'll never keep it up.
00:37:54Faithful Charles, the length behind.
00:37:56Tiger Man's well placed and going strongly.
00:37:58Hesperus is there.
00:37:59It's a terrific race.
00:38:01They're coming down to Patron Corner.
00:38:03Jenny Lynn's still leading by length.
00:38:05Tiger Man's coming up.
00:38:06He's past Faithful Charles.
00:38:07They're on the corner now.
00:38:09Jenny Lynn's still leading.
00:38:10What a magnificent city.
00:38:11But it's uphill now and Tiger Man's closing the gap.
00:38:13Tiger Man's now second.
00:38:15Yes, this was right on the rails.
00:38:17Oh, look Lord Thoracus.
00:38:18But Thoracus is coming all the way on the outside.
00:38:21Is he safe?
00:38:22He'll make it yet?
00:38:23No.
00:38:23He can't do it.
00:38:25Tiger Man's race.
00:38:26He's still on the field.
00:38:28How do you want on Tiger Man?
00:38:29Tiger Man will win it.
00:38:30Tiger Man.
00:38:32Tiger Man.
00:38:33Tiger Man wins.
00:38:39Tiger Man wins.
00:38:40Max was wrong.
00:38:41He had the first three past the post.
00:38:43Tiger Man.
00:38:45Ortolycus.
00:38:46Jenny Lynn.
00:38:47That puts us among me all so rad.
00:38:50Oh, wait a minute.
00:38:51There's an objection.
00:38:54Yes.
00:38:55The red flag's going up.
00:39:01And there goes the green flag.
00:39:03Objection sustained.
00:39:05Buttolycus.
00:39:06Buttolycus wins the derby.
00:39:10It was wrong.
00:39:11It was wrong.
00:39:11It was wrong.
00:39:12It was wrong.
00:39:12It was wrong.
00:39:13It was wrong.
00:39:13It was wrong.
00:39:13It was wrong.
00:39:13It was wrong.
00:39:14It was wrong.
00:39:16Thanks.
00:39:17Oh, what a day.
00:39:18I thought we'd never get home at all.
00:39:20Is Mr. Maximus back yet?
00:39:21Yes, madam.
00:39:22He returned about 6.30.
00:39:236.10.
00:39:24Oh, he'll be waiting for us.
00:39:25Well, I've got a thirst I wouldn't sell for a thousand.
00:39:28Tax it, please.
00:39:29Yep.
00:39:30I know.
00:39:31I'm Sister Sammy.
00:39:35Oh, hello.
00:39:37How do you do?
00:39:42Good evening.
00:39:43Did you enjoy the derby?
00:39:46Oh, yes.
00:39:47Every word of it.
00:39:49Can I offer you anything?
00:39:50Oh, thank you.
00:39:51Mr. Maximus gave me a cocktail.
00:39:55He's just changing.
00:39:58He really ought to hurry.
00:40:00Oh.
00:40:02Oh, I'll tell him.
00:40:08Oh.
00:40:09Hello, darling.
00:40:10Thank heavens you've come helping me with this collar, will you?
00:40:12Oh, come on, sweet.
00:40:14Going out, dear?
00:40:15Yes, I'm off to the derby banquet.
00:40:16With Christine Shaw?
00:40:17Good Lord, no.
00:40:18I'm going with her father.
00:40:19It's a stag party.
00:40:19I say, sweet, things have been moving today.
00:40:21Yes, I guess some things, dear.
00:40:22Well, Southwood's made me the most marvellous offer.
00:40:24He wants a bit of a newspaper profit on his daily son.
00:40:27I say, did you see the race?
00:40:28Where were you?
00:40:28In the car.
00:40:29She's offering the most wonderful money.
00:40:31No.
00:40:31Have you accepted?
00:40:32Oh, my darling, what do you think?
00:40:34Well, I'm starting tomorrow, you know, looking for the future and all that.
00:40:38I like old Southwood.
00:40:39Yes.
00:40:39You seem to like his daughter, too.
00:40:41Well, she's been rather a brick, you know, and she's waiting now to take me across in the car.
00:40:45That's sweet of it.
00:40:46I say, darling, what's the matter with you?
00:40:48Oh, nothing.
00:40:48Oh, no, come on, sunshine, what is worrying you?
00:40:51Well, I thought we might have been together this evening.
00:40:55Yes, I know, but you see, I've got to go to the banquet.
00:40:57After all, it was arranged by...
00:40:59By Christine's father.
00:41:00Yes, darling, I'd take you if I could, but it's a stag party.
00:41:03After all, now, you must realise that from a business point of view...
00:41:06Here's your jacket.
00:41:07Thank you, darling.
00:41:08Now, don't be hurt.
00:41:09After all, now, just think, think what it's leading to.
00:41:11Our future.
00:41:12I'm wondering what it's going to be like.
00:41:14What?
00:41:14It's time we started.
00:41:15Coming!
00:41:17We?
00:41:18Darling, you're being rather silly and petulant.
00:41:25Here's your coat.
00:41:26Thank you, darling.
00:41:28I say, you're not upset because she's taken me across, are you?
00:41:30Should I be?
00:41:31Ah, no, no, no, darling.
00:41:35Darling.
00:41:35Now, let's meet afterwards and have food together.
00:41:38Just the two of us.
00:41:39Do you really think you can eat two meals in one evening?
00:41:41Darling, you're being rather childish.
00:41:43Am I?
00:41:43Yes.
00:41:45It's only because I love you rather a lot.
00:41:49I love you.
00:41:52I love you.
00:41:54I love you, darling.
00:41:56I love you.
00:41:57You're welcome.
00:42:08Gracias, señoras y señores,
00:42:10le agradezco a su presidente, señor Southwood.
00:42:17Gracias, señoras y señores, señoras y señores, señoras y señores.
00:42:31Gracias, señoras y señores, a defensor,
00:42:38nuestra
00:42:39No, no, no, no, no.
00:43:10No, no, no, no, no, no, no.
00:43:39No, no, no, no, no, no.
00:43:41You're not eating anything, darling.
00:43:43Thank you.
00:43:44Sorry.
00:43:45Here.
00:43:46Have a drop of this, dear, to keep your strength up.
00:43:48Oh, thank you.
00:43:50I know what you're worrying about.
00:43:53I suppose it's dreadfully foolish of me.
00:43:56All she did was drive him to the banquet.
00:43:58That's all?
00:44:00I was awfully mean to him when he left.
00:44:02He asked me to meet him for supper,
00:44:04and I never even said yes or where or anything.
00:44:08Well, why not ring him up and fix it?
00:44:11I should, shouldn't I?
00:44:13Set your mind at rest.
00:44:14Absolutely.
00:44:15He'll be feeling as blue about it as you are.
00:44:17Go on, do it now.
00:44:18No time like the present.
00:44:21All right.
00:44:27My lord chairman, your grace, my lords, and gentlemen,
00:44:31pray silence for Mr. Maximus.
00:44:34All right.
00:44:35All right.
00:44:39Bravo.
00:44:43My lord chairman, your grace, my lords,
00:44:47and, uh, uh, uh, gentlemen.
00:44:52But first of all,
00:44:53I would like to express my indebtedness
00:44:56to Lord Southwood
00:44:57and to all those who have helped me.
00:45:01Looking into the future,
00:45:02I see trouble.
00:45:04Terrible trouble for myself.
00:45:08I'm sorry you all look so relieved.
00:45:11If I dare to foretell the winner of another race,
00:45:14I shall most certainly be assassinated by the bookmakers.
00:45:18If my prophecy is wrong,
00:45:21then, uh,
00:45:21I shall have the public themselves on my heels.
00:45:24Then Lord Southwood will undoubtedly accept me.
00:45:26Oh, Mrs. Maximus.
00:45:28Oh, well, I...
00:45:29As the guard on the mansion's trade remark,
00:45:32there's a penalty for this sort of thing.
00:45:33Hello.
00:45:34This is Christine Sean.
00:45:35Oh, it's so exciting here.
00:45:37Your husband's absolute of the lion of the evening.
00:45:39And such a brilliant speaker.
00:45:44Hello.
00:45:45I want you to think that I am not conscious of the great honour
00:45:47of Lord Southwood's party
00:45:48asking me to join this dinner.
00:45:51It will mean a greater public.
00:45:52What's the matter?
00:45:54Didn't you get Max?
00:45:55Christine Sean.
00:45:56That's impossible.
00:45:57Yes.
00:45:58It's a stag party.
00:46:00That's what I thought.
00:46:05Remy.
00:46:07You're the pretty kettle of fish.
00:46:09What's she driving at?
00:46:10You heard.
00:46:10You haven't got cloth ears.
00:46:12Anything I can do?
00:46:14What are you doing?
00:46:16I'm going.
00:46:17What do you mean, going?
00:46:19I'm leaving.
00:46:20Oh, but why, my dear?
00:46:21Why?
00:46:22Isn't it perfectly obvious?
00:46:25But you don't realise what you're doing.
00:46:27I can't let you go.
00:46:28No, no, Mother, no.
00:46:30Where will you go?
00:46:31What will you do?
00:46:32Oh, no, please, please, Mother.
00:46:33Mother, I've told you, I'm going.
00:46:51Hello.
00:46:52What are you doing?
00:46:54Riding a bicycle.
00:46:56Hello.
00:46:57Don't mean to Max, you fool.
00:46:59Hello.
00:47:01Hello.
00:47:03Give me a line, please.
00:47:08Hello.
00:47:12Oh, I see.
00:47:13Um, just wait a moment.
00:47:19We live in a frightening, in many ways, a very cruel world.
00:47:24And if I can alleviate, by even the smallest fraction, the burden of my fellow men, then I shall feel
00:47:29that my life, and this gift, with which it is so curiously bound, has not been entirely wasted.
00:47:39Thank you.
00:47:50¡Gracias!
00:48:01Hola, Cristina. No sabía que hay ladas aquí.
00:48:04No, no.
00:48:05Excuse me, ¿no?
00:48:06Gracias.
00:48:08Hola.
00:48:09Hola, mamá.
00:48:14¿Por qué?
00:48:15¿Por qué?
00:48:19No, no.
00:48:20No.
00:48:22No, no.
00:48:22No, no, no.
00:48:25No, no, no.
00:48:26No, no, no.
00:48:27No, no, no.
00:48:27No, no.
00:48:27I, I can't come at the moment, but you must, you must talk to her.
00:48:30I'll get back as soon as I can.
00:48:32Yes.
00:48:33Yes, hurry.
00:48:34Stop her.
00:48:41Max, what's the matter?
00:48:45It's clear.
00:48:48Hello.
00:48:50Hello.
00:48:57Of course, she...
00:49:00She rang on.
00:49:02What was it?
00:49:05I thought I saw...
00:49:08Saw what?
00:49:10My mother.
00:49:12Max!
00:49:13Christine.
00:49:28Oh, no, it...
00:49:30It couldn't have been.
00:49:32It, it could...
00:49:36I must go back to this banquet business.
00:49:51Renny!
00:49:56Renny!
00:50:01Open the door!
00:50:10Don't be a little fool, my dear.
00:50:12Max!
00:50:14Renny!
00:50:19Renny!
00:50:20Renny!
00:50:21Renny!
00:50:22Renny!
00:50:23Renny!
00:50:48What's the matter, madam?
00:50:51Oh, silly of me.
00:50:55I fell downstairs.
00:50:57Shall we fetch a doctor?
00:50:58No, no.
00:50:59What happened?
00:51:00Are you hurt?
00:51:01¿Estás bien?
00:51:03Me he quedado.
00:51:08¿Dónde vas?
00:51:10Me voy a volver.
00:51:12Conocí.
00:51:15Sí, amor.
00:51:18¿Demí?
00:51:22Quiero hablar con Max.
00:51:26Oh...
00:51:29Oh...
00:51:29Oh, don't.
00:51:32Hello.
00:51:33Hello, get me Mr. Maximus, please.
00:51:35Yes, you know where he is.
00:51:37Bernie.
00:51:39Bernie.
00:51:41I must say something to you.
00:51:43Quickly.
00:51:44No, no, not now.
00:51:46I must, I must.
00:51:48It's about Max.
00:51:50That gift is bad.
00:51:52It's no good.
00:51:54He must give it up.
00:51:55Yes.
00:51:56Yes, of course.
00:52:01Yes.
00:52:04It's Christine Shaw.
00:52:07She's what I said before.
00:52:09She...
00:52:10She's the power.
00:52:13He must give it up.
00:52:15He must give her up.
00:52:18Tell him.
00:52:20Tell him.
00:52:21I'll tell him.
00:52:21I'm bringing unhappiness to his worth, darling.
00:52:25Yes.
00:52:30They say one sees very clearly in the season.
00:52:41Oh, oh.
00:52:43Tatsy.
00:52:47Tatsy.
00:52:56Oh, Max, you think you're so intelligent.
00:53:00You couldn't even see your mother's death.
00:53:03I did see it.
00:53:05Or almost did.
00:53:08Just after she telephoned to me.
00:53:12But I put it away from me.
00:53:16Christine was beside me.
00:53:18Christine.
00:53:21What your mother said was true.
00:53:24It's Christine's presence that gives you the power to see.
00:53:29Why, you've no gift at all when she's not with you.
00:53:33I feel she's very close tonight.
00:53:36Max.
00:53:37But it's as if...
00:53:38there was a bond between us.
00:53:41A queer sort of...
00:53:44sympathy.
00:53:46It's stronger than I am.
00:53:50Is it stronger...
00:53:52than your love for me?
00:53:53Oh, please, God, I hope not.
00:53:56Oh, Max.
00:53:57This thing's becoming a man here with you.
00:53:59You've got to break this bond.
00:54:01Not for my sake, but for the sake of your sanity.
00:54:04I can't break it.
00:54:05It's going on.
00:54:06I know it.
00:54:06Weakness isn't going to help.
00:54:08Oh, Max, I'm fighting a battle for your mind, and I've got to win it.
00:54:12We've got to go back to the old life.
00:54:15Benny.
00:54:16Don't you realize what's happening to me?
00:54:19I can't go back.
00:54:20If you'll only use your strength of will.
00:54:22What strength of will against?
00:54:26Against.
00:54:29What?
00:54:31I love you more than anything else in the world.
00:54:35But if you'll go on with this, then I will leave you.
00:54:40But it may be a gift from God.
00:54:44Or the devil.
00:54:59It's getting late.
00:55:00You two ought to be going back.
00:55:03Yeah.
00:55:04Come on.
00:55:05Do you mind if I stay here a bit?
00:55:07I'd like to do some thinking.
00:55:09So long as you think along my lines.
00:55:12Don't worry.
00:55:13Don't be too long.
00:55:15I won't.
00:55:18Hi. Text it.
00:55:35Next.
00:55:37I meant what I said, you know.
00:55:39You always do.
00:55:41You will give it up?
00:55:45I never argue with a lady.
00:55:49Don't catch cold, dear.
00:55:50I won't.
00:55:53I won't.
00:56:37I won't.
00:56:39Did I hurt your arm?
00:56:42That's all right.
00:56:50Tienes.
00:56:54Gracias.
00:56:59Sí.
00:57:02Es la primera cigarra.
00:57:04He probado por una semana.
00:57:09Pero sé tu cara.
00:57:11He visto en los libros.
00:57:13¿Por qué?
00:57:15Tu Maximus.
00:57:17Sí.
00:57:18Quiero que mi futuro sea tan feliz como tu.
00:57:26¿Está en tu lugar?
00:57:28Sí.
00:57:29Es una buena manera de decirlo.
00:57:31¿Cómo fue?
00:57:34Ah...
00:57:34Un desastre, creo.
00:57:36Me hubo un buen trabajo en mi.
00:57:39En el Humber Shard.
00:57:41En el río, ¿sabes?
00:57:43Me hubo un saludo.
00:57:45Y tengo que elegir entre mi esposa y mi trabajo.
00:57:49¿Y tu elegís mi esposa?
00:57:50Sí, elegí mi trabajo.
00:57:53Nada ha pasado bien, Cid.
00:57:55Gracias por decirme eso.
00:57:58¿Qué significa?
00:58:00Yo he enfrentado mucho el mismo problema.
00:58:03¿Tienes elegir entre mi esposa y mi trabajo?
00:58:06Sí.
00:58:07Y gracias a ti, yo he elegido mi esposa.
00:58:10Pero estás equivocada.
00:58:12100% equivocada.
00:58:14¿Y tú, Maximus?
00:58:16No tienes que elegir.
00:58:17No te sigo.
00:58:18No te sigo.
00:58:19Entonces, déjame decirte algo.
00:58:20Tienes un gran beneficio.
00:58:22Tienes un gran beneficio.
00:58:24Tienes un gran beneficio.
00:58:24Tienes un gran beneficio.
00:58:25Tienes un gran beneficio.
00:58:27Tienes un beneficio.
00:58:28Tienes un beneficio.
00:58:33Tienes un beneficio.
00:58:34Tienes un beneficio.
00:58:36Tienes un beneficio.
00:58:37Tienes un beneficio.
00:58:38Tienes un beneficio.
00:58:38Tienes un beneficio.
00:58:40Tienes un beneficio.
00:58:42Tienes un beneficio.
00:58:44Tienes un beneficio.
00:58:45Tienes un beneficio.
00:58:56Tienes un beneficio.
00:58:57Tienes un beneficio.
00:58:59Tienes un beneficio.
00:59:00Tienes un beneficio.
00:59:03Tienes un beneficio.
00:59:04Hello? This is the Humber shaft.
00:59:09Daily Sun?
00:59:11Is that Mr. Carter?
00:59:13Yes, Carter speaking.
00:59:15Hello, Carter.
00:59:16Attention here.
00:59:18Yes, right and about in the rear.
00:59:20Yes, under the river.
00:59:22Can you hear the drill?
00:59:25Yes, definitely here.
00:59:27What are you talking about?
00:59:33There, that's the way, Carter, now.
00:59:34It's going up to the surface.
01:00:11This will deaf me.
01:00:14Hey, how are you, Richard, Carter?
01:00:16They're going to explode the charges.
01:00:22We all right here?
01:00:23Yes, just keep well back.
01:00:37Don't tell me you didn't hear that one, Carter.
01:00:42Now, look here, Carter.
01:00:43What about this column?
01:00:44Yes, I've got this stuff.
01:00:46You can run it in the first edition.
01:00:47I'm not sure.
01:00:48This Derby prophecy is taking up a lot of space.
01:00:50I'll find out and bring you back.
01:00:52Okay.
01:00:53Goodbye.
01:00:57Clear up.
01:01:01I tell you, I'm definite.
01:01:02I'm not going on with it.
01:01:03Yes, but listen.
01:01:03If you don't mind, I'd rather not discuss it.
01:01:05I'm grateful to you, sir, for the offer you've made me, but I'm definitely not accepting.
01:01:09But Max.
01:01:10Now, Christine, don't you try to persuade me.
01:01:13Why the sudden change in your point of view?
01:01:15I have my reasons.
01:01:17Well, of course, if you feel like that, I...
01:01:18What is it, Carter?
01:01:20Oh, excuse me, sir.
01:01:20It's Dixon.
01:01:21We've kept that column open for him, and I've got him hanging on the phone now from the humbershaft.
01:01:25Oh, yes.
01:01:26Do you want me to run that humbershaft story, sir?
01:01:28Humbershaft.
01:01:29What do you think?
01:01:30Well, as far as that goes, I can hold the stuff over to Wednesday.
01:01:32That's queer.
01:01:33You see this?
01:01:34The man was talking to me about the humbershaft.
01:01:36Max.
01:01:38The humbershaft.
01:01:39There's going to be a disaster.
01:01:41The waters sweeping in will carry the men away.
01:01:43Where's the man?
01:01:43Where's the man?
01:01:44I tell you, I'm right.
01:01:44You've got to warn them.
01:01:45What do you mean?
01:01:46Did I say I wouldn't go on?
01:01:47I must go on.
01:01:49Here's your first prophecy.
01:01:50The humbershaft will be destroyed.
01:01:52Splash it across your front page.
01:01:54Give it all the space you can.
01:01:55You're crazy.
01:01:56Save the poor devils while there's time.
01:01:58What do you think I am?
01:01:59I'd run myself in for the biggest libel accident of the century.
01:02:02I was right about the train, wasn't I?
01:02:03But there are millions of pounds involved.
01:02:05There are hundreds of lives involved.
01:02:07He's right, father.
01:02:08You've got to run it.
01:02:09I will not.
01:02:10Then I'll go elsewhere.
01:02:11No other people will run it either.
01:02:13You mean no one will warn the men?
01:02:14Go down Fleet Street and see.
01:02:15I'm not going down Fleet Street.
01:02:17I'm going up to the Humber.
01:02:18Now.
01:02:23Max.
01:02:23Yeah?
01:02:24My car's outside.
01:02:25Can I take you?
01:02:26Yes, come on.
01:02:28Yes, he's here.
01:02:29Arrived about an hour ago.
01:02:30Crazy isn't the word for it.
01:02:31He's been telling the manager that the tunnel's going to blow up or something.
01:02:34Yeah, and the new inspect of the workings,
01:02:35and the men came streaming up like flies.
01:02:38Yeah.
01:02:38He's talking to them now.
01:02:40I tell you, if you go down today,
01:02:42half of you will never come up alive.
01:02:44You've got to believe me.
01:02:45Do you think I came all this way just to fool you?
01:02:47There's going to be a disaster.
01:02:49Nothing can prevent it.
01:02:51Don't you take any notice of him.
01:02:52The man's crazy.
01:02:53You want to be caught like so many rats?
01:02:55The Daily Sun wouldn't publish my warnings.
01:02:57Your own managers refused to listen to me.
01:02:59They said I was talking superstitious nonsense.
01:03:01But it isn't nonsense.
01:03:03Was I right about the Manchester Express?
01:03:05Yes.
01:03:06Was I wrong about the Derby?
01:03:08No.
01:03:09Can any one of you look me in the eyes and tell me I'm wrong now?
01:03:12You're mad.
01:03:13Get back to your work.
01:03:14All of you.
01:03:15I came up here to warn you,
01:03:17to save you from the terror which I know is coming.
01:03:19I implore you.
01:03:20I beseech you for the sake of your wives,
01:03:22your mothers, and your sons.
01:03:24Don't go on the night shift.
01:03:28All of you.
01:03:29You all gone mad?
01:03:30Where are you going?
01:03:31Are you going to throw yourself out of work
01:03:33for the sake of the Derby trickster?
01:03:36Aye, out of work.
01:03:37That's what I said.
01:03:42There's the signal for the night shift.
01:03:44The train's waiting to take you down.
01:03:45Get to your work.
01:03:46All of you.
01:03:47The man who refuses is through.
01:03:51And you can take it or leave it.
01:03:53Well, are you going down?
01:03:55Aye, they'll go down.
01:03:58Well, what are you waiting for?
01:04:00The shaft's perfectly safe.
01:04:02Safe as your own houses.
01:04:03Get back to work.
01:04:04Every one of you.
01:04:05The train's waiting to take you down.
01:04:24Yes, they're going down again.
01:04:26Yeah, I'll ring through later.
01:04:29Yes.
01:04:48Those poor devils.
01:04:53You're not to blame whatever happened.
01:04:55Why couldn't I convince them?
01:04:58If Nerenia was right, I shouldn't have gone on with it.
01:05:00She wasn't right.
01:05:01You've got something that belongs to the world.
01:05:03You've got to go on.
01:05:04You believe that.
01:05:06I know it.
01:05:08Perhaps it's woman's intuition.
01:05:11Or perhaps it's just because I love you.
01:05:19Why do you look like that?
01:05:23Because you love me.
01:05:25Is that wrong?
01:05:30I don't know.
01:05:33Max, I love you.
01:05:38I'm sorry.
01:05:41Oh, I'm sorry.
01:05:50Well, are you satisfied now?
01:05:52No.
01:05:53It's on your own head, McGregor.
01:05:59It's on your own head, McGregor.
01:06:24Well, they seem to be getting on with it.
01:06:26Come on, come on.
01:06:27Come on.
01:06:28Some of them aren't so happy.
01:06:31I'll be glad when this ship's over.
01:06:32Ah, snap out of it.
01:06:33Your paper, now.
01:06:35Find that dungeon.
01:06:40You sure you're all right?
01:06:41I'm all right.
01:06:44Are you ready?
01:06:46No!
01:06:47No, wait!
01:07:05Do you know what to do?
01:07:28¡Gracias!
01:07:58¡Gracias!
01:07:59¡Con la takenzilla!
01:08:02¡Con la takenzilla!
01:08:04¡Con la wurden.
01:08:04¡Maximus de brazo!
01:08:06¡H disturbing魚!
01:08:07¡ ambitions unidos!
01:08:19¡Gracias!
01:08:44¡Gracias!
01:08:51¡Gracias!
01:08:58This terrible tragedy in the Humberprofit
01:09:01was brought about by panic,
01:09:04panic which is directly traceable
01:09:06to the so-called prophecy
01:09:08of the prisoner of the bar
01:09:09El hecho de la actividad de la presidencia
01:09:12ha sido vital que debería mantener su nombre antes de la publicidad.
01:09:16Él ha elegido un terrible modo de alcanzar ese objeto.
01:09:20200 hombres han sido recuperados.
01:09:24110 están todavía en ese lugar.
01:09:28La muerte de estos hombres
01:09:30debe ser la puerta de un hombre solo.
01:09:33La presidencia.
01:09:38I call my first witness, Miss Christine Sean.
01:09:41Miss Christine Sean.
01:09:43Miss Christine Sean.
01:09:49I swear by almighty God,
01:09:51the evidence that I give this court to be the truth,
01:09:52the whole truth, and nothing but the truth.
01:09:55You are Miss Christine Sean?
01:09:57Yes.
01:09:57You are attending here on St. Plena?
01:09:59Yes.
01:10:00I understand that you were present
01:10:01when the prisoner, as he alleges, foresaw the disaster.
01:10:05I was with him when the clairvoyant state came on him.
01:10:08Well, if you'd like to call it then.
01:10:10The prisoner just lost his post on the Daily Sun.
01:10:12He just resigned it.
01:10:14Well, I suppose we might put it that way.
01:10:16He had resigned it.
01:10:17Quite, quite.
01:10:18We really didn't quarrel about a word.
01:10:19At any rate, at this juncture,
01:10:20the prisoner was out of him private.
01:10:23Yes.
01:10:23And so he promptly made a prophecy
01:10:25which was bound to attract public attention.
01:10:27That's not why he made it.
01:10:29You don't think it was?
01:10:30You drove the prisoner up to the humbarn?
01:10:33Yes.
01:10:34You were there when he told the workers
01:10:36there would be a disaster?
01:10:37Yes.
01:10:38The workers were alarmed.
01:10:40One might almost say they were in a state of panic.
01:10:45What's that got to do with it?
01:10:46Were they alarmed?
01:10:47Of course they were alarmed.
01:10:49His prophecy has come true.
01:10:52Exactly.
01:10:53Then do you not think, from what you saw,
01:10:56that the workers' alarm was calculated
01:10:57to bring about a state of tension
01:10:59hardly conducive to safety?
01:11:04I don't understand.
01:11:06Come, come, Miss Shaw.
01:11:09You're trying to force me to speak against him.
01:11:11I am asking you if you don't believe
01:11:13that the accident was due to the prisoner's prophecy.
01:11:16I wasn't in the shaft.
01:11:18How am I to know?
01:11:19Answer the question, Miss Shaw.
01:11:21I can't answer it.
01:11:23You are here to give evidence.
01:11:25I didn't want it to come.
01:11:26Why not?
01:11:27Was it because you thought your evidence
01:11:29would hurt the prisoner's case?
01:11:31I didn't think about it at all.
01:11:33Oh, well, perhaps you will be good enough to think now.
01:11:35You were present, I understand,
01:11:37when the accused prophesied
01:11:38the Manchester Express disaster.
01:11:40Yes.
01:11:41Are you aware
01:11:42that had the prisoner not stopped the train
01:11:44it would have cleared the points
01:11:45and the collision would have been avoided?
01:11:53Miss Shawne?
01:11:54I didn't know that.
01:11:55Well, I tell you to now as a fact.
01:11:57Do you still believe
01:11:58the prisoner is a genuine clairvoyant?
01:12:01He foretold the derby winner.
01:12:04He's not the first person
01:12:05to bring off a hundred to one chance.
01:12:07How do you know
01:12:08this wasn't merely a lucky coincidence?
01:12:09Why do you ask me that?
01:12:11How can any of us know what is the truth?
01:12:13Then you agree with me.
01:12:14You are not sure
01:12:15that the gift is genuine.
01:12:16That's not what I said.
01:12:17Thank you.
01:12:19But...
01:12:19Thank you, Miss Shawne.
01:12:20That is all.
01:12:26I have no questions
01:12:27to ask this witness.
01:12:29Go on, Arthur Watts.
01:12:30Arthur Watts?
01:12:32Arthur Watts.
01:12:51They told me you were going to leave him.
01:12:54I haven't left him.
01:13:00You love him, don't you?
01:13:02Yes.
01:13:04I wanted to take him away from you.
01:13:08But you still want to.
01:13:10He doesn't care for me.
01:13:14But you care for him
01:13:15and you can help her.
01:13:17I hate to say this to you,
01:13:18but I've got to make you understand.
01:13:20You see,
01:13:21the gift only comes
01:13:22when you're near him.
01:13:24It's got to stop.
01:13:25It's got to.
01:13:26You mustn't see him again.
01:13:28You are telling us
01:13:29that it was panic
01:13:30caused the disaster?
01:13:32Yes.
01:13:34Panic.
01:13:35And that but for this man's prophecy,
01:13:37your fellow workers
01:13:39would have been alive today.
01:13:41As God is my judge,
01:13:43I believe they would.
01:13:47I do love him, sir.
01:13:49Yes, we both love him.
01:13:51But it is happiness
01:13:52I'm thinking of.
01:13:53As this thing goes on,
01:13:55I believe he'll go mad.
01:13:56Oh, don't you understand?
01:13:59It's up to you.
01:14:04I'll never see him again.
01:14:07Promise?
01:14:09Never.
01:14:10After today.
01:14:12And that,
01:14:13members of the jury,
01:14:14concludes the case
01:14:15for the prosecution.
01:14:20Members of the jury,
01:14:21my client is an innocent man.
01:14:23Many times throughout history,
01:14:25men have stood much
01:14:26as my client stands now,
01:14:28pilloried by mankind
01:14:29for no greater sin
01:14:30than the possession of a gift
01:14:32which the world
01:14:33has failed to understand.
01:14:34Knowing the strength
01:14:36of my case,
01:14:37I propose to call
01:14:38two witnesses only,
01:14:40my client himself
01:14:41and his wife,
01:14:43Rene.
01:14:43I call Mrs. Maximus.
01:14:49Mrs. Maximus.
01:15:01Of course I believe
01:15:02in my husband's power.
01:15:03I didn't want him to use it,
01:15:05but he felt
01:15:06if he did use it,
01:15:06he could help people.
01:15:08Did you believe
01:15:09it was genuine?
01:15:10It is genuine.
01:15:12I only wish it weren't.
01:15:13I see.
01:15:14And has it always been genuine?
01:15:16Yes, always.
01:15:18So that right back
01:15:19in those old days
01:15:20when the great Maximus
01:15:21and yourself
01:15:22were a somewhat
01:15:22indifferent music halter,
01:15:24earning a somewhat
01:15:25indifferent salary,
01:15:27even then you believed
01:15:28that your husband
01:15:29was a genuine clairvoyant?
01:15:31No, not then.
01:15:33He was not genuine.
01:15:35Well, you see, I mean...
01:15:37Was he or was he not?
01:15:39That's not a fair question.
01:15:41It is a perfectly fair question.
01:15:42Answer me directly.
01:15:43Was your husband
01:15:44a charlatan or not?
01:15:52Our act was
01:15:52a professional routine.
01:15:54A fake routine?
01:15:55Yes, of course it was.
01:15:57It had to be,
01:15:57don't you see?
01:15:58You have admitted
01:15:58that your husband
01:15:59was a professional trickster.
01:16:01Thank you.
01:16:02Oh, no, but the gift,
01:16:03that's different.
01:16:04The one was fake,
01:16:05the other was not.
01:16:06I don't wish to detain
01:16:07you any further.
01:16:08But I must explain.
01:16:09This way, if you please.
01:16:22This way, Miss, please.
01:16:24Maximus, please.
01:16:26Mr. Maximus, please.
01:16:29Mr. Maximus.
01:16:34I swear by almighty God
01:16:36that the evidence
01:16:37which I give this court
01:16:38should be the truth,
01:16:39the whole truth
01:16:39and nothing but the truth.
01:16:42Mr. Maximus,
01:16:43I have only a few questions.
01:16:45Why did you foretell
01:16:46the Humber shaft disaster?
01:16:48Because I foresaw it.
01:16:49You must tell what you see.
01:16:52I must tell what I see.
01:16:54You believed you could have
01:16:55saved these men's lives?
01:16:56I could have saved them.
01:16:57You were not prompted
01:16:58by any thought of gain.
01:17:00I was not.
01:17:02Tell the court.
01:17:03Is this gift genuine
01:17:04or is it not?
01:17:06It is genuine.
01:17:08God help me.
01:17:09Thank you.
01:17:10That is all.
01:17:12I find your statement
01:17:13most interesting,
01:17:14Mr. Maximus.
01:17:15So you really believe
01:17:16in this clairvoyant business
01:17:18yourself?
01:17:18Of course I believe in it.
01:17:20Quite.
01:17:20It's a gift, isn't it?
01:17:22I think that's what you call it.
01:17:23You have the affrontery
01:17:24to assert that you can
01:17:25foretell the future.
01:17:26You claim omnipotence.
01:17:28You have a gift
01:17:29from God himself.
01:17:30I never said that.
01:17:31Well, then, perhaps
01:17:32it's from the other source.
01:17:33Is that it?
01:17:34Perhaps you'll tell us
01:17:35it's a gift from the devil?
01:17:40Somebody else
01:17:41once suggested that.
01:17:44If this gift is genuine,
01:17:47why not demonstrate it here?
01:17:49It's simple enough.
01:17:50Give us a taste
01:17:51of your quality, Maximus.
01:17:52Prove that you are genuine
01:17:53and my case falls to the ground.
01:17:55Prophecy, Maximus.
01:17:57Put on your act.
01:17:59Demonstrate your art.
01:18:00Tell the jury
01:18:01what will be their verdict.
01:18:04Prophecy, Maximus.
01:18:06Prophecy.
01:18:08Prophecy.
01:18:10But I can't.
01:18:11I can't do all that.
01:18:12But you can for money.
01:18:13But I...
01:18:13I can't see.
01:18:15Of course you can't.
01:18:16And I'll tell you why.
01:18:17Because you're a charlatan
01:18:19and a faker.
01:18:21If you're not,
01:18:22why did your wife
01:18:24threaten to leave you?
01:18:28Why did your wife
01:18:29threaten to leave you?
01:18:45I see...
01:18:47the men.
01:18:49Ah!
01:18:49That's better.
01:18:51Now, members of the jury,
01:18:53watch him perform.
01:18:54A hundred and ten
01:18:56living men.
01:18:59They're tapping their way out
01:19:01by the eastern shaft.
01:19:05The eastern shaft.
01:19:08They're weak.
01:19:10They're famished.
01:19:12But they're alive.
01:19:14They're tapping their way out.
01:19:16They're at the surface.
01:19:18Soon.
01:19:20News will come.
01:19:23News.
01:19:24Soon.
01:19:51¡Están en paz!
01:19:54¡Están en paz!
01:19:55¡Están en paz!
01:19:57¡Están en paz!
01:19:58¡Están en paz!
01:20:01¡Están en paz!
01:20:03¡Están en paz!
01:20:05¡Están en paz!
01:20:05Estoy teniendo que lo que has dicho nos es la verdad.
01:20:09Estos hombres son libre y al aire.
01:20:12En estas circunstancias
01:20:14no hay que decirle
01:20:16a la juventud de la juventud.
01:20:18Si me déjame, mi señor,
01:20:20nosotros, la juventud,
01:20:22la juventud,
01:20:24no es la juventud.
01:20:25¡Están en paz!
01:20:46¡Están en paz!
01:20:47¡Están en paz!
01:20:48¡Están en paz!
01:20:52¡Están en paz!
01:21:02¡Están en paz!
01:21:04¡Están en paz!
01:21:05¡Nos los singly que les puede decirle!
01:21:07¡Están en paz!
01:21:08¡ limits de tu commodición!
01:21:11¡Si me THE ESLike!
01:21:12¡Están rideando tus vales!
01:21:14¡Están solo!
01:21:14¡Están bien!
01:21:16¡Están en paz!
01:21:17Gracias.
01:21:19Gracias a todos.
01:21:19¡Puedo moverme!
01:21:20¡Luton pen!
01:21:21¡Luton pen!
01:21:22¡Luton pen!
01:21:22¡Luton pen!
01:21:24¡Luton pen!
01:21:24¡Luton pen!
01:21:42¡Luton pen!
01:22:05Gracias por ver el video.