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00:00A CIDADE NO BRASIL
00:30A CIDADE NO BRASIL
01:00A CIDADE NO BRASIL
01:30A CIDADE NO BRASIL
02:00A CIDADE NO BRASIL
02:04A CIDADE NO BRASIL
02:06A CIDADE NO BRASIL
02:08A CIDADE NO BRASIL
02:10A CIDADE NO BRASIL
02:12A CIDADE NO BRASIL
02:14A CIDADE NO BRASIL
02:16A CIDADE NO BRASIL
02:18A CIDADE NO BRASIL
02:20A CIDADE NO BRASIL
02:22TOGETHER
02:24A CIDADE NO BRASIL
02:26A CIDADE NO BRASIL
02:28A CIDADE NO BRASIL
02:30A CIDADE NO BRASIL
02:32A CIDADE NO BRASIL
02:34A CIDADE NO BRASIL
02:36A CIDADE NO BRASIL
02:38A CIDADE NO BRASIL
02:40A CIDADE NO BRASIL
02:42A CIDADE NO BRASIL
02:44A CIDADE NO BRASIL
02:46A CIDADE NO BRASIL
02:48IN A CROOKED CAR GAME
02:49A DEAD DOG
02:50WAS PART OF SHOCALA
02:51SO BOBBY AND I
02:52BECAME Pseudo-participants
02:54IN NUQUAY'S COMPANY
02:56WE PROMISED ISAAC
02:57WE'D GET HIM SHOCALA BACK
02:58IF HE'D HELP COOPERATE
02:59PUT A NET OVER NUQUAY
03:00SWEETEN THE DEAL
03:01WE GAVE TWINE
03:02IMMUNITY FROM PROSECUTION
03:03FOR HIS OWN SHADY DEALINGS
03:05AND WHAT DOES TRAVIS
03:06GET OUT OF THIS?
03:07A PLACE IN THE UNEMPLOYMENT
03:08LINE
03:09NUQUAY DUMPED HIM
03:10WHAT DID YOU USE AS BAIT?
03:11AN UNRELEASED TAPE
03:12BY A ROCKER NAMED
03:13EDDY TEMPEST
03:14ISAAC OFFERED WINSTON
03:16THE CHANCE TO RUN OFF CLEANS
03:17THAT'S COUNTERFIT
03:18VERSIONS OF THE TAPE
03:20AND TO DO IT OVERSEAS
03:21SO THE IRS COULDN'T
03:22MONITOR THE INCOME
03:23WINSTON GAVE HIM
03:2450 GRAND OF GOOD FAITH
03:25MONEY TO CLOSE THE DEAL
03:27AND WE MOVED IN
03:31I KNOW IT WASN'T THE BEST
03:32PLAY IN THE WORLD, PAUL
03:33BUT IT WAS THE ONLY PLAY
03:34WE HAD
03:35NECESSITY IS THE MOTHER
03:36OF INVENTIONS
03:37SOMETIMES IT CAN BE
03:38A PRETTY MEAN MOTHER
03:39WE PLAYED THE CARDS
03:40WE WERE DEALT
03:41WHAT IS THIS?
03:42A CLICHE HOUR?
03:43A BURDEN OF HAND IS
03:44WORTH TWO IN A...
03:45I'M SORRY
03:46PAUL
03:47WE WANT NUQUAY
03:48I WANT ANNE MARGARET
03:49SOME THINGS ARE
03:50UNATTAINABLE
03:51YOU KNOW WHAT
03:52THE CAPLAR IS?
03:53WE ARE THE ONES
03:54WHO ARE GOING
03:55TO GET STUNNED
03:56BECAUSE THIS IS
03:57THE MOST OBVIOUS
03:58CASE OF ENTRAPMENT
03:59SINCE MY WIFE
04:00ORCHESTRATED OUR WEDDING
04:01NUQUAY IS
04:02AT HIS MOST VULNERABLE
04:03NOW
04:04HIS WIFE CLAUDIA
04:05AND EDDY TEMPEST
04:06THE TEENAGE ROCKER
04:07WITH THE BASEMAN TAPE
04:08WERE KILLED
04:09WHEN THEY FELL THROUGH
04:10THEY WERE IN THE ACT
04:11SO MUCH FOR SAFE SEX
04:13WHAT IN THE HELL
04:14IS WRONG WITH THESE
04:15PEOPLE?
04:16THEY CONSPICUOUSLY
04:17CONSUME EVERYTHING
04:18THEY GET THEIR HANDS ON
04:19INCLUDING EACH OTHER
04:23WELL WHERE DO WE STAND?
04:24AS A RESULT
04:25OF THE VIDEO TAPE
04:26NUQUAY'S BEEN ARRESTED
04:27ON CONSPIRACY
04:28TO VIOLATE COPYRIGHT
04:29LAWS
04:30AND STATUTES
04:31GOVERNING INCOME
04:32EARNED ON FOREIGN SOIL
04:33IS THERE ANYTHING ELSE
04:34I SHOULD BE AWARE OF?
04:35BOBBY TRAVIS
04:40KNOWS I'M AN AGENT
04:41BOBBY TRAVIS
04:42WHOSE MOUTH
04:43SHOULD BE REGISTERED
04:44WITH THE NEW YORK
04:45STATE RACING COMMISSION
04:46HOW?
04:49HE FOUND AN ENVELOPE
04:50FROM SENATOR
04:51WILLIAM TRENT
04:52IN NUQUAY'S OFFICE
04:53HE READ WHAT WAS IN IT
04:55AND CAME TO
04:56THE APPROPRIATE CONCLUSION
04:57TRENT NEVER READ
04:58THE FILE
04:59HOW DID HE GET IT?
05:00ONE OF HIS AIDES
05:01AN OFFICIALS LITTLE SNOT
05:02NAMED KENDERSON
05:04HE ACCESSED
05:05VINNY'S FILE
05:06HE WAS ON NUQUAY'S PAD
05:07I HAD A
05:09FORCEFUL CONVERSATION
05:11WITH KENDERSON
05:12WHERE IS HE NOW?
05:13I SUSPECT SOMEPLACE
05:14WEST OF JOPLAND
05:16DOES NUQUAY KNOW?
05:17NO, THE ENVELOPE
05:18WAS SEALED
05:19WHEN BOBBY FOUND IT
05:20BESIDES NUQUAY'S
05:21GOT TOO MANY PROBLEMS
05:22TO BE WORRIING ABOUT
05:23ME RIGHT NOW
05:24AND SUPPOSE HIS
05:25PROBLEMS DISAPPEAR
05:26THEN YOU MIGHT ALSO
05:28A CONSPIRACY CHARGED
05:30BASIC CHARGED BASED
05:31ON AN ENTRAPMENT
05:32BY PRIVATE CITIZENS
05:34DURING THE COMMISSION
05:35OF AN OCB STING
05:36THAT YIELDED
05:37NO CASE AGAINST
05:38THE SUSPECT
05:39BUT BLEW THE COVER
05:40OF ONE OF MY KEY AGENTS
05:41THEN YOU GUYS
05:43GET PAID FOR THIS?
05:48YOU'RE GOING
05:49AFTER ISAAC TWINE?
05:50WHAT THE HELL FOR?
05:51I TOOK HIS COMPANY
05:52FROM HIM
05:53HE SAW A WAY
05:54OF TAKING MINE
05:55IF I WERE HIM
05:56I WOULD HAVE DONE
05:57EXACTLY THE SAME THING
05:58OH GOD
06:00I WISH THAT CLONIA
06:01WERE HERE
06:02WE FEEL CONFIDENT
06:04MR. NUQUAY
06:05THAT IF THE GOVERNMENT
06:06IS FOOLISH ENOUGH
06:07TO BRING THIS CASE
06:08TO TRIAL
06:09A JUDGE WILL ISSUE
06:10A SUMMARY
06:11I WANT THOSE BASTARDS
06:13TO PAY
06:14I'VE BEEN HUMILIATED
06:18I'VE BEEN TO JAIL
06:21I'VE STOOD NEXT TO
06:22THOSE MENTAL
06:23DEFICIENCE
06:24AND DEVIANCE
06:25THEIR SPITTLE
06:26FALLING ON MY SHOES
06:27THE SMELL OF THEM
06:28IS STILL IN MY NOSE
06:29I CAN'T GET RID OF IT
06:31HALFWAY AROUND THE WORLD
06:36THEY'VE SEEN PICTURES
06:38OF ME COVERING MY FACE
06:39WITH MY JACKET
06:40LIKE ONE OF TERRA NOVA'S GUMBA'S
06:42NOW I WANT MY RESTITUTION
06:44AND I WILL HAVE IT
06:46GET OUT AND DO THE JOB
06:47I PAY YOU TO DO
07:10I DON'T REMEMBER
07:11THE LAST TIME
07:12WE SAID WE LOVED EACH OTHER
07:13FOR NO OTHER REASON
07:15THAN THAT IT WAS TRUE
07:22CLAUDIA
07:25DEAR NEEDY CLAUDIA
07:31I LAUGHED AT YOUR NEED
07:32BECAUSE I SHARED IT
07:36I TRIED TO BUY OFF
07:37YOUR ISOLATION
07:40BECAUSE THAT WAS HOW
07:41I DEALT WITH MINE
07:45ALL THE
07:47INFIDELITIES
07:50YOURS AND MINE
07:53WERE NOTHING
07:58IT WAS YOU
08:04IT WAS ALWAYS YOU
08:05YOU
08:18YOU GOTTA SEE THIS
08:20I'VE SEEN IT SWEETHEART
08:22TWELVE TIMES
08:23WINSTON LOOKS LIKE A FLOWNER
08:26THAT JUST GOT SNAGED
08:28I'M GOING TO WEAR OUT
08:29THAT MACHINE
08:31DON'T YOU JUST LOVE
08:32THE POETRY OF IT
08:33WINSTON TAKES SHACULA FROM
08:34ME IN A COLD CARD GAME
08:36AND I TURN IT AROUND
08:37AND STING HIM DIRTY
08:39AND NOW HE'S GONNA LOSE
08:40RADIANCE
08:41HOW DOES IT FEEL WINSTON
08:47ISAAC
08:48WHEN WINSTON TOOK OVER
08:49SHACULA
08:50ALL OUR CONTRACTS
08:51WITH OUR ARTIST
08:52BECAME NULL AND VOID
08:53WE'RE GONNA HAVE TO
08:54RESIGN EVERY ACT
08:55NOT A PROBLEM
08:56AMBER SUGAR
08:57HAVE YOU EVER KNOWN
08:58ANYBODY
08:59WHO COULD RESIST
09:00THE CHARMS
09:01OF OLD ISAAC
09:03INCLUDING ME
09:04I'VE NEVER TRIED
09:05TO CHARM YOU
09:06AND I NEVER WILL
09:08IT'S BECAUSE YOU KNOW
09:09I COULD READ YOU
09:10LIKE A PAPERBACK
09:11MM-MM
09:12NO IT'S BECAUSE
09:13WITH YOU
09:14IT WOULD BE
09:15INSULTING
09:16CHARM
09:17IS JUST A TOOL
09:18YOU USE ON
09:19PEOPLE WHO HAVE
09:20SOMETHING YOU WANT
09:21AND DOESN'T WANT TO
09:22GIVE IT TO YOU
09:23BUT ALL YOU'VE EVER
09:24DONE IS TO GIVE
09:26AND I LOVE YOU FOR IT
09:30OH
09:32DAMN YOU'RE GOOD
09:33YOU KNOW WHAT
09:35I'M GONNA DO
09:36WHAT
09:37I'M GONNA HAVE A BLOW-UP
09:38MADE OF THAT PICTURE
09:39EIGHT FEET BY TEN FEET
09:41WINSTON THE HOOKED
09:42FLOWNER IS GONNA HANG
09:43RIGHT THERE
09:44ON THAT WALL
09:45AS A CONSTANT SOURCE
09:46OF INSPIRATION
09:47AS WE REBUILD
09:48SHACULATE ALL
09:49ITS FORMER GLORY
09:50THAT MAY BE
09:51TOUGHER THAN YOU THINK
09:52WHAT DOES THAT MEAN
09:53MR. MCPYKE
09:54THAT MEANS
09:55MR. TWINE
09:56THAT WHEN WE TAKE
09:57NEW QUATE A COURT
09:58YOU'RE GOING TO BE
09:59OUR STAR WITNESS
10:00AND YOUR NOT SO
10:01KOSCHER PAST
10:02IS GONNA BE PART
10:03OF THE RECORD
10:04THE ASSAULT CONVICTIONS
10:05OF THE TIDY SUM
10:06YOU RIPPED OFF
10:07FROM YOUR OWN ARTISTS
10:08BUT I'M IMMUNE
10:09FROM PROSECUTION
10:10THAT IS OUR DEAL
10:11WE INTEND TO STAND BY IT
10:13NEON YOU ALSO AGREED
10:14THAT THE GOVERNMENT
10:15WILL HELP US GET
10:16SHACULATE BACK
10:17NOBODY'S TRYING
10:18TO BACK OUT
10:19ALL I'M SAYING IS
10:20ONCE THE SPOTLIGHT'S
10:21ON YOU
10:22IT'S GONNA BE HARD
10:23TO SIGN NEW ARTISTS
10:24DO YOU REALLY THINK
10:25SOME KID FROM ELBOW
10:26GREASE INDIANA
10:27WITH A GUITAR IN HIS HAND
10:29AND A DREAM IN HIS HEART
10:30IS GONNA CARE
10:31ABOUT SOME MINOR BOOKEEPING
10:33IRREGULARITIES
10:34HE WANTS HIS TUNES
10:35ON A CD
10:36AND HE'LL SIGN WITH
10:37THE DEVIL HIMSELF
10:38TO MAKE THAT HAPPEN
10:39BESIDES
10:40MY ARTISTS
10:41ALWAYS SAW
10:42AT LEAST A GOOD
10:43PERCENTAGE OF
10:44WHAT THEY WERE
10:45ENTITLED TO
10:46YOU EVER WUND UP DESTITUTE
10:48WHAT A GUY
10:49HEY LOOK
10:50ISAAC PUT HIMSELF
10:51ON THE LINE FOR YOU
10:52ALRIGHT
10:53WITHOUT HIM YOU WOULDN'T
10:54HAVE A CASE AGAINST
10:55NEWQUAY
10:56SO WHAT HE DOESN'T NEED
10:57FROM YOU RIGHT NOW
10:58IS ABUSE
10:59NOW MR. MCPYKE
11:00YOU MUST HAVE COME HERE
11:01FOR SOMETHING
11:02WHAT IS IT
11:03YES MA'AM
11:04THE PRELIMINARY HEARING
11:05IS ON WEDNESDAY
11:07IF YOU WOULDN'T MAKE
11:08ANY TRAVEL PLANS
11:09I'D APPRECIATE IT
11:11WE MAY NEED YOU
11:12SHORTLY AFTER THAT
11:14FRANK
11:15HOW MUCH TIME DO YOU
11:17THINK WINSTON WILL GET
11:18I'D SAY HE COME OUT
11:19OF SLAM WEARING
11:20A 20 YEAR OLD SUIT
11:21IF THERE'S ANY JUSTICE
11:22WHAT
11:2320 YEARS
11:25WELL THAT IS WHAT
11:26YOU WANT
11:27ISN'T IT
11:28TO PUT THE MAN BEHIND
11:29BARS WHO STOLE
11:30YOUR BUSINESS
11:31NO I THOUGHT
11:3318 MONTHS
11:34MAYBE
11:35I MEAN PUNISHMENT
11:36REALLY WASN'T THE POINT
11:37BUT
11:3820 YEARS
11:40WELL DON'T WORRY
11:41I SAID IF THERE'S
11:42ANY JUSTICE
11:43I DOUBT THAT THERE IS
11:44NOTHING
11:51NO
11:52NO
11:53NO
11:55NO
11:56NO
11:57NO
11:59NO
12:00NO
12:01NO
12:03NO
12:04NO
12:05A CIDADE NO BRASIL
12:35A CIDADE NO BRASIL
13:05I know you wouldn't do anything on purpose, Bobby.
13:07But accidents do happen.
13:09What are you going to do, have my tongue cut out?
13:13I was kidding.
13:16The way I see it, Nukwe gave you the biggest break of your life.
13:19He fired me.
13:21He freed you up.
13:22Now you've got a chance to orchestrate a palace revolt.
13:25What are you talking about?
13:27I'm talking about creativity.
13:29Seeing an opportunity and making something out of it.
13:33Nukwe has stolen from every artist in his stable.
13:36When that comes out in the open, those people are going to want to sign with a new label.
13:40Now why shouldn't that label be dead dog?
13:42I don't know.
13:45I guess it could be.
13:46You're damn right it could be.
13:48Especially if you approach them before the news hits the streets.
13:51Then you can impress them by showing them that you're a man who has your fingers securely on the pulse of this industry.
13:56Well, it is.
13:58It always has been.
13:59You know it is.
14:00Right.
14:01Yeah.
14:05I'll get started right now.
14:07Wait till tomorrow.
14:08Right now, I'll grab your coat.
14:10Where are we going?
14:13Let us drink to Shakula.
14:16Which, like the phoenix of ancient mythology, will rise up again from its ashes and take its rightful place in the business of bringing music to the thirsty ears of people everywhere.
14:28Hear, hear.
14:31And there'll be money and booze and laughter for everybody.
14:39And I will want for nothing as long as Amber and Lady Luck are on my side.
14:44My money's on Amber, Isaac.
14:45That other lady has got a tendency to split at the most inconvenient times.
14:50I heard that.
14:52And Bobby, you are right.
14:53Hey, come on.
14:54There's enough here to feed the poor.
14:56Let's dig in.
15:01Ow.
15:02Isaac?
15:03Ow.
15:04Bobby!
15:05Bobby!
15:06Bobby!
15:06Call 911.
15:07It might be a heart attack.
15:08Get him off the floor.
15:10No, leave him.
15:10Leave him.
15:11I can't breathe.
15:12Hurry up!
15:13I need an ambulance to 1373 Broadway.
15:18We got a heart attack.
15:25Triglycerides, Vincent.
15:26Little molecules of fat clogging my blood.
15:30I'm off the chart with the little rascals.
15:33Like I haven't been off the chart since Esther Simmons did love thump.
15:38Well, a man cannot live on ribs and sweet potato pie alone.
15:43And if he does try, his heart attacks him.
15:46Shh.
15:47You have to slow down, too.
15:50You know, the doctor thinks I've been living on borrowed time, but I think I'm on a roll.
15:54Well, wouldn't you have all available medical evidence said you should have cashed in your chips a decade ago?
16:01No.
16:02I'd start living right so I could make it through a lot more decades.
16:06If you need a couple reasons to live, what about Amber and Chakala?
16:12Yeah.
16:14You got a point there, Vincent.
16:15Hey, do me a favor, will you?
16:20Call Nugway for me.
16:21Tell him I want to see him.
16:23For what?
16:24Well, I want to help him find some new acts so he can crawl out from under the wreckage.
16:29Time to check your vital signs, Mr. Twine.
16:31I'll get going.
16:32Take care of yourself.
16:34Get some rest.
16:34And don't forget about Nugway.
16:36I really do want to see the slimy limey.
16:38Mr. Twine.
16:44Oh.
16:44All right, well, I'll leave you two alone.
16:50Behave yourself, Isaac.
16:54He's going to be a tough guy to keep off his feet for very long.
16:57Oh, yeah.
17:00She got caught his act in the ambulance yesterday.
17:03There I was, trying to hold on to his hand for dear life, wishing his pain away.
17:09And he's telling me a joke.
17:12This...
17:13This drunk comes up to this cop on the 57th and 5th.
17:19Comes running up to this cop on 57th.
17:24Oh.
17:24It's okay.
17:26It's all right.
17:28Just get it out of your system.
17:28Bye.
17:36Oh, God.
17:38I don't want him to die.
17:41I don't want him to die.
17:44I cannot believe that you don't know what's in this contract.
17:51I got many high-priced lawyers that run their eyesight on the fine print.
17:55I specialize in investments, Bobby.
17:57And booze, and women, and trying to prove you can still live harder than any of the kids you manage.
18:01Well, old habits die hard.
18:04Getting hosed by Nuquay does not have to fall into that category, Luther.
18:08This contract you showed me, the one you let the wallbangers sign, it's your ticket to salvation.
18:13Check it out.
18:14Paragraph 27, subparagraph A.
18:16Same standard as your drive.
18:20I read in everything Nuquay ever stuck in front of me.
18:23Do the wallbangers know what a locks they have for a manager?
18:26Come on, Bobby.
18:26I didn't come up here to listen to you flap your jaws.
18:29They're flapping for your good.
18:32See this clause?
18:33The one that says you have a right to an accounting?
18:37Yeah.
18:38Well, that means you can get your own accountant to tote up what you think the wallbangers should have made.
18:45And if he doesn't come up with the same figure as Nuquay's accountant, you get a third accountant, some independent operator, and he decides who's right.
18:54Come on, if the dude can count, you're golden.
18:57We'll still never get paid.
18:59It's not Nuquay's style.
19:01His style is rapidly going out of style.
19:05Which is why I direct you to paragraph 49.
19:10Any failure on the part of the company, that's Nuquay, dummy,
19:14to compensate the artist in full will result in the voiding of the contract,
19:18with all rights pertaining to material created by the artist reverting to the artist.
19:24Luther.
19:26That means the wallbangers can sign with anybody and bring all their material with them.
19:32How do you know so much?
19:34I got my finger on the pulse of this industry, pal.
19:37And why do you want me to know it?
19:44You wouldn't be the one planning to sign my boys up, would you?
19:47I trust your dalliance with death will turn you into a nicer person, Isa.
19:59Nice enough to give you a job.
20:01Charity work appeals to me.
20:03Oh, come now.
20:04I don't think you'll be in any shape to run a company.
20:07And if I were you, I don't know that I'd even want to.
20:10Consorting with the law has put a dreadful taint on your name.
20:13You must be terribly ashamed.
20:15I was just being a good citizen, Winston.
20:19But I must say, you look great on videotape.
20:25I'm going to get one of those stills and hang it on my wall
20:28because I want to see that expression on your face every day
20:32for the rest of my life.
20:36Then I haven't much to fear
20:37because you'll be shucking off your mortal coil in the not-too-distant future.
20:42You want to bet?
20:44About who's going to live longer, you or me?
20:47You've got to be joking.
20:49I'm serious as rain.
20:51This is what it's all about, living and dying in four, four time.
20:55Hmm?
20:58I'm getting this for posterity.
21:01And for my lawyer.
21:04Very well.
21:04When you die, which you will long before I do,
21:10your estate will pay me an amount equal to 25% of its total pre-tax value.
21:16You disappoint me, Sammy.
21:18This has got nothing to do with money.
21:21All right.
21:21Then name it.
21:23Whoever lives longer gets a dance on the other guy's grave.
21:27Maybe I'll dress like Fred Astaire for the occasion.
21:36And I'll dress like Gregory Hines.
21:40I'll miss you.
21:41I'm not going anywhere.
21:43But that session you've got coming up in court tomorrow
21:46just might be the death of you.
21:48Hmm?
21:49Gray area?
21:56How could there possibly be a gray area here?
21:59Counselor, if you forget to zip your pants,
22:02you forget to zip your pants.
22:03Your Honor, I don't see how this is any different
22:06from what happened in the Ab Scam case.
22:07Don't talk to me about Ab Scam.
22:09Surely a precedent was set there
22:10for aggressive pursuit of white-collar criminals.
22:12I said let's not talk about Ab Scam.
22:15Let's talk about the Supreme Court decision
22:17in Sorrell's versus the United States.
22:20Is that a tune you can hum, Counselor?
22:23What the majority held was the following.
22:25That a law enforcement officer
22:27or a person or persons acting in his behalf
22:31cannot help a crook decide
22:33about when he's going to become a crook.
22:37But what Mr. Newquay was planning to do
22:39was despicable and reprehensible,
22:42not to mention unethical and illegal.
22:45I agree wholeheartedly, Mr. Monroe,
22:47to have treated the artist
22:49who wrote and performed
22:50for Radiant's recording
22:52with such undisguised contempt
22:56leaves me on the verge of nausea.
22:59And if it can be proven
23:01that others have been similarly wronged
23:04by Mr. Newquay,
23:05it is my sincere hope
23:07that they seek justice
23:08with the greatest possible haste.
23:11But my feelings about his
23:13utter lack of business ethics
23:14cannot cloud my judgment
23:16in the criminal proceedings
23:17before us here today.
23:20What we have here is entrapment.
23:22Plain and simple.
23:24And the only thing that entrapment
23:25gets you in my court
23:26is an invitation to leave.
23:29Case dismissed.
23:30No thanks to you.
23:43McPike,
23:44no hard feelings, I hope.
23:47I'm not going to call off the dogs, Newquay.
23:50I think you're best advised
23:52not to threaten me
23:53in the presence of my attorneys.
23:55It could be the basis
23:57of a nasty harassment suit.
23:59I'm not going to harass you, sports shoes.
24:02I'm just going to stay on your butt
24:03till I nail you for what you are.
24:06A common criminal.
24:07Don't let what happened
24:24in that courtroom yesterday
24:25delude you.
24:26The government's case was weak tea.
24:29But your artists are lined up
24:30around the block
24:31waiting to sue you into oblivion.
24:33And those that aren't going to sue
24:35are going to leave
24:36with their masters tucked
24:37safely into their guitar cases.
24:40They'll back off.
24:41They always have.
24:42Not this time, Winston.
24:44Then stole them with good faith.
24:46Do something, for God's sake.
24:48I've already arranged accountings
24:50for Stevie Vincent
24:51and ecstatic dreams.
24:53You can satisfy five.
24:55You'll find another 50
24:56accusing you of dodging them.
24:58You can't escape them, Winston.
25:00Why is this happening to me?
25:02And why now?
25:03I know how many enemies I have.
25:07But I've always been able
25:08to reduce them to yellow ash.
25:09What the hell's gone wrong, Peter?
25:11Perhaps you'd better start
25:12with Bobby Travis.
25:13Apparently he's working his way
25:14through your talent roster,
25:16calling up everyone
25:16to make sure they know
25:17what their contractual rights are.
25:19We're too bloody polite
25:21in this business.
25:22On the docks in London,
25:23traitors of Travis's ilk
25:24received appropriate punishment.
25:26I'm really looking after
25:27your best interests.
25:29And violence is not an option.
25:31Violence is always an option, Peter.
25:32The last, best option.
25:34Get out, you're fired!
25:36What?
25:36After all we...
25:37Get out of my office!
25:40You may be able to get along
25:41without me for some time, Winston,
25:43but you cannot get along
25:45without control of yourself,
25:47if nothing else.
25:48You seem to have lost that,
25:49which means you've lost everything.
25:50Oh, I'm just beginning, Peter.
25:53Just like the old days.
25:56I won't beat him with depositions.
25:58I'll club him to death in the gutter.
26:01I'll destroy them with my own hands!
26:08Winston hasn't given up.
26:10Man's character isn't weakened by hardship.
26:12It's forged by it.
26:14And that little mutt
26:15has always been like that.
26:17He told me so himself
26:19in case I had any doubts.
26:21When did you see him?
26:22When he stopped by
26:23to bet me
26:24that I would die
26:25before he did.
26:26Yeah, charming as always.
26:28That's our Winston.
26:29You took the bet, didn't you?
26:32It was my idea.
26:35And that's our Isaac.
26:37Honey, when are you gonna understand?
26:39This is all just a game.
26:41A game?
26:41This is your life
26:43we're talking about.
26:44Now, maybe you don't mind
26:45belittling it with a bet,
26:47but I'm certainly not gonna applaud
26:48your devil-made care job.
26:51I need you too much.
26:53So does Winston.
26:55He needs me
26:56like Ollie needed Frasier.
26:58Is that why dancing
26:59on your grave is so important?
27:00I didn't think
27:01you quite was into symbolism.
27:03Dancing on your grave?
27:04That was a bet, Vinnie.
27:06If I outlive Winston,
27:08I get to dance on his.
27:09Well, I'm gonna stop
27:12by his office next.
27:13I'll let you know
27:14if he wants to sell me
27:15a pair of grave dancing shoes.
27:17But if he does,
27:18I get 50%.
27:20Come back again real soon.
27:22All right, I'll see you tomorrow.
27:28What?
27:31You know, I'll be damned
27:33if I feel like I'm
27:34recuperating from a heart attack.
27:37Hey, you know what?
27:37feeling kind of risky.
27:40Come here.
27:40Isaac, no.
27:42Isaac, no.
27:43No.
27:44Well, come on.
27:45What's the word?
27:46Nurse Rachel won't be back
27:47rolling out.
27:48That's not what I'm talking about.
27:50You're supposed to...
27:51You're supposed to be resting.
27:53Oh, shoot.
27:54I've been resting here
27:55for two days
27:56with these nutrients
27:57dripping into me.
27:58Come on, you know.
27:59I'm drunk with power.
28:00Isaac, we have to stop.
28:01The doctor said no excitement.
28:05You have to listen
28:06to what he said.
28:07You listen to me.
28:09If it ain't got no excitement,
28:11it ain't got no point.
28:13And you know
28:14I believe in the point.
28:18You have to stop.
28:19Come on, Isaac.
28:27Don't get around like that.
28:29That's not funny.
28:31Isaac?
28:32Isaac?
28:33What you've done,
28:35revealing the inner workings
28:36of my company
28:37to my artists,
28:38is unconscionable
28:39and utterly despicable.
28:41Oh, come on, Winnie.
28:42What I did was tell him the truth,
28:44and you call it despicable.
28:46What you did was lie to him,
28:47and you call it business.
28:49Don't be absurd.
28:50You stole everybody's money.
28:52You stole Twine's whole company.
28:54If he hadn't set you up,
28:56I would still be begging for scraps.
28:57You keep Isaac's name out of this.
28:59No can do, Winnie.
29:01He was the catalyst.
29:02The catalyst was your greed.
29:03How can you tell anybody
29:04about greed?
29:06You invented it.
29:07If it's another job
29:08you're worried about,
29:09come see me.
29:10Maybe I can help you
29:11land something,
29:12you know,
29:12pays minimum wage,
29:14be more than you ever did
29:15for me.
29:16You bastard!
29:17Get off!
29:18Get off!
29:23You all right?
29:24Yeah.
29:26I'm losing my touch,
29:28Terranova.
29:30There was a time
29:31I would have crushed
29:32his windpipe
29:32before you even got to me.
29:34You got enough problems
29:35without a murder charge.
29:36A murder charge
29:37would be worth it.
29:38He's crazy.
29:40What is it?
29:41Isaac's dead.
30:05He was the best friend
30:06I ever had in this business.
30:07not a saint by any means,
30:10but a good, good man.
30:16Isaac.
30:19Eat, drink, and be merry,
30:21but always in 4-4 time
30:23and always with a laugh
30:25on his lips.
30:26The first time
30:30I ever met Isaac,
30:32he'd just gone out of business
30:33with Bumblebee Records.
30:36He was buying a round
30:37for the house.
30:38Why on earth?
30:40I said.
30:42And he said,
30:44why not?
30:47The sun will come up
30:48tomorrow
30:49and maybe somebody
30:51will remember me fondly
30:52while his son has sat.
31:15Who's left for me?
31:19Isaac had this made
31:38after we'd gone dancing
31:39one night at Roseland.
31:42He liked to dance
31:44with the old ladies.
31:45and to the fox
31:49trot and the jitterbug.
31:51You know,
31:51when I think of the time
31:53we had together,
31:53that's what it seems like.
31:57Dad's at Roseland.
32:01Isaac was a very lucky man.
32:06He had somebody
32:07that was loyal to him
32:08no matter what.
32:11Somebody wanted to protect him.
32:12and loved him.
32:18To have all that
32:19is very rare.
32:22I just don't know
32:22what to do.
32:23It's like
32:24the first time
32:25in 20 years
32:26and I have nothing that-
32:27Amber.
32:29You'll go on.
32:32You'll build this company
32:33back to what it was before.
32:35To more than
32:36what it was before.
32:37Yeah, why?
32:37What's the point now?
32:38The point is you, Amber
32:40and Isaac
32:41and everything
32:41that you built together.
32:44You gotta keep dancing.
32:49He liked you, Vinnie.
32:50You know that?
32:53He said his last lucky streak
32:55started when he met you.
32:59I gotta admit
33:00I was jealous as hell.
33:03I said this streak's
33:04gonna end sooner or later.
33:06You know what he said to me?
33:07Of course it is, baby.
33:12If it went on forever
33:13what fun would that be?
33:16I'm gonna
33:17look over these contracts
33:19that have to be re-signed.
33:24Well, I'll stay
33:25if you want.
33:30No, that's okay.
33:32I think
33:32I should be by myself now.
33:37Okay.
33:57Hello, Vince.
33:58You joined me, weren't you?
33:59Oh, please.
34:07I shall keep you very long.
34:14Where are we going?
34:17That was a question.
34:18I've had you investigated, Vince.
34:24A certain senator
34:26has a certain assistant
34:28with whom I have
34:30a certain
34:30arrangement.
34:34If you wanted to see my sheet
34:35you could have saved yourself
34:36a lot of time and trouble
34:37by going straight
34:38to the horse's mouth.
34:39I've learned that
34:40the horse's mouth
34:41is not always
34:41the most reliable source.
34:44So what did this
34:44certain senator's assistant
34:46tell you?
34:46nothing, actually.
34:49I mean that literally.
34:52And when I called the office
34:53to find out why
34:54I was told that he was
34:55no longer in the senator's
34:56employ,
34:57that he'd vacated
34:58his apartment
34:58and simply
34:59disappeared.
35:01I underestimated you.
35:07Very well done, indeed.
35:12I hope you won't think
35:13me immodest
35:14if I say that
35:15I see quite a bit
35:16of myself in you.
35:18Well, I never thought
35:19modesty was one of your
35:20strong points, anyway.
35:22Touche.
35:22You took a moribund operation
35:27like dead dog
35:28and injected some life
35:29into it.
35:29I admire that.
35:31You have the
35:32entrepreneurial spirit.
35:33Yeah.
35:36Where are we going?
35:38Did you always want to be
35:39in the business, Vince?
35:42I mean, it wasn't
35:43one of your dreams
35:44as a kid, was it?
35:44People so seldom
35:47end up living
35:48their dreams.
35:50I always wanted to
35:51replace Mickey Mantle
35:52in Centerfield.
35:54When did you realize
35:55that wasn't going to happen?
35:56I haven't completely
35:57given up on it yet.
36:03I still harbor a dream.
36:07Performing on stage,
36:09mic in hand,
36:12singing to thousands
36:13of adoring fans.
36:20Scratch the skin
36:21of a record executive,
36:22you'll always find
36:22a closet performer.
36:25Well, that's great.
36:26It's very interesting.
36:28But if you don't tell me
36:29where we're going,
36:30I'm going to roll down
36:30that window and throw
36:31you out of it.
36:43like it.
36:59Oh, yeah, I'm
37:00absolutely entranced.
37:03Isaac told me
37:04about this bet you had.
37:06I don't want any part
37:07of seeing you take
37:08your pay off.
37:10He should be more
37:10like Isaac.
37:11You know that?
37:13Open to new experiences.
37:15I am open to new experiences.
37:16It's being a ghoul
37:17that doesn't thrill me.
37:19How about becoming
37:19my business associate?
37:22What does that do
37:23to your pulse rate?
37:27I need someone
37:27to fill the void
37:28left by Claudia
37:29and Isaac.
37:31Someone both to spar with
37:33and to confide in.
37:35When I study
37:35the field of candidates,
37:36you're the only one
37:37who meets my standards
37:38of taste, aggression,
37:40and intelligence.
37:42I could teach you
37:43a lot about this business.
37:45You may think
37:45you know it all already,
37:47but believe me,
37:48you've barely had
37:48an introductory course.
37:52I don't think so.
37:53There's money to be made.
37:56A fortune.
37:57And a fortune
37:58not by your standards,
37:59a fortune by mine.
38:00Not interested.
38:01Do you want me
38:02to be desperate?
38:04Is that it?
38:05Well, I am.
38:08Does it make you happy
38:08to know that
38:09Winston Newquay
38:10is groveling
38:11at your feet?
38:14I have no wife,
38:15no friends,
38:16no allies.
38:18And if I don't rebuild,
38:19I won't have
38:20any competitors either.
38:22Fate has orchestrated
38:24my abandonment, Vinnie.
38:26Is that fair?
38:27For a man of my stature
38:29and abilities
38:30is to be cast adrift
38:31with no hope
38:33of ever again
38:34being anything more
38:35than flotsam.
38:36That's exactly
38:36what you deserve.
38:38A guy devotes
38:39his life to stepping on people,
38:40I gotta believe
38:40he deserves
38:41that same treatment
38:42back in spades.
38:44I'm sorry, Sammy.
38:45It's just your chickens
38:46coming home to roost.
38:51Come on, then.
38:52Come on.
38:52He's not far to go.
38:56the parade and ballet.
39:17. . .
39:29Hey!
39:32. . .
39:35. . .
39:37. . . .
39:39. . . . .
39:40. . . .
39:43Oh, forever and ever and ever, Sammy.
39:50Indeed, you did.
39:53Isaac.
40:00Indeed, you did.
40:07Winston.
40:09Winston, let's go.
40:11Come on.
40:13Isaac put it in his will?
40:32Yeah.
40:33He made the tape in the hospital and had his lawyer go out and find a special effects guy.
40:38And Nukwe had to find a shovel to clean out his shorts.
40:42You gotta love that, Isaac.
40:45It's all over for Nukwe now.
40:48It was not a pretty sight.
40:51And I hope you don't ever end up a broken-down record morgue.
40:54You gotta be a record morgue before you can get broke down.
40:58I don't qualify.
40:59Well, you should do.
41:01Dead Dog is yours if you want it.
41:04Cost you a quarter of a million.
41:05Dead Dog's government property.
41:08You confiscated it in a drug bust.
41:11I know Washington's got a deficit, but Vinny, for God's sakes, I can't come up with that kind of money.
41:15A quarter of a million against the profits over the next five years.
41:17Plus, ten percent of the value of the company at that time.
41:21You mean I don't have to come up with any cash now?
41:24It's a deal of a lifetime, Bobby.
41:27So you want it or not?
41:28Of course, yes, yes.
41:33Vinny, I'm gonna restructure the music business.
41:36I got all of Nukwe's old acts eating out of my hand.
41:39I have ideas that have never been imagined.
41:41Concepts that have never been conceptualized.
41:44This is a business transaction, Robert.
41:47In addition to the money, the selling price of Dead Dog includes two favors from you.
41:51I'm surprised you think my silence is open to negotiation, Vincent.
41:57I know that it isn't.
42:02Because if you ever blew my cover, you're gonna end up looking like Rin Tin Tin over there.
42:11Okay.
42:12What's the second favor?
42:13Keep my seat warm.
42:15I kind of like this business.
42:21Yes, yes.
42:27Yes, yes.
42:27Oh, oh, oh.
42:29Não, não.
42:59Não, não.
43:29Não, não.
43:58Não, não.
44:28Não, não.
44:58Não, não.
45:00Não, não.
45:02Não, não.
45:04Não, não.
45:06Não.
45:08Não, não.
45:10Não, não.
45:12Não, não.
45:14Não, não.
45:16Não.
45:18Não, não.
45:20Não, não.
45:22Não, não.
45:24Não, não.
45:26Não, não.
45:28Não, não.
45:30Não, não.
45:32Não.
45:34Não, não.
45:36Não, não.
45:38Não.
45:40Não, não.
45:42Não.
45:44Não.
45:46Não.
45:48Não.
45:50Não, não.
45:52Não, não.
45:54Não, não.
45:56Não, não.
45:58Não, não.
46:00Não.
46:02Não, não.
46:04Não, não.
46:06Não, não.
46:08Não, não.
46:10Não, não.
46:12Não, não.
46:20Não, não.
46:21Eu...
46:22personally.
46:24...
46:25수im.
46:26Ok.
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