- 3 hours ago
Season 1 Episode 02 | Birth of the Centerfold: The Girl Next Door
americanplayboy docuseries playboy
americanplayboy docuseries playboy
Category
📺
TVTranscript
00:001953 was a year of all American values.
00:11I love Lucy was the number one show on television.
00:18Dwight Eisenhower was sworn in as the country's 34th president.
00:23And suburban culture was a way of life.
00:29But under the surface, society was as repressed as ever.
00:36It was a very culturally and sexually conservative time.
00:42Men and women were expected to go to college, get a job, get married, settle down, and raise a family.
00:50It was the new American dream, the white picket fence out in the suburbs.
00:55And that's exactly the life that Hefner was living.
00:58But he found it deeply unsatisfying and boring.
01:02It was clear to me that America needed a change.
01:05So I decided I was going to create a magazine that would challenge conformity.
01:15A modern men's magazine about lifestyle, art, culture, and sex.
01:22And I'd call it stag party.
01:25But I knew the first issue needed the perfect cover girl.
01:29And after months of searching, I had finally found her.
01:34Hey, Hef.
01:44Got some more girls here for you.
01:47Don't think about that.
01:49Good.
01:50I have an option myself.
01:53What do you think of that?
02:04Um, that's Marilyn Monroe.
02:08That's her.
02:10She's our pinna girl.
02:12In the spring of 1953, I bought the rights to nude photos of one of the most famous women in the world.
02:24Marilyn Monroe.
02:29Now that we had our model, I worked around the clock creating every single aspect of the magazine.
02:39What would be in it.
02:42How it would look.
02:45And he put the first issue out single-handedly.
02:49He went over all the material.
02:51He did some of the drawings himself.
02:54I was determined to create the perfect first issue.
02:58There was a section with party jokes.
03:01Another on designs for the modern office.
03:05We would even publish classic literature from some of the most well-known authors in the world.
03:11The boldest thing Hef did with the magazine is that he really dismantled the idea of the 1950s masculinity.
03:22In the first issue in the editor's letter, Hef very plainly says,
03:27Other men's magazines focus on hunting and fishing and sports.
03:30We're not doing any of that.
03:32We're gonna talk about jazz and cocktails and Picasso.
03:36We'd talk about culture.
03:39But we'd also focus on sex.
03:42When people raised questions about why we included sex in the magazine, my response always was,
03:52How could you put together a men's magazine and not include the primary thing that men are interested in?
03:57The whole idea from the beginning was to incorporate sex as one normal and logical and healthy part of a total package that appealed to a male audience.
04:09We featured articles on modern dating and married life.
04:12And instructions for how to play a provocative new party game called Strip Quiz.
04:24I think that we have it very, very ingrained in our heads to be very uncomfortable with sex.
04:32But that's the reason I'm here.
04:34That's the reason why you're here.
04:35That's the reason why we're all here.
04:37My hope was that my magazine would bring sex to the mainstream.
04:44But just as we were putting the final touches on the magazine, everything came to a standstill.
05:03Turns out there was a hunting magazine already on the market called Stag.
05:13And as soon as Stag got wind of Stag Party, they threatened to sue us for copyright infringement.
05:20Now, with only a week before our deadline, we had to completely re-edit the magazine.
05:29And come up with a brand new title.
05:32Every little movement, every little thing you do.
05:45Is it sleight of hand that commands my heart to love you?
05:52Every little movement, every little movement.
05:59Facing a potential lawsuit, I gathered my staff to try and come up with a new name for the magazine.
06:17Bachelor.
06:18Eh, it makes it sound like we're not for married men.
06:20We'd be cutting down the whole reader base.
06:22What about something like sir? Or gentleman?
06:25No, no, it's too literal.
06:27It has to be fun.
06:29What does the name Jaguar have to do with the car company?
06:31Nothing, but it sounds cool, right?
06:33Oh, oh, uh, what was the name of that car company my mom used to work for?
06:38Playboy.
06:44Playboy.
06:45We spent many, many hours talking about names.
06:53Finally, I remembered that my mother had worked for an automobile company in Detroit called Playboy Automobile.
07:01And it was a very sporty looking automobile, nice looking automobile.
07:05And that's what made me mention Playboy as a possibility.
07:10Playboy.
07:11Perfect.
07:12It isn't aggressive.
07:14It isn't hyper-masculine.
07:16Yeah, okay, you're doing nudie magazines, but there's a sophistication to it.
07:20We had our new name.
07:24Now we had to quickly revise the cover and remove all references to Stag Party throughout the magazine.
07:31Back then, when you're literally pasting print onto a page, somebody would have to take a knife, a little exacto knife and cut out every Stag Party on every page of the magazine and replace it with Playboy.
07:46Even today, with desktop publishing and all that kind of stuff, that would be an incredible amount of work.
07:58Even our cartoon mascot of a deer would have to change to something else.
08:03And we chose a bunny.
08:07The rabbit captures the sophistication, the silliness of the brand.
08:12There is the sort of sexual connotation of a rabbit that comes through.
08:17I had no idea at the time, but that one little change would come to define the magazine for decades.
08:26We had our mascot in place.
08:29And with Marilyn on the cover, we were ready to go.
08:33Soon, almost 70,000 copies of Playboy would be heading to major cities across the country.
08:41The only question was, would it sell?
08:48In December of 1953, my magazine hit the newsstands.
09:03Hef got up and lurked around newsstands in Chicago and waited to see if anyone would pick up the copy and has talked about how excited he was the first time he saw someone buy it.
09:19And I imagine he was elated to know there were other people out there who felt like he did because he was taking this gamble.
09:28I was excited.
09:34But I was also nervous.
09:37So nervous, I didn't put my name or issue number on our first publication.
09:44I felt at the time, even if there was never going to be another issue, that I'd had my chance.
09:49And indeed, at that point, I was not sure there would be a second issue.
09:52That's why it had no date on it.
09:54Whether I succeeded or not, I had the chance to try.
10:02And then, the numbers came in.
10:09In its first two weeks on the newsstands, nearly 80% of the 70,000 issues we printed were sold across the country.
10:24It was virtually sold out.
10:26He edited this magazine for himself.
10:29And he was betting that other young men were interested in the same things he was interested in.
10:36And he won that bet.
10:42It was enough for me to pay back everyone I owe, get our furniture back,
10:47and still have enough left over to replace my 12-year-old Chevy with a brand-new Studebaker sports car.
10:57May I congratulate you on your initial issue of Playboy magazine.
11:01And it wasn't long before fan mail started pouring in.
11:10Readers in Oklahoma, Colorado, and Illinois
11:15were raving about Marilyn and the magazine.
11:21Even the press gave us positive reviews.
11:24The magazine started from nothing and was a success from its very first issue.
11:29It was as if it was a moment and an event that was waiting to happen.
11:34We were so surprised by the magazine's success that we hadn't even thought about a second issue.
11:52And now we had only a week to put one together.
11:55To make our lives easier, we stuck to what made the magazine work the first time.
12:09Adding more party jokes, comics, and literature.
12:15But this time, we were missing one key component.
12:26No.
12:28There's nothing good here.
12:29Well, this is all we have to choose from, so one of them has to be good enough.
12:32I'm sorry, but none of these girls are right.
12:37None of these girls are Marilyn, Hef.
12:39They're just not.
12:41But if you want to print a second issue, you need to pick one of them.
12:44Putting Marilyn Monroe on the cover had drawn in readers for the first issue.
12:58But I knew I wasn't going to find another Marilyn.
13:03If Playboy was going to last, I had to find another hook.
13:11And that's when it hit me.
13:12Remember back in my college days when I started a column in the school magazine called Co-Ed of the Month that featured female students?
13:31I realized Playboy could do the same thing.
13:34Only we'd call her the Playmate of the Month.
13:37I had completely forgotten that the cover of Jaff magazine and the feature inside it was called the Co-Ed of the Month.
13:48It's a revelation.
13:49So a calendar girl named Margie Harrison became Miss January.
14:00Publishing photos of naked women, that was nothing new.
14:07It was Hef's personalized approach to that, where they were called Playmates.
14:13This was someone your partner in crime. This is someone you did things with.
14:18Was it our best issue?
14:21No.
14:22But I was confident enough this time to put my name and issue number on it.
14:32And believe it or not, the second issue outsold the first by 2,000 copies.
14:37Now that our magazine was a success, I knew my staff of three wasn't enough.
14:53What do you think of Playboy?
14:54I think your fiction section could use a little work.
14:59Not really.
15:01When I met Ray Russell, he was just an unpublished science fiction writer.
15:07But he'd submitted a few pieces to the magazine, and I really liked his stuff.
15:16Although his only experience was writing for Walgreens Circulars, I made Ray my associate editor.
15:22My next focus was the visuals.
15:29I had worked with a guy named Vince Tajiri during my publishing house days, whose talent I felt was never fully recognized.
15:38These days, he was stuck taking wedding photos to pay the bills.
15:44So he was more than happy to accept the position as Playboy's photo editor.
15:48The little magazine that I had started with a couple of friends was suddenly outgrowing my kitchen table.
15:57So in the spring of 1954, with the money we had earned from the first two issues,
16:03Playboy moved into its own offices.
16:06Good morning, Mr. Hefner.
16:10Good morning, Billy.
16:12With our new headquarters, my staff was ready to get to work.
16:16Can I talk to you in my office? Five minutes?
16:17Five minutes.
16:19My dad's success very much has to do with the fact that he surrounded himself with the right people.
16:25And that comes down to his gut.
16:28His gut allowed him to figure out who he could trust, who he couldn't.
16:33Also to bring out the best in his team.
16:35With our sales growing, we needed someone to take care of the subscription requests that came pouring in.
16:53Hello?
16:55No, of course. I can do that for you right now.
16:58So I hired Charlene Carolus, a smart, determined young woman with meticulous attention to detail.
17:05Perfect. That won't be a problem. I can get a copy over to him. Bye.
17:07Bye.
17:10I had a friend that told me about Playboy wanting help.
17:14Hello.
17:15So we decided we would go for an interview.
17:18Well, we stopped at a newsstand, and we bought the magazine.
17:23She took it real quick and hid it under her jacket so no one would see it.
17:28It turned out my friend backed out of the interview.
17:31She chickened out, and I didn't.
17:34I had hoped to get on the ground floor with this magazine and grow with them.
17:42These various employees that we're talking about, one could say that Hef lucked out with these guys.
17:50Because one never really knows.
17:53But Hefner's gut told him these were the right people for the right jobs.
17:57Okay, great. So what's your turnaround time on that?
18:01I'd assembled a team of promising, if unproven, talent.
18:05But I knew I needed someone on staff who could lend a little credibility to the magazine.
18:10So I hired a guy who had been an editor at The New Yorker.
18:15His name was Auguste Comte Spectorsky.
18:19Or, as we'd soon call him, Speck.
18:21Hiring Spectorsky was a brilliant move on Hefner's part.
18:27Spectorsky gave the magazine a maturity it wasn't going to have.
18:32And it's to Hefner's credit that he understood the magazine needed that maturity.
18:37I finally had a team in place.
18:47And it was time to see what we could accomplish.
18:50Rock-a-bye, baby. Mama's gonna rock you, bye-bye.
18:55The staff worked like crazy to get the magazine together every month.
19:00Spell a lullaby.
19:04You don't need any whiskey.
19:06Day in, day out.
19:08We clocked long hours.
19:10And worked weekends.
19:12Rock-a-bye, baby. Mama's gonna rock you.
19:14Toy Boy was one of the most exciting places one could work.
19:18Very different from most of the other companies that were around in Chicago, or New York, or Los Angeles.
19:25I even bought a pull-out couch from my office so I could work overnight.
19:38I started spending most of my time at work.
19:42Away from my family.
19:44He spent the majority of his time in that office.
19:49He had a small little bed, he had a small little kitchenette, and he just worked.
19:55And, unfortunately, his marriage suffered from that.
20:02In the marriage, I was already missing emotionally.
20:06I'm the product of the way I was raised.
20:10While my father was absent emotionally, I was soon absent.
20:16In point of fact, I wasn't there.
20:20That physical change occurred because of the success of the magazine.
20:26It was easier for him to set up living quarters somewhere else.
20:29And that's when he said, I'm gonna start staying living down at the office a couple of days a week.
20:39The team at Playboy became my other family.
20:45We worked hard, but we also partied.
20:49And with the magazine's growing success, we were getting invited to some of the best parties in town.
20:55And that's where I was introduced to a man named Victor Lowndes.
21:05Victor, this is the friend I was telling you about.
21:07Hugh Hefner.
21:09Hi, how are you?
21:10Hef runs the magazine.
21:12Oh, Mr. Playboy.
21:15Yeah, I like your look.
21:16Nice and casual.
21:18Is this your place?
21:19Yeah, it sure is.
21:21Sweetheart.
21:22When I met Hef, I thought he was terrific.
21:25Hefner was a very ambitious businessman, a very clever businessman.
21:29I mean, anybody who could start their own magazine.
21:33I was very impressed.
21:39It was great to meet you, Hef, but I have some business to attend to.
21:43How about we grab some drinks at Walton Walk on Friday?
21:45Sure.
21:46Sounds good.
21:47Good.
21:49Bring along some friends.
21:51Okay.
21:56For almost a year, I'd been creating a magazine called Playboy.
22:02But then one night at a party, I actually met one.
22:08By 1954, Victor Lowndes was the ultimate bachelor.
22:12He came from a wealthy family in New York and was given anything he wanted.
22:19By the age of 26, he had moved to Chicago and was living the bachelor's dream.
22:26He had the cool apartment, suave attitude, and the women.
22:33Victor was leader of the pack.
22:36Everyone wanted to be with him, men and women.
22:38He just has this gift of life.
22:41He had great style.
22:42He had great flair.
22:44There was never a dull moment with Victor Lanz.
22:49I knew Victor could add something to the magazine.
22:52So I brought him on board as manager of promotions.
22:56And he fit right in.
22:57So we've got two girls, right?
22:58One of them puts his lever across.
22:59Right?
23:00It doesn't make any sense.
23:01A hand underneath.
23:02Victor Lanz played a great role at the company.
23:04He was something that Hef knew was not.
23:05Bold, brash.
23:06He was the complement to Hef, who was, after all, a little bit shy and cerebral.
23:10Meanwhile, I'm at the front of here.
23:11Victor lived the life most guys dreamed of.
23:13And I wanted to be a part of it.
23:17I'm not even kidding.
23:18No socks, no necktie, nothing.
23:19I was out with Victor almost every night of the week.
23:20He was the complement to Hef, who was, after all, a little bit shy and cerebral.
23:25Meanwhile, I'm at the front of here.
23:26Victor lived the life most guys dreamed of.
23:30And I wanted to be a part of it.
23:34I'm not even kidding, no socks, no necktie, nothing.
23:43I was out with Victor almost every night of the week.
23:46The guy could get into any club in Chicago and always managed to bring along some incredible company.
23:53I had a very good bond with Hefner himself.
23:56The two of us worked late at night, and then we would go out and have drinks together.
24:02And that became a regular pattern.
24:09Well, we're dancing.
24:16Victor, in some ways, was more the image of the editor, publisher of Playboy than my father was.
24:24Because Victor was someone who loved good food and wine, who loved travel, who was more gregarious and sociable.
24:39So you're going to ask me to dance or what?
24:41Of course.
24:42Heth really did not have the example or the sophistication growing up to be what everyone now thinks of as a playboy.
24:55It wasn't until his association with Victor Lowndes that they almost became a whole.
25:07And come home as late as can be.
25:13Can't help.
25:16Loving that man the way I do.
25:24Loving that man the way I do.
25:25Partying with Victor opened my eyes to a completely different world.
25:32And I jumped right in.
25:34Hey!
25:40The beginning of Playboy introduced me to a bachelor lifestyle that has much of the upside and very few of the downside.
25:48I want to tell you a story every man ought to know.
25:53I felt no guilt in that context.
25:55I felt that I was exploring the outer limits of what it meant to really be moral.
25:59But the truth of the matter is, I was running away, I think, from my traditional values.
26:10You have to remember, this was the 1950s.
26:13You were supposed to get married and start a family right after school.
26:16The times were changing.
26:20My father had a sense that he wanted more out of life than he had seen his father get out of life.
26:27And that a part of that was the idea of having a period of time before you got married and settle down.
26:33And he got married young, and I think too young, and he would say that.
26:40As I began spending more of my time living the life of a single man,
26:43I realized it was time to update the magazine's message.
26:50When I started Playboy, it was filled with topics that met my interests.
26:58But now I wanted to do more.
27:00I wanted to turn the magazine into a guide for how to become the ultimate Playboy.
27:11What is a Playboy?
27:15Just toss out a word.
27:17Uh, Bachelor.
27:19What else?
27:20Suave.
27:22Sophisticated.
27:23Intelligent.
27:24Urbane.
27:25Right.
27:27Every time someone picks up a copy of Playboy,
27:31I don't want him to just imagine himself as the type of guy who can get the girl he wants.
27:37I want to teach him how.
27:39How to buy the right suit, select the right bottle of wine, put on the right music when a girl comes over.
27:45I don't want to follow trends.
27:48I want to create them.
27:50And that is why every article, every picture, every page must be specifically tailored to promote this one singular vision.
28:01The Playboy lifestyle.
28:04The message was very clear.
28:09We were talking about how to live as a single male.
28:13And nobody's done that before.
28:18My staff had their marching orders.
28:21And we worked around the clock.
28:23Redefining every section of the magazine to promote the Playboy lifestyle.
28:27She goes to see a cinema.
28:30The Jerry translated his slick photographic style into how to guides.
28:34My sugar is so refined.
28:37Teaching our readers to select the finest in fashion.
28:40Mix the perfect cocktail.
28:43Outfit the most cutting edge bachelor pad.
28:47And orchestrate the perfect date.
28:50She says tomato instead of tomato.
28:53There's a generation of men who said, I'm not going to marry the girl down the street and I'm going to move to a major city.
29:01That really shook up America.
29:04And I think that bred the ground for have to come out and invent the idea of the bachelor.
29:11And we'll be married soon.
29:13I think the thing that made Playboy so special was that we managed to mix the lifestyle and the sexual context with a mix of contemporary values that were not really getting expression in other mass media.
29:24Our readership continued to expand.
29:34Yeah, it's nice.
29:35And I realized that we were no longer just a magazine.
29:39We were becoming a brand.
29:42But there was still one thing missing.
29:46Playboy needed a logo.
29:48So I gave Art Paul the task of designing it.
29:58Talk to me baby, whisper in my ear.
30:01Four minutes later, he had sketched the perfect symbol.
30:04Talk to me baby, whisper in my ear.
30:08An image so flawless that even 60 years later, it remains completely unchanged.
30:13I have no fear.
30:16Don't you know.
30:19I love you so.
30:21The Playboy rabbit head is iconic.
30:23Don't you know.
30:24It is one of a handful of symbols that, from very early on, became phenomenally recognizable.
30:30I holla hey, hey, hey, Pokemon.
30:37Our famous mascot became a part of every issue, with Art Paul turning it into a game.
30:43Challenging our readers to find the rabbit hidden on every cover.
31:00The best comparison I have for Heffern, I would say Heffern is Walt Disney and the bunny is his Mickey Mouse.
31:06The most dimples on her knees.
31:09It's branding, it's marketing, it's brilliance.
31:11She drills and drills me with just a little squeeze.
31:15I like the sleigh ride. I like the sleigh ride.
31:22Jingle bells, jingle bells.
31:26Passing around, gentlemen.
31:28Looking back, 1954 had been an incredible year.
31:35The magazine I'd started with a staff of three had taken over four floors of a Chicago office building, hired over 25 employees, and grown monthly sales to nearly 185,000 copies, more than doubling the print run of our first issue.
31:53It's really remarkable that this magazine was profitable in its first year.
32:00Nobody does that.
32:02Sports Illustrated, for a frame of reference, started at about the same time as Playboy.
32:06And they didn't turn a profit until the early 60s.
32:08I like the sleigh ride.
32:10I like the sleigh ride.
32:11I like the sleigh ride.
32:12Daddy if you buy any n sometimes like food.
32:13But I like the sleigh ride.
32:15Life is no Cathy yon.
32:16There are lots of shops that pay for up to the inclusion, so they took a lot of during this session.
32:17I also
32:33had a request after the television except for love.
32:35My father wasn't around a lot when I was growing up.
32:58Putting the magazine first, which Have clearly did, meant by definition that he wasn't going
33:05to have the same kind of family life that he would have if he hadn't done that.
33:17He was so busy with the company, he didn't have a lot of time, but he was daddy, and daddy
33:21was good, and daddy was caring.
33:28But he was fairly non-existent.
33:35I knew I should have been home with my family, to be the father Christy needed.
33:42But there was always something at the office that pulled me away.
33:47All right, so you can see we're going for a beach theme here, incorporating an image
33:52of the bunny in the sand, making use of the bathing suit.
33:55And you can see there's just a pair of legs just walking into the distance, suggesting
33:58that it may be her suit that we're seeing, which of course would mean that she's not
34:03wearing anything at all.
34:08It was just an idea.
34:11I can come up with a couple other options if you're not happy with it, Ev.
34:17No, no, it's a good cover.
34:18It's a great cover.
34:20It's better than the centerfold.
34:25This is inspired.
34:29This is just awkward, right?
34:32Why don't we take our own photographs?
34:36Why not?
34:39She has a point.
34:40Why don't we?
34:43See if you can find out where the calendar company is getting their girls from.
34:46Yeah.
34:47Get on it.
34:49Thank you, everyone.
34:52At the time, Playboy was using calendar pictures for their centerfolds.
34:57They were professional models, and they were not exclusive pictures.
35:03Hefner was very unhappy with the quality and the caliber.
35:07He wanted something different, something new, something unique, and something, you know,
35:12special that Playboy would have.
35:16Charlene, if you ever have any ideas, my door's always open.
35:27Charlene was a talented, beautiful woman.
35:42The more we worked together, the closer we got.
35:48And it wasn't long before we became more than just coworkers.
35:56I'm gonna get a glass of water, do you want one?
36:01Sure.
36:02Can't keep my heart from yearning inside.
36:06I know love is right.
36:09This time.
36:12Why are you looking at me like that?
36:40Have you ever thought about being in the magazine?
36:45Doing what, exactly?
36:47Miss July.
36:50No, I'm serious.
36:54Wouldn't you like to be pictured in a magazine?
36:57I'm sure there are plenty of girls out there who would be more than happy to pose for you.
37:02I don't want those girls.
37:03I want you.
37:04Why?
37:05Because you're not the type of girl I'd expect.
37:19I had sent my team out looking for the perfect girl.
37:28And I realized she had been in front of me all along.
37:32I really did the playmate picture as sort of a lock.
37:36It seemed like a fun thing to do.
37:38It was out of loyalty to the magazine.
37:41And it was just super fun.
37:43Charlene's one condition was that we didn't use her real name.
37:58So I came up with an alias.
38:00Janet Pilgrim.
38:02And wrote a short blurb to go along with the photo.
38:05Explaining that she wasn't like the models we'd used in the past.
38:09She was plucked right from our own office.
38:12And to Playboy's readers, she would simply be the girl next door.
38:27You look great.
38:31If I only had a second chance, how I'd love you.
38:41If you'd only take a second chance with your heart.
38:51Darling, this time I swear, at least a lifetime we'd share.
39:00No one could tear our love apart.
39:09If I only had a second chance.
39:11When I did my first Playmate picture, I was very nervous about it.
39:16Because I knew hundreds of men would be opening that magazine and seeing me like that.
39:22But I wasn't really showing much of anything.
39:26I'll see you.
39:36I'll see you.
39:37I'll see you.
39:38I'll see you.
39:39I'll see you.
39:40I'll see you.
39:41I'll see you.
39:42I'll see you.
39:43With that issue, our subscription manager became the magazine's most popular Playmate yet.
39:49Letters poured in from across the country.
39:55And I realized the girl next door was a hit.
40:01The idea that then evolved was to use, when we talk about girl next door, in other words, to use an office girl or somebody going to college or someone working as a clerk in a shop.
40:26Every boy wants a girl.
40:29And what we didn't know was that it was going to cause such a sensation.
40:33When I see lips bigger to be cute.
40:36Stop!
40:37I can't stop now.
40:39And it caused a sensation.
40:40I'm lightly striking again.
40:47Lightly striking again.
40:51She's not unapproachable.
40:55I have wanted to capture that, the girl next door essence of a flirtiness, but also an approachability.
41:05I can't stop now.
41:06I can't stop now.
41:07I can't stop now.
41:08I can't stop now.
41:09I can't stop now.
41:10I can't stop now.
41:11We had gone from the most famous woman on the planet to the girls right there in front of us.
41:17And I knew from that moment on, we were never going back.
41:22Every little movement, every motion of your hips, I feel the compulsion to pull you to my sweet lips.
41:41To sit up like a magic spell you put me under.
41:48This miracle moment, never let it end.
41:57Every little movement is beyond improvement.
42:04You are the magician, I've been fishing for forever.
42:13Every little movement, every little movement.
42:20Every little movement.
Recommended
23:29
22:28
22:30
22:15
22:33
22:34
22:34
22:26
22:35
22:34
23:23
23:26
23:33
22:33
22:36
22:29
22:30
23:30
Be the first to comment