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00:30This galaxy is one of the 100 billion universe.
00:37They say that despite this universe, there are no endless number of open universe.
00:45We are on Earth from the moon.
00:50This is complicated.
00:52I just wanted to say that I want to live in the universe.
00:57And this is what I am now.
01:05In the end of the 80s, I was retired from the army.
01:08If I did not believe that I was general, I just want to know that I am not aware of it.
01:12Later, my son, Yugoslav, successful businessman,
01:14businessman who is doing some computers, internet,
01:17has been designed for this very unusual home for pensioners.
01:23I am surrounded by some nice people who are paying for it to live in my mother's house.
01:32And we all enjoy it, like in the most beautiful dream.
01:39Okay, maybe not even everyone.
01:42All right.
01:58...
02:18Foste ne! Ajde, brzo ustaj!
02:20Fostene, propustit ćemo! Ajde, ljudi, budite se! Ajde, ajde!
02:23Come on, guys! Come on! Come on!
02:26Hurry up! Hurry up!
02:28Where are you going?
02:29I'm going, of course. The last time I got up.
02:31Now I'm going to be in the first place.
02:32Rosso! Come on, Rosso! Come on!
02:35Come on, Rosso! Come on!
02:36Today is really good.
02:38She came here.
02:40Come on, call her!
02:41Ello! Ello!
02:43Ello!
02:44Kusam! Kusam!
02:45Kusam!
02:46No!
02:47Kusam!
02:48Kusam!
02:49Please, don't stop. We won't be able to get them.
02:53I don't want to get them.
02:55Let's go!
02:56Let's go!
02:57Let's go!
02:58Let's go!
02:59Let's go!
03:00This is my morning.
03:01Someone would say,
03:03this is my everyday life.
03:19Let's go!
03:20Let's go!
03:21You're out!
03:22Let's go!
03:43We're going to take a few more seconds,
03:44let's go!
03:45I don't care.
04:01I have to watch Harold's movie, how do you call it?
04:05It's a movie, but it's not a movie.
04:08It's a younger movie from us.
04:10It's not good for me.
04:18Get out of here!
04:20Hurry up!
04:21Hurry up!
04:28I'm leaving.
04:30I'm leaving.
04:31I'm leaving.
04:32I'm leaving.
04:33I'm leaving.
04:35I can't breathe.
04:37I'm leaving.
04:39Listen to me.
04:40Go ahead and listen.
04:41I'm leaving.
04:42I'm leaving.
04:43I'm leaving.
04:44I'm leaving.
04:45I'm leaving.
04:46I'm leaving.
04:47It's only a panic.
04:49Don't be going to order me, but it's not good.
04:52Wait!
04:53Wait!
04:55Mirko!
04:57Hold on.
04:58He's still waiting.
04:59It's a little bit, maybe we'll succeed.
05:05Think about your actions!
05:09Okay, all right, guys.
05:12Wait, wait, wait, wait, wait, wait, wait, wait, wait!
05:17Wait, wait, where are you now?
05:22Good day!
05:26Welcome to Phoenix.
05:29Your room is number four, the key is right.
05:34For all the problems, please come back to me.
05:37Mirko.
05:38Aha.
05:41You're right.
05:42Allow me.
05:48Come here.
05:49You're right.
05:50You're right.
05:51You're right.
05:52You're right.
05:53You're right.
05:58I can't leave.
06:00I'm a little bit.
06:02You're right.
06:05I hundred thousand, too.
06:06I saw my blood.
06:07I can't answer the exam.
06:08I fear in my personal room.
06:09I will never find out with you.
06:10What's other goodness you love?
06:11If you digitize the exam and motors kadar,
06:12have roots off, you'll understand.
06:13Let's go.
09:14Good evening, General.
09:15Yes.
09:16So who is that the next day of the day of the day?
09:19No one is a dangerous day.
09:21Oh, ha, ha, ha.
09:23When I just remember.
09:25And I could just repeat it.
09:44What is that?
09:51What is that?
09:53What is that?
09:58What is that?
10:00I don't know.
10:19You'll see?
10:22There's no peace in your hands.
10:25Good, good.
10:30Can I help you?
10:32Yes, the director was something.
10:47I'm here to welcome you, until he doesn't come.
10:50Yes, I see, he has a lot of work.
10:52Yes, yes. I'm your first friend, Eva.
10:55Eva, nice to me. I'm Lennica, nice to me.
10:59Excuse me, how did you get this room with a southern view?
11:06Excuse me, you're not an inspector?
11:10No, I'm a stewardess, a former.
11:13A you?
11:15I've come here to enjoy it.
11:21And I'm going to leave.
11:26What's fine with the chillin?
11:28What's that?
11:29It's true, private.
11:30Yes?
11:31Yes.
11:32It's really nice.
11:34You know, my general is constantly talking about Piro.
11:37Yes?
11:38Yes.
11:39It was the best.
11:40And then, when he got a pre-command, he didn't get any more than that.
11:44And tomorrow, he's a birthday.
11:46It's an ideal gift for birth.
11:49It's an exclusive gift.
11:52It's a cultural heritage.
11:54No, no, no.
11:55There's no chance.
11:56I wouldn't have said that.
11:57No, no, no.
11:58What?
11:59No, no, no.
12:00No, no, no.
12:01For less than 1,000 euros.
12:03Now, I'm totally.
12:04Yes.
12:05I'm sorry.
12:06I've been learning a lot.
12:07It's an extracurricular.
12:08No, no, no.
12:09You're listening to the literary language?
12:13Yeah.
12:14Yes.
12:15The literary example?
12:16It's an excellent words.
12:17It's an excellent word.
12:18It's an excellent word for the first language.
12:20Very good.
12:21Yes.
12:22It's an excellent word.
12:23It's an excellent word.
12:24Well, we're listening to the first language of eating, it's a easy word.
12:32Yes, that's good.
12:33First of all, it's a big one.
12:38Russo, how do you say it in French?
12:44It's called La Belle, but it's not a task.
12:51You are the most beautiful professor.
12:59I don't know what to say.
13:01Thank you very much.
13:05Here is the gift. I told you to bring it here.
13:11Thank you very much.
13:15You are not a person.
13:17Please, please.
13:19Yes, yes, yes.
13:21I don't want to be ashamed, but a person is not like that before.
13:25There are no more resources and services.
13:29I will tell you that I will not be ashamed.
13:33I am not a lot of teaching.
13:37Yes, from teaching.
13:39I love caviar.
13:41Yes.
13:43I love caviar.
13:45Yes, yes, yes.
13:47I love caviar.
13:49I love caviar.
13:51Yes, yes.
13:53I love caviar.
13:55Yes, yes.
13:57I love caviar.
13:59I love caviar.
14:03I will go to the office.
14:05Yes, yes.
14:07Yes, yes.
14:09Yes, yes.
14:10You are the ones.
14:14I am a general.
14:16I am a general.
14:20I am not a caviar.
14:22I am not a caviar.
14:24You don't think it is a traditional child's clothing?
14:37It was no such a animal?
14:38Yes.
14:39What if it is flying?
14:40I tell you, this animal is not a big animal.
14:42One of the animals, is a strange animal.
14:44And this animal's natural costume.
14:46Yes, I am.
14:47And this animal's science.
14:49Who is this? Who? Who? To see him.
14:52That general has to teleport directly to the pirate field when he sees this.
14:59Did he say to you that it was the best period of life?
15:03Yes.
15:05Is it to you?
15:08Yes.
15:10What is 1000€?
15:121000€?
15:14Maybe you are right.
15:16You know, I wouldn't be able to pay my rent on a gift.
15:20But I know who has the money.
15:23Our director Mirko.
15:26That's the option.
15:27Yes, the option.
15:28He has all the money for general Vrođendan.
15:31But he is a difficult step.
15:34If you can take the money for him, it's all the time.
15:39I love him.
15:41Yes.
15:43Here we go.
15:46Please, please.
15:48This one is Russian, I don't recommend it.
15:52This one is elegant.
15:54And these two are for every day.
15:58What?
16:00What?
16:022000€.
16:04I pray.
16:06I pray.
16:072000€?
16:08I pray.
16:09I pray.
16:10What?
16:11What?
16:12What?
16:13What?
16:14For such an example, you would have to cash out, even if it's empty.
16:17It would be wrong to understand me.
16:19I value it.
16:20But we don't have it.
16:21We don't have it.
16:22We don't have it.
16:23We have it for years.
16:24We don't have it for years.
16:25Wait.
16:26What?
16:27What?
16:28What?
16:29What?
16:30What is the name of the wall, from the wall of the wall, from the wall of the wall.
16:34Where are you talking about this?
16:36When we were talking about the mess.
16:37Okay, it's a different time.
16:39You think you're looking at me here?
16:41First, you might have a bad luck.
16:44You're wrong.
16:45You're wrong.
16:46And as a third, you have a bad luck.
16:49You have money.
16:51I know.
16:52That's right, because the senators gave you money for General Bođin, so you have more than 2000 euros.
16:59No, no, no. People want to chill.
17:03I know, but we don't. We don't.
17:06No, no, no.
17:07Ok, ok, ok.
17:09Let's start.
17:11Let's do this.
17:131800 euros and...
17:16800 euros.
17:181500 euros.
17:19850 euros.
17:211200.
17:221000.
17:24But you know that you're a fool.
17:261000, real.
17:27No.
17:31I wouldn't let you know you.
17:43It seems to me to relax without a doubt.
17:46A little bit before I got up in the stairs and I stayed without a breath.
17:50Plus, I have a pain in the stairs between the legs, which can actually be a heart.
17:55It's so typical that I don't know what to do.
18:01No.
18:03Do you think you're going to go to some other doctors to look at you?
18:07Just to look for another thought.
18:09Yes.
18:10Well, I guess I know the best for me.
18:12Well, I'm going to go to some other psychotherapist, not to myself.
18:16Well, you're a crazy person.
18:18You're a crazy person.
18:19I don't understand you.
18:20I don't understand you.
18:21See you.
18:22No.
18:23I don't want to be drunk.
18:25Eat your...
18:27Let's go.
18:29Let's take your hands.
18:31Let's take some vegetables.
18:33Let's take a little bit.
18:35Let's take a little bit.
18:37Let's take a little bit.
18:39Let's take a little bit.
18:41Let's take a little bit.
18:43Please, please.
18:47I'm going to buy some crofn.
18:49I can't hear the crofn.
18:51I can't hear the crofn.
18:55Let's go.
18:56Wait, see...
18:58Yes, I'm with her.
19:00I can't hear the crofn.
19:02You hear what I'm saying?
19:04No, don't take a little bit.
19:06No, don't take a little bit.
19:08Listen, I made the crofn there tomorrow
19:10to the clock.
19:12I'm doing this.
19:14No, nothing.
19:16It's all about the crofn.
19:18Come on, come on, go over.
19:20Come on, Eva, put your hands up.
19:22Look at the crofn.
19:24Look, who's a girl?
19:26Ah, she's lost.
19:27Let's go!
19:28Let's go!
19:29Under my elixir and this exercise,
19:31we'll all be young!
19:33Thank you!
19:34Youngness is for losers!
19:36Bravo, Tesla!
19:37Youngness is for losers!
19:39Youngness is for losers!
19:41Youngness is for losers!
19:45Youngness is for losers!
19:48Youngness is for losers!
19:51Excuse me.
19:54Thank you very much.
19:57I understand why he told me to bring you a murder.
20:00And if you don't know, the general and his strength.
20:04What are you going to do now?
20:07Nothing.
20:09We're thinking about our behavior,
20:11that's how the general said,
20:12and that's good for me.
20:14But in this situation,
20:15I would have been able to get the pain
20:17of the blood pressure on the leg,
20:19and the potential growth of the blood pressure.
20:22I don't know.
20:23No, don't blame me.
20:25I'm used to.
20:27I'm...
20:28I'm...
20:29What?
20:31Nothing.
20:32No, no, no, tell me.
20:34Please, tell me.
20:35You're wrong to understand me.
20:36No, nothing.
20:37That was your murder.
20:39They were really killed.
20:41They're not.
20:42That's not when the last problem of the blood pressure is.
20:45It's ten days, sure?
20:47No, no.
20:49But I'm 4 days.
20:504?
20:51Director,
20:52stay for an operator and some to talk about anything.
20:56I don't care, no?
20:58Pite, pite.
21:02Držite ovo.
21:03Onda će da me pera da idem u WCA.
21:05A malo je...
21:07Pa što, opasna je ova velica.
21:29Ali ne verujem da je obrlatila nijeka.
21:32A taj bi se pre stvarno obisio nego da da hiljadarku za neki pirotski čili.
21:39E, milo mi što sam te nasmijela konačno.
21:43Šta te mučila sam?
21:44A gle, duga je to priča drugarica.
21:47Da, pa ima ja vremena koliko hoćiš.
21:50No šta, ja sam gladna da uzeo mi nešto za doručak.
21:53Čekaj, čekaj da ja tebe nešto pritam.
21:56Da nije nešto bilo sa generalom?
21:59Pa ne lupajte, molite.
22:01Pogledaj me u oči i reci da nije bilo.
22:06Ali imate nešto proti da vam si ja po držaju?
22:08Ne, ne, ne, ne, samo dođete.
22:10Hvala.
22:14A vi ste lelica?
22:16Aha.
22:18Gde ćete?
22:19Ljudi?
22:20Gde ćete ljudi?
22:21Nemojte, molim vas?
22:22Pa ljudi, pa mora neko da radi.
22:23Pa čekajte evo, bit će plata.
22:25Mislim i pored plate bit će i bonus i...
22:27Nemojte, molim vas, pa kak... pa k... pa k... pa k...
22:29Pa kako sad pred generalov rođendan, ljudi, pa ko će da radi?
22:33Ej, brate moji, ej, brate moji, hvala ti.
22:35Iške ovih.
22:36Kako?
22:37Šta radiš?
22:38Šta radiš?
22:39Ni giri to!
22:40Ni giri to!
22:41Ne, ne, nisam se ni udavala.
22:43Pa, ne, ne, nisam se ni udavala.
22:46Pa, ne?
22:47Ej, brate moji.
22:48Ej, brate moji, hvala ti.
22:49Iške ovih.
22:50Ej, šta radiš?
22:51Šta radiš?
22:52Šta radiš?
22:53Ni giri to!
23:02A mu vremate?
23:03Nemam.
23:04Uvrsiram, jel?
23:05Ne, ne, nisam se ni udavala.
23:08A, imate sina?
23:15Pa, dobro, nisam se, baš si čuvala za brake, ali.
23:21Dakle, ovako, otec mog teta je zbrisao.
23:26Tako da nini saznao da sam ja u drugom stanju i da sam dobila sina.
23:30Ete, a vi šta radite?
23:32Mislim, za evu znamo, onest jordes.
23:34Pardon?
23:35Perserka.
23:36Da, to je direktorka Neba, to je šefica među oblacima.
23:41U stvari to je supervizorka osoblja UNO.
23:45A Rosa je bila profesorka Francuskog na zemlju.
23:49Još uvek sam.
23:50Da, da, drži generalu času.
23:53Aha, onom tvom generalu.
23:55Baš zanimljivo.
23:56A što, da nije možda tvoj?
23:57Da se on pita.
23:58A tako znaš?
23:59Da.
24:00Sreća tvoje da ja volim džentlmena.
24:01A general kao nije džentlmenja.
24:02Baš zanimljivo.
24:03A što, da nije možda tvoj?
24:04Da se on pita.
24:05Da se on pita.
24:06A tako znaš?
24:07Da.
24:08Sreća tvoja da ja volim džentlmena.
24:11A general kao nije džentlmenja.
24:13Dobro, džentlmen tamo vamo.
24:16U svakom slučaju on će dobiti divan pokno za rođena.
24:19Uspela sam.
24:20Uspela sam, a naravno.
24:21Da, da, da.
24:23Svaka čust.
24:25Dobar dan.
24:26Dovijek je.
24:27A li ste raspolođena za kratku anketu?
24:29Aha.
24:30A ja idem na dolčak.
24:33A vidi, ili ja sam pogrem i gladna.
24:36Te tako.
24:37I ja odo na doručak.
24:39Prijatno.
24:40Hvala.
24:43Mi se nismo još zvanično upoznali.
24:46Lelica.
24:47Tesla, drago mi.
24:49Da li smem da vam postavim jedno pitanje?
24:51Samo da nije iz matematike.
24:56Kakav je to osjećaj biti žena?
25:04Piši.
25:06Njepred.
25:07Tako.
25:12Kako je ti bi dao da si idioš sa draveta?
25:13Ja.
25:14Tišina?
25:15Zašto je osobljena neljubazna?
25:16Sve je pođuro.
25:17Merko, dobro.
25:18I don't know.
25:25Who would you like to sit with the glass?
25:29No, I don't know.
25:32Why is it special? I don't know.
25:34Look what you're doing. You know what day is tomorrow?
25:38If guests don't be a service in the hotel with the seven stars,
25:41I'd rather be to bring you the right man to the door.
25:44I don't understand.
25:46Do you have a call?
25:48Yes, yes.
25:50I'm not really sure.
25:52Well, I'm not really sure.
25:54You're still VIP.
25:56You don't need to be on your family.
25:58People, you don't need to be on your family.
26:00You don't need to be on your family,
26:02and then you buy something from the Chinese.
26:04What?
26:06I don't know how you're going to be in your family,
26:08but you've never discovered it.
26:10But if you thought you'd be on my family,
26:14you're going to be on your family.
26:16For a woman, it's much better to be beautiful
26:20than intelligent.
26:22Why?
26:24Because it's easier to look at you than to think.
26:26Do you write?
26:28Write.
26:30Write, write.
26:32Let's go, everyone's waiting.
26:34Wait, wait, wait.
26:38The woman, for example, is dynamic.
26:40The woman is hysterical.
26:42In the 21st century,
26:44where are people more than that?
26:58You want to try it first?
27:00No, no.
27:01You want to try it?
27:02No, no.
27:03Let's try it.
27:04What's the elixir of young people?
27:06Well, when the woman is young?
27:10Why should you tell you again?
27:12Please take your own, man.
27:14Man, we'll have something maybe,
27:16but we'll stop aging.
27:18Well, that's all, man.
27:19At least I have a lemon?
27:20Thank you!
27:21So I'm looking radioactively.
27:23Let's go, bro.
27:24What do you mean?
27:25What do you mean?
27:27How are you familiar with me?
27:29Like Benjamin Button.
27:30Again? Again?
27:32I won't drink this.
27:34I'm a good young man.
27:36But...
27:38No, but no one wants to be young, my friend.
27:42They saved their children.
27:44It's crazy here.
27:46They don't want anything to change.
27:48You know what the young people do?
27:50They just look.
27:52For loans, for children, for health.
27:54It's crazy.
27:56I wouldn't go back and pay them.
27:58When we talk about this topic,
28:00I can't forget about my young people.
28:02When you stop,
28:04I'll stop you with your world destination.
28:08S'il teple.
28:10I'll stop you, yes.
28:12I can't do that.
28:14And these young people, of course,
28:16never want to live.
28:18They don't know what to do.
28:20They are responsible for their phones.
28:22They are responsible for their phones.
28:24They are all of them.
28:26We've been our people for 20 years, right?
28:30Absolutely.
28:31Listen now.
28:32Being young, it's really no matter.
28:34But being old and feeling young,
28:38that's the right thing.
28:39The right thing is being old and long-term.
28:43Yes.
28:44And healthy.
28:45That's very important.
28:47Yes.
28:48People, we are here,
28:49because of the gift of the general,
28:50thanks to our new owner, Lelic.
28:54Thanks to Lelic,
28:55the general will receive
28:57a real, private chili.
28:59We know how the general is related to the private chili.
29:02Why do you love him so much?
29:04Maybe a man has a taste.
29:06Yes.
29:07We are going to go
29:08and we will be surprised
29:09with a gift.
29:10If he doesn't come,
29:12I will write from the store
29:14and he will have to buy my elixir.
29:17Yes.
29:18Yes, sir.
29:19I'm in the garage.
29:20Yes, sir.
29:21Yes, sir.
29:22Yes, sir.
29:23Yes, sir.
29:24Lelic, you want me to try first?
29:26Yes, sir.
29:27It's just simple.
29:29It's just simple.
29:31Yes, sir.
29:32Yes, sir.
29:33Yes.
29:34You'll be right back.
29:35You'll be right back.
29:36Yes, sir.
29:37You're good.
29:38Yes, sir.
29:39What are you doing?
29:41What are you doing?
29:43What are you doing?
29:45Come back to me.
29:47Who is it?
30:09Hey, Yugoslavia.
30:11You are all right.
30:13I have to do something later.
30:15I have to do something.
30:17We'll do it.
30:18It's not related to me.
30:19It's all related to me.
30:21Let's go.
30:26I told them I didn't know what happened.
30:28I'm going to pay them all the money,
30:30but they don't even hear them.
30:32And you are feeling frustrated.
30:34Of course.
30:36I believe that Mirko will take care of this job.
30:38They don't pay for two months.
30:40Now we are here.
30:41They are all coming.
30:42And the neighbors,
30:43and the nurses,
30:44and the doctors,
30:45and the medical sisters.
30:46That's why we're leaving.
30:47We're leaving.
30:48We're leaving.
30:50Yes, yes.
30:51Do you think you're paying?
30:53Yes, yes.
30:54Okay.
30:55I'm asking you to be paying for a long time.
30:57Because we know that...
30:59Let's see how to lead the company.
31:03How to pay people.
31:05I won't give them more money.
31:07I'll give them more money.
31:09I'll give them more money.
31:10I'll give them more money.
31:11If they don't pay you,
31:12they are going to pay for a long time.
31:14What's going on?
31:15That's how they have paid for this life.
31:16The best decision is to be able.
31:17The best decision has come.
31:18I don't think he's going to do anything in life.
31:20I thought he's going to be serious.
31:22He's like a child.
31:26What do you think?
31:28What do I do?
31:30How do I do this?
31:32I think it's the best
31:34to start your relationship with your father.
31:38That's right.
31:40I imagine it's not easy.
31:42But let's go.
31:44Let's go.
31:48Do you?
31:50Yes, yes.
31:52That serves for me.
31:54Yes.
31:58I want the symphony orchestra,
32:00RTS,
32:02not your evening quartet.
32:04That's right.
32:06I want the lead of the skulpture.
32:08I want the venecian masks.
32:12I want the akrobats
32:14that you've enjoyed.
32:16What's up, Mirko?
32:18Something around the neck?
32:20No, no, no.
32:22I want the catering to be
32:24less than seven korses.
32:26And...
32:28for a dessert,
32:30that's enough.
32:32No, no.
32:34If you do something,
32:36you're the director.
32:38You're the director.
32:40You're the director.
32:42What do I do?
32:44What do I do?
32:46What do I do?
32:48What do I do?
32:50What's up, Mirko?
32:52Yes.
32:54Yes.
32:56Yes.
32:58But we are a finance bureau.
33:00You're the most popular
33:02of the cubanthes.
33:04It's good.
33:05It's true.
33:06It's true.
33:07I have to say something.
33:09When you wrote this house,
33:11we are running away.
33:13Really?
33:14Is it?
33:15Yes, yes. You know it and you use it.
33:18That's why Jugoslav will cover all your minus.
33:20My or your boss? You're the director.
33:23You're trying to do something. Why are you paying?
33:27And don't forget to go on the jacuzzi.
33:30He's coming.
33:32He's coming.
33:33Is it?
33:35We will try it.
33:44So, in Jugoslav, your father was not upset after your mother's death?
33:49No, no.
33:51Whatever the service was, he had an affair.
33:53He didn't pay attention to him, but he didn't pay attention to him.
33:59It's all for me when I think that at every moment
34:02someone will appear who will look at me or not.
34:05That's not a friend.
34:07You have to ask me why I don't have a family.
34:10That's not true.
34:12Because I have a child already.
34:14Excuse me?
34:15My father.
34:16My father.
34:17He's my child.
34:18He's a very demanding child.
34:20A very demanding child.
34:21It's a fight.
34:22It's a fight, Jugoslav.
34:24Let's have fun with this unusual inversion.
34:28Just go.
34:29Let's go.
34:30Let's go.
34:42Let's go.
34:43I don't know.
34:44Let's go.
34:45Let's go.
34:46Let's go.
34:47Let's go.
34:51Let's go.
34:52What happened?
34:54Rosu, help me.
34:56What happened?
34:58You should be like a woman.
35:00Tessa.
35:02You were so crazy.
35:04No, no, no. I didn't think so.
35:06Can you answer me a few questions?
35:08I can go.
35:10No.
35:12No.
35:14No, no, no.
35:16I didn't think so.
35:18Can you answer me a few questions?
35:20Can I go?
35:22No, you don't.
35:24No, no one will think anything.
35:26I'm friends.
35:28You know that they follow me here,
35:30every mistake.
35:32And when you go to the general?
35:34Well, that's something else.
35:38That's a job.
35:42Okay, you can do it here.
35:44I'm doing a survey
35:46because of a project
35:48I can't find you.
35:50But I need a woman's perspective.
35:52Ah, a woman's perspective.
35:56That's not something...
35:58What?
35:59...heroic.
36:00Well, you know, when you say that...
36:02Don't come back.
36:04No, no, no.
36:06Rosu, wait.
36:08Everything is clean.
36:10What do you do?
36:12In science and science.
36:14What are you talking about?
36:20What is it to be a woman?
36:22Ah...
36:24You see...
36:26Be a woman...
36:30It's...
36:32It's...
36:33It's...
36:34It's a real privilege.
36:37The woman, the beauty of the woman,
36:42this is the source of non-existent inspiration
36:47for all the skills of this world.
36:52Here are people.
37:04What's this?
37:07Kilo.
37:14Wow, feeling like that one.
37:19And as it is said, let him give the general joy.
37:28Oh, thank you, thank you.
37:33Good luck.
37:34Good luck.
37:49100, 200, 300, 500, 700, 800, 1000.
37:59Oh, what do I do when I can't get here?
38:10The money is here, the general's here, and I'm here.
38:15Here I am.
38:23Tesla!
38:27Oh, Tesla. Is that Lenka from Vozdovca?
38:30Well, that's something I'm talking about.
38:33I know Lenka. She was a world stewardess.
38:36That's not it.
38:37Come on, Tesla, you can tell me. I know that I'm going to tell you.
38:40Why not?
38:41I can't tell you.
38:42I can't tell you. I can't tell you that Rosa has a protest.
38:45Nobody.
38:46Here, you know.
38:47I called you to complete an exam.
38:49I can't tell you.
38:50I don't have time for this exam.
38:52Call her, she's crazy.
38:55Where are you going with that?
38:56I'm going to die with you.
38:58I'm going to die with you.
38:59I can't tell you.
39:00I can't tell you.
39:01I can't tell you.
39:02I can't tell you.
39:03I can't tell you.
39:04You hear this around your eyes.
39:06Mirko gave this for 2000 euros.
39:082000 euros?
39:09Yes, what?
39:10I'm just asking you.
39:12No problem.
39:13Look.
39:14Your intention is to bring this evening to the general.
39:17And don't be late as always, I pray.
39:19I always pray.
39:35Do you breathe?
39:36Do you breathe, director?
39:42Like this?
39:44Not like a bitch.
39:46Here.
39:49Good evening.
39:50Good evening, Yugoslavia.
39:52Here, we are ready for a dream.
39:55Yes, nice.
39:56Yes, nice.
39:57Yes.
39:58Can I take a moment with you, Mirko?
39:59Yes, of course.
40:00Please.
40:01You're free.
40:05What have you, Mirko?
40:07Here.
40:08How is your job?
40:09Good.
40:10Good.
40:11Good.
40:12Is everything okay?
40:13Yes.
40:14Yes.
40:15No, no.
40:16No.
40:17No.
40:18No.
40:19No.
40:20No.
40:21No.
40:22No.
40:23No.
40:24No, no, they are here.
40:25They are ready for the birth of the general.
40:27Yes, that's right.
40:28Yes.
40:29Yes.
40:30No.
40:31No.
40:32No.
40:33No.
40:34No.
40:35No.
40:36No.
40:37No.
40:38No.
40:39No.
40:40No.
40:41No.
40:42No.
40:43No.
40:44No.
40:45No.
40:46No.
40:47No.
40:48No.
40:49No.
40:50No.
40:51No.
40:52No.
40:53No.
40:54No.
40:55No.
40:56No.
40:57No.
40:58No.
40:59No.
41:00No.
41:01No.
41:02No.
41:03No.
41:04No.
41:05No.
41:06No.
41:07No.
41:08No.
41:09No.
41:10I didn't know that women are so complicated and complex.
41:21But thanks to this investigation, my project can start in the next phase.
41:40Hello!
41:42Come here!
41:46Let's wait here.
41:48Let's go!
42:03So, Mator, we change the rules of the game.
42:10Hey, son...
42:13I asked you to join me, but I didn't buy you when I needed.
42:18You're a lot of wisdom, right?
42:20Why did you get this later?
42:22I brought you the last glass of yours.
42:25The name of the Scottish.
42:27The last one?
42:28After you go to detox.
42:30Come on!
42:31Come on!
42:32Moša!
42:33Come on!
42:36A new jacuzzi?
42:38I've been blessed for the birth of the day.
42:40You need a little bit to relax after working.
42:43How can I do it when I don't have any children?
42:47Again, that's the issue.
42:48Again, and until the years.
42:50Until you don't remember.
42:51Good, man.
42:52Don't push me.
42:53I enjoy it.
42:54I enjoy it.
42:55How can I enjoy it?
42:56I don't have anyone to leave my own life.
42:59Look at me.
43:00I'm born in the morning.
43:01And I don't have any children.
43:05What's funny?
43:06What's funny?
43:07You have me.
43:08You have a family from home.
43:09What's wrong with you?
43:10I don't know.
43:11I don't know.
43:12I thought they were looking for them to buy a sauna.
43:15And what's going on?
43:16What's going on?
43:17What's wrong with you?
43:18It's not necessary.
43:19It's good for the circulation.
43:20I don't know.
43:21Ah!
43:22Ah!
43:23Ah!
43:24Ah!
43:25Ah!
43:26Ah!
43:27Ah!
43:28Ah!
43:29Ah!
43:30Ah!
43:31Ah!
43:32You haven't got this acquaintance.
43:33Don't become too old.
43:34Ah!
43:35No, he's right.
43:36Ah!
43:37Isn't he как?
43:38会't ru?
43:39There's a car.
43:42Ah!
43:43Ah!
43:44And I'm told that we won't PRE faltate.
43:45But I've dealt with it at the same time.
43:46And this.
43:47Ah!
43:48That's not its auso.
43:53It's growing so it won't come to générale.
43:54Because of Osir.
43:57Oh!
43:58Ah!
43:59We can die.
44:01Where are you going?
44:03Where are you going?
44:04Where are you going?
44:05Where are you going?
44:06Where are you going?
44:08I'm going to work with you to meet our general.
44:11And I'm going to work with you.
44:19The man when everything is going to be planned, here is Yugoslavia.
44:24There is no money for me to pay my peace.
44:28Maybe there is.
44:30But why should I get a refund for five, six, ten thousand euros?
44:35I won't be able to.
44:37Is it normal to get all over a small general?
44:49Brichale, how did you not sleep?
44:52The normal pensioners sleep at this time.
44:54I'm different.
44:56I'm going to be ready for a refund.
45:02What a refund?
45:05You will soon be aware of it.
45:18Where are you going?
45:19I'm sorry, I had a very important bus.
45:21It's always a very important bus.
45:23People!
45:24They will.
45:25I will give him a refund.
45:27Well, you can't give him a refund.
45:29You gave him a refund last year.
45:31You can't do it.
45:32I can't do it.
45:33I can do it the best.
45:34You can't do it.
45:35I can do it the same year.
45:36Come on, here.
45:37Come on.
45:38Lelisa will be the director.
45:40Come on.
45:41Come on.
45:42Come on.
45:43Come on.
45:44Come on.
45:45Come on.
45:46Come on.
45:47Come on.
45:48Come on.
45:49Come on.
45:50Come on.
45:51Come on.
45:52Come on.
45:53Come on.
45:54Come on.
45:55Come on.
45:56Come on.
45:57Come on.
45:58Come on.
45:59Come on.
46:00What's going on?
46:01Come on.
46:02Come on.
46:03Come on.
46:10Come on.
46:16What are you doing now?
46:17General, you're serious.
46:18You have to come.
46:24Even today is aびly day.
46:28Pamela Breathe.
46:30At the miracle day
46:32At the miracle day
46:33At the miracle day
46:34Let me pray.
46:35Growth day
46:36Before the miracle day
46:37Now life, our miracle day
46:39Before the miracle day
46:42Johane
46:45Lelice
46:48What?
46:49What she did to say?
46:51What is this?
46:53This with women becomes even more complicated.
47:04Definitivna lelica.
47:21Lagi, znaj da tu sam ja.
47:28Dok ljudi se nek učure,
47:33Dok tice svoj traže put,
47:38Dok morem se vali jure,
47:42Znaj da bit ću tu.
47:51Odeljno bimbo šlie sačast.
47:58Olof je bilo.
48:01Olof je bilo,
48:04olof je bilo.
48:08Ok.
48:12Olof.
48:14Oh, oh, oh, oh, oh, oh, oh, oh.
48:44Znaj da bit ću tu
48:50Dok lišće u jesem pada
48:56Dok susa u okusja
49:01Dok misliš na mene, dragi
49:06Znaj da tu sam ja
49:09Dok misliš na mene, dragi
49:16Znaj da tu sam ja
49:19Znaj da tu sam ja
49:24Znaj da tu sam ja
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49:35
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