- hace 2 días
Reparto: José Luis López Vázquez, Laly Soldevila, José María Prada, Manuel Alexandre, Romy, Patricia Fellner, Teresa Gisbert, Luis Ciges, Víctor Israel, Javier Vivó, Gela Geisler
Dirección: Luis García Berlanga
Sinopsis: Leo Pozas, natural de Burgos y alto empleado de banca, llega a un pueblo de la Costa de Barcelona, acompañado de su madre, para casarse con Loli. Inesperadamente, la madre de Leo pasa a mejor vida. Esto puede significar la suspensión de la boda, un año de luto y, a lo mejor, otro de alivio, de manera que Leo y Loli ocultan el cadáver de la anciana hasta después de los esponsales.
Dirección: Luis García Berlanga
Sinopsis: Leo Pozas, natural de Burgos y alto empleado de banca, llega a un pueblo de la Costa de Barcelona, acompañado de su madre, para casarse con Loli. Inesperadamente, la madre de Leo pasa a mejor vida. Esto puede significar la suspensión de la boda, un año de luto y, a lo mejor, otro de alivio, de manera que Leo y Loli ocultan el cadáver de la anciana hasta después de los esponsales.
Categoría
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CortometrajesTranscripción
00:00:00Thank you!
00:00:30Bye bye.
00:00:35Bye bye.
00:00:40Careful, honey. Slow down. Thank you.
00:00:45No! Not stairs! I can't go up stairs!
00:01:00Thank you!
00:01:30Thank you!
00:02:00Thank you!
00:02:30Thank you!
00:02:32Thank you!
00:02:46Go ahead now!
00:02:48Come here, Mom.
00:02:57Come on, there are no more stairs, go on.
00:02:59You fit right in here, Mom, like in an elevator.
00:03:02Don't worry, this is safe, just cover your eyes.
00:03:05And don't worry.
00:03:07Come on, my hatbox.
00:03:08Thank you, thank you very much.
00:03:15Cover your eyes.
00:03:17Careful.
00:03:17And pray.
00:03:17And don't worry, be careful with that.
00:03:20Come on!
00:03:21Slowly, very slowly, please, there's a sick person coming.
00:03:25Slowly.
00:03:27Careful.
00:03:28Calm down, calm down, we're almost there.
00:03:33Now, slowly, that's it.
00:03:35We've arrived.
00:03:36He's already at work.
00:03:37Just like astronauts in a capsule.
00:03:41Now exit very carefully.
00:03:42Thank you, sir.
00:03:43But Mom, it's Pepito, Loli's brother, and he hasn't even said hello.
00:03:46Now, now I greet you.
00:03:47Now, now I greet you.
00:03:49Oh, here, give those gentlemen a reward.
00:03:52Give it its due.
00:03:54Well.
00:03:56Pepito.
00:03:56The plane didn't make the slightest impression.
00:04:00Oh.
00:04:00I have to see them make you go down the stairs.
00:04:05And I hate stairs, how awful.
00:04:09Your sister, how she's charmed us.
00:04:13Hey, leave me alone.
00:04:14To my Leonardo.
00:04:15That, and Loli, of course, couldn't leave the store.
00:04:18You know, the preparations, the friends, the outfit.
00:04:20Yes, yes, of course, of course.
00:04:21Just a moment, I'm going to fix the cloud issue, okay?
00:04:23Ah, very good.
00:04:25Mom, there it is.
00:04:26Lean on it.
00:04:27Yes, yes.
00:04:30What a sunny day.
00:04:31I see.
00:04:33But man, where are you going?
00:04:34But it's this way.
00:04:36Here.
00:04:37Ah, I don't know, maybe, this way.
00:04:50Madam?
00:04:52Madam?
00:04:55Madam?
00:05:07Loli!
00:05:28What a bride!
00:05:31A kiss! A kiss!
00:05:33How beautiful!
00:05:34And how tall!
00:05:36Loli!
00:05:37Thief! More than a thief!
00:05:39What a man you're going to take home!
00:05:44Hello good.
00:05:45There's no comparison to the photos.
00:05:47But there's no comparison!
00:05:49Wait, Mom. You're wrong.
00:05:51Okay, okay. You kiss her first.
00:05:54Yes, that's not it.
00:05:56Excuse me.
00:05:57What a difference!
00:05:59Because she looks beautiful in the photos.
00:06:01But, I don't know.
00:06:03It seemed like a much smaller thing.
00:06:05Here's Loli.
00:06:07Loli, darling.
00:06:08Well, they're here now.
00:06:10Loli!
00:06:11An angel, Leonardo!
00:06:13An angel!
00:06:15How was the trip?
00:06:16Good, very good. Great.
00:06:18Not a single pothole, nothing.
00:06:19TRUE?
00:06:20Yes, yes.
00:06:21Do you see it?
00:06:23It's not for sale.
00:06:24I'm sorry.
00:06:25I'm sorry.
00:06:26It's lovely.
00:06:31I tried this one.
00:06:32Do you have the same thing in the dream?
00:06:33Yeah.
00:06:34Wait.
00:06:35Wait.
00:06:36What a delicious little cheese!
00:06:38All the luggage is here.
00:06:41Come on.
00:06:42I have prepared an apartment for them.
00:06:44An apartment.
00:06:45Oh my God!
00:06:46We're like little birds everywhere.
00:06:50Pay attention to that one.
00:06:52Goodbye, good morning.
00:06:53This way, this way.
00:06:54This way, this way.
00:06:55Look at me like this.
00:06:57This way, please.
00:06:58I have something prepared for you.
00:07:02You understand me?
00:07:04Now, now.
00:07:07I don't know if you'll like it.
00:07:09Let's see.
00:07:13What do you think?
00:07:16We have never pawned them.
00:07:18Not even in war.
00:07:20From the mother, from the mother, from my mother.
00:07:23Thank you.
00:07:24Thank you so much.
00:07:2670,000 pesetas, as stated by the appraiser.
00:07:29Aside from the material value.
00:07:30Then comes the artistic work.
00:07:32They are beautiful.
00:07:34Beautiful.
00:07:35My wedding gift.
00:07:37Come on.
00:07:38You must be tired.
00:07:43No.
00:07:44No stairs.
00:07:45Calm.
00:07:46Calm down, Mom.
00:07:47You don't upload them.
00:07:48Mom can't climb stairs.
00:07:50Well, he can go up.
00:07:51But go down.
00:07:52Lower.
00:07:54So what do we do?
00:07:55Vertigo.
00:07:56We can go to a hotel.
00:07:57I mean, by the elevator.
00:07:59What nonsense.
00:08:00We have four apartments available.
00:08:02Wait, I'll try to switch those guys from the lower hotel.
00:08:04I'll get the keys.
00:08:05Is all this yours?
00:08:06The land?
00:08:07The apartments?
00:08:08It belongs to him and his brothers.
00:08:09But Carlos doesn't count.
00:08:10This...
00:08:11Silly boy.
00:08:12Careful.
00:08:13It seems they're not there.
00:08:14This way, please.
00:08:15This way, please.
00:08:16Come on.
00:08:17Come on.
00:08:18Come on, let's see if he likes it.
00:08:19Marvelous.
00:08:20With this light.
00:08:21Look, Mom.
00:08:22The sea.
00:08:23The sea.
00:08:24The sea.
00:08:25The sea.
00:08:26Morgen!
00:08:27Morgen!
00:08:28Morgen!
00:08:29Morgen!
00:08:59Morgen!
00:09:00Morgen!
00:09:01Morgen!
00:09:02Morgen!
00:09:03Morgen!
00:09:04Morgen!
00:09:07The poor man is unable to do anything!
00:09:10Yeah.
00:09:11They are the nurses.
00:09:13Already.
00:09:14Pepito!
00:09:15But the little cross...
00:09:17No...
00:09:19Please leave, we'll make the change right away.
00:09:22What do you want?
00:09:25Those from the lower C to the second D.
00:09:27And if they protest, you kick them out.
00:09:28I have to try this.
00:09:29And right now, do you understand?
00:09:30This way, please.
00:09:31Come on, come on.
00:09:32You'll see what a beautiful view from the square.
00:09:34Yeah.
00:09:35No.
00:09:36No.
00:09:37No.
00:09:38Daughter, daughter.
00:09:39Well, now you sit here after a parism.
00:09:41Do you understand?
00:09:43Yeah.
00:09:44This way, please.
00:09:45Come on, come on.
00:09:46You'll see what a beautiful view from the square.
00:09:49Yeah.
00:09:53No.
00:09:54Aren't you very tired?
00:09:56No, daughter.
00:10:00Well.
00:10:01Now you can sit here quietly and as soon as the apartment is ready...
00:10:07Oh! But it's a palace!
00:10:10Bad...
00:10:10...it has been declared an Artistic Monumental Zone.
00:10:16A Mr. Chueca came from Madrid, saw the house, liked it, and that was it.
00:10:20Now we can't even revoke the facade.
00:10:23Look, look, what beautiful views!
00:10:25You can see the whole town.
00:10:27Ah, you'll see it better through the device that's far away, come on.
00:10:33Let's see, let's see.
00:10:35Let's see.
00:10:38Come on.
00:10:40It will be alright, Noli.
00:10:45Let's see.
00:10:45Ah, ah, ah, hold on tight.
00:10:47We shouldn't have put you up here.
00:10:49Then to go down...
00:10:51Me!
00:10:52Oh, Mom!
00:10:53Leo, fixed!
00:10:54Everything will be ready in a minute!
00:10:56Good, good!
00:10:56Yes, yes, yes!
00:10:57We're coming!
00:10:59Precious!
00:11:00How beautiful!
00:11:02We need to talk about the wedding.
00:11:04Doesn't it bother you, Mrs. Trinidad?
00:11:06Come on, come on!
00:11:07You guys mind your own business!
00:11:09Here, Mom, throw them away.
00:11:11And be careful.
00:11:14Loli, I'm not at ease.
00:11:18Miss!
00:11:19Home?
00:11:20Yes, please, yes, to you.
00:11:21It's color cinema!
00:11:22No!
00:11:23Would you mind holding my mother?
00:11:24He suffers from vertigo and...
00:11:26Oh!
00:11:27I don't understand myself!
00:11:28Hold!
00:11:29At your house!
00:11:30It's holding on!
00:11:31Yes, hold on.
00:11:32Very good!
00:11:33How wonderful!
00:11:34Much obliged!
00:11:35Come on!
00:11:37How wonderful!
00:11:38Look, I'm telling you!
00:11:42Don't you see it?
00:11:43Dolores, souvenir, my house.
00:11:45Read, souvenir, Dolores.
00:11:48My house!
00:11:49This is my home!
00:11:50Look!
00:11:51And this is my sister!
00:11:52Hey, come here!
00:11:54This!
00:11:54This is my sister!
00:11:55Again, Carlos!
00:11:56I'm perfectly fine.
00:11:58I remember everything.
00:11:59But these tourists have insisted on...
00:12:01Yes, but I've read this address.
00:12:04But they don't see that it's okay.
00:12:06So why did they put up this sign?
00:12:08Because sometimes I forget everything.
00:12:10Well, it doesn't matter.
00:12:11Thank you very much from both of us.
00:12:13Goodbye, Leo.
00:12:13For me it has been a failure.
00:12:16Bye bye.
00:12:18Aren't you going to say hello to Leo?
00:12:20Yes, man.
00:12:20What's up?
00:12:21How are you?
00:12:22How are you?
00:12:25Who are you?
00:12:26It's happening again.
00:12:28This is Leo, my boyfriend.
00:12:29I am your sister.
00:12:30We're getting married tomorrow.
00:12:32Well, go sunbathe and take care of that lady who's looking through the spyglass.
00:12:37Don't let it fall.
00:12:38And give him pesetas.
00:12:40What a burden!
00:12:42You said it, Carlos.
00:12:43And my mother with that vertigo.
00:12:46Thank goodness I have you now.
00:12:48Because Pepito...
00:12:49Leo, lunch is at the Bergantina hotel at half past two.
00:12:57How many come from your patch?
00:12:58Only the bank's representative and his wife.
00:13:00More were coming, but the distance...
00:13:02Can they see us?
00:13:05Well, then two of your guests and twenty-something of ours.
00:13:09We'll order thirty covers, does that sound good?
00:13:10Yes, but you could have given me a kiss before, right?
00:13:12Okay, that's a bit of a pain, but just one, okay?
00:13:16And hurry, because I know you.
00:13:18Come here, come.
00:13:19Oh, excuse me.
00:13:29I was looking for my bikini.
00:13:30Get out.
00:13:31Where's the bikini?
00:13:32Please get inside.
00:13:33Please get inside.
00:14:03The last one.
00:14:04Approche-toi, viens ici.
00:14:06You get into it, you see it too.
00:14:08Tu te mets là, regarde ici.
00:14:10Viens-toi, tu vois.
00:14:12Ok, maintenant tu passes.
00:14:14J'ai faim, je suis fatiguée.
00:14:16Ça va durer encore longtemps.
00:14:18Mais non, mais non, tu n'as pas faim.
00:14:19Your work, après tu manges.
00:14:21Voilà, tu te mets là, tu es très belle.
00:14:22Voilà que c'est violiste, là.
00:14:24Voilà, très bien, c'est même là.
00:14:26Voilà comment tu vois.
00:14:27C'est bien, c'est bien.
00:14:28Pierre, tu peux te lever à?
00:14:30Oui, pour moi, c'est bon, c'est bon.
00:14:31Bon, barricotant maintenant.
00:14:33Moi, je vais bouger à basculcher la sauce, vraiment.
00:14:36And you're the one who wants to get married, huh?
00:14:39Posas, Leonardo, steps.
00:14:42Yes, deep down, I envy him.
00:14:45What is a "solteo"?
00:14:47Nothing.
00:14:47An incomplete animal.
00:14:49Me, in a few years, father...
00:14:50Father, I am getting married, but because of fornication, let each man have his own wife and each woman her own husband.
00:15:00Do you know who said it? Saint Paul said it.
00:15:06Epistle to the Corinthians, chapter, I follow, whichever one it is, of verse 2.
00:15:13Excuse me, Father, but I wasn't noticing the young ladies, no, no, I was looking at the sandals; I have flat feet.
00:15:19and the type of orthopedic footwear.
00:15:20Don't take it the wrong way, Father, and Leonardo is from Burgos, he's not used to...
00:15:25That is why a man will leave his father and mother and be united to his wife,
00:15:30and they will be two in one flesh, St. Paul, Epistle to the Ephesians, chapter 5, verse 31.
00:15:40The curtain...
00:15:41Yes, yes.
00:15:42This Leonardo is a soul of God, father.
00:15:51How could I leave you?
00:15:52No, I have a promise.
00:15:53He's a miserable man.
00:15:55Imagine, he came here for the summer last year.
00:15:57And what did he do?
00:15:59Employing foreign women?
00:16:00Oh, no way!
00:16:01He fell in love with my sister, you see.
00:16:05Let's hope it's for the best.
00:16:06Thank you.
00:16:08I assume you are a practicing Catholic.
00:16:11Yes, yes.
00:16:12Look, I've crossed activist, huh?
00:16:14He won't mind if I ask him some questions about Christian doctrine.
00:16:18No no.
00:16:19Pure formality.
00:16:20Yes, yes, I am at your service.
00:16:22The creed.
00:16:23But the old one, because the new one still...
00:16:25The creed.
00:16:26The old one.
00:16:27I believe in God the Father Almighty, creator of heaven and earth.
00:16:31I believe in Jesus Christ, his only Son, our Lord,
00:16:33who was conceived by the work and grace of the Holy Spirit.
00:16:37Father!
00:16:37And he was born of the Virgin Mary.
00:16:38Father!
00:16:39Father, now, now.
00:16:40Are you leaving?
00:16:40There's a Swedish woman who wants to confess.
00:16:42Swedish?
00:16:43Ah, but the Swedish woman also...
00:16:48Yes, and with more contrition than many indigenous people.
00:16:52You think the whole mountain is oregano.
00:16:55And no, Pepito, no.
00:16:57I also wanted to confess, because that way I can dedicate tomorrow to my mother.
00:17:00and wanted to accompany her to the hairdresser's to...
00:17:01Okay, okay. Wait your turn.
00:17:03Yes, yes.
00:17:04Did you see?
00:17:05My family is coming with me.
00:17:07Do you think that...?
00:17:08Yes, man.
00:17:25Father, confession! Confession!
00:17:29Come on, my daughter.
00:17:32If you're the painter, I'll tell you.
00:17:43Come on, Mary, purest of souls...
00:17:43If there is priority in the son's case.
00:17:46What are you doing?
00:17:50Come on, come with me.
00:17:51Listen, Mr. Pepito.
00:17:57We need to decide about the guirna ode.
00:17:59That's right, we have to tell Loli.
00:18:00No, no, I have to confess, but don't put too many flowers.
00:18:03How awful!
00:18:04Okay, okay, you, you confess.
00:18:06Go ahead, we'll fix that.
00:18:08No, no, no, no, no!
00:18:38Like you, tomorrow.
00:18:45There isn't one, Trey!
00:18:46Come on, let's...
00:18:47Okay, go on, you go to bed, it's late.
00:18:53Wait a little while, son.
00:18:55It's so nice here.
00:18:58Forward!
00:19:01Happens!
00:19:04It's open.
00:19:05No.
00:19:05Guten Tag!
00:19:06Entschuldigen Sie.
00:19:07But, I believe,
00:19:07wir haben heute früh hier etwas liegen gelassen.
00:19:10Oh, no, no, sorry, sorry.
00:19:12German, no.
00:19:13French.
00:19:14I spoke a little.
00:19:17Erinnern Sie sich nicht,
00:19:18Wir waren heute früh auf der Terrasse.
00:19:20Erinnern Sie sich nicht...
00:19:21Ah, you're one of the nurses.
00:19:23He's coming for the pool, isn't he?
00:19:25Nein, nein, nein, das Schwimmbecken hat morgen.
00:19:27Das hat Zeit.
00:19:28Jetzt tu noche eine andere Sache,
00:19:30die wir hier liegen gelassen haben.
00:19:31Ah, hier ist es...
00:19:59Oui, es ist es für die kleine Pfanne.
00:20:04Und es ist es?
00:20:06Is it?
00:20:07Is it?
00:20:07Nein, ich habe es nicht gekauft.
00:20:11It is is.
00:20:12It is is.
00:20:13Ah, oui, oui, oui, das Hotel.
00:20:16Ein Moment.
00:20:17Ein Moment.
00:20:19Mother.
00:20:20Entschuldigen Sie.
00:20:21Mama, du musst du dich auf,
00:20:22du bist, das ist es nicht unser.
00:20:24Oh, wie gut ich war.
00:20:27Careful, careful.
00:20:27Entschuldigen Sie.
00:20:29Ah, sit down there.
00:20:34Ah, ha.
00:20:36The vertigo, which...
00:20:38Oh, okay.
00:20:40Ah, here it is.
00:20:41Sehr, frütti.
00:20:42No, no, no, no, no, no, no.
00:20:44Moi, moi, moi, carry the matelade.
00:20:46Not you.
00:20:47Ah, danke schön, danke schön.
00:20:48Ah, danke schön.
00:20:49I understand that, you're welcome.
00:20:55Danke.
00:20:56Danke.
00:20:56Danke.
00:20:57Danke.
00:20:59Du bist du bisturte.
00:21:02Moi, moi, moi, je suis el brother-in-law,
00:21:06the, no, the, the, the, the, the, the, the bofrer,
00:21:10bofrer, that, the bofrer, the, the beautiful,
00:21:13no, from, from the owners,
00:21:16of, of, of everything, of all this.
00:21:22It's here.
00:21:22Oh, and also from his coming, me.
00:21:37Then, bambola, I lost.
00:21:42I...
00:21:48Oh dear, a repeat, isn't that more?
00:22:12Tadja. Tadja.
00:22:24Tadja.
00:22:26Tadja, sword, yes, tất.
00:22:32Was, yo, d leaf.
00:22:34D f Bloomberg too.
00:22:38Goku going?
00:22:44What's happening?
00:22:46José.
00:22:50Mother!
00:22:58Man, mustard.
00:23:00Apancho, fish!
00:23:02What is that? Are you there?
00:23:04What did I buy?
00:23:06Learn!
00:23:08Love!
00:23:10Love!
00:23:12Love!
00:23:14Love!
00:23:16Love!
00:23:18Love!
00:23:20Love!
00:23:21I don't!
00:23:22No!
00:23:23No!
00:23:24No!
00:23:25And that's it!
00:23:26Wow!
00:23:27No!
00:23:28It's been a while!
00:23:29Already?
00:23:30Hey?
00:23:31Ann!
00:23:32It's been a while!
00:23:34What a day it is...
00:23:37Even rarer!
00:23:40What is it? What is German?
00:23:58Leonardo! Leonardo!
00:24:02Don't shout!
00:24:04What are you doing there?
00:24:05Well, here I am with the nurses.
00:24:07I'm going to cool my feet.
00:24:09No, chinch! Watch out!
00:24:11Go to bed, it's very late.
00:24:13Start heating the irrigation water that I'll do.
00:24:16No! I prefer to sit here, it's very soft.
00:24:21Do whatever you want.
00:24:22Why haven't you seen it in today's titles?
00:24:36Why haven't you seen what she finds him for?
00:24:37Who is here?
00:24:42Mademoiselle, the...
00:24:44he...
00:24:45he...
00:24:46he...
00:24:47the matelá, and yes.
00:24:48Well... well placed.
00:24:49But the hand...
00:24:50Oh!
00:24:55What's that?
00:24:56A kind gentleman,
00:24:57who is at the table,
00:24:58so that he can put the knife to us.
00:25:02We're going.
00:25:03TRUE?
00:25:04Yeah.
00:25:07Forward.
00:25:13Judoka,
00:25:14cordon bleu.
00:25:15Karate.
00:25:19The baby is very big.
00:25:20The baby is very big.
00:25:22The baby is very big.
00:25:23Very big.
00:25:24Very big.
00:25:25Very big.
00:25:26Very big.
00:25:27Very big.
00:25:34Very big.
00:25:37Very big.
00:25:38Oh! Goodbye!
00:25:40Oh!
00:25:42But what roads!
00:25:46Are you sure you look fine, Nadia?
00:25:48Can you? Oh, hi!
00:25:50Hello!
00:25:52Bye, baby!
00:25:54Did you see that? Bye!
00:25:56Bye!
00:25:58Good evening!
00:26:00Good evening!
00:26:02Ah!
00:26:04Bye, bye!
00:26:06Goodbye! Goodbye!
00:26:08LAURA!
00:26:30Hey, I'm tired and I won't go to bed.
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00:28:20I have more at home. And the lighter, everything, I'll give it to you.
00:28:26And the painting is finished?
00:28:30Beautiful.
00:28:31Hey, don't you sleep?
00:28:37Sleep.
00:28:38Oh, look.
00:28:41Me.
00:28:43Spain.
00:28:44Spain.
00:28:46Chuchu.
00:28:47Yes, there, by train.
00:28:50Her, me, need, bed, hotel.
00:29:04Do you understand?
00:29:09Money, bed, you understand? Hotel.
00:29:17How much do you need?
00:29:19I don't know.
00:29:29Solved.
00:29:31Oh, thank you very much.
00:29:35Thanks, you're sweet.
00:29:36No, no, no, no thank you.
00:29:39The painting is magnificent.
00:29:41It's worth it, it's worth it.
00:29:43Allow me.
00:29:46Here you go.
00:29:49I'll accompany her.
00:29:51All right.
00:29:52Ah, ammunition.
00:29:53Boom, boom, boom, boom, boom.
00:29:55Ammunition to eat.
00:29:56Ah, pacifist.
00:29:58Rebel.
00:29:58Very good.
00:30:01This way is better.
00:30:02Brother-in-law.
00:30:04Brother-in-law.
00:30:05Brother-in-law.
00:30:07But well, but, excuse me.
00:30:09But what are you doing here?
00:30:10No, nothing.
00:30:11He was talking.
00:30:12Bachelor party, huh?
00:30:13No, man, no, I swear.
00:30:15Oh.
00:30:15I was, I was watching her.
00:30:17Yeah.
00:30:18Excuse me.
00:30:18Thanks again.
00:30:19I have to hurry.
00:30:20Bye now.
00:30:21No.
00:30:22How much did you give him?
00:30:23Nothing.
00:30:23What am I going to give him?
00:30:24Never mind, just leave her alone.
00:30:25Leave her alone.
00:30:26Grab it.
00:30:27Grab here and let yourself be guided by an expert.
00:30:29So you wanted to pull a prank, huh, little brother-in-law?
00:30:35The truth is, I thought it was a little fling before getting married, because that's for sure...
00:30:39What does it say?
00:30:40After I get married, I will respect your sister as...
00:30:43But, man, if there's nothing to be done with the painter, I should know.
00:30:46Okay, so where are we going?
00:30:48Wake up, Leo.
00:30:56Take care of that.
00:30:57Already.
00:30:59To the right, man, to the right.
00:31:02Come on, you weren't expecting a night like this, without your mother, were you?
00:31:07Is it the yacht?
00:31:08Yes, there, there.
00:31:10I get cramps.
00:31:11That's due to lack of exercise.
00:31:13When I tell you, fatty.
00:31:15To the right.
00:31:15To the right.
00:31:17Boarding.
00:31:19Already.
00:31:21That is.
00:31:22Deadlock.
00:31:26You're not going to fall, Leo.
00:31:37Don't be afraid.
00:31:39Come on, hold on tight.
00:31:42This is going away.
00:31:44You.
00:31:46Ata.
00:31:50Tie the paella pan.
00:31:53Put it in by the handles, man.
00:31:55Hey?
00:31:56But they don't know me.
00:31:58They won't tell me anything.
00:31:59You tie it up and hold it tight when I pull.
00:32:05Give me the rope.
00:32:08The shoes.
00:32:09Leave them, leave them shoes.
00:32:10They're the ones from the wedding.
00:32:11Well.
00:32:12I put them on to give them their all.
00:32:14Buy yourself another one tomorrow.
00:32:15Yes, others.
00:32:17And my mother.
00:32:18What do I tell my mother?
00:32:20But you just don't know how to be without your mom.
00:32:22Okay, now let's get down to business.
00:32:23The paella is starting to smell.
00:32:25You've got it now, huh?
00:32:26Wait.
00:32:28Okay, let's get up.
00:32:31Above.
00:32:32You need to be tricked.
00:32:35Cheer up.
00:32:36Give me your hand.
00:32:37No no.
00:32:43Come on.
00:32:44There's nobody here.
00:32:45You're going to kill yourself.
00:32:49Come on.
00:32:50You're sure?
00:32:50Go on, shut up.
00:32:51What is yacht tracy?
00:32:54If I had gone with the painter, I liked her a lot.
00:33:04Where will they be?
00:33:06I don't know, Mom.
00:33:06I'm hungry.
00:33:12Listen.
00:33:13Pure modern jazz.
00:33:16Wake up, brother-in-law.
00:33:17Does it really not smell bad?
00:33:19No way.
00:33:24Wait, wait.
00:33:26Come on, man.
00:33:26Come on.
00:33:27That voice is Glechel's.
00:33:31Oh, oh, oh.
00:33:32What must be down there.
00:33:35Ladies and gentlemen.
00:33:37The paella has arrived.
00:33:39Oh.
00:33:39No, no, no, no.
00:33:40No, no, no, no.
00:33:47Hush, hush.
00:33:48No, no, no, no, no.
00:33:49No, no, no, no, no, no.
00:33:54Oh.
00:33:55Has the paella arrived?
00:33:57Tell me, what are you going to do?
00:33:59Oh.
00:34:02Or, I stop.
00:34:06Let's see.
00:34:07Oh no, no, no, no, no.
00:34:11Cuesto doesn't stay hidden, kid.
00:34:13Look, look, look, look.
00:34:14But have you seen, have you seen what's here, my God, what's here.
00:34:19Oh, ampepito.
00:34:22Actí, no hay javergir de paella.
00:34:25I have the...
00:34:26Here's the paella.
00:34:28I'm Pepito.
00:34:29To hell with it, Pepito.
00:34:31Cornuto.
00:34:31Of course, it took them two hours to prepare the paella for me.
00:34:35Come on, let's go upstairs.
00:34:36To get some fresh air.
00:34:45Leave them be.
00:34:48I could swear that's Gretchen's voice.
00:34:49Who will she be with?
00:34:50Well.
00:34:51Well, we'll see you all up here in a little while.
00:34:53Want?
00:34:54No.
00:34:55Now we'll smoke a cigarette.
00:34:57We'll just relax here and then...
00:34:59And then I go home without shoes.
00:35:02Let's see how I explain this to my mother.
00:35:05And your sister.
00:35:12Let's go, sir.
00:35:13Do you like black ones?
00:35:19Wait.
00:35:20You can have as many as you want every night, but I'm in Burgos, wearing black ones.
00:35:23Why don't you let me have it?
00:35:25First, introduce me to her to break the ice.
00:35:27I start and then...
00:35:28Don't worry, let me go.
00:35:32Go ahead, you'll see.
00:35:37The paella has arrived!
00:35:39Why doesn't anyone love me?
00:35:42Don't talk nonsense.
00:35:45Here, without going any further, this friend of mine adores you.
00:35:50I'm a miserable wretch.
00:35:51Olaf, down with one of those dirty French women.
00:35:55No.
00:35:57He's a banker.
00:35:58No.
00:35:59A very rich banker.
00:36:00You're going to have a great time with him.
00:36:02Go on, I was testifying.
00:36:05Olaf!
00:36:06Olaf!
00:36:08Olaf!
00:36:10Olaf, you're a Swede, aren't you?
00:36:12No, Norwegian, very tall.
00:36:15With blue eyes, we already have very few.
00:36:19Norwegian, a moral.
00:36:20Sure.
00:36:21People without principles.
00:36:23But there's no need to get like that.
00:36:25You have to eat.
00:36:26Open your mouth, woman.
00:36:28Okay, little by little, little by little.
00:36:31I'll kill him!
00:36:32No, no, no!
00:36:33I'll kill him!
00:36:34And then I'll kill myself!
00:36:36Come with me, little one.
00:36:38No, tonight is ours.
00:36:40You kill him tomorrow.
00:36:41Tomorrow!
00:36:42So far it's very good.
00:36:44Why don't you bring Olaf to me?
00:36:46We'll bring it to you right now.
00:36:48But Olaf is not right for you.
00:36:50What you need is a Spaniard.
00:36:52A serious, faithful man, like me.
00:36:55Olaf!
00:36:56The same language, the same religion, common ties.
00:37:01And now the little black girl is going to be good and eat a little paella so that Leonardo doesn't get sad.
00:37:09Little by little, a little kiss.
00:37:13Kill her!
00:37:13Do it!
00:37:16That barrage of phrases, that's what made me want to tear his eyes out.
00:37:20No, tomorrow, all that tomorrow.
00:37:22Tonight you'll forget about that...
00:37:25No, no, no, I can't forget it.
00:37:28I can't forget it, no.
00:37:31I love him very, very much, but I'm taking away his car.
00:37:36No, no, no, no, no, no.
00:38:06What is this?
00:38:07No, no, no, no, no, no.
00:38:15Bye.
00:38:36No, no, no, no, no, no, no, no.
00:38:48Bye.
00:38:50Oh, let it go.
00:39:14Hello.
00:39:16Hello.
00:39:20Hello.
00:39:50Loli?
00:40:02Loli?
00:40:05Loli?
00:40:06Loli?
00:40:06Loli?
00:40:20Loli?
00:40:23Loli?
00:40:37Loli?
00:40:37Loli?
00:40:39Loli?
00:40:40Loli, Loli, Loli.
00:41:10What are you doing here?
00:41:15I went out. I acted like an idiot. I want you to know that.
00:41:22What came out?
00:41:23Yes, but I regret it. That's why I went up to the terrace.
00:41:27Forgive me, I didn't do anything. You, you are the only real woman.
00:41:33Don't touch me, don't touch me.
00:41:35Yes, yes, I'll touch you. I'll touch you and kiss you because I love you.
00:41:38Because we're getting married tomorrow and I haven't done anything, I swear.
00:41:41I will be able to receive communion without confessing again.
00:41:43No, Leonardo, no. If you continue, we'll both have to confess.
00:41:46Better together, let's confess together.
00:41:49Get off! Without shoes, half-naked. How embarrassing!
00:41:55Get out of here, Loli.
00:41:57Go away, we'll talk tomorrow.
00:41:59Yes, absolutely, tomorrow.
00:42:01Out!
00:42:08M-woman.
00:42:11Don't wake my brothers.
00:42:28Mother!
00:42:29Cardoc, bring the wheelbarrow!
00:42:45Pepito.
00:42:49Hey, Pepito!
00:42:51Oh, hello, Darlene!
00:42:52Even the fool! As if you hadn't heard me the whole time.
00:42:55Beep, beep, beep! Let's see, where are my things?
00:42:57What things?
00:42:58These are the ones your friend took from me last night.
00:43:01I'm having a party and I need them.
00:43:02And how should I know where they are? Come on, Carlos, hurry up.
00:43:04Your friend knows it.
00:43:06Okay, I'll tell him!
00:43:08But now leave me alone, man, my ice is melting!
00:43:10Ah, go to hell! Come on, Olaf! Let's go!
00:43:14It's really delicious, just choose the one you like!
00:43:15Alenki!
00:43:18That's it?
00:43:20Go and see for yourself.
00:43:22The poor woman told me.
00:43:24Don't go out, son.
00:43:25Don't go out.
00:43:27But I...
00:43:27If you had listened to her, would they be okay?
00:43:30Small.
00:43:32Well, it's the 41st.
00:43:33Don't worry, they'll be fine soon.
00:43:37Come on.
00:43:39Stay in the store, they're going to bring more ice.
00:43:42Close.
00:43:43But...
00:43:45But how?
00:43:47It's best to put ice on it.
00:43:49No, not ice.
00:43:50Cold preserves, you understand?
00:43:52No, Loli, I'm not capable.
00:43:54First, bury it.
00:43:56We'll postpone the wedding for a week, a month, whatever you want.
00:44:00But we buried her first.
00:44:02Think about it, Leo.
00:44:03That's it, think about it.
00:44:06But what is easier, postponing a wedding or a funeral?
00:44:08No, the wedding could not take place for another year or six months.
00:44:13That much is certain.
00:44:15The guests will already be getting ready, the lunch ordered, and the honeymoon tickets booked, Leo.
00:44:21But, but, but, how can you possibly think we're going to make the trip?
00:44:28Aside from the trip, there is something more important.
00:44:29The fact that?
00:44:31You.
00:44:33Can you imagine it?
00:44:35Can you imagine the life of a man alone in Burgos?
00:44:38Anywhere.
00:44:39Because I would be alone, Leo.
00:44:41I'm left with the faction.
00:44:43And here I am waiting for relief from grief?
00:44:46Without hope and with nothing?
00:44:47On the other hand, what's wrong with postponing the burial for a few hours?
00:44:49Come on, just think that your poor mother hasn't died.
00:44:52She went to bed because she wasn't feeling well.
00:44:54Ana, Ana!
00:44:55Now you're going to church, you're getting married.
00:45:00And when we returned, we discovered that the poor thing...
00:45:02We called the funeral home, buried her properly, and...
00:45:06And you go on your honeymoon.
00:45:08Pepito, please.
00:45:10Oh.
00:45:11Go on, get some fresh air.
00:45:12God help you!
00:45:13Come on, come on, cheer up.
00:45:15I'll get the fan.
00:45:17To bed, to take me to bed.
00:45:23Not to bed.
00:45:24So what do we do then?
00:45:25No bed, there's no time.
00:45:27Lemon balm.
00:45:28Bring it.
00:45:28Go ahead, bring some water.
00:45:30Come on, I know everything your mother meant to you.
00:45:32And sugar.
00:45:34You're going to need comfort, a lot of comfort.
00:45:38I enjoy going out, distracting you.
00:45:42And Loli will help you overcome the misfortune.
00:45:45You don't understand that I'm right.
00:45:47But I can't go to church because it will be noticeable.
00:45:49Oh, you have to go, convince yourself that it's the only solution.
00:45:53Come on, man, make an effort, Leo.
00:45:56He should make an effort.
00:45:57There is one dead.
00:45:58You don't care.
00:46:00Do I have to cry?
00:46:02That you don't care.
00:46:04But anyway, let's see.
00:46:05What have you come here for?
00:46:07I don't remember.
00:46:08Oh my God.
00:46:10You were in the store, waiting for the ice.
00:46:12Has something happened?
00:46:13Pedro Calonge.
00:46:21Calonge?
00:46:21The bank's representative.
00:46:23What do we say to him/her?
00:46:23Do you realize?
00:46:24Even out of consideration for that gentleman.
00:46:26How do you explain to someone that what's being celebrated is a funeral after they've made the journey?
00:46:29Leo, you receive him.
00:46:31I would burst into tears.
00:46:32Besides, my friends are upstairs.
00:46:34If I don't go up, they're going to suspect something.
00:46:37Come on, cheer up, come on.
00:46:38I can't, I can't.
00:46:39Come on, let's go.
00:46:40Go on.
00:46:41Can't.
00:46:42Go on.
00:46:42One moment.
00:46:45The morning coat.
00:46:45I'm going to bed.
00:46:46But come here, come here.
00:46:48I'm going to bed.
00:46:49Calm down.
00:46:50That is.
00:46:51Give me a carnation.
00:46:53A carnation?
00:46:55It's ready to be seen.
00:46:57That.
00:46:58Don't worry.
00:46:59And you haven't seen anything at all.
00:47:01About what?
00:47:02Put it on properly, Loli.
00:47:04So.
00:47:04You are welcome.
00:47:05Come.
00:47:06Courage, Leo.
00:47:08A lot of courage.
00:47:09I'll have it.
00:47:10Go on.
00:47:10Don't let your boss notice.
00:47:14It's gone now.
00:47:14Ready.
00:47:17Pretend.
00:47:26Here's our man.
00:47:29How are you, Potas?
00:47:30Good.
00:47:31How does it feel?
00:47:32Good, very good.
00:47:33Look, I'd like you to meet my sister-in-law.
00:47:35Nice to meet you.
00:47:37How was the trip?
00:47:39Perfect.
00:47:41Excuse me, but calluses wouldn't know about any pedicurist.
00:47:44That's right, my sister.
00:47:45Then my sister fixes them.
00:47:46She has a fantastic hand.
00:47:47And his wife?
00:47:48He wasn't feeling very well.
00:47:50And why is the journey so long?
00:47:51Leonardo's mother is also feeling a bit under the weather.
00:47:53It seems the plane didn't agree with him very much.
00:47:55But nothing to worry about.
00:47:57Right, Leo?
00:47:57Yes, just feeling unwell.
00:47:59Good heavens.
00:48:00They are big.
00:48:01Isn't there a smaller number?
00:48:02Yes, allow me.
00:48:05Good, Potas.
00:48:06Good.
00:48:11Do you know what this is?
00:48:14A booklet at 2%.
00:48:15Exact.
00:48:17With an initial deposit of pesetas.
00:48:20Come on, come on.
00:48:21Come on, man, come closer.
00:48:23Come closer.
00:48:25What's wrong with you, Potas?
00:48:26The shoes were a little small.
00:48:28But this is too much.
00:48:29It's as you see it.
00:48:31No title.
00:48:32Because?
00:48:34Because the name of the holder
00:48:37We expect to have it ready within nine months.
00:48:41And you comply.
00:48:44Understood, Potas?
00:48:45Yes, absolutely.
00:48:47Let's get down to specifics.
00:48:48What time is the wedding?
00:48:49The voice.
00:48:51At one o'clock.
00:48:52There's one hour left, one hour, more or less.
00:48:54Will I have time to change?
00:48:55Yes of course.
00:48:57But what's wrong with you now, Potas?
00:48:59The emotion.
00:49:00Gratitude for the gift.
00:49:03Please.
00:49:04Yeah.
00:49:07Let's see.
00:49:08Try this one.
00:49:09Thank you, thank you.
00:49:10Do you know of any lively hotels?
00:49:15Clear.
00:49:15Understand me.
00:49:16It's not that I think at my age,
00:49:18But anyway,
00:49:18Yes, I would like to take a peek into this Babylon.
00:49:21That's settled, Mr. Calonge.
00:49:23Just a moment.
00:49:25Says...
00:49:25How is the beach today?
00:49:30On base?
00:49:31Scottish?
00:49:32It doesn't hurt anymore, it doesn't hurt anymore.
00:49:35Thank you!
00:49:36Whoa!
00:49:41Pretty!
00:49:43Deusland!
00:49:44Deusland!
00:49:45Deusland!
00:49:45German women!
00:49:46Pure Germanic blood!
00:49:49Froelands!
00:49:50Serenade!
00:49:51Serenade!
00:49:52Let's see what you're wearing.
00:49:54Be a lollipop forty-five!
00:49:55Already!
00:49:56Pardon!
00:49:58Oh, how lovely!
00:50:00Nadia, Nadia!
00:50:02Like a young man!
00:50:04Was!
00:50:05So baby-like!
00:50:07Be good!
00:50:08So pretty!
00:50:14Nadia!
00:50:15Nadia!
00:50:16Thank you!
00:50:16I'll be!
00:50:17I'll be!
00:50:18I'll be!
00:50:18I'll be!
00:50:19I'll be!
00:50:19I'll be!
00:50:19Few of those that aren't yours!
00:50:21Yes, they live upstairs, in the barracks.
00:50:24Married, of course!
00:50:25Alone!
00:50:25Decal, lollipop!
00:50:27Practically alone!
00:50:28Alone!
00:50:29The luggage!
00:50:30I have it right there in the car!
00:50:32I'll be right back, Leo!
00:50:33Okay, I'll go with you.
00:50:34Are they all part of the State?
00:50:35Yeah.
00:50:36Well, look, one, Lolita.
00:50:37Yes, yes, yes, jab.
00:50:38Oh, thank you!
00:50:39See you later, few of you!
00:50:40Come on, come here, darn it!
00:50:41I'm going to show you our tarpaneta, you'll see!
00:50:47The dead woman is getting wet.
00:50:49Come on!
00:50:49No no!
00:50:49No no!
00:50:50No, no, no, no.
00:51:20No, no, no, no.
00:51:50No, no, no, no.
00:52:20No, no, no, no.
00:52:50Don't listen to her, Loli, she's wrong.
00:52:53Come on, let's go, let's go to the banquet.
00:52:56Hey, wait, please.
00:52:57I just wanted to tell you it was a wonderful hotel.
00:53:00I slept in the hotel.
00:53:01Everything was really swell.
00:53:03This young lady says that the night has been fantastic.
00:53:06Come on, she had a great time.
00:53:08No, Loli, I'll explain it to you later.
00:53:10Mademoiselle is wrong.
00:53:12Put it on...
00:53:13It's all a misunderstanding, you understand?
00:53:15Ah, I misunderstood.
00:53:17I would never...
00:53:18Okay, I've got it.
00:53:20It's very late.
00:53:21I already, I already, I already, I already, I already, I already, I already, I already.
00:53:23Well, you know, a special price, right?
00:53:24Stop, Mom.
00:53:25But, man, I sent you these Englishmen yesterday, the ones from the east.
00:53:28Okay, okay.
00:53:29Okay, and then they'll send the tests to my house.
00:53:31Don't forget.
00:53:32What a scoundrel.
00:53:33But come on, let's go, let's go.
00:53:35Where did that carnation come from?
00:53:40That.
00:53:42Come on, don't let this record.
00:53:44So much nonsense, it's already night.
00:53:45No, Loli.
00:53:46No, no.
00:53:48No.
00:53:48Allow me, I will open it.
00:53:50Lady.
00:53:53Who is taking you, Father?
00:53:55Vicente, in the van.
00:53:56Don't worry about that.
00:53:57Come on, get in, you poor thing.
00:53:57Lift your tampa.
00:53:58Happens.
00:53:59Stop kissing now.
00:54:00Get in, let's go.
00:54:03Leonardo, his matrimonium quitolis peccatamundi.
00:54:09Have they given you anything for me?
00:54:10Not even a single son.
00:54:11And over there?
00:54:12Carlitos.
00:54:13Kid, don't get distracted.
00:54:15Thank you very much.
00:54:17Oh, come on, I'll take you.
00:54:18Thank you very much, sir.
00:54:19You're a gentleman and a scholar.
00:54:20You're my girl.
00:54:23What the hell is he trying to do?
00:54:24We really got him for now.
00:54:26We're waiting for you all for a different friend.
00:54:28Oh, I'm going to be there.
00:54:30Me, me, me, me.
00:54:38Look.
00:54:40Understand.
00:54:42Understand why he didn't want you to eat the cake.
00:54:46But she's dead.
00:54:47Since last night.
00:54:48And they left her here with ice.
00:54:51And they married me off.
00:54:52And they made me go to the banquet.
00:54:54Yes, even dancing.
00:54:56Was it a waltz?
00:54:58Calm down.
00:54:59Let me explain, Mr. Caló.
00:55:00Leave me alone, leave me alone.
00:55:01A simple postponement of the burial so as not to delay the wedding.
00:55:03Please, Tony.
00:55:04You, who are a practical man.
00:55:05Don't drag me into this mess.
00:55:07But nothing has happened.
00:55:08We left Doña Trinidad in bed because she wasn't feeling well.
00:55:12She herself has encouraged her son to get married.
00:55:16He did ask, well, that's for sure, that we bring him a piece of cake.
00:55:19We brought it to her and we found it.
00:55:22A bleating, a dizziness.
00:55:23You know she was prone to it, huh?
00:55:25No, no, see what I was telling you, no, no.
00:55:27We'll call the funeral home now and everything's sorted.
00:55:29Just a moment, just a moment.
00:55:31A doctor must come first.
00:55:33The death must be certified, gentlemen.
00:55:34Yes, yes, I just called him.
00:55:36Wait, wait.
00:55:37The doctor barely sees the corpse and calls the coroner.
00:55:40And the forensic expert will discover that...
00:55:43But how long has she been dead?
00:55:50Last night, I don't know.
00:55:52At two, at three, at four.
00:55:54I left her on the terrace, completely calm.
00:55:57Let's say she died at two.
00:55:59You left for the church at a quarter to one.
00:56:03Eleven hours difference, gentlemen.
00:56:05A forensic expert doesn't miss that.
00:56:08But with the ice, I put ice on it.
00:56:10Mistake.
00:56:10You have precipitated rigor mortis.
00:56:12So the coroner will have the impression that she has been dead for many more hours.
00:56:16The police.
00:56:17The police are going to intervene.
00:56:18That.
00:56:19I hope, Pozas, that you will leave me out of this unpleasant matter.
00:56:23Calonge, come here.
00:56:24Leave me alone.
00:56:24The police.
00:56:26Because of you.
00:56:27All because of you.
00:56:28Scoundrel.
00:56:29Scoundrel.
00:56:30Don't yell at the customers.
00:56:31Let them know.
00:56:32And his boss.
00:56:34Let your boss know.
00:56:36She left her mother alone to go out and prostitute herself.
00:56:42Nothing.
00:56:44Nothing.
00:56:44Nothing.
00:56:44Nothing.
00:56:44Nothing.
00:56:59When he passed by your door.
00:57:02When a port has passed through you
00:57:11Dog! You have to know how to drink!
00:57:23Did you see what that dirty uncle did to us?
00:57:26Watch out for the dead woman! Dead women are falling!
00:57:28Get up and don't say you're dead!
00:57:32You need to eat something.
00:57:38We must overcome, we must fight
00:57:42Don't worry.
00:57:50Or do you think I don't suffer?
00:57:54With the short time I had known the poor thing
00:57:56And I had already grown fond of it
00:57:59Leo
00:58:05Leo
00:58:07Tell me something, love
00:58:13I love you, Leo
00:58:25I know it's going to be difficult
00:58:33But I'm going to do my best to replace it.
00:58:36Because I know everything you needed her for.
00:58:42Leo
00:58:44Now that we are husband and wife
00:58:48But how can you think of me?
00:58:59That's it
00:59:00What? How are you, Leo?
00:59:02How's your mood?
00:59:05I thought you might like to keep these things
00:59:08Mom! Mom!
00:59:16Mother!
00:59:18Not a single loose end, Leo
00:59:20I have reported her disappearance at the police station.
00:59:22What disappears?
00:59:24And she's not wearing them
00:59:25It would have been a shame to lose them
00:59:27Besides
00:59:29It will not appear
00:59:31It's for renting the Belomar, right?
00:59:39So
00:59:39Since naturally
00:59:42You will postpone your honeymoon
00:59:44When do you expect to return to work, my friend Pufás?
00:59:47I had thought about staying in case it appeared
00:59:51At least
00:59:52As long as I have the permission you gave me to get married
00:59:55I don't know, I don't know
00:59:57You know what you're doing, Pufás
00:59:59Aha!
01:00:03Lady at your feet
01:00:04It has been a pleasure meeting you
01:00:07Despite the sad and unpleasant circumstances
01:00:10How did we meet?
01:00:12Happy holidays!
01:00:16Beware!
01:00:17Bye, bye!
01:00:19Hello!
01:00:21Bye bye!
01:00:27Okay, pools
01:00:28Until I return
01:00:29The dead woman
01:00:31Have they found the dead woman?
01:00:32On the beach
01:00:33He's at the beach
01:00:34Where is Pepito?
01:00:35Pepito!
01:00:36No, he can't leave
01:00:37Mr. Calonge, you have to vouch for me
01:00:39Let me go!
01:00:39To say that I didn't want to
01:00:41That it was them
01:00:42I don't want to know anything at all about that dirty story
01:00:45Stay, stay
01:00:47For the love of God
01:00:48And I won't tell his wife anything.
01:00:50Word of honor
01:00:51Pools, pools
01:00:52You are wrong
01:00:53He has misinterpreted
01:00:54Luck
01:00:55Allah, Allah, Allah, Leo
01:01:20What happened?
01:01:22A disgrace
01:01:23But we must overcome this
01:01:25And the arrow?
01:01:26Nothing, the arrow, nothing
01:01:28It seems he had already died when
01:01:30We had reported the disappearance there
01:01:33Are you feeling better?
01:01:34Oh, I'm married!
01:01:36And newly married
01:01:37Look
01:01:38Leo
01:01:39Leo
01:01:40What? Has he recovered?
01:01:44Yes, yes, yes
01:01:44Thank you so much for you
01:01:45Excuse me, but we have to serve lunch here on the terrace now.
01:01:49Understand that the presence of a corpse on the beach
01:01:53We must avoid giving tourists a bad impression
01:01:56Come with me, I need to make a phone call
01:01:58This way, please
01:01:59See? How well everything went?
01:02:01You see
01:02:01No, they don't arrest them.
01:02:03No, no, what nonsense.
01:02:05Now for the necessary procedures
01:02:06And then the burial
01:02:07You'll want it top-notch, of course.
01:02:09The best, the very best
01:02:11Okay, okay
01:02:12While I go to the funeral home
01:02:14You can go home with Calonge
01:02:16And where is it?
01:02:18But I was here just now.
01:02:19Where?
01:02:20Oh, she must have gone into the hotel
01:02:21Pamá!
01:02:23Leo, that's enough.
01:02:24Don't be a child
01:02:25It's much better that it came out
01:02:30So you've seen her again
01:02:31We will be able to watch over her
01:02:33Even if you want to take it on board
01:02:35Get out of here, alarmist, get out of here, man.
01:02:38But, but where has he gone?
01:02:40No suspicion
01:02:41But what does he suspect?
01:02:42Why would they suspect anything?
01:02:43Has everything been normal?
01:02:47Normal, everything's normal
01:02:49I'm not going to court.
01:02:58They're almost there
01:02:59You're a scatterbrain.
01:03:01But how come you didn't see the source?
01:03:08Can?
01:03:09Yeah
01:03:10Forward
01:03:13Come in
01:03:13Lady
01:03:14I'm so sorry.
01:03:16Thank you
01:03:17Good evening
01:03:19Good evening
01:03:20Madame
01:03:22Nicknames, listen
01:03:24It turns out that Mr.
01:03:25Talking, talking
01:03:26He's a colleague of ours.
01:03:27Director of a bank in Zurich
01:03:29You already know
01:03:29Swiss
01:03:30And he comes to offer his condolences.
01:03:32Thank you
01:03:34Do you know that he stole the mourning clothes?
01:03:41But it's the same, Loli
01:03:43On the left, for sure
01:03:44Very well, I will accompany these friends and then I will go and keep vigil over their poor mother.
01:03:48Come on?
01:03:48That's leaving
01:03:52One last favor, Mr. Calonge
01:03:54It's the obituary
01:03:55But the thing is...
01:03:56I have to write it up
01:03:56No, no, no
01:03:57It's better that it's wanted here
01:03:58We're going to a party
01:04:00You see, it's the obituary.
01:04:01I can't
01:04:02I feel a surge of joy
01:04:03Ah, exactly.
01:04:04Oh, thank you so much!
01:04:06Every time I try
01:04:07Look, toy soldiers
01:04:10A company of lancers of the Austro-Hungarian Empire
01:04:15Understand, please
01:04:16Understand now
01:04:17This, this is what binds me to that gentleman and those ladies
01:04:21And not what you suspect
01:04:22OK?
01:04:23Yes, excuse me, but the pacifier...
01:04:25Okay, okay
01:04:26And now for the obituary
01:04:28Where can we...?
01:04:29This way, please
01:04:30Ah, thank you.
01:04:31Get comfortable
01:04:36Loli, go ahead
01:04:42Let's see
01:04:45Doña Trinidad...
01:04:50Navarro de Pozas
01:04:51Navarro Piuda de Pozas
01:04:55That's the right thing to do.
01:04:56Of course, he sees it the way I can't.
01:04:58He died yesterday in an accident
01:05:02No, that's not it.
01:05:03Let him die of natural causes.
01:05:05Well, whatever.
01:05:06According to
01:05:07Worse
01:05:08Arranged
01:05:09His grieving son, Leonardo, and daughter-in-law, Dolores
01:05:22We'll have to put trade
01:05:24I'm talking about the store.
01:05:25Well...
01:05:26They ask for a prayer
01:05:31For his soul
01:05:35And my brothers?
01:05:36Loli, don't complicate things.
01:05:37Your brothers
01:05:39What is the relationship between your siblings and my mother?
01:05:41We encompass it
01:05:42We will put Dolores
01:05:44And the rest of the family
01:05:46Correct
01:05:47What a lack of respect!
01:05:52They cannot be silenced
01:05:53We are in recent mourning
01:05:54And you insisted that we hold the wake here.
01:05:57Let's see
01:05:58Pigs
01:05:58Driving
01:06:00From the corpse
01:06:02It will be verified
01:06:05Today
01:06:07So, tomorrow
01:06:09At...
01:06:12At twelve o'clock from the morgue
01:06:14At twelve o'clock
01:06:15My mother in the morgue
01:06:18That's it
01:06:19I'm personally handling it.
01:06:24No, no, no
01:06:25I'll take her
01:06:26Because I am a father
01:06:27For employees
01:06:28Don't bother, really.
01:06:31Whatever
01:06:31I will accompany them later
01:06:33God bless him.
01:06:33Lady
01:06:34No, no, no
01:06:36Don't come with me
01:06:37Yeah
01:06:37See you later
01:06:41My mother
01:06:51Hey?
01:06:52He is present
01:06:53Ah, the deposit
01:06:55Yeah
01:06:55At the back on the left
01:06:56Thank you
01:06:57Hi, Leo
01:07:18What's up, Pepito?
01:07:19You see?
01:07:20How are you feeling?
01:07:21How do you want me to be in this trance?
01:07:22Okay, okay, man
01:07:23And on top of that, I've caught a cold
01:07:24Good
01:07:25Look, Don Ángel has arrived from the municipality
01:07:27I'm sorry
01:07:27Grateful
01:07:28Manolo, a friend
01:07:29Mr. Fuente
01:07:31I share your sentiment.
01:07:32You already know the others
01:07:33Yeah
01:07:33How are you?
01:07:35Hey, come here, come here
01:07:35Excuse me
01:07:36These friends are behaving very well
01:07:41We will have to reciprocate.
01:07:42We sent Carlos for...
01:07:45You have money there.
01:07:46Yes, yes
01:07:47For a few bottles
01:07:47Carlos
01:07:48That?
01:07:48Come here
01:07:49Who are those strange people?
01:07:51They are holding a wake for a suicidal couple.
01:07:54They have to play the guitar
01:07:55Yes, I've already told Don Ángel.
01:07:56But it seems to be a habit of theirs.
01:07:57Already
01:07:57Hey, Carlos
01:07:59We have to bring Nisi, damn it
01:08:00See if there's anywhere open
01:08:02The pasha, who is a friend
01:08:03Yes, but hurry, quickly
01:08:05And where is my mother?
01:08:07Your mother is there
01:08:08After the hippies
01:08:09We had to leave through the atmosphere, you understand?
01:08:11I'm going to organize the rosary.
01:08:12But I must be with her
01:08:13Yes, yes, yes
01:08:14You can go with a constipated person and you'll notice it.
01:08:16Go on
01:08:16It is there, where the steps
01:08:21And act like a man
01:08:43Oh, hello
01:08:46I have to ask for forgiveness.
01:08:49Je me esquise pur
01:08:54Maguiás
01:08:55Excuse me, please
01:08:58Thank you
01:09:12Mistake
01:09:17Mr. Poza, the crown
01:09:18Where do I put it?
01:09:19Over there
01:09:19Good
01:09:20I may stay
01:09:24Yesterday
01:09:29No, he doesn't understand.
01:09:32No
01:09:33Possible, no
01:09:34I didn't buy
01:09:35My mother
01:09:38Mother
01:09:39Oh, yeah
01:09:42Yes, mother
01:09:43That
01:09:44Tell me a ribon
01:09:47Dead
01:09:50Dead
01:09:51Dead
01:09:52I'm sorry, I don't understand.
01:09:54Come on
01:09:57Look, poor thing
01:10:04Oh
01:10:04My mother
01:10:06Dead
01:10:08Dead
01:10:10Dead
01:10:11Dead
01:10:11Your mother?
01:10:13Dead, yes
01:10:15Dead
01:10:16What happened?
01:10:18You
01:10:19Or could I paint a portrait?
01:10:22Oh, sure, yes, of course
01:10:24Don Leonardo, how have you started the rosary yet?
01:10:26Start without me, please.
01:10:27Oh, sure, I can do it, don't you worry
01:10:30Thank you for this
01:10:31Then
01:10:32I'll give it to him later
01:10:34Now I'm studying a little.
01:10:37Thank you
01:10:38Thank you
01:10:39Slowly
01:10:47The police have already turned off
01:10:51Be careful
01:10:53We've arrived
01:11:08Map them
01:11:10Come on
01:11:11Come on, Carlos
01:11:13They wait three hours for you at the depot
01:11:14Come on, you come too.
01:11:16No no
01:11:17Come on, man
01:11:18That?
01:11:18Carlos, do you want to come?
01:11:19Carlos, do you want to come?
01:11:19My name is the one you see at the club
01:11:21Come on, come with me
01:11:22You'll see how much fun we had.
01:11:23Guitars are playing
01:11:24No, no, no, no, no
01:11:25Well, you're missing out.
01:11:27Here, keep this as a souvenir.
01:11:29Thank you
01:11:29And a little kiss
01:11:30Ah, okay
01:11:31Bye
01:11:32Goodbye, goodbye
01:11:34How have you been able to entertain yourself for so long?
01:11:35This is very serious, man.
01:11:36But they were coming with me.
01:11:38You have your whole family waiting there.
01:11:39Come on in.
01:11:39Six bulls from Pablo Romero
01:11:45Well-rope-up
01:11:47Marcial Lalanda
01:11:49Domingo Ortega
01:11:51Welcome, Manolito!
01:11:53To the first
01:11:54Losita Marcial from the center of the ring
01:11:57To the bull!
01:11:59To the bull!
01:12:04Twelve, twelve
01:12:05Tu dois aspirar
01:12:06Ducement
01:12:07Deeply
01:12:08Tu casques la fumée
01:12:09A foot
01:12:12Tu arrives jusqu'au pied
01:12:14L'a conservée
01:12:15T'en imprignée
01:12:16You understand well
01:12:17Listen
01:12:18Listen
01:12:19Ducement
01:12:20Listen
01:12:25Where's the biperon?
01:12:27Huh? He bought it. That's right, he bought it.
01:12:31He bought the child and I'll give you an apartment.
01:12:33No, no, no, no, yoga, impossible.
01:13:03What are you doing?
01:13:05Take.
01:13:07Whom?
01:13:09To those gentlemen and to Leonardo, the one with the car.
01:13:30I don't feel like it, thanks.
01:13:32From that gentleman's side.
01:13:35Pepito's.
01:13:36From that gentleman.
01:13:38Don't you know who he is?
01:13:43No, no, thank you.
01:13:47What do you mean? My wife is a disaster.
01:13:50But you're pronouncing it wrong.
01:13:52My wife is a disaster.
01:13:53Oh, right, you know English.
01:13:56A bit.
01:13:58And me, do you know who I am?
01:14:05Come on, you're going to help me.
01:14:09Come.
01:14:13Here, I'll be right back.
01:14:14But why are you taking the ribbon from my crown?
01:14:19I don't know.
01:14:20It seemed to me.
01:14:29My friend.
01:14:30But wait, I haven't finished the painting yet.
01:14:40Thank you.
01:14:47Tell him...
01:14:49Quique, I apologize for what I did yesterday...
01:14:52when the wedding.
01:14:53He wants to tell her that he's forgiven for what happened yesterday...
01:15:01at the wedding.
01:15:02Alright.
01:15:05Tell him I've been...
01:15:09Do you really not remember who I am?
01:15:13No idea.
01:15:14So, tell him...
01:15:16that I was forced into marriage, that I didn't want to.
01:15:19I didn't want to.
01:15:20They made him get...
01:15:23married...
01:15:24by force...
01:15:26that he didn't want...
01:15:28to do it.
01:15:31Yes, yes.
01:15:32Really.
01:15:33Tell her that she...
01:15:34He doesn't know what your sister is like.
01:15:35No.
01:15:36Not your sister.
01:15:38My wife.
01:15:42You had no...
01:15:43idea...
01:15:45What...
01:15:46his wife...
01:15:47is like.
01:15:49that like marriage...
01:15:50It has not been consummated...
01:15:51can be cancelled.
01:15:55The marriage...
01:15:56is not consummated...
01:15:58and...
01:15:59It can be...
01:16:00annulled.
01:16:01Look, why are you telling me all this?
01:16:05Why are you giving her so many explanations?
01:16:08Ah...
01:16:09Because as a Catholic...
01:16:11He must go to Burgos.
01:16:12To Burgos?
01:16:13Because?
01:16:15By the cathedral.
01:16:16You translate.
01:16:17Translate.
01:16:20You shall...
01:16:21go...
01:16:22to Burgos...
01:16:23fifteenth...
01:16:24cathedral.
01:16:26Look...
01:16:27Would you tell him...
01:16:28that it's impossible to go on?
01:16:29You see...
01:16:30The face here is...
01:16:31much too distorted.
01:16:32He says that because the dead woman is so badly damaged...
01:16:35that it's not worth insisting on any further.
01:16:38Tell him he's an angel.
01:16:40The dead woman?
01:16:41What is death?
01:16:42She.
01:16:43She.
01:16:44You are an angel.
01:16:47This is for you.
01:16:48How much do you want?
01:16:49How much do you want?
01:16:50How much?
01:16:51Oh, nothing.
01:16:52Nothing.
01:16:53Nothing?
01:16:54It's a commissioned portrait.
01:16:55Clear.
01:16:57I have money today.
01:16:58He says he doesn't need...
01:17:00who has money today.
01:17:01Thank you.
01:17:09Tell him he's an angel.
01:17:11You are...
01:17:12I've already said that.
01:17:14But I have many things to tell you.
01:17:17I have to hurry.
01:17:18He won't tell...
01:17:19to you.
01:17:20I need to talk to myself.
01:17:21Goodbye.
01:17:23He says goodbye.
01:17:46No.
01:18:16Thank you!
01:18:46Thank you!
01:19:16Thank you!
01:19:46Thank you!
01:20:16Thank you!
01:20:46Thank you!
01:21:16Thank you!
01:21:46Thank you!
01:22:16Thank you!
01:22:46Thank you!
01:23:16Thank you!
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