Esa voz es una mina 1955 HD 1080 Completa Antonio Molina, Rafael Durán

Retroscreen Movies Revival

Reparto: Antonio Molina, Rafael Durán, Delia Luna, Félix Acaso, Ángel Álvarez, José Luis López Vázquez   Dirección: Luis Lucia   Un joven minero, casado con una encantadora inválida, vive feliz y con su maravillosa voz alegra a todos cantando mientras acarrea vagonetas en la mina. Un día, lo oye un avispado promotor y le ofrece un suculento contrato para cantar en las más cosmopolitas salas de fiesta. Sin embargo, al mismo tiempo, conoce a otra mujer que podría poner en peligro su matrimonio.

Transcript

00:00:00Music

00:00:30Music

00:01:00Music

00:01:30Let's see, gentlemen.

00:01:59If you are a professional paratrooper

00:02:02And upon landing, he encounters one of these cute little animals.

00:02:05Nobody will be able to get it out of their head

00:02:07He's come to take a tumble

00:02:09In the very heart of Andalusia

00:02:11But let's imagine you're not a paratrooper

00:02:14If they are not ambulatory

00:02:15And that upon waking from one of his night excursions

00:02:18His gaze falls upon this pair of men's items

00:02:21You might think you've woken up anywhere in the world

00:02:24Except in Andalusia

00:02:25No, sir.

00:02:26Appearances are deceptive

00:02:28We are in the heart of the Andalusian land

00:02:30250 meters below the level of the Guadalquivir River

00:02:33It is true that in Andalusia they dance to soleares

00:02:36And the chamomile ferments

00:02:37But work is also being done

00:02:39Man also knows how to earn his daily bread

00:02:41My ailments are incurable.

00:02:43I'm grieving your departure.

00:02:47If your madness is killing me

00:02:53It is my very core

00:02:55I am a miner.

00:02:58Come, let me digest

00:03:02That I love you

00:03:06Even if you love us

00:03:09Oh! Oh! Oh! Oh! Oh! Even if you love us

00:03:28But Andalusia is always Andalusia and doesn't lose its personality even when it pulls together.

00:03:37Is there any difference between an Andalusian miner and one from Liverpool?

00:03:41Those who only open their mouths to demand the nationalization of heavy industry

00:03:46Our people know how to harmonize the somber symphony of effort with the joyful irreverence that is the song of the land

00:03:53Deep in the mine, I carved your name with my drill bit.

00:03:59We sing here!

00:04:01With a sign that says "Long live my beautiful, brunette girlfriend!"

00:04:07I am a miner.

00:04:11Sale!

00:04:28Oh no! I'm drowning!

00:04:29I love you!

00:04:38No, no, no, no, no.

00:05:08No, no, no, no, no.

00:05:38At the home of Don Carlos, the technical director.

00:05:39Arrea.

00:05:40And I imagine that as soon as the feast is over, they'll be down here snooping around.

00:05:44They can inspect whatever they want, because this morning I extracted quite a bit of coal myself.

00:05:48so that purgatory can function for four months.

00:05:52I know, Manuel, but I'm not referring to work efficiency, but to symphonic accompaniment.

00:05:58Those gentlemen are Catalans by profession and they didn't buy the mine to extract bemoles.

00:06:04Come on, Rafael, stop being lazy and get to work, because in that job it's harder to get carried away by joy.

00:06:10Yes, sir, yes.

00:06:10Listen, you guys get to work hard and I'll see what happens, because that's what I'm here for, your gentleman and friend.

00:06:17As Chairman of the new Board of Directors of Confianza Carbonífera, S.A.,

00:06:23I must thank the prestigious technician and operations director of this company, Mr. Carlos Varela.

00:06:28Thanks to the first dividend this succulent meal has provided us, we all trust that the capons,

00:06:37I mean, may the coupons we cut from now on be as profitable as the coupons,

00:06:42I mean, the capons we just devoured, I've said it.

00:06:48I raise my glass to congratulate Mr. Próspero Michel Sipillet, our beloved president,

00:06:54thanks to his astute financial instincts that led him to acquire this mining operation.

00:06:57Because our coals burn acceptably, but they will burn like gunpowder,

00:07:04the day when, having that modern American machinery at their disposal,

00:07:07whose acquisition Don Prospero has already announced to me,

00:07:10Let's manage to separate the real coal from the pebbles,

00:07:13remnants of snacks and other foreign bodies that now tarnish its purity.

00:07:19I've spoken.

00:07:20That American machinery will arrive, my dear technical director.

00:07:24It will be the latest model and Catalan.

00:07:27How exciting, Don Prospero!

00:07:33We're going to turn these mines into the Andalusian Cardiff.

00:07:36Look, look, honestly, I'm happy just not to lose the money.

00:07:39Yes, you're an industry philanthropist, but the other board members...

00:07:42Yes, the others, although they eat a lot, are not important.

00:07:45The pesetas are mine, and if I bought this mine,

00:07:47It's not because he thinks he'll make millions with his coal.

00:07:50I don't quite understand him.

00:07:51Well, it's very simple.

00:07:52I, despite having been born in Manresa and raised in Valladolid,

00:07:56I am a great lover of Andalusia.

00:07:58They say opposites attract.

00:08:00That must be why.

00:08:01And of course, I want to have a business in this land in order to justify my travels.

00:08:06And on top of that, I catch a few million.

00:08:07Well, to the girl.

00:08:08Honestly, I couldn't imagine his enthusiasm for Andalusian things.

00:08:12My friend, here I am, with this Valladolid accent,

00:08:15I don't know anyone more passionate about flamenco than myself.

00:08:18Well, working in the mine there are several boys who, they say, sing very well.

00:08:21Bravo, but that's magnificent.

00:08:23Hey, when are we going to take a look at the mine?

00:08:25I am at your service.

00:08:27Well then, young people, let's go and inspect the subsoil.

00:08:30Yes, they're already there.

00:08:32The entire Barceloneta.

00:08:33Come and have a good snack.

00:08:35And by all that is holy, the mouth is filled with humming.

00:08:37Be very careful, Rafael, because the Hittite people can slip through your fingers without you even noticing.

00:08:41Why don't you put the handle of the pickaxe in your mouth?

00:08:43Don't worry, if he turns on the radio,

00:08:45I sold a wiggle that opens a new gallery with my nose.

00:08:48Agreed, and you will happen with the dignity of the conscious worker.

00:08:52Go ahead, Don Prospero.

00:08:53This vein is the pride of our mine.

00:08:55Not only because of its productive capacity,

00:08:57but for the excellent calorie performance of its material.

00:09:00That's why the company's most efficient men work there.

00:09:02Hey, do the singers also work here?

00:09:05Well, it's possible.

00:09:06I would like to meet them.

00:09:07He located them immediately.

00:09:09Hey, welcome.

00:09:10Always at your service, Don Carlos.

00:09:11Tell me, who are those boys who are always singing?

00:09:14Singing, you say?

00:09:15Yeah.

00:09:16In this job, you only give it your all when it's time to work.

00:09:20I know, man.

00:09:21But I have heard flamenco singing in these galleries more than once.

00:09:24Figurations, Don Carlos.

00:09:26Here you can hear some...

00:09:27Oh!

00:09:28It's because we've caught a finger between two wheelbarrows.

00:09:32Besides, singing in the mine is very dangerous.

00:09:36Hey, hey, don't scare me.

00:09:37Because it's dangerous, Mr. Foreman.

00:09:39Well, look here, Mr. Professor.

00:09:40But it so happens that the vibrations of the acoustic redundancy can break the shoring and crash.

00:09:47The collapse and a couple more.

00:09:49Mare megua de Montserracón.

00:09:50He told me this.

00:09:51Ignore him.

00:09:52You know how exaggerated Andalusians are.

00:09:54The thing is, the boys don't dare to sing in front of you.

00:09:57Ah, well, no.

00:09:58I like to be respected.

00:09:59But I cannot allow them to be afraid of me, mistaking me for a fool.

00:10:03Oh, wait!

00:10:04Pay close attention!

00:10:05I have descended into the depths of this mine to my dear workers so that I can fraternize with all of you.

00:10:12Because I maintain that the employer and the worker must be good friends so that the employer's business runs smoothly.

00:10:19I am a worker just like you.

00:10:21With a tie and a little more money.

00:10:23But a simple worker.

00:10:24And if I have no problem humming a sardana while making entries in the ledger,

00:10:29Nor should you have it in singing a fandango while you're using your beak.

00:10:33Bravo!

00:10:34It's a trick to see if we'll bite.

00:10:38I now realize the intentions of the guy from Barceloneta.

00:10:41Hey, tie your tongue in a knot or you might let out a squeal.

00:10:44Okay, man.

00:10:45A hug, Don Prospero!

00:10:47Okay, that's enough of the cave.

00:10:49Does anyone sing or not?

00:10:51Not a whisper here, not a whimper there, and silence in front.

00:10:56I see that nobody is making a decision.

00:10:57What can we do?

00:10:58As someone who is in love with Andalusian philharmonic art,

00:11:01He was willing to distribute fifteen hundred pesetas in cash among those present.

00:11:06But here, no one is being forced into violence.

00:11:08Put the money in your wallet and have a good time.

00:11:10Heading to the surface!

00:11:11Hey, he's leaving with the fifteen hundred calla lilies.

00:11:15Go on, let out that scream you had prepared.

00:11:17Don't trust yourself.

00:11:18Fifteen hundred calla lilies, as if we were Lola Flores and her tribe of gypsies.

00:11:22Man, the word "Catalan" is more serious than a mourning tie.

00:11:24Sings!

00:11:25Don't sing, or we'll see each other in court.

00:11:27Yeah.

00:11:27Come on, do the math and it comes out to ten duros and three pesetas.

00:11:30What should I do, Mr. Foreman?

00:11:31But what do you want me to say, Rafael?

00:11:33I sing, I don't sing.

00:11:34Let go, hooting.

00:11:35I close my mouth, I do it.

00:11:36Shut up already.

00:11:38Take a fat bitch and throw it in her face.

00:11:40But wait until I leave because I don't want any responsibilities.

00:11:43Yes, yes.

00:11:44The boys don't know me, and maybe because I'm Catalan

00:11:47They imagine I'm not going to give them the fifteen hundred pesetas.

00:11:50They'll gradually gain confidence in you, Don Capatá.

00:11:52Ah, sure.

00:11:53If you could see my sock factory in Terrassa.

00:11:56That place is paradise.

00:11:57Every Saturday after wages are paid

00:11:59I meet with my workers to play tute.

00:12:01And I always, always get back a few coins.

00:12:06Do you hear the fraternization?

00:12:08Yeah.

00:12:09In a week we'll be playing tute.

00:12:11Water and clothes to drink.

00:12:15Oh, in a new little jug.

00:12:18Okay.

00:12:19Good, Rafael.

00:12:21I didn't find any thrushes.

00:12:24Ole!

00:12:24That's talent!

00:12:25As fresh as the first one.

00:12:30A lot.

00:12:30It's your turn to show it.

00:12:37Thank you, Isabel.

00:12:38Ole!

00:12:39Yes sir!

00:12:40There dawn breaks, the voice is glorifying!

00:12:56Wow! What a powerful and stamina you have!

00:12:59There won't be a collapse today, right?

00:13:00Don't worry, Mr. President.

00:13:02I personally oversaw the construction of these timbers and I vouch for...

00:13:05Ah, that puts my mind at ease! Silence!

00:13:10Miner, you lost! Miner, you...

00:13:20Oh, this is falling down!

00:13:24Mother tongue!

00:13:25You wouldn't leave!

00:13:26You wouldn't leave!

00:13:27You wouldn't leave, black women!

00:13:28They're going to break the bottle again, hurray!

00:13:30Oh, my tongue!

00:13:31The catastrophe has made us care about the exit.

00:13:33Be lost, the acoustic rumble.

00:13:35Didn't you want to fraternize with the miners?

00:13:37Well, now he's going to have no other choice.

00:13:39Do you think they'll arrive in time to save us?

00:13:40Because I like the Andalusian land.

00:13:42But I have a family plot in Tarras and it's not something I'm going to lose.

00:13:45We must remain calm, Don Prospero.

00:13:47Some have taken up to a week to succumb.

00:13:49And in that time, who knows?

00:13:50A week?

00:13:51Succumb?

00:13:52Are you offering me encouragement or condolences?

00:13:55And these poor people, what an example of serenity they are giving us.

00:13:59With what courage do they face death?

00:14:00Look, look.

00:14:01He's peeling a banana.

00:14:03From the Canary Islands!

00:14:03Ah, yes, sir.

00:14:04He was scratching his head.

00:14:06Because it itches me, Don Prospero.

00:14:07And this poor madman.

00:14:08There it is, look at it.

00:14:10Putting on his beret as if he were going home.

00:14:13Say?

00:14:14Anyway, I've promised you fifteen hundred pesetas to be divided among everyone.

00:14:17But right now, who's thinking about making savings?

00:14:20There go two thousand, Mr. Singer.

00:14:22Well, thank you very much, Mr. Prospero.

00:14:23In the name of everything.

00:14:23And may God preserve his mine and his raincoat for many years.

00:14:26Eh, many years, Filmeu.

00:14:28But do you think, do you think, that we're going to get out?

00:14:31Yes sir.

00:14:32We're leaving as soon as the foreman gives the three warnings.

00:14:36But how are you going to get out of here, you wretches?

00:14:38Well, first by moving the right foot and then the left.

00:14:40Or both at the same time and in reverse, you know, Don Prospero?

00:14:42But can't you see that he's covered his mouth?

00:14:43But that other one is open.

00:14:45Ah, so we're not buried.

00:14:46There is another way out.

00:14:47Yes sir.

00:14:47And you can leave on level ground.

00:14:49It doesn't surprise me that there's another way out.

00:14:51Because when I draw up plans, I always make sure to cover all the

00:14:55contingencies.

00:14:55You will have covered all contingencies.

00:14:58But I'm going to fill the vacancy as director of this mine.

00:15:00What does it say?

00:15:00Because I wouldn't forgive even my father for giving me a fright like the one he just gave me.

00:15:04Because there are so many tunnels in the mine, and because they are all tube-shaped,

00:15:07And so black, indeed...

00:15:08As bleak as their future in this company if it's not a wick.

00:15:11Yes, sir, yes.

00:15:12Listen to me, everyone, listen to me for a moment.

00:15:14To celebrate our bumpy, though happy, knowledge, there will be a party at the mine tomorrow.

00:15:21Hey, recoverable, huh?

00:15:24That's all for today's work.

00:15:26Everyone to the surface.

00:15:27And a little song along the way wouldn't hurt, would it, young man?

00:15:31I am a miner, and my heart trembled with pick and drill.

00:15:38I am a miner, and with cane, wine and rum I take away my sorrows.

00:15:45I'm a canyoner because nothing scares me, and all I want is the sound of...

00:15:58A taranta.

00:16:06Thank you!

00:16:08Thank you!

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00:17:07Thank you!

00:17:08Marro pa' cantar, mientras garbidio, que al compro del marro, quiero repetir a la mundo

00:17:21whole, God, I am a miner.

00:17:26Hello.

00:17:27Well, I have two thousand pesetas here that are for everything and we have to share them.

00:17:31Share them if they're yours, man.

00:17:32You earned them by singing.

00:17:34Besides, you need them more than anyone else.

00:17:36That has nothing to do with it.

00:17:37Come on, how much are we playing?

00:17:39Well, to a small enough amount of money so that nobody gets out of trouble.

00:17:42That's the truth.

00:17:43And look at how things are.

00:17:44If those two thousand pesetas were for just one person, they'd put him at home.

00:17:47Jale, Rafael, buy us a round of red wine and you can keep the orchard.

00:17:51Nothing of the sort.

00:17:52These pesetas are for everything and they have to be for everything.

00:17:55Well, I have an idea.

00:17:57Let her go already.

00:17:58We're going to raffle off two thousand calla lilies.

00:18:00What do you think, Rafael?

00:18:00That's better.

00:18:02And whoever it is, all the money for that.

00:18:04OK?

00:18:04Well said.

00:18:05I have a notebook here.

00:18:07Come on, get your cap ready and you can start folding the ballots.

00:18:10The one who won them has the floor.

00:18:12What number do you want, Rafael?

00:18:13Any.

00:18:13The thirteenth itself.

00:18:14The thirteen says.

00:18:15What does it matter if I'm not going to get it?

00:18:17With that little number you've come up with, you can already start calling pesetas God.

00:18:21And so he says.

00:18:22Now it's my turn.

00:18:24The twenty-second.

00:18:25This number always brings me luck.

00:18:26That day I got married.

00:18:27That day my mother-in-law was born.

00:18:30Take.

00:18:30You take it.

00:18:32Hurry.

00:18:33Hey you, what's up?

00:18:34That?

00:18:35No problem, I understand.

00:18:36What a spectacular show you've put on.

00:18:39I want number thirty-two.

00:18:41Well, look how nicely I'm making it for you.

00:18:44Thirty-two.

00:18:45Hey?

00:18:46Ole!

00:18:47I'd never seen it drawn like this before.

00:18:49But okay.

00:18:50Come on, which one do you want?

00:18:51Well, I don't know which one to choose.

00:18:53The first one is already there.

00:18:54Number one has already been written.

00:18:56Put a password on the back so I know it's mine.

00:18:58Hey Manuel, I want number fifteen.

00:19:00The one and the five, which together make almost half a dozen.

00:19:03It's your turn, are you sure?

00:19:04Manuel, I want number thirty.

00:19:05Give me number sixteen.

00:19:06No, fourteen.

00:19:07No, fourteen.

00:19:08Ande, twenty-one.

00:19:09The four.

00:19:11Inside the cap are all the numbers you have chosen.

00:19:13Now all that's left is for an innocent hand to draw the lucky ticket.

00:19:17Hey, innocence.

00:19:18What's happening?

00:19:18Come here.

00:19:19You, who have such a good touch, grab a slip of paper from the cap.

00:19:22Take my number and I'll give you some stockings.

00:19:24You know what?

00:19:25Before, I didn't want the two thousand pesetas, and now I'm longing for them to be given to me.

00:19:29That was enough for two months of medicine.

00:19:30Come on, stop looking and make up your mind already.

00:19:33This.

00:19:33This one right here.

00:19:34This is lucky.

00:19:36Osu, which hand do I have?

00:19:37The thirteenth.

00:19:38Yours, Rafael!

00:19:39Wow, what a guy, lucky him.

00:19:41Don't joke around.

00:19:42It's not possible that my number came out.

00:19:44Look, see.

00:19:45One and one three.

00:19:46It seems unbelievable, but it's thirteen.

00:19:47And then they talk about what the black woman brings.

00:19:50Hey, it's true that it's the thirteenth.

00:19:52Then the two thousand calla lilies are for me.

00:19:54Clear.

00:19:54Yes, man.

00:19:55Well, I'm sorry it happened to me because it didn't happen to you.

00:19:58But I can't contain my joy.

00:19:59Hey, well, pour wine for everyone, because tomorrow we'll settle accounts.

00:20:02Okay, Rafael.

00:20:02I'm flying home.

00:20:04No, no, no, no.

00:20:05Take advantage of my money.

00:20:07In other words, strong.

00:20:08Sure!

00:20:10Goodbye everyone!

00:20:12Listen to me for a moment.

00:20:14As I previously saw, there was unanimity in Cardinero taking it to Rafael,

00:20:17Well, I've cheated like a pro.

00:20:20OK.

00:20:20And only one number is entered in the raffle.

00:20:23The number thirteen.

00:20:24I know.

00:20:24Do you have anything to add?

00:20:25Nothing.

00:20:26I approve of the cheating.

00:20:27Well, I have no reason to give up what is mine.

00:20:29Tonight I'm going to Rafael's house and asking him to give me my share.

00:20:32You don't need to go to his house.

00:20:34Here's your money.

00:20:37Come on, come here.

00:20:37Come, I'm going to give you what you deserve.

00:20:40Okay, you might get a tip.

00:20:41Well, for ten euros I'm not going to bother going from here to there.

00:20:47Good evening, Mrs. Antonia.

00:20:49I'm here to pay you for the shoes I bought last month for my boyfriend.

00:20:51And you'll also make me a package with half a pound of candy.

00:20:55And this doll.

00:20:56And that one too.

00:20:56And that ball.

00:20:57Yes, man, I'll give you everything.

00:20:59And what's that handkerchief worth?

00:21:00Which one does it say?

00:21:01This?

00:21:01Yes, that one.

00:21:02It's very nice, but it's very expensive, Rafael.

00:21:04They are worth less than thirty pesetas.

00:21:06Thirty pesetas?

00:21:07So what if it's paella?

00:21:09Wow, your wife is going to be so happy.

00:21:11That's what I want, to help her be happy.

00:21:13Her happiness comes at a considerable cost to her.

00:21:15It's been so long since I've seen you, Rafael!

00:21:17Well, here I am, ready to leave the store without any stock.

00:21:19Are you going to give me half a kilo of suckling lamb chops?

00:21:23But make sure it's tender, just the way she likes them.

00:21:24Okay, Rafael.

00:21:25Hey, and cut me half a quarter of this ham, it looks good.

00:21:28Look, what's going on?

00:21:30Is it someone's saint's day you're celebrating today?

00:21:32Yes sir.

00:21:33San, san, san raffle two thousand pesetas and they have won a servío.

00:21:36Durrete?

00:21:37Look what a ball and what a rattle I've brought you.

00:21:40Do you see it, Maria?

00:21:41It's worth spending a few pesetas just to see them this happy.

00:21:44It's true.

00:21:45We have to thank God for the luck you had in that raffle.

00:21:48Look, you can buy yourself something too.

00:21:51Both of your shirts are heavily patched.

00:21:53And I want to see you on Sundays as well dressed as your colleagues.

00:21:56And what do I care about patches if I know that the kindest and most beautiful girl in the world loves me, even if I have no shirt to wear?

00:22:02But if you wore one of those new plaid shirts, the girl you're talking about would like you even more.

00:22:07Olé!

00:22:08Yes, that's possible, Rafael.

00:22:10So don't speak ill of it.

00:22:11You'll see me all meticulously organized on Sunday.

00:22:13But on the condition that you also debut something.

00:22:15Me, be the first to use it?

00:22:17So that?

00:22:18Let's see.

00:22:19Close your eyes.

00:22:19I've already closed them, Rafael.

00:22:21Look at the scarf I bought you.

00:22:22It's very nice, Rafael, but I don't know why you brought it to me.

00:22:27Why are you putting it on?

00:22:28If only I could accompany you there.

00:22:31So if you can't show it off in town, what does it matter?

00:22:33You'll wear it just for me.

00:22:35Hey, Maria.

00:22:37You like him so much.

00:22:38As if it had been custom-made for you.

00:22:41Look at yourself in the mirror and you'll see I'm not exaggerating.

00:22:43You're not exaggerating, and you're Andalusian.

00:22:45The way you look at me with your eyes and the affection you feel for me,

00:22:49that make you see things differently than they are.

00:22:51What are you talking about, little girl?

00:22:52Do you know what I'm thinking?

00:22:54If I met you again now, I would marry you again.

00:22:57You would have been better off never getting married, Rafael.

00:22:59But what are you saying, when all the joy of my life is in you and in those children you have given me?

00:23:04That God has chosen to send you the misfortune of being unable to help yourself.

00:23:07In return, He has also given us the happiness of loving each other more than anyone else.

00:23:10That's true, Rafael.

00:23:12And I give thanks to God every day.

00:23:13Cinero, cook, light the fire well and carefully prepare a rice dish with the little bug.

00:23:22Cook, cook, seize the opportunity because the future is very dark, because the future is very dark.

00:23:29Working with coal, cooking, I've got a knack for it that's unmatched in Spain, no better stew.

00:23:43And with grace I prepare on the spot a good condiment that is superior.

00:23:48Without thinking, I suddenly cooked myself some rice with noodles, because the most decisive man, because the most decisive man.

00:24:06I seem to be leaving it at that.

00:24:11Cook, cook, light the fire well and carefully prepare a rice with noodles.

00:24:18With a bug.

00:24:20Cook, cook, seize the opportunity.

00:24:25The future is very dark, the future is very dark.

00:24:45Working in the coal mines.

00:24:47You're as good as gold, Rafael.

00:24:50Others, if they had to do what you do, would spend the day cursing their luck and complaining.

00:24:55But you, you even have the energy to sing.

00:24:58You know what?

00:24:58That?

00:24:59Now that we have money, I'm going to ask for two days off.

00:25:03Two days for what?

00:25:04I want to take you to Seville so you can see the best doctor.

00:25:07You'd be better off spending that money on useful things.

00:25:09You know perfectly well that my condition is incurable.

00:25:12Well, I never lose hope of seeing you like before.

00:25:14Busy about and running after the little ones.

00:25:18And taking care of myself and your things.

00:25:21God willing, Rafael.

00:25:23And he must want to because I spend all day telling him about all the miracles he does.

00:25:29Why don't you remember her?

00:25:31Yes, Rafael.

00:25:32I too want to believe that this pain will end someday.

00:25:35Every day, when it's time for you to go home from work,

00:25:38I make an effort to get up and go out to wait for you.

00:25:42Silly.

00:25:42Because if the chair where I spend my life had chains,

00:25:46I wouldn't hold on any tighter.

00:25:49Well, I refuse to see you like this.

00:25:51Even if the most famous doctor in Seville told me there was nothing to be done,

00:25:55I would still trust him because that doctor knows a lot about medicine.

00:25:59But he doesn't know a word of what God intends to do with us.

00:26:02Good day, Tinguintos.

00:26:04Good morning.

00:26:05No, no.

00:26:06These gentlemen have left something for me to have for breakfast.

00:26:08Of course, Don Prospero.

00:26:09You can ask for whatever you want.

00:26:10Since I have a good appetite today, give me the same as my dear advisors.

00:26:14Because they know how to take excellent care of themselves.

00:26:16That?

00:26:16Any news?

00:26:17Everything is underway.

00:26:18Very good.

00:26:18I have already officially informed the factory staff that tomorrow will be a holiday.

00:26:22Recoverable, huh?

00:26:23And what about the snack for the workers?

00:26:24She is also prepared.

00:26:26We'll give it to her in the garage.

00:26:27OK.

00:26:27And let there be no shortage of wine, ham, or cheese.

00:26:29Don't worry about the menu, Don Prospero, we've put it together ourselves.

00:26:33For the workers, what you have said applies.

00:26:35And the same applies to the board members.

00:26:37And also, some brownish pickled ones.

00:26:39I am very grateful for your spirit of collaboration and sacrifice,

00:26:42But with me, they've been fulfilled.

00:26:44They have traveled, they have answered yes to everything I have said,

00:26:46They have collected their allowances and have driven up the price of food products at midday in Spain.

00:26:52Their mission as advisors has ended.

00:26:55Enjoy your meal and go to Barcelona.

00:26:57Long live Don Prospero!

00:26:58Viva!

00:26:59Long live Plaza de Cataluña!

00:27:01Viva!

00:27:02Long live Artividabo!

00:27:03Viva!

00:27:04Thank you, thank you very much.

00:27:06But, listen, Mr. Technical Director.

00:27:08Uh, tell me.

00:27:08Look, these displays of affection really touch me.

00:27:11Yes sir.

00:27:11But with a little bit of folklore, he'd be better paid.

00:27:13Yes sir.

00:27:14So, where's that boy who sang yesterday?

00:27:15I don't see him around here.

00:27:17And yet, knowing his interest in hearing him sing,

00:27:19I have sent him a notice with the office messenger.

00:27:21Knowing my interest, you should have gone to his house in person.

00:27:24and bring it to me holding it by the lapel.

00:27:25But then his colleagues explained it to me.

00:27:28who only leaves his house to go to work.

00:27:30What do you bet I'll go get him and bring him back?

00:27:32No, for God's sake, Don Prospero.

00:27:33If necessary, I'll go.

00:27:34You?

00:27:35You go to the sea and find no water.

00:27:36With your permission.

00:27:37Hello.

00:27:38Go ahead, Don Prospero, good afternoon.

00:27:39You'll forgive us for invading your house, huh.

00:27:41My house is yours for whatever you'd like to command.

00:27:43Did you want something?

00:27:44Send me.

00:27:44Yes, look, Rafael.

00:27:45I am a big enthusiast of infant hygiene.

00:27:48But, ma'am, how about you soak the little creature?

00:27:51And would you like to come with us to the party?

00:27:53There are her husband's colleagues.

00:27:55He's the only one missing.

00:27:57Go on, Rafael.

00:27:58Finish it however you want and leave with this, gentlemen.

00:28:00Immediately.

00:28:00And why don't you finish it yourself?

00:28:01Don Próspero is in a hurry.

00:28:03And taking care of the children is not the husband's obligation.

00:28:05You're a bit silly.

00:28:07Sorry.

00:28:08I did not know.

00:28:09Didn't you know anything about this wheelchair?

00:28:11from which the wife of one of our miners cannot rise?

00:28:14Excuse me, Mr. Prospero, but there are more than 200 workers in the mine.

00:28:16And I have no obligation to know what happens in everyone's home.

00:28:20You are absolutely right, Mr. Technical Director and Head of Personnel.

00:28:24In the contract you have signed with the company

00:28:26That obligation is not listed.

00:28:28But if you probe a little into the conscience

00:28:31You will see that it is indeed written there, and in large, clear letters.

00:28:33So, if you order it, from now on

00:28:35I will keep a file with the family history of each employee.

00:28:39Ascoltino, and I have never needed a filing system in my factory in Terrassa.

00:28:42to find out if he/she has had measles or erysipelas

00:28:45the little boy of the factory worker who sticks the labels.

00:28:48Hey?

00:28:49Well, we all know that the president is an exemplary employer.

00:28:53Neither exemplary nor truncheons.

00:28:54The thing is, the day I asked that employee about her baby's health,

00:28:58That day, 150 more labels are affixed.

00:29:01Great.

00:29:01Hey Maca, do you want to bring the towel so I can dry the baby?

00:29:04Go on, yes, give him the towel, Mr. Prospero.

00:29:05And don't get the creature so wet, it'll shrink!

00:29:07as happens to the socks in my factory.

00:29:10Come on, carry the baby.

00:29:11Yes, yes.

00:29:11Come on.

00:29:12Here it goes.

00:29:14I just had an idea.

00:29:16Since my car is parked outside,

00:29:18They're coming to the party with you, the boys, and your wife.

00:29:21Thank you so much, Don Prospero.

00:29:23But I know that all this doesn't do it

00:29:24so that Rafael can extract one more kilo of coal than he extracts each day.

00:29:27He won't do it with that intention,

00:29:29But tomorrow, in honor of Don Prospero, I'm going to start chopping.

00:29:31and I leave the mine without coal.

00:29:32Hey?

00:29:33What did I tell you, Mr. Technical Director and Head of Personnel?

00:29:36Uh, yes, sir, yes.

00:29:37Oh, how many drill holes are there now?

00:29:58In the dark gallery

00:30:01that in the clear and serene gaze of your eyes, my life,

00:30:10Relieve me, companion, for the moon is peeking out.

00:30:14Oh, the moon is peeking out at you

00:30:34over the horizon

00:30:36Oh, you son of a bitch!

00:30:38If I want to be courting you,

00:30:42Oh, ay!

00:30:44They're your teeth.

00:30:46Oh, your little mouth is a cloven!

00:30:51Tell me, tell me, that you love me

00:30:54Otherwise I'll die

00:30:57Otherwise I'll die

00:31:00my little girl of my love

00:31:02They're your teeth.

00:31:04Hey, oh, your little mouth!

00:31:07Hey, oh, your little mouth!

00:31:14Oh, your little mouth is a heart!

00:31:17Oh, oh, your little mouth is a heart!

00:31:18Oh, your little mouth is a heart!

00:31:22They are capable of breaking their necks

00:31:24and break my car

00:31:25Right, ma'am?

00:31:26Hey, you seem very excited

00:31:28It had been so long since I'd heard that song

00:31:30Ever since we were dating

00:31:31He used to hang around my street every night with that singer

00:31:34Here comes her boyfriend singing

00:31:35¡Ale, ole y ole!

00:31:38Hey, I hope you love me!

00:31:41I'm going to find it mine

00:31:43A garden in spring

00:31:46With the most divine flowers

00:31:49They're going to be jealous of me.

00:31:53The graceful nightingales

00:31:55Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

00:32:25Let's go!

00:32:29Alelí, your little mouth is a key!

00:32:33Tell me, tell me, what do you want from me!

00:32:37Otherwise I'll die!

00:32:39Otherwise I'll die!

00:32:42My darling girl!

00:32:45It's your teeth, wallflower, your little mouth!

00:32:50Let's go!

00:32:55A heart!

00:33:01He doesn't have lungs, he has a compressor!

00:33:03Well, now you'll see!

00:33:05Your little mouth!

00:33:25A heart!

00:33:44Even if I hadn't found any other treasure in this mine than her husband's voice, I would be satisfied.

00:33:53Keep the child; he's not mine. I'm going to congratulate your husband.

00:33:56Please, make way, make way for the president!

00:33:58Just a moment, gentlemen, just a moment.

00:34:00I have to tell you that in honor of Rafael, I have decided that today's party will be a proper party.

00:34:05Nothing is recoverable.

00:34:07Formidable!

00:34:08But what a beak you have, my dear little friend.

00:34:10You will allow me to call you from now on not Rafael, but the lark of the mine.

00:34:14Thank you very much, Mr. Prospero.

00:34:15No, thank you not. I'm the one who should be thanking him for his concerts.

00:34:19And since these things cannot be paid for with money because art and money are incompatible,

00:34:24Ask me for whatever you want, it's already been granted to you.

00:34:27Well, you see, Don Prospero, it seems you've read my mind.

00:34:30I was actually going to ask him for two days off today.

00:34:32Do we grant them?

00:34:33The boy deserves it.

00:34:34And what do you know? You can count on him.

00:34:36And excuse my curiosity, but what do you plan to use them for?

00:34:39Well, you see, I wanted to take my wife to Seville to see a doctor.

00:34:43Oh, hold on, Fer.

00:34:44And since I have to go for a stroll tomorrow because I'm a bum, as you say, well, come in my car.

00:34:49I don't know how to thank you.

00:34:50It doesn't matter.

00:34:52We'll split the gas so he can never think I'm giving him a ride out of charity.

00:34:56I'm starting to get impatient, Don Prospero.

00:34:57They've been recognizing her for over an hour.

00:35:00Is this a good or bad sign?

00:35:01Neither good nor bad. They take forever to justify their high fees later.

00:35:06All the gold in the world would not be enough to pay for my joy if they told me that it could be cured.

00:35:11But now I only have fifteen hundred pesetas on me.

00:35:15Will I have enough, Don Prospero?

00:35:16When it comes to payment, you let me deal with him, because if he's a doctor, I'm Catalan.

00:35:21Oh, good morning!

00:35:22I have just thoroughly examined the patient.

00:35:24And you, doctor, will he be cured? Will he ever be well?

00:35:28"Someday," you say? Yes, it's possible. When science has advanced enough to solve problems that are currently unsolvable.

00:35:35And not even by operating on it?

00:35:36There is no known surgical procedure to correct the type of paralysis he suffers from.

00:35:40I understand it's hard for you, but I mustn't deceive you.

00:35:42And you're right. Continuing to live in a fantasy world won't fix anything.

00:35:47So, can you tell me how much I owe you?

00:35:49I have orders not to charge him.

00:35:51So who's going to pay him?

00:35:52I also have orders not to say that.

00:35:54Thank you very much, Don Prospero, because I know I owe this to you.

00:35:57No, no, you don't owe me more than the gasoline, which is 110 pesetas.

00:36:01Oh? And half a liter of engine oil.

00:36:03Yes, sir, yes.

00:36:04Okay, I'll forgive him for the oil. It's not worth it, there isn't any.

00:36:07Well, if nothing has happened.

00:36:10Imagine, Rafael, that we've taken a stroll all the way to Seville and we're already back.

00:36:15Tomorrow will be the same as yesterday and...

00:36:18It won't be the same for you, because I will love you more.

00:36:21I will make sure that there is no woman happier than you in the entire kingdom of Andalusia.

00:36:25Well, Mr. Technical Director, I'm going to take a stroll through my beloved Andalusia.

00:36:30I will arrive in Barcelona on Monday morning.

00:36:32From this date onwards, every other day, he will give me a telephone report of all matters.

00:36:36Don't worry, Mr. Prospero.

00:36:37Try not to ramble so that the conference does not exceed three minutes.

00:36:40In one and a half you will receive a detailed report of all the new developments.

00:36:43And if it's a better one, because if time is money for the phone company, it's money for me too.

00:36:47I think he's dealt with me long enough to figure out how I like things to work.

00:36:52Hey?

00:36:52I think I've grasped his way of feeling and doing business.

00:36:55What can be summarized in this supreme principle of workplace grammar?

00:37:00If you want to make money, befriend the worker.

00:37:03Yes sir.

00:37:04We must treat the staff as they deserve so that they treat us as we deserve.

00:37:07Yes, sir, yes.

00:37:08You know that I have always thought the same as you, Don Prospero.

00:37:10Well, that's not the truth, but try to make it so from now on.

00:37:13I am toying with the idea of founding a recreational cultural center for the leisure of the boys.

00:37:18What do you think?

00:37:19I think it's a worthy idea of yours, Don Prospero.

00:37:21Look, look, less pulling at the jacket and let's get to work.

00:37:23You see, within two months I want a building ready to house the modern facilities of our labor patronage.

00:37:31As an incentive for our miners to frequent the institution, we will set up a recreation room.

00:37:37The seats must be very comfortable so that the next day the staff are rested and can push the wagons hard.

00:37:48And we will also take care of their intellectual development.

00:37:52We will provide a good library for those who are thirsty for culture.

00:37:56The books must be selected, only Castilian classics.

00:38:00Cervantes, Lope de Vega, Jules Verne and Don Santiago Rusiñol, why not?

00:38:05And they will have their gym to put into practice the famous adage mensana incorporesano.

00:38:10Translation: the stronger the boy, the more he uses his beak.

00:38:15Ha ha ha!

00:38:15And continuing with the sports theme, there will be a swimming pool where the workers, by practicing swimming, will regain their natural color.

00:38:25They really need it!

00:38:27And we will organize football matches between young people to promote local youth development in Andalusia.

00:38:33And keep an eye out, if any phenomenal talent emerges, to quickly transfer him to Barcelona.

00:38:37And I have a very special interest in the creation of an Andalusian choral group, which will be the first of its kind.

00:38:46This will put an end to the myth that flamenco singers have to sing in single file, that is, one behind the other.

00:38:52To lead the choir, I have appointed Don Fermín, our religious advisor,

00:38:57Although he was born in Albacete, he learned solfège at the Montserrat choir school, and is therefore a man of every Indian lineage.

00:39:07Thank you!

00:39:37Thank you!

00:39:54Thank you!

00:39:56Have you finished yet? Are you sure?

00:39:58I've finished now, yes sir, but if you'd like, I can start again.

00:40:02No no!

00:40:04You only have to sing when it's your turn.

00:40:06Yes sir, yes.

00:40:08Behold, children of my soul and my heart, the secret of polyphony, or the art of producing a beautiful collective sound effect,

00:40:17It consists of each person singing separately, their voices blending into a harmonious and melodiously pleasing tone.

00:40:25You understand me, right?

00:40:26Yes sir, yes.

00:40:27Let's take a look.

00:40:28One, two, and...

00:40:30No, no, no, no, you haven't understood me.

00:40:33You haven't understood me for five months.

00:40:35If you had to ask for salary increases in unison, you'd still be earning the same as before the invention of the coal for the brazier.

00:40:42This is over.

00:40:42If Don Próspero wants an Andalusian choir, let him hire fifty people from Bilbao and teach them to sing,

00:40:47He is my weapon in the world, I knew...

00:40:49Ah, the choir.

00:40:50Yes sir, I personally monitor their progress.

00:40:54And I assure you that we have achieved a polyphonic ensemble, which is the astonishment of the priest himself.

00:40:58And do you think our choir will be able to compete with others that are more established?

00:41:02Compete and succeed.

00:41:04I am no expert on andantes and quavers, but I assure you that I cannot hear them sing without feeling a shudder of artistic emotion.

00:41:10What? What did you say? That I should prepare a bus on Saturday? Why, Don Prospero?

00:41:17To ship them to Madrid, where the national competition for workers' choirs will be held.

00:41:23In view of your thrill of artistic emotion, I am going to register our choir to claim the five thousand pesetas of the first prize.

00:41:30Understood?

00:41:31Yes, Don Prospero, yes. I'm going to speak with the priest right now.

00:41:35Yes, sir. They won't be going down into the mine all week so they can dedicate the whole day to rehearsals.

00:41:40Don't worry, Mr. Prospero. Yes, Mr. Prospero. Of course not, Mr. Prospero.

00:41:46Of course, Don Prospero. Yes, of course, Don Prospero. Whatever you say, Don Prospero. Goodbye, Don Prospero.

00:41:55What a bore you are, Mr. Prospero.

00:41:57Good morning.

00:41:58Good morning, Mr. Prospero. I mean, good morning, Mr. Fermin.

00:42:01You've arrived at a very opportune time. We urgently need to put the finishing touches on that choir.

00:42:06For my part, I gave them to them last night. And definitively.

00:42:09You can't imagine how relieved I am by this news. Because I just spoke with Don Próspero and he told me that he absolutely must be in Madrid on Saturday.

00:42:16Me in Madrid? And what am I supposed to do in Madrid?

00:42:19Participate in a contest.

00:42:20In a contest of what? Of Lenten sermons or of Latin crosswords?

00:42:24Don't joke around, Father, this is serious. There's a five thousand pesetas prize.

00:42:29Five thousand pesetas? They're ours now. What do we have to do?

00:42:31What a question. Sing.

00:42:32And who is to sing?

00:42:34What do you mean, "who"? Don't you direct a choir?

00:42:36He was in charge, Mr. Technical Director. He was in charge.

00:42:39What did I say?

00:42:39You heard right. I came into this office precisely to submit my resignation.

00:42:44As?

00:42:44Not for one more minute do I want to be complicit in that treacherous crime against harmony that has been brewing in the philharmonic section of our recreational center.

00:42:51For me, solfège, polyphony, and choral bagpipes are over.

00:42:55The baton is broken!

00:42:56No, for God's sake. If you break the baton, Don Próspero, you'll break my spine.

00:43:00So what?

00:43:00But I just informed you that the boys were in such harmony that they sounded like a choir of angels.

00:43:06He's not wrong, he's talking about angels, yes, but about the ones who founded hell with Satan.

00:43:10Well, but if we make an effort, what if you have the boys available all day? Don't you think things could be sorted out by next Saturday?

00:43:17Not from now until next year, nor the glorious one next year.

00:43:19Well, something has to be done.

00:43:20There is only one way left: to talk to Don Prospero and disabuse him of that notion.

00:43:23Well, call him yourself and tell him anything, that you don't know if their vocal cords will be in any condition by Saturday, that you've already told them to go gargle.

00:43:30Well, I can say that about gargling because it's true.

00:43:34Man, consider that if Don Prospero finds out that I've deceived him, he'll kill me in a heartbeat.

00:43:38No, have mercy on me. I beg you on my knees for your father's sake.

00:43:41Yes, because of his mother.

00:43:42Please teach them to sing something, anything, even if it's the hymns of Saint Roch, or twenty clubs, but make them sing.

00:43:50But if they're hopeless, what can I do?

00:43:52You wouldn't say that about Rafael, would you?

00:43:54That guy, all he has on his head is hair, lots of hair.

00:43:57According to Don Próspero, it's the caruso of the coal deposits.

00:44:00Yes, when he sings alone he is an artist, but when he's part of a polyphonic ensemble, all he manages to do is get the others to start singing along.

00:44:06Cheer him on? But that's not what it's about.

00:44:08But they chant at him with exclamations like,

00:44:11Talent! Yes, sir! Blessed be your father! And may he be in the world!

00:44:15I honestly tell you, Don Carlos, that there is no solution to the problem.

00:44:17Well then, Hail Caesar, Morituri salutes you.

00:44:21That Don Próspero would translate into Andalusian as, "Let's prepare to resign!"

00:44:25I've already done it.

00:44:26I am not referring to the position of director of the choir, but to the other one.

00:44:30What? What did you say?

00:44:31The position of technical director of the mine will be vacant, but so will the position of religious advisor.

00:44:37Well, man, but I don't care, I only have one word.

00:44:40And my word is, what time do we have to leave for Madrid on Saturday?

00:44:45Long live the clergy.

00:44:46But don't worry, man, and go in peace.

00:44:48Manuel's wife and the priest's sister have already agreed to take turns so that I won't be alone for a moment, day or night.

00:44:53I know, Maria, but I have no business being in Madrid.

00:44:55Look, Rafael, you've earned a few days off.

00:44:58Okay, but by your side. I've already gotten used to this life and I don't even want to know that another one exists.

00:45:03Hurry, lads! We have to leave immediately.

00:45:05Yes sir.

00:45:06Well, Father, I suppose you'll take advantage of the trip to finish polishing that little act of

00:45:10I wish I were as tall as the moon, which has cost us so much sweat.

00:45:14Don't you think that with a little bit of luck we can aspire to become champions?

00:45:17With that kind of performance, the most we can hope for is to leave the theater without any physical damage.

00:45:22Listen, Rafael hasn't shown up yet.

00:45:24And if he doesn't come, you'll say what we do.

00:45:25Let's see if it turns out he's backed out at the last minute, because you can't leave without him.

00:45:29Go to his house yourself and bring it to me somehow.

00:45:31Look, if Rafael insists on keeping his wife, not even you can get her away from him.

00:45:34Good Lord, those dying people are here again and they greet you.

00:45:37Come with me, Don Carlos, and you too, Maria.

00:45:38No, not you.

00:45:39Yes, yes, I'll go, I'll go to the ecclesiastical authority.

00:45:41Come on, Rafael, hurry up, they'll be waiting impatiently for you.

00:45:43Well, you know what I'm saying, they can wait sitting down because I'm not leaving your side.

00:45:46But, Rafael, if you've already committed, you can't back out.

00:45:49No, I'm not good at singing in a choir, nor can I.

00:45:51To the middle of the garden and home.

00:45:52But what's wrong with your voice, Rafael?

00:45:54Nothing, it just so happens that I've suddenly gotten hoarse and for this ailment there's no other option than to stay in bed for a day.

00:45:58For God's sake, Rafael.

00:46:00Rafael.

00:46:01Rafael.

00:46:01I've lost your bearings.

00:46:03Rafael.

00:46:03But what's with all the shouting, Don Carlos?

00:46:05The bus is waiting for you.

00:46:06Where are you going?

00:46:06Time to get into bed.

00:46:07I feel very unwell.

00:46:08Could it be tonsillitis?

00:46:09Let's hope heaven protects us.

00:46:11It smells like a scam to me.

00:46:12Look what I'm carrying here.

00:46:13Perhaps a strong impression will give him back his voice.

00:46:16No, it's not tonsillitis.

00:46:18I don't know what it is, but no, Pobla.

00:46:19It's impossible.

00:46:20I snore all the way.

00:46:21I will never be able to sing again.

00:46:22Oh!

00:46:24Because!

00:46:24If you sing like that in Madrid, we'll have enough.

00:46:26Walking to the car.

00:46:27Come on, hurry up.

00:46:28I'll take your wife.

00:46:30The fourth national competition for workplace choirs is about to begin.

00:46:35which has captured the attention of all Spanish radio listeners through our large network of stations.

00:46:41Before you, Galicia, represented by the choir of the company Pesquería Reunidas, Sociedad Anónima de Vigo.

00:46:48For these young men who risk their lives daily against the raging waves that crash at the end of the island,

00:46:54I ask for a round of applause as a welcome.

00:46:56Whenever you want, master, go ahead, you rascal.

00:46:58La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la

00:47:28And while the typical Galician airs still resonate, ladies and gentlemen,

00:47:33Here we have the rugged land of Aragon,

00:47:36represented by the choral group of the beet industries of GILOC.

00:47:40Go ahead, maestro! Come on, guys from Zaragoza!

00:47:46It echoes from every round!

00:47:50Come on, guys from Zaragoza!

00:48:20And Turas, the Llobregat, Limited Company,

00:48:30sends us its choir through whose voices

00:48:32The breath of the Catalan land will reach you.

00:48:36Apanoy!

00:48:37Come on, guys from Zaragoza!

00:48:50And the Easter Island provinces now come to this Spanish song tournament

00:49:09with the polyphonic group of the Baracaldo Steel Factory.

00:49:13It's a go-kart, guys!

00:49:15I'm sure these pets are a complete mess compared to you.

00:49:33Come on, lads, we have to raise the banner of Andalusia high!

00:49:36because I know for a fact that the prize is in the pot.

00:49:38Yes, sir, yes, in the boat.

00:49:40Hey, stagehand.

00:49:41What do you want, Father?

00:49:42Here in case of fire.

00:49:44Come on, I mean in case of a catastrophe.

00:49:46Which way can I get out faster?

00:49:48That door is the emergency exit.

00:49:50Ah, may God repay you, my friend!

00:49:51But listen, Mr. Propero, do you think this will make us look good in the wide-brimmed hat?

00:49:56First and foremost, we must preserve Andalusian traditions.

00:49:58Well.

00:49:59Hey, did you radiate this?

00:50:00Yes, son, yes.

00:50:02In a few minutes, five million Spaniards will be making fun of us.

00:50:07Wow, they're really putting their heart and soul into this!

00:50:09Well, it's going to seem like they're calling the night watchman next to what they're going to give you.

00:50:12I'm going to my box to applaud you.

00:50:14Go ahead, lads!

00:50:15Come on, baby.

00:50:17To the electric chair.

00:50:18Yes, sir, yes.

00:50:19Parma by right.

00:50:20Attention, gentlemen, something new.

00:50:23The novelty lies in the participation in this competition of a purely Andalusian choir.

00:50:29These guys from the company La Confianza Carbonífera Sociedad Anónima

00:50:34They come to prove to us that musically Andalusia is more than just a solo of cries,

00:50:39clapping, guitars and footwork.

00:50:41Let's go, damn it!

00:50:42Excuse me, when I'm ready, reverently.

00:50:46Cheer up, my children!

00:50:47I don't get carried away like the moon!

00:50:49Oh, oh!

00:50:50Like the moon, like the moon, as it passes over the Santa Clara bridge.

00:50:57Oh, oh!

00:50:58From Santa Clara.

00:50:59What do you think of their singing?

00:51:01I think they don't do it very well, not really.

00:51:05If I had known they were going to sing that, I would have signed up to go to Madrid too.

00:51:09Woof, woof!

00:51:10Inside the water, inside the water, oh!

00:51:14Oh, oh, oh!

00:51:15But who are these crazy people?

00:51:16I don't have the pleasure of knowing them, on the way to Pibidabo.

00:51:20Oh, oh!

00:51:21Inside the water, inside the water, oh!

00:51:25Oh, oh!

00:51:26Inside the water, oh!

00:51:28Woof, woof!

00:51:28Woof, woof, woof!

00:51:29Woof, woof!

00:51:30Woof, woof, woof!

00:51:31Oh, oh!

00:51:32My God, those who want to follow me, let them follow me, and those who don't, well...

00:51:34Woof, woof, woof!

00:51:36Woof, woof!

00:51:37Woof, woof!

00:51:39Woof, woof!

00:51:42Woof, woof!

00:51:43This shouldn't be stolen from you!

00:51:45What a row!

00:51:46Or you can start it yourself!

00:51:47Or we die in the tube!

00:51:49Wait a minute, gentlemen, they're going solo now!

00:51:52Arranme, arruin!

00:51:53Come on, it's going well, it's going well, it's going well, it's going well.

00:51:54Start it up, it's going well, it's going well, it's going well!

00:51:59Oh, oh, like the moon!

00:51:59Like the...

00:52:29...moon...

00:52:53Excuse me.

00:52:56Cheer up, I'm here now.

00:52:59Cheer up, I'm here now.

00:53:01Hey?

00:53:02But what's going on here?

00:53:04Very good!

00:53:07Are those cheers for real or are they just for tango?

00:53:09And you ask me, that voice is a goldmine.

00:53:11That kid has millions in his throat.

00:53:12Really?

00:53:13He's talking to you, Consuelo Romero.

00:53:15Are you Consuelo Romero, the flamenco dancer?

00:53:16I am.

00:53:17There's so much pleasure!

00:53:18Nice to meet you.

00:53:19Bravo!

00:53:21Ladies and gentlemen, one moment please.

00:53:23As always, it was Andalusia that had to hold the surprise of its genius for us.

00:53:28I am very pleased to join this unanimous plebiscite to ask this young man,

00:53:34To this luminary, who from today shines brightly in the firmament of Spanish song,

00:53:38that she may once again delight us with the treasure of her voice.

00:53:40And what do I sing?

00:53:41Whatever you want, guys.

00:53:42The white dove.

00:53:43That is.

00:53:44May the white dove illuminate you, and may the Holy Spirit guide you.

00:53:46And also, this applause is for good luck.

00:53:48Let's go.

00:53:49The white dove.

00:53:50Boys.

00:53:51A white dove.

00:53:58Cumal.

00:53:59The white dove.

00:54:00Griddle.

00:54:01The white dove.

00:54:02Cumal.

00:54:03That's Dad singing!

00:54:05Is it the dad who sings?

00:54:22Yes, daughter, he is your father.

00:54:24Doesn't it seem like he's with us?

00:54:26Dad, I can hear you.

00:54:27Come here and listen to him.

00:54:28Yes, sir, that's how it's done.

00:54:30Ole!

00:54:31Go for a swim in the river!

00:54:39Oh, what will I do!

00:54:48And at the peak of Aron!

00:54:57It's the peak of Aron!

00:54:59It's the peak of Aron!

00:55:01Lily color, dove!

00:55:05If he's going to bathe you!

00:55:26Ole!

00:55:27She sings so well, doesn't she, Mom?

00:55:28I don't think anyone does it better.

00:55:31Go with him, look!

00:55:39Go with him, look!

00:55:40The color of relationships!

00:55:42It's tearing my soul apart!

00:55:46How do you expect me to sweet-talk you?

00:55:50For getting into a four-year program!

00:55:53That boy can really sing!

00:55:54Let them say it, listen, let them say it, I'm leaving.

00:55:56I want to take part in the apotheosis.

00:55:57Tomorrow I will introduce you to the Nightingale.

00:55:59I want to meet.

00:55:59Good anise.

00:56:00Good anise.

00:56:00It's going to rain!

00:56:00Bye bye!

00:56:01The color of relationships!

00:56:02Horse, careto, thrush, get me out of this sand

00:56:06that the municipal guard is chasing me.

00:56:11The color of relationships!

00:56:12Horse, careto, thrush, get me out of this sand

00:56:16that the municipal guard is chasing me.

00:56:20Oh, what a land!

00:56:22How we sing!

00:56:22What better choir than ours?

00:56:29The five minerals are already in ruins.

00:56:31The color of relationships!

00:56:32The color of relationships!

00:56:43The color of relationships!

00:56:46In the free hands that need to be directed.

00:57:16And in the golden beak, silver wings, the color of the Paloma River, he will bathe you.

00:57:46Come with me!

00:58:16Listen, Mr. Prospero, to be a folk artist there's no other option than to dress like an engineer.

00:58:24And with this noose around his neck...

00:58:25Look, look, Rafael. That saying that clothes don't make the man is a load of rubbish.

00:58:29And you'll see how easy it is to get used to elegance and the good life.

00:58:34You say yes to everything, with pleasure.

00:58:36And if Consuelo Romero offers you her hand, you shake it but without squeezing.

00:58:39Yes, Mr. Prospero.

00:58:40And when you drink coffee, you shouldn't drink what falls onto the saucer.

00:58:43Yes, Don Prospero, I am a miner but I am aware of things.

00:58:46Ah, I know, Rafael, that...

00:58:47Well, Rafael, would you like to go to America?

00:58:50Where does it say?

00:58:51To America.

00:58:52Yeah?

00:58:52As the first male figure in the company I am forming.

00:58:55Me as the first male figure?

00:58:57Man, that's funny.

00:58:59I don't see her.

00:58:59You're joking, right?

00:59:00We are completely serious.

00:59:03Consuelo Romero dancing, you singing, and me as your representative collecting my commission,

00:59:07We're going to rule the world!

00:59:09What do you say to that, Rafael?

00:59:10I'm not saying anything.

00:59:11Oh.

00:59:12What did I think? That you were going to jump for joy?

00:59:14What? And it turns out she makes the same face as if Lupina offered us another lump of sugar.

00:59:18for coffee.

00:59:19The thing is, I like my coffee... I like my coffee with very little sugar.

00:59:22What are you saying?

00:59:23No, nothing.

00:59:24I mean that...

00:59:25That?

00:59:26I don't know what to say.

00:59:26Look, Consuelo, Rafael is an indecisive friend, if you'll pardon the expression, but I know for a fact that he accepts...

00:59:31I love your offer.

00:59:32Excuse me, Don Prospero, but I'm still not decided, all that talk of triumph

00:59:35And the millions are very nice, but I... I can't accept, especially to go to America.

00:59:40Is he afraid of getting seasick?

00:59:43Well, maybe that's it.

00:59:44Oh.

00:59:45But America is very far away and there are things... there are things that I can't take with me.

00:59:50Anyway, I'm very grateful, Doña Consuelo, for wanting to make me famous.

00:59:54You're not the lark of the mine, you're the silly bird. Give up fame, millions,

00:59:59What kind of person would think that?

00:59:59In mine, Don Prospero, but what can we do?

01:00:01But look, Filmeu, would you please explain yourself?

01:00:04Let me explain. Have you forgotten the day you were at my house and saw a woman?

01:00:08seated in a wheelchair.

01:00:10Well, I have a brave artistic representative in you.

01:00:13Rafael is the male figure I needed for my companionship, and you let him...

01:00:17But Consuelo of my soul, if you have borne the entire cost of the conversation,

01:00:20You haven't even let me speak.

01:00:21Well, I'm not giving up.

01:00:23Well, look, if you don't want me to find another representative tomorrow, you're going to the boarding house right now.

01:00:28Where he lives and somehow, he manages to make it so that Rafael and I can meet again.

01:00:33And did she say no, Consuelo Romero?

01:00:34I told him no.

01:00:35Damn it, whatever I'm thinking of saying to you right now, I'm keeping it to myself.

01:00:39because it is not suitable for minors or for reverends.

01:00:42If you're doing it for your wife, haven't you thought how nice it would be to send her the whole week's worth of things?

01:00:45A lot of money so that he could have all the comforts?

01:00:48Clear.

01:00:48Cheap kitchen, five maids...

01:00:50And a foot bath at the door to clean your feet.

01:00:53And an umbrella for when it rains.

01:00:54That is.

01:00:55And each one living on their own.

01:00:57And I can't even wash my little boy or fluff up the mattress so she can sleep like a baby

01:01:01Los Angeles.

01:01:01Yes, we do talk, sir.

01:01:03And you married folks, know this: these days you have to tie your eyes shut with string.

01:01:07so they don't go after that fat maid who scrubs the hallway.

01:01:10Oh, Mr. Fermín, all we notice is how fat she is.

01:01:14My duty is to measure the magnitude of the temptations so that I can steer you away from them.

01:01:18And there are even more dangers in the theater life than in the hallway.

01:01:23Look, Rafael, without preaching, I'm going to repeat something you've probably heard many times.

01:01:28The idea that money doesn't buy happiness.

01:01:30And it's true.

01:01:31Who are happy?

01:01:33Those who know how to thank God for what they have, even if it is very little.

01:01:37That's absolutely true.

01:01:38I can tell you I'm already impatient to get on the bus.

01:01:41Finally, when are we leaving? Welcome.

01:01:43In view of the triumph, Don Prospero rewards us with an extra day's stay in Madrid.

01:01:47So, we'll be leaving tomorrow around noon.

01:01:51Good heavens, another day gone by.

01:01:53Hello, please come in.

01:01:54And Rafael? Where is Rafael?

01:01:55Which Rafael?

01:01:56The one who sings, the winner of last night. The one who hasn't had a haircut in so long.

01:01:59Okay, it's in there.

01:02:00Thanks, uh.

01:02:01Rafael, thank goodness I found you.

01:02:03Good morning, Mr. Hipólito.

01:02:04Good morning.

01:02:05Listen to the news, Rafael.

01:02:07Tonight you're going to sing on the radio.

01:02:08And on none other than the show "Date with the Stars."

01:02:11What do you think?

01:02:12This is not going to the Americas.

01:02:13You're not going to tell me you don't feel like it.

01:02:16Well, the idea of singing in front of a microphone just doesn't sit right with me.

01:02:18It's different from the other thing.

01:02:20Cheer up, Rafael.

01:02:20Yes?

01:02:21You send a telegram home and you can imagine the joy they'll feel in the village when they hear you again.

01:02:26Well, it's true.

01:02:27And what time do we go on the radio?

01:02:28I'll be here at nine o'clock to pick her up.

01:02:30And half an hour later you have all of Spain with their mouths open listening to you sing.

01:02:34Okay, I'm coming!

01:02:35How funny!

01:02:36Okay, I'm coming!

01:02:37Let it be seen, let it be seen!

01:02:38And tell us, Rafael Vera, what song will you be performing for our dear radio listeners and the audience gathered in this room?

01:02:45Well, you see, the thing is, I...

01:02:47What time is it?

01:02:48Nine thirty sharp.

01:02:49Why do you ask?

01:02:50Because I know that there are many children who are wondering if I fall asleep or not, and surely a lullaby song at this moment would be a good help to the mother.

01:02:57You will see that Rafael Vera, in addition to having a golden voice, also has a heart of the same quality.

01:03:02Go ahead, teacher.

01:03:05I'm sure that what Rafael said about some children and a mother is because he's thinking of you.

01:03:09How much does he love you, Maria?

01:03:11Yeah.

01:03:12I must thank God that Rafael's love is stronger than all our misfortune.

01:03:16Hey, Merche, and you, little worker.

01:03:19Let's see if you recognize the voice you're about to hear and fall asleep like every day.

01:03:22My child has a cradle of folk songs, with the white sheet of my love.

01:03:45Around the cradle I'll add candles and even the rainbow daylight so that he can fall asleep.

01:04:01The cradle of folk songs has my affection, with the white sheet of my affection.

01:04:31How much do you think the user wakes up?

01:04:34Oh, what dreams!

01:04:39Maria, Rafael's lullaby has had its effect.

01:04:49Yes, like every night too, teacher.

01:04:52Oh, what dreams!

01:04:54That wakes up

01:04:57Alright, I've already fallen asleep!

01:05:04Long live trust, little snail!

01:05:05Long live trust, little snail!

01:05:07Long live trust, little snail!

01:05:10Long live trust, little snail!

01:05:11That wonderful voice is like a master key

01:05:14to throw wide open the donated doors of fame.

01:05:17And speaking of fame,

01:05:18A date with the stars,

01:05:20He offers them a magnificent surprise.

01:05:22Unexpectedly, he has made an appearance in our studios

01:05:25the biggest star of Spanish dance,

01:05:27Consuelo Romero!

01:05:29Bravo, bravo, bravo!

01:05:33And taking advantage of this dysfunction,

01:05:35We won't let her get away without her answering one question first.

01:05:38Let's see, Consuelo,

01:05:39To what do we owe the honor of your visit?

01:05:41It's very simple.

01:05:43I have come to listen to Rafael B.

01:05:44Ah, that's great!

01:05:45Hey, isn't your interest related to training?

01:05:47from a company with a view to your tour of America?

01:05:50Well, I can't deny that I would like to be able to convince him

01:05:52so that it could be part of my show.

01:05:55That's done!

01:05:56We are sure that Rafael Vera will accept.

01:05:58Because, gentlemen,

01:05:59Never before in Andalusian art has such a sensational couple been admired

01:06:02such as the one that Consuelo Romero can form

01:06:04and Rafael Vera,

01:06:06this new value that in 24 hours

01:06:07has climbed to the top of Java.

01:06:09Turn off the radio, Maripi.

01:06:10But, Maria, if still...

01:06:11It's better to turn it off.

01:06:15Bravo, lads, bravo!

01:06:18Well, Rafael, I suppose you weren't bothered.

01:06:20because of what the gentleman spoke about you, about me, as a couple.

01:06:23He is not obligated to know what we said or discussed in my house.

01:06:26Why would it bother me?

01:06:27What I truly feel is that this cannot be.

01:06:29But, as I already told you...

01:06:30There's no need to repeat it or give me any further explanations.

01:06:33Each person is free to do their own holy will.

01:06:36Well, Rafael, until next time we meet.

01:06:39And I sincerely wish you success,

01:06:42even if it's not by my side.

01:06:43Shall we go, Don Hipólito?

01:06:44Wait a minute, wait a minute, Consuelito.

01:06:46The goodbyes will come later,

01:06:47after we've had dinner together,

01:06:49including our dear friend, the announcer.

01:06:51Man, I'm hungry!

01:06:53To celebrate the birth of our friendship.

01:06:55My friend is treating, okay?

01:06:56I am very grateful,

01:06:57But my colleagues will be waiting for my pension.

01:06:59That can be fixed with a phone call, man.

01:07:01No, for God's sake.

01:07:02No, just in case, Rafael.

01:07:03Perhaps he's not comfortable with us.

01:07:06And who knows if we ruined her night?

01:07:08No, not that either.

01:07:09Of course, I don't know if I'll know how to behave around you.

01:07:12Rafael, even though we're on the radio,

01:07:14No nonsense allowed.

01:07:16Look, that's settled, the four of us will have dinner.

01:07:18That's it, dinner time!

01:07:19Accept it, Rafael, that's how I had dinner.

01:07:23Well, after a dinner like this,

01:07:25A toast is in order.

01:07:26I raise my glass

01:07:28May everyone present have much success.

01:07:31Well, I personally make a toast,

01:07:32because that couple I rushed into

01:07:34to create in front of the microphone

01:07:35be a reality tomorrow.

01:07:38Exact.

01:07:38Please don't talk about it anymore.

01:07:40Rafael is going to believe that this dinner

01:07:41It's a bribe to finally convince him.

01:07:43Don't worry

01:07:44I'm not thinking about anything else right now.

01:07:46I am very comfortable with those present.

01:07:48Good answer, Rafael.

01:07:49And I said before that I wouldn't know how to behave.

01:07:50Oh, this one next to me and with a little bit of hairstyling

01:07:53within a month

01:07:54I laugh at that Don Petronio guy.

01:07:56Don Hipólito?

01:07:56What's happening?

01:07:57They just called him on the phone

01:07:58And I've been given a message for you.

01:07:59What is it?

01:08:00Their downstairs neighbors

01:08:01They say that apparently

01:08:02You left the bathtub faucet running.

01:08:04and they have to row across the corridor.

01:08:06Alright.

01:08:07What a catastrophe!

01:08:08Absolutely.

01:08:09What a nuisance, my goodness!

01:08:10Please forgive me,

01:08:11but I cannot consent

01:08:12that my neighbors drown.

01:08:13Good night.

01:08:13Goodbye, friend Alcázar.

01:08:14Bye bye.

01:08:14Goodbye, Don Hipólito.

01:08:15Bye bye.

01:08:16Don Hipólito is the most absent-minded man in the world.

01:08:18You can say that again.

01:08:19The tap was left running today.

01:08:21Well, one of these days he'll put the cigarette butt in the bed.

01:08:23And he spends the night knocking over the ashtray.

01:08:26Oh.

01:08:27Thank goodness I see him laughing.

01:08:29Rafael is forbidden,

01:08:29But as soon as shyness sets in

01:08:31and the hair he has left over

01:08:32I'm sure he'll become a man in a good mood.

01:08:34Yes, Mr. Alcázar.

01:08:35What do you want?

01:08:35He gets a call from the radio station.

01:08:37They say the on-duty announcer

01:08:38She has become ill.

01:08:40And while you arrive, it will lay microgroove.

01:08:42What a tragedy!

01:08:43You will forgive me,

01:08:44But a microgroove lasts considerably less than it seems.

01:08:47Good night.

01:08:48See you around.

01:08:49Goodbye, have a good one.

01:08:50Bye bye.

01:08:51Oh.

01:08:52There are only two of us left.

01:08:53Now all that's left is for them to call him from the mine.

01:08:55She gets a kilo of charcoal for it.

01:08:56And here I am, all alone and without company.

01:08:59No, Consuelo.

01:09:00I wasn't going to leave her alone.

01:09:01Thank you.

01:09:02It's starting to seem like it to me

01:09:03that thing about the miners' rudeness

01:09:05It's a tall tale.

01:09:06Very good, kid.

01:09:07You've been phenomenal.

01:09:08Take.

01:09:09Five coins and you split them between the two of you.

01:09:11If you need a recommendation

01:09:12to work in the theater,

01:09:13You just have to ask me.

01:09:14Thank you so much.

01:09:15Dear Alcázar,

01:09:16Everything has gone perfectly.

01:09:17The chance encounter at the radio station...

01:09:19Dinner, our escape,

01:09:20Consuelo Romero has achieved what she wanted.

01:09:21You won't have any complaints about us, will you?

01:09:23Come on.

01:09:23Champagne is only good for toasting.

01:09:25And we've already toasted.

01:09:26Shall we have a whisky?

01:09:27I only know that drink by reputation.

01:09:30But anyway,

01:09:30Tonight I'm trying so many new things

01:09:32I'm going to make up my mind.

01:09:33Great, Rafael.

01:09:34But not.

01:09:34You don't order the whiskeys.

01:09:35Because?

01:09:36Because with the money I'm carrying

01:09:38We can't even afford a soda.

01:09:40Oh, don't worry about that.

01:09:41That everything we have taken and everything we will take

01:09:42They charge it to Don Hipólito's account.

01:09:44Waiter.

01:09:45Tell me, miss.

01:09:45Bring two whiskeys, please.

01:09:46Right away, miss.

01:09:48Well, Rafael.

01:09:49Tell me.

01:09:50How are you doing?

01:09:51Very good.

01:09:51Are you comfortable?

01:09:52I feel superior.

01:09:54If three days ago they had told me

01:09:55that I was going to be in a place like this

01:09:56and accompany one less than Consuelo Romero,

01:09:58I would have thought it was a joke.

01:10:00And now that you're by my side,

01:10:02next to Consuelo Romero,

01:10:04tell me,

01:10:05What do you think, Rafael?

01:10:06It all still seems like my imagination to me.

01:10:08As if I were watching a movie

01:10:10of those in which you are the protagonist.

01:10:11Have you seen any of my films?

01:10:13I don't miss a single one.

01:10:14And how do I do in the movies?

01:10:15Good or bad?

01:10:17Wonderful.

01:10:17Especially when he starts dancing.

01:10:19Well, according to what they say,

01:10:20I'm not bad at love scenes either.

01:10:21It's true.

01:10:22You put so much heat into them

01:10:23that even the ushers melt

01:10:25from the cinema in my town.

01:10:26That's funny.

01:10:28And wouldn't you like to work with me?

01:10:30in one of those movies?

01:10:31Me at the movies?

01:10:31Oh, Susi, it sounds like a joke.

01:10:33Because?

01:10:34Would it be so difficult for you to fall in love with me?

01:10:36Even if it was just pretend?

01:10:38Well, I don't know.

01:10:39But I'm no comedian.

01:10:40and maybe it would spoil the scene.

01:10:42Well, let's give it a try.

01:10:44I am me and you are you.

01:10:46You are a miner who, upon arriving in Madrid

01:10:47She causes a scandal with her voice.

01:10:49I am Consuelo Romero,

01:10:51Why more details?

01:10:52The set is the same.

01:10:54Now the director comes along and says,

01:10:56Comfort,

01:10:57You are in love with Rafael

01:10:58and he has to convince him

01:11:00so that he'll ask you to dance.

01:11:01Yes, the plot is very nice.

01:11:03But I would tell that director,

01:11:05Look at the miners

01:11:05we are very brutish

01:11:06and maybe dancing

01:11:07I stomp on the star

01:11:08and I leave her disabled

01:11:09for one season.

01:11:11But if I broke my foot,

01:11:12Then would come the scene

01:11:13which one would have to take me in

01:11:14carried in my arms at home.

01:11:18Carrying a woman in your arms?

01:11:20Yes, that's right.

01:11:21Oh.

01:11:21Nice scene, isn't it?

01:11:23That scene was going to be a disaster for me.

01:11:27Take a look at this.

01:11:27He's fallen even more asleep

01:11:28when my Manuel returns

01:11:30Saturdays with the smoke.

01:11:31May God repay you.

01:11:31everything you're doing

01:11:32For me, Paquita.

01:11:34What do you say, Maria?

01:11:35It doesn't cost me anything.

01:11:35no work.

01:11:36I know.

01:11:36The girl too

01:11:37He's got a firm grip on the cushion.

01:11:38And there you have it.

01:11:39Not even eleven sweep or you wake her up.

01:11:41I was thinking

01:11:42that it is not necessary

01:11:43that you stay tonight

01:11:44keeping me company.

01:11:46Go home.

01:11:47You've missed many nights there.

01:11:49That's true, Maria.

01:11:50But if you want, I'll stay.

01:11:52That's what I promised Rafael.

01:11:53Kill.

01:11:54That won't be superfluous

01:11:55I'll get used to it.

01:11:56Who knows if from today

01:11:58I'll have to sleep alone.

01:11:59many nights?

01:12:00Why does he say that?

01:12:02Haven't you heard

01:12:02What was the radio saying?

01:12:04Rafael can succeed

01:12:05And he must do it.

01:12:07Because of him

01:12:08and for our children.

01:12:10I have dreamed many times

01:12:11that someday

01:12:12become something more

01:12:13than the children of a miner.

01:12:15And if because of all that

01:12:16I have to pay the price

01:12:17of my loneliness.

01:12:19Blessed be God.

01:12:20And think, Rafael

01:12:24that if you came

01:12:25with me to America

01:12:25we could pass

01:12:26many nights like this.

01:12:28I've opened it for you

01:12:28which is the first time

01:12:28I'm determined to do something

01:12:29and I haven't gotten it.

01:12:30Well, me too.

01:12:31This is the first time

01:12:32I'm saying no.

01:12:32feeling like it

01:12:33to say yes.

01:12:33Ah, well, saying yes is enough.

01:12:34Everything's sorted.

01:12:35But is that you?

01:12:47Good heavens, Rafael.

01:12:49It's clear you don't lose.

01:12:49Time, huh?

01:12:50Well, you see,

01:12:51There were four of us

01:12:51but the tap

01:12:52and the micro-point...

01:12:53Yes, yes,

01:12:53if you don't have to give me

01:12:54explanations.

01:12:55Right, Consuelo?

01:12:56Are explanations unnecessary?

01:12:57OK.

01:12:57We're here to have fun

01:12:59like everyone else.

01:13:00Some like you,

01:13:00others in a family setting

01:13:01like me.

01:13:02Here I present to you

01:13:03to my little niece

01:13:04of...

01:13:05What did you say?

01:13:06What's your name, Macá?

01:13:06And hello, at your service.

01:13:07Oh, that's right,

01:13:09Foolish me.

01:13:10He has so many nieces.

01:13:11It just occurred to me

01:13:12an idea.

01:13:13Since one day is one day,

01:13:14Why don't we put

01:13:15five pesetas each

01:13:16and we drink together

01:13:17a bottle of champagne?

01:13:18The gesture is appreciated.

01:13:19Don Prospero,

01:13:19But I have rehearsals tomorrow.

01:13:20and tonight

01:13:21I want to go to bed early.

01:13:22Ah, well then

01:13:23Let's dance, let's dance.

01:13:24Ah, no to emboliques, no.

01:13:25And you say, life,

01:13:26Is your boyfriend a soccer player?

01:13:28When are you going back to the mine, Rafael?

01:13:30To the mine?

01:13:31Tomorrow at noon.

01:13:32So,

01:13:33Do you think we should take

01:13:33Another drink?

01:13:34The farewell drink.

01:13:35Okay, but where?

01:13:36For example, at my house.

01:13:38Do you think that's wrong?

01:13:39Quite the opposite.

01:13:40If I have mounted

01:13:40in the car with you,

01:13:41It wasn't meant to be.

01:13:42halfway there.

01:13:43The life that can get into

01:13:45in a few hours.

01:13:46It's funny, isn't it, Rafael?

01:13:49Yesterday, if not further back,

01:13:50I didn't even know it existed.

01:13:51Today at four in the afternoon

01:13:52We've spoken here

01:13:53for the first time.

01:13:55And now,

01:13:56when I think that only

01:13:57We have a few hours left

01:13:58past,

01:13:59I wish the watches

01:14:01were to split up at this minute.

01:14:03As far as I'm concerned, their rope has broken.

01:14:05What does that mean?

01:14:06Don't know.

01:14:07These are words that just come out.

01:14:08without thinking.

01:14:10Because tonight

01:14:10I don't want to think about anything.

01:14:12I just want to know

01:14:13that I am by your side.

01:14:14Thanks, man.

01:14:15There is a cup that says

01:14:16Two sails make a boat.

01:14:18Good.

01:14:18Two waves make the sea.

01:14:20Olé.

01:14:20The two of them alone in the world

01:14:21And everything else is superfluous, right?

01:14:23The cup is beautiful.

01:14:25But prettier

01:14:25I would be singing for you.

01:14:27For me?

01:14:27Go on, start now.

01:14:29What if you leave tomorrow?

01:14:30I want you to leave me

01:14:31the memory of a song.

01:14:32Should I start singing?

01:14:33at this hour?

01:14:34Oh,

01:14:35It would be necessary to know

01:14:36the opinion of the neighbors.

01:14:38This house is like the world

01:14:39What does your glass say?

01:14:40It's just you and me.

01:14:42Well, here goes.

01:14:43And sing in a low voice

01:14:44just for you.

01:14:45Bring that drink, Rafael.

01:14:46Two sails make a boat.

01:14:53Two waves make the sea.

01:14:59The two of them alone in the world

01:15:03and everything else is superfluous.

01:15:16Good, Rafael, good.

01:15:17If moonlight crosses the path

01:15:21between darkness and night and day.

01:15:30But I have plenty of moon and morning star

01:15:36And I don't lack your company.

01:15:43We walk alone on the path

01:15:49that our sign has already marked us.

01:15:55You, pilgrim, I, pilgrim

01:15:59and in an I love you

01:16:03three only two.

01:16:12Two sails make a boat.

01:16:17Two waves make the sea.

01:16:23The two of them alone are the world

01:16:26and everything else is superfluous.

01:16:36I want you to live with me

01:16:40forever together to give

01:16:46even if I suffer the punishment

01:16:51that condemns me

01:16:59that condemns me

01:17:03that condemns me

01:17:05with that voice

01:17:07and a little more than his height

01:17:08in the gestures

01:17:09I put you in the boat

01:17:10to your America.

01:17:12Forever together, the two of us

01:17:15even if I suffer the punishment

01:17:21that condemns me

01:17:27Okay, aunt.

01:17:30Don't cry anymore

01:17:57If your father were here

01:17:59But it's not there, you know?

01:18:01It's not there

01:18:02Me too...

01:18:03I can't

01:18:04Can't

01:18:05Rafael!

01:18:08Rafael!

01:18:11Yes sir

01:18:12I'll be in your office at two o'clock sharp, Don Hipólito.

01:18:14Hurry up!

01:18:15Don't worry, I won't miss it.

01:18:17I hope so

01:18:18Oh, and many fond memories of Consuelo Romero

01:18:21He kept me on the phone for half an hour talking about you.

01:18:24It seems that Rafael Vera is interested in more than just his voice.

01:18:28Goodbye, winner!

01:18:30Goodbye, Don Hipólito

01:18:31Listen, you little rascal, now that the priest's gone, I'm going to tell you that...

01:18:35Leave the fat one alone

01:18:37Guapasa

01:18:38Come on, hurry up, we have to be on the road at twelve o'clock sharp

01:18:41Where is Rafael?

01:18:42Will it be in his room?

01:18:43In the suit of lights, for sure

01:18:44Have you packed your suitcase yet, Rafael?

01:18:49Hey, not the suitcase, sir.

01:18:50What are you waiting for? We're leaving in half an hour.

01:18:52Not me, Don Fermín, I'm staying in Madrid

01:18:54Ah, okay.

01:18:55You are free to leave, to stay, and even to start jumping rope in the middle of Puerta del Sol.

01:19:00Do you want anything for your wife?

01:19:04For my wife?

01:19:05Well yes

01:19:06Tell him I'll make a getaway as soon as I can, right?

01:19:09And explain everything to him.

01:19:10You can also tell him that from now on he will lack nothing.

01:19:14And from tomorrow onwards, he should look for any woman in the village to keep him company.

01:19:18Alright

01:19:19Anything else?

01:19:21Yes, don't worry about money.

01:19:23I'm getting an advance today.

01:19:25And tomorrow, tomorrow I'll send him a money order.

01:19:27What else?

01:19:28Well, that's it

01:19:29That for her and for my children all the calamities and miseries have ended

01:19:32Nothing else?

01:19:33What else can I tell you, Don Fermín?

01:19:35She'll have everything she wants

01:19:37Oh, wow.

01:19:37And do you think that without you being by her side she's going to have everything she needs?

01:19:42And what more could he want?

01:19:43It's impossible for me to take her with me from here to there

01:19:46And for her sake and for our children's sake, I must never give up what she offers me.

01:19:49As if I were also tied to a wheelchair

01:19:52Okay, don't get worked up.

01:19:54Reason defends itself calmly

01:19:56Maria is very good, a saint.

01:19:59And I'm sure he'll know how to sacrifice himself so that you don't live as well as an invalid.

01:20:03Good, Rafael, good

01:20:04We're going back there again.

01:20:06Let's continue our usual routine.

01:20:08It's their mine, I'm my church

01:20:11A dark and small life that you have lived happily day after day.

01:20:14May God grant that your spirit guides you on the path you now choose.

01:20:18Find the same peace you had when you were washing up your boys.

01:20:20Or were you preparing the bed for her to sleep in?

01:20:27Goodbye, Rafael

01:20:28Goodbye, Don Fermín

01:20:30Oh, I almost forgot

01:20:33Since you're going to change your life

01:20:35Please

01:20:36Get a haircut

01:20:37Excuse me, please

01:20:44What do you want, miss?

01:20:45Could you help me up that little step there at the entrance of the church?

01:20:48It's very short, but I can't lift it by myself.

01:20:50Yes, of course.

01:20:51Sorry for the inconvenience

01:20:52But what would become of the disabled if there were no charitable souls?

01:20:56Well, we're at the church now and we've overcome that little hurdle.

01:20:58Don't bother anymore, I can continue now.

01:21:01No, it's not difficult for me at all.

01:21:02Here, leave me right here

01:21:04As you wish

01:21:05Bye

01:21:06And thank you very much.

01:21:08Thank you so much, Daisy

01:21:09Who knows if it's me who should be thanking you?

01:21:12Me?

01:21:12Or to Providence

01:21:13For putting her in my path

01:21:15That?

01:21:16That?

01:21:39May God, may God repay him.

01:21:48to you

01:21:48Rafael!

01:21:51I am

01:21:51I was waiting for you

01:21:52I knew you'd come

01:21:54With all the longing of my heart I have asked God for it

01:21:57He's the one who brought me to your side, you know?

01:22:00And forever

01:22:01Love him, God

01:22:02Merche!

01:22:03Maripili!

01:22:04Hey, it's Dad!

01:22:05Maripili!

01:22:06Burrillo!

01:22:07Merche!

01:22:07Maria

01:22:09Our children, huh?

01:22:10Yeah

01:22:10Our children

01:22:12We're all together again.

01:22:14Thank you, my God.

01:22:16I am a driller

01:22:28Because I lack nothing.

01:22:30And I just want the sound

01:22:34From a tarn

01:22:47Buddy

01:22:50Give the sledgehammer to sing

01:22:54While sifting

01:22:55That to the beat

01:22:59Give it to the sledgehammer

01:23:04I want to repeat to the whole world

01:23:07God, God, I'm a miner.

01:23:09It's not that great

01:23:15My heart of assistance

01:23:16Me isguile

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