- hace 2 días
Reparto: Fernando Fernán Gómez, José Luis López Vázquez, Amparo Soler Leal, Esperanza Roy, Soledad Miranda, Elisa Montés, Luis Peña, Guadalupe Muñoz Sampedro, Manuel Alexandre, Félix Dafauce, Antonio Alfonso Vidal, Antonio Mayans, José Orjas
Dirección: José María Forqué
Sinopsis: La llegada de un ordenador a una oficina bancaria anima a dos empleados a utilizarlo para que les programe sus aventuras amorosas. Siguiendo sus indicaciones, alquilan un estudio y van llevando a él a las chicas que el infalible aparato les indica. Cuando sus compañeros se enteran, se hacen muy populares. Pero la aventura con una clienta termina de manera tan desastrosa que la dirección abre una investigación entre el personal.
Dirección: José María Forqué
Sinopsis: La llegada de un ordenador a una oficina bancaria anima a dos empleados a utilizarlo para que les programe sus aventuras amorosas. Siguiendo sus indicaciones, alquilan un estudio y van llevando a él a las chicas que el infalible aparato les indica. Cuando sus compañeros se enteran, se hacen muy populares. Pero la aventura con una clienta termina de manera tan desastrosa que la dirección abre una investigación entre el personal.
Categoría
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CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00Thank you!
00:01:30Thank you!
00:02:00Thank you!
00:02:02Thank you!
00:02:04Thank you!
00:02:06Thank you!
00:02:08Thank you!
00:02:10Thank you!
00:02:12Thank you!
00:02:14Thank you!
00:02:16May I, Mr. President?
00:02:30It's closing!
00:02:34Do you have my permission, Mr. President?
00:02:38It won't close! It can't be done!
00:02:40Ridiculous!
00:02:41Albiés!
00:02:42Try albiés!
00:02:46Do something!
00:02:51Do something!
00:02:52Do something, one of you!
00:02:54There are problems with the tape!
00:02:56Come on, Aguirre Zabal, you who have always proven your efficiency!
00:02:59Do something!
00:03:01Give it a try!
00:03:29Thank you!
00:03:31Thank you!
00:03:32Thank you!
00:03:33Thank you!
00:03:35Thank you!
00:03:37Thank you!
00:03:38Asperges me.
00:04:08Okay, so what's this gossip about? What's it for?
00:04:15Father Dimas, please. A piece of gossip, a computer.
00:04:18Well...
00:04:19A marvel of engineering.
00:04:20You'll see.
00:04:22It solves in fractions of a second problems that would occupy teams of mathematicians for years and years.
00:04:29From now on, the computer will be the brain, the soul of our beloved institution.
00:04:35Machines have no soul.
00:04:37You and your modernist obsessions...
00:04:40But we needed to automate our accounting system.
00:04:45Father Dimas, do you know that the computer never makes mistakes?
00:04:51Pride. Satanic pride.
00:04:55God willing, the devil has not entered our institution.
00:05:07A thousand couples per second.
00:05:17But that will be counting marriages.
00:05:20No, sir.
00:05:21A thousand new couples are filming.
00:05:22They commit the original sin, which is always the same every second, here on planet Earth.
00:05:28That is, 60,000 per minute.
00:05:33Three million six hundred thousand per hour and per day, multiplied by twenty-four...
00:05:40Eighty-six million four hundred thousand.
00:05:41That?
00:05:42Come on, you'll be late for mass.
00:05:44We're coming, we're coming.
00:05:45So, come on, these are people who don't even know each other and suddenly...
00:05:49That?
00:05:50What do you think?
00:05:52A thousand couples per second.
00:05:54Take.
00:05:55And we're here for football.
00:05:57Here.
00:05:58And that happens one Sunday, but not the next.
00:06:03But hey, where did you read that?
00:06:05Do you really think I trust the press?
00:06:08The computer said so.
00:06:11The office computer?
00:06:13Take it with you, son, it's going to rain.
00:06:15So, why don't you grow a mustache like Ramón?
00:06:20You would look gorgeous.
00:06:21Mom, what are we talking about?
00:06:24What a scoundrel.
00:06:26If it weren't for you.
00:06:27Mom, it's Coba, so don't ask her for what she owes you in alimony.
00:06:30Yes, Coba.
00:06:33The computer said so.
00:06:45Hey, how does the computer know that?
00:06:54Providing the necessary information and data.
00:06:56The computer finds everything out.
00:06:57But everything, absolutely everything?
00:06:59All?
00:07:00I asked him how many new couples are formed here every second.
00:07:05Here, in the city?
00:07:06In the city.
00:07:08And what did the computer say?
00:07:09He said 0.0000005 couples per second.
00:07:14Some people are so lucky.
00:07:16Yeah.
00:07:17In contrast, we...
00:07:18No, no, hey, don't use plurals, because I, at least potentially,
00:07:23I could be within that 0.0000005 couples per...
00:07:27Morena, Morena, wait for me at the altar, I'm coming for my morning suit, beautiful.
00:07:32Yes, yes.
00:07:34Bold.
00:07:34I'm a player, Miguelito.
00:07:36Yes, man, yes.
00:07:41Nothing, we just have to take the plunge.
00:07:44You're right.
00:07:45I'm just so dense.
00:07:47Tell me the truth.
00:07:48Have you never had a date?
00:07:49Man, paying.
00:07:51Here in Spain, everyone knows that to have free adventures you have to be rich.
00:07:55Yeah.
00:07:58Or have you never paid?
00:08:00Pay?
00:08:02Beautiful.
00:08:03Don't make me laugh, man.
00:08:04Pay for that.
00:08:06I am a technician, a specialist.
00:08:08If you want to be successful with women, never take them seriously.
00:08:11Because?
00:08:12Because then they don't give you anything without going through...
00:08:17But what if you don't take them seriously?
00:08:22Man, you can, you can get an advance.
00:08:26The umbrella.
00:08:44Hey, isn't that one of those 0.0000005 ones that the computer says?
00:08:48I don't know yet.
00:08:51Don't look, you're interfering with me.
00:08:53Don't look.
00:08:54And you?
00:08:55I don't look at them.
00:08:56I calculate them.
00:08:57Show some respect, Miguelito.
00:08:59How do you calculate them?
00:09:00By a method that you, for which you are not prepared.
00:09:03Observe and learn.
00:09:16You realize that, don't you?
00:09:21Three operations like this, and you'll either reach 0.0000005 on the computer, or get slapped by the lady.
00:09:28If your mother weren't there.
00:09:40What are you saying?
00:09:42That you and I were going to get bloated.
00:09:44Yes, yes, yes.
00:09:45Even you, with how short you are.
00:09:48That's how we were going to have them, like that.
00:09:49But what does my mother have to do with...?
00:09:55Everything, you know, huh?
00:09:58All.
00:09:59Because there is plenty of raw material.
00:10:03The important thing is where to make it.
00:10:06Well, but you have the car.
00:10:08You can take them to the countryside.
00:10:09Only agricultural experts get tender in the countryside.
00:10:12Women need a comfortable and pleasant place.
00:10:15I'd give two slaps.
00:10:16A study, Miguelito.
00:10:18A study.
00:10:20Furnished studio apartment for 2 people.
00:10:242P?
00:10:25With two pieces.
00:10:26How are you taking it today, Don Ramón?
00:10:28How would he take you?
00:10:29Only.
00:10:30Don Ramón.
00:10:32One and a cortado.
00:10:34But this is crazy.
00:10:36Besides, with my shyness...
00:10:39This will get rid of your shyness in two sessions.
00:10:42Who is it?
00:10:43They.
00:10:46Maribel, for example.
00:10:48Look, look.
00:10:51For a start...
00:10:52What if the principal finds out?
00:10:54We're not going to say.
00:10:56And as for them, imagine,
00:10:57It's the only thing that knows how to run aground.
00:11:01No, but this must be extremely expensive.
00:11:06Nothing is expensive when it's half done.
00:11:10Hey, Don Miguel was telling me here,
00:11:13because of how well programmed you are on your computer
00:11:15Compared to your father,
00:11:16It's a coffee grinder.
00:11:18Wow, I didn't know Don Miguel programmed so much.
00:11:21Ugh, no, no, Maribel, I don't...
00:11:23And he told me more,
00:11:24But I can't repeat it to you while I'm here.
00:11:26Where?
00:11:27Here at home.
00:11:28And where would you dare to repeat it to me?
00:11:30Repeat that to me.
00:11:31Oh, that's what we're doing, honey.
00:11:32That's what we're working on.
00:11:35You've already got it in the bag.
00:11:37But do you think that I, Maribel...
00:11:39I'm a technician, aren't I?
00:11:43Hey, pay up, I don't have any change today.
00:11:46What if we rent the furnished studio and then nothing happens?
00:11:49If you don't trust me,
00:11:50We asked the computer.
00:11:51Age?
00:12:0420 years and 2 months.
00:12:05Single, of course.
00:12:06Parents?
00:12:07Fatherless.
00:12:0950% amortized.
00:12:10Now for the additional data.
00:12:12Two boyfriends.
00:12:14He goes home at 10 pm.
00:12:15He spent a month in Torremolinos.
00:12:20Dance.
00:12:22Now for the finishing touch.
00:12:25And here's the report from our friend.
00:12:27Careful.
00:12:27Careful.
00:12:32From the director.
00:12:34So that you schedule it urgently.
00:12:35Very good.
00:12:36I don't know how you can work with this device.
00:12:44Yeah.
00:12:46Every time I see him thinking like a human being...
00:12:49Yes, almost, almost, but we've already become friends.
00:12:51Very intelligent and very affectionate.
00:12:55But how funny you are.
00:12:59Forgive us.
00:13:00We're working.
00:13:01Don't worry, I'll schedule it for you right away.
00:13:03Very good.
00:13:07Anything else?
00:13:08Let me know when it's finished.
00:13:12How annoying.
00:13:33Did he say yes?
00:13:34Convinced, aren't you?
00:13:36We drilled this one too.
00:13:40Who is it?
00:13:41Clara, the director's secretary.
00:13:43She doesn't go to a studio or ask for clothes for the poor.
00:13:46Well, you ask him.
00:13:47I trust him, not you.
00:13:48But you like it.
00:13:49Well, not that I like it.
00:13:50But since we're going to rent the studio, we can take precautions.
00:13:54Well.
00:13:56Age.
00:13:5627 years old.
00:13:57State.
00:13:59Single woman.
00:13:59Further.
00:14:00Living parents, that is, one hundred percent.
00:14:03She had a boyfriend who ran away to the missions.
00:14:05Does the information sheet say so?
00:14:07No, but she told me.
00:14:08Already.
00:14:09That there's nothing to be done.
00:14:22He says maybe.
00:14:23Hey?
00:14:23A quiet, well-connected neighborhood, with its own air conditioning unit nearby, and an open-air terrace facing
00:14:33At midday, secure vehicle parking, select shops, where you can
00:14:40shoe repair, key duplication, and dry cleaning services
00:14:47at home.
00:14:49As you have seen, the building has an elevator.
00:14:52Look, look at these beautiful views.
00:14:56Well.
00:14:58And what do you want the study for?
00:15:00For painting, for painting, right?
00:15:02For painting.
00:15:03In that case, you can leave now, sorry.
00:15:05The landlady is fed up with artists and with collecting rent with these little paintings.
00:15:11Ma'am, we are serious and formal people.
00:15:14That's what I'm thinking.
00:15:15And precisely for that reason, nothing, they can leave now.
00:15:19How funny.
00:15:20You put it to paint here.
00:15:21Such a cozy, cute, and discreet place.
00:15:23Just a moment, ma'am.
00:15:25The term "painting" is, let's say, a euphemism.
00:15:29We need a place like this to...
00:15:34to have a few drinks, from time to time.
00:15:39Together or alone?
00:15:42Accompanied, naturally.
00:15:44Great.
00:15:45So let's get down to business.
00:15:47As you can see, the studio has everything you need.
00:15:50The phone was directly connected to invite people for a drink.
00:15:54The spacious and comfortable sofa for enjoying a drink.
00:16:00And there's the invention for after having a drink.
00:16:04It has a movable window to change the air.
00:16:08The pool table is in storage.
00:16:14Since the bathtub didn't fit, the architect hesitated between standing it upright or replacing it with a shower.
00:16:21She opted for the shower, thankfully.
00:16:24To obtain water, actions will be on the left.
00:16:26Okay, so what?
00:16:31Does he do it or not?
00:16:32Yes, Bel.
00:16:34What do you say?
00:16:36It depends on the conditions, of course.
00:16:382,750 rent.
00:16:40Six months in advance.
00:16:41Ah, 16,500.
00:16:43Wow!
00:16:44How does it multiply?
00:16:45It's my thing.
00:16:46Go on, go on.
00:16:47Telephone tenant account, porter service 20 duros, cleaning 40.
00:16:52As for discretion, that is left to the tenant's discretion.
00:16:58Laura, Laura, we don't understand.
00:17:01It doesn't surprise me.
00:17:03They look like they're first-timers.
00:17:05Ah, first-timers.
00:17:06Pamón!
00:17:07Well, discretion.
00:17:10In other words, if they want me to not see anything, 40 pesetas.
00:17:15Ah, including the discretion of Mrs. 3,250, apart from the telephone.
00:17:18Well, ma'am, have you rented it?
00:17:21One moment.
00:17:22We should think about it a little, shouldn't we?
00:17:24The initial contribution is too much money.
00:17:26Too much money, Miguel.
00:17:28Too much money to live on, really?
00:17:30You don't know what that means.
00:17:32How long have you lived up to now?
00:17:34Wait a minute, you get up at 7.
00:17:37You'll go to work half asleep.
00:17:39You stand at your counter and watch as money is passed right under your nose.
00:17:43Money that isn't yours.
00:17:44You eat a whiting.
00:17:46You dream of finding an accounting job to make the most of your afternoons.
00:17:50And you go to bed dripping with numbers.
00:17:53But on Sundays.
00:17:54What do you do on Sundays, huh?
00:17:57I'm bored waiting for Monday.
00:17:58Do you see it?
00:17:59But the study thing is crazy.
00:18:01Besides those 16,500, now you're saying we have to buy a refrigerator, a record player, lamps...
00:18:08And what about the deadlines?
00:18:10Did you forget that we can pay in installments?
00:18:12You're paying in installments for the 600, the electric razor, and the summer suit.
00:18:17I don't know, I know.
00:18:19But think of Maribel.
00:18:22No, delete it.
00:18:23On what will be our Sundays.
00:18:27Up there!
00:18:28How are the accounts looking?
00:18:30Because the gentleman is also interested there.
00:18:34That?
00:18:35Hey?
00:18:35We'll keep it.
00:18:41Yeah.
00:18:46Ramón.
00:18:48Ramón.
00:18:49We're going to ruin.
00:18:50Look.
00:18:51Look.
00:18:53I have compromised on everything.
00:18:54The refrigerator.
00:18:55The record player.
00:18:56The little lamp.
00:18:57The bar cabinet.
00:18:57In fixed assets alone, we have already reached 18,723.50.
00:19:03Clear.
00:19:04And now you're asking me to invest more money in fungible goods.
00:19:07What fungible goods?
00:19:08You didn't tell me I had to buy drinks.
00:19:10Natural.
00:19:11Otherwise, what's the point of having a bar cabinet?
00:19:12Look, look, you wretch.
00:19:14Whisky, 300 pesetas.
00:19:16Champagne.
00:19:17And Spanish, 150.
00:19:18Assortment of various liquors, 452.
00:19:23Hi Marcel, beautiful.
00:19:24Bring two small coffees up for Don Miguel and me.
00:19:27Don't worry, nobody can see you.
00:19:30Go on.
00:19:32She said yes.
00:19:35And now we've tied it up.
00:19:37To the studio?
00:19:38Yes, yes.
00:19:40Well, we got her for me.
00:19:42Come on, hurry up.
00:19:44Serving in the sections is prohibited.
00:19:46When are we going to play some numbers together?
00:19:48Where, here?
00:19:49No, in a very cute studio that I have available for you.
00:19:52Well, we'll do the study together.
00:19:55Ah, I know, there is enchanted music.
00:19:584,507 pesetas worth of record players.
00:20:01I'll bring the records.
00:20:03The management gave them to me, because they say they're not suitable for here.
00:20:05Hey, Barça-Uco, Plaza de Argenzola 12, at 5, okay?
00:20:09Okay.
00:20:10Okay, beautiful.
00:20:12At 5.
00:20:14Wait a minute, don't forget that Maribel is for me.
00:20:16Yes, learn it once and for all.
00:20:18Young girls have too much experience, huh?
00:20:21Look.
00:20:23You need this.
00:20:26Want?
00:20:27Ah.
00:20:27Maribel.
00:20:45Maribel.
00:20:46Maribel.
00:20:46Maribel.
00:20:47Maribel.
00:20:48Maribel.
00:20:48Maribel.
00:20:48Maribel.
00:20:49Maribel.
00:20:49Maribel.
00:20:49Maribel.
00:20:49Maribel.
00:20:49Maribel.
00:20:49Maribel.
00:20:50Maribel.
00:20:50Maribel.
00:20:52Maribel.
00:20:53Maribel.
00:20:53Maribel.
00:20:53Maribel.
00:20:53But what anti-egos?
00:20:54Why do you get up when a girl arrives?
00:20:55Good afternoon.
00:20:56That's it, good afternoon, see you later.
00:20:57We're going up here, we need to warm up the tocanáicos, eh?
00:20:59Just a moment, just a moment.
00:21:01I don't know mine.
00:21:03But I've already described it to you.
00:21:04The first giantess that appears is him.
00:21:06He doesn't remember.
00:21:07Sorry, I've already put the chair in place.
00:21:17Mrs. Patro, good afternoon.
00:21:18Depends.
00:21:19One moment.
00:21:22I say it depends, because if the lady is a minor, she doesn't get in.
00:21:26He was born on June 10, 1946, see the record.
00:21:28Yeah?
00:21:29Well, she looks much younger.
00:21:37Whiskey, gin, vodka, peppermint, champagne.
00:21:46Soda.
00:21:47Soda?
00:21:48It's the only thing that quenches my thirst.
00:21:50This one is great, it has a rhythm.
00:21:51Give me your hand, friend, we're together now.
00:21:54Here it is.
00:21:55Why are you shaking my hand?
00:21:56You didn't ask me for it.
00:21:57That's the title, kid.
00:21:59We only have alcohol here.
00:22:01Go ahead, then, with alcohol.
00:22:02In youth, nothing, unless they get lucky with the ladies-in-waiting.
00:22:04Does it have it on the other side?
00:22:08I looked back to see if she was looking back, to see if I was looking back.
00:22:19So no soda?
00:22:20No, no, yes, yes, yes, now, now, now he raises it.
00:22:23Your friend has already started partying and is fueled by soda.
00:22:37Very well, see how it's known.
00:23:07No, no, no, yes, like, like, let's see if I know.
00:23:10The thing is, I forget when I'm moving around.
00:23:13He doesn't forget anything, and he's faster.
00:23:15More, faster, destroys a lot.
00:23:18Cheer up, Don Ramón, this only lasts two and a half minutes.
00:23:23Very good, like that, like that.
00:23:27And then, to the sofa.
00:23:28That's it, that's it, to the sofa, to the sofa.
00:23:30Hands still, legs loose.
00:23:33Okay, but on the sofa.
00:23:35That's it, on the sofa.
00:23:37But if you're trying to hippie hippies, go see Don Ramón.
00:23:40And you keep going on about the "gift," but you're not even going to address me informally now.
00:23:44I take away his gift and also give him a kiss because it's going to happen.
00:23:47Oh, oh, oh, oh!
00:23:48Oh, oh, oh!
00:23:56Oh, oh, oh!
00:23:56How down-to-earth my Don Ramón is!
00:23:58Oh, oh!
00:23:59What are they calling?
00:24:14They're calling.
00:24:16Do they exist?
00:24:25What, dude? You've already got her on the couch.
00:24:28But what are you doing here?
00:24:31What if yours arrives?
00:24:32Let it happen. I'll stay. I'll watch you act a little and learn.
00:24:35Besides, Maribel was for me.
00:24:37Go on, go on.
00:24:37The baseosa.
00:24:45Maribel, come on, turn off the music. Come to the sofa.
00:24:48To the sofa.
00:24:48No, not on the sofa. Let's dance this, it's something you do on your own.
00:24:52Okay, whatever you want, just go with the flow.
00:24:54Where to?
00:24:55Chic to chic, which means cheek to cheek.
00:24:58Don Ramón, you are reaching the third cheek vertebra.
00:25:15And on and on about the gift.
00:25:16Okay, okay, I'll take away his gift and his soda.
00:25:23Well, I don't know, Don Ramón Fontecha told me he was a customer of this bar.
00:25:27And he had also arranged to meet me here at this time.
00:25:30Well, I don't get it.
00:25:34Hey, is that your friend?
00:25:35Excuse me, are you Pepita, the gym instructor?
00:25:55Yeah.
00:25:57I am Miguel, Ramón's friend.
00:26:00Nice to meet you.
00:26:02And Ramón?
00:26:03Hey?
00:26:04Ah, he's upstairs, he's prepared things.
00:26:06Oh, so?
00:26:08Wouldn't you like something to drink?
00:26:09Don't bother yourself about me.
00:26:11Okay, then we went up.
00:26:12Whatever.
00:26:14Ah, so we have to...
00:26:14Ramón already told me.
00:26:26The fact that?
00:26:27The gymnastics thing.
00:26:29Oh, are you interested in gymnastics?
00:26:31Yes a lot.
00:26:31I did a lot of gymnastics at school.
00:26:34A lot, a whole lot.
00:26:35Ah, how interesting.
00:26:37Oh, how tiresome, you're restless.
00:26:38Now it is we women who conquer.
00:26:40Well, conquer me now.
00:26:41I look into your eyes and I don't see.
00:26:42I look at your legs and I don't walk.
00:26:43I look at you...
00:26:44And I can't breathe.
00:26:46We're all here now.
00:26:48Come in, come in, come in.
00:26:51This is...
00:26:52Go ahead, go ahead.
00:26:55Here's Ramoncito.
00:26:57And there...
00:26:58That's it, here's Ramoncito.
00:27:00And here's Maribel.
00:27:01And here's Pepita.
00:27:04And here we all know each other.
00:27:06Each sheep with its mate.
00:27:09Tall people with tall people and short people with short people.
00:27:11You guys there, there, there.
00:27:13It's a moment.
00:27:15Maribel is talking to me about something very personal.
00:27:17You inside.
00:27:18Then we'll meet up and have a drink together.
00:27:22Yes, Ramón.
00:27:26That's the elevator to go up and to...
00:27:28Let's put up some curtains and...
00:27:33It's in storage.
00:27:34That's for...
00:27:36For...
00:27:37The man below.
00:27:40What would you like to drink?
00:27:41We have everything.
00:27:43Everything, everything.
00:27:44Oh, everything.
00:27:45Still mineral water.
00:27:47Still mineral water.
00:27:50Ramón wants still mineral water.
00:27:52There is no mineral water!
00:27:54I go down to the ship.
00:27:55No, I'll ask for it.
00:27:56I'll talk, bring up the subject.
00:28:00What topic?
00:28:01The topic.
00:28:01What topic do you want it to be?
00:28:02The topic.
00:28:03How about that!
00:28:06They're taking her off the boat right now.
00:28:10Do you like studying?
00:28:12Very original.
00:28:14Did they give the chairs to the girls as souvenirs?
00:28:17Where do you sit?
00:28:19On the ground?
00:28:20No, no way, no way.
00:28:22Well, there's everything, everything, everything.
00:28:24Look.
00:28:26Look.
00:28:26Listen, you've made a mistake with me.
00:28:31Ramón, this man is a real piece of work.
00:28:33I lowered the bed without any bad intentions.
00:28:35Really.
00:28:36Do you see it?
00:28:37If he's a gentleman, he's a true gentleman.
00:28:40Come on, he does it so you feel more like family.
00:28:42Go on, inside.
00:28:43Each sheep with its mate.
00:28:44Look, so you can see that I'm a gentleman.
00:28:59Feel it, feel it.
00:29:00What an afternoon.
00:29:02You come here to dance and there's no music or anything.
00:29:06Music.
00:29:07We want to.
00:29:09Music!
00:29:09Hey, thanks.
00:29:25Listen.
00:29:29To justice.
00:29:32I call on half a mile.
00:29:35My heart will stop and talk while.
00:29:37Come on! Cheer up!
00:29:46No, if he's cheered me up, I'm in.
00:29:48The thing is, I don't know.
00:29:51What? You don't know?
00:29:53No, I confess.
00:29:55Wow, finally I find one in my size!
00:29:58He can't dance, he can't talk, and he doesn't even have still mineral water.
00:30:01Let's see.
00:30:06Well yes.
00:30:08There are other things in the world.
00:30:11For example, I have been concerned about my physical appearance since I was little.
00:30:16Come closer.
00:30:24Water. All water.
00:30:27Nothing to be done.
00:30:33Wow! That's incredible!
00:30:36You, on the other hand, are completely dehydrated, huh?
00:30:39No.
00:30:40Go ahead, try every muscle.
00:30:44Hey?
00:30:45Phew!
00:30:46It's incredible, isn't it?
00:30:50However, you, look, water.
00:30:55Nothing but water.
00:30:56Anyway, just to pass the time.
00:31:06Lie down.
00:31:07In the...
00:31:08The jacket.
00:31:21Take off your jacket.
00:31:22Ah, I'll...
00:31:23Go on, continue.
00:31:38Come on.
00:31:39Come on.
00:31:40Go on, put it in.
00:32:00Let's do some exercise, okay?
00:32:02Still.
00:32:05If he crosses the line in the slightest, I'm leaving.
00:32:08Go up.
00:32:13Lie down.
00:32:15So.
00:32:18Lift your legs.
00:32:23Without bending your knees.
00:32:26Do not bend.
00:32:27One, two.
00:32:36One, two.
00:32:38One, two.
00:32:41Don't bend.
00:32:43One, two.
00:32:45Don't bend it.
00:32:50Look at me.
00:32:51One, two.
00:32:59One, two.
00:33:01One.
00:33:02One, two.
00:33:03Two.
00:33:04One, two.
00:33:06One, two.
00:33:09One, two.
00:33:12One, two.
00:33:14One.
00:33:14One, two.
00:33:16One, two.
00:33:19One.
00:33:19One.
00:33:21What's wrong with you?
00:33:23It's really tough down here.
00:33:26He bought an egg, he put it on to boil, he...
00:33:31Mineral water! Let's keep going, everything's going great!
00:33:39Hello, hello, come in.
00:33:41I couldn't have been any faster.
00:33:43There, there, there, there, there.
00:33:44One, two. One, two. One, two.
00:33:49But where did he leave it?
00:33:50That in the other room, there.
00:33:52One, two. One, two. One, two.
00:33:57Don't bend. One, two.
00:34:01One, two. One, two.
00:34:04Don't bend. One, two.
00:34:07One, two. One, two.
00:34:10What's wrong? Almost nothing.
00:34:12That his friend is succeeding there.
00:34:15And made with mineral water.
00:34:17Come on, come on, come on, come on.
00:34:18One, two. One, two.
00:34:21One, two.
00:34:23One, two.
00:34:25One, two.
00:34:27One, two.
00:34:28Learn. When you come to a studio, you come for what you came for.
00:34:30I've come to dance at a gathering of friends.
00:34:33And Pepita too.
00:34:34And here she is in bed.
00:34:36Because that will be a banner.
00:34:37Oh! You'll be the banner.
00:34:39I am giving this gentleman a physical education class.
00:34:41Ah! You mean chemistry.
00:34:44Let me!
00:34:46Close it!
00:34:47In court.
00:34:49We were doing gymnastics.
00:34:50Athlete's word.
00:34:51And I suck my thumb.
00:34:53Keep going, keep doing the gymnastics.
00:34:55And I take my records and leave with my head held high.
00:34:57Wait, woman. Don't get like that. Come on, let's do some exercise.
00:34:59If he insists.
00:35:00One, two.
00:35:01One, two.
00:35:02Don't bend!
00:35:04Help me.
00:35:05Nobody looks down on me.
00:35:11I am as decent as that young lady.
00:35:13And I'm leaving!
00:35:14Look, they're gone.
00:35:16Everything was going so well.
00:35:20And it's all your fault!
00:35:22Oh, with...
00:35:26Good morning.
00:35:32Well, well, let's see what this scandal is all about.
00:35:51Excuse me, miss, but I had no choice but to put it there.
00:36:09But why?
00:36:10Because I wanted to see if a couple of cheeky people would lose their nerve.
00:36:13Look.
00:36:15Yesterday, with the best intentions in the world, which was to dance, I went to a meeting.
00:36:18Who would think of bringing someone who works here?
00:36:27If it was you, give the signal, give the signal.
00:36:29But he even wanted to take you to the director's secretary, man.
00:36:32So what do we do now?
00:36:33Deny.
00:36:34Always deny.
00:36:35Yes, deny.
00:36:42I never would have thought it of you.
00:36:45Never.
00:36:46How can we deny it?
00:36:47Now he's telling the head of personnel.
00:36:49The head of personnel tells the director.
00:36:51The director tells the chairman of the board of directors.
00:36:54No, it doesn't reach that far.
00:36:56What do you mean it's not arriving?
00:36:56No, because the director doesn't just quit.
00:36:59And what do I tell my mother?
00:37:00I don't know, but I'm leaving.
00:37:01Where to?
00:37:01Time to pack my things.
00:37:02Time to pack my things.
00:37:02No, because the director doesn't quit.
00:37:04No, because the director doesn't quit.
00:37:05Thank you!
00:37:35Miguel, and on top of everything, they're making fun of me. They left me a rose.
00:37:45And two for me.
00:37:50There are three of them.
00:37:53And me too.
00:37:59So, a study, huh, you rascal?
00:38:02So, a study, huh, you rascal?
00:38:05Ramón! Ramón!
00:38:08Are you still there or have they already kicked you out?
00:38:10They're not going to kick us out, Miguel. They're not going to say anything.
00:38:12They're thrilled! We've dazzled them!
00:38:16If we want, we can take them all.
00:38:18Where to?
00:38:19Where else would it be? To the studio!
00:38:21To the studio?
00:38:22Yeah!
00:38:24And Clara?
00:38:25Who, Clara?
00:38:26Wait.
00:38:27You'll see how she'll bring you her rose too.
00:38:30You don't know women, Miguelito.
00:38:38I pray for you a lot. A lot.
00:38:42Thank you very much. You are very kind.
00:38:45Pendoncete.
00:38:47No!
00:39:03Good morning, ma'am. What can I do for you?
00:39:04Good morning. My husband.
00:39:07Don Tarcicio Herrero. He was a customer here.
00:39:10Do you remember?
00:39:11Right? He left me this, you know?
00:39:16This?
00:39:17Oh, excuse me, excuse me.
00:39:21I didn't want to touch it while I was in mourning, but now I'm going to take it off.
00:39:25One million nine hundred and thirty-seven thousand pesetas.
00:39:28Exact.
00:39:30Well, since I'm going to stop mourning, I want to remove them.
00:39:34No, for God's sake, don't take them back, the pesetas.
00:39:38Widow, so what?
00:39:40A year of mourning.
00:39:41A year of mourning.
00:39:44And in that year, the mourning has not left even his thoughts.
00:39:47But how is he? How is he?
00:39:48Barbara! Tremendous! Tremendous!
00:39:51Person, pierce! Person!
00:39:55The husband was very jealous.
00:39:57Jealous.
00:40:00While she was married, he didn't even let her peek out the front door.
00:40:05But what does she say here?
00:40:08Oh, yes!
00:40:09She has always been very fun and cheerful.
00:40:12Fun and cheerful.
00:40:15Do you have enough data?
00:40:16I think so.
00:40:19One thing.
00:40:20That?
00:40:20If the computer says yes, the widow is mine.
00:40:23OK?
00:40:24Very good.
00:40:24If you're determined but you're going to waste it, you lack experience.
00:40:28Being a widow is a very difficult thing.
00:40:31We must resist, we must...
00:40:32After the monitor, I can withstand anything they throw at me.
00:40:35Such a touch!
00:40:35That?
00:40:46She said yes!
00:40:48She said yes!
00:40:51Advise me, how should I bring it up?
00:40:55Did you say you wanted to withdraw the money?
00:40:57Yes, yes, yes.
00:40:58Very good.
00:40:58Leave it to me.
00:41:00Given the current situation, you can triple your money by investing it properly.
00:41:04That's why I'd like to remind you about the... the... the financial advisory services I run.
00:41:09We'll guide you.
00:41:10We are partners.
00:41:11Yes, indeed.
00:41:12Our consultancy would be honored to assist you.
00:41:15Especially since she is a young, inexperienced woman and, let me tell you, so unjustly widowed.
00:41:24Clear.
00:41:24One is so alone in life.
00:41:29And you men know better what is good for us.
00:41:36So, if you want to go to this address, not at seven o'clock.
00:41:41No, better at eight.
00:41:42At eight o'clock, that's it.
00:41:43There I will be at your disposal.
00:41:45We, we, he will have us.
00:41:48We are partners.
00:41:49I've already...
00:41:49OK.
00:41:54Thank you so much.
00:41:56Ma'am, at ten o'clock.
00:41:59And me too, me too.
00:42:02Then, at eight o'clock.
00:42:03At eight o'clock.
00:42:04Selling your father's office, if he could see this...
00:42:30Explain it to him yourself, Ramón, because he doesn't believe me.
00:42:32If the late solicitor in the courts were to rise from the dead, he would be proud of his son.
00:42:38Doña Gavina, we are going to set up a business.
00:42:40A financial consultation, Mom.
00:42:43And why don't you put it here?
00:42:44Financial advice requires a suitable facility and a discreet and pleasant location.
00:42:50The portrait!
00:42:51Doña Gavina, bring the portrait of your husband.
00:42:53But you'll also get the portrait.
00:42:55It will lend respectability to the advice and give us peace of mind to advise.
00:43:00Can you get off now?
00:43:01Already.
00:43:08Come on!
00:43:10Goes!
00:43:10Goes!
00:43:26Goes!
00:43:27Then you, as soon as we install the furniture, you're leaving.
00:43:49And what are you going to do without me?
00:43:50Don't worry.
00:43:54Since the computer said the widow doesn't fail, I'm going for it right from the start, that's all.
00:43:58Well, that would be worth checking.
00:44:00Given the divergent economic situation,
00:44:30There has been a naturally decelerated acceleration in the expansive process.
00:44:38This has strained the growth rate, thus creating a beam.
00:44:45A beam that, when projected onto different sensory organs, gives confusing images of the intended targets.
00:44:55Mrs. Aguirre Zabala!
00:44:57Tell me, Mr. Fontecha.
00:44:59I have our stockbroker's phone number.
00:45:02But I'm here explaining the situation to the lady.
00:45:05Precisely, precisely for that reason.
00:45:07It's a moment.
00:45:08Please, ma'am.
00:45:09Lady.
00:45:19I told you this one is mine.
00:45:20I located it myself.
00:45:21The furniture belonged to my father.
00:45:23The flu...
00:45:23The technique.
00:45:25The technique.
00:45:26You look, look.
00:45:27And learn.
00:45:27Ma'am, please sit on the sofa.
00:45:36She'll be more comfortable.
00:45:37Thank you very much, because this chair is so solemn.
00:45:43Lady.
00:45:44If you'll allow me to tip my hat to you, I'd be very happy to see you.
00:45:53Oh, you feel kind of naked, don't you?
00:45:56Yeah.
00:45:57What did my partner call him?
00:45:59The current situation...
00:46:02Madam, forgive me, but you have such a beautiful, small, and well-organized ear, just like Switzerland.
00:46:07which is an example of balance in its socio-economic structures.
00:46:10What things do you have, Mr. Fontecha?
00:46:12Excuse me, it's a typical association of ideas for a financier, ma'am.
00:46:17Perhaps we are not ready yet, but partnership is the future of Europe.
00:46:22Because the important thing is to invest in the most profitable sectors.
00:46:26That is why it is necessary to select investments by analyzing the current situation.
00:46:30Jesus, Mr. Fontecha, you have a way of speaking that gives me goosebumps.
00:46:36That's no achievement, ma'am.
00:46:38I have never seen a development plan so scientifically sound.
00:46:48The most important thing about a country is its national income.
00:46:51If consumption exceeds production, the currency loses purchasing power and that's when inflation occurs.
00:46:56Do you understand?
00:46:57Inflation, huh?
00:46:58For God's sake, Mr. Fontecha, don't scare me.
00:47:01Fear not, for I am here to defend you against inflation, deflation, and erosion.
00:47:07Trust me, ma'am, trust me.
00:47:14What's happening?
00:47:14Look, Don Miguel, I have a lot of sympathy for you all, but for the love of God,
00:47:20Don't make fun of the man downstairs, he's a pest.
00:47:37Is that your hat?
00:47:38Mr. Fontecha, you need to call Barcelona urgently.
00:47:52Well, go ahead, Mrs. Aguirre Zabala, but we were already getting into the subject.
00:47:59Ma'am, ma'am.
00:48:00Sorry.
00:48:12Having presented the initial data, ma'am, we will now get to the heart of the matter.
00:48:18Madam, allow me, you'll be more comfortable.
00:48:21Even though we must take into account that excessive streamlining of competitive production
00:48:29would immediately impact consumption capacity,
00:48:34The situation appears decidedly favorable.
00:48:40Therefore, the situation viewed from a global perspective is entirely satisfactory.
00:48:49The increase in the standard of living in the last quarter has been 0.000012%,
00:48:58which represents in relation to the same quarter of the previous year,
00:49:07a percentage decrease of 0.0003.
00:49:13Applying all corrective indices.
00:49:15I believe, ma'am, that we must invest immediately.
00:49:22Please.
00:49:23I will also defend it from inflation and deflation.
00:49:27But Mr. Fontecha.
00:49:28No, Fontecha is my partner.
00:49:30My name is Moa...
00:49:31Aguirre Zabala, but you can call me Aguirre Asetas.
00:49:37Make up your mind.
00:49:37Let's analyze the current situation together.
00:49:40The current situation.
00:49:41No.
00:49:42No.
00:49:44Oh.
00:49:46Look.
00:49:48Ah, he... is the...
00:49:50Young man, I accept that you throw virtue out the window, but not this.
00:49:56This is a provocation.
00:49:57No, I truly don't understand.
00:49:59I thanked myself.
00:50:00What are you showing off?
00:50:02Before the chapiri, I mean, the little hat.
00:50:04And now the furs.
00:50:05Because the furs belong to the lady.
00:50:06The lady is a customer.
00:50:07Hey.
00:50:08Thank you!
00:50:38Is this Mr. Aguirre Zabala speaking? Just a moment! He'll be right on the phone!
00:50:45Mr. Aguirre Zabala, Zurich conference! Zurich conference! Urgent!
00:50:59Lady...
00:51:04Lady...
00:51:06You're an idiot! You're not going to ruin everything! Now it's time for a romantic tone!
00:51:14Look! Look! Look and learn!
00:51:27This has fallen down.
00:51:29Oh! But are you wearing a wig?
00:51:37Yes. I felt uneasy carrying mourning in my heart and mahogany in my head.
00:51:41Admirable! Touching! To hide with this! So much beauty for a year!
00:51:50What you must have suffered.
00:51:56In the midst of it all, the poor thing deserved it.
00:52:00What was his name?
00:52:01Tarsicius.
00:52:02Tarsicius.
00:52:03Tarsicius.
00:52:04Tarsicius. The truth.
00:52:07Do you think this saint's suffering should be prolonged even further?
00:52:11Thank you, Tarsicio.
00:52:17Lady...
00:52:18Beatriz...
00:52:20You have the right to rebuild your life. The financial issue has already been resolved.
00:52:23Yeah!
00:52:25But what about the emotional aspect?
00:52:30She is alone in the world.
00:52:32You need a man by your side.
00:52:34And that man...
00:52:36It's me.
00:52:38I, Beatriz.
00:52:39Ramón...
00:52:41Fontecha.
00:52:43Feelings.
00:52:45Don't stifle your feelings.
00:52:48Give up.
00:52:50Tarsicius is dead.
00:52:52Ramón...
00:52:55Position.
00:53:05Guard!
00:53:06Porceda!
00:53:07There!
00:53:08One moment.
00:53:09I've done what I could, but you...
00:53:11Just a moment, just a moment.
00:53:12Please, Mr. Fontecha.
00:53:13You see it.
00:53:15And on top of that, they throw away the accessories.
00:53:17This thought crossed my mind.
00:53:19Serenity, serenity.
00:53:20One moment.
00:53:21One moment.
00:53:22This is trespassing.
00:53:23Do you have a court order?
00:53:25It's not necessary.
00:53:26Here, the gentleman has filed a complaint for repeatedly throwing objects onto his balcony.
00:53:32No!
00:53:33Personally, I am.
00:53:35Because I would change places and they would look for me.
00:53:39Let's see.
00:53:40Whose accessories are these?
00:53:42The accessories...
00:53:44Property of Mrs.
00:53:45But there was no intent.
00:53:47No.
00:53:48Ma'am, I'm sorry, but you have to come with me to the police station.
00:53:59But, madam, if you would explain to me...
00:54:03Can you give me the balance?
00:54:04Or have they spent it?
00:54:05Excuse me, but half of them are 100-euro bills.
00:54:07Do you see it?
00:54:08They don't even have thousand-peso bills left.
00:54:11No.
00:54:12You can expect anything from this site.
00:54:14I don't understand, ma'am.
00:54:15That allusion has some complaint.
00:54:18Didn't the staff treat him with the courtesy that is proverbial to us?
00:54:21Regarding the proper conduct of their staff.
00:54:24I would have a lot to say, but about their staff...
00:54:28It's very personal.
00:54:30Accompany the lady to a taxi.
00:54:32I'm not holding her back because I understand that at this moment it's impossible to change her mind.
00:54:35But if you'll allow me, I'll visit you.
00:54:37I will make her see the danger it poses to a woman alone and defenseless.
00:54:40handling such a large quantity.
00:54:43In the current situation...
00:54:45But you too.
00:54:47You too, given the current situation.
00:54:49Good morning!
00:55:03The head of personnel!
00:55:05An investigation?
00:55:07An investigation, yes.
00:55:09From the last button it's upwards.
00:55:11I have received a confidence from the outside.
00:55:12Because in this house, as usual, I never find out anything from the inside.
00:55:15Listen, Rovira.
00:55:16Look, if you locate the culprit responsible for the loss of those two million pesetas,
00:55:20I will inform the council so that they grant you this.
00:55:24However, if you cannot locate it, I will inform the council so that they can point you to that one.
00:55:29The front door!
00:55:30But what is it about?
00:55:34I can't tell you here.
00:55:35It's very confidential.
00:55:37Huh?
00:55:38Where could we meet?
00:55:40I don't know, on the street, when I go out...
00:55:42No, not in the street.
00:55:43I need to talk to him in a discreet place.
00:55:45In his study, perhaps.
00:55:48In the studio?
00:55:49But you, the computer...
00:55:51Tell me the address and the time.
00:55:54And above all, be prudent, for the love of God.
00:55:56Yeah.
00:55:57I'm risking my job, my reputation.
00:55:59Yeah.
00:56:00Everything, everything.
00:56:01Argensola Square, twelve.
00:56:02At five o'clock.
00:56:03At five o'clock.
00:56:04Okay, okay.
00:56:05It's not worth it, Miguel.
00:56:07There is a new piece of information.
00:56:08She said yes.
00:56:09And how did he say it?
00:56:11But you didn't say you didn't like it.
00:56:13And I don't like it.
00:56:14But at least it will help to offset some of the expenses.
00:56:22Do you realize?
00:56:24He says maybe.
00:56:25Sometimes a maybe is a possible.
00:56:34How awful!
00:56:38I don't even know how I dared to come here.
00:56:39Don't worry.
00:56:40What would you like to drink?
00:56:41Whiskey? Gin?
00:56:42A linden tea.
00:56:43What do I have?
00:56:44Linden.
00:56:45Then I'll have to call the neighborhood.
00:56:46No, that would be much worse.
00:56:47The waiter could see me.
00:56:49Give me anything.
00:56:50I feel like I'm suffocating.
00:56:52A cordial, a cordial.
00:56:53I get chills,
00:56:54imagining what these walls must have seen,
00:56:56with all those indecent figures.
00:56:59Art is only indecent when it is bad.
00:57:02Clear.
00:57:04But sit down, sit down.
00:57:09We put on some music
00:57:10and we chatted like two good friends.
00:57:13But here, have some cordial.
00:57:15No.
00:57:16Not on the sofa, okay?
00:57:17I remain standing.
00:57:19The thing is...
00:57:20Do you want to dance?
00:57:22Who do you think I am?
00:57:23I only dance to regional music.
00:57:26You have to promise me that you will respect me.
00:57:28Fiance.
00:57:30Come on, sit down, sit down.
00:57:32But drink, drink some cordial.
00:57:38Do you see it?
00:57:39All that promising is already making him imagine who knows what.
00:57:42With music, if you don't get close, you can't talk.
00:57:47It's my fault, but what can I do?
00:57:49Although I know you are a great sinner, you inspire sympathy and pity in me.
00:57:54Is...
00:57:55It's like an inner force that compels me to save him from the horrible life he leads.
00:57:59Yes, save me.
00:58:01Save me!
00:58:02Ah!
00:58:04He kissed me.
00:58:05Well, but in the hand.
00:58:06That's not important at all.
00:58:08The thing is, nobody has ever kissed me, not on the hand or anywhere else.
00:58:11I...
00:58:12I'm going to teach him so he doesn't take any risks, okay?
00:58:16Here, for example.
00:58:19This is a chaste kiss.
00:58:20Her brother could give it to her, a friend...
00:58:23That's true.
00:58:26This one, for example...
00:58:28Nothing, just a child...
00:58:30A child could give it to him while playing.
00:58:32Innocent, a child...
00:58:34Drink, drink.
00:58:35The cordial will intone it.
00:58:36He...
00:58:37He...
00:58:38The cordial.
00:58:39Drink, drink, drink, drink.
00:58:40The cordial.
00:58:41Drink, drink, open your mouth here and pour it in.
00:58:42The cordial.
00:58:43The cordial.
00:58:44The cordial.
00:58:45It has a tiny droplet.
00:58:46A tiny drop of cordial.
00:58:47But...
00:58:48The cordial will not be dangerous.
00:58:49No, no, no.
00:58:50No way.
00:58:51No, no, no.
00:58:52The dangerous part comes now.
00:58:53He's coming now.
00:58:54If a man takes it like that...
00:58:56And she clings to him...
00:58:58And he hugs her...
00:58:59And taking advantage of his...
00:59:01Release tension.
00:59:02Because the...
00:59:03She has modesty...
00:59:04Immobilized.
00:59:05Socent!
00:59:06No, leave me alone, leave me alone.
00:59:09I didn't come here for this.
00:59:11No, leave me alone.
00:59:12I have come to warn you.
00:59:13The office is open to investigation.
00:59:15The office is open...
00:59:16The office is open...
00:59:17Ah.
00:59:18Me...
00:59:19He called me.
00:59:20And the other one?
00:59:21Here.
00:59:22Here I am.
00:59:23Happens.
00:59:24Yes sir.
00:59:25As head of accounting...
00:59:26As a colleague...
00:59:27And as a union liaison...
00:59:28I want you to know that because of the staff...
00:59:29And as for me...
00:59:30Nobody will know anything.
00:59:31A little cigar?
00:59:32Already.
00:59:33In this template of cousins...
00:59:34Because?
00:59:35He called me.
00:59:36And the other one?
00:59:37Here.
00:59:38Here I am.
00:59:39Happens.
00:59:40Yes sir.
00:59:44As head of accounting...
00:59:45As a colleague...
00:59:46And as a union liaison...
00:59:48I want you to know that because of the staff...
00:59:51And as for me...
00:59:52Nobody will know anything.
00:59:54A little cigar?
00:59:57Already.
00:59:59In this template of cousins...
01:00:01You guys are awesome.
01:00:02Thank you.
01:00:03You are welcome.
01:00:04And I'm telling you this.
01:00:05I've been here for 27 years...
01:00:07And I haven't even dared...
01:00:09To have a serious friend.
01:00:13They didn't even care about the investigation.
01:00:14Understood?
01:00:16You do your own thing.
01:00:17That's what young people are for.
01:00:18You do your own thing.
01:00:48Are you sure this is it?
01:01:05These are the signs.
01:01:08Wait.
01:01:11Listen...
01:01:12Where do Roman soldiers rehearse...
01:01:13For the Easter parade?
01:01:15Keep going that way.
01:01:16They're in the murals.
01:01:17Ah...
01:01:23Is there a wheel?
01:01:24He just told me...
01:01:25The detective agency...
01:01:26They were walking on a track.
01:01:28Perhaps tomorrow I can introduce you...
01:01:29Conclusive evidence...
01:01:30Let's see if it's true.
01:01:31You know.
01:01:32Or the gold badge...
01:01:34Or the front door.
01:01:42What? Last night...
01:01:43Man...
01:01:44Don't overdo it.
01:01:45Excesses have consequences.
01:01:46Yeah.
01:01:47Let's see...
01:01:48Attention!
01:01:49Century!
01:01:50Line up!
01:01:51Fentuary!
01:01:52Fentuary!
01:01:53Line up!
01:01:56Fentuary!
01:01:57Fentuary!
01:01:58Fentuary!
01:01:59Fentuary!
01:02:00Fentuary!
01:02:01Fentuary!
01:02:02Fentuary!
01:02:03Fentuary!
01:02:04Fentuary!
01:02:05Fentuary!
01:02:16Fentuary!
01:02:17Fentuary!
01:02:18Fentuary!
01:02:19Fentuary!
01:02:20Fentuary!
01:02:21Fentuary!
01:02:22Fentuary!
01:02:23Fentuary!
01:02:24Fentuary!
01:02:25Fentuary!
01:02:26Fentuary!
01:02:27Fentuary!
01:02:28Fentuary!
01:02:29Fentuary!
01:02:30Fentuary!
01:02:31Fentuary!
01:02:32Fentuary!
01:02:33Fentuary!
01:02:34Fentuary!
01:02:35Fentuary!
01:02:36Fentuary!
01:02:37Fentuary!
01:02:38Fentuary!
01:02:39Fentuary!
01:02:40Fentuary!
01:02:41Fentuary!
01:02:42Fentuary!
01:02:43Fentuary!
01:02:44Fentuary!
01:02:45Fentuary!
01:02:46That?
01:02:48Instead of Romans, they look blind.
01:03:09Where are they?
01:03:10Right here.
01:03:11Sure?
01:03:11They entered half an hour ago.
01:03:12Come on.
01:03:16Here.
01:03:22Happens.
01:03:23No no.
01:03:24You first.
01:03:25Go ahead.
01:03:43Who is it?
01:03:44A telegram, ma'am.
01:03:50What do you want?
01:03:55Sorry.
01:03:56It was a regrettable mistake.
01:03:58It was a mistake.
01:03:59Well, it's not funny at all.
01:04:00You have compromised a client and also ruined a service for me.
01:04:07Because what happened last night, even if you think otherwise, was a difficult service.
01:04:12Or do you think this badge is given away for free?
01:04:14Uh, a mistake, a mistake by the detective, who is professionally trained.
01:04:19But now I do have a lead.
01:04:21Look, February 15th, a charge of a telephone bill for 226.50 was made to the account of employee Ramón Fontecha.
01:04:29On the same date, a payment of 113.25 was made from the account of employee Miguel Aguirre Zavala.
01:04:36So what?
01:04:37They pay 50% for a phone that isn't the one in their apartment.
01:04:40And I've heard rumors.
01:04:43A study.
01:04:45Do you understand?
01:04:46A study?
01:04:47Forward!
01:04:48What happens now?
01:04:51Doña Beatriz Redondo, widow of López.
01:04:55Out!
01:04:56Out!
01:04:56Go ahead, hit me!
01:04:57Come on, let's go!
01:04:58Come on!
01:04:58And you too!
01:04:59Come on, get out!
01:05:01Lady.
01:05:11Benedict?
01:05:12Benedict?
01:05:18Beatriz.
01:05:26Benedict!
01:05:26Beatriz!
01:05:27Benedict!
01:05:28Beatriz!
01:05:29Benedict!
01:05:31A consultation?
01:05:33Financial advice, yes sir.
01:05:35And very serious.
01:05:37And tell me, tell me, what kind of clientele comes to that consultancy?
01:05:42Oops!
01:05:42A great clientele.
01:05:44Religious men, nuns, missionary priests.
01:05:47Well, my reports mentioned a study.
01:05:50You...
01:05:50You understand me now.
01:05:52Who is it?
01:05:53Don Ramón and Don Miguel!
01:05:54Ha ha ha!
01:05:55That's outrageous!
01:05:57Such is the power of gossip.
01:05:59Look, since you gave me one hundred pesetas, I'm going to tell you the truth.
01:06:03The two of them are what you'd call a bunch of idiots.
01:06:06Nothing.
01:06:07They don't even eat a doughnut.
01:06:10Take my word for it, I have experience.
01:06:12Ha ha ha!
01:06:17To smell roses, you need a bigger nose.
01:06:28Okay, okay.
01:06:34Miguel, they've taken away my flowers.
01:06:37All?
01:06:38For me, only three.
01:06:42The four of them.
01:06:43So, a study, huh?
01:06:46How funny!
01:06:53And now they've made a fart sound at me.
01:06:55What does it say?
01:07:21Foreigners.
01:07:21As foreigners?
01:07:22Yes, there are...
01:07:24Foreigners?
01:07:25Yeah.
01:07:27Of course, foreigners!
01:07:32Don't you understand?
01:07:33No.
01:07:33The scandal has to be on an international scale, with foreigners, naturally.
01:07:38Ah, but you think the scandal...
01:07:39It's mandatory, Miguel.
01:07:41An orgy that will scandalize the city and restore our prestige.
01:07:44Let there be no doubt about our honor.
01:07:46But then they throw us out onto the street without any recourse.
01:07:48One can live without prestige, but not in a state of disrepute.
01:07:54That.
01:08:12There are two of them.
01:08:14Foreigners.
01:08:22Yeah.
01:08:23They say I'm going.
01:08:24That?
01:08:25Hey, let's go for a while.
01:08:26Do you give the guatir or do you give the campaign?
01:08:29In our studio.
01:08:31Be partners.
01:08:32OK.
01:08:39Thank you.
01:08:42Moi, Monique, Brigitte, doll.
01:08:46Me, Brigitte, don't speak, because I'm Swedish.
01:08:50Monsieur.
01:08:53Nice to meet you.
01:08:53Sleep, sleep, sleep.
01:09:12Forward.
01:09:14Happiness!
01:09:15Happiness!
01:09:16And no shyness.
01:09:18We need to reach the point of an orgy, a scandal, on an international scale.
01:09:22It's the only way we have to rehabilitate ourselves.
01:09:26No, but yes, I already am.
01:09:27But we can have a little fun along the way, right?
01:09:29Uh!
01:09:30Opala!
01:09:31Opala!
01:09:32Bombasel!
01:09:33Music.
01:09:34Music, Miguelito.
01:09:35At full volume.
01:09:36Here you go, beautiful.
01:09:36Selman, a towel?
01:09:39Everything, everything.
01:09:40Brigitte, he's not going to come out.
01:09:43He's very, very, how do you say it?
01:09:44Hey?
01:09:45Very modest.
01:09:46But she's not Swedish.
01:09:48Go on, look for him, find him something.
01:09:49Chin, ching.
01:09:50On one side.
01:09:51Let him find something for her.
01:09:52Yes, but yes, anything.
01:09:54Anything.
01:09:54They throw bread at you, not very masturbating.
01:09:57Well, it's been in the fridge for a long time.
01:10:00Flowers, flowers of Spain.
01:10:04Did they laugh at eating?
01:10:05Who's going to eat you?
01:10:06It's me, beautiful.
01:10:07Ah, Mom.
01:10:09I have been hungry.
01:10:11Hey, fam, fam, fan what?
01:10:13I'm hungry.
01:10:17Ah, a telephone, a telephone.
01:10:18And the man quickly phoned.
01:10:20Call me quickly.
01:10:22Immediately.
01:10:26Hello.
01:10:27Mua, mua, mua, mine.
01:10:30Long live spring!
01:10:32You here, here.
01:10:34More comfortable.
01:10:35This is more comfortable.
01:10:37Here, here.
01:10:40Ah, wait, phone.
01:10:41Ah, back.
01:10:43Number, number.
01:10:45Number, number, number.
01:10:46Two, twenty-two, fourteen, with twenty-two in front.
01:10:51Champagne.
01:10:53What to eat?
01:10:54Mua, a sandwich, three, three, three big ones.
01:10:57Very, very big.
01:10:58Of, how do you say it?
01:11:00Ham.
01:11:01Ham, that's it, ham.
01:11:02And for the Swedish one, one of chorizo.
01:11:06Two big ham and chorizo sandwiches, no matter the cost.
01:11:09And urgently.
01:11:10L, m, b, l, chorizo.
01:11:11And ham and chorizo.
01:11:13Champagne, girls, we have to drink.
01:11:15Champagne.
01:11:16Loli, b, b, b, b.
01:11:17A sandwich, a sandwich.
01:11:19Long live Sweden!
01:11:20A sandwich.
01:11:21Long live Felicia!
01:11:21Long live Spain!
01:11:23I think you can say goodbye.
01:11:24Now we begin our own unique European Union.
01:11:28A champagne sandwich.
01:11:30No, no, no, no, no.
01:11:32A ham sandwich and a chorizo sandwich.
01:11:35Big, big, very big.
01:11:37Big.
01:11:38Champagne, champagne, come on.
01:11:39No, no, no, come on, come on.
01:11:41You're from another business.
01:11:43Another business deal.
01:11:44Negotiated.
01:11:44I, I, I will teach Spanish.
01:11:50Spanish for revelry.
01:11:52In, in, in Spanish, kiss, kiss.
01:11:58In Spanish, flowers in Spanish.
01:12:01Flowers, remove flowers to see the landscape.
01:12:04Flowers.
01:12:09Champagne.
01:12:10Take a bottle.
01:12:11Already.
01:12:14You're a genius, Ramón!
01:12:24What an orgy, what an orgy!
01:12:25This is transcendent!
01:12:27Transcend, Miguelito!
01:12:31It needs to be left to dry.
01:12:32You need to put it out to dry, otherwise you might catch a chill.
01:12:35Listen, wet clothes, I'm telling you, are a dog.
01:12:38It makes me want to wrap myself up, it makes a towel!
01:12:41It's the same, it's the same.
01:12:42Give it to me, give it to me, give it to me.
01:12:43The washcloth, the towel, the towel, the towel.
01:12:45How terrible!
01:12:46And the little gift?
01:12:48Cheers, cheers!
01:12:50Cups for the orgy!
01:12:51Cups!
01:12:52Le petit qué?
01:12:53The little gift.
01:12:55The small gift, because I suppose you'll give us a gift, right?
01:12:59Ah, yes, yes, yes.
01:13:00Sandwich, champagne, chorizo, everything, everything.
01:13:03Combian! Combian!
01:13:04So, how much?
01:13:07How much what?
01:13:07How much what?
01:13:08No, Montpetichu, first he fell.
01:13:13How much?
01:13:14How much are you going to give us?
01:13:15But don't you do this as a hobby?
01:13:17Come on, let's go!
01:13:19But you said you were French, and from Pigal.
01:13:22I'm not French at all, handsome.
01:13:24I spent three months in Paris as a maid, and now I'm taking advantage of the language.
01:13:28Already.
01:13:28No, the Swedish one, leave her alone.
01:13:30But how Swedish!
01:13:32Cut it out, Vicentica, we've got some frogs on our hands!
01:13:34Native of Sueca, province of Valencia.
01:13:37Come on, let's go, girl.
01:13:38You see, this is what happens to us for not being satisfied with the truckers.
01:13:41Now those are some serious people.
01:13:42They come in for a check-up every thousand kilometers.
01:13:44But what's going on?
01:13:45The orgy, the orgy is over.
01:13:46One moment!
01:13:48People understand each other when they pay.
01:13:49He and I are willing to pay for the cadóet.
01:13:52Okay, so how much is...?
01:13:53Two thousand.
01:13:54Both, of course.
01:13:56Two thousand what?
01:13:57Pesetas!
01:13:57So, how much do you have that I don't...?
01:14:00But what for?
01:14:01Besides, I have nothing.
01:14:03I have to bring thirty pesetas.
01:14:05Thirty pesetas, if that.
01:14:07Handsome guys, they save money.
01:14:09Let's go, Vicentica.
01:14:10Put up with!
01:14:11How is!
01:14:11Hey, you!
01:14:12Curry them!
01:14:12Hey!
01:14:14Give me that!
01:14:14Give me the clothes!
01:14:15No, what...
01:14:15What are you doing there?
01:14:17Wait, I'm coming!
01:14:17Already!
01:14:18Already!
01:14:18Already!
01:14:20Wait!
01:14:20Take it, take it, take it!
01:14:21Oh!
01:14:22No!
01:14:23Oh!
01:14:23Give it to me!
01:14:24What are you doing?!
01:14:27Ah!
01:14:32Come here, hey!
01:14:33Come in, belly in!
01:14:36Here it goes!
01:14:37Here it goes!
01:14:38Watch out there!
01:14:38There, you rascal, Don Abu!
01:14:41What a provocation!
01:14:44Let's go!
01:14:45There!
01:14:46Let me!
01:14:47Let's go!
01:14:48Let's go!
01:14:49Let's go!
01:14:49Let's go, let's go!
01:14:50Let's go!
01:14:50Let's go!
01:14:50Let's go!
01:14:51Let's go, let's go!
01:14:52Let's go, let's go!
01:14:53Let's go!
01:14:54Lonos, let's go!
01:14:55Oh, yes!
01:14:55Oh, yes!
01:14:56And if!
01:14:56The sandwiches!
01:14:58Yes, yes!
01:15:00The sandwiches! The sandwiches have arrived! The sandwiches!
01:15:09Miguel! This is huge! We're saved! To the police station! To the police station!
01:15:17Good morning, police.
01:15:23This way, Father.
01:15:24Thank you.
01:15:26Savages. First they drugged us, then they threw us out onto the street.
01:15:35Good morning, father.
01:15:36Good morning, father.
01:15:37The situation is incalculable.
01:15:42I ask for justice and protection.
01:15:50They took our clothes off without the slightest consideration. These gentlemen are anything but gentlemen.
01:15:55We drink our drinks like this.
01:16:01Yes, the end, and how. How naked! How shameful! Terrible!
01:16:08I demand immediate expulsion.
01:16:11I would talk to them.
01:16:12I would talk to them.
01:16:13You and your modernist ideas. Look what you've brought us.
01:16:18And what about the advisors? What advice do they give? Because that's what they're paid for, right?
01:16:22We will do what the church says.
01:16:23Whatever the church says.
01:16:24Dialogue.
01:16:25Condemnation.
01:16:26If you'll allow me. The fact is that the staff are showing solidarity with those reprehensible individuals.
01:16:31As?
01:16:32Yes, Mr. President. I have been informed that if they are expelled, they will resort to collective bargaining.
01:16:37In my opinion, there would be an intermediate solution.
01:16:42Fire just one person?
01:16:43No. Transfer both of them to our Ceuta branch.
01:16:49Okay. Let them go to Ceuta!
01:16:55Do you really think the link will have raised the labor dispute?
01:16:59Sure. But stop torturing yourself.
01:17:03Hey, what time did Clara say she was coming?
01:17:06He should already be here.
01:17:08Why don't you stay here by yourself? I could wait downstairs at the bar.
01:17:12No no.
01:17:13Man, he quoted you.
01:17:15It doesn't matter. We're both responsible.
01:17:19There it is. That must be it.
01:17:20I hide.
01:17:21No, no, no. We're partners. We're partners.
01:17:24You're embarrassed. He won't say anything.
01:17:25No.
01:17:28The doorman called me Agustina de Aragón.
01:17:35And he's right, isn't he?
01:17:36Yeah.
01:17:36I don't know how I dared to come here.
01:17:38It doesn't come off.
01:17:38After what has happened.
01:17:40The board. What has the board of directors said?
01:17:42Give me something to drink.
01:17:43Yes, yes.
01:17:44I want to say a little cordial.
01:17:45Yes, cordial.
01:17:46I can barely speak.
01:17:47Cordial, cordial.
01:17:48And you're so calm. You must be proud.
01:17:51Are you planning to frame this?
01:17:53Well, either they fire us or they don't.
01:17:58What a scare!
01:18:05If you could have seen the faces they were making.
01:18:07They're kicking us out.
01:18:08They're kicking us out.
01:18:11If only he were sorry.
01:18:14A point of constriction gives a man salvation.
01:18:16He already knows.
01:18:17When my mother finds out.
01:18:18It has stained me.
01:18:22It has stained me.
01:18:23Oh my God.
01:18:24But why have I come?
01:18:25Don't worry.
01:18:26Don't worry.
01:18:27It's alcohol.
01:18:28It dries quickly.
01:18:29Immediately.
01:18:30Yeah.
01:18:30And the smell?
01:18:31What will my father say when he smells my jacket?
01:18:33But his father smells his jackets.
01:18:35Yes sir.
01:18:36I have to wash it.
01:18:37Where is there water?
01:18:38No.
01:18:38Not in the bathroom.
01:18:39On the rocks.
01:18:39Better with ice.
01:18:40On the rocks.
01:18:41What nonsense.
01:18:42You're even cold about that.
01:18:43On the rocks.
01:18:44You have no shame.
01:18:46You have been abandoned by God.
01:18:48That is.
01:18:48Clara.
01:18:49Clara, please.
01:18:50Oh, don't look at me, don't look at me.
01:18:51I don't look at her, I don't look at her.
01:18:52I don't look at her, I don't look at her.
01:18:54Clara, you have to intervene.
01:18:55Tell the director that...
01:18:56When will my father smell it?
01:18:57When will I smell it?
01:18:58A towel.
01:18:58A towel.
01:18:59A towel.
01:19:00Something to cover myself.
01:19:01His jacket.
01:19:01Bring your jacket.
01:19:02The jacket.
01:19:03Oh my God.
01:19:04How am I going to get home now?
01:19:06Dishonored.
01:19:07Disgraced forever.
01:19:09Clara, Clara.
01:19:10Get out, get out, get out.
01:19:12It will be better.
01:19:12Leave.
01:19:13Do not touch me.
01:19:13Clara, please.
01:19:14I haven't done anything.
01:19:16Nothing.
01:19:16It's all been a fabrication.
01:19:18Everything is ready.
01:19:19We had to regain our prestige in the eyes of our colleagues, I swear.
01:19:23And on top of that, a liar.
01:19:25No, no.
01:19:26Look, look.
01:19:27Oh, for your sake.
01:19:29Oh dear.
01:19:29The accounting of the study.
01:19:31Look.
01:19:32Look, you'll see.
01:19:34Here's the problem.
01:19:35Furniture, the boat.
01:19:37The liquors, the picú, the paper flowers.
01:19:40Almost 60,000 pesetas.
01:19:42All my savings.
01:19:44And on the positive side, look.
01:19:45Maribel, zero.
01:19:47The monitor, zero.
01:19:48Clara, you, zero.
01:19:50Two o'clock, zero o'clock.
01:19:52Total, zero.
01:19:53Then it counted me too.
01:19:55I came with the best intentions.
01:19:57No, I already know.
01:19:58And I want you to know one thing.
01:20:00You're the only girl I've ever kissed for free.
01:20:04Really.
01:20:05In other words, for love.
01:20:07Yes, for love.
01:20:08You can tell the principal.
01:20:10And I'd like to do it again.
01:20:13Because I, I...
01:20:14No no.
01:20:14No, no, Miguel.
01:20:16If you, if you love me, we must wait.
01:20:19Wait, wait.
01:20:19How can I wait?
01:20:20If it's the first time that I, I, I, I.
01:20:22I swear.
01:20:23No, no, no, no, don't take advantage of my weakness.
01:20:29I can't defend myself.
01:20:30No, no, no, promise me you'll fix it.
01:20:35Promise.
01:20:35The jacket, the jacket, take off your jacket.
01:20:38No, no, not the jacket.
01:20:39No, no, no, I am a poor, defenseless woman.
01:20:44Respect me, look.
01:20:46Respect!
01:20:47You're not going to fix it, man.
01:20:48Yes, Clara, I'll do whatever you want.
01:20:50Whatever you want.
01:20:52I swear.
01:20:55I'll fix whatever it is.
01:20:56No, no, no, no, no.
01:21:26No, no, no, no, no, no.
01:21:56Thank you so much.
01:21:57Not the pay of a donkey, the pay of a nag.
01:21:59A hug.
01:22:00Thank you so much.
01:22:00And now for the dozen.
01:22:03Miguel, you only live once.
01:22:05Yes, but so bad.
01:22:06Congratulations.
01:22:07Thank you so much.
01:22:07Congratulations.
01:22:08And how was it?
01:22:10Nothing, we just decided it like that, suddenly.
01:22:13Thank you so much.
01:22:13Congratulations.
01:22:14Thank you so much.
01:22:16Congratulations.
01:22:16Thank you so much.
01:22:17Thank you so much.
01:22:18Congratulations, son.
01:22:19Thank you so much.
01:22:20Congratulations.
01:22:21Thank you so much.
01:22:22Thank you so much.
01:22:26Congratulations, sir.
01:22:41Thank you so much.
01:22:41Thank this angel that we didn't send you to Ceuta.
01:22:46Congratulations.
01:22:47Congratulations, son.
01:22:49Congratulations.
01:22:49And congratulations.
01:22:50Thank you so much.
01:22:51You realize that, Father.
01:22:52God writes straight with crooked lines.
01:22:55Congratulations.
01:22:56Thank you so much.
01:22:57Congratulations.
01:22:57Thank you so much.
01:22:59Miguel.
01:22:59Thank you so much.
01:23:00Let's see.
01:23:00I'm leaving.
01:23:02But how?
01:23:03Aren't you coming to the banquet?
01:23:04No no.
01:23:04I have to pack my suitcase.
01:23:06And don't worry about debts.
01:23:07I sold the car.
01:23:09I've paid everything.
01:23:14Bye bye.
01:23:16Hey, but...
01:23:17Wouldn't there be any way for you to stay?
01:23:18A little to the right.
01:23:19A little to the right.
01:23:20Yeah.
01:23:20No.
01:23:34I'm going to Ceuta.
01:23:36To Ceuta, Miguel.
01:23:50A little to the right.
01:24:20A little to the right.
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