- hace 7 semanas
Reparto: Paco Martínez Soria, Isabel Garcés, José Sacristán, Maruja Bustos, Manuel Zarzo, Elvira Quintilla, Guadalupe Muñoz Sampedro, Belinda Corel, Emilio Laguna, Valeriano Andrés, Maribel Hidalgo, Marcelo Arroita-Jáuregui, Beni Deus
Dirección: Pedro Lazaga
Leandro, un viudo de sesenta y cinco años, vive alternativamente en casa de su hija y de su hijo, ambos casados. Dadas sus circunstancias, tiende a creer que padece todo tipo de enfermedades, por lo que ingresa en un sanatorio. Elena, una solterona llena de manías que vive con una hermana y una sobrina, es también una hipocondríaca que acaba en el hospital. Cuando ambos se conocen, se sienten atraídos y empiezan a verse a escondidas, pero cuando la familia se entera, ve el idilio como un escándalo.
Dirección: Pedro Lazaga
Leandro, un viudo de sesenta y cinco años, vive alternativamente en casa de su hija y de su hijo, ambos casados. Dadas sus circunstancias, tiende a creer que padece todo tipo de enfermedades, por lo que ingresa en un sanatorio. Elena, una solterona llena de manías que vive con una hermana y una sobrina, es también una hipocondríaca que acaba en el hospital. Cuando ambos se conocen, se sienten atraídos y empiezan a verse a escondidas, pero cuando la familia se entera, ve el idilio como un escándalo.
Categoría
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CortometrajesTranscripción
00:00:00Music
00:00:29You are here, come in, come in.
00:00:34I was dictating some reports to my secretary. We'll continue later, Beatriz.
00:00:39Well, you see. I'm a doctor. General medicine. No specialties.
00:00:46I hate specialties. Almost as much as that Dr. Gannon, who can rub you down or transplant a heart.
00:00:53And besides, no one dies, even though his patients have extremely complicated conditions.
00:01:01I, on the other hand, am going to talk to you about those sick people who die of nothing.
00:01:09Yes, yes, yes.
00:01:10You are welcome.
00:01:11They come to the consultation saying that their heart, liver, and kidneys hurt, that they are in terrible condition.
00:01:18I recognize them. They have nothing, but they insist.
00:01:21I'm dying, doctor.
00:01:22I'm going out like a candle.
00:01:25We do X-rays, we do tests, even a nail test, which I think is new.
00:01:31But there is something we do not analyze.
00:01:35The soul.
00:01:36That's why some of my colleagues say I'm crazy.
00:01:40Because I've been signing death certificates for a long time saying
00:01:44So-and-so died as a result of five bills with expenses.
00:01:50This woman died because her husband left her to go off with a slut.
00:01:55Don Ramón, because he was retired.
00:01:58And most of them because they feel lonely.
00:02:02And they die.
00:02:04We fill up on penicillin, yes, but...
00:02:06But they die.
00:02:08Especially about that.
00:02:10Of loneliness.
00:02:13Here is the proof.
00:02:14In these two cases.
00:02:16His name is Leandro.
00:02:18She, Elena.
00:02:21They both thought they were about to die.
00:02:28What, do you have it yet?
00:02:29Why don't we carry 091?
00:02:31Because what we need is an ambulance, not a guard.
00:02:34Yeah, yeah.
00:02:35Three, two.
00:02:36Three, two.
00:02:37Three, two.
00:02:37With two in front.
00:02:39No, not that one.
00:02:41Which is the firefighters'.
00:02:42It's just that one is so nervous.
00:02:43Well, anyway, don't worry, I'm not going to make it.
00:02:47Even if the firefighters take me.
00:02:50Come on, come on, you'll bury us all.
00:02:54I don't know about everyone.
00:02:56But some of me would like it already.
00:02:59Oh, Amalia, I'm dying.
00:03:11Take care of Ricky for me.
00:03:13No, no, a shot of whatever.
00:03:15What I'm going to do is call Dr. Bol.
00:03:17What for now?
00:03:19I must be sick.
00:03:21I think I have a man next to me giving me air.
00:03:24If it's Fermín, the goalkeeper.
00:03:26Oh yeah?
00:03:26Yes, well if I continue to fan myself with such enthusiasm,
00:03:31I'm going to get a real bad case of pneumonia.
00:03:34Oh, Beatriz, call an ambulance.
00:03:37Being a nurse they'll give you a discount, right?
00:03:56Tell him, tell him to run the lights, we're not going to make it.
00:04:26No, I just don't see the goalkeeper.
00:04:40If he came with us.
00:04:42You have ordered me to put the ships.
00:04:46The masses that are in San Francisco el Grande.
00:04:49Thank you!
00:04:50Thank you!
00:04:51Thank you!
00:04:52Thank you!
00:04:53Thank you!
00:04:54Thank you!
00:04:55Thank you!
00:04:56Thank you!
00:04:57Thank you!
00:04:58Thank you!
00:04:59Thank you!
00:05:00Thank you!
00:05:01Thank you!
00:05:02Thank you!
00:05:03Thank you!
00:05:33Thank you!
00:05:34Thank you!
00:05:35Thank you!
00:05:36Thank you!
00:05:37Thank you!
00:05:38Thank you!
00:05:39Thank you!
00:05:40Thank you!
00:05:41Thank you!
00:05:42Thank you!
00:06:04Is the doctor here?
00:06:05For your office.
00:06:08My sister!
00:06:09My sister!
00:06:10who is not in such a hurry, attends to the crumb.
00:06:13We arrived early, a little respect for a dying man.
00:06:19Ladies are always first.
00:06:21It occurs in shipwrecks.
00:06:24I don't know.
00:06:25What did he say to me? Let's see if I get off.
00:06:27Dad, please.
00:06:28Dad, he's going to fall, Ricky, be careful.
00:06:31You are not different, he shouts, you are not different,
00:06:33then your heart stops.
00:06:40Be careful, Palomita, with that long needle
00:06:56You can go through me and give the injection to the mattress.
00:07:00Be calm, relaxed, relaxed.
00:07:03I'm relaxing now, now.
00:07:06Already.
00:07:10Have I hurt you?
00:07:16No, nothing, I've barely noticed it.
00:07:21And you are wrong in one way.
00:07:24It's the last one.
00:07:26The doctor said he'll discharge him tomorrow.
00:07:28So soon?
00:07:29He just doesn't feel like going home.
00:07:31Well, the truth is, I...
00:07:36Come on, your hearing aid has fallen off again.
00:07:40Oh, thank you.
00:07:47This hearing aid thing is of no use to me.
00:07:52But they insist that I plug it in.
00:07:54And my hearing is failing me a bit, you know?
00:07:57On Mondays, Wednesdays and Fridays I hear something through this.
00:08:02And on Tuesdays, Thursdays and Saturdays for this one.
00:08:05And on Sundays?
00:08:07Book.
00:08:08Hey, Palomita, couldn't you operate on me for something?
00:08:14Easy, without much complication.
00:08:16You're always joking.
00:08:18I feel very comfortable here.
00:08:22I have two children, a son-in-law and a daughter-in-law.
00:08:25And four grandchildren and one on the way.
00:08:28I spend six months with some and six months with others.
00:08:31So, I'm leaving Málaga to get to Malagón.
00:08:37Hello, Dad.
00:08:38Hello, father-in-law.
00:08:40It's my son and daughter-in-law, from Malagón.
00:08:43Nice to meet you.
00:08:44How are things with you?
00:08:47Well, I don't know, at this rate I won't make it to Christmas Eve.
00:08:50Grandfather!
00:08:51Hey, boy!
00:08:51Hey, boy!
00:08:52Hello!
00:08:53Boy, you're going to get dizzy, Grandpa!
00:08:56No, what am I missing?
00:08:57Hello, Grandpa!
00:08:58Hey, boy!
00:08:59Leave it!
00:09:00Leave it!
00:09:01Abelo!
00:09:03Tell me a story!
00:09:04Yes, I'm here for stories!
00:09:06When are you coming home?
00:09:07When it's your turn.
00:09:09Grandmother!
00:09:09Have they opened your belly yet?
00:09:11What was inside?
00:09:12Shut up, you shameless bastard!
00:09:14Leave it, grandpa!
00:09:15Come on, let's go!
00:09:16It's not found here!
00:09:18Look at that strange bed!
00:09:19It has handlebars!
00:09:20To Maribel!
00:09:20Get off!
00:09:21Come on!
00:09:22Look, look!
00:09:23Leave it, grandpa!
00:09:24How's school going?
00:09:26We're on strike!
00:09:28It doesn't have music!
00:09:29Squeal, devil!
00:09:31Leave that!
00:09:32Leave that!
00:09:33Boy, I'm going to...
00:09:34Chirri, leave that!
00:09:35Dad!
00:09:35How bad it is!
00:09:37You've already killed Grandpa, huh?
00:09:39Who, me?
00:09:40Yes, you.
00:09:40Dad, dad!
00:09:42The glass!
00:09:43What, where is the glass?
00:09:44No, the glass.
00:09:47The left glass!
00:09:48To the arm, grandpa!
00:09:50Like this, like this, dad.
00:09:54Not even to the purest, my son.
00:09:57I don't even reach the immaculate.
00:10:02I don't find anything special about it.
00:10:04Ah, no.
00:10:06And what happens when my heart stops?
00:10:10Ah, but does it stop?
00:10:12Sometimes up to ten minutes.
00:10:14Well now the aunt.
00:10:15And the legs?
00:10:17Why do my legs fall asleep?
00:10:20Are you a widow?
00:10:22But I have the face of a widow, a single woman, my lord.
00:10:28And that's what I've had in games like that.
00:10:32Well.
00:10:33Do they live alone?
00:10:34No, with my granddaughter Beatriz.
00:10:36You already know that you are going to get married in a few days.
00:10:40I think all this wedding fuss is what's upset him.
00:10:43The wedding?
00:10:45But before Arturo asked her to have sex, I was already in a bad way, remember that.
00:10:52Perhaps you might benefit from a bit of distraction, a change of scenery, a trip to Alicante, for example.
00:10:59To Alicante, with so much nougat.
00:11:03Or to Paris.
00:11:04To Paris, with so many children.
00:11:07He has no illusions about anything, doctor.
00:11:10Well, we have to cheer up.
00:11:11You are still young.
00:11:13As soon as your granddaughter gets married...
00:11:15It's my sister's.
00:11:17We single women don't have granddaughters.
00:11:21Decent single women, of course.
00:11:24Well, as soon as you get married, you can go on a little trip too.
00:11:29You'll see how good it suits you.
00:11:32What a frivolous doctor.
00:11:35A woman who is about to leave for the other side and the prescription is a mile long.
00:11:42Your aunt is a very common case.
00:11:45He has nothing.
00:11:47She just wants to have something to make her important, to make people care more about her.
00:11:53We have a similar case right now.
00:11:55Don Leandro Cano, the one from 211.
00:11:58He has also insisted on dying.
00:12:01And what can we do?
00:12:02We prescribe them vitamins, cardiazol.
00:12:07Although what would be better for them would be a little hope, a little joy for life.
00:12:14It's a shame.
00:12:17He is a widower, she is single, they would make a good couple.
00:12:21At first I thought that such an unprofessional idea had fallen on deaf ears.
00:12:28That Beatriz wouldn't dare.
00:12:31But after all, she was a woman.
00:12:34He loved his aunt very much and also read photo novels.
00:12:39Then, imagination was set in motion.
00:12:43And anything can be expected from a woman with imagination.
00:12:49Some things are unmistakably American.
00:12:52Like the rich, authentic taste of Winston.
00:12:56Winston, number one in the USA.
00:12:59Oh, my wife is driving me crazy and I don't know why.
00:13:02Since I switched to Nelia, my skin is much finer and more attractive.
00:13:06Nelia is a younger, softer soap.
00:13:09It is the most moisturizing.
00:13:11It's worth being good to him.
00:13:12Don't screw me over.
00:13:13That.
00:13:14And he falls asleep, he doesn't unplug it, and one day we have a short circuit.
00:13:18I want to see the soap opera.
00:13:19And if I miss a chapter, I don't find out.
00:13:21And you don't need a hearing aid for that, right?
00:13:24Hey?
00:13:25I say that it seems to me that you only hear what suits you.
00:13:27Dad.
00:13:28What do you want, daughter?
00:13:31I left the ham, the biscuits, and the yogurt in the fridge for you.
00:13:34She is not happy.
00:13:36It's his night off.
00:13:37So I stay home alone.
00:13:39You know that tonight, Julio, has an engagement.
00:13:41The commitment will be if I have a heart attack.
00:13:43Let's see how I can call the night watchman now.
00:13:45That will not happen.
00:13:47No, sir, it will not fall.
00:13:48Don't get your hopes up.
00:13:50I've heard that, haven't I?
00:13:51As?
00:13:52Let me!
00:13:53Let's not start, Julio.
00:13:54Come on, let's go.
00:13:56Let's go.
00:13:57Oh, I forgot.
00:14:00They have brought this letter for you.
00:14:02For me?
00:14:03Ah, it must be from the bank.
00:14:04Give it to me, to ask for something.
00:14:08Thank you.
00:14:09Goodbye, daughter.
00:14:10Goodbye, Dad.
00:14:11Or some kind of credit card account, who knows.
00:14:13This is how he entertains himself watching his phone bills go up.
00:14:16Go on, when they see you dressed like that, they'll ask you for a coffee.
00:14:20A coffee for me.
00:14:20July.
00:14:23Damn.
00:14:24Julio, what are you like?
00:14:26A coffee.
00:14:27It will have been seen.
00:14:27I know you'll think I'm crazy, but an irresistible impulse moves me to write this letter.
00:14:49I am alone, very alone, and perhaps that is why I am addressing you, because you are also alone like me.
00:14:57I'm no longer at the age to flirt, but if you need someone to talk to, even about the weather,
00:15:08If you are excited to wear a new tie and have someone tell you that it is very cute,
00:15:13If mornings start too early for you and nights are too long,
00:15:19we will understand each other, because we are two soul mates.
00:15:23Leandro, I know you are serious, formal, elegant, rather tall.
00:15:35On the thin side.
00:15:39And handsome.
00:15:42He knows me, he knows me, he knows me.
00:15:44I should be ashamed of myself for addressing you without having been introduced,
00:15:51but the world is full of shameful and lonely women.
00:15:54If this letter deserves a reply from you,
00:15:57do it to the mailing list in the name of Flor Escondida.
00:16:01Hidden Flower.
00:16:03This is a plan.
00:16:04Dear Hidden Flower, your letter touched me because I too am alone and looking for company.
00:16:22But what's all this for?
00:16:25I don't know.
00:16:26The doorman gave me the letter and I thought it was for you.
00:16:29Ah.
00:16:30Let's see, let's see that thermometer.
00:16:32Thirty-five, two.
00:16:40Yes, yes, nothing works for me anymore.
00:16:43Yes, you must have put it on wrong.
00:16:45Disturbed, you are a disturbed person, turning crazy.
00:16:48Helenita.
00:16:50Rich, cute, Helenita, Helenita.
00:16:55But what is it? An advertisement?
00:16:57Hey, that's the weirdest ad I've ever seen.
00:17:02I offer you understanding, tenderness, formality and who knows, love.
00:17:08What a barbarity!
00:17:10I am as you describe me.
00:17:12Maybe a little shorter,
00:17:14But you already know that where the stature of a Spanish gentleman does not reach,
00:17:18the tip of his sword arrives.
00:17:20But who is it?
00:17:21Well, I don't know, sign king of hearts.
00:17:29He wants us to get to know each other, to become intimate.
00:17:33He says something about a sword.
00:17:35Aunt, you're 38.
00:17:42Yes of course.
00:17:44If this letter raises everything for you.
00:17:47Oops.
00:17:49Let's see.
00:17:49What a man, what a temperament.
00:17:55But the pity is that it is not for me,
00:17:58Because at my age, well, it's bad that I steal someone else's flirt.
00:18:05Naturally, because you haven't written any letters, right?
00:18:08Oh, not me, Crisparate.
00:18:11Besides, if I answer him, what am I going to say?
00:18:16Nothing, of course, because what he's asking you for is a date.
00:18:19Imagine, a date.
00:18:23That man would like me to say it.
00:18:25Yes sir.
00:18:25We'll meet at the cafeteria at such and such a time.
00:18:29And, to recognize each other, I will carry a bouquet of camellias in my hand.
00:18:34That's too much.
00:18:37But...
00:18:38Could you take Ricky?
00:18:39It's true?
00:18:41And he could wear a carnation in his lapel.
00:18:46No!
00:18:47Ah!
00:18:47Ah!
00:18:48Ah!
00:18:48Ah!
00:18:49Ah!
00:18:50Ah!
00:18:50Ah!
00:18:50Thanks for watching the video.
00:19:20Thanks for watching the video.
00:19:50Thanks for watching the video.
00:20:20Hidden? Hidden? And she's shoving it right up my nose? What does she want, for me to screw up?
00:20:25I don't think you understand me. I am the king of hearts.
00:20:29And I have the Jack of Clubs.
00:20:31But what a strange way they have of linking these autumnal ones.
00:20:34Now I never imagined you so, so, so...
00:20:38Hey, don't ring your bells anymore, the dog is mine.
00:20:44His?
00:20:45Yes sir.
00:20:45So you are...
00:20:47Yes, and you are the rude one from the sanatorium.
00:20:50At his age, wanting to flirt.
00:20:53Listen, ma'am, all I wanted was to give the dog a lump of bread.
00:20:57I have nothing to do with your flirt.
00:20:59Huh? What?
00:21:00Oh, and he's also deaf. He has every detail.
00:21:04Madam, take this beast off me.
00:21:06Wild? Come on, Ricky, tough.
00:21:09But listen, ma'am.
00:21:13The whole elbow?
00:21:15What do I do?
00:21:16Anything in this?
00:21:17Oh man!
00:21:17What do I do?
00:21:22Oh, poor thing!
00:21:24Oh, poor thing!
00:21:27Oh, poor thing!
00:21:30No!
00:21:31This!
00:21:32Pull, pull!
00:21:38The little dog, ma'am.
00:21:40Thank you so much.
00:21:41And it goes away like this?
00:21:43You see.
00:21:44As if the fuses had been removed from me.
00:21:47Have you tried taking daritran?
00:21:49Hey?
00:21:50A sacristan?
00:21:51No, daritran.
00:21:54It is the best for nervous coughs.
00:21:56Ah, yes.
00:21:57Well, I'll try it, yes, ma'am.
00:21:59You'll see how good it feels.
00:22:00You'll see.
00:22:01It's great.
00:22:01Sorry.
00:22:02Is the lady going to sit at that table?
00:22:06Well...
00:22:06I don't know.
00:22:08I was already leaving, but...
00:22:09I don't know what to do, leaving this sickly man here?
00:22:13No, don't do it for me.
00:22:15It's only my fault.
00:22:16No no.
00:22:16I hugged Ricky.
00:22:18I hugged him.
00:22:20What do we do then?
00:22:21Shall we sit down?
00:22:22Well...
00:22:22I don't know.
00:22:24Well, just a little bit, okay?
00:22:26One moment.
00:22:30Yeah.
00:22:31We're fine in that little corner.
00:22:33You have to forgive me.
00:22:39I'm rude.
00:22:40And a fool.
00:22:42Because look at believing that this young woman could be a hidden flower.
00:22:47The poor thing wasn't hiding anything.
00:22:50Sorry.
00:22:51What are you going to have, gentlemen?
00:22:53Coffee.
00:22:53No, I can't.
00:22:55No.
00:22:55The tension.
00:22:57Milk.
00:22:57If it is cold, it cuts off digestion.
00:23:00And if it's hot, it makes you sleepy.
00:23:02Yeah.
00:23:02Bring the tibia.
00:23:04We don't have a lukewarm body.
00:23:05Then bring two glasses of hot milk and a fan.
00:23:11Very good, yes sir.
00:23:17I understand that I have disappointed you.
00:23:19Would you expect a taller gentleman?
00:23:22Younger?
00:23:23Hey?
00:23:23No no.
00:23:24What nonsense.
00:23:26If it was a joke.
00:23:28How could you think I would take it seriously?
00:23:33Hey, you're not married, are you?
00:23:36No, ma'am.
00:23:37Because I am very decent.
00:23:39I am a widower.
00:23:40And you?
00:23:42Single woman.
00:23:43I'm going to sit on that side because since it's Wednesday, I can't hear well with this ear.
00:23:48Do you know?
00:23:49Very good.
00:23:51You said you were single, right?
00:23:52Yes, and without obligation.
00:23:55The only commitment I have is to pay the house first of the month.
00:23:59I live with my children, but I pay.
00:24:03You laugh very well.
00:24:05Yes, well I'm missing some pieces from the back.
00:24:09I wasn't in the mood to go to the dentist.
00:24:12Well.
00:24:14Milk of time.
00:24:16Sugar?
00:24:17Oh, sorry.
00:24:19Now I remember that milk attacks my liver.
00:24:23Don't you take drenol?
00:24:25No no.
00:24:26I'm getting by with the heparema.
00:24:27And for the stomach?
00:24:29Not this, a bitch.
00:24:30A white gurgle after meals.
00:24:32Well, we don't have that.
00:24:33But I can serve you gentlemen water with bicarbonate.
00:24:37Two linden infusions.
00:24:39The gentlemen are going to party, aren't they?
00:24:41This guy is quite unfriendly.
00:24:46If you want, we can go to another cafe.
00:24:48Although I warn you that walking doesn't suit me very well.
00:24:51Do you suffer from leg pain?
00:24:53Of the two.
00:24:54What a coincidence?
00:24:56Me too.
00:24:58There are times when I sleep two or three hours a day.
00:25:03Take cartio GB with vitamin B.
00:25:06Some little pills like this, the color of a desk.
00:25:10Well, it depends on what the office is like.
00:25:12Chipendal style, clear.
00:25:14Those, those.
00:25:17But the best for numb legs is iodamelis.
00:25:22Yodaminimini?
00:25:23No no.
00:25:24Yodamelis.
00:25:27And right now my blood isn't circulating.
00:25:32Let me make a note of that.
00:25:37Yodaminimini.
00:25:38Yodamelis.
00:25:40It's the best for sleepy legs.
00:25:43Dr. Bol prescribed it for me.
00:25:46Oh, that crazy guy treats her too.
00:25:47Oh, don't tell me you're a doctor.
00:25:50But how many things we have in common.
00:25:53He must have told you that you are as fit as a fiddle.
00:25:55Oh, if it were up to him, he'd be doing community service.
00:25:59Two linden infusions.
00:26:02Thank you.
00:26:03Thank you.
00:26:03With saccharin, eh?
00:26:05Just in case sugar doesn't agree with the gentlemen so well or badly.
00:26:09He wouldn't want us to go out for a drink more.
00:26:12To a terrace of rose bushes.
00:26:14I think there's a place that still sells debarked water.
00:26:17Ah, well, very well.
00:26:18Come on.
00:26:19Clear.
00:26:20This way they are closer to the clinic.
00:26:23And what do I do with the linden?
00:26:25Throw it into the flowerpots.
00:26:26With an aspirin they turn greener.
00:26:29Careful.
00:26:38Well, goodbye.
00:26:41We'll see each other tomorrow.
00:26:42I don't know, I don't know.
00:26:45Don't forget, Yoda, Melis.
00:26:47Yoda, melis and calcium GD with vitamin B.
00:26:51That's it, that's it.
00:26:51But, B from Barcelona.
00:26:53Yes, yes.
00:26:56And Ectonona Orba.
00:26:59Ectonona Orba.
00:27:01Orba.
00:27:04My name is Elena.
00:27:07See you tomorrow, Elena.
00:27:09Oh, how crazy, how crazy you are!
00:27:16Bye bye.
00:27:17What's up, good man?
00:27:31Keep going, keep going.
00:27:32And forgive me.
00:27:34Where will that be?
00:27:35Yes, listen, sir, I'm here.
00:27:37Yes, I see that.
00:27:38Thank you.
00:27:47Rina, what's wrong?
00:28:05Hey?
00:28:05Come on, were you there?
00:28:07Well, I hadn't seen you.
00:28:12Hey, Beatriz, pretty, where is that book?
00:28:16what were you reading?
00:28:18A thousand love poems?
00:28:19Well, that one too.
00:28:21But what I'm saying is...
00:28:23What was his name?
00:28:26That, school of love and marriage.
00:28:31You have to leave it to me, okay?
00:28:33You have to leave it to me.
00:28:36Bye bye.
00:28:37Good bye.
00:28:40Has your heart been prepared again?
00:28:43No, Grandma.
00:28:43I think it is now that it has been put into motion.
00:28:47Hello, family.
00:28:49I'm a little late because we have to see how the traffic is.
00:28:53There was a plug in Manuel de Cerra that was something...
00:28:56Baby, come here.
00:28:57Oh, sorry.
00:28:58Oh, how silly.
00:29:00Sorry.
00:29:00Where are you coming from at this hour and being such a kisser?
00:29:03Well, to take a walk around there.
00:29:06What's for dinner?
00:29:07What a strange question.
00:29:08You have your regime, as always.
00:29:10Well today I would like some beans with chorizo.
00:29:12You eat some beans with chorizo and tomorrow we'll all go into mourning.
00:29:16Always so playful.
00:29:18You know what I'm telling you?
00:29:19If you don't add a little joy to life, you might get an ulcer.
00:29:23Mercedes, tell your father to shut up or I'm going to say something very serious to him through his hearing ear.
00:29:28Well, look, I would also tell you that you are a...
00:29:30Dad, please.
00:29:32No, I'm not saying it, my daughter, I'm not saying it.
00:29:34But I have it here as if I were seeing it.
00:29:37Oh, how beautiful everything is so green.
00:29:58The strange thing is that, being so green, censorship leaves it.
00:30:01Yes, I love green.
00:30:04For my taste, I wouldn't have everything green in my house.
00:30:07Even the furniture.
00:30:08Yeah, yeah.
00:30:09It is the color of hope, of youth, of illusion.
00:30:14You speak, Lenita, it's a pleasure to hear you.
00:30:17Oh, but he hears me.
00:30:18Yeah.
00:30:18Oh, your hearing is much better.
00:30:21Yes, well, today is my turn for this one.
00:30:24No, for this one.
00:30:25No, it's Tuesday, so this one.
00:30:26And that heart, how is it?
00:30:42Better, better yes, yes.
00:30:43But I still get stopped sometimes.
00:30:46Well, let's sit down, so he doesn't get tired.
00:30:48Thanks, well.
00:30:52Well.
00:30:52You see?
00:30:55I have it stopped right now.
00:30:57No.
00:30:58Yes, so still that it seems like I left it at home.
00:31:01Oh yeah?
00:31:01Yeah.
00:31:03Take my pulse, and you'll see.
00:31:06I hear tick-tock, tick-tock, tick-tock.
00:31:08No, but that's the wristwatch.
00:31:11Look, see.
00:31:12Ah, ah, ah, ah.
00:31:16Put your ear here.
00:31:18There?
00:31:19Yes, here, here.
00:31:20Sometimes you hear a buzzing sound like...
00:31:24Could it be that the batteries are dead?
00:31:28Oh, don't talk nonsense.
00:31:30Listen, listen.
00:31:31Let's see.
00:31:33Nothing, right?
00:31:35Well yes, yes, yes, yes, yes, yes.
00:31:37Let's see, wait.
00:31:39It's a very strange thing.
00:31:42They have installed the background music for you.
00:31:45No.
00:31:46No?
00:31:47Why do you say that?
00:31:48Because?
00:31:48Because I hear the... louder and louder.
00:31:52the music...
00:31:54Ah, well that's true.
00:31:55Yes, yes.
00:31:56Ah.
00:31:56Let's see.
00:31:58Let's see.
00:31:59Be still.
00:32:01What do you mean you're still?
00:32:02Yeah.
00:32:03Come on, come on, at your age.
00:32:05Man.
00:32:05That many children come here.
00:32:07I do.
00:32:08And the bad example they are setting for those little animals.
00:32:10No.
00:32:11No.
00:32:13No.
00:32:14Something has happened to him, something has surely happened to him.
00:32:43A truck above it won't be.
00:32:45Please, Julio, I'm very nervous.
00:32:52Why don't we call the first aid station?
00:32:55There it is.
00:32:58Hello, beautiful Felicilla.
00:32:59Hello, Andro.
00:33:01Dad, we thought something had happened to you.
00:33:03No, nothing, I ran into Recuero.
00:33:06Do you remember Recuero?
00:33:08A fat one with a long beard who was at your baptism.
00:33:11But he came out strong.
00:33:13Yes, it's hot.
00:33:15Hot in January?
00:33:16Clear.
00:33:17And speaking of January, do you know what day it is today?
00:33:21A wonderful day.
00:33:24Because?
00:33:24Today is January 7th.
00:33:28Doesn't that date mean anything to you?
00:33:31January 7th?
00:33:33Oh, yeah, sure.
00:33:34San Fermin.
00:33:35January 7th, San Fermin!
00:33:377 of noses!
00:33:38Remember, because we have a move on the 10th.
00:33:41Are you moving house?
00:33:43The one who changes is you, don't you remember?
00:33:44Six months with us and six months with her beloved son and her beloved grandchildren.
00:33:50And my dearest daughter-in-law.
00:33:52You're comfortable there too, aren't you?
00:33:53If it's up to me, I understand that I'm a nuisance everywhere, of course.
00:33:58It's not that, Dad.
00:33:59That's why I thought.
00:34:00What did you think?
00:34:01Go live in an apartment.
00:34:04To an apartment?
00:34:05You alone?
00:34:05Yeah.
00:34:06That's crazy.
00:34:07Man, it's crazy, there are some beautiful ones, very cute ones and not very expensive ones, huh?
00:34:11Clear.
00:34:12No way, if he wants to stay another six months, he'll stay here.
00:34:14No no.
00:34:15Well, I mean, what a disappointment Manolo and Laura would have if they were waiting for him.
00:34:20with open arms, right?
00:34:23We were few and...
00:34:26Is the doll for me, Grandpa?
00:34:28No, it's for both.
00:34:29Calm down, calm down, there's something for everyone.
00:34:31Well, let's leave this in the room.
00:34:33Let's see, let's see, let's see.
00:34:34Look, Manolo, you know that I've never had cravings, but during this pregnancy I've had a craving.
00:34:43not seeing your father.
00:34:44Woman, in total, it's six months.
00:34:45Six months in my state, with the children, with a caretaker who comes two hours a day when
00:34:49comes.
00:34:50Head first, I'm going to go head first.
00:34:52Oh, please, Mercedes, help me.
00:34:55Yes, but it's just that...
00:34:56My kidneys hurt, I have low blood pressure.
00:34:58Headlong, I'm going.
00:35:00Have you seen what a hill?
00:35:02Come on, take it!
00:35:04Yepa!
00:35:09Hey, hey, here!
00:35:10It's everything, a grandfather told me!
00:35:11Okay, let's see!
00:35:12Okay, he's not shooting in this little gun!
00:35:15Go on, shots!
00:35:16So that?
00:35:17So that you can destroy all the gadgets in the house!
00:35:20But are you going to put him here, in the junk room?
00:35:24Look, the kids are growing up and can't sleep all huddled together anymore.
00:35:27My poor things.
00:35:28The house is small.
00:35:30Especially for us, who have dedicated ourselves to reforestation.
00:35:34Well, I don't know what he's going to say, Dad, because he's been acting really weird lately.
00:35:38Are you coughing more?
00:35:38What's up!
00:35:39Now he smokes Winston.
00:35:41And the other day he asked Julio for a scotch on the rocks.
00:35:44On the rocks?
00:35:45And your liver?
00:35:46He says fine, thanks, but that's not the worst part, no, no.
00:35:49He wants to move into an apartment.
00:35:51To an apartment?
00:35:54Oh!
00:35:54He's gone for the ride!
00:35:57Something like that.
00:35:59Hey, you made a mistake.
00:36:00These clothes are your husband's, because this is Julio's, right?
00:36:02From July?
00:36:03Of July and August.
00:36:05I told you that things had changed a lot in the last few weeks.
00:36:16Oh, Leandro, we're not going to see anything but immoral movies.
00:36:28Since you told me you liked green, we came to see foreign films.
00:36:32Silence.
00:36:34Sorry, sorry.
00:36:36But do you think we are doing well?
00:36:38Since I rarely left the house before, my sister is terribly surprised.
00:36:45Hasn't he told you anything?
00:36:47Oh, if only he found out.
00:36:50Today I had to get out of this terrible mess.
00:36:52And I'm also very uncomfortable.
00:36:54It's just that these seats are very hard.
00:36:56No, no, it's just that...
00:36:58Yeah, yeah, yeah, I mean I sleep in the maid's room.
00:37:01Yeah?
00:37:02Without the maid, naturally.
00:37:04And I also think my daughter-in-law is spying on me.
00:37:07Oops.
00:37:08We'll have to stop seeing each other, because if they find out...
00:37:12No no.
00:37:12No, we can't meet anywhere else.
00:37:15Stand up!
00:37:16Sorry, I was thinking of renting an apartment.
00:37:20Oh, you want to lose me.
00:37:22Elena, I am a gentleman.
00:37:24Yes, it is precisely the gentlemen who lose the ladies.
00:37:31I know, I know, Mr. Screen.
00:37:35Oh, how rude.
00:37:36We have to meet wherever.
00:37:42Yes, but not in an apartment.
00:37:55We bring here some things for...
00:37:56Green.
00:37:58For 11B.
00:37:59Okay.
00:37:59Okay.
00:37:59Okay.
00:38:06Do the kitchen doors also come in green?
00:38:11Yeah.
00:38:12And the radiators, of course.
00:38:14Also, also.
00:38:15It's a promise, isn't it?
00:38:17Something like that.
00:38:20Hey, boss.
00:38:21Hey?
00:38:21Where do we put this?
00:38:23Leave it there, but carefully.
00:38:25And cover it well, so it doesn't get stained.
00:38:27Okay.
00:38:27Boys.
00:38:29Gosh, how much green.
00:38:32It looks like Galicia.
00:38:33Where are they going to put the cows?
00:38:35You're the one with the curtains, aren't you?
00:38:37No, sir.
00:38:38I'm the one with the bikinis.
00:38:40But we have not asked for that.
00:38:42Oh, you didn't say anything to the doorman?
00:38:44No.
00:38:45I used to live here before, before this was virgin forest.
00:38:50Well, nice to meet you.
00:38:52Come in, come in and sit down.
00:38:53I was just coming to pick up my swimsuits.
00:38:56I think I left them in the trunk in the hallway.
00:38:58Yes, I have seen them.
00:39:00In a yellow bag, which I was already surprised by.
00:39:02They didn't paint them green, I say.
00:39:04Don't like the tone?
00:39:06Honestly, at first I was a little worried, but when you get the courage...
00:39:10Would you like to sign here, please?
00:39:13You go up.
00:39:14I hold the ladder.
00:39:16You're not holding anything.
00:39:18If there's something to hold here, I'll hold it.
00:39:20And you do the brush, because then it's all overtime, man.
00:39:24I'm sorry to bother you, but I realized this yesterday when a neighbor from the new house, who is a photography enthusiast, insisted on taking a picture of me in a bikini.
00:39:36There are photos that anyone can get into.
00:39:40Listen, you can't see anything up here.
00:39:42Well, down here.
00:39:43Here it is.
00:39:48He won't have forgotten.
00:39:50Anything else?
00:39:52Look and see, look and see.
00:39:53No, thanks.
00:39:55I'm not looking for free anymore.
00:39:59That?
00:40:00Do you like them?
00:40:02But where did you take your bath, my daughter?
00:40:05Now I'm going to Torremolinos.
00:40:06In winter, I prefer the Costa del Sol or the Canary Islands.
00:40:09So far away, what a pity.
00:40:11You're looking a little green on me, aren't you?
00:40:13Of course, with this atmosphere, I'm not surprised.
00:40:16Don't you want to have a drink?
00:40:18I'm a little late.
00:40:20I have a taxi downstairs, if you want I can take you.
00:40:22Your little friend won't be angry.
00:40:23Oh, my friend, me, at my age.
00:40:26Oh, how naughty.
00:40:28Don't tell me this cute apartment has been given to a cousin of yours from Soria, huh?
00:40:33What things do you have?
00:40:34But what things, my goodness.
00:40:37I have cared for the scratching leaves.
00:40:39Oh, it has been through worse.
00:40:41Yeah, yeah.
00:40:42Don't tell me.
00:40:47OK.
00:40:47Thank you!
00:41:17Excuse me, does that gentleman who just left live here?
00:41:42Don Alejandro, is it green?
00:41:44Yes, sir, 11B.
00:41:47Speak a little more so that you can't hear anyone.
00:41:51A plan! I tell you, he has a plan!
00:41:54That's impossible!
00:41:56I have seen it with my own eyes and leaving his apartment, because he also has an apartment.
00:42:01What a shame!
00:42:02And don't think she's a lady of her age, no, she's a hottie.
00:42:06I know that, since I know about women.
00:42:08July.
00:42:08That's why I married you, my life.
00:42:10But what are they talking about?
00:42:11I can't believe it.
00:42:12You because you are a naive person who has never eaten a donut, but your father is not like you.
00:42:16Well, leave my father alone.
00:42:17Don't shout, you'll wake up the children.
00:42:20Ah, they're sleeping.
00:42:21Anyway, go see.
00:42:23Well, I'll see.
00:42:24Oh, my meetings!
00:42:28Run to bed!
00:42:28Ole, don't fuck with me!
00:42:29Hey, Cuco, what's a plan?
00:42:47You don't understand.
00:42:48No?
00:42:49It's when you have a girlfriend so you don't have to marry her.
00:42:53The doorman's son told me.
00:42:55So why are you asking me?
00:42:57Does Grandpa have a plan?
00:42:58And what do I know?
00:42:59Grandpa is a male.
00:43:01Something has to be done, Manolo.
00:43:02This is crazy.
00:43:04I'll talk to him.
00:43:05It's useless, he'll deny it.
00:43:06And he will get a cough.
00:43:07What a scandal with a young girl!
00:43:09You will understand that we cannot allow it.
00:43:12Okay, fine.
00:43:14Where is that apartment?
00:43:15Where is that apartment?
00:43:45We seize, how?
00:43:50And then they say there are no green areas.
00:43:53It's a mistake.
00:43:55Here it says Angelines Burguete, who must be the previous tenant.
00:44:01And where do you live now?
00:44:02Do you know it?
00:44:03Oh, I wish I hadn't.
00:44:05No.
00:44:05Ask the doorman.
00:44:07And excuse me, but I'm expecting a visitor.
00:44:10Poor thing, what an impression he's going to get.
00:44:12Hello good.
00:44:13Very good.
00:44:15Sorry, sir.
00:44:24Sorry, sir.
00:44:24Sorry, sir.
00:44:42Sorry.
00:44:43Who is it?
00:44:56That's me, please, now
00:44:57Ah, Elena, oh, sorry.
00:45:00I thought it was the police again.
00:45:02The police, goodbye
00:45:03No, no, don't go
00:45:04Come on, don't pay attention to me, come in.
00:45:06If it weren't for that, I wouldn't be surprised.
00:45:08I think they followed me
00:45:10Of course, you are so provocative.
00:45:13But come in, calm down.
00:45:15Take all this off
00:45:16Get comfortable and relax
00:45:19You are trembling
00:45:21Like a flan
00:45:23Oh, look!
00:45:25Yes I will be nervous
00:45:27I see everything green
00:45:29You told me I would have it
00:45:31All green in your house
00:45:32Yes, but this is your house.
00:45:35Of a man
00:45:37Oops
00:45:38You say it
00:45:40As if this were
00:45:42The Folisberg
00:45:43Well, it must have cost him a kidney.
00:45:47Because it's so cute
00:45:49Don't sit down
00:45:51Oops
00:45:51Do you think I am?
00:45:53Of those women
00:45:54Let them sit down right away
00:45:55On a sofa?
00:45:56If you want, I'll bring it to you.
00:45:57The kitchen chair
00:45:58No no
00:45:58I'll sit here
00:46:01But little
00:46:03Leandro, Leandro
00:46:10Where are you?
00:46:12Here
00:46:12Oh, what a scare that gave me!
00:46:15It's how he dressed
00:46:17You room
00:46:19What are you going to do?
00:46:21Celebrating our first date
00:46:23Alone
00:46:24Oh no, no
00:46:25No, not that.
00:46:26That the champagne
00:46:27It is an immorality
00:46:29This one is not
00:46:29This one is not
00:46:30This is Catalan
00:46:32See the label
00:46:33Saint Saturni of Noia
00:46:34Saint
00:46:35Hey
00:46:36Saint
00:46:37Oh ok
00:46:38Well being
00:46:39Saint
00:46:40The bubbling is here
00:46:44Let's drink, let's drink
00:46:44Oh, but not much.
00:46:46Please
00:46:47That I
00:46:48I'll get going next
00:46:50Tipsy
00:46:51So let's get down to it
00:46:57Piripis
00:46:58But
00:47:01It's that to me
00:47:02I feel like singing
00:47:03Zarzuelas
00:47:04So
00:47:05Let's drink
00:47:06Let's drink
00:47:07And hurry
00:47:08Chin, chin
00:47:10Chin, chin
00:47:10But listen
00:47:16This will not hurt the stomach
00:47:18On the contrary
00:47:19It is very digestive
00:47:21Little girl
00:47:21And why?
00:47:29He called me
00:47:30Little girl?
00:47:32Because it is
00:47:33Let's see
00:47:34Stay me
00:47:34Chauté
00:47:35Forty and
00:47:36Eight
00:47:37Eight
00:47:37Forty-eight
00:47:39Compliments
00:47:40Well, it doesn't represent it.
00:47:41The truth
00:47:42Look, I have suffered
00:47:44So much
00:47:44That wouldn't surprise me
00:47:47Nothing
00:47:47That he would throw me out
00:47:48Forty-nine
00:47:50Or fifty
00:47:51Folly
00:47:52It would hurt me
00:47:59Some more
00:48:00Of
00:48:00Saint
00:48:01Sadurní
00:48:02On the contrary
00:48:03He will sing it
00:48:04Oh, how nice!
00:48:06Excellent
00:48:07I find myself
00:48:08We are alone
00:48:10Nobody knows
00:48:12What do we have?
00:48:13This apartment
00:48:15It's there
00:48:27The second apple
00:48:28I assure you
00:48:28I won't tell you more
00:48:29That the goalkeeper
00:48:29Don Leandro calls him
00:48:30The green
00:48:31And from home
00:48:32He's gone
00:48:32At half past four
00:48:33I made a figurine
00:48:34Come on, come on
00:48:34May I have
00:48:37What waltz?
00:48:37Oh, the widow
00:48:38Cheerful
00:48:39Cheerful
00:48:40What word
00:48:41So beautiful
00:48:42We're leaving
00:48:56Let's eat an egg
00:48:57Oh, never mind.
00:48:58More laps
00:48:59More laps
00:49:01Oh, oh
00:49:02What a bite
00:49:03Bigger
00:49:04Oh, how I have fun!
00:49:09Are you okay?
00:49:11Today in my life
00:49:13I have felt better
00:49:14Oh, I didn't give you a little more.
00:49:22From San
00:49:24From Sadurní
00:49:26Another little bottle
00:49:27Another little bottle
00:49:29Let's go there
00:49:29That
00:49:30Another little bottle
00:49:33Another little bottle
00:49:34Here it is
00:49:35Well, you don't go up
00:49:36Because in your state
00:49:37Yes, man
00:49:38How am I going to get lost?
00:49:39I the end of the party
00:49:40Okay, let's go.
00:49:41Give me a kiss
00:49:42Lele
00:49:43Unprepared
00:49:45Or give me a kiss
00:49:47Or we have a disagreement
00:49:48Sounded
00:49:50Elena
00:49:51I love you
00:49:52I couldn't live without you anymore.
00:49:55Let's go
00:49:57Where to?
00:49:58Let's travel the world
00:49:59As foreigners do
00:50:01We have no money
00:50:02Well, let's crush it.
00:50:03I don't leave Julio
00:50:04Not even for a pack of Celta
00:50:06I also have a farm nearby.
00:50:08Alicante
00:50:09Alicante
00:50:10Yeah
00:50:10What a divinity
00:50:12110 kilometers from Albacete
00:50:15Yeah
00:50:15And 190 from Valencia
00:50:17Something like that
00:50:18Valencia
00:50:19It is the land of flowers
00:50:22Of light and love
00:50:23They call
00:50:25Valencia
00:50:26When you feel how they perfume
00:50:29From your gardens
00:50:30Chance
00:50:30Yes, yes
00:50:31Let's go
00:50:31Let's go downtown
00:50:33That I will open and dispatch
00:50:35Whoever
00:50:35And then we will continue
00:50:36With the saffron rose
00:50:38Go there
00:50:39Oh, oh, oh, oh, oh
00:50:45What work does the Lord send us?
00:50:48Crouch and crouch again
00:50:52La, la, la, la, la, la, la, la, la, la
00:50:54Oh, oh, oh, oh
00:50:58What work does the Lord send us?
00:51:01Go
00:51:03Not even a mother
00:51:07No
00:51:07Your children
00:51:08Where is?
00:51:15Where is?
00:51:16Where is who?
00:51:17The one who sold oranges
00:51:19The oranges
00:51:20Ah, yes
00:51:21The radio
00:51:22It has been the radio
00:51:24And what is this?
00:51:25But
00:51:26Have you drunk two bottles of champagne?
00:51:28They have been
00:51:29They have drunk them
00:51:31Dad
00:51:32No
00:51:32You will not see
00:51:33The one you least expected was here.
00:51:37Uncle Enrique
00:51:38Uncle Enrique?
00:51:39Yeah
00:51:39But Uncle Enrique died last year, Dad
00:51:41You see?
00:51:43That's why I told you that the one you could least imagine
00:51:45And Uncle Enrique?
00:51:47Did she wear lipstick?
00:51:51Well, it was always a bit like that, eh?
00:51:54This is disgusting, a scumbag has been brought here.
00:51:56No bullshit
00:51:57I wouldn't have told you that at your age.
00:51:59And there goes the age
00:52:00Whose fault is it that time passes?
00:52:02Let that bird come out right now or I'll pull it out by the hair.
00:52:05No, not here.
00:52:07Coasts of the east
00:52:12The beaches of Llorén
00:52:16Blessed are the eyes
00:52:20My God
00:52:21Come, let's see
00:52:26But madam
00:52:27Friends
00:52:29Acquaintance?
00:52:31No
00:52:31Visit
00:52:32They are my children
00:52:34My children
00:52:35He is not ashamed
00:52:37The mother has been brought
00:52:38He is a satyr
00:52:40Where is your daughter?
00:52:42What does it say?
00:52:43I'm single
00:52:45Young
00:52:46I don't understand anything
00:52:48Well, it's very easy.
00:52:49I present to you my fiancée
00:52:52The one I'm going to marry
00:52:53As soon as we have the papers
00:52:55Nice to meet you, children.
00:52:58It's the last straw
00:53:10That I had a problem, it passes.
00:53:12Even if it is not at your age
00:53:13What was going to happen?
00:53:14But let's go
00:53:16Who wants to get married
00:53:17Man
00:53:18That's more decent
00:53:19Decent?
00:53:20That lady
00:53:21Or whatever
00:53:21What he's looking for is to keep everything.
00:53:23Clear
00:53:24Your father will have told him
00:53:24The Serrano apartment
00:53:25The telephone thing
00:53:26The Alicante estate
00:53:28Hey
00:53:28After all, it's yours.
00:53:29For now
00:53:30But if you brush it
00:53:31What will be left for us?
00:53:32Unfortunate
00:53:33Good July
00:53:33I think you're going too far.
00:53:35You keep quiet
00:53:36Also for what it will last
00:53:38What's the point of getting married?
00:53:40In your house it is so rich
00:53:42And here
00:53:42Not to mention here
00:53:44I think that
00:53:45What to do
00:53:46It is sending him to the field
00:53:47Yes sir
00:53:48That
00:53:48Or to Cuenca with Aunt Pura
00:53:50And also
00:53:50Keep a close eye on him
00:53:51That
00:53:52Don't leave the house
00:53:53Don't call on the phone
00:53:54Come on
00:53:54As if he were concentrating
00:53:55There?
00:53:56There!
00:54:01Tell me
00:54:02Ah, Mrs. Amalia
00:54:04How are you?
00:54:07What do you know about Beatriz?
00:54:09Oh, sure.
00:54:10The lion
00:54:11Well
00:54:12For newlyweds
00:54:13It's not cold anywhere
00:54:14Your sister?
00:54:17He coughs
00:54:20That she has gone deaf
00:54:22But completely deaf?
00:54:26Ah, yes, yes
00:54:27Mondays, Wednesdays and Fridays
00:54:29Yeah, yeah
00:54:30Well
00:54:31Well, for coughs.
00:54:33Try stretching your right arm
00:54:35Yeah
00:54:36Then I'll go see her.
00:54:40Yeah
00:54:40Yeah
00:54:41Bye
00:54:43Bye
00:54:43Say
00:54:46Don Leandro Cano?
00:54:50Ah, your son
00:54:51I was waiting for your call
00:54:53Yeah
00:54:54Should I tell you what's happening to your father?
00:54:58His heart stops
00:54:59And his legs fail him
00:55:01Well
00:55:02Don't worry
00:55:03I'll go see him
00:55:05Bye
00:55:06They had both become very ill again.
00:55:10But since they loved each other so much
00:55:12They had exchanged their illnesses
00:55:14She coughed
00:55:16And his heart stopped.
00:55:18It's not their fault
00:55:20But
00:55:21As in the case of Romeo and Juliet
00:55:24Of those decent Capulets
00:55:26And of those honorable Montagues
00:55:28That by dint of selfishness
00:55:30They have achieved that in the world
00:55:32Love can be a vice
00:55:34A sin
00:55:35Or a ridiculous thing
00:55:37But my Romeo and Juliet
00:55:39There were two more urgent cases
00:55:41Because the two
00:55:43They had passed
00:55:44Let's say
00:55:45Of the fifties
00:56:05They also gave you a zero.
00:56:07Me?
00:56:09Well, because you have been punished.
00:56:10You wouldn't understand it
00:56:14Oh, here we are.
00:56:15I understand everything
00:56:17Is it because of the girlfriend?
00:56:19Right?
00:56:21Have your parents gone out?
00:56:22Yeah
00:56:23Shall we turn on the TV?
00:56:24No
00:56:24Go on
00:56:26Help me get up
00:56:27Come on, dude, get up
00:56:30Come on
00:56:31Come on
00:56:32Come on man
00:56:32Give me
00:56:34Come on
00:56:35Come on
00:56:35I have both legs
00:56:40Well, I think so.
00:56:41Because I don't notice myself as more than one
00:56:43Where do you want to go?
00:56:44Pee?
00:56:45No
00:56:45Talking on the phone
00:56:47Come on, you can sit down now.
00:56:48Because they have unplugged it
00:56:49So
00:56:50They kill me
00:56:54They're going to kill me
00:56:56This is a kidnapping
00:56:58I'm going to report it
00:57:00To the police station
00:57:01A kidnapping!
00:57:02Grandfather
00:57:03Don't let them pay attention to you
00:57:04That you are not an airplane
00:57:05Ah, I know.
00:57:07Hey grandpa
00:57:09If you get married
00:57:10With your girlfriend that
00:57:11And you have a son
00:57:12What would it be?
00:57:14My brother?
00:57:15Because Cuco says
00:57:16What would it be?
00:57:17Second grandson
00:57:18On behalf of
00:57:19Step-grandmother
00:57:20We'll talk about that later.
00:57:21Another day
00:57:22Hey
00:57:24Chirri
00:57:25Come
00:57:26Would you make me?
00:57:29A little message?
00:57:30Oh
00:57:30Grandfather
00:57:31What are you trying to trick me into?
00:57:33Man
00:57:33Look
00:57:34I have to take the letter
00:57:36No?
00:57:36Yeah
00:57:37Well, the seal
00:57:39It's going to cost you
00:57:40Least
00:57:41Ten duros
00:57:43For cheap
00:57:43Well
00:57:44Look
00:57:47Look what I do
00:57:48With the letter
00:57:49No, Mom
00:57:50No
00:57:50Let me read it
00:57:51Before
00:57:52That's enough
00:57:55That's enough
00:57:56To behave
00:57:56Like a schoolgirl
00:57:58I don't hear anything
00:57:59Nothing!
00:58:00Better
00:58:01I turn as red as a tomato
00:58:03Remembering when
00:58:04They brought you the children
00:58:05From that gulf
00:58:05With that chestnut
00:58:07How embarrassing
00:58:08Both
00:58:10Plums
00:58:12Oh that
00:58:13Plums
00:58:13That's what I would like now
00:58:15Some plums
00:58:17Look pretty
00:58:18It's that you have cravings
00:58:20Who?
00:58:21I
00:58:22You don't understand
00:58:24That Casanova
00:58:24He goes alone behind
00:58:25From your money
00:58:26Go on
00:58:26But if you have a farm
00:58:28In Alicante
00:58:29What happens
00:58:31The thing is
00:58:31Do you want to get married?
00:58:33With me?
00:58:34Clear
00:58:34I was going here
00:58:35Rotting alone
00:58:36First Beatriz
00:58:38And now you
00:58:40Well no
00:58:42You know what I'm telling you?
00:58:43No
00:58:43No
00:58:44That I'm not staying here alone
00:58:45Don't worry
00:58:46That we will take you
00:58:47Every summer
00:58:48To Alicante
00:58:49Come on
00:58:50Come on
00:58:51Look at me for having torn the letter.
00:58:57Oh
00:58:58Oh
00:58:59Let's see like this
00:59:03So
00:59:05Let's see
00:59:07My treasure
00:59:09I still love you
00:59:12As before
00:59:13I send you these verses
00:59:16I just hung up
00:59:18Oh
00:59:19Hang?
00:59:27Where from?
00:59:30These verses
00:59:32What I just wrote
00:59:33Thinking of you
00:59:35The dark ones will return
00:59:38Swallows
00:59:39From your balcony
00:59:40Their nests
00:59:41To hang
00:59:42Oh
00:59:43If he is a poet
00:59:45Like the cup
00:59:46From a pine tree
00:59:47Don't let it stop you
00:59:51The heart
00:59:51My love
00:59:53That now
00:59:54To the one who stops
00:59:56It's me
00:59:57Poor
00:59:59I am willing
01:00:01To do whatever
01:00:02For seeing you
01:00:03You le le
01:00:05Oh
01:00:06Muay
01:00:09Muay
01:00:09Oliñas
01:00:10Come
01:00:11Oliñas
01:00:12Come
01:00:13Oliñas
01:00:14Come
01:00:14Come
01:00:14Eban
01:00:15Don't go, laugh.
01:00:17Teach
01:00:18You're going to get dizzy
01:00:22Oliñas
01:00:23Come
01:00:24Oliñas
01:00:25Come
01:00:25Oliñas
01:00:26Come
01:00:27That?
01:00:27How's it going?
01:00:29In his rhythm
01:00:30People think that plumbing is a lax profession.
01:00:35But it has its preamble
01:00:38Yes sir
01:00:38I've always said it
01:00:40Clear
01:00:41It's not like those courses where studying a book is already done.
01:00:45Here too
01:00:47Manufacturing is needed
01:00:52And do you still have a lot of manufacturing to do?
01:00:55Half-day wage
01:00:56I still have another home service
01:00:58You will have a very distracted time.
01:01:00Now here
01:01:02In a while there
01:01:03Because you
01:01:05He enters and leaves houses as he pleases.
01:01:08Man
01:01:08Whatever you want, no
01:01:09Ringing the bell
01:01:10But don't believe it
01:01:12It is an inconstancy
01:01:13Would you be interested in winning today?
01:01:16A doubling of wages?
01:01:19Double pay?
01:01:20Yes sir
01:01:21Clear man
01:01:22Grandfather
01:01:23Explain to me about Adam and Eve
01:01:25Because I don't believe that such a mess would be organized for an apple.
01:01:28Shut up, handsome.
01:01:29I'll explain it to you later.
01:01:30Now go
01:01:31I have to talk to the academic here.
01:01:34You see
01:01:36Hello plumber
01:01:56Where is the fault located?
01:01:58What's wrong?
01:01:59We haven't called any plumber here.
01:02:01No, it was the neighbor in the lower room.
01:02:04Complaining about a leak in the ceiling infrastructure
01:02:08Helenita
01:02:09Come out for a moment
01:02:10I don't understand this man.
01:02:11That
01:02:12Let Doña Elena come out
01:02:12You'll see how we understand each other.
01:02:14Go
01:02:15Where is the bathroom?
01:02:19He
01:02:19He
01:02:21He
01:02:22The bathroom
01:02:24It's this way
01:02:25Happens
01:02:25But
01:02:25Did you call the plumber?
01:02:28Yeah
01:02:28Yeah
01:02:29I think there are leaks
01:02:31Leaks?
01:02:32Yeah
01:02:33Happens
01:02:33While I manipulate
01:02:34Please call the lower co-owner.
01:02:37But you here
01:02:39Yeah
01:02:40Oh, what a joy!
01:02:41Come
01:02:41What a joy!
01:02:43Big
01:02:43Come
01:02:44Where to?
01:02:44Come
01:02:45Where are you taking me?
01:02:46Where?
01:02:48Go on
01:02:48Happens
01:02:50Happens
01:02:50Yes, yes
01:02:51Oh yeah
01:02:52Oh, Leandro
01:02:54For God's sake
01:02:55But how dare you?
01:02:57With half a bottle of coñar
01:02:59Oh, Leandro
01:03:00Oh, they wouldn't let me leave the house.
01:03:01They had even bribed the doorman
01:03:05Look
01:03:06If it didn't come like this
01:03:07His sister
01:03:08He wouldn't have let me in either.
01:03:10Oh, but could you have chosen a monkey?
01:03:13Cuter?
01:03:14Cuter?
01:03:15Look
01:03:15Look
01:03:16The fast one
01:03:18That
01:03:19That should be our motto.
01:03:21Speed
01:03:22You have to walk quickly
01:03:24And for what?
01:03:25You don't understand him
01:03:26They want to kill us with reluctance
01:03:29To then say
01:03:30What happened to the kidney?
01:03:31And what are we going to do?
01:03:34Let's go
01:03:35Let's get to this
01:03:36To change the fuse
01:03:37From the impeller valve
01:03:38Change what?
01:03:39The wishbone
01:03:40I just called
01:03:41To the neighbor below
01:03:42And he says he hasn't complained about anything.
01:03:44Well, it must have been the one above.
01:03:46Because there is clearance everywhere here
01:03:48Water!
01:03:49Oh my God!
01:03:51Ma'am, there's a clearance sale everywhere here.
01:03:52Water!
01:03:53Water!
01:03:53Water!
01:03:53Water!
01:03:53Yes, ma'am
01:03:54Call a fontanel
01:03:56They're from here!
01:03:58There's work for at least two or three here!
01:04:01Water!
01:04:01Yes, now I do!
01:04:03Water!
01:04:03They're fine!
01:04:05They're fine!
01:04:05Water!
01:04:06This is not a dream!
01:04:08We must defend
01:04:09He's not happy!
01:04:11Are you ready?
01:04:12To marry me
01:04:13One way or the other?
01:04:14Oh yes!
01:04:15Yeah!
01:04:16But shut up, darling.
01:04:18Look how I'm putting on my shoes.
01:04:20Oh yes!
01:04:20There would be a cork around there
01:04:21A cork
01:04:22Hey, wait!
01:04:24And I'll cover it with my finger
01:04:25You'll see!
01:04:26You'll see!
01:04:27You'll see!
01:04:27If the house floods, let it flood.
01:04:29Let's go!
01:04:30Let's go!
01:04:31Let's go!
01:04:32Oh, Call!
01:04:32Come!
01:04:33I'm staying!
01:04:34Get your finger out of there!
01:04:35Let's go!
01:04:36I wish that!
01:04:37Hey!
01:04:38Let's see!
01:04:38Oh, but!
01:04:40Oh, but!
01:04:41But what's going on?
01:04:42Can you give us a hand, ma'am?
01:04:45As long as he doesn't throw a finger, it's fine.
01:04:47Here, here!
01:04:48Come on, come on!
01:04:48Oh, oh, okay!
01:04:50Oh!
01:04:50Oh!
01:04:51Oh!
01:04:52Oh!
01:04:53There it is!
01:04:54That's it!
01:04:56I see it now!
01:04:57Come on, Ricky!
01:04:58Give me the finger, ma'am!
01:04:59Give me your finger, I'll get out of here!
01:05:01And squeeze, squeeze as much as you can
01:05:03We'll be right back, ma'am.
01:05:05But where did he go?
01:05:07I don't know, I was studying about...
01:05:09Adam and Eve's apple, you have to explain it to me.
01:05:12Because it's a mess
01:05:14Yes, later, but grandpa...
01:05:16The doorman says that the only one who left the house was the plumber.
01:05:20That one came in first, then closed the bathroom door, then opened it and left.
01:05:24And?
01:05:25That the one who closed it was the plumber, but the one who opened it was the grandfather dressed as a plumber
01:05:30But what are you saying?
01:05:31Well, maybe it was the plumber with the grandfather's face.
01:05:35Ah! He's gone in disguise!
01:05:38It is not possible
01:05:39And can you guess where he went?
01:05:43No, sir, it is not.
01:05:45Ah! The seducer's son!
01:05:49No, sir, no.
01:05:50His father has not appeared
01:05:52He won't even dare to appear
01:05:54But hasn't a plumber been there by any chance?
01:05:57By any chance? No!
01:05:59Unfortunately!
01:06:01Now I have the firefighters here
01:06:03Lots of firefighters!
01:06:04What does it say?
01:06:05What does it say?
01:06:05They have burned the house
01:06:06But what house?
01:06:07What do I know?
01:06:08Hey, have you seen my father by any chance?
01:06:11I don't give a damn about your mother!
01:06:14What I want to know is where my little sister is.
01:06:17And I to my father
01:06:18My sister!
01:06:19My soul sister!
01:06:22Meet my little sister!
01:06:24They threw it at me!
01:06:26It's even Ricky!
01:06:28Like this! Like this! Like this! Like this!
01:06:39Yes sir
01:06:39Leandro Cano
01:06:40Please, if you find out anything
01:06:43Let us know
01:06:44Thank you
01:06:45That?
01:06:46Nothing?
01:06:47Nothing
01:06:47As if the earth had swallowed him
01:06:49Mother
01:06:50Is what this guy says true?
01:06:51Has Grandpa run away with his girlfriend?
01:06:53Ah!
01:06:53Shut up!
01:06:54Come on, come on!
01:06:55Let's study!
01:06:55Let's study!
01:06:56Me! Until they explain the apple thing to me.
01:06:59But what apple or what?
01:07:00Come on, come on!
01:07:00Get out of here!
01:07:01Let's study!
01:07:02To your room!
01:07:07But where could they have gone?
01:07:09What do I know?
01:07:10It cannot fail
01:07:21I have everything ready
01:07:23I'm afraid
01:07:24Now let's go to the three
01:07:26We go into the room
01:07:28We called them to let them know.
01:07:31And when they arrive
01:07:32The bomb will have already exploded
01:07:33Are you going to start being picky now?
01:07:37What do you want?
01:07:38Lock us up again?
01:07:39Hey, the suitcase
01:07:51The suitcase
01:07:52That
01:07:54Bring it carefully
01:07:55That
01:07:56Bring, bring
01:07:58Have
01:07:59Thank you
01:07:59It's our dynamite charge
01:08:02Would you like to have a drink?
01:08:05No, thanks
01:08:06I have this urgent service
01:08:07I have this urgent service
01:08:08Here it is
01:08:20Good afternoon
01:08:21Very good
01:08:22We have the bridal suite reserved
01:08:25Luciano, something else the gentlemen
01:08:29Yes, send us a waiter with the menus
01:08:32We will have dinner here
01:08:33Take
01:08:34Thank you, sir
01:08:34And welcome
01:08:35Thank you so much
01:08:36Finally alone
01:08:43Oh, get away, get away
01:08:45We had agreed that this was just a comedy.
01:08:50But one is not made of stone
01:08:53Oh, Leandro, go away.
01:08:54Elenita
01:08:54Oh, let me go.
01:08:55Elenita, hey
01:08:56Let me go
01:08:56Hey, come here
01:08:57Leandro, go, go
01:08:58Talk on the phone
01:08:59Then
01:09:00Go on, go
01:09:01Then I call
01:09:02Don't be like that
01:09:03Leandro, Leandro
01:09:04Well, well
01:09:06Don't be like that
01:09:07I'm calling now
01:09:08Go on, go
01:09:09Go on
01:09:10Oh
01:09:11Please put me through to Madrid.
01:09:18457-80-80
01:09:22They will recognize you by your voice
01:09:24No
01:09:25The nose
01:09:32What? Do you have a runny nose?
01:09:33No no
01:09:34That you squeeze my nose
01:09:36Ah, yes
01:09:37Listen
01:09:38Leandro Cano's House
01:09:41I am a memory
01:09:43Yeah
01:09:44A friend of his
01:09:46He who is his son
01:09:47He's Julio's idiot.
01:09:51Shh
01:09:52Oh
01:09:53Shh
01:09:54No, no, nothing
01:09:55Nothing
01:09:56I didn't know.
01:09:58That he had married
01:10:00That he has married
01:10:01That he has married
01:10:03What do you mean he got married?
01:10:04Bring
01:10:05Listen
01:10:06He's my son
01:10:07My son
01:10:07No no
01:10:09It's that I found it
01:10:10In the grand hotel
01:10:12Del Escorial
01:10:13Yeah
01:10:14In the grand hotel
01:10:15The biggest
01:10:16I was with a lady
01:10:19Very pretty, by the way.
01:10:21Thank you
01:10:22Thank you
01:10:22Who told me she was his wife
01:10:24And like him
01:10:25He has always been so formal
01:10:27What is
01:10:29It is a banner
01:10:30Your father
01:10:31Leave it to me
01:10:32Listen
01:10:34No
01:10:35I say he is his father
01:10:36Yeah
01:10:38In the grand hotel
01:10:39Del Escorial
01:10:40A Coruña
01:10:43Oh
01:10:44A Coruña
01:10:45Say
01:10:45No, this is Madrid.
01:10:46Hey miss
01:10:48I have requested landscaping
01:10:49There is no way to understand each other
01:10:50At least now we know
01:10:52Where are they?
01:10:52Come on
01:10:53God willing we arrive on time
01:10:54Well, but
01:10:55We'll have to tell the little sister
01:10:57No?
01:10:57You call her
01:10:58I'm taking the car out
01:10:58We will leave the door open
01:11:03To provide facilities
01:11:04Do you remember what you have to say?
01:11:16When do they come in?
01:11:17You have it written down on a piece of paper
01:11:18Don't you remember?
01:11:20Oh yeah
01:11:20Yeah
01:11:21I start and say
01:11:25Do you love me, darling?
01:11:28And you answer
01:11:30With madness
01:11:31You roll up your sleeves
01:11:32Oh, roll up your sleeves.
01:11:34No
01:11:35Do you regret what you did?
01:11:37No
01:11:38Because I know you are a gentleman
01:11:40And you will repair your fault
01:11:42I'll roll up my sleeves
01:11:43Hey?
01:11:44Oh, I'll roll it up.
01:11:45I will repair it
01:11:47It's that without glasses no
01:11:49Oh!
01:11:50There they are
01:11:50What do we do?
01:11:51To bed
01:11:51Run, run, run
01:11:53Wrap yourself on your back
01:11:54Ah
01:11:54Oh, but what are you doing?
01:11:55Don't take anything away
01:11:56The shoes neither
01:11:57No, not either.
01:11:58I'm going to put the lost sheets
01:12:00I don't mind
01:12:00Wait a moment
01:12:02Oh, don't come so close.
01:12:07Shut up!
01:12:08Forward!
01:12:10Do you love me, darling?
01:12:11With madness
01:12:12Won't you regret what you did?
01:12:15No
01:12:16Because I know you are a gentleman
01:12:18And you will repair your fault
01:12:20I will repair it
01:12:21I will repair it
01:12:22And why don't you replenish your strength first with a pisco labis?
01:12:26What are you doing there?
01:12:27Sorry sir
01:12:28But I called
01:12:29They said
01:12:30Forward
01:12:31Me too
01:12:32Forward
01:12:32Well, what do you want?
01:12:34At this moment the earth swallows me
01:12:36But the gentlemen asked for the letter
01:12:38Ah, yes
01:12:39A light dinner for two
01:12:41Consommé
01:12:42Some oysters
01:12:44And grilled meat
01:12:45Yes, I like that part a lot.
01:12:47Ah, yes
01:12:49And a bottle of San Saturni de Noia
01:12:51But very cold
01:12:52Yes sir
01:12:53Oh, and excuse me.
01:12:57Oh my God
01:13:04What a shame
01:13:05In front of a waiter
01:13:07We don't know him.
01:13:08I didn't know, Helenita
01:13:09I thought it was the boys
01:13:11They won't find us
01:13:20All
01:13:21It won't go wrong
01:13:22You'll see.
01:13:23Man, everything
01:13:24All bad
01:13:26It doesn't shut up there
01:13:27Don't say any dirty things
01:13:28Devil
01:13:29We will be late
01:13:40too late
01:13:42Well, my father-in-law is no longer up to much trotting.
01:13:43His father-in-law is a scoundrel
01:13:45A sadist
01:13:46That has deceived my poor little sister
01:13:48Lady
01:13:49There would be a lot to talk about that.
01:13:51Because I don't believe that her poor sister
01:13:52He came here by force
01:13:54Please, Manolo
01:13:55You too
01:13:56Thank goodness this poor son of mine
01:13:58Not born yet
01:13:58If not, what a horrible example for him.
01:14:01Come on, Laura
01:14:02That if I had been born
01:14:02You would have left it at home, wouldn't you?
01:14:04My poor Helenita
01:14:06No, no, no, no
01:14:08I don't wear that indecency
01:14:10But you don't understand
01:14:11What if they find us dressed like this?
01:14:13More than crazy
01:14:14They will believe
01:14:15We have come to make a pool
01:14:17No, don't think I'm undressing.
01:14:18In front of you
01:14:19No, put it in the bathroom.
01:14:22No, not something that comes up to my throat
01:14:25You won't get a cough now.
01:14:27No, what I feel is a lot of shame.
01:14:31Look, or you change in the closet
01:14:34Or we don't change
01:14:36That's it
01:14:36Okay, but take it easy.
01:14:38Yes, well
01:14:39That is
01:14:41Okay
01:14:42Oh my God
01:14:44Let's see, there you go.
01:14:46Oh there you go
01:14:48Oh go, oh this
01:14:49It's big
01:14:50Oh there you go
01:14:52Oh there, she is.
01:14:58Oh there, there goes
01:15:28Already
01:15:37Let's see
01:15:40The door has jammed
01:15:41I can't open
01:15:43I'm coming
01:15:47I'm coming
01:15:48Oops
01:15:48I had forgotten
01:15:50Notice to a locksmith
01:15:51A locksmith
01:15:53There it goes
01:15:54Hey, concierge!
01:16:09Don't worry, Mr. Cifuentes.
01:16:10We immediately brought him the bottle of Fontenova.
01:16:12A bomb!
01:16:13A bomb!
01:16:14It is the one that must be taken up and given to the gentlemen in the room above.
01:16:17It's the judicial suite, Mr. Cifuentes.
01:16:19What is the judicial suite?
01:16:22But what are those beasts doing?
01:16:25You find out, man!
01:16:26Find out!
01:16:27Look, Garcia
01:16:28I have come to hunt and I have to get up at five in the morning.
01:16:32When I don't sleep I go blind.
01:16:34That's it! Blind!
01:16:36And tomorrow I'm going to kill a scout.
01:16:39Yes, Mr. Cifuentes
01:16:40Don't worry
01:16:41Put me through to the civil suite
01:16:48Dega?
01:16:56No
01:16:57No, no, no
01:16:58Sorry, no
01:16:59It's that my wife has become ill.
01:17:01No!
01:17:03It was an unimportant shortcut
01:17:05Yes, it's better now.
01:17:07Thank you so much
01:17:07Oh, don't worry, we won't make any more noise.
01:17:10Hey, by any chance?
01:17:12Has anyone asked about us?
01:17:24There they are
01:17:25Thank you
01:17:26Look
01:17:30Sure?
01:17:31They just came in
01:17:32My sister is coming too
01:17:35Ah, come on
01:17:35To bed
01:17:36To bed
01:17:38To bed
01:17:39They don't come
01:17:48That Julio is such an idiot
01:17:51That he won't find us
01:17:52Have you left the door open?
01:17:55Yeah
01:17:55Forward!
01:17:58Do you love me, darling?
01:17:59Crazy!
01:18:01Won't you regret what you did?
01:18:03No
01:18:03Because I know you are a gentleman
01:18:05And you will repair your fault
01:18:07I will repair it
01:18:08I will repair it
01:18:08What can two beings called do?
01:18:10Don't pay attention
01:18:11They always do it
01:18:12What do you do when life gets in your way?
01:18:14What do they do?
01:18:15Oops!
01:18:17What do you do?
01:18:19Well, you see.
01:18:20They ask us for dinner
01:18:21We prepare it
01:18:22We uploaded it
01:18:23We knock on the door
01:18:24They tell us
01:18:25Forward
01:18:26What are we going to do?
01:18:27Bring us dinner?
01:18:28No, sir
01:18:29We entered
01:18:30Well
01:18:30Well, leave it there.
01:18:32Yes sir
01:18:32Ah, enjoy your meal.
01:18:34Thank you
01:18:36The Assumption!
01:18:42Oh my God!
01:18:43You are beyond help
01:18:44But he didn't ask them for the family book.
01:18:46Who would have thought?
01:18:47At his age
01:18:47They seemed to me to be such respectable gentlemen.
01:18:49Galfos is what they are
01:18:51Very good
01:18:51What floor are they on?
01:18:52One moment
01:18:52They can't go up
01:18:53What do you mean no?
01:18:54If you want, I'll let you know by phone.
01:18:55No way
01:18:55What we want is to catch them red-handed.
01:18:57Sorry, but if I don't let you know by phone
01:18:58Understand it
01:18:59It's a serious hotel
01:19:00We don't want scandals
01:19:01Okay, okay
01:19:02To the court on duty
01:19:03Not that, Julio.
01:19:04Let's go to the court on duty right now.
01:19:06Come on, ma'am, please.
01:19:07Julio, no
01:19:08No, not to the court.
01:19:09To the court no
01:19:10That we will all be in the newspaper
01:19:12Yes, but we are not going to tour
01:19:13All the rooms to find them
01:19:14Are they leaving?
01:19:15Hey?
01:19:16I'm going to lose my honor like a fool
01:19:18Wait
01:19:19What are you going to do?
01:19:21Look at their sansadurni
01:19:23We must call their attention
01:19:25Let's see if we're lucky
01:19:26And I hit Julito
01:19:28In the mustaches
01:19:29The police station does not
01:19:30The solution is not going to fall from the sky.
01:19:32Lady
01:19:33Hooligans!
01:19:36Oh, Leandro of my life
01:19:39Look, it's dad
01:19:40Yes, I dreamed of you night and day
01:19:44What did he say to you?
01:19:51It's the fifth balcony, let's go.
01:19:52Don't cry anymore, madam.
01:19:53Yes, yes, let's go
01:19:54But listen
01:20:01The one in the Murcia suite is the María Calas
01:20:05Don't worry, Mr. Cifuentes.
01:20:07I'll shut them up right now.
01:20:08Yes, apparently it's a crazy couple.
01:20:11Poor Lerita
01:20:11That he's going to get pneumonia
01:20:13Hey, you guys
01:20:13Where are they going?
01:20:14Forward, forward
01:20:15No case
01:20:16Mr. Garcia
01:20:17That everyone is protesting
01:20:19Say that the background music installation has broken down
01:20:22This is the flat, for sure.
01:20:23Come on
01:20:24Oh, Legrita, Oh, Legrita
01:20:26Where, where?
01:20:27Where?
01:20:27Where, where, where?
01:20:29Four
01:20:29Ah, here it is!
01:20:31Come on
01:20:31Forward
01:20:34Do you love me, darling?
01:20:36With madness
01:20:37You won't regret what you did
01:20:39But you again
01:20:41It's that some gentlemen have come looking for them.
01:20:44And since I really like you guys
01:20:45To avoid scandal
01:20:47Avoid nothing
01:20:48If you want, I'll mislead you.
01:20:51Don't mislead anyone
01:20:52Out
01:20:53It's up to you
01:20:54Open up, Legrita!
01:20:57Open up, Legrita!
01:20:59I already know
01:20:59About what?
01:21:04I have to repent, young man.
01:21:06Sorry, we made a mistake.
01:21:07Above!
01:21:09Above!
01:21:09No, no, no!
01:21:14We've done something crazy
01:21:16But we have been forced to do it
01:21:18We'll have to talk
01:21:21Yeah
01:21:21We will talk
01:21:22Well
01:21:23We will talk to them
01:21:26And they will have no choice but to understand
01:21:28After all
01:21:29We are of legal age
01:21:30Yes, but I don't want to get married.
01:21:32With the opposition of my family
01:21:34Remember Romeo and Juliet
01:21:38Here it is
01:21:38Come on
01:21:39Come on
01:21:40What a shame!
01:21:42Here they are, back on the range again
01:21:44Come on
01:21:44Come on
01:21:45Here they are
01:21:46Here
01:21:47Dad
01:21:49Don't be afraid, darling
01:21:51But what are you going to do, dad?
01:21:53I am a gentleman
01:21:54And I will repair
01:21:55I will repair
01:21:56I'll fix it too.
01:21:59I will marry you
01:22:00And I will recognize what you have
01:22:02Oh, baby!
01:22:04But dad
01:22:05At your age
01:22:06I'm not complaining, son.
01:22:07I'm not complaining
01:22:08What a scandal!
01:22:09Let's see, let's see
01:22:10His father
01:22:10Let him answer
01:22:11That it fulfills
01:22:13Let him do something
01:22:14Even more so
01:22:15If I have sung until the rebellious
01:22:18She is unhappy
01:22:19She has been seduced
01:22:20Just a moment, ma'am.
01:22:20One moment
01:22:21First you have to find out
01:22:22If the boy
01:22:23What does it mean?
01:22:23If my father-in-law
01:22:24He is guilty of something
01:22:25He still dares
01:22:27Elendita
01:22:29Tell the truth
01:22:31How was the fall?
01:22:34What do you want?
01:22:35I had those silly ten minutes
01:22:39What do we women have?
01:22:40Every half hour
01:22:42Don't cry to me
01:22:43Don't make me cry
01:22:44Because an innocent person can pay for it
01:22:46A son!
01:22:47Oh, to have a child!
01:22:51Come on, ma'am
01:22:51Formality
01:22:52That at his age
01:22:52You can only have
01:22:53A record player
01:22:54Ah, you'll see.
01:22:55When I call you
01:22:56Papo ass
01:22:58Papo ass
01:22:59Me?
01:23:00Please, please
01:23:01Papo, apo, apo
01:23:02What a disgrace!
01:23:04It's not worth getting so upset, ma'am.
01:23:06If the boys want to get married
01:23:08Come on, I mean
01:23:09What if my father wants?
01:23:10Hey!
01:23:11Sir, it cannot be expected
01:23:12Calm down
01:23:13Hey!
01:23:13I'm calm
01:23:15Look at that smile!
01:23:17I'm the neighbor downstairs
01:23:22And do you know what happens to me?
01:23:26Well, I can't sleep.
01:23:28Have you tasted your peace?
01:23:30Damn!
01:23:30Hey!
01:23:31Oh!
01:23:31First the races
01:23:33The earthquake
01:23:35Then
01:23:36The anthology of zarzuela
01:23:38And now
01:23:38This bustle of dishonor
01:23:41Why don't they get married already?
01:23:43And they let me sleep?
01:23:45We are married, sir.
01:23:47Well, get married.
01:23:49That suits you well
01:23:50Listen, I've been married for twelve years.
01:23:52So
01:23:53Who the hell has to get married?
01:23:56Us!
01:23:56Us!
01:24:14I, Rodolfo, want
01:24:17To Manuela
01:24:18By wife
01:24:19Listen, the papers have been mistaken.
01:24:22Excuse me
01:24:23They are from the previous wedding
01:24:26Ah
01:24:26They are sabotaging us, Helenita
01:24:29But don't worry.
01:24:31We left here married.
01:24:33Whatever happens
01:24:34Us!
01:24:50What happens now?
01:25:13The tow truck is taking away a car.
01:25:15Ours, of course.
01:25:16No, it's a blue 850.
01:25:18Ah, it's mine.
01:25:20Don't worry, Father.
01:25:21We paid the fine, but keep going, keep going, keep going.
01:25:24Yeah.
01:25:28You already know the recipe.
01:25:30Instead of so many vitamins and so many antibiotics,
01:25:33a little bit of hope and joy of living.
01:25:37I also recommend it to you.
01:25:39Maybe some people don't understand.
01:25:42But we don't understand Swedish either and it is spoken.
01:25:46There you have them.
01:25:50And that's it.
01:25:58Thank you, thank you very much.
01:26:01Thank you so much.
01:26:03Thank you, thank you very much.
01:26:16Thank you!
01:26:46Thank you!
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