¡Vaya par de gemelos! 1978 - HD 1080 - Completa - Paco Martínez Soria, Margot Cottens - Vídeo Dailymotion

Retroscreen Movies Revival - Español - Spanish

Reparto: Paco Martínez Soria, Margot Cottens, María Isbert, Inma de Santis, José María Guillén, Inés Morales, Pedro Hurtado, Julián Navarro, Carmen Cervera, Luis Lorenzo, Concha del Val, María Luisa Ponte   Dirección: Pedro Lazaga   Pedro y Lucas (ambos Paco Martínez Soria) son dos hermanos que han seguido caminos muy distintos. Lucas está casado con Mariana, la propietaria de una pequeña tienda de comestibles, en la que él trabaja como mozo de carga. Pedro, aunque su mujer es muy tacaña, vive como un duque porque se ha inventado un hijo natural que vive en Madrid. Con el pretexto de mantenerlo, consigue de su mujer todo el dinero que quiere.

Transcript

00:00:00To Santa Luz Garda to give him a short hour!

00:00:26Hail Mary, full of grace, lords with you, blessed are you among women and blessed is the fruit of your womb, Jesus!

00:00:56Yeah! He's a boy, like a bull!

00:01:03He'll look like me! Look at him!

00:01:07Oh, what a technical son! He must look like a grandson!

00:01:11His name will be Lucas! Like me, Luquica!

00:01:14He said garlic!

00:01:19You're already teaching him swear words!

00:01:21Doña Ramona, hurry, there are more of them!

00:01:23That?

00:01:24Other?

00:01:24With our lapadilla, Santa Luz Garda, who I think is going to miss

00:01:30It's another boy, Uncle Lucas!

00:01:38Like a bull!

00:01:39Another bull!

00:01:42At this rate!

00:01:43This is going to be an extraordinary run!

00:01:47At this rate!

00:02:17At this rate!

00:02:47Hygienic!

00:02:47Yeah!

00:03:01Do they carry the pills?

00:03:02Yeah!

00:03:03The yellow ones too?

00:03:04Also!

00:03:05Be very careful!

00:03:06Don't run!

00:03:06Don't pass the trucks!

00:03:07No!

00:03:08Neither motorcycles nor bicycles!

00:03:09Don't pass anyone!

00:03:10You go slowly!

00:03:11Don't worry!

00:03:17You go slowly!

00:03:20Bye bye!

00:03:21Bye bye!

00:03:22Bye bye!

00:03:22Oh!

00:03:23I think I forgot to put you!

00:03:25That?

00:03:26That's for the teeth!

00:03:27The pasta!

00:03:28No no!

00:03:29The other thing!

00:03:29The thing about...

00:03:30Oh!

00:03:31The thing about the hairs!

00:03:33Ah!

00:03:33The brush!

00:03:35That!

00:03:35I'll buy one in Madrid.

00:03:37You carry everything else in your suitcase.

00:03:39All!

00:03:39This time I haven't forgotten anything.

00:03:41Nothing!

00:03:42Bye bye!

00:03:43Bye bye!

00:03:44Bye bye!

00:03:46Bye bye!

00:03:48Hey!

00:03:49Hey!

00:03:51My God!

00:03:53What I forgot this time

00:03:54that's what the suitcase is called

00:03:56Oh!

00:04:05Hello Lucas

00:04:06Do you want something for Madrid?

00:04:08Back to Madrid again!

00:04:10Brother!

00:04:11You don't speak!

00:04:12Obligations!

00:04:13That!

00:04:14Those are obligations!

00:04:15And not the ones you have!

00:04:18Bye bye!

00:04:19Don't be the wooden rabbits!

00:04:35Don't be the wooden rabbits!

00:05:05Don't be the wooden rabbits!

00:05:35I'm done with cans!

00:05:37I'll finish, finished!

00:05:38But you honked so hard that I don't know how you didn't knock down the partition.

00:05:41What a punishment for a man, look, look, look, let me pick it up,

00:05:44and you go and get some fresh air.

00:05:48Ah, to the children!

00:05:51How are the buses?

00:05:54Have you seen that I speak French?

00:05:57Ah, very good, great!

00:05:59The good family, huh?

00:06:01I already see you guys as so good, what can I say?

00:06:03Good more!

00:06:05We will want 300 grams of ham.

00:06:08Serrano ham!

00:06:10You say you're running away...

00:06:11Oh, Serrano ham, bread and two melons.

00:06:17I've already noticed!

00:06:20Look at that little mole he has here, too!

00:06:23Oh, it's not the time!

00:06:23No, I wanted to see if it was a little mole or a turd, fly!

00:06:28Oh, you don't understand!

00:06:30A bottle of wine!

00:06:32Ah, wine!

00:06:33Good!

00:06:34We go down to the cellar!

00:06:35Come on!

00:06:36And you too!

00:06:38Both!

00:06:39Both!

00:06:40Both!

00:06:41Come on!

00:06:42Come in, come in!

00:06:44So, down there, the Mariana won't see us.

00:06:48Lucas!

00:06:49Here, he's already seen us.

00:06:50I'm dispatching the tourists here.

00:06:53I won't send them, you're going to lose control!

00:06:55You there, there!

00:06:56Here at Doña Matea!

00:06:57So, it will always be me, Sophia Loren.

00:07:01Come on!

00:07:02Across the counter!

00:07:03What do we put?

00:07:05Bad, son, bad!

00:07:06What do we put!

00:07:08Yes, better than I heard!

00:07:10What do we put!

00:07:12From the baldaic reguma, yes!

00:07:14Well, if you don't listen to Radio Andorra with that...

00:07:17Lucas!

00:07:24Lucas, come here!

00:07:28Take.

00:07:29What the city council gives you.

00:07:31And you give Rufino these ten thousand pesetas as an account of the contribution.

00:07:34I'll settle it later.

00:07:35You see, you lose it, it's a lot of money.

00:07:38Speaking of money, leave me with the hard stuff.

00:07:40Because we've met Damián and Tragos, the wine merchant.

00:07:44From that vineyard, Nico.

00:07:45To play a game of dominoes...

00:07:47Oh, look how good!

00:07:49Throwing money away with your buddies, huh?

00:07:51Well no.

00:07:52Not a cent for vices here.

00:07:54And I close with whistles.

00:07:56But how did you load whistles?

00:07:58And you leave me with the car to the sodas?

00:08:00I played six, right?

00:08:02Nice to meet you, you owe me six duros.

00:08:04Write them down.

00:08:05Hey, let's see if you pay sometime.

00:08:07Because always paying lip service...

00:08:08Mariana only gives me the right amount for tobacco and cash.

00:08:12And you?

00:08:13Don't you tell him?

00:08:15She carries the keys to everything.

00:08:17She signs at the bank.

00:08:18Keep track of accounts.

00:08:20And he knows more about numbers than the one who invented them.

00:08:24Hey, so that's what Madrid will say to the Food Congress?

00:08:27Sure, man.

00:08:29You have a drugstore and groceries.

00:08:30Can you sign up?

00:08:31I wish, I did.

00:08:33I wish.

00:08:34Cheer up!

00:08:35That has never left here.

00:08:36Man, one day in Huesca, two days in Zaragoza, but always with Mariana by my side and pulling the reins.

00:08:43That's not going out.

00:08:44Well, it's your loss.

00:08:46I've been told that in Madrid, in the cabarets, the tardes come out just as their mother brought them into the world.

00:08:52Oh!

00:08:52If I want to see women like that, I'll have to settle for the ones painted in the magazines that Juan the Barber has in his shop.

00:09:00I've already told him to change them, because I've already worn them out from turning the pages so much.

00:09:05Hey, I have an idea.

00:09:07Why don't you tell Mariana you're invited?

00:09:10Ah!

00:09:11If I'm invited, go to Puntaera too.

00:09:13No, we tell him that Congress is for single men, that we're going to be focused, like soccer players.

00:09:19But where is this henpecked man going to get the eight thousand pesetas he has to pay in advance for each trip?

00:09:25From here, from this pocket.

00:09:28Nhalas!

00:09:29Nhalas!

00:09:30Hey!

00:09:30He's loaded!

00:09:32Look!

00:09:32One, two, three, four, five, six, seven and eight.

00:09:39And two that I'm taking.

00:09:41Two that I carry in my purse so I can have something inside.

00:09:43Look!

00:09:44The Atlantic storm has been moving towards the peninsula.

00:09:51And it will probably be right above us within the next 24 hours.

00:09:55And now what do I remember?

00:09:56And the receipt?

00:09:57The storm is here!

00:10:00Can't you hear me?

00:10:01The receipt?

00:10:02The receipt?

00:10:03What will the receipt be?

00:10:05The one about the contribution?

00:10:06The ten thousand pesetas that Rufino derives?

00:10:08I know.

00:10:09The ten thousand ruffians.

00:10:10I mean, the ten thousand pesetas of the ruffian.

00:10:12We're going from Rufino, I know.

00:10:14Why did you lose the receipt?

00:10:15That I haven't lost it, that it's going to lose me.

00:10:17The receipt is there.

00:10:18There, there, there, doctor.

00:10:19Where is there?

00:10:20Well there, there, there, there, there, there, there, there, there, there, there, there.

00:10:24God, what a man.

00:10:25Why would I marry him?

00:10:26Because if you hadn't you would have stayed single.

00:10:27Who was going to carry you?

00:10:29Shut up!

00:10:29Shut up, I haven't prepared anything for you!

00:10:31He hasn't even paid me the contribution!

00:10:33But, haha!

00:10:34It's unbelievable that you're Pedro's brother!

00:10:36But, haha!

00:10:37From Pedro!

00:10:38You would have a capente from Pedro!

00:10:55Hey, what's up, man!

00:10:57I'll prepare your table right now.

00:10:58Hey, thank you very much!

00:10:59Hello, Ramon.

00:11:00That?

00:11:00Good night, bass.

00:11:02How are we doing?

00:11:03Man, look at me!

00:11:26Man, look who's here.

00:11:27Excuse me for a moment.

00:11:29Stephen!

00:11:31Stephen!

00:11:32Jorge!

00:11:33But you over here!

00:11:34Well, I'm with some friends celebrating the end of my degree.

00:11:37Don't tell me you're an architect.

00:11:39Yes sir.

00:11:40If you want me to build you an Olympic stadium, a cathedral.

00:11:43No, well, that's something to celebrate, right?

00:11:45We're going to have a good time tonight.

00:11:46No, sir.

00:11:47I've settled down.

00:11:48The head only.

00:11:49You're going to be very uncomfortable.

00:11:50No, well, seriously.

00:11:51I have a girlfriend.

00:11:52I'm going to marry him.

00:11:53No!

00:11:53Yes, yes.

00:11:54The strings are gone.

00:11:55From now on I am a Mr. Format.

00:11:57No, come on, a day is a day.

00:11:58You'll have time to get bored when you get married.

00:12:01And he's in a bad mood as always.

00:12:09Very good!

00:12:09I leave you.

00:12:19I'm going to talk to you with Rosy.

00:12:20No shame!

00:12:24Gee!

00:12:25What a surprise!

00:12:27Benedict!

00:12:28You this way.

00:12:30But I thought you were in the María Guerrero.

00:12:32Street, man, street.

00:12:33At the last minute, they gave the role to Olmedillo.

00:12:35Ah, that diato thing is very bad.

00:12:36There is a crisis.

00:12:38That's why I now dedicate myself to varieties.

00:12:39Ben Molín, magician.

00:12:42Because, of course, Benito Moliner did not sound foreign.

00:12:44Haven't you seen me advertised?

00:12:46No, I came in quickly and...

00:12:47Hey, I'm good at it.

00:12:48Yeah.

00:12:49The Cascade, for example.

00:12:54Well, I'm just average at it.

00:12:56Because, of course, this is not my thing.

00:12:59Please, if you know of anything, in any theater, whatever,

00:13:03For 600 pesetas I can make a Hamlet.

00:13:05You have to see me in Hamlet.

00:13:06Yes, but not now.

00:13:07Not now, because I'm coming to see Rosina.

00:13:09Oh, sorry, I don't want to keep you.

00:13:11Well, nice to see you, huh?

00:13:12A truth.

00:13:13No, no, please, the pigeon will squash me.

00:13:16Guaje of the opicio.

00:13:17Where is Rosina?

00:13:19Third door on the left.

00:13:20Well, thank you very much.

00:13:21Well, goodbye, Benito.

00:13:22Oh, what a dove.

00:13:24And remember me, okay?

00:13:26Even if it's just for bowling.

00:13:28Ah, yes.

00:13:35Kitten!

00:13:35Pichurria.

00:13:36Pichurria.

00:13:37Oh, I would know that I would give you.

00:13:39Oh, how wise.

00:13:41Oh, look, I'm going to call you tonight.

00:13:44By phone?

00:13:45Where to?

00:13:45To your house, don't you know?

00:13:47I have a lot of things to tell you.

00:13:49But unfortunate, how he usually calls me at home on the phone.

00:13:52And it is the formal one, that of San Quintín.

00:13:53Oh, I just had so many things to tell you.

00:13:55You don't have to tell me anything on the phone.

00:13:58It's as if the telephone had never been invented.

00:13:59Oh, well, don't be angry, my love.

00:14:02I just wanted to see it so much.

00:14:04Uncle.

00:14:06You look prettier, huh?

00:14:08Polina, leave me...

00:14:09Oh, what an appreciation!

00:14:11Come everyone! What a joy!

00:14:14But how are you here?

00:14:15There's no need to ask how you are, because you look beautiful.

00:14:18You didn't expect that, huh?

00:14:19Of course not.

00:14:20Have you told yourself that maybe next week we'll be playing in Zaragoza?

00:14:22Oh, but I haven't had time.

00:14:24You'll come and see, I don't know, that you're close by.

00:14:26Look, if we go I'll let you know.

00:14:27But be careful, telephones have not been invented.

00:14:29Well, Pichurri, you'll buy us a drink.

00:14:33Or yesterday.

00:14:34Tonight the horn asks me to party.

00:14:36Oh!

00:14:37Oh!

00:14:38Oh!

00:14:39Oh!

00:14:40Oh!

00:14:41Oh!

00:14:42Oh!

00:14:43Oh!

00:14:44Oh!

00:14:45Oh!

00:14:46Oh!

00:14:47Oh!

00:14:48Oh!

00:14:49Oh!

00:14:50Oh!

00:14:51Oh!

00:14:52Oh!

00:14:53Oh!

00:14:54Oh!

00:14:55Oh!

00:14:56Oh!

00:14:57Oh!

00:14:58Oh!

00:14:59Oh!

00:15:00Oh!

00:15:01Oh!

00:15:02Oh!

00:15:03Oh!

00:15:04Oh!

00:15:05Oh!

00:15:06Oh!

00:15:07Oh!

00:15:08Oh!

00:15:09Oh!

00:15:10Oh!

00:15:11Oh!

00:15:12Oh!

00:15:13Oh!

00:15:14Oh!

00:15:15Oh!

00:15:16DonOR to you!

00:15:17You have not honored that country with death.

00:15:20Oh!

00:15:21Oh!

00:15:22He didn't come.

00:15:23Oh!

00:15:25Oh!

00:15:26Oh!

00:15:27greater, san

00:15:46I don't know what's wrong with you, but every time you go to Madrid you get really sick.

00:15:56Oh, you don't know what that is.

00:15:58Oh, a debauchery, an immorality

00:16:02Come on, come on, your stomach is turning.

00:16:05But in that thing, that, in that thing

00:16:09Where are you going?

00:16:10Where am I going?

00:16:11Ah, at the residence

00:16:12That's it, well there you say it's a family environment.

00:16:14Yes, but you have to go out, you have to go out on the street

00:16:18And you don't know what you see on the street

00:16:20On which street?

00:16:21In all of them, oh, what shop windows, what kiosks

00:16:25With some magazines hanging, which can be seen

00:16:28Oh, what a shame, what a shame

00:16:32Oh, the liver is already there, the liver

00:16:37I'm going to have to go to Zaragoza to get a checkup.

00:16:40Great, I'll go with you.

00:16:41No, not you, not you because then you get upset

00:16:44And you have nightmares, and you don't

00:16:45Well, but, while they do that to you...

00:16:48Oh, oh, what's her name?

00:16:49That's what they have to do to you

00:16:50What do they do to me?

00:16:51Ah, check

00:16:51So, I'll take advantage of it to buy some...

00:16:55Some...

00:16:56Well, I don't know, look, I'll have to buy something.

00:16:57No, no and no

00:16:59Your site is here

00:17:01The woman, the woman's place is the home

00:17:04Oh, what more could I wish?

00:17:05That always be here

00:17:07The house is the best place

00:17:10What's the matter?

00:17:12Have you not tried a bite?

00:17:14I have no appetite

00:17:14Of course, the boyfriend

00:17:16Mom, please

00:17:17You're all dressed up, aren't you?

00:17:19Let's leave it be

00:17:19I have to talk to Faustino

00:17:21And let's see if you get married soon

00:17:23Because those long courtships...

00:17:25Dad, I don't want to talk about Faustino anymore.

00:17:27Well, daughter, for a scolding of nothing

00:17:29Surely it has come out to all the blame

00:17:30Because he is very good and very decent

00:17:31And very handsome

00:17:32And with the future he has in the...

00:17:34That

00:17:36That place where he works

00:17:39In the pharmacy

00:17:40But what are you saying, Chuchita?

00:17:42Faustino, this has to end.

00:17:43And don't call me Chuchita

00:17:45You are very nervous

00:17:46Take these tablets

00:17:47And you will see how good they look on you.

00:17:48One for breakfast, lunch and dinner

00:17:49You just don't understand.

00:17:50I don't love you

00:17:51That can't be

00:17:53I'm going to marry someone else

00:17:54Chuchita no

00:17:55The disappointment that mom would feel

00:17:56I'm here to get the suppositories for my grandfather.

00:17:58Yes, yes, take it

00:18:00Mister

00:18:01I don't want to spend my life dispensing suppositories.

00:18:04Lord, don't worry

00:18:05You dispatch asperinas, teritas and things like that

00:18:07Faustino, we're done.

00:18:09My God, this is costing me an illness.

00:18:11Well

00:18:12How do you keep your medicines handy?

00:18:15Chuchita

00:18:15Chuchita!

00:18:33Hello?

00:18:34Yes, yes, here it is

00:18:35The young man is not here

00:18:37We look forward to seeing you tomorrow the day after.

00:18:38To Miss Pilar

00:18:39One moment

00:18:40Hello, Pilarcita

00:18:42Yes of course

00:18:44Very happy, imagine.

00:18:45No

00:18:46I won't be able to accompany you.

00:18:48And I'm sorry for that.

00:18:49But they will come, right?

00:18:51Yes of course

00:18:51No

00:18:53He will go with his mother

00:18:54We are looking forward to meeting your family.

00:18:57Thank you

00:18:59Bye

00:19:00Bye

00:19:03Take care above all

00:19:32Cañete's request, brothers

00:19:34Yes, milk chocolate

00:19:38But they have complained that the milk is not good

00:19:42Of course, that's what I told them.

00:19:45But what do you think, that we have bad temper?

00:19:47Well, don't forget to call me on Monday.

00:19:54Bye

00:19:56Loli, we have to go to the bank.

00:19:58Yes, agreed

00:20:00Good morning, Uncle Lucas

00:20:05Goodbye, Magisma

00:20:06Hello brother

00:20:09How are you here?

00:20:12Pedro, I'm going through the biggest trouble of my life.

00:20:15Have you ever had a fling with a bow tie?

00:20:18Well, I'm busy with Rufino.

00:20:20The tax collector

00:20:22Lucas, a money mess

00:20:25Good morning, Rufino

00:20:40Good morning

00:20:40Look at that

00:20:41Look how good, Rufino

00:20:42That has to be

00:20:43Mariana, nobody has paid here.

00:20:45You're sure?

00:20:46Man, look at the receipts yourself.

00:20:48Look

00:20:49Mother

00:20:55Mother

00:20:56That has stolen from me

00:20:57He stole that big girl from me.

00:20:59When the crazy ones find it

00:21:01So you kept the 10,000 pesetas.

00:21:03No, not at the moment.

00:21:04It's like he lent them to me.

00:21:06Because if not, how would I have gone to Madrid?

00:21:08And how are you going to return them?

00:21:09That's what I would like to know

00:21:10Because Mariana keeps telling me

00:21:12Is the receipt there?

00:21:14I want to see the receipt.

00:21:15Oh, you've entered the receipt!

00:21:17And I carry the receipt in my mouth to my stomach

00:21:19Well, it's not that bad, man.

00:21:21Take, take, take

00:21:23Hey!

00:21:25Two, two, two

00:21:26Five

00:21:27And five, ten

00:21:31There it goes

00:21:32Peter

00:21:34Ten thousand pesetas

00:21:37And you still have

00:21:38May God reward you

00:21:41I'll pay you back too.

00:21:42I don't know when

00:21:42But I'll pay you back.

00:21:44And you still have

00:21:45Mariana is right

00:21:47You are a man

00:21:48That you have what it takes

00:21:49Sculpture and letters

00:21:51And head, Lucas

00:21:52Head

00:21:54I have a head too

00:21:55And very fat

00:21:56But Mariana says

00:21:57What good is it to me?

00:21:58For the beret nothing more

00:21:59And then the woman who has

00:22:00That's a saint, Julia.

00:22:02That gives you all the money you ask for

00:22:04But for me, Mariana

00:22:06He never gives me a penny.

00:22:07Luke

00:22:08Dear brother

00:22:10You make me feel sorry for you

00:22:11I'm going to tell you something

00:22:13That nobody knows

00:22:14But for God's sake

00:22:14Keep my secret

00:22:16If I tell you

00:22:17It's because of what they are doing to you

00:22:19It's a crime

00:22:20Let's see if you learn from me.

00:22:22Ah!

00:22:23That's what Mariana tells me

00:22:24My wife is not so splendid

00:22:26It doesn't give me everything I want.

00:22:28Man

00:22:28You should see the little green ones you have in your pocket.

00:22:32Julia on money

00:22:34It's like all of them

00:22:35Like mine doesn't

00:22:36Mine is the champion of the scabies

00:22:39When we got married

00:22:40He haggled me down to the last peseta

00:22:43He wouldn't let me leave the town.

00:22:45I didn't leave here

00:22:47He had me tied hand and foot.

00:22:49Until one day

00:22:51It's over

00:22:53Did you take the whip and shake him or something?

00:22:55No

00:22:57I invented a son

00:23:00What dimensions of what?

00:23:02Julia is very maternal

00:23:04And he is moved by the helpless boys

00:23:07Ah!

00:23:09And you went to enjoy yourself

00:23:10And you would bring him some of those magic gypsies that there are.

00:23:13I had to go to Madrid

00:23:14And I started putting the thing into practice

00:23:20Pretending to dream at night

00:23:23How Julia sleeps like a marmot

00:23:27I had to wake her up so she could hear me.

00:23:30Hahaha!

00:23:37My son

00:23:38My son, how handsome you are.

00:23:41My son

00:23:43Peter

00:23:43Oh, don't run!

00:23:44Peter

00:23:44What's the matter?

00:23:45Son of my life

00:23:47What's the matter?

00:23:49You were dreaming, weren't you?

00:23:51Yeah

00:23:51I had a nightmare

00:23:53What did he say?

00:23:56I don't know

00:23:56I didn't understand it well

00:23:57But I think you were saying

00:23:58You little brat!

00:23:58You think you're a wimp!

00:24:01So at first

00:24:03He didn't understand anything

00:24:04Yeah

00:24:05It took me a while to get him to realize it.

00:24:07Because you already know

00:24:08How distracted she is

00:24:09But I followed my plan

00:24:11I pretended to be nervous

00:24:12Concerned

00:24:13I wasn't doing anything right.

00:24:15In front of her, of course

00:24:16Tears came to my eyes for any reason.

00:24:19What's the matter?

00:24:24Nothing

00:24:24Nothing's wrong with me

00:24:26Did something get in your eye?

00:24:28No

00:24:29I don't want you to see me cry.

00:24:31Why are you crying?

00:24:37Julia

00:24:38I can't resist one more day

00:24:40I have no choice

00:24:41That I confess something terrible to you

00:24:44I have a son

00:24:47What do you have?

00:24:49A son

00:24:50A madness of my youth

00:24:52Before I met you

00:24:54Clear

00:24:54I had a girlfriend

00:24:56We couldn't get married

00:24:57I behaved with her

00:24:58Like a scoundrel

00:25:00And I left her

00:25:02I left her with a child in her arms

00:25:03My son

00:25:04A few years later

00:25:06I heard that she had died

00:25:08But I haven't been able to find out

00:25:09What happened to the child?

00:25:12From my son

00:25:13Do you understand now?

00:25:15Why do I cry?

00:25:16I am an unnatural father

00:25:17I have a son

00:25:19But

00:25:19I don't even know where to stop

00:25:21He will believe himself to be an orphan

00:25:23Maybe he's sick

00:25:24It's cruel

00:25:25Who knows?

00:25:27Boy, what is serial?

00:25:30Let's see what

00:25:31What do you have for me?

00:25:32With my heart in my mouth

00:25:34The rest was a piece of cake.

00:25:36And one day

00:25:3715 years ago

00:25:39I took the plunge

00:25:40To the river

00:25:40No, man.

00:25:41It was an explosion

00:25:42The butanú would be

00:25:44The TV

00:25:45Ah, the TV

00:25:46Of course you would plug it in wrong.

00:25:48And they would give you all the kilovolts

00:25:50That takes kilovolts

00:25:51That takes

00:25:52No no

00:25:53We were watching

00:25:54The draw

00:25:56From the Christmas lottery

00:25:57Oh, mother

00:25:59What's the matter?

00:26:02I find you these days

00:26:03I don't know

00:26:03Queer

00:26:04Yeah

00:26:05I have a feeling

00:26:0725,000 pesetas

00:26:0930,996

00:26:1125,000 pesetas

00:26:1219.936

00:26:1537,040,000 pesetas

00:26:17Julia!

00:26:23Julia, how lucky!

00:26:25How lucky!

00:26:28Look!

00:26:29That kid!

00:26:30Which?

00:26:31That chubby one?

00:26:31No, the other one, my son.

00:26:33My son!

00:26:35What are you saying?

00:26:36That

00:26:37The one who has the ball in his hand

00:26:38Look how handsome he is

00:26:41Oh, what a son I have!

00:26:44And the boy the ball

00:26:45Was he your son?

00:26:47No, man.

00:26:47That's what I told him

00:26:49And she swallowed the ball

00:26:52And the boy the ball

00:26:53And he swallowed it

00:26:53I spent my days crying

00:26:55I told him I had to go there

00:26:56To see him, he needed me.

00:26:58That it was a crime

00:26:59What I was doing with him

00:27:00And what did she tell you?

00:27:02I forgive you

00:27:03But with one condition

00:27:05Hey?

00:27:05From now on

00:27:07I don't want that little creature to lack anything.

00:27:09Oh!

00:27:10My angel

00:27:11Money

00:27:12Studies

00:27:13School

00:27:14Whatever you need

00:27:16Oh!

00:27:17Oh!

00:27:18You are a saint

00:27:20A saint

00:27:22Swear to me that

00:27:23You will purge your sin in this way.

00:27:25Yes, yes

00:27:26And you purged it

00:27:27I mean, you swore it to him.

00:27:28Clear

00:27:29I swore it to him

00:27:30And until today

00:27:30Boy I celebrate

00:27:31And how well cultivated

00:27:33And how well cultivated

00:27:33That you bring a child into the world

00:27:35That you don't throw it away

00:27:36Because there is no son

00:27:36Then you kill the mother

00:27:38That you don't kill her

00:27:39Because there is no mother

00:27:40You make the boy sing to you

00:27:42The Christmas fat man

00:27:44And with that you

00:27:45Every month to Madrid

00:27:46Partying

00:27:46The cabarets

00:27:47Mother

00:27:49How well-educated

00:27:51That's when the expenses started

00:27:52What if the child's clothes

00:27:54Little shoes

00:27:55Socks

00:27:56Toys

00:27:57Oh!

00:27:58Mother who mines

00:27:59And the more he grew

00:28:01More expenses

00:28:02Why did the schools come?

00:28:03Expensive schools

00:28:04The university

00:28:06Also the university

00:28:07Hey, well, now I'm a lawyer.

00:28:09No no

00:28:10No, because he tells him it was Julia

00:28:12That he was a very bad student

00:28:14Oh!

00:28:15What a pain!

00:28:18That you yourself were giving him the cold shoulder

00:28:21And the suspense

00:28:23And you move forward

00:28:24What a way to scrape the chocolate pot!

00:28:28How delicious!

00:28:29And the summers

00:28:30I'm sending it to Torremolinos

00:28:32Ah!

00:28:34Hey

00:28:34And your wife has never asked you

00:28:36Take her to Madrid

00:28:38To meet the kid?

00:28:40I have that fixed too

00:28:41I told Julia

00:28:42That the boy

00:28:43The boy

00:28:44He thinks I'm a widower of my mother.

00:28:46And what to tell you now the truth

00:28:48It would be a terrible blow to him.

00:28:50And perhaps it would arrive

00:28:52To repudiate me

00:28:54Because Jorge

00:28:54He is very sentimental

00:28:56Was his name Jorge?

00:28:57The first name that came to mind

00:28:59But I was lucky

00:29:00Because in the residence

00:29:01Where I stay in Madrid

00:29:03I found an architecture student

00:29:04Which was precisely called

00:29:06Jorge

00:29:07Take

00:29:08If it hadn't been called that

00:29:09I wouldn't have paid any more attention to him.

00:29:11That to the other guests

00:29:13But of course

00:29:13Said

00:29:14This is the one that's going to get me out of trouble.

00:29:17And we became very good friends.

00:29:19He liked me.

00:29:20When I told him

00:29:21Who lived in Tarazona

00:29:22Because

00:29:23He

00:29:23He is from Zaragoza

00:29:25And he has spent some summers here

00:29:27Clear

00:29:27We went together

00:29:29Everywhere

00:29:30Above all

00:29:31Partying

00:29:33I

00:29:34He always invited him

00:29:35To win me over

00:29:36He understands it

00:29:37And while he

00:29:39I was in college

00:29:41I searched his room.

00:29:43The little table I had there

00:29:44To take photos of you

00:29:46And exam papers

00:29:48That later

00:29:49He taught Julia

00:29:51And of course

00:29:51He was convinced

00:29:53Of all that

00:29:54It was true

00:29:54And he took a liking to her

00:29:56To the boy

00:29:57What brain do you have?

00:29:59Then Pilarica

00:29:59He must have swallowed it too.

00:30:01No

00:30:02My daughter doesn't know anything

00:30:03I told Julia

00:30:05To keep the secret

00:30:06Because it was going to be a coup

00:30:07Very strong

00:30:08For Pilar

00:30:08Knowing that I had

00:30:10A son of strangers

00:30:11Whose?

00:30:12That he didn't have my last name

00:30:14That is not called like you

00:30:15No

00:30:16What are you going to call yourself like me?

00:30:17His name is Jorge

00:30:18Salmerón

00:30:19Ah, Salmerón

00:30:20What does Salmerón remind me of?

00:30:24Ah, yes, shut up, man.

00:30:25The celebrated

00:30:26The wise Salmerón

00:30:28Solomon

00:30:29The one I say is already dead

00:30:30Of course

00:30:31What does he say?

00:30:40Is Jorge involved in this?

00:30:41Or isn't it?

00:30:42Jorge doesn't even know my name.

00:30:44At the residence

00:30:45I pretend to be Esteban Villacorta

00:30:47And for Don Esteban

00:30:48Everyone knows me

00:30:49What am I celebrating, mother?

00:30:52If I dared

00:30:53Give me a fugitive gift

00:30:54In here!

00:30:55In here!

00:30:56In here!

00:30:56Here I am going to give you the accounts!

00:30:58Mariana!

00:30:59In here!

00:30:59Here I am going to give you the accounts!

00:31:00Women!

00:31:01What's that?

00:31:02This husband of mine

00:31:03That's going to kill me

00:31:03What's that?

00:31:04Don't you want to know more?

00:31:05What is a blow?

00:31:06That has stolen from me

00:31:07Well, well, well

00:31:08That I gave him two thousand duros

00:31:09So that he would go and pay the contribution

00:31:10And that he has spent them

00:31:11Calm down!

00:31:12He spent them on me!

00:31:13God, you know what?

00:31:14What must be around here?

00:31:15A slut

00:31:16That's not true!

00:31:17I don't have a slut like you

00:31:19Shut up and I'll tell you!

00:31:20Be quiet!

00:31:20Please!

00:31:21Mariana!

00:31:21Alright

00:31:22See

00:31:23And you?

00:31:24Take out ten thousand pesetas

00:31:25What did I get out of them?

00:31:27Get them out!

00:31:29Oh, what a clavario!

00:31:34Look at them!

00:31:35Look at them!

00:31:36He's a real thief!

00:31:37Nebos and I had it!

00:31:39You are very wrong to judge Lucas like this.

00:31:42Should I tell you the truth?

00:31:44No

00:31:44I'm going to tell you

00:31:45No, it kills me.

00:31:46Anyway, you'll see it.

00:31:48Do you know what these ten thousand pesetas were saved for?

00:31:51To give you a gift

00:31:53Me?

00:31:54To you

00:31:55Well, I've never given myself anything.

00:31:56Well, once had to be the first.

00:31:58And how do you know?

00:32:00Tell him

00:32:01Tell him how you know

00:32:02Let's see if I understand

00:32:03Luke

00:32:04He came to tell me

00:32:06He plans to give you a nice gift.

00:32:07A gift

00:32:08I'm going to do it for myself, Mariana.

00:32:09To celebrate the silver wedding anniversary

00:32:11That's what he told me

00:32:12The silver wedding anniversary?

00:32:13Yeah

00:32:13Well, if the silver wedding anniversary

00:32:14We fulfilled them three years ago

00:32:15Well, exactly

00:32:17And then he didn't give you anything.

00:32:19That's why now he wants to wipe away the forgetfulness

00:32:22Oh, what a celebration, what a celebration

00:32:23You're going to take a matter like this

00:32:25Where he tries to flatter you and do you a favor

00:32:28No, well, no.

00:32:28But on the contrary

00:32:29That's why

00:32:30And I thank you for it.

00:32:31It's just that it surprises me, huh?

00:32:32Surely that thing about the gift

00:32:34It occurred to you, huh?

00:32:35Sure

00:32:36Because what this is

00:32:37This one doesn't even know

00:32:38Not even the number of shoes you hunt

00:32:39You don't need to tell me the numbers.

00:32:41I wear whatever fits me.

00:32:42And it's over

00:32:43Shut up

00:32:43Yeah

00:32:44Go on

00:32:45Go because of the gift

00:32:46I'll take care of it

00:32:47So don't worry

00:32:49That now we have this one and I

00:32:50Let's talk about our things

00:32:51No, no, what...

00:32:52Go on

00:32:52Goodbye, Mariana

00:32:53Goodbye, Mariana

00:32:53Bye

00:32:54I'll walk you to the door.

00:32:55Oh, what a genius you have, mother.

00:32:58Goodbye, Mariana

00:32:59Bye

00:33:00Goodbye, goodbye

00:33:02How well Mariana has behaved

00:33:15You will have seen that...

00:33:19That he is going to throw a mallow

00:33:20I don't trust

00:33:22You know what I'm telling you?

00:33:25That I'm also going to invent a son

00:33:27How does the show begin?

00:33:29Making you very nervous

00:33:30As that is a machine

00:33:31That

00:33:32As soon as Marianica looks at me like that

00:33:35A little twisted

00:33:37I become like a flan

00:33:39Then

00:33:40I tell him I have that recognition thing.

00:33:42What is like a recognition?

00:33:45It will be

00:33:45A feeling

00:33:47Well, yes, the feeling

00:33:48The bad thing will be

00:33:50I won't be able to wait for you.

00:33:53To the Christmas Lottery draw

00:34:01What is like a rice?

00:34:06The one I put the napkin on for you?

00:34:08I know, I know, the napkin

00:34:09I already know

00:34:10It's nonsense

00:34:11I see what you do

00:34:12That I have a very large remuneration

00:34:15A great recognition

00:34:18No no

00:34:19A big regret

00:34:20Is he drinking again?

00:34:22No, sir

00:34:23No, sir

00:34:23My son

00:34:30My son!

00:34:31Look at my son!

00:34:32But what does it say?

00:34:33Oh, on TV!

00:34:35That

00:34:36That?

00:34:38No, not that one, man.

00:34:39Not that one.

00:34:40I have explained them to you once.

00:34:42I have a son

00:34:44That I have a son with a woman

00:34:46That I knew long before you

00:34:48But a son

00:34:49No adulteration, man

00:34:52And the mother died

00:34:53That the son must pay for the world

00:34:55Without me knowing anything

00:34:56That maybe he is sick

00:34:58And he is scrupulous, my son.

00:35:00Let's see if I understand

00:35:02Is it true that you have a son?

00:35:05I didn't even have time to answer.

00:35:08He hit me with a melon

00:35:10I'm carrying pipes

00:35:12Even in the underwear

00:35:13Look at the eye

00:35:14It looks like I'm wearing black glasses.

00:35:16Brother

00:35:17You have to impose yourself

00:35:19Do as I do

00:35:20That can't be, man.

00:35:21If only because I wanted to copy you

00:35:23The making of a son

00:35:24And you have seen

00:35:25My wife is not like yours

00:35:28Yours is a little sister of charity

00:35:30And the Mariana

00:35:32She is the Augustinian of Aragon

00:35:34Firing the cannon

00:35:35Wait

00:35:38Hey Lucas

00:35:47Are you going to do me a favor?

00:35:49When Julia enters

00:35:51You say that I

00:35:53I look very bad

00:35:54Bad face with those little colors

00:35:56The thing is

00:35:56I'm preparing a little trip

00:35:58To Zaragoza

00:35:59Again?

00:36:01Yes Lucas

00:36:02A woman

00:36:03But what a woman

00:36:05It will be one of those tight ones

00:36:07That I like

00:36:08She is an Italian artist

00:36:10Italian foreigner will be

00:36:11Good from Badajoz

00:36:12Good from Badajoz

00:36:13But what will it be?

00:36:14Say

00:36:14Tight and round like that

00:36:16That's why I want

00:36:17Having this liver attack

00:36:19To prepare for my trip to Zaragoza

00:36:21So let's attack!

00:36:22To the attack

00:36:23Oh

00:36:25Oh

00:36:27What's wrong with you now?

00:36:28The liver

00:36:28The the

00:36:29The gallbladder

00:36:32Oh

00:36:32Luke

00:36:33Again

00:36:34The gallbladder

00:36:36Oh

00:36:37You see her

00:36:37Oh, I hadn't realized.

00:36:39Yeah, yeah

00:36:40Oh

00:36:41Poor

00:36:42Oh poor thing

00:36:43What's the matter?

00:36:44Well, we'll have to take it to Zaragoza.

00:36:45Let him see it

00:36:46That doctor from Badajoz

00:36:59The gallbladder

00:37:02The gallbladder

00:37:04A vesicle

00:37:04New gallbladder

00:37:05I'm going to call him.

00:37:31Whom?

00:37:32To Pichurri.

00:37:33I agreed that I would let him know as soon as we arrived.

00:37:35But he told you not to call him.

00:37:37Which bitch do I have on the phone?

00:37:39It's true.

00:37:41What a head I have.

00:37:43I'm going to write to the factory.

00:37:45Yes, ma'am.

00:37:46I'm Loli, your secretary.

00:37:47How is Don Pedro?

00:37:48Pachucho, daughter.

00:37:49Very sick.

00:37:50Yes, he had one of those attacks...

00:37:53Oh, what's her name?

00:37:55That, which is used to be foie gras.

00:37:58I'm so sorry.

00:37:59Well, if he's not going to come here, I don't know what to do with the mail.

00:38:03Should I take it?

00:38:05I'm going now.

00:38:33Pedro!

00:38:36Pedro!

00:38:37Oh!

00:38:38Oh!

00:38:39Pedro, what is this?

00:38:42Unplanned Sasiah?

00:38:44It looks like a woman.

00:38:45Naked!

00:38:46It will be an announcement.

00:38:48An advertisement?

00:38:49Look what the letter says.

00:38:50Dear Pichurri, since you told me not to call you on the phone, I'm sending you these letters.

00:38:55We are already in Zaragoza.

00:38:56I guess you'll do something nasty to see your baby.

00:38:58How dirty?

00:38:59No, no, a getaway.

00:39:03I guess you're going to take a trip to see your baby.

00:39:05I'm sending you the last photo they took of me.

00:39:07Okay!

00:39:11Who is this woman?

00:39:14If I told you...

00:39:15It's your problem, don't deny it.

00:39:17If you're going to start doubting, I'll have no choice but to find out...

00:39:22Find out, eh!

00:39:25Luke.

00:39:25Lucas what?

00:39:27Aren't you saying that Lucas is having an affair?

00:39:28Worse.

00:39:30Lucas has a daughter.

00:39:31That one in the photo.

00:39:33A daughter?

00:39:34But when did Mariana give birth?

00:39:36Mariana doesn't know anything.

00:39:38She is an illegitimate daughter.

00:39:40But natural from where?

00:39:41It was a crazy youth.

00:39:43Ah, come on.

00:39:44The same thing that happened to you.

00:39:45Well, but mine was a child.

00:39:47I'm referring to the slip.

00:39:49Equal.

00:39:50We both slid.

00:39:51And if she is Lucas's daughter.

00:39:53What do you have to do with all this?

00:39:55Well, Lucas never dared to confess it to Mariana.

00:39:59Because Mariana isn't as good or as understanding as you.

00:40:04Because you are a sun.

00:40:06And that's when he asked me to correspond with his daughter through me.

00:40:11This all seems very strange to me.

00:40:13No no.

00:40:14Look.

00:40:16Dearest Pichurri.

00:40:18What does Pichurri mean?

00:40:20Father.

00:40:21In Basque.

00:40:22Because she is Basque.

00:40:23Cool wave.

00:40:25See your baby.

00:40:28What does daughter mean?

00:40:30But that's in Catalonia.

00:40:31Well, she always speaks in Catalan.

00:40:33The Basque one?

00:40:34The Basque woman is the mother.

00:40:35He speaks in Basque.

00:40:36The daughter is Catalan.

00:40:38And how did they meet if he has never left here?

00:40:40I think she was coming as a maid with some vacationers.

00:40:45The daughter.

00:40:45The mother.

00:40:47Oh, Pedro, I don't understand anything.

00:40:49You're not fooling me.

00:40:50How can you doubt me?

00:40:52I have lied to you before.

00:40:55Never.

00:40:56And you told her she was my daughter?

00:40:58Something had to be invented.

00:41:00Ah, you make a living inventing things.

00:41:03You didn't want a trick to force Mariana to loosen her purse strings.

00:41:06Well there you have it.

00:41:07A 19-year-old daughter.

00:41:09Until you get her married, see if he can get money out of her.

00:41:12What I've done, Lucas.

00:41:13Hey, that's not a bad idea.

00:41:17See where I'm going to have it too.

00:41:19A daughter.

00:41:21I'll have her at university for 10 or 12 years.

00:41:25Then he will do his military service.

00:41:27No, hey.

00:41:28No, man, she's a woman.

00:41:29And note that she is a woman.

00:41:32Oh, daughter of my life.

00:41:35But how developed it is.

00:41:39Hey, keep it a secret, Lucas.

00:41:41Don't worry.

00:41:42Even if they kill me, they will kill me as soon as Mariana finds out.

00:41:46Luke.

00:41:47You've already found out.

00:41:49Luke.

00:41:49Hey, stop it.

00:41:50Stop it.

00:41:51Now that I have this eye well, I won't ruin the other one.

00:41:53Stop it.

00:41:54What are you doing there in Pali?

00:41:55That?

00:41:55We have to unload the boxes of tomatoes that we don't have.

00:41:58That we don't have.

00:41:59You'll see.

00:42:01You'll see all the tomato that's going to form.

00:42:03Hahaha.

00:42:04He he.

00:42:12No, no, no, no, no.

00:42:42Chuchita.

00:42:51Chuchita.

00:42:54I told you not to call me Chuchita.

00:42:56Well, whatever you want.

00:42:58You look very pretty.

00:43:01What have you come for?

00:43:02To bring these bottles of mineral water to your father.

00:43:05You couldn't send the boy?

00:43:07I just wanted to see you.

00:43:09And I didn't know you were in my country, if I hadn't come before.

00:43:11Look, Faustino, I'm fed up with your nonsense.

00:43:16How do you expect me to tell you that our relationship is over?

00:43:19Are you still mad at me?

00:43:25It's not that I'm angry.

00:43:27Don't go.

00:43:29I just don't want to see you again, do you understand?

00:43:32Chuchita.

00:43:32Don't call me Chuchita, I told you!

00:43:34Chuchita, who's it going to be?

00:43:48What do I do?

00:43:52Save my life!

00:43:54I'm sorry, Mom, I know we've known each other since we were kids, that it's a great family,

00:44:00that you loved us being boyfriend and girlfriend, but my happiness comes first, you understand?

00:44:04That's why I've kept it from you until now.

00:44:06Of course, daughter, but jump in the water, yes, for good.

00:44:09You could have at least let him put on his swimsuit.

00:44:11Mom, I'm getting married.

00:44:12It does very well.

00:44:13Faustino will make you very happy.

00:44:14He's a little silly, but that's an advantage.

00:44:17Mom, you just don't understand.

00:44:18I'm not going to marry Faustino.

00:44:20Ah, no.

00:44:21No, I have a serious boyfriend, a great guy.

00:44:23Are you going back to Faustino?

00:44:25No, he's from Zaragoza.

00:44:29I met him at the Pilar festival last year.

00:44:34Study in Madrid.

00:44:37Well, he was studying because he had already finished his degree.

00:44:40Yeah, that's fast.

00:44:42I'm really looking forward to you meeting him.

00:44:53Good morning.

00:45:12Hello good morning.

00:45:13What's it going to be?

00:45:16I don't see the deposit.

00:45:17Do you have a phone?

00:45:20Yes, there you have it.

00:45:21Thank you.

00:45:21Hello?

00:45:35Yes, it's me.

00:45:38What a joy.

00:45:41Of course, I wasn't expecting your call.

00:45:43Are you on your way yet?

00:45:45We will arrive tomorrow.

00:45:46Yes, I'll pick up Mom in Zaragoza and we'll be in the middle of it.

00:45:50Hey, have you told your parents anything?

00:45:52No.

00:45:55Don't be silly, I was going to tell him now.

00:45:57We'll talk when you come.

00:45:59Yeah.

00:46:01A kiss, architect.

00:46:05Mom, it was him.

00:46:06He's coming with his mother.

00:46:08They want to meet you, formalize the relationship, set a wedding date.

00:46:10But daughter, I'm going to the hairdresser.

00:46:13I want to look very pretty when I arrive.

00:46:16You're going to love it.

00:46:18Especially you, who like serious and formal men.

00:46:22But what a girl.

00:46:24Hey, who says I'm going to love it?

00:46:27The girl's hole.

00:46:28Faustino?

00:46:29No.

00:46:30Come on, I didn't understand very well, but I don't think it's Faustino.

00:46:31But who is it?

00:46:32A boy.

00:46:33Man, of course.

00:46:34It's not going to be a tram.

00:46:36He is from Zaragoza.

00:46:37She has finished her studies and they want to get married right away.

00:46:39No.

00:46:39What a spit!

00:46:43They're getting married, Pedro, they're getting married.

00:46:45I did understand that correctly.

00:46:47My God.

00:46:49We are going to be very alone.

00:46:50How empty this house is going to seem to me.

00:46:53It's the law of life, but...

00:46:54Pedro, you won't be angry if I ask you for something.

00:46:58I've been thinking about it for a long time.

00:47:01I don't know.

00:47:01What is it?

00:47:02Your son, Jorge, still doesn't know anything about me.

00:47:06Why don't you tell him the truth?

00:47:07Bring it.

00:47:08Let him live with us.

00:47:10It won't be much missed when Pilar gets married.

00:47:12Yeah.

00:47:12I've thought about that too, huh?

00:47:14I've thought about it too, but...

00:47:16No, it can't be.

00:47:18Because?

00:47:18If I love him now as if he were my own son.

00:47:19I'm so sorry, but I can't please you because if you saw him now you'd be ashamed of him.

00:47:26I couldn't help it.

00:47:27But what happened?

00:47:31Jorge is a degenerate.

00:47:33She takes drugs, she hangs out with faggots...

00:47:36Clear.

00:47:37The bad life, the bad company, the ropes, the easels.

00:47:41I met some undesirable foreigners.

00:47:44I'm just telling you that he's on file with the General Directorate of Security.

00:47:49Oh, how horrible!

00:47:50Pedro, now more than ever, bring him here, bring him to this house.

00:47:59I will take care of him.

00:48:00We cannot allow it to be lost.

00:48:01My poor thing.

00:48:03He's your son, Pedro.

00:48:04Your son who needs us!

00:48:06Yeah, yeah, yeah.

00:48:08I kill him.

00:48:09There is no other solution.

00:48:11Because if this crazy woman insists on me bringing it here, I'll see where I get it from.

00:48:16If you don't bring it, I'll go get it myself.

00:48:23I kill him.

00:48:46Hey, hey, Pedro.

00:48:52What am I?

00:48:54Yeah, listen, Mariana found out about her daughter, the one in the photo.

00:49:01And it has disappeared from me.

00:49:02No, not the daughter, the photo.

00:49:05Man, why does Mariana always search me, huh?

00:49:07And he even took my vest.

00:49:10Hey?

00:49:11As?

00:49:12Is it not possible?

00:49:13Yes, yes.

00:49:13You don't know her.

00:49:16He's gone out looking for me all over town.

00:49:18No.

00:49:19He has died.

00:49:21What has died?

00:49:22My God.

00:49:24He has died.

00:49:24Who has died?

00:49:26The Mariana?

00:49:27Clear.

00:49:28It crashed into the tree.

00:49:30It must have been horrible.

00:49:33Jorge has killed himself.

00:49:37Yeah.

00:49:38Yes, yes, already.

00:49:40I understand now.

00:49:41For speeding.

00:49:44But, if it can't be, Pedro, who was on the motorcycle and the most he can go is 30 per hour and downhill.

00:49:53I will certainly go as soon as I can.

00:49:57But why didn't they warn me before?

00:49:59Take.

00:50:00Because I didn't know.

00:50:02She's gone.

00:50:03She has put the electric iron in her bag.

00:50:05And he's gone to see if I'll find myself and shake myself off.

00:50:09No, no, no need to worry about the expenses, everything is on my account.

00:50:15Well, see you soon.

00:50:21Clear.

00:50:22Of course I'll go.

00:50:24Even if I don't make it to the burial.

00:50:27But I will go.

00:50:31Bye bye.

00:50:31Oh, Jorge.

00:50:38My poor son Jorge.

00:50:41Dead.

00:50:42With the last car I bought him.

00:50:45And what I told him, don't step on him.

00:50:46Don't step on him, he runs very fast.

00:50:50Well, it is known that I step on him.

00:50:52No, and that he would be drugged.

00:50:54And with some faggot.

00:50:55Oh, calm down, please.

00:50:57There is no remedy now.

00:50:58Is something wrong, ma'am?

00:50:59And the water from Carmen and my ment, whatever, but fast.

00:51:03Oh, and to think that I will never see him again.

00:51:18You'll see what surprises they'll get.

00:51:20Because I told Pilar we would arrive tomorrow.

00:51:22And why did you tell him that?

00:51:23I don't know.

00:51:24I'd like to see his face when he sees us come in.

00:51:26Besides, this way we really get to know them, right?

00:51:28On a visit.

00:51:30They will be so calm, without waiting for us.

00:51:31It seems like he's coming back.

00:51:47Oh, Mariana, poor Costa Rican.

00:51:50That you have caught.

00:51:51You've caught on.

00:51:52But what are you saying, Mr. Lucas?

00:51:54The motorcycle that has climbed the tree.

00:51:57I don't know how, but he got it up the tree.

00:51:59No, not anymore.

00:52:01To the funeral home.

00:52:02This is beyond repair.

00:52:05I have it left.

00:52:07I'm going to talk to Pedro quickly so he can tell me how it was.

00:52:10Have you seen the place?

00:52:23He runs faster than Mariano Aro.

00:52:25We'll have to send it to the next cleaning.

00:52:27Peter.

00:52:48Peter, Peter.

00:52:49But how did it happen?

00:52:50But how did it happen?

00:52:51I suddenly saw.

00:52:53Suddenly.

00:52:55What happened to Mariana?

00:52:56You'll know.

00:52:57You told me on the phone that he would be crushed against the tree.

00:53:02No, man, no.

00:53:05As Julia became very persistent saying that she wanted to meet my son,

00:53:10to bring him to live with us.

00:53:14And that couldn't be.

00:53:16I had no choice but to kill him.

00:53:18And you have had the courage to kill in cold blood.

00:53:22No, Lucas, but it's a lie.

00:53:23It is true that it is a lie.

00:53:29Boy, I had already gotten the idea that it was Mariana who had been squashed.

00:53:34Well, that had made me feel better, I mean.

00:53:37In the mood?

00:53:37When you called me, I took the opportunity to pretend that I was being called from the Torremolinos Civil Guard barracks.

00:53:44to tell me that my son had killed himself.

00:53:48Taking advantage of having to visit the grave and pay the expenses, which will certainly be... many.

00:53:55I'll take a little trip.

00:53:56To Torremolinos?

00:53:58No, to Zaragoza.

00:53:59A little visit to Rosina.

00:54:01Ah, the one in the photo.

00:54:02That.

00:54:03Ah, what, what I celebrate.

00:54:05What a celebration, mother.

00:54:06And how well-cultivated everything is.

00:54:08Oh, what a shame.

00:54:10What a pain, Lucas, what a pain.

00:54:12Take this.

00:54:21I don't know what it is, but it'll do you good.

00:54:23Oh, I just told Lucas.

00:54:25Have you seen that you are funny?

00:54:26Am I unbuttoned or what?

00:54:29No, now, about this one.

00:54:31Such an older and handsome son.

00:54:33Shut up!

00:54:33We are nothing.

00:54:35Am I going to make a tragedy out of this?

00:54:38I hope nothing like this ever happens to your daughter.

00:54:40Which daughter?

00:54:41Who's it going to be?

00:54:42To Rosina.

00:54:47Don't dissimulate.

00:54:48Julia knows everything.

00:54:50That's all.

00:54:51I had no choice but to tell you.

00:54:53I have no secrets from her.

00:54:54How could you have fallen into the same sin as Peter?

00:54:56I don't agree with that.

00:54:58Doesn't he know your stuff?

00:54:58Of course he knows.

00:54:59He's the only person who knows.

00:55:00I told you about it, a while ago...

00:55:0224 hours ago.

00:55:03How 24 hours?

00:55:05No, 24 years ago.

00:55:06Lucas!

00:55:08Don't drive me crazy.

00:55:08How long ago?

00:55:09He knows how to keep a secret.

00:55:11Even if you killed him, he wouldn't say more than he has said.

00:55:15Lucas, please talk to your daughter.

00:55:18Tell him what happened to poor Jorge.

00:55:20Be very careful.

00:55:23Those cars.

00:55:25Don't worry because my daughter can't drive.

00:55:33Did he tell you what he looks like?

00:55:35Well, he carried it in his vest pocket.

00:55:38She thought it was her problem.

00:55:39But your mother told me that she is her daughter.

00:55:42It is not possible.

00:55:43Take!

00:55:43That great shameless place has a daughter.

00:55:45A daughter on the sly.

00:55:47Well, a little secretly.

00:55:48Why did the whore eat me?

00:55:50In Viking!

00:55:52But this is the one with the five twin sisters.

00:55:54I saw some pictures of you in a magazine.

00:55:56Did you say five twin sisters?

00:55:59So...

00:56:00So you have four more daughters.

00:56:02I kill him and I kill him.

00:56:04Where do you find it?

00:56:05I kill him.

00:56:05Well, calm down.

00:56:06Give me a bar of soap.

00:56:08The one you always carry?

00:56:08Yes sir.

00:56:28Mrs. Salmerón and son.

00:56:29They are two single rooms, right?

00:56:31Yeah.

00:56:32Bellboys will join you shortly.

00:56:33Why don't you call Pilar and tell her we're here?

00:56:35No, look, as long as you get ready, I'll stop by his house.

00:56:37You alone, but son, that's not formal.

00:56:39Oh, Mom, please, you take everything to heart.

00:56:44Accompany the gentlemen.

00:56:46Welcome.

00:56:46Thank you.

00:56:56Hello.

00:56:58Hello, Uncle Lucas.

00:57:05What's happening?

00:57:06This innocent knows nothing.

00:57:09I don't know anything?

00:57:10About what?

00:57:11Why are you crying?

00:57:13Something terrible has happened.

00:57:15We just learned that his son was killed in a car accident...

00:57:18Shut up, Julia!

00:57:20Shut up!

00:57:21This daughter you must know.

00:57:22Yes, but not like that, all at once.

00:57:24It must be prepared.

00:57:25I'll tell him.

00:57:26Will you tell me once and for all?

00:57:27Whose son was killed in the car?

00:57:29Of...

00:57:29From this.

00:57:31Hey?

00:57:31From Lucas?

00:57:32Clear.

00:57:33Isn't it true, Lucas, that you have had a son for...?

00:57:35Ah, yeah, man.

00:57:38Where...?

00:57:38Since when were you born?

00:57:39That.

00:57:40Yes, yes, I already knew it.

00:57:42Hey?

00:57:43As?

00:57:43It just can't be.

00:57:44What do you say, daughter?

00:57:45I know.

00:57:45Aunt Mariana told me about it just now.

00:57:47Oh, but Mariana doesn't know that her husband has a son.

00:57:50Clear.

00:57:51Neither do I.

00:57:52Come on, I don't even believe it.

00:57:53That I told her?

00:57:54Well, the truth is that she told me she had a daughter.

00:57:57Also.

00:57:58Also.

00:57:59Yeah.

00:58:00He has two.

00:58:01Son and daughter.

00:58:03The little couple.

00:58:04Wow!

00:58:04I'm going to have another drink, excuse me.

00:58:06And how old was that poor boy?

00:58:09I don't know.

00:58:10I don't think I would have turned 40 yet.

00:58:12Man, you told me 26.

00:58:14That's why I say I wasn't even 40 yet.

00:58:16I'm so sorry, Uncle Lucas.

00:58:19Get one for each hit.

00:58:21Oops!

00:58:21And those I will receive.

00:58:23What I can't understand is how Mariana found out.

00:58:28Did you have it recognized?

00:58:30Oh, what do I know!

00:58:32Did you recognize him, Lucas?

00:58:34Little, because he saw our love as going from one grape to another.

00:58:36He had his mother's surname.

00:58:38Solomon.

00:58:39Salmerón.

00:58:40Solomon, Solomon, Solomon, Solomon.

00:58:43Whatever.

00:58:44Don't pay attention to him.

00:58:44He's a little disturbed.

00:58:46Salmerón.

00:58:47What was his name?

00:58:49Jorge.

00:58:50Jorge.

00:58:51Jorge dead?

00:58:52No!

00:58:54But, darling, Pilar.

00:58:56Don't leave these scares to your mother.

00:58:58But why did you lie to him?

00:58:59But why did you tell him he was Lucas's son?

00:59:01To avoid trauma.

00:59:03Yes, because we told him that he was his cousin.

00:59:04Look.

00:59:04If we had told him that he was his brother, then he would have suddenly felt affectionate.

00:59:12What's wrong with the lady?

00:59:13Don't ask if he has more water from El Carmen.

00:59:16You've drunk all the bottles.

00:59:19I thought it was aniseed.

00:59:21That?

00:59:25Oh my God.

00:59:27Jorge dead.

00:59:29How awful.

00:59:31Sorry, but the door was open.

00:59:34Jorge!

00:59:34Jorge.

00:59:37My son.

00:59:38You're Jorge, right?

00:59:40Of course I'm Jorge, but what's going to happen to him?

00:59:43What will happen to him?

00:59:44The natural?

00:59:47Oh, what...

00:59:49Which...

00:59:49What's going to happen to me.

00:59:51No, no, no, no, no, no.

00:59:57Stephen!

00:59:59Stephen!

01:00:00Stephen!

01:00:03Stephen!

01:00:03But there's no Esteban here!

01:00:09Do you want to explain to me?

01:00:10Yes, yes, but let's go.

01:00:14Let's go.

01:00:14How are we going to leave them like this?

01:00:15Don't worry, they'll get over it soon.

01:00:17Wow!

01:00:18But, Esteban...

01:00:19Let's go!

01:00:25Oh my goodness!

01:00:26What we're going to need here is a can of water from El Carmen.

01:00:29I'm leaving.

01:00:30Esteban, would you like to explain to me that...

01:00:32This is Jorge, the friend from Madrid I've been telling you so much about.

01:00:42Oh, yeah!

01:00:43The dead man!

01:00:45How about the dead?

01:00:47He's a joker, don't pay attention to him.

01:00:49Let's have a few drinks to celebrate.

01:00:52But to celebrate what?

01:00:53Already!

01:00:53Mr. Maniac!

01:00:54Yeah, yeah, yeah, yeah!

01:00:55But there's a cafeteria right across the street.

01:00:57And there you tell me, madam.

01:01:01Help me!

01:01:02Of course, Lucas!

01:01:03Clear!

01:01:08Lady!

01:01:09Miss!

01:01:10Oh, where am I?

01:01:15Here, madam, here.

01:01:17It wasn't a vision, was it?

01:01:18It was moving.

01:01:19No, ma'am.

01:01:20Come on.

01:01:22Take this.

01:01:22I'm not in the mood for drinks right now.

01:01:23Pretty!

01:01:24Oh!

01:01:25Where is Jorge and the gentleman?

01:01:27That's how they all went.

01:01:28The only one who is there is the young lady, but...

01:01:29As if it weren't there.

01:01:30My God!

01:01:31Daughter!

01:01:33Daughter!

01:01:33He has no pulse.

01:01:37Help me!

01:01:38Let's put her to bed.

01:01:39You for the head, me for the feet.

01:01:41Daughter!

01:01:43Daughter!

01:01:46Look!

01:01:47I already knew these shoes.

01:01:49They are very cute.

01:01:51Daughter!

01:01:52Daughter!

01:01:53Jorge, for your mother.

01:01:55Don't give me away.

01:01:56But what do I have to hide and why?

01:01:58Lucas knows and will keep me safe.

01:01:59Lying, right, Lucas?

01:02:00Hey!

01:02:01Lie!

01:02:01Hey, I'm related to the owners of that house.

01:02:07The mother is my sister.

01:02:10Right, Lucas?

01:02:11Hey!

01:02:12For life!

01:02:13You didn't know that!

01:02:14And what does that have to do with anything?

01:02:15But, well, it has to do with why my sister...

01:02:17I mean, my sister...

01:02:18My sister...

01:02:19Now he will tell you.

01:02:21Oh!

01:02:21Tell me about it!

01:02:22Hey!

01:02:22My sister doesn't know anything about my trips to Madrid...

01:02:26...nor the parties we've had together.

01:02:29Clear!

01:02:30If he finds out now...

01:02:31Well, then, I won't tell him anything.

01:02:32I'm not interested either.

01:02:34We're going to be a family.

01:02:35I'm going to marry Pilar.

01:02:37I came here specifically to meet your parents?

01:02:40What are you?

01:02:41Kill him.

01:02:42Kill him.

01:02:42Hey, girl, come on.

01:02:44It just can't be.

01:02:45How are you going to marry him?

01:02:46And why not?

01:02:47But how are you going to become related to...?

01:02:49The father is a scoundrel, isn't he?

01:02:52Like a cathedral.

01:02:53Yeah, but I'm not going to marry him.

01:02:55Kill him.

01:02:56Be quiet!

01:02:56Also, he is engaged to the apothecary.

01:02:59That?

01:03:00With the baptism?

01:03:00No, I don't think so.

01:03:01He would have told me.

01:03:02No no.

01:03:03I would keep it quiet.

01:03:04Because there is more.

01:03:06Further?

01:03:06There's more.

01:03:08There is a son.

01:03:09There is a son involved.

01:03:11It's true.

01:03:12Uh!

01:03:12He understands children more than anyone.

01:03:14No, it is not possible.

01:03:16But hey, don't be upset.

01:03:18Don't be upset because...

01:03:20...Pilarín no longer has the son.

01:03:24He gave it to some gypsies.

01:03:25It's best if you come back to Zaragoza because this family...

01:03:33Uh!

01:03:34What a family.

01:03:35A family.

01:03:51Hello, Mom.

01:03:52How long have you been here, my son?

01:03:53I'll tell you.

01:03:54But we're going to Pilar's house, aren't we?

01:03:56Of course.

01:03:56Now I'm more interested than ever in talking to her.

01:03:59And with his parents.

01:04:00Come on.

01:04:12Miss.

01:04:13Miss.

01:04:13Daughter!

01:04:14He's not coming back, ma'am.

01:04:15Something will have to be done.

01:04:15Oh yes.

01:04:16I'll put the thermometer in.

01:04:17No, I already liked a doctor.

01:04:19Oh, that hadn't occurred to me.

01:04:20I'll call the doctor.

01:04:22Take care of her!

01:04:23Take care of her!

01:04:23See how good it is?

01:04:25Now everything is settled.

01:04:26He's going to Zaragoza and if I've seen you I don't remember.

01:04:29I'm going to the store.

01:04:30As?

01:04:30You're coming with me in case you need to help me stop the hit.

01:04:34And if I see the mariana who will stop mine?

01:04:35I'll think of something.

01:04:37No, don't think of anything else.

01:04:39Things are pretty messed up.

01:04:41Don't be a coward, man.

01:04:43Don't be faint-hearted.

01:04:45What faint-hearted person...

01:04:47No spirit drive or anything, man?

01:04:49The thing is, I'm going to take all the blame and you're going to be all smug.

01:04:54Because you'll see Mariana when she finds out about the mess you've made with the kids.

01:04:58You'll see, you'll see.

01:04:59You'll see.

01:05:00And who was I going to call?

01:05:04Hello, Julia.

01:05:06Pedro, you have deceived me.

01:05:07They have found out, they have found out.

01:05:08Where is Jorge?

01:05:09Why did you tell me he was dead?

01:05:11I'll explain it to you.

01:05:13Now he will explain everything to you.

01:05:15My son is here.

01:05:18I sent for him secretly and last night we had a very violent interview.

01:05:24I told him, we're done for good.

01:05:27So, what about the car accident?

01:05:30An invention of mine so that it would die for you as it has died for me.

01:05:36You have done wrong.

01:05:37He's your son.

01:05:39I deny him!

01:05:43What's his fault?

01:05:45If he had had a father and a mother at his side to take care of him, to look after him,

01:05:49that when he went to take the drug they would tell him no, that was crap.

01:05:52Poop.

01:05:52You'll see how he felt, Pilar.

01:05:54You didn't tell him, did you?

01:05:55Nothing, I haven't told him anything, but he knows, I'm sure.

01:05:59Did it make an impression on you?

01:06:00Of course, he didn't believe he was Lucas's son and suddenly found himself with a brother.

01:06:04Don't worry, that scoundrel will never set foot in this shit again,

01:06:10I mean, in this house.

01:06:11It is impossible for all of this to be true.

01:06:13Please, Mom, as if we didn't know anything.

01:06:19Pedro, you have to forgive him.

01:06:20Never, ever.

01:06:21I will go find him and speak to his heart.

01:06:23No!

01:06:24He has to come back!

01:06:24Madam, Mr. Jorge, who comes to introduce his mother.

01:06:29How about your mother if you don't have one?

01:06:31He must have meant that he had come back from praying to his mother in peace and tiredness.

01:06:36Yes indeed.

01:06:37No, they are there.

01:06:38She is a very, well, very forward-thinking lady.

01:06:41But he hadn't died.

01:06:42Yes, yes, yes, but no, not entirely.

01:06:47Well, do they pass or not?

01:06:49Yes, yes, let them in.

01:06:51Where are you going?

01:06:52I'm not going anywhere.

01:06:53I wanted to open it to let in air because the atmosphere is very charged.

01:06:57Good afternoon.

01:06:58And so loaded, my goodness.

01:07:01You are Julia, right?

01:07:03I was really looking forward to meeting her.

01:07:04Me too.

01:07:05He was burning with desire to strengthen his relationship with such a great woman.

01:07:09You don't know how much I wanted to meet her.

01:07:10No, hey, you hadn't gone to Zaragoza.

01:07:13First I have to clarify something very important.

01:07:15Well, don't tell me why my sister is crazy.

01:07:19The head, you know?

01:07:20That has no memory.

01:07:22Juan calls me the same as Pedro.

01:07:24Sorry and case, tell me names.

01:07:26Esteban, all this seems very strange to me.

01:07:28No.

01:07:29I spent my youth here and I have very good memories of this town.

01:07:32Yeah, yeah, my husband too.

01:07:35Sorry, you're welcome.

01:07:37Jorge, son.

01:07:41You don't give me a kiss.

01:07:42Nice to meet you, ma'am.

01:07:43Hey, bro, you really had nothing to do with that one, with the mother.

01:07:49I didn't even know her.

01:07:50Oh, what you've missed, this is so good.

01:07:55Look how you escaped, mother.

01:07:57This is your first time coming from this area, isn't it?

01:07:58No, when I was little I came every summer.

01:08:00Oh yeah, I didn't know that.

01:08:02You knew it, Lucas.

01:08:04Well, since he was so small, I didn't even see him.

01:08:07Well, you've seen how much it's grown.

01:08:08Yes, yes, and he is very nice, and well-bred.

01:08:11Yes, you can see it, of course, with that, he won't have needed bottles, right?

01:08:17Oh, funny.

01:08:20Let's sit down.

01:08:20You by my side.

01:08:21I want you to feel at home.

01:08:23It really is.

01:08:24I just wanted us to talk about something really unpleasant.

01:08:27No, no, don't say it, we already know.

01:08:29Friends of...

01:08:30Friends of whom?

01:08:32Those holding hands.

01:08:33The little hand.

01:08:35But I warn you that it doesn't show at all.

01:08:37And the drug thing can be cured.

01:08:38We'll cure you, you'll see.

01:08:40But what are you saying?

01:08:41We are a family, so you can speak completely openly.

01:08:44After all, drugs must be a vice like any other.

01:08:46But me drugs?

01:08:49Who said I take drugs?

01:08:51No.

01:08:51I don't.

01:08:53Me neither.

01:08:55And even less so in my drugstore.

01:08:56I think it's a joke in very bad taste.

01:08:58Yes, son, yes.

01:08:59And after what they told you about the apothecary, and the illegitimate son, and the gypsies...

01:09:04It's already thundering.

01:09:05Look, ma'am, in our family pride comes first.

01:09:09And I have a lot, a lot.

01:09:11It was already visible.

01:09:12Therefore, I am not willing to allow my son to marry Pilar until all of this is perfectly clear.

01:09:18But what are you saying?

01:09:19Jorge marry my daughter?

01:09:21Naturally.

01:09:22What do you think we came here for?

01:09:23You're crazy.

01:09:25The damage he did to me is not enough for him.

01:09:26I?

01:09:27Get out of this house.

01:09:28I don't want to see them again.

01:09:29But what does it say?

01:09:30This is amazing.

01:09:32Ma'am, we need an explanation.

01:09:34My son, but how are you going to marry Pilar?

01:09:37If you are his brother!

01:09:42Are you feeling better?

01:09:47Yeah.

01:09:50What are those voices?

01:09:52I don't know.

01:09:52It's that Mr. Jorge has come.

01:09:53And a lady who says she is your mother?

01:09:55My God.

01:09:56Miss!

01:09:57I'm going to have a drink, because I don't know where my head is anymore.

01:10:01I don't understand anything.

01:10:03But hey, what's wrong with those ladies?

01:10:05Forgive her.

01:10:06He always gets like this when it comes to marrying the girl.

01:10:10Of course, since she's an only child.

01:10:11And your husband?

01:10:13That, and your husband?

01:10:14Where is?

01:10:14We need to talk to him.

01:10:16With my husband.

01:10:16We're going with my brother-in-law.

01:10:18Yeah, yeah.

01:10:18This, but...

01:10:19Lucas, where is my brother-in-law?

01:10:21Uh, uh!

01:10:22Who knows!

01:10:23He spends entire months in the mountains.

01:10:27Because this is what this is...

01:10:29Geologist and physicist.

01:10:30But physically lost.

01:10:31Are you sick?

01:10:32Yeah.

01:10:33I said physical.

01:10:35Yes, physical.

01:10:36Yeah.

01:10:37Ah, yes.

01:10:38Physical, I say.

01:10:40Physicist lost in the mountains.

01:10:43Esteban, I suppose this isn't just one of your jokes.

01:10:46Man, you offend me.

01:10:47Mom, let me go, mom.

01:10:49No, let me go.

01:10:50No, daughter!

01:10:51No, daughter!

01:10:52Jorge!

01:10:53Jorge!

01:10:54Don't kiss him, daughter!

01:10:56That is a sin!

01:10:58Let's go, Jorge.

01:10:59I can't take it anymore.

01:11:00Get out of here, girl!

01:11:01Let's go!

01:11:02To cross the road.

01:11:03Why are they leaving?

01:11:04Ask your mom, darling!

01:11:05Gadabout!

01:11:06Hey, hey, hey!

01:11:07Hey, hey!

01:11:08Come on, come on!

01:11:09Come on, come on!

01:11:10Mom, what happened?

01:11:12Your father.

01:11:14Let your father explain it to you!

01:11:16What happened, dad?

01:11:18Let your uncle Lucas explain it to you,

01:11:19What a mess he's gotten us into.

01:11:38Gotcha, bad man!

01:11:39Oh, the clavario!

01:11:41Now you're going to explain to me about this fur,

01:11:43I already know that she is your daughter.

01:11:45You only know that.

01:11:46Well, you're really behind on news.

01:11:48No!

01:11:49I also know about the five twin sisters.

01:11:52Five sisters?

01:11:54I'm going to be the universal father.

01:11:56Uncle Lucas, you have to come with me to see Jorge.

01:11:58You have to explain everything to him.

01:12:00Look, Pilarica, I'm not in the mood for explanations now.

01:12:02But you don't understand.

01:12:03I can't let him go.

01:12:04Go to whom?

01:12:05He's your son.

01:12:06Is he like your son?

01:12:08Will it be his daughter?

01:12:09No, my boyfriend.

01:12:11But the one from the pharmacy?

01:12:12No, Jorge.

01:12:14The one they said had killed himself with a car,

01:12:15but he has not killed himself.

01:12:16But then, what does it also have?

01:12:18A son?

01:12:19Oh, mother!

01:12:20I didn't know.

01:12:22And what was I supposed to know?

01:12:24With how under control he had it.

01:12:26Yeah, yeah.

01:12:27The whole town knows that he won't let him go out alone, not even to the corner.

01:12:29I don't understand.

01:12:30Well, look, look, with two escape routes.

01:12:32Take.

01:12:33Two children.

01:12:33And nothing with me.

01:12:36It's just that I'm not inspired by you.

01:12:38No, don't...

01:12:38No.

01:12:39Don't...

01:12:40Oh, oh!

01:12:41Hey, stop.

01:12:42Stop.

01:12:43Stop, Pilarín.

01:12:44Stop.

01:12:44No, he's not going to leave.

01:12:45No, no, no.

01:12:46No no.

01:12:49Thank you very much, sir.

01:12:50And have a good trip.

01:12:51Thank you.

01:13:00Jorge.

01:13:01How scared I was.

01:13:03I thought I'd never see you again.

01:13:05Is that all you have to tell me?

01:13:06Jorge, why are you looking at me like that?

01:13:10I'm waiting for you to give me an explanation.

01:13:13An explanation?

01:13:14About what?

01:13:15What happened between you and the apothecary?

01:13:17Faustino.

01:13:18But what does that have to do with anything now?

01:13:20I suppose he's the father of your child, right?

01:13:23My son?

01:13:24What me?

01:13:25Who told you that infamy?

01:13:29Stephen.

01:13:31Stephen.

01:13:32He'll be drunk.

01:13:33Yeah, and your mom too, right?

01:13:34What did my mother tell you?

01:13:37Well, we can't get married because we're siblings.

01:13:40No, you misunderstood that.

01:13:42But what do you mean?

01:13:44That...

01:13:45But don't be angry, darling.

01:13:46We are not brothers.

01:13:47No, of course.

01:13:50Are...

01:13:51cousins.

01:13:51But by asking for a dispensation we can get married.

01:13:53Pillar!

01:13:54Pillar!

01:13:54Forgive me, I didn't know either, but...

01:14:01You are the son of Lucas.

01:14:03But what Lucas?

01:14:04My uncle.

01:14:05But hey, your uncle isn't Esteban.

01:14:06Esteban, what Esteban?

01:14:07Look, this needs to be cleared up right now.

01:14:09Well.

01:14:10Clear it up, Pedro.

01:14:11Make it clear.

01:14:12Talk to your wife and Mariana.

01:14:14I appreciate that I've been saved from miracles, huh?

01:14:15That he had taken the blade to cut the bump

01:14:17and I've already seen myself in small slices.

01:14:20Well, well.

01:14:21We must not lose our heads.

01:14:23Understand that I can't...

01:14:26I can't, come on.

01:14:27I can't go back home until the waters have calmed.

01:14:32Well, let them calm down soon.

01:14:34Because if not, we're all going to be at stake, right?

01:14:36Mariana says that Pilarica and her boyfriend are siblings.

01:14:40It's because your wife and I...

01:14:43Hey?

01:14:44Come on?

01:14:45What tararica did I see in you?

01:14:47As?

01:14:49I?

01:14:49What are you saying?

01:14:50No, she's the one who says it.

01:14:52That you have let yourself be bull-fought, that you are a tame calf,

01:14:55that they have put banderillas on you and that I have not cut off your ears by a miracle.

01:14:59Lucas!

01:15:00And if anything was missing, the five twins he carried for me.

01:15:04He says he's going to the city hall to apply for the large family subsidy.

01:15:09Talk to Mariana, Pedro.

01:15:13Talk to Mariana, tell her the truth.

01:15:16You'll see how calm we feel.

01:15:18Alright.

01:15:20I'll talk to her.

01:15:21I'll tell him that you have nothing to do with Rosina or the five twins.

01:15:26That.

01:15:27Not twins, not twins, not anything.

01:15:29Oh, and take Jorge away from me.

01:15:31No, that's not it.

01:15:32You have to continue being his father.

01:15:35But you don't understand that your wife, Julia, is convinced that Jorge is the son of the woman with the packages.

01:15:43Of course, and as he also knows and is aware that you have had something to do with that.

01:15:47Yes, but it is not known whether the father, father, is me.

01:15:53You have to be one, so that Jorge doesn't become my daughter's brother and they can get married.

01:16:00Do you understand?

01:16:01Boy, you drive me crazy, but how could that boy have two fathers?

01:16:04Only one.

01:16:06Yours.

01:16:07Listen, but tell me slowly, because I'm getting busy.

01:16:12You had something to do with her.

01:16:15With the one with the packages.

01:16:16A few months before me, here in Tarazona, on a trip she made alone.

01:16:25So, the one with the packages came to Tarazona a few years ago and she came alone.

01:16:32And I saw her and immediately I got her.

01:16:37And a few months later, you got laid too.

01:16:42So, we both have to do it.

01:16:44But look where it is, the only one who hit the target was me.

01:16:49That!

01:16:50Something like that.

01:16:51Also, I've come up with an idea that might solve everything.

01:16:56A child is necessary, right?

01:16:57Well, you have to find it wherever you can.

01:17:01Look, kid, it even hurts my cap, man.

01:17:04Why do you want another child?

01:17:05So that my wife doesn't think it was all an invention of mine.

01:17:10She thinks I have a son.

01:17:13Well, we have to find someone who will come here saying he is my son.

01:17:18I'll fix the rest, no.

01:17:20It's not difficult.

01:17:21Oh, it's not difficult!

01:17:24Julia thinks Jorge is your son.

01:17:27That's what needs to be clarified.

01:17:29Jorge is your son.

01:17:32Hey?

01:17:33Wow, I'm even cooler now.

01:17:36My children come out like pimples.

01:17:39Come on.

01:17:39Ma'am, there's a gentleman here who says he's Mr. Jorge's father.

01:17:47Other?

01:17:49It just can't be.

01:17:51I'm telling you to come in, so we can find out.

01:17:53Yes, yes, let it come in.

01:17:58Happens.

01:18:04Madam, forgive me for introducing myself like this.

01:18:06I am Melchor Salmerón, Jorge's father.

01:18:08I thought my wife and son were still here.

01:18:11I wanted to surprise them because they weren't expecting me.

01:18:13Poor, so elegant, so polite.

01:18:15And are you as unhappy as I am?

01:18:18No, ma'am, I don't know about you, but I'm healthy, I don't get angry about anything,

01:18:23I take life philosophically.

01:18:24Yeah, yeah.

01:18:25You have a good gullet, it seems.

01:18:27Lady.

01:18:28Didn't you know that your wife, Jorge's mother, was married?

01:18:32Of course we are married.

01:18:34And in the Pilar.

01:18:35Yeah, yeah.

01:18:35Would you marry her after...?

01:18:38After the October holidays, yes, ma'am.

01:18:41I was referring to another kind of party.

01:18:43I don't understand.

01:18:45The truth, madam, is that...

01:18:46Since I came in here you've been speaking to me in a tone...

01:18:49Come on.

01:18:50I'll put it to you in a very nice way so you don't get offended.

01:18:53Don't you know that your wife was having an affair with my husband?

01:18:56But what does it say?

01:18:57Don't play dumb, damn it.

01:18:58Lady.

01:18:59And don't tell me you don't know about Jorge either.

01:19:01My son?

01:19:02Well, it has his last name, but nothing more.

01:19:04You're not going to tell me that my son is not my son.

01:19:07Oh, ask my husband.

01:19:11Your husband?

01:19:12Where is your husband?

01:19:14I need to kill him!

01:19:15Don't be like that.

01:19:16And what do you want?

01:19:17Should I celebrate by singing a jota?

01:19:18I too have suffered a lot and I resign myself.

01:19:20Well, not me.

01:19:23Now I realize.

01:19:25When we came here, my wife was very distracted from me.

01:19:29And since I'm almost always traveling, I kill her.

01:19:32And her husband too.

01:19:33Where is your husband?

01:19:34Hello good.

01:19:35Oh, sorry, I didn't know I had a visitor.

01:19:38Lucas, leave us alone, this man is determined to kill someone.

01:19:42So I'm not bothering you.

01:19:43I came to see if Jorge had returned.

01:19:46Aren't you going to tell me that you are Jorge's father?

01:19:48Go ahead and take it as you know how.

01:19:50Miserable!

01:19:51I have to kill him!

01:19:52Let it go!

01:19:53That's not my husband!

01:19:55I already thought it was Tavir.

01:19:56Already!

01:19:57That's my husband!

01:19:58Not anymore!

01:20:01I swear, madam, that what I have told you is the truth.

01:20:04That Esteban is not part of the family.

01:20:06And from what Jorge told me, all this was an invention of his because he's a scoundrel.

01:20:09Yes, and a very serious liar.

01:20:11And you'll see how everything becomes clear now.

01:20:13But then, madam, you want to tell me who your husband is.

01:20:16Dad!

01:20:17Merchor!

01:20:18What are you doing here?

01:20:18But I thought you were in La Coruña.

01:20:20And you thought, Isabel, that I was in Bavia, didn't you?

01:20:23But, father.

01:20:24Don't call me father.

01:20:26You're crazy?

01:20:27That's what you want.

01:20:28Go crazy.

01:20:29But not.

01:20:30I have to kill someone first.

01:20:31What a mania!

01:20:32But what an infamy!

01:20:33But what have they told you?

01:20:35All.

01:20:36This lady told me everything.

01:20:38And he almost strangled this dwarf hick.

01:20:40Take it, and a dwarf on top of that.

01:20:42I thought he was your father.

01:20:43How could you believe?

01:20:45You are offended mom.

01:20:46I'll settle the score with Mom.

01:20:48We're all going to be involved in the case.

01:20:49And on the front page.

01:20:50Don't be angry, Gaspar.

01:20:53I say, Balthazar.

01:20:55Melchior.

01:20:56Well, I forgave.

01:20:57I have chosen the wrong king.

01:20:58What I want to tell you is that the only one who can clarify everything is Pedro.

01:21:03But who is Pedro?

01:21:04Don't play dumb, my husband.

01:21:06The consumptive.

01:21:07No.

01:21:07The one who suffers from liver disease.

01:21:09And we don't know where it is.

01:21:11I do know.

01:21:14Did you understand correctly, Benito?

01:21:15Or should I explain it to you again?

01:21:16No, it is not necessary.

01:21:17Don't worry.

01:21:19I'm going to make a real creation.

01:21:20I'm coming in.

01:21:21I see him.

01:21:23I open my arms and scream.

01:21:24Father!

01:21:25My father!

01:21:26And I start giving him kisses while crying.

01:21:28No, man, no.

01:21:29You can skip the kissing.

01:21:31No!

01:21:32I'll tell you.

01:21:33The point is that you arrive as soon as possible.

01:21:35Don Pedro, I am a professional.

01:21:38I've done a lot of double duty and I haven't been late in my life.

01:21:40When the curtain rises, I'm there like a nail.

01:21:44Listen, should I address you informally or informally?

01:21:46No, I say that because you are more dramatic, don't you think?

01:21:49Well, well.

01:21:50But you take a taxi.

01:21:52Because the sooner you arrive, the better.

01:21:54This!

01:21:55This is your father!

01:21:56Stephen.

01:21:57This Gulf.

01:21:58Esteban, if his name is Pedro.

01:21:59Come on, I think so.

01:22:00But in Madrid we called him the fool of Tarazola.

01:22:03We all ran out of money.

01:22:04Don't pay attention, Jorge.

01:22:05They told me that was your father.

01:22:07Cale to Pilarica, don't confuse her anymore!

01:22:09I have no choice but to kill someone.

01:22:12I'll start with you.

01:22:13No, no, no!

01:22:16I'm going to get a chest ache!

01:22:20I can't take it anymore.

01:22:22I can't take it anymore.

01:22:23It makes me feel guilty.

01:22:25Pee.

01:22:26Pee, pees.

01:22:27But, dad, what's wrong with you?

01:22:29What's going to happen to him?

01:22:30That maybe he has to win from...

01:22:32He confesses the truth to you.

01:22:34I am the only one responsible, my daughter.

01:22:36I invented a son.

01:22:40Hey?

01:22:41Since your mother wouldn't let me leave here.

01:22:43Just like the Mariana.

01:22:44And I was bored stiff in Tarazona.

01:22:47Yes, I had all the chocolate I wanted.

01:22:50But not a penny of money.

01:22:51Equal.

01:22:52Just like me in the store.

01:22:53That?

01:22:54Did you also invent a son?

01:22:55I.

01:22:56Oh!

01:22:56The ones that were left over for that one.

01:23:00So, that cute little boy that the fat man sang about wasn't Jorge.

01:23:03But me, the fat one.

01:23:04That.

01:23:05He hasn't even sung the stone throwing.

01:23:08So, you did everything to get money from me.

01:23:11Why didn't you ask me?

01:23:12Don't worry, I'll ask you now.

01:23:14No, I'm not going to give it to you now.

01:23:15We'll go back to what happened before the invention.

01:23:17Women.

01:23:17Like Mariana does with Lucas.

01:23:18Well, you don't know what a hell awaits you.

01:23:21The keys.

01:23:23Give me the keys!

01:23:24From now on I will keep them.

01:23:28That?

01:23:28As?

01:23:28And I'll change all the locks just in case.

01:23:31Well then, if we are not siblings, we can get married.

01:23:34Of course, my daughter, if these gentlemen want.

01:23:36Jorge!

01:23:37Girl, we'll have to tell the priest first.

01:23:39Well, this is something to celebrate.

01:23:41I invite you all to dinner at the inn.

01:23:43No, I'll treat you.

01:23:46We'll have dinner at home, if you don't think otherwise.

01:23:49Very good.

01:23:50Because so many emotions have whetted my appetite.

01:23:52Well, I'm going to see Mariana.

01:23:55That he will tell us everything.

01:23:57And maybe out of joy he gives me a hug.

01:24:03You didn't think I was coming to give you a hug?

01:24:07And give him the bump.

01:24:08But Mariana.

01:24:10Nothing, nothing.

01:24:10That the first impulse when I saw him was to grab my purse.

01:24:13Yes, but it had the electric iron inside.

01:24:17Total, ten euros.

01:24:18Was the bandage difficult for you?

01:24:20Well, it's very cheap.

01:24:20No, no, no.

01:24:21He gave me a ten-peso coin.

01:24:23Tightly packed.

01:24:25So I don't spend them.

01:24:29But Mariana, you have the best husband in the world.

01:24:31Not like others.

01:24:33Poor things.

01:24:34They are all so good.

01:24:35Yes, yes, I know.

01:24:37I already know, poor thing.

01:24:38And I thought...

01:24:40You won't see her.

01:24:44I'm taking it to get fixed.

01:24:48Take.

01:24:50The keys.

01:24:51From now on you will be in charge of the house.

01:24:53And I lose it.

01:24:54Oh, thank you.

01:24:57What a joy!

01:24:59You didn't change my locks.

01:25:01Yeah.

01:25:02Oh, how distrustful.

01:25:05So you're thinking of living in Madrid, right?

01:25:07I hope so.

01:25:08Man, look where.

01:25:09I will have the opportunity to come and see you.

01:25:11Peter.

01:25:12With you.

01:25:13From now on I'm never going to lie to you again.

01:25:17For me the troubles are over.

01:25:19You will want that.

01:25:20Because out there is your son.

01:25:22And this one is new.

01:25:23Again.

01:25:26Father!

01:25:27My father!

01:25:29Forgive me!

01:25:30Let me hug you crying.

01:25:33My father!

01:25:34But who is this idiot?

01:25:35Have you had an accident?

01:25:37What happened to you?

01:25:38Reply!

01:25:39Who did that to you?

01:25:41I will avenge you.

01:25:42Your son will avenge you!

01:25:44Well, wait a minute, wait a minute.

01:25:46Calm down.

01:25:47It seems to me that you are confused, the father.

01:25:49That one was the one with the children.

01:25:51Sorry, I didn't know you were duplicates.

01:25:57Were they repeated?

01:25:58Father!

01:26:00My father!

01:26:02Father!

01:26:03Father!

01:26:04Father!

01:26:05My father!

01:26:07To my arms!

01:26:08No!

01:26:08More fake children!

01:26:11No!

01:26:12Anymore!

01:26:14My father!

01:26:15My father!

01:26:17My father!

01:26:17No!

01:26:18The!

01:26:19Thanks for watching the video.

01:26:49Thanks for watching the video.

¡Vaya par de gemelos! 1978 - HD 1080 - Completa - Paco Martínez Soria, Margot Cottens

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