- hace 2 días
Reparto: Alfredo Landa, Florinda Chico, José Gálvez, Enriqueta Carballeira, José Sacristán, Ahui Camacho, José Suárez, Margot Cottens, Laly Soldevila, Rafaela Aparicio, David Aller, David Areu, Alejandro de Enciso
Dirección: Ramón Fernández
Sinopsis: Miguel Cañete (Alfredo Landa), un lugareño que vive con la única compañía de Quique, su hermano pequeño (Ahui Camacho), solicita varias prórrogas para librarse del servicio militar, hasta que recibe un ultimátum del Ministerio de Marina, por el que se le ordena presentarse en el cuartel de Instrucción de San Fernando. El futuro soldado se ve obligado a dejar a su hermano en casa de su novia Jacinta (Laly Soldevila) y presentarse en su división correspondiente. Allí es el hazmerreír de sus compañeros y el que más crispa los nervios del sargento Canales (José Gálvez).
Dirección: Ramón Fernández
Sinopsis: Miguel Cañete (Alfredo Landa), un lugareño que vive con la única compañía de Quique, su hermano pequeño (Ahui Camacho), solicita varias prórrogas para librarse del servicio militar, hasta que recibe un ultimátum del Ministerio de Marina, por el que se le ordena presentarse en el cuartel de Instrucción de San Fernando. El futuro soldado se ve obligado a dejar a su hermano en casa de su novia Jacinta (Laly Soldevila) y presentarse en su división correspondiente. Allí es el hazmerreír de sus compañeros y el que más crispa los nervios del sargento Canales (José Gálvez).
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CortometrajesTranscripción
00:00:06On the third day, the waters of the earth stopped and created the sea.
00:00:18And before that overwhelming immensity that stretched out roaring under the first light of the universe,
00:00:25The man was astonished and said,
00:00:31Mother, so much water!
00:00:34And after this solemn statement, he rested a while and thought about how he could take advantage of that sea and put it to use
00:00:42your service.
00:00:42And a brilliant idea occurred to him.
00:01:21But before this happened, man had discovered something more important: that he could float on water.
00:01:30Cathy found out about this very late and thought it was a huge stupidity.
00:01:34She was into dialogue and human relations, that is, flirting.
00:01:40And so, in this silly way, the sea became the great path to prosperity and
00:01:46trade.
00:01:54But to travel it, a pilot who was neither Russian nor American was needed.
00:01:58And that's why this man called Columbus was born, the first to hear the magic word that opens
00:02:03This story.
00:02:04Land! Land! Land!
00:02:12Even here, to the most remote corner of the world, the call of the sea reaches.
00:02:20Cañete! Cañete! Cañete!
00:02:24Oh!
00:02:26That?
00:02:27A letter from the Ministry of the Navy.
00:02:29Other?
00:02:30That?
00:02:30Sir, you have to be in San Fernando on the 8th.
00:02:34And the mayor told me you have two ways to get there.
00:02:37Either by train, courtesy of the City Council, or on foot and in handcuffs, courtesy of the Civil Guard.
00:02:42But the issue of the extension hasn't been resolved.
00:02:44Yes, sir. It's fixed.
00:02:45That's all there is to it.
00:02:46Because you're not going to do the service at 50 years old.
00:02:49But if I can't go, I can't explain it.
00:02:52Well, that's quite clear.
00:02:53Haven't you seen on TV that thing about the Navy calling you?
00:02:57Yeah.
00:02:57Well, he called you.
00:02:59Hahaha!
00:03:04Cañete!
00:03:05Cañete!
00:03:07Cañete!
00:03:09Cañete!
00:03:12Cañete!
00:03:14Cañete!
00:03:16Cañete!
00:03:23Cañete!
00:03:24Cañete!
00:03:27Cañete!
00:03:30Cañete!
00:03:31Cañete!
00:03:32Cañete!
00:03:35Cañete!
00:03:38Cañete!
00:03:39Cañete!
00:03:40Cañete!
00:03:42Cañete!
00:03:54Cañete!
00:03:57Cañete!
00:03:59Cañete!
00:04:02Cañete!
00:04:10Cañete!
00:04:12Cañete!
00:04:15Cañete!
00:04:28Cañete!
00:04:30Cañete!
00:04:31Cañete!
00:04:34Cañete!
00:04:34Cañete!
00:04:38Cañete!
00:04:39Cañete!
00:04:40Cañete!
00:04:41Cañete!
00:04:43Cañete!
00:04:45Cañete!
00:04:45But have you told him you have a brother?
00:04:48Yes, they don't let you speak.
00:04:50That guy sticks his head out the window and tells you to get lost.
00:04:52Are you the son of a widow?
00:04:53Do you fall crookedly?
00:04:54Are you acting like a cat?
00:04:55Do you have flat feet?
00:04:56No!
00:04:56So, we turned around and headed for San Fernando.
00:04:58Didn't you say they had forgotten about you?
00:05:01That's what I thought, with so many requests and so many extensions.
00:05:08But don't worry.
00:05:11I'm coming.
00:05:13I talk to the boss, explain it to him, and go back.
00:05:17What if they don't understand?
00:05:19Why wouldn't they understand?
00:05:21Look, Quique, you have to help me because I'm going crazy.
00:05:24In short, it's going to be a matter of a few days.
00:05:26And can't I stay here until you get back?
00:05:29You can't, Quique, it can't be.
00:05:31Come on, let's go, because I might be late for the train and the Civil Guard will catch me.
00:05:35These guys don't mess around.
00:05:37Come on, let's go.
00:05:39And why don't you want to stay with Jacinta? Let's see.
00:05:42Why not?
00:05:42Great. On top of me arranging things with her so she can support you, now the man doesn't like it.
00:05:47What do you have to say about Jacinta? Tell me.
00:05:50Not even from their parents, as serious and honorable as they are.
00:05:53Or do you not think they're honest? Say so.
00:05:56I'm going to tell you.
00:05:59Two cortados and one order of panchitos.
00:06:03What? Have you decided yet, Father? Because they're about to arrive.
00:06:07And do we have to carry the child around no matter what?
00:06:09Explain it yourself.
00:06:11The girl is right.
00:06:12Of course. After all the trouble I went through to win him over.
00:06:19They're already there. What do I say to them?
00:06:21Let him stay, but he has to work.
00:06:26Miguel, you're leaving already.
00:06:27Right now. Here's the kid.
00:06:30Oh, how nice. Go inside.
00:06:32Are you happy?
00:06:33Of course. Didn't you have anywhere to leave it?
00:06:34Yes, I'm talking about us. I can't wait to get your license so I can eat you up.
00:06:38They're watching us, man.
00:06:39It's all the same, you hack. You're a hack.
00:06:42Hey, hey. Take good care of it, okay? It's all I have.
00:06:45Yes, yes. Don't worry, my love. Oh, mother. What would you like to drink?
00:06:50Huh? Me take? The train.
00:06:57Goodbye, Kike.
00:06:59No, yes. I'm going to the station.
00:07:00No, no. You're staying here. Behave yourself, okay?
00:07:05This is the first time we've separated.
00:07:07And it's the government's fault, because otherwise anyone would have gotten me out of here.
00:07:13You're not angry, are you?
00:07:16Are we still friends?
00:07:17Yes, but you're leaving.
00:07:33Bye bye.
00:07:35Have a good trip.
00:07:37Goodbye, Kike.
00:07:39Bye bye.
00:08:22Miguel, yes, it's me.
00:08:26But what are you doing here?
00:08:28I want to go with you.
00:08:29With me? Where to?
00:08:31Wherever?
00:08:33Oh my god, what a mess you've made, Kike, what a mess you've made.
00:08:36I had already been slapped before you even arrived at the station.
00:08:40And as my father told me, I'll fix you later, because I haven't wanted to be fixed anymore.
00:08:47But what are we going to do if we don't have a ticket and we don't know anyone in San Fernando?
00:08:50Maybe Aunt Enriqueta will take me.
00:08:52That one is worse than Jacinta.
00:08:54I know, but, but, this way we'll be closer.
00:08:57It can't be, Kike, it can't be.
00:08:59Okay, then I'll get off at the next station and walk back.
00:09:04That is.
00:09:05Another outrage.
00:09:06So, should I stay?
00:09:08Of course, I'm not going to throw you out the window.
00:09:11But this is going to be a huge mess.
00:09:18And what is that package?
00:09:20The two tortillas that were on the counter.
00:09:22I brought them with me in case we needed them.
00:09:38This is all the sea.
00:09:40Well yes.
00:09:42Alive!
00:09:43How big it is!
00:09:44Where did they get so much water from?
00:09:46It's the first time we've gone on a hike.
00:09:49Yeah.
00:09:50Look, look!
00:09:51Yeah.
00:09:51You'll be going on a ship like that, won't you?
00:09:53I?
00:09:54I'm going to set it up there.
00:09:56As soon as I speak with the commander, we'll go back to the village, even if we have to walk.
00:10:11Okay, Kike, you stay here and don't move.
00:10:14I'll be right back.
00:10:15Yeah?
00:10:28Hello good.
00:10:29I came to see how this can be fixed, because they sent me this paper.
00:10:32Corporal on guard!
00:10:33Ah, it's another gentleman who has to fix it.
00:10:35What do you want?
00:10:36Ah, well, you see.
00:10:38There's a mistake here.
00:10:40I was sent this paper.
00:10:41With the other recruits.
00:10:42No, no, no, no.
00:10:43Listen, let's not start like the guy at the window, because I'm not a recruit like the others.
00:10:47I'm here precisely to clarify that.
00:10:48Look, the clarifications for the sergeant.
00:10:50That?
00:10:50That?
00:10:51To the sergeant.
00:10:56Look, man.
00:10:57Country bumpkin to port.
00:11:01This is one of those who bring chorizo in their suitcase.
00:11:04The little guampito.
00:11:07Hey, daddy.
00:11:08But how come you're so many years late, man?
00:11:10No, no, yes, I'm not coming.
00:11:12I'm leaving.
00:11:13Yes, but I have to talk to the sergeant to get my paperwork sorted, because I can't go to
00:11:16service.
00:11:17Ah, no, I don't know, no.
00:11:18Let's see, let's see.
00:11:20Hey, look at that justice.
00:11:21He is forced to do the service, like all Spaniards.
00:11:23And you want a sergeant to fix this for you?
00:11:25Who is supposed to fix it for me?
00:11:26The admiral.
00:11:27I will return them to the people, the admiral.
00:11:30Hey!
00:11:33Hey, you! Turn the fog upside down!
00:11:35Where are you going?
00:11:36Let's see the admiral.
00:11:37Whom?
00:11:41Look, this is a very long story.
00:11:43You have a lot to do, and I'm in a big hurry.
00:11:45Not that I'm putting him down, but this isn't his department.
00:11:48How funny, huh!
00:11:48No, sir, you just haven't understood.
00:11:50Get in line!
00:11:51Get in line, I said!
00:11:52If I have to speak with the admiral.
00:11:54Sure, sure.
00:11:55All of these people also need to talk to the admiral.
00:11:57Ah, well, if that's the case, please forgive me.
00:11:59Attention, right!
00:12:00Hey!
00:12:21Hello.
00:12:23Who are you?
00:12:25I'm Quique.
00:12:26I was waiting for my brother, but since he was taking a while, I came to see the sea.
00:12:30Come closer.
00:12:36What's the matter?
00:12:39You can't see me, can you?
00:12:41No.
00:12:42Don't you see anything in anything?
00:12:44That's a shame, because this is the most beautiful thing there is.
00:12:49How small are you?
00:12:51Well, it depends, because my brother says I'm a man.
00:12:54Julia, who is she?
00:12:56It's Quique, Mom.
00:12:57Is that your mother?
00:12:58Yeah.
00:12:59Are you bringing snacks?
00:13:00Sorry, we never bring them.
00:13:02Oh, I was saying that so he would give me one.
00:13:05Don't you have a mother?
00:13:07No, but I have a brother, his name is Miguel.
00:13:09We don't know if he's going to be a soldier or not.
00:13:11Well, he doesn't know it, but I do.
00:13:16Hey, everything makes you laugh.
00:13:18Where do you live?
00:13:20I don't know yet, but I'm from Viñuela.
00:13:22Okay, I'm leaving.
00:13:23Won't you give me a kiss?
00:13:24Clear.
00:13:26What do they call you, Julia?
00:13:27Well, if I stay, we can meet another day.
00:13:31Goodbye, ma'am.
00:13:32Bye bye.
00:13:37No, sir, because then everything gets complicated.
00:13:40And sign.
00:13:41If I haven't come here by mistake.
00:13:43Other.
00:13:43Don't go to so much trouble because I came here to...
00:13:461.66.
00:13:47No, what do you mean 1.66?
00:13:52Listen, listen, you've made a mistake, I'm in very good health.
00:13:56No, no, no, no, no, for your father's sake, no, no, no, no, no, no, no, not the razor, not the razor
00:14:01No.
00:14:08And what a look!
00:14:16That?
00:14:18No?
00:14:20No?
00:14:21Come on, let's go see Aunt Enriqueta
00:14:26For God's sake, remember
00:14:27Doña Victoria eats wholemeal bread
00:14:29Don Alcido's gazpacho without cucumber
00:14:30Which he then repeats
00:14:31Serve the Archpriest first
00:14:33It takes no more than the anjarón
00:14:34Don't make a mistake
00:14:35Elisa, I trust you
00:14:36This is a very formal dinner.
00:14:38Don't worry, lady
00:14:39Oh my God, what time is it?
00:14:41Eight thirty
00:14:41I still haven't finished getting ready
00:14:43Open, open
00:14:43Bring them into the living room and let them take whatever they want.
00:14:46Well, well, I know it drives me crazy
00:14:48As if one didn't know how to open the door in a Catholic way
00:14:51The Archpriest and the Bishop are needed
00:14:55Oh, the Navy
00:14:57Hello, we've come to see Mrs. Enriqueta
00:14:59We are his nephews
00:15:00So, are you coming for dinner?
00:15:02Well, that's no problem for us.
00:15:04Come in, come in
00:15:07What's happening?
00:15:08The cap
00:15:08It's not there
00:15:09But it has to be in the hand
00:15:11Ah, of course.
00:15:12Follow me
00:15:16Follow me
00:15:17You can take whatever you want.
00:15:19The lady comes out immediately.
00:15:23But I'm sure you'll come for dinner.
00:15:27Since we're here
00:15:36Can we eat it all?
00:15:41You start from that side
00:15:43And I, for this
00:15:48Ma'am, ma'am
00:15:50Welcome!
00:15:51They've arrived!
00:15:52Out of the door!
00:15:53No, ma'am!
00:15:54He never knows what he wants
00:16:02Sit down, sit down
00:16:10He's a sailor, isn't he?
00:16:12Yeah
00:16:12And what is he doing here?
00:16:13Eat
00:16:14Of these, the little red ones
00:16:33Please come in.
00:16:35Hello, Victoria
00:16:36Hello
00:16:37Hello how are you?
00:16:38Hello, Roman
00:16:39Well, there you have it.
00:16:45Who is it?
00:16:47We don't know
00:16:48But it does look strange, doesn't it?
00:16:56Victoria, my dear
00:16:58Hello
00:16:58Oh, you look so beautiful, Amalia
00:17:01And how young!
00:17:05Hello, Alfredo
00:17:08And what is that?
00:17:15Don't you remember?
00:17:15I am Miguel
00:17:16And this is Quique
00:17:17From Viñuela
00:17:20Oh, of course, from Viñuela
00:17:21What a head I have
00:17:22Commander Viñuela
00:17:24Always so refined, so proper
00:17:25No, no, no, ma'am
00:17:26But no way, man
00:17:27No?
00:17:27First he sent me the flowers
00:17:28Then the venison pie
00:17:29And he was a sailor
00:17:30No, no, no
00:17:31What's wrong with him?
00:17:31That he can't come to dinner
00:17:32I'm so sorry.
00:17:33Everything is confusing me
00:17:34We were just finishing
00:17:35You are coming to pick up the container
00:17:36Container?
00:17:36Come on, come this way
00:17:37Excuse me for a moment
00:17:38Come on, come on, come on
00:17:39With permission
00:17:39Come on
00:17:42But, aunt
00:17:43No, what a sight, you idiot!
00:17:44We're in a really big mess.
00:17:45I'm not interested at all
00:17:46Your problems, go away.
00:17:47I'm leaving
00:17:47But Quique has to stay here
00:17:48But Quique has to stay here
00:17:49At least tonight
00:17:50At least tonight
00:17:50Tonight, hurry
00:17:50You don't have to be here.
00:17:53Elisa, Elisa
00:17:53The cypress
00:17:54No, no, there will be a
00:17:55To the
00:17:56He steps on you and throws you into the street
00:17:58Don't push because Quique is staying behind
00:17:59What do you mean he's staying?
00:18:00Does he stay or go in there?
00:18:01And I tell those gentlemen
00:18:02That your mother of yours
00:18:03She is my grandmother
00:18:03She milked goats in the village
00:18:05Until you got married
00:18:06With the one from the prawns
00:18:06You would be capable of traitor
00:18:08Do you want to see it?
00:18:09Still
00:18:09Wait, don't open it
00:18:11Alright
00:18:12Let him stay
00:18:14But you go
00:18:16No, not because of him.
00:18:17No, because of the kitchen
00:18:20Open
00:18:20Go
00:18:21Mister
00:18:22Why would I be born in Viñuela?
00:18:26Oh, Mr. Alcipreste
00:18:28Pay attention
00:18:29Left
00:18:32Good crew
00:18:34Guys, I've received the order
00:18:35To become the pride
00:18:37From the Navy
00:18:37But you only have to see yourselves.
00:18:38To understand that
00:18:39It's completely impossible.
00:18:40However, that is the miracle
00:18:42That Sergeant Canales
00:18:43It has been carrying out
00:18:44Every quarter
00:18:45For twenty years
00:18:47That hand
00:18:48You can't hear me, that hand
00:18:49Stand at attention!
00:18:50I can't, Sergeant.
00:18:51Because?
00:18:52My belt was stolen
00:18:53Nobody steals anything in the navy.
00:18:55Do you understand?
00:18:55Yes sir
00:18:56But they blew my seatbelt off
00:18:57No, sir
00:18:58No, sir
00:18:58I said it last night with the pants
00:19:00And this morning he was gone.
00:19:01I can't stand jokers
00:19:03Go!
00:19:11Attention, end
00:19:12Hey!
00:19:14Right!
00:19:15Hey!
00:19:17From the left, facing forwards, one at a time.
00:19:19Hey!
00:19:23Not me, I get dizzy
00:19:25Fast!
00:19:25I'm not kidding.
00:19:26I get dizzy
00:19:26Come on, let's go!
00:19:28Okay, that's it.
00:19:33Come on!
00:19:35Above!
00:19:39I'm telling you this for your own good.
00:19:40What if I become unfortunate?
00:19:41They're going to pack it up
00:19:41Above!
00:19:42Above!
00:19:44Above!
00:19:46Above!
00:19:46Oh!
00:19:47Oh!
00:19:48Oh, without that!
00:19:49But what are you doing?
00:19:50What's the matter?
00:19:52I told you so.
00:19:56TO!
00:19:58B!
00:19:59C!
00:20:01D!
00:20:03AND!
00:20:04But what are you doing?
00:20:05Be quiet!
00:20:06F!
00:20:07G!
00:20:08H!
00:20:08No sir, no sir, no sir!
00:20:10You're ruining the squad!
00:20:24Cañete!
00:20:25Again!
00:20:26Again!
00:20:27Be quiet!
00:20:30But Cañete!
00:20:31What are you doing?!
00:20:35What I can, Sergeant!
00:20:37If what has taken hold of you is hatred
00:20:38Because you go out to restaurants every day, man.
00:20:40And what do you want me to do if I never get it right?
00:20:41You sent the chicken
00:20:43Chicken?
00:20:44The one we all bring when we arrive here?
00:20:46No
00:20:46Where is my mother?
00:20:47Well, now it's clear
00:20:48So, you think you're so clever?
00:20:49You wanted to save the 20 bucks
00:20:50We've all been photographed here
00:20:51600 guys, 600 chickens
00:20:53And what does he do with so much chicken?
00:20:55He resells it
00:20:56I think he's got a shitty setup going on
00:20:58Hurry up, you're bringing ruin upon yourself.
00:21:00But I didn't know that.
00:21:02All the more reason!
00:21:03You call the supermarket
00:21:05And have them bring you the biggest chicken they have.
00:21:08Hey, since it's been delayed so long...
00:21:09Don't you think I should add a few more decorations?
00:21:12Egg and side!
00:21:19Forward!
00:21:22Do you give your permission?
00:21:24What do you want?
00:21:28Your chicken!
00:21:29My chicken?
00:21:30What is this?
00:21:31Egg and lao
00:21:32A little something in case it made her happier
00:21:34What are you saying?
00:21:35Ah, I wanted it without egg.
00:21:36What are you?
00:21:37A scoundrel or a mentally challenged person?
00:21:40Listen, I, like everyone else
00:21:41I didn't want to be left out.
00:21:42And let's see if a good destination comes up.
00:21:44Because the chick...
00:21:45But don't you realize this is just an attempt at flavor?
00:21:48What's happening?
00:21:49That you don't...
00:21:50No!
00:21:51No, yes, I was saying there were a lot of chickens
00:21:53What are you saying?
00:21:53No, nothing
00:21:55I'll take it with me now in peace.
00:21:57What do you mean, "at peace"?
00:21:58This will cost you five days in jail.
00:22:00Let's see if this wakes you up once and for all.
00:22:11It's coming, it's coming
00:22:12And he looks like he's been arrested.
00:22:13Come on, stay still there
00:22:18What? Didn't you like the chicken?
00:22:20No
00:22:20Maybe it seemed small to him
00:22:22He thought it was big
00:22:23But he told me that he's already fed up with chicken
00:22:25You should eat this one yourselves
00:22:28Us?
00:22:28And you're going to eat it now
00:22:30Hey, don't get cocky, okay?
00:22:31Cool?
00:22:32I'm inviting you for a snack
00:22:33We just don't feel like it.
00:22:37From the leg or the breast?
00:22:39Man, Cañete, that's raw.
00:22:41With the egg and the lao, you can't tell.
00:22:43Anyway, it was a joke.
00:22:45I know.
00:22:46It's a joke that makes me want to stay here another Sunday.
00:22:48And I had to go to Cádiz
00:22:50Because they've been waiting for me for three Sundays
00:22:52You should have said so, man.
00:22:53There's no going back now.
00:22:53You got the left one
00:22:55And you on the right
00:22:56Alright! Time for a snack
00:23:18What are you doing out there?
00:23:20Waiting for my brother
00:23:20Your brother?
00:23:21He's found a maid and he won't be coming back here.
00:23:23If you think this is a nursing home, you're wrong.
00:23:24My brother has said he's coming and he will come.
00:23:26Yes, just like last Sunday.
00:23:26Hey, the kitchen!
00:23:27What a fixation with cooking!
00:23:29The doorman says it smells like becred
00:23:31Don't worry, you'll hardly smell anymore.
00:23:36Come on, the little hospital that's finishing you off, the girl!
00:23:38Cañete, do you have any hairspray?
00:23:40No
00:23:41Don't get like that, you're wrong.
00:23:43He and I are taking bicarbonate of soda
00:23:44Ever since we ate the chicken
00:23:45Don't be resentful, man
00:23:47Do you want something for Cadiz?
00:23:49Is there mockery?
00:23:50No, man, no
00:23:51I'm serious
00:23:52Well, you are free.
00:23:54If you take it that way
00:23:55Hey
00:23:56That?
00:23:58Could you make a phone call?
00:24:00Whom?
00:24:02No, leave it.
00:24:03When I say we're friends, we're friends.
00:24:05I'm not going to ruin your plan
00:24:06I know, but it's not necessary, thank you.
00:24:09Okay, whatever you want.
00:24:10Let's go
00:24:24Hello?
00:24:25Hey, the deserter!
00:24:26No, you don't have to tell me anything
00:24:28I know the temperament of the Cañete family
00:24:30And the corruption in this city
00:24:31Do you want to take it?
00:24:32No
00:24:34As?
00:24:36Are you going to tell me you're from the Ocaña penalty area?
00:24:39Well, the others do come out.
00:24:40We've been watching sailors go by for an hour now.
00:24:42Bring
00:24:43Leaves
00:24:43Well, it's up to you what you do, okay?
00:24:45Because I'm leaving you in the street
00:24:45You can't mess with me.
00:24:46Bring
00:24:47Here, kid
00:24:48Miguel, what's wrong?
00:24:50It's me
00:24:50No, it's okay.
00:24:52I'm fine
00:24:53The thing is...
00:24:54I won't be able to go today either.
00:24:56But what are you doing?
00:24:57Are you always getting arrested?
00:24:59If I do nothing, Quique
00:25:00I promise you
00:25:02This is very difficult
00:25:03And they confuse you.
00:25:05Hey
00:25:06Are you being treated well?
00:25:07Yes, very good.
00:25:08I watch TV and everything
00:25:11They feed me a lot.
00:25:13The goalkeeper says I've gained weight.
00:25:17Your aunt's there, right?
00:25:19Yeah
00:25:19I had prepared everything so well for this afternoon
00:25:22First fishing, then the movies
00:25:24But I've been hooked by a sergeant here
00:25:27Just look at what it will be like
00:25:28They call him the tiger
00:25:30Yes, yes, yes, the tiger
00:25:31The Tiger of San Fernando
00:25:33Of course I've tried to charm him
00:25:34I even bought him a chicken
00:25:36Well, I don't understand it.
00:25:37And why was he angry?
00:25:38He would think that was not enough.
00:25:39No no
00:25:40If he doesn't speak
00:25:41This hit chaos
00:25:43Oh, much worse than Don Antonio the administrator
00:25:45That thing didn't look like a person.
00:25:47Not this one
00:25:48Well, Quique
00:25:51Until Sunday
00:25:52No no
00:25:53I don't think I'll be able to go on Sunday either.
00:25:55Nor the other
00:25:57Goodbye, Quique
00:25:59Square
00:26:01Did you know that those arrested are prohibited from using the telephone?
00:26:04Yes sir
00:26:04And do we have to ask permission to enter the officers' office?
00:26:08Yes sir
00:26:08And is it a serious offense to speak ill of the bosses?
00:26:11Yes sir
00:26:11So what do I do with you?
00:26:13Well, he'll shoot me and make me pay for everything at once.
00:26:15Look, don't play the victim, I won't tolerate that.
00:26:18So, the tiger of San Fernando, huh?
00:26:20Well, I don't mind being taken like that.
00:26:22That's what I'm here for.
00:26:23I need to straighten it out in a few months.
00:26:25What others left crooked in 20 years
00:26:27And what Sergeant Canales can't fix, nobody can fix.
00:26:30I am the last chance
00:26:32Yours too
00:26:33So open your eyes wide
00:26:35Because a different kind of cane comes out of here.
00:26:37Even if you get on your hands and I have to tear your skin off in strips
00:26:40You'll find out!
00:26:41Yes sir
00:26:42You are under indefinite arrest
00:26:44Yes sir
00:27:01At your service, my commander
00:27:04Who is it?
00:27:05The black sheep of the replacement
00:27:07It's not getting better.
00:27:08Nothing
00:27:09So, you already have your favorite.
00:27:11How would you choose me, Commander?
00:27:12Do not show
00:27:14But you always choose the worst.
00:27:15He gets into arguments with him
00:27:17The arrest quota is exhausted
00:27:18So that I could ask him at the end
00:27:19Wasn't that the black sheep of the replacement?
00:27:23You don't know, my commander, how some of them come.
00:27:25Yes, but then the only one they remember is you.
00:27:27Because I've never been a wedding godfather.
00:27:30So, I'm a great dad
00:27:31Man, what a great dad, right?
00:27:33If you wish, I can lift the arrest.
00:27:35No
00:27:35Discipline is discipline
00:27:37Do you have any further orders, Commander?
00:27:39Nothing, Canales
00:27:40How is your daughter doing?
00:27:41Equal
00:27:43We want to take her to another specialist.
00:27:44We haven't lost hope yet.
00:27:47You are extraordinary, Canales
00:27:49If I had a problem like yours
00:27:51They would call me the same as you
00:27:52Because you already know what they call you, right?
00:27:54Yes, my commander
00:27:55The Tiger of San Fernando
00:27:57Benito Morales from Tomelloso gave it to me.
00:27:59The one from the wedding
00:28:01See you tomorrow, Sergio
00:28:02At your service
00:28:17Since the phone is prohibited
00:28:19And the sergeant's situation can't be resolved
00:28:20I'm writing to let you know
00:28:22What if I don't go?
00:28:23It's not because I don't want to see you
00:28:25Otherwise, why won't they let me?
00:28:26Whatever your aunt tells you
00:28:29Don't worry about me
00:28:30I'm very happy here.
00:28:32Because this is very healthy
00:28:33And you get plenty of fresh air and sunshine
00:28:36Of course it's not like in the village
00:28:38When you and I used to go out
00:28:40Sundays
00:28:41Going crab fishing in the river
00:28:43And on the way back
00:28:44You used to buy that really long candy.
00:28:46You said it was just for you.
00:28:48But we both ate it.
00:28:57Yes, Quique
00:28:59That's what you haven't missed now
00:29:02That we can't be together
00:29:21Hi, Dad
00:29:23Hello, daughter
00:29:26You look grumpy.
00:29:28How many of you have he arrested today?
00:29:29To the same
00:29:30I think it's very wrong.
00:29:31Well, it's the same old thing.
00:29:32Yes, but today is Sunday
00:29:33Maybe his girlfriend is waiting for him.
00:29:35That can't have a girlfriend
00:29:37What do you know?
00:29:38You like to boast that you know your recruits
00:29:40Better than anybody
00:29:40And in the end you're always wrong.
00:29:42Leave the beast alone!
00:29:43Don't take the bone out of his mouth!
00:29:45Shut up!
00:29:46Channels
00:29:46We're not in the barracks.
00:29:48Ep, o, ep, aro!
00:29:50Ep, o, ep, aro!
00:29:52Ep, o, ep, aro!
00:29:54Left, right, left, right
00:29:55Turn around!
00:29:59Cañete, you've already given them all!
00:30:01I can't let the fans down.
00:30:02Left, right, left, right
00:30:05Left, right
00:30:08Turn around!
00:30:10Ep, o, ep, aro!
00:30:14Ep, o, ep, aro!
00:30:16Ep, o, ep, aro!
00:30:17Left, right, left, right
00:30:19Left, right, left, right
00:30:22Left, right
00:30:22Ep, o, ep, aro!
00:30:27Ep, o, ep, aro, ep, o!
00:30:28But what are you doing here?
00:30:29I've escaped!
00:30:30Again!
00:30:31Yeah!
00:30:31I'm never going back to Aunt Enriqueta's house!
00:30:33Pete, wait for me outside!
00:30:35I've come to talk to you!
00:30:36This can't happen now!
00:30:37Pete!
00:30:38You're stepping out of line!
00:30:40And I'm going to lose it!
00:30:41Good heavens, what do we have to put in here!
00:30:42You're going to get me into another mess!
00:30:45Now that I was in cahoots with the sergeant!
00:30:47What's wrong with you all!
00:30:48He's going to see you!
00:30:49He's going to see you!
00:30:50That kid!
00:30:52He's already seen you!
00:30:53High!
00:30:55What is that child doing here?
00:30:57Whose is it?
00:30:59I haven't heard from you, Sergeant.
00:31:00Not mine, you scoundrel!
00:31:01So you have a child
00:31:03Yes sir
00:31:03Because of the criminal nature of it, of course.
00:31:05Listen, it's not what you think.
00:31:06I can't imagine anything
00:31:08He's alone.
00:31:09And he had thought that in a barracks one more
00:31:11Take it away, take it away from here
00:31:13And don't come back until you've put it in place.
00:31:16Yes sir
00:31:20Rest!
00:31:20Hey, not even a bugle player
00:31:22No! And get out of here!
00:31:25Felvas!
00:31:27Why do you let him yell at you so much?
00:31:29If he hasn't screamed
00:31:30No?
00:31:31No, because he should have shot both of us.
00:31:32The first time he's been right since I've been here
00:31:35Let's see where I can leave you now.
00:31:40Full board is 210 pesetas
00:31:43And the incomplete one?
00:31:44I mean, without the food
00:31:46Well, without food...
00:31:47And without dinner?
00:31:49But anyway, let's see
00:31:51How much do you plan to spend?
00:31:53About four pesetas
00:31:55Ah, well, then they don't have a problem.
00:31:57No?
00:31:58No
00:31:58They sleep on a park bench and save themselves everything.
00:32:16Would you like to have two?
00:32:18Of course I'd like to
00:32:19Rocío, Pepe, Jacinto, Luis, Antonio, María, Isabel
00:32:23Which mom?
00:32:24Look, they're all mine.
00:32:25And I have more at home.
00:32:26More, huh?
00:32:27Excuse me, excuse me
00:32:35The office, there
00:32:37Thank you
00:32:42It's impossible, this is only for Navy orphans
00:32:44Hey, this uniform is a bullfighter's uniform
00:32:47But you are not his father
00:32:48Of course, if he were his father, he wouldn't be an orphan.
00:32:50But did his father have any connection to the Navy?
00:32:52No, sir, he was a farmer
00:32:54So...
00:32:54It's because we haven't found the orphanage for farmers
00:33:03Okay, if you want, I'll go back to Aunt Enriqueta's house.
00:33:07What's wrong with Aunt Enriqueta?
00:33:08Were you going to eat me?
00:33:10Almost
00:33:11Well, let's see what we can do with you.
00:33:13Hey, the bank
00:33:14It gets very hot here at night
00:33:16Then when you get out, we'll split the ranch and live it up
00:33:20If you had stayed in the village
00:33:22Then we wouldn't be together anymore.
00:33:35Oh, my friend
00:33:37Who is it?
00:33:38I'm Quique
00:33:39Don't you remember?
00:33:40And what are you doing here?
00:33:41We are looking for a house
00:33:45Enter
00:33:45Come closer
00:33:47Her name is Julia
00:33:48She's a friend I have
00:33:51So much pleasure
00:33:52Don't shake his hand because he can't see it.
00:33:53Oh, excuse me.
00:33:55She's very pretty and has plenty of room
00:33:58Maybe I could stay here
00:34:00What's wrong with them?
00:34:02I have nowhere to leave Quique
00:34:03Because he already knows what the barracks are like.
00:34:05If he doesn't measure up
00:34:06We have to count on the lieutenant
00:34:08Then the little girl gets him too.
00:34:09Because a boy is a boy, right?
00:34:11I don't understand anything
00:34:12Neither we
00:34:12But the result is that if you don't stay with Quique
00:34:15He's going to sleep on the street tonight.
00:34:17But they have no one
00:34:19No ma'am, to no one.
00:34:21Neither here nor in the village
00:34:22That's why he's so scared.
00:34:23Clear
00:34:25What do you answer?
00:34:26Should I stay or not?
00:34:28We'll have to tell my mother.
00:34:29Oh, so everything's sorted out.
00:34:31Because her mother is even better than her.
00:34:34She's a friend of mine
00:34:41Forward
00:34:43Placed
00:34:44But good?
00:34:45Superior
00:34:46I suppose you left it in a decent house
00:34:49Pretty decent
00:34:50But don't blame me, okay?
00:34:50Because you already know that appearances can be deceiving.
00:34:53Okay, now let's get to the serious stuff.
00:34:55Ah
00:34:56But is there anything even more serious?
00:34:57Here it says Miguel Cañete Moste
00:35:00Profession: farmer
00:35:02Marital status: single
00:35:05Single!
00:35:07Yes sir
00:35:07Yes sir
00:35:08And you bring me a six-year-old child
00:35:09And what does that have to do with anything?
00:35:11But what are you?
00:35:12A scoundrel?
00:35:13A cynic?
00:35:14Or a degenerate?
00:35:15What's wrong, sergeant?
00:35:17At your service, my commander
00:35:19Excuse me, but this time the shouting is justified.
00:35:21Right where you see him
00:35:22With that face
00:35:23We found him to be quite the charmer
00:35:32It's incredible.
00:35:33You never know where it's going to come from.
00:35:35What do you think brought me to the barracks this morning?
00:35:37A child
00:35:39How do you know?
00:35:40I don't know, it just occurred to me.
00:35:42Ah, you thought of it
00:35:43So for you it's normal
00:35:45Let a sailor take his child to do the training
00:35:48The younger they start, the better.
00:35:50I'm tired of hearing you say it
00:35:51But the son of this fool is six years old
00:35:55Yeah?
00:35:56So he's very young
00:35:57And did he tell you that he was his son?
00:35:59He probably didn't let him speak, as if he could see it.
00:36:01He has gone towards him
00:36:02He made her say "ah!"
00:36:04And he swallowed it whole.
00:36:05I'm warning you, I'm not in the mood for jokes.
00:36:09Sorry
00:36:15And what have you done with the child?
00:36:16The natural
00:36:17I've washed it, I've combed it
00:36:18And I gave him the bottle.
00:36:19Sometimes you seem silly
00:36:21What will the navy do with a child?
00:36:23You didn't shoot him, did you?
00:36:26Well, I have to grow up tomorrow.
00:36:29Good night, daughter
00:36:30Don't take it like that, Dad
00:36:31How am I going to take it?
00:36:33If your mother takes me out of Christ
00:36:35Poor child
00:36:35God knows where he is these hours.
00:36:37If something were to happen to him
00:36:38What's going to happen to him?
00:36:40I don't know
00:36:40He could be hit by a car
00:36:41Or drown at sea
00:36:42And what does that have to do with me?
00:36:44Nothing
00:36:44But you know how people are.
00:36:46I would say, look at Canales
00:36:47So humanitarian
00:36:48So fair
00:36:48And he killed a six-year-old boy
00:36:51I?
00:37:00You can't sleep
00:37:02No
00:37:03That's the kid.
00:37:04What does the child have to do with the heat of this?
00:37:07A lot
00:37:07You can't digest it
00:37:09Well, yes
00:37:11Could be
00:37:13It seems ridiculous
00:37:14But what if tomorrow when I wake up
00:37:16I threw the Cádiz newspaper in my face
00:37:18And I find out that a child has been run over
00:37:19I'm going to have a heart attack
00:37:22Where are the sleeping pills?
00:37:23Wait, I'll give them to you
00:37:24No, no, leave it.
00:37:24The thing is
00:37:25Leave it
00:38:12That?
00:38:13Have you taken the pill?
00:38:14Yes, I swallowed it whole.
00:38:16But tomorrow that child leaves this house
00:38:18My name is Canales
00:38:37Don't look
00:38:38The future of Oxigso is in the garden
00:38:46Yes, sir, boat ready
00:38:48I've left it spotless
00:38:49Because you should see how the sparrows had messed it up.
00:38:52What, Canales?
00:38:53Should I bring you the carabiner, or are you going to strangle him by hand?
00:38:57No
00:39:10So it was a pretty decent house
00:39:12What's happening?
00:39:13That you have informed yourself and not...
00:39:14It's a real maelstrom.
00:39:16You can't trust anyone.
00:39:19That?
00:39:20What kind of tomato does that house have?
00:39:22Why so at the first blow?
00:39:24Do you know where you left your child?
00:39:25Listen, I'm not as stupid as you think.
00:39:27It's a hotel that's right outside
00:39:29The third one on the left
00:39:30With a garden
00:39:31A little dick
00:39:32Two windows
00:39:33And a door with a green knocker
00:39:35A door with a knocker
00:39:36Oh, you've seen it too?
00:39:37Every day
00:39:38It just so happens that's my house.
00:39:41No, sir
00:39:42Yes sir
00:39:42Mother
00:39:43The only place I wouldn't have thought to leave it
00:39:46Poor
00:39:46Poor why?
00:39:47No, no, no, no
00:39:48I didn't mean that.
00:39:49The thing is...
00:39:50But don't be upset
00:39:52I'm coming
00:39:52I'll take it
00:39:53And they're friends.
00:39:54Still!
00:39:59It's not necessary
00:40:00Let it be right now.
00:40:02As you wish
00:40:03I can go after lunch
00:40:05But he who does not eat
00:40:06He will eat if I say so.
00:40:08Yes sir
00:40:09Look at all the houses here
00:40:11Take it right to his
00:40:12But you rest
00:40:14Everything will be sorted out this afternoon
00:40:15As?
00:40:17Ah, I don't know
00:40:18Where are you going to leave it?
00:40:19We'll see.
00:40:20But above all, don't be upset.
00:40:22Cañete!
00:40:23You're reckless!
00:40:25So you're bringing the child with you.
00:40:26And you have nowhere to leave it.
00:40:27No, sir
00:40:28But I've already told him not to be upset.
00:40:30I'll take him from his house
00:40:31And in peace.
00:40:32Well, you're not taking it.
00:40:33No, sir
00:40:34I'm not taking it
00:40:35He will stay with us
00:40:37Until you find a solution
00:40:38A solution that seems good to me
00:40:41Because I have come to the conclusion
00:40:43That you are a fool
00:40:44Yes sir
00:40:45I am a fool
00:40:46But you're a guy with a heart.
00:40:48That big
00:40:49Don't uncover me
00:40:49Because anyway
00:40:50I'm going to keep the boy
00:40:51Yes sir
00:40:52I already knew it
00:40:52You shout a lot
00:40:54Lots of arrests
00:40:54Lots of dog-like faces
00:40:55But deep down
00:40:56It's a piece of bread
00:40:58That's not it.
00:40:58Bread, Sergeant!
00:41:00From bread!
00:41:01Can I visit him whenever I want?
00:41:02How dare you set foot in my house?
00:41:04You don't leave the barracks
00:41:05Until you get discharged
00:41:07Yes sir
00:41:08Yes sir
00:41:48Ah, so many sailors!
00:41:50And are all these people also family?
00:41:52This is my father's other family
00:41:54She argues equally with both of them.
00:41:55But I wouldn't know how to live without them.
00:41:56The thing is, the one from the barracks
00:41:58They remove it every three months.
00:41:59Ah, so that's why he's always so furious.
00:42:03When we leave
00:42:05We'll send you a photo like this.
00:42:07But much bigger
00:42:08Okay, that's if we leave.
00:42:10Because the business might get complicated.
00:42:12And the two of us stayed.
00:42:16Hey, how come you don't trip over anything?
00:42:18I know this house by heart.
00:42:20I've gotten used to knowing where things are.
00:42:22Even if I don't see them
00:42:23That must be very difficult.
00:42:25Yes, very difficult.
00:42:26If you want to try it, close your eyes for a little while.
00:42:32I can't see anything.
00:42:33Well, that's what I see.
00:42:35Wow, have you always been like this?
00:42:37Yes, always
00:42:38Well, now you'll see what a friend is good for.
00:42:40When we're together
00:42:41I'm going to keep my eyes closed.
00:42:43And so we are both equal.
00:42:45I already have them
00:42:48Hey, I can't think of anything like that.
00:42:50Open them, Quique
00:42:51I'm so glad to have a friend like you
00:43:01Come in, I'm with Julia.
00:43:02No, no, I can't
00:43:03Because?
00:43:04Because I can't
00:43:06There's the tiger
00:43:06He's gone, he's passing by
00:43:08Who is Quique?
00:43:09He's my brother
00:43:10Come in, you have to thank him
00:43:12She's the one in charge here
00:43:14More than his father
00:43:15Oh, much more
00:43:16Come on
00:43:28Has he left?
00:43:28No way.
00:43:29He's standing here, still.
00:43:30Looking and looking
00:43:31And he says nothing.
00:43:33Speaks!
00:43:35Good afternoon
00:43:36Have you come to see Quique?
00:43:38Yes, ma'am
00:43:39And to thank them
00:43:40Especially to you
00:43:40Because I know he stayed here for you.
00:43:43And we
00:43:44We are nobody
00:43:45But we know how to be grateful
00:43:47I wish you needed something very big
00:43:49And that it depended on us to
00:43:52Do you want me to prune the garden for you?
00:43:53Do you want me to paint your kitchen?
00:43:55Do you want me to tell your father that he's come in?
00:43:56Why is he so afraid of her?
00:43:58So much?
00:43:59The one who gives
00:43:59But ask me for something.
00:44:01Ask me
00:44:02Very good
00:44:03I'm going to ask you for something
00:44:05Leave Quique with me until he wants to.
00:44:07I told you, she's fantastic
00:44:09And his father too.
00:44:10Yes, his father is a sweetheart.
00:44:12He doesn't like being told that.
00:44:13But it is.
00:44:14And I'm going to scare him half to death
00:44:15What are you going to do?
00:44:16No, no, nothing bad.
00:44:17On the contrary
00:44:18Starting tomorrow
00:44:19I'm going to be the pride of the navy
00:44:21It's going to be difficult, huh?
00:44:22But that joy
00:44:23I have given it to you
00:44:24And to his father
00:44:27TO
00:44:28B
00:44:30C
00:44:31D
00:44:32AND
00:44:33F
00:44:34G
00:44:35H
00:44:48Rest
00:44:49Rest
00:44:50Bye bye!
00:44:51Present
00:44:53Bye bye!
00:44:55Rest
00:44:56Bye bye!
00:45:22At your service
00:45:23Who
00:45:25Who is it?
00:45:25Cañete, my sergeant
00:45:26It is not possible
00:45:27Cañete
00:45:29Turn around!
00:45:31Bye bye!
00:45:33Head on!
00:45:35Bye bye!
00:45:40Turn around!
00:45:42Bye bye!
00:45:45High!
00:45:51Bye bye!
00:45:52Rest well!
00:45:53Soul!
00:45:56Cañete
00:45:57Left!
00:45:58Bye bye!
00:45:59Head on!
00:46:00Light step!
00:46:01Bye bye!
00:46:09Yes, sir.
00:46:10Are you sending anything?
00:46:11Lower your hand
00:46:12No, I just wanted to see you
00:46:14Well, look at me, I'm feeling sweet.
00:46:17I see it now.
00:46:18In my life I have polished many country bumpkins
00:46:20But what you do is incredible.
00:46:21What happened to you?
00:46:23I wanted to give her that joy.
00:46:24And I have given it to him
00:46:24Come on, that's for you
00:46:25The Cañete problem is over
00:46:27Yeah
00:46:28And I'm very pleased with you
00:46:29As soon as you swear allegiance to the flag
00:46:31I'm going to propose
00:46:31For a distinguished sailor
00:46:33What do you think?
00:46:34Natural
00:46:35Somewhere
00:46:35We have to start the melon
00:46:37Because I'm not going back to my town
00:46:38Not even to Taos
00:46:39And with your permission
00:46:40I'm going to stay in the navy
00:46:42You?
00:46:42Yes sir
00:46:43Or am I worthless?
00:46:44I asked that question.
00:46:4522 years ago
00:46:46And I'm going to give you the same advice
00:46:48That they gave to me
00:46:50The navy has to be born in him
00:46:51One inside
00:46:52The first day
00:46:53This uniform is heavy on you
00:46:54As if it were made of lead
00:46:56Then you get used to it
00:46:57Until you feel it
00:46:59Like your own skin
00:47:00And it can no longer be started
00:47:03Then you're lost.
00:47:04Or cattle
00:47:05It depends on how you look at it
00:47:06But it's dangerous to make a mistake.
00:47:09Because this path is hard
00:47:10If we have to go through it
00:47:11Forcibly
00:47:13Understood?
00:47:15I think so
00:47:16My sergeant
00:47:25The days!
00:47:26No, no, no, no
00:47:26No, no, no
00:47:38The days!
00:47:47names
00:47:47No, no, no
00:48:14Thank you!
00:48:46Thank you!
00:48:47...
00:49:02There she is, the prettiest of them all.
00:49:08There it goes, there it goes. I'm leaving!
00:49:11He's my brother. Keep going!
00:49:30Miguel.
00:49:32That?
00:49:33What are you doing?
00:49:35Look at her.
00:49:36He doesn't get bored with me.
00:49:37Bored?
00:49:40I can't believe all this is happening to me.
00:49:43It seemed like the world was going to end, and suddenly his father started yelling at me.
00:49:48Quique's situation is sorted out, I'm named a distinguished citizen...
00:49:52And now I am here with you.
00:49:54Why does he miss Sundays with me?
00:49:56If it's to thank Quique for me.
00:49:58No, no, ma'am, what's wrong with that?
00:50:00I...
00:50:00So, if it's up to me, don't worry.
00:50:02I'm used to being alone.
00:50:04And you have your friends.
00:50:06You can go with them, have fun.
00:50:08I have no friends.
00:50:10Listen, you're going to laugh, but I'm always with you.
00:50:15In the morning.
00:50:17It seems I'm eating the crust.
00:50:18Well no.
00:50:20We are both here, just like now.
00:50:23It seems I'm following the instructions.
00:50:25And there you are in the garden laughing at the things I say.
00:50:27Do you see it?
00:50:28You've got some things going on.
00:50:30Of course, since you can't see me, and I can see you, I just blurt out the first thing that comes to mind.
00:50:37You'll see.
00:50:38Tomorrow I'm going to take her to the pillars of...
00:50:40No, not tomorrow.
00:50:41I have to go with my parents.
00:50:44They want me to see another specialist.
00:50:48But...
00:50:48Can it be cured?
00:50:50That's what they think.
00:50:52And you don't?
00:50:53No.
00:50:53And that's for the best.
00:50:54It would be the second useless operation.
00:50:57You can rest assured.
00:50:59You will continue to see me, but I will not see you.
00:51:01Don't say that.
00:51:03Let's go.
00:51:04Yeah.
00:51:05Quique.
00:51:06Come on.
00:51:13What? Have you two become boyfriend and girlfriend already?
00:51:15Shut up, you shameless person.
00:51:25Cañete is very happy.
00:51:26I'm terrified.
00:51:27Have you already said goodbye to your date?
00:51:29Why should I say goodbye?
00:51:29Because we're leaving.
00:51:30Where to?
00:51:31You to Ferrol.
00:51:32We at the artillery school.
00:51:33It's right there on the tablet.
00:51:34Why are you staying here?
00:51:35But you're such a clown, Cañete.
00:51:36We volunteers can choose and we're going to the shooting range, Janer.
00:51:39For now, because as soon as they give us the degree, where we're really going is to the petrochemical company S.A. Serrano.
00:51:44149.
00:51:46Hey, if we start with jokes...
00:51:47Explain it to him yourself, explain it to him.
00:51:48What you need to explain to me is how I can stay here.
00:51:50The rest doesn't interest me at all.
00:51:56Do you give your permission?
00:51:58Forward.
00:52:04Yes, sir.
00:52:05I've come to ask you to sign me up as a volunteer.
00:52:06Three years, four, six, however many you want.
00:52:08What are you saying? Are you crazy?
00:52:10No, sir. I have to stay at the artillery school.
00:52:13That's only for volunteers.
00:52:14That's why I've come to sign up, because I can't leave here.
00:52:19If it's because of Kike, don't worry. He'll stay with us until you get back.
00:52:22Yes, that's not it. It's just that I have to stay. He doesn't understand.
00:52:25No.
00:52:25Well, that's clear. Now that things are starting to get better for me...
00:52:27But what is it that's getting fixed?
00:52:29It's difficult to explain. And even more so for you.
00:52:32But do something.
00:52:33Speak to the commander or write to the minister or whoever.
00:52:36But I have to stay here, Sergeant. I have to stay.
00:52:38I'm sorry. It's not going to be possible.
00:52:59What are you doing there?
00:53:01Wash this portrait, because since we're leaving, I'll put it wherever I want.
00:53:06What do you mean you're leaving? Is he your brother?
00:53:07No, sir. We're both leaving.
00:53:09And what are you two going to do in Ferrol?
00:53:12If we don't go to Ferrol, we'll go to the village.
00:53:14What are you saying?
00:53:16Of course. Since you don't want to arrange for it to stay here,
00:53:19You also become more stubborn when you pick up a habit.
00:53:23Hey, hey.
00:53:24I hear you, I hear you. You're the one who needs to hear it.
00:53:27who sometimes seems to be deaf and only hears what suits him.
00:53:31Why don't you call the commander or the minister or whoever?
00:53:35You, being so old, he must have taught everyone the instruction.
00:53:39Shut up, brat.
00:53:40Yes, sir. I'll be a kid.
00:53:42But you've certainly annoyed us both.
00:53:45This is the last straw. Even the kid is getting on my nerves.
00:53:48And it's your fault.
00:53:49Quiet, canals.
00:53:50Yes, you.
00:53:51If you hadn't insisted that we keep it.
00:53:54You could have used all the energy you put into that speech this morning
00:53:57talking to the commander to leave the boy here.
00:53:59But you know what's going on.
00:54:01No, and I don't want to know. And shut up.
00:54:03I don't feel like it. If I don't speak now, I'll explode.
00:54:05Well, just explode already.
00:54:07Very well. I'm going to speak.
00:54:09Canales, you're a suck-up.
00:54:11Yeah.
00:54:12With the defenseless women and the poor country bumpkins who arrive with their suitcases,
00:54:15You already believe in Superman.
00:54:16But when it comes to bothering the bigwigs to ask for what's most just in the world,
00:54:20Sergeant Canales backs down.
00:54:22Should I back down?
00:54:23Yes, it cracks you down. From the verb "to crack."
00:54:25Rosary.
00:54:26That?
00:54:32Dad, come here. I want to talk to you.
00:54:36Don't ask me to intercede for that recruit from Viñuela too, because you're late.
00:54:40Have you fixed it yet? I knew it.
00:54:42I told Mom. You'll see, she'll surprise us.
00:54:45You are the best father in the world.
00:55:08Fire!
00:55:10Fire!
00:55:10Fire!
00:55:11Fire!
00:55:14Fire!
00:55:20Fire!
00:55:46Hey, dude.
00:55:47Hello.
00:55:49Hey, why are you walking around barefoot?
00:55:51If I stop, I'll forget everything. Besides, I'm four years behind.
00:55:54Delay for what?
00:55:55To pursue a career in the navy.
00:55:57But you're going to be stuck dressed as a sailor for the rest of your life.
00:55:59Not you?
00:56:00Of course not. You've got this set up perfectly.
00:56:03You do paid military service.
00:56:05They train you to be a technician, they give you the certificate
00:56:07And when they ask you to go to the boat or the street, you go to the street.
00:56:10But to Serrano Street, which is where the petrochemical company S.A. is located.
00:56:13and to grab some hard currency.
00:56:14Are we back to petronymics again?
00:56:16Learn it well, man, because that's where the smart ones will stop.
00:56:19Mr. Cañete, your brother is out there waiting for you.
00:56:22My brother?
00:56:25I've come to tell you that Julia has been taken to the hospital.
00:56:28What happened to him?
00:56:29I think they're going to operate on her.
00:56:31When?
00:56:31Don't know.
00:56:33And why didn't she tell me?
00:56:34Since you haven't come, because you spend your life studying.
00:56:37Furthermore, she doesn't want anyone to find out.
00:56:40Where is?
00:56:52Is that you, Mom?
00:56:55It's me, and I've brought my brother.
00:56:58Miguel, why have you come?
00:57:01I wanted to see her before...
00:57:03I'm glad she made the decision.
00:57:05I didn't decide it.
00:57:07They were my parents.
00:57:08It's the same.
00:57:10Quique told me that the doctors are sure he will recover.
00:57:13Like last time?
00:57:14The other time it was...
00:57:15The other time.
00:57:16And this is it.
00:57:18Now it has to go well.
00:57:19At least I'm not afraid anymore.
00:57:21Of course not.
00:57:22I know what it's like to get your hopes up for nothing.
00:57:24But...
00:57:24Is he going to know more than the doctors?
00:57:26How stubborn you are!
00:57:28No.
00:57:29The stubborn ones are the others.
00:57:30They can't accept seeing me like this.
00:57:32And that's natural.
00:57:33You yourself are encouraging me because of that.
00:57:35But what if everything goes wrong...
00:57:37It won't turn out badly.
00:57:38You have to enter that room smiling, without fear.
00:57:42Because it needs to be cured.
00:57:44And he will be healed.
00:57:46And if that weren't the case...
00:57:48That also...
00:57:50What there is to see out here...
00:57:52Well...
00:57:53I mean that...
00:57:54We will be here.
00:57:56Beside him.
00:57:57As before.
00:58:00Miguel...
00:58:00You are the kindest person I have ever met.
00:58:03Clear.
00:58:04And we love you more than anyone else.
00:58:06Or not?
00:58:13Boys, I have received orders to make you the pride of the Navy.
00:58:17But you only have to look at those faces to understand that that is totally impossible.
00:58:21However, that is the miracle that Sergeant Canales...
00:58:24He has been doing this for twenty years.
00:58:26And you will be no exception.
00:58:30Yeah!
00:58:31Yeah!
00:58:33Break ranks!
00:58:35Oh!
00:58:44Yes, sir.
00:58:45What are you doing here?
00:58:46I wanted to talk to you.
00:58:48And your daughter?
00:58:49What did the doctor say?
00:58:50Everything is normal.
00:58:51She's having surgery on Friday.
00:58:53And they don't need anything?
00:58:54What do you mean?
00:58:56It might sound silly, but...
00:58:58I'm sure they don't need anything.
00:59:00Nothing of what?
00:59:02The doctor hasn't asked them...
00:59:05Hey, speak clearly.
00:59:07It's nonsense.
00:59:08Just let it go already.
00:59:11I've been told that some people get this crystal from other people and they get cured.
00:59:18Perhaps this isn't the case, but I had thought that...
00:59:23It's not the same to see with two eyes as with one...
00:59:29Come on, you can count on me for anything.
00:59:34Good job, hick.
00:59:35I knew I wasn't wrong about you.
00:59:38Listen, Sergeant, with complete confidence, okay?
00:59:40Thank you.
00:59:42This is not the case, as you say.
00:59:45But for me...
00:59:48As if it were.
00:59:58Listen, my example.
01:00:12Yeah.
01:00:16Yeah.
01:00:25Does it take long?
01:00:45Do you think he'll be able to see?
01:00:47Sure.
01:00:49So...
01:00:49So what?
01:00:50Nothing, you don't understand.
01:00:52Hey, I understand everything.
01:00:55I was thinking...
01:00:58What will he think of us?
01:01:00Us or you?
01:01:01If he gets better, he'll see everyone else and he'll see me, and everyone will seem better to him than me.
01:01:06Better?
01:01:07Yes, Kike, I look at myself in the mirror every day.
01:01:11And she may think I'm different.
01:01:14No, yes, she already knows what you're like.
01:01:16Do you know?
01:01:18Of course, I explained it to him.
01:01:21And what did you say to him?
01:01:22The truth is, you're short, round, a little bald, and you get scared when you talk to a girl.
01:01:31And what did she say?
01:01:33Wow, we laughed a lot.
01:01:35Oh, really?
01:01:37It's coming out now.
01:02:03How great the school principals are, how great the school principals are, how great the
01:02:07that take us on excursions.
01:02:08Shut up, we're in orbit!
01:02:10What's happening?
01:02:10We're going on an internship in the labyrinth.
01:02:12We have already signed up as volunteers.
01:02:14What a trip, man, what a trip!
01:02:15We spent fifteen days in the dumps, but in the end we ended up in Mallorca where an international assortment of girls awaited us.
01:02:20So, are you in?
01:02:21If it's not mandatory, then no.
01:02:22Mandatory?
01:02:23What a bargain!
01:02:23Then they give you ten days' leave?
01:02:24Hey, what's wrong with you?
01:02:26Me?
01:02:28Nothing.
01:02:41Ready?
01:02:43Fire!
01:02:49Have you failed again?
01:02:51Yes sir.
01:02:52I'm not feeling very well.
01:02:54Yes, sir.
01:02:55They call sailor Cañete from the hospital.
01:02:57They say it's very urgent.
01:02:58Go ahead.
01:02:59Wow, huh?
01:03:00What's wrong with you?
01:03:02I don't know what to invent anymore.
01:03:03Why don't you come?
01:03:05I just can't.
01:03:06I have a lot of work.
01:03:07Lie.
01:03:08Look, I'm standing my ground there, you know?
01:03:10No, no, no, Quique.
01:03:10Listen.
01:03:11I've already done everything I had to do.
01:03:13It's better if I don't go.
01:03:15Let me do things my way.
01:03:17Well, you can wear them however you want.
01:03:19But tomorrow they're taking off the bandage, and if you don't come it'll be a really big mistake.
01:03:52Now, open your eyes slowly.
01:04:02Don't worry.
01:04:04Don't worry.
01:04:05Don't worry.
01:04:31You're Quique, right?
01:04:34So, you see me.
01:04:39Mom, my daughter.
01:04:43Calm down.
01:04:44He shouldn't get excited.
01:04:47And Miguel?
01:04:48Arrested.
01:04:49He is under arrest.
01:04:50But he is much taller than me.
01:04:56Fire!
01:05:08At your service, my officer.
01:05:10Lower your hand.
01:05:11What do you want?
01:05:12I need you to put me on the finger.
01:05:14But didn't he tell me he didn't want to go?
01:05:16I said it, officer, but I've changed my mind.
01:05:22Quique, wasn't there a photo of you and your brother here?
01:05:25How do you know?
01:05:26Because that's how I used to see things, by touching them.
01:05:28The glass broke and we were going to fix it.
01:05:31Don't tell lies.
01:05:33What's wrong with your brother?
01:05:34Why hasn't he come back?
01:05:35He's scared.
01:05:37Because?
01:05:38Hey, we have to explain everything to you.
01:05:41He became Jacinta's boyfriend right away, but now it's different.
01:05:44Because?
01:05:45Oh, not again.
01:05:46He's convinced himself he's ugly and that you'll burst out laughing when he sees him.
01:05:50you see.
01:05:52So you think he's not coming for that reason?
01:05:55It's not that I believe it, it's the truth.
01:05:58When I told him you had recovered, he was overjoyed.
01:06:02Then he started saying, "This is bad, this is bad," and he remained silent all afternoon.
01:06:08Let's go find him.
01:06:09Will he run away?
01:06:10It doesn't matter, let's go.
01:06:24You have to ask there, the sentry.
01:06:26Hey, hey!
01:06:28Is that it?
01:06:29Hey!
01:06:30That?
01:06:30No way, next to him my brother is gorgeous.
01:06:36Listen, we want to see the distinguished sailor Cañete.
01:06:40I am his brother.
01:06:41Corporal on duty!
01:06:44What's happening?
01:06:45They are asking for the sailor Cañete.
01:06:47He's not here; he boarded the thallion yesterday.
01:06:48Ah!
01:06:50Ah!
01:07:12Thank you!
01:07:31This is the Bell 47 G2 helicopter with a 250 horsepower Lycoming engine.
01:07:37Its flight autonomy is approximately 3 hours and its cruising speed is over 90 miles per hour.
01:07:42the time.
01:07:43It is a very useful two-seater device.
01:07:45What's wrong with him?
01:07:46My officer, the ship is here.
01:07:50But what does it say?
01:07:51It's just that I lose my balance.
01:07:53Give permission!
01:07:55To the currency exchange office!
01:08:04What do you think?
01:08:06Much better than you told me.
01:08:09Okay, but do you like it or not?
01:08:11I don't know.
01:08:13Oh, well, if you start like that too.
01:08:16But hey, what's your interest in all this?
01:08:20I'm the one who wants it most, because if you marry my brother, everything gets sorted out at once.
01:08:26Hey, don't laugh, this isn't funny.
01:08:31Don't laugh, this is no laughing matter!
01:08:43Don't laugh, this is no laughing matter!
01:08:46Don't laugh, this is no laughing matter!
01:08:53Don't laugh!
01:09:01Amen.
01:09:31Amen.
01:09:34Rest!
01:09:48What are you looking at?
01:09:50Hey!
01:09:51Where are you?
01:09:52In Hong Kong.
01:09:53Yeah? Well, come back, man.
01:09:55I was picturing myself as a Constable, with that row of gold buttons here.
01:09:58Our ship in Hong Kong, and come sing and gaisas,
01:10:00And those smoke sticks they put on Marlon Brando in the movie.
01:10:03You've gone too far.
01:10:04But it's beautiful, isn't it?
01:10:04To sail around the world on this ship.
01:10:06China, Japan, Torremolinos...
01:10:09And what about the petrochemical industry?
01:10:11What? About what?
01:10:12Well, we came here to set things alight and then kick the navy out.
01:10:15And you were already strolling around Hong Kong dressed as a Constable.
01:10:19Well...
01:10:19It was a slip-up.
01:10:21A slip-up?
01:10:21And when I remind you of the domino games at Manolo's bar, you call me Old-Fashioned.
01:10:25I just don't enjoy dominoes anymore.
01:10:26Neither dominoes nor anything else.
01:10:27If the same thing happens to all of us.
01:10:28Or not?
01:10:30But what has to happen to us?
01:10:32Would you like to return to the village?
01:10:35What I would like now is to be far away from here.
01:10:40Another one signing up for Hong Kong.
01:10:41No.
01:10:42I'm not telling you.
01:11:14No.
01:11:14Come on, you!
01:11:14Strength, combat ranks, let's go!
01:11:16I'm coming, I'm coming, I'm coming!
01:11:38Cañete!
01:11:39The helmet!
01:11:40The helmet!
01:11:49I don't think it's serious, Commander, but it would be advisable to disembark him anyway.
01:11:55Take him to the hospital in San Fernando.
01:11:56Yes, my commander.
01:12:10Attention, helicopter number four of the second squadron.
01:12:13Attention, helicopter number four of the second squadron.
01:12:17Data for control tower.
01:12:19Check completed, I start the engines.
01:12:32Are you scared?
01:12:33Yes sir.
01:12:35But there is no more renecio.
01:12:39It can take off.
01:12:40Change.
01:12:58This won't fall down, will it?
01:13:01My commander.
01:13:02There are several cases of poisoning among the officers.
01:13:05Apparently, some of the food was not in good condition.
01:13:07How many cases have been reported?
01:13:09So far, six.
01:13:10Crabes?
01:13:10I don't think so.
01:13:11Vomiting, fainting, loss of vision.
01:13:14They started feeling sick after breakfast.
01:13:17And give the names of the officers on that helicopter.
01:13:20At your service, my commander.
01:13:25Attention number four.
01:13:27Attention number four.
01:13:28Please provide flight details.
01:13:30Altitude one thousand feet.
01:13:32My course 0-3-0.
01:13:35On radial 210, three miles.
01:13:54What's the matter?
01:13:55I don't know, I don't feel well.
01:13:59My vision is blurring.
01:14:01Take command.
01:14:14What's wrong with my officer?
01:14:16I don't know, I don't feel well.
01:14:18No, come on, sit down.
01:14:19Lean on me.
01:14:28Listen, listen, listen.
01:14:37She fainted.
01:14:39Come here, boy.
01:14:42Listen, I'm going to put it on autopilot.
01:14:44Go get the officer's helmet.
01:14:47Oh, mother, another one!
01:14:49Attention, control tower.
01:14:50Attention, control tower.
01:14:52I can't follow the flight.
01:14:54Return to the labyrinth.
01:14:56Prepare an emergency power outlet.
01:14:57And the emergency remains.
01:14:59Sit down.
01:15:00Can you feel me?
01:15:01Yeah.
01:15:02Attention, control tower.
01:15:03Sitting.
01:15:04Attention, control tower.
01:15:07Attention, Daedalus control tower.
01:15:09I've engaged the autopilot.
01:15:12I leave the command to the sailor Cañete.
01:15:15But listen, but listen, but listen, listen, listen, listen, listen, listen, listen.
01:15:19But listen.
01:15:20No, it's my fault for coming to the service.
01:15:23Accident at number four.
01:15:24Emergency call.
01:15:34Attention, number four.
01:15:36Attention, number four.
01:15:37Answer.
01:15:39Answer.
01:15:42Is that where they're talking about?
01:15:43Yes, but well, what's going on?
01:15:46That both pilots fainted at the same time.
01:15:48What I do?
01:15:49Listen, you're the sailor Cañete, aren't you?
01:15:51Yes, Mr. Cañete, there is no other here.
01:15:53Listen to me.
01:15:54Tense la nida.
01:15:55How high are you going?
01:15:56At what height?
01:15:57Here it goes.
01:15:57But he doesn't see me anymore.
01:15:59Wow, very tall.
01:16:01Oh no, but I find it beautiful.
01:16:03They will give you instructions for an emergency landing.
01:16:06Emergency services.
01:16:07Attention, attention.
01:16:10Listen, can you hear me?
01:16:11Yes, I hear you, I hear you.
01:16:12We're going to give you instructions for landing.
01:16:14Where?
01:16:16On the ship.
01:16:17On which ship?
01:16:19In that one?
01:16:21Listen, the important thing is to preserve sanity.
01:16:23That device is conditioned to be able to land blind.
01:16:26Hey, that's really hard to guess.
01:16:28No, no, no, no.
01:16:28Listen, officer, officer, make an effort or you'll wake up too late.
01:16:32I'm going to give you the necessary instructions to perform an emergency tap.
01:16:37Pay close attention.
01:16:39Take the lever on the right side.
01:16:42Do you remember?
01:16:42It is cyclical.
01:16:43Ah, the cyclical nature of it all.
01:16:44And now take the lever that's on your left side.
01:16:47It's the collective.
01:16:49Can you hear me?
01:16:49The collective.
01:16:51Yes, yes, of course, the collective.
01:16:53Push it down.
01:16:54Ah, he pushes her onto the bus.
01:16:57Here I come.
01:17:05I'm going to get swallowed by the tower!
01:17:06Take it away from me!
01:17:07I'll swallow it!
01:17:09Well, look, I had a great time.
01:17:11Oh, the tower!
01:17:17Come on, take it easy.
01:17:18You've almost got it.
01:17:19Don't forget the cyclical one.
01:17:21Hey?
01:17:22What does it say?
01:17:23Don't forget the cyclical one.
01:17:26They don't have the cyclical one on top of them.
01:17:33Try again.
01:17:35Yes, yes, sir.
01:17:36Here I go again.
01:17:50Come on!
01:17:51Come on, it's yours now!
01:17:52Shut up!
01:17:56Water, water, water, water, water.
01:17:59No, I won't make it, I won't make it.
01:18:00Now I'll stop by, I'll stop by, I'll stop by, I'll stop by.
01:18:02Okay, I've gone too far.
01:18:06Wow!
01:18:07It's too big a risk.
01:18:09We have to abandon the device.
01:18:21Listen carefully to what I'm going to tell you.
01:18:23We have to abandon the device.
01:18:25When I tell you, you'll jump into the sea.
01:18:27We are ready to pick you up.
01:18:29Can you hear me?
01:18:30Yes, I hear him, but my thundering voice didn't come near.
01:18:33Wait, wait, maybe the bird can still be saved.
01:18:36Let me try again.
01:18:37It's the lever on the right, right?
01:18:39Yes, it's the lever on the right, but pay close attention to what I'm telling you.
01:18:43Here I come!
01:18:45Now I won't miss it.
01:19:04Should I leave?
01:19:06Should I leave?
01:19:06No, you're doing great.
01:19:08Keep it up.
01:19:40He's done it.
01:19:42He's done it.
01:19:50Now I've really ruined myself completely.
01:19:53Quique, I'm asking you for the love of God.
01:19:55Don't let him come.
01:19:57I don't want him to see me like this, man.
01:19:59If you're going to see very little bit of it.
01:20:01It's the same.
01:20:02If he goes through that door...
01:20:05Well, he's already gone in.
01:20:20Miguel, we are very proud of you.
01:20:26At the proposal of the admiral captain general of the maritime department of Cádiz,
01:20:30In accordance with the information provided by the Rewards Board and in consideration of the meritorious work carried out in the act
01:20:37rescue by the second corporal of seaman,
01:20:39Miguel Cañete Moste, I hereby grant him the silver cross of naval merit of the first class.
01:20:45By delegation, the admiral in charge of the personnel department.
01:21:18I'm going to the ничего de for the turn for more.
01:21:36Now he likes us, the Cañetes.
01:21:40Listen, and me in two years, bugle
01:21:43Clear
01:22:09Listen, and me in two years
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