- hace 2 días
Reparto: Fernando Esteso, Andrés Pajares, Susana Bequer, Antonio Ozores, Juanito Navarro, Antonio Gamero, Emilio Fornet, Rafael Hernández, María Luisa Armenteros, Charles Emanuel, María Elena Flores, Pilar Bardem, Emma Ozores
Dirección: Mariano Ozores
Sinopsis: Lola (Susana Béquer) es una joven que está embarazada pero no sabe quién es el padre. Le dice a Ataúlfo (Pajares) que el hijo es suyo pero también se lo dice a Paco (Esteso), amigo de Ataúlfo. Esto provoca que los dos se enemisten. Pero, como en el fondo ambos la quieren, vuelven y deciden cuidarla a la espera de que nazca el niño. Como ninguno de los dos quiere casarse y se inventan excusas, Lola les abandona y entra en una secta religiosa donde un sinvergüenza le ha prometido reconocer al niño. Esto hace reaccionar a los dos amigos que se infiltran en la secta para rescatar a la chica.
Dirección: Mariano Ozores
Sinopsis: Lola (Susana Béquer) es una joven que está embarazada pero no sabe quién es el padre. Le dice a Ataúlfo (Pajares) que el hijo es suyo pero también se lo dice a Paco (Esteso), amigo de Ataúlfo. Esto provoca que los dos se enemisten. Pero, como en el fondo ambos la quieren, vuelven y deciden cuidarla a la espera de que nazca el niño. Como ninguno de los dos quiere casarse y se inventan excusas, Lola les abandona y entra en una secta religiosa donde un sinvergüenza le ha prometido reconocer al niño. Esto hace reaccionar a los dos amigos que se infiltran en la secta para rescatar a la chica.
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CortometrajesTranscripción
00:02:30Come here.
00:02:33And what about science fiction?
00:02:34No, I make rockets for village festivals.
00:02:37Well, I'm sorry, but we don't have a single NOD3 documentary left.
00:02:41I was thinking...
00:02:43Already.
00:02:44Do you have one titled...
00:02:46The pornographic dreams of two lesbians and their draft horse?
00:02:51That's it...
00:02:52Ah, I see!
00:02:54I know where you're going with this.
00:02:56Well, it's been tough, hasn't it?
00:02:57No, it's just that I didn't see him in that genre.
00:03:00Come here, come on.
00:03:03Let's see.
00:03:04We have several titles.
00:03:07We have them here so the customer can choose discreetly.
00:03:11Here they are.
00:03:12The naked ones.
00:03:13Ah, yes, from the Cucor cycle.
00:03:15Ten nymphomaniacs in a phone booth groping a short man.
00:03:20This must be it.
00:03:21I've already seen those, but I find them a bit bland.
00:03:26Oh, really?
00:03:28Well, I have one here that a legionnaire friend returned to me because he blushed when he saw it.
00:03:35Deep and sweaty armpit.
00:03:38Wait.
00:03:39You can find it by the smell.
00:03:42Here it is.
00:03:43Ah, I've seen it now.
00:03:45And that's not bad.
00:03:46But in the end, when she gets in the bathtub with her boyfriend, his mother, three piranhas and a kangaroo, things calmed down.
00:03:55I was expecting something more.
00:03:57Clear.
00:03:58With three piranhas and a kangaroo, there's not much you can do in a bathtub.
00:04:01Clear.
00:04:02Especially when the boyfriend is missing both arms and the mother-in-law is a transvestite who has had surgery.
00:04:08It's true.
00:04:09But that way things end up being bland.
00:04:11Just like Disney.
00:04:11Excuse me, go ahead and look for what you like; the store will be right there.
00:04:17Oh, this must be green.
00:04:19Damn that old man.
00:04:21Windsor Video Record, tell me.
00:04:23Hello, beautiful.
00:04:24How are you?
00:04:25Glad to hear it.
00:04:26I'm great.
00:04:27Well, here I am, working.
00:04:29This afternoon?
00:04:29Very good.
00:04:31As soon as the store closes, I'm going there.
00:04:33Before?
00:04:34Because?
00:04:34Is something wrong?
00:04:35That?
00:04:36Have you been to the doctor?
00:04:37Don't scare me.
00:04:38Are you sick?
00:04:40Woman, how can I not be worried?
00:04:43Well, I'll come see you as soon as I can.
00:04:45Goodbye, darling.
00:04:46Take care of yourself.
00:04:46Hey, I've found this one, it must be Quevedo's Buscón.
00:04:52Who knows what that Quevedo guy was looking for regarding Uncle Golfo.
00:04:56Yes, with that one you can have a blast on your own.
00:04:59Only?
00:05:00Do you really think these movies can be watched alone?
00:05:03Oh, no?
00:05:03No, man, no.
00:05:05I see them with two girls and a goat.
00:05:09A goat?
00:05:10That old man's vice...
00:05:12Come here, I'm going to fill out your form.
00:05:14Yes, sisters.
00:05:16Saint Pancras is a miracle worker if ever there was one.
00:05:19But with parsley it's something amazing.
00:05:21We've already tried and we haven't achieved anything.
00:05:24There won't be another saint more certain around.
00:05:26Little sisters, for sure, for sure...
00:05:29For example, have they played sandimas?
00:05:32No, how does it turn out?
00:05:35Okay, okay.
00:05:36Well, you know he was the good thief.
00:05:37But he's not very famous.
00:05:39It certainly isn't Julio Iglesias.
00:05:41But he is well-known.
00:05:43We would need a very influential saint.
00:05:46If I knew what his case was,
00:05:49I say this because, you know,
00:05:51Saint Anthony is for courtship,
00:05:54Saint Lucy for the eyes
00:05:56and Santander for summer holidays.
00:06:00Sorry, sorry, it's just a silly joke of mine.
00:06:04Sometimes I make jokes about...
00:06:05That's what we wanted...
00:06:07You see, the congregation is in great need and...
00:06:10Well, my business is doing badly.
00:06:12and my monthly allowance for charity
00:06:14It's already been overcome.
00:06:15No, no, sir, you haven't understood me.
00:06:17It's just that we, with 300 million,
00:06:18We would be so happy.
00:06:21Sister, I would have had a heart attack when I turned 30.
00:06:23We are referring to the football pools.
00:06:25Oh, do you guys do that?
00:06:26Yes sir.
00:06:26And since a retiree has won 300 million,
00:06:29We, who take care of 82 elderly people...
00:06:32Ah, of course.
00:06:33And you are looking for a saint to perform a miracle for you.
00:06:37Yes, because may a saint get us one of the 14,
00:06:39It's easy.
00:06:40Yes, of course, that's a piece of cake.
00:06:42What we want
00:06:43It's that there are no other 14-player pools besides ours.
00:06:45That's what it's for, sisters,
00:06:47They would need the entire heavenly court.
00:06:50Of course, just a moment, just a moment.
00:06:53Have you tried San Mamés?
00:06:55No.
00:06:56Because they are in San Armengol,
00:07:00Saint Goldfinger
00:07:02and the patron saint of cuckolded husbands, Saint Corner.
00:07:06But come on, for their case, nothing compares to San Mamés, right?
00:07:09Okay, give us 10.
00:07:1110?
00:07:12It's meant to be put in each room,
00:07:13Let's see if this makes him listen to us.
00:07:16Please forgive me, but I've completely spaced out.
00:07:19I'll take note of that now.
00:07:20Excuse me.
00:07:24Tell me.
00:07:27Come on, woman, you know I don't like you calling me here.
00:07:30I'm going to see you tomorrow.
00:07:33Right now.
00:07:35But hey, it's that urgent.
00:07:38Okay, okay, I'll do the impossible, my love,
00:07:40But I'm not promising you anything.
00:07:42See you in a little while, my love.
00:07:44I love you.
00:07:44Yes, yes, Bishop.
00:07:48I'll send them to you tomorrow.
00:07:51One hundred large candles and five hundred pocket candles, okay.
00:07:55His Most Reverend Eminence cannot live without me.
00:07:58Yes, Your Eminence.
00:07:59Lola?
00:08:13Lola?
00:08:13Lola?
00:08:14I'm here.
00:08:30Hello, Little Pill.
00:08:31How are you feeling?
00:08:32What's this about you going to see the doctor?
00:08:33Are you sick?
00:08:36Not bad.
00:08:37Look, man, I was having headaches for a few days, feeling dizzy here and there, and feeling disgusted by everything.
00:08:45Yes, you went to the one with the white coat, so what?
00:08:47He sees me, he looks at me, say 33.
00:08:51Anything about lungs?
00:08:52Below.
00:08:53Stomach problems?
00:08:55Below.
00:08:56Don't tell me it's a meniscus tear.
00:08:57Let's see if you'll never be able to take a penalty kick again in your life, girl.
00:08:59Let's see what Miguel Muñoz will do without you.
00:09:01He told me, "Go pee."
00:09:04Of course, for doping control.
00:09:05I did it.
00:09:07And I tested positive.
00:09:09Have you taken drugs?
00:09:11No, dude, no, you don't get what's up.
00:09:13I don't know.
00:09:14Frog test, positive, you're going to be a father.
00:09:19Take the analysis.
00:09:22I?
00:09:24What, am I going to be a father?
00:09:27Am I going to have a child?
00:09:30But with whom?
00:09:35Auntie, what a nuance.
00:09:38What an outrage.
00:09:39We're going to have a child, you and I.
00:09:42Wow, that's intense.
00:09:44This is definitely something to take in.
00:09:46Isn't that right?
00:09:47A child.
00:09:49We have to celebrate.
00:09:50I already had it prepared.
00:09:52I knew you'd be happy.
00:09:54You think of everything.
00:09:56Hey, you're okay, right?
00:09:59Yes, of course, perfectly.
00:10:04What joy, me, father, and all that.
00:10:08I can just imagine the kid having it above him.
00:10:12Running around me.
00:10:14Because you're going to have it, right, Lola?
00:10:18I'm excited about it.
00:10:21And you?
00:10:22A lot.
00:10:23Besides, that thing about London, like a flock, crammed together, on a charter flight,
00:10:28That's outdated.
00:10:31When is it due?
00:10:32The gynecologist says by November.
00:10:35November?
00:10:36What's the rush, isn't it?
00:10:37Because we met in March.
00:10:39And what about March, April, May, June?
00:10:42Yes, exactly.
00:10:44Nine months later.
00:10:46I'm so awful.
00:10:49I don't kiss myself because I can't reach.
00:10:51And where I set my sights, I set my...
00:10:53Sorry.
00:10:58I let it slip a little.
00:10:59Sorry.
00:11:03That's it.
00:11:04Sorry.
00:11:10Hey, girl, look, I'd like us to get married, even if it's just a civil ceremony.
00:11:16But you know, my father...
00:11:18The poor man.
00:11:20Yes, poor thing, but it's going to kill me.
00:11:23He has been in a wheelchair since I was born.
00:11:25We have to do everything for him.
00:11:27To lift him up, to dress him, to undress him, to put him to bed...
00:11:31Now she doesn't go to bed until I go there.
00:11:34He can't.
00:11:35Look, man, you told me about it when we met.
00:11:38And I accepted it.
00:11:40In other words, let's not talk about that.
00:11:43I'm glad you understand.
00:11:44Cheer up.
00:11:47And now, Lola, for our child.
00:11:52For our little girl.
00:11:56Why will it be a girl?
00:11:58I hope it doesn't ruin my day if our firstborn is a brat.
00:12:01I would never dream of doing something like that to you.
00:12:04If you want it to be a girl, I'll give you a girl.
00:12:07You have no idea how happy you've made me.
00:12:11Because you'll be completely safe.
00:12:13The test came back positive.
00:12:15And frogs are never wrong.
00:12:18And when will that be?
00:12:20By mid-November.
00:12:23November, how awful.
00:12:24We haven't wasted any time because we met in March, right?
00:12:28Yes, exactly.
00:12:29The nineteenth day.
00:12:30Look, it's Father's Day.
00:12:32It doesn't seem like you were very happy about it.
00:12:35Yes, woman, I laughed a lot.
00:12:37A son is always a son.
00:12:38But I'm worried about you.
00:12:40Because?
00:12:44You're going to be a single mother and...
00:12:47Already.
00:12:47I should admit it, but I don't think my wife would authorize me to give her my last name.
00:12:53I suspected as much.
00:12:54Did you know I was married?
00:12:55Yes, yes.
00:12:56I never hid it from you.
00:12:57I am very serious.
00:12:58I know.
00:12:59And you don't need to be alarmed.
00:13:01As far as I'm concerned, you won't have any problems.
00:13:06You're a saint.
00:13:07Oh, she's a saint.
00:13:08That's awful.
00:13:09I mean that...
00:13:10You're very good.
00:13:12You will never lack anything.
00:13:13You see, for now...
00:13:13No, I still have what you gave me last week.
00:13:17Of course, I'll have to leave my job soon.
00:13:21Of course, naturally.
00:13:22But look, today I sold ten saints in one go.
00:13:25Okay, whatever you want.
00:13:27Are we staying here tonight?
00:13:30No no.
00:13:31You are...
00:13:32You see, seeing you like this, it makes me feel... I don't know what.
00:13:36Also, you know, for spending the night away from home,
00:13:39I would have to come up with an excuse for my wife.
00:13:41I know, I know.
00:13:44Well, I'm leaving.
00:13:47What a joy, girl, a son.
00:13:49And I, who thought I wasn't cut out for this and...
00:13:52Now, suddenly, a son, huh?
00:13:56Well, I'm leaving.
00:13:57A son, a son.
00:13:58I, father.
00:14:00Father and my very own lord.
00:14:03Bye bye.
00:14:04Bye bye.
00:14:11Let's go, girl, to the threshing floor.
00:14:34And that's how you'll find out what girls go through when they reach the royal era.
00:14:43Take off your bodice, throw your apron on the floor.
00:14:49When you take off your petticoat, you won't have such a bad time.
00:14:54Girl, come here, I'm going to make you happy nonstop.
00:14:59Girl, come here, I'm going to wake you up.
00:15:02Now it was me, there.
00:15:04The elbow, huh?
00:15:05I'm sorry.
00:15:06Nothing, it was nothing.
00:15:20Girl, come here, I'm going to make you happy nonstop.
00:15:23Okay, sorry.
00:15:24Girl, come here, come here, I'm going to wake you up.
00:15:27When you return from that era, you must not forget.
00:15:31That after nine months, they will be able to call you mom.
00:15:36Mom, mom, mom, mom, mom, they'll call you single.
00:15:44Very good, very good, very good.
00:15:46I'm sorry.
00:15:48Oh, you almost have it.
00:15:51But, Mr. Andújar.
00:15:52Tell me, Mrs. Felisa.
00:15:53Shop me, be careful.
00:15:55In the second round I can hit Mr. Tobar and that's enough to ruin him.
00:15:59He almost got there, didn't he?
00:16:01Specifically to Mr. Tobar, who is a lifelong friend.
00:16:03No, he also gave me the code and I didn't say anything.
00:16:06One moment.
00:16:07I've seen it when you turn left, when you do it like this,
00:16:11Oh, I'm making you more dizzy!
00:16:12Wait a minute, no.
00:16:13Look, when this has been missing for the collision, that's when I play that thing.
00:16:15two remis, fa, fa, fa, fa, fa.
00:16:18Yeah.
00:16:18In the fa, fa, and to the west in the fa, fa, to the other.
00:16:20In the fa, fa.
00:16:21What have I given Mr. Tobar in the F?
00:16:22No, no, no, no, no.
00:16:23Okay, that's enough.
00:16:25That's enough for today.
00:16:26We'll continue another day.
00:16:27Bye bye.
00:16:28I think we need more rehearsals.
00:16:30Yes, that's right.
00:16:30No no.
00:16:31The thing is, we never all get together like this before.
00:16:33Also.
00:16:33As now in the ministry.
00:16:35You have to clock in and clock out.
00:16:37But you undersecretaries also clock in.
00:16:38Now nobody can save us, man.
00:16:40Or it goes with the change, huh?
00:16:43Whatever I tell you.
00:16:44They make some great wines, I'll treat you, okay?
00:16:47No, it's my treat today.
00:16:48I have something to celebrate.
00:16:49One moment, another day.
00:16:50I'll pay tonight.
00:16:52Do you also have something to celebrate?
00:16:54And very important.
00:16:55It won't be as important as mine.
00:16:57I think more.
00:16:58I'm going to have a child.
00:17:00Pussy.
00:17:00Well, congratulations.
00:17:01But it's not possible.
00:17:02What do you mean it's not possible?
00:17:03No, I'm not talking about coincidence.
00:17:05I'm going to be a father too.
00:17:06Also?
00:17:07Yeah.
00:17:07What a thing, huh?
00:17:09That's life.
00:17:10Well, you each pay for a round, and that's it.
00:17:11Okay, yes.
00:17:12Well, let's get a good one, shall we?
00:17:14It deserves it.
00:17:16And I say, you two aren't single.
00:17:19It's true.
00:17:20Well, yes, but you know.
00:17:24Therefore, the more discreet we are, the better.
00:17:26Oh, and that's it.
00:17:27Discretion will not be lacking on our part.
00:17:29And if you need a good gynecologist, here's Miguel.
00:17:33Ah, it's true that you're a doctor.
00:17:35Hey, whatever you want, I deliver about 500 children a year.
00:17:37Well, it's curious that in the last birth, when they didn't...
00:17:43What was I talking about just now?
00:17:45From the pregnancy of these two.
00:17:46Ah, that's it, it had already finished.
00:17:47Well, yes, she certainly has no shortage of experience, but I don't know if she already has her doctor.
00:17:54Well, yes, he would need me now, you know that.
00:17:56Let's see, let's get this over with.
00:17:58There's nobody here.
00:18:01What will the gentlemen have?
00:18:02Well, look, the dancers are treating us to some local wines, you know?
00:18:07And let it be very expensive because we have to celebrate.
00:18:09Here, here, the, the, this, the...
00:18:11Well, let's celebrate now.
00:18:13Well, well, there is something to celebrate, but discreetly.
00:18:17Mr. Tobar is right here.
00:18:20Bring your best.
00:18:21Very well, I'll bring you the best we have.
00:18:24Okay, fine.
00:18:26The one who had a rare skill with the tambourine, who was my grandmother, yes?
00:18:29I kept hitting my head on the boat.
00:18:32I'll take it. There's an ambulance downstairs.
00:18:46No, thank you very much. The official car is coming to pick me up.
00:18:48It's so quick because I just turn on the siren and I'm there.
00:18:51Yes, see you next week, future dads.
00:18:54Goodbye, goodbye.
00:18:55Congratulations.
00:18:56Thank you.
00:18:57Have a short hour. Goodbye.
00:19:00Soon, but there's still time.
00:19:01Bye bye.
00:19:02It's also a coincidence.
00:19:05The fact that?
00:19:06Oh, yes, of course. When will yours get it?
00:19:10By November.
00:19:13Oh, just like mine. Isn't that something?
00:19:16Hey, are you going to marry her?
00:19:17Hey?
00:19:18Well, to be honest, I don't dare.
00:19:22Well, socially I have a certain image and my friends have very strict and serious morals.
00:19:29She's a cute and nice girl, but she's going to be a single mother.
00:19:33Man, a single mother because of you.
00:19:36Yes, yes, of course.
00:19:39And you'll invite me to your wedding, won't you?
00:19:42Well, my situation is different.
00:19:46Because she already knew how I thought before...
00:19:49Besides, she's a trendy girl, right now.
00:19:52Weddings are of no importance to me.
00:19:54It doesn't look like mine.
00:19:56She is very serious.
00:19:57A classic, almost old-fashioned girl.
00:19:59Hey, do you really want to believe I've never seen her naked?
00:20:02Well, we're always walking around naked at home.
00:20:06So?
00:20:06Yes, yes.
00:20:07Hey, does he live with you?
00:20:08No, we'll meet at an apartment.
00:20:11She lives with her mother.
00:20:13Go ahead, just like mine.
00:20:16I don't know what's going on, but all these girls have mothers.
00:20:21I told him...
00:20:23I live with my father so he won't feel like coming home.
00:20:27Ah.
00:20:29I...
00:20:30I've told him your story too.
00:20:31Yeah?
00:20:32Yeah.
00:20:33I told him I'm married.
00:20:36Hey, better.
00:20:38Safer.
00:20:39That's why.
00:20:41Hey, let's see if the four of us can go out together sometime, okay?
00:20:44That's not a bad idea.
00:20:45That way they would talk about clothes and their dizziness.
00:20:48Rosa says, we can get it for you at Rosa.
00:20:51Yes, yes, because it's going to be a girl.
00:20:52He promised me.
00:20:54Well, as much as it promises.
00:20:56Ah, yes, yes.
00:20:57And I will not allow you to back down.
00:21:00Alright.
00:21:01I'll do what I can.
00:21:01And come on, it's meddling in things that don't concern me.
00:21:04But the park is for a child who has not yet been born.
00:21:05No, girl, girl.
00:21:07And it will come in November.
00:21:08And isn't it a bit too soon to buy him a park?
00:21:10I've already told him, but he insisted.
00:21:13Ah, naturally.
00:21:14And a stroller.
00:21:16And a regulation ball.
00:21:18But...
00:21:18But it's not going to be a girl.
00:21:19Ah, well, that's true.
00:21:22Well then, an electric sewing machine.
00:21:25No, we don't have that.
00:21:27Oh, no?
00:21:27Okay, so what?
00:21:28Shall we take the park with us?
00:21:29Yes, I'm excited.
00:21:31Who will send it to you?
00:21:32To my house or to the apartment?
00:21:35How to the apartment?
00:21:37To the apartment you and I have at the beach?
00:21:40No, better to go home, to our marital home.
00:21:46Well, yes, that's what I meant.
00:21:48Take note, miss.
00:21:49I'm going through the blog.
00:21:51Thank you.
00:21:54Dolores, woman, be careful, we're going to look like two scoundrels.
00:21:56To be honest, I hadn't noticed.
00:21:58But what do we do when the baby is born?
00:22:01Where are we going to live?
00:22:02At my mother's house or in the little apartment you've got for me?
00:22:06Woman, you speak in a way that makes you seem entertaining.
00:22:08Deep down, that's who I am.
00:22:10Come on, what are you saying?
00:22:15Hello.
00:22:17What did you say?
00:22:19No, no, ma'am.
00:22:21I am not independent.
00:22:22I've only come to collect a bill.
00:22:25I'm sorry.
00:22:29Little sisters, what a coincidence.
00:22:32I didn't expect it.
00:22:34How are you all doing here?
00:22:36Shopping.
00:22:36But we don't want to bother you.
00:22:38You were with the young lady.
00:22:39With who?
00:22:40No, no, no, no, no, I don't know her at all.
00:22:44He mistook me for a shop assistant.
00:22:45So, what about shopping?
00:22:48Are things going well for them?
00:22:50Yeah.
00:22:51Don't tell me that San Mamet has given them good results.
00:22:54Yes, sir, one of 14.
00:22:55Oh, really?
00:22:55But only 12 million and change.
00:22:57Oh.
00:22:57I can't believe it's thanks to the saints I sold them.
00:23:01Well, thank goodness, what else could it be?
00:23:03We still don't know anything about football.
00:23:05Well, you tell me.
00:23:06Hey?
00:23:07Or will the lady tell me?
00:23:08No, I don't know what you're talking about.
00:23:10Sisters, let me take this to a taxi.
00:23:12No, but we did buy a car.
00:23:14Oh, really?
00:23:14A car?
00:23:15Which brand?
00:23:15A Porsche.
00:23:16Ah, a Porsche.
00:23:17A Porsche, Sister Virginia?
00:23:19No, a Porsche car.
00:23:20And these clothes they've bought, is it because they've had an altar boy?
00:23:22Oh, sorry.
00:23:23I mean, the ones who take care of children.
00:23:25Sorry.
00:23:25Tell me, sister, how did you do the lottery?
00:23:27As you said, the mames.
00:23:28We would put the lottery ticket in front of the saint and open the window suddenly.
00:23:31If the wind moved the lottery ticket to the left, it was a one.
00:23:34If I moved it to the right, a two.
00:23:36What if I didn't move it?
00:23:36An X.
00:23:37Huh?
00:23:38The strange thing is that that betting slip always predicted a win for Athletic Bilbao.
00:23:41He is a very cup-drinking saint.
00:23:42You have a very polite husband.
00:23:43Help carry the load for those nuns.
00:23:45Yeah.
00:23:46I have a very kind husband.
00:23:48Finally, I'm going to make everything pink, right?
00:23:50Blue.
00:23:51All blue.
00:23:52But the lady came yesterday and said that everything was going to be pink.
00:23:55What do you think of this t-shirt?
00:23:57Isn't it cool from Paraguay?
00:23:59Will such a small size fit me?
00:24:00Phew!
00:24:01If it's not for you, it's for the child.
00:24:02Hey, but blue.
00:24:04Because it's going to be a boy, you know?
00:24:05But it wasn't going to be a girl.
00:24:06And what do you know?
00:24:07What do you think about wearing all white, just in case?
00:24:11No no.
00:24:12Blue.
00:24:13You promised me it's going to be a boy.
00:24:15You're not going to back down now, are you?
00:24:16Okay, make it all blue.
00:24:18Okay.
00:24:19All blue.
00:24:20Look, look, look, look.
00:24:21Look, what do you think about buying him a black leather vest covered in studs?
00:24:27What are you saying, Paco?
00:24:29A newborn baby wearing a leather vest walking around?
00:24:32No, woman.
00:24:33Not walking.
00:24:34So that he can ride on the motorcycle that I'm going to buy him.
00:24:37Take.
00:24:38Okay, okay.
00:24:39Put all of this in.
00:24:40And you know, all blue.
00:24:42But blue, right?
00:24:43That my child is going to be a boy.
00:24:44Hey, girl, it seems to me we've gone too far.
00:24:52We still have seven months left.
00:24:53Yeah, man, but I'm excited about it.
00:24:55Okay, okay, but everything's going to get covered in dust.
00:24:58Hey, look who's here.
00:25:01Ah, come on, shopping for what's coming, right?
00:25:05Yes, well, yes, yes.
00:25:08I'm going to introduce you to my wife.
00:25:11Margarita, this is Mr. Andujar, a fellow member of the canvas choir.
00:25:14Nice to meet you.
00:25:16He gives it to me longer.
00:25:17Yeah.
00:25:19Delighted.
00:25:21Well.
00:25:23Oh, and this is Dolores, but everyone calls her Lola.
00:25:29What's her name, Dolores? Well, Lola.
00:25:33Lola from Dolores.
00:25:34Lola Dolores, Dolores Lola.
00:25:36Yes, there, there, there.
00:25:37How are you doing?
00:25:37We were about to leave.
00:25:40Yes, yes, yes, we're running late.
00:25:42Hey, miss, we didn't know each other before.
00:25:45Yes, I work at the bar of the Hogar Castellano.
00:25:48Ah, of course, Lola, Lola.
00:25:53Yes, Lola.
00:25:53I'm sorry, and I didn't recognize her.
00:25:57Come on, Roberto, they're waiting for us.
00:25:59Who is waiting for us?
00:26:00No, nobody is waiting for us.
00:26:01Ah, yes, of course.
00:26:02One very important thing.
00:26:04Until next time.
00:26:05It's a pleasure to recognize you, miss.
00:26:07I'm wondering the same.
00:26:08It has been a pleasure.
00:26:09Bye bye.
00:26:10Tobacco.
00:26:11Oh, yes, thank you.
00:26:12Bye bye.
00:26:12Bye bye.
00:26:13Bye bye.
00:26:14Bye bye.
00:26:14The lady was very nice.
00:26:17And you've been very expressive.
00:26:19I didn't know how to introduce myself.
00:26:21Of course, if I were your wife it would be easier.
00:26:24What more could I want?
00:26:25But I am unable to make you the nurse of an elderly man with a debilitating condition for the rest of your life.
00:26:30Honestly, you've told me so much about your father that I'm already eager to meet him.
00:26:34No, aunt, you'd get depressed.
00:26:36And in your condition, it's not advisable.
00:26:38Who took my chair?
00:26:40Hey, do me a favor and get me the shopping cart, I'm drowning.
00:26:43Well, you don't know how grateful I am.
00:26:44Why didn't I trust the doctor Dolores had chosen?
00:26:46He must be a good man and someone she trusts; otherwise, she wouldn't have chosen him.
00:26:49Well, there's no doubt about it.
00:26:50It's a clear positive.
00:26:52Hey?
00:26:52You're going to be a stepfather.
00:26:54Yes, I do feel older.
00:26:57It always happens with the first one.
00:26:58It's a sense of responsibility.
00:27:00I know of a case, you'll see.
00:27:01She was a lady who played with difficulty.
00:27:03The fact that?
00:27:03And since they hadn't told her, she told him...
00:27:07What was I talking about just now?
00:27:07Ah, from a double bass you used to own.
00:27:11Impossible, I've never had a good job, it must be something else.
00:27:13I'm late! I'm late!
00:27:14Doña Félix is going to kill me!
00:27:16Okay, I'll see if I can find the double bass.
00:27:17Okay, tell me later.
00:27:19I think I'm going to have to rehearse in my underwear today.
00:27:22Hurry up.
00:27:24That's the last straw.
00:27:26I've had a pirated video of the green boots in my hand.
00:27:28And what is that?
00:27:29An American film.
00:27:31Oh, right, it just premiered.
00:27:33No, they haven't even started filming it yet and it's already been pirated.
00:27:35Hey Paco, I wanted to apologize because my wife wasn't very nice yesterday.
00:27:40Okay, don't worry.
00:27:42What happened?
00:27:43Nothing, my wife and I just happened to be in a cafe with Paco and...
00:27:46Well, with the mother of the child that Paco is going to have.
00:27:49And since my wife is a bit old-fashioned, well, you know.
00:27:53Don't apologize.
00:27:54Lola didn't think anything of it.
00:27:57Is her name Lola?
00:27:58Mine is Dolores.
00:28:00Wait, do they have the same name?
00:28:02Yes, how curious, huh.
00:28:04Okay, I'm going to distract the principal.
00:28:06Don't delay.
00:28:07See you later!
00:28:08Bye bye.
00:28:10Dolores and Lola are the same thing.
00:28:12Yeah.
00:28:14My Dolores is chestnut-haired.
00:28:17Lola too.
00:28:20There are many chestnuts.
00:28:22Yes of course.
00:28:23You were expecting the baby in January, weren't you?
00:28:25No, no, not until November.
00:28:27Yes, like me.
00:28:31Dolores is a very serious girl.
00:28:34Lola, on the other hand, is pure nonsense.
00:28:37She almost always dresses in black.
00:28:40Lola doesn't wear black even for mourning.
00:28:45Dolores lives with her mother.
00:28:47It's natural.
00:28:49Lola too.
00:28:50Okay, that's enough.
00:28:54Dolores González López.
00:28:56Lola González López.
00:28:57Native of Talavera de la Reina.
00:28:59Province of Toledo.
00:29:00And he works here at the bar of this pub.
00:29:02Lie!
00:29:03How can you lie?
00:29:04I should know.
00:29:05I say it can't be.
00:29:07My Lola also works here
00:29:08and she's going to have my child.
00:29:09The daughter she's going to have is mine.
00:29:11From your father!
00:29:12What's happening?
00:29:13Why are you shouting?
00:29:14What's wrong with you?
00:29:14Nothing, nothing important.
00:29:20Come on, they're waiting for us.
00:29:22I'm here for dancing now.
00:29:24Come on, come on, don't argue over childish things.
00:29:25Over childish things.
00:29:27You've hit the nail on the head.
00:29:30Childish things.
00:29:41Scoundrel!
00:29:43Unfortunate!
00:29:44Down, down, up.
00:29:52Down, up.
00:29:54I'm going to smash your head in.
00:29:55You, it's a terá.
00:30:01Don't look at her.
00:30:05Don't look at her.
00:30:06You're the one who shouldn't be looking at her.
00:30:09Help me!
00:30:10Help me!
00:30:10Help me!
00:30:11Help me!
00:30:12Help me!
00:30:13Help me!
00:30:13Help me!
00:30:13And the rotor turned it!
00:30:15Now take off your glasses!
00:30:17The glasses!
00:30:17Come on, you pelinios, go to the mother!
00:30:19I'm going to kill you!
00:30:20Help me!
00:30:20I'm going to kill you! I'll kill him! I've got you! I've got you! I'll kill him!
00:30:28Watch out! Watch out for the violin! What a memory of Sarazate!
00:30:33I'll kill him! I've got you now!
00:30:37I'll kill you! I'll keep my grandmother's drum!
00:30:41My key to the building's entrance is running out! What are you telling us, man?
00:30:45Don't try to convince me otherwise, Lola. It's not possible.
00:30:48A normal girl cannot have a child by more than one father.
00:30:51I know, man. I know.
00:30:53Don't talk to him. He says our child is his. You see?
00:30:55Not just mine. Mine and Lola's.
00:30:58Very funny. But the important thing here is that Dolores tells the truth and sets you straight.
00:31:02Dolores, are you going to be a mother?
00:31:04Yeah.
00:31:05See, stupid?
00:31:07I'm not that stupid. I already know Lola's going to have a baby. But mine.
00:31:11My ass!
00:31:12Come on, Lola. Tell him already. Who's the father of your baby?
00:31:20Tell him?
00:31:23Don't know.
00:31:24What do you mean you don't know? That's practically impossible. Women always know these things.
00:31:34I don't.
00:31:34One moment.
00:31:36Don't tell me that...
00:31:40Don't tell me, Lola.
00:31:42Yeah.
00:31:43Don't tell me, don't tell me.
00:31:44Hey, I'll tell you so I know.
00:31:46But you haven't understood.
00:31:47Lola has been having relationships with both of us. With you and with me.
00:31:56Relationships with both at the same time?
00:32:00Of course. This scoundrel probably stalked you, harassed you, and one night, here or somewhere else, raped you like the vile creature he is.
00:32:07You're cornier than a pig with a monocle. I didn't rape her. Maybe you offered her money, and she, poor thing, needing to support her mother, succumbed to the corrupting power of filthy lucre.
00:32:24Well, you're really something else, aren't you, mate?
00:32:27Come on, Lola. Explain yourself. You're pulling our leg, aren't you? Maybe you're not even going to have a baby.
00:32:35That's right. Yes, yes, I'm going to have it. And I'm sorry, but I don't know which of us is going to be the father. I met one of you first.
00:32:46Me, of course. No, it was me.
00:32:49I'm not going to tell you. I met one. Women aren't stupid, and I immediately realized what he wanted from me because it was blatantly obvious. He got straight to the point.
00:33:02Then it wasn't me, it's not my style.
00:33:03Neither does mine. I mean, for me, sex is something I just don't...
00:33:07But I loved him. He was very sweet and affectionate towards me.
00:33:13My spitting image.
00:33:14I am sweet and affectionate.
00:33:16But I was soon disappointed.
00:33:19It's not that I care about getting married, but he couldn't.
00:33:25Of course. He was married.
00:33:27Could it be that he had a poor, disabled father?
00:33:29I felt used, deceived.
00:33:33I still loved him, but I was empty, alone.
00:33:37And then the other one appeared.
00:33:40He was different, attractive, and radiated confidence and joy.
00:33:45Well, I've always been a chatterbox.
00:33:50Although I immediately realized that he was going to the same thing as the other one.
00:33:53Ah, well then it wasn't me.
00:33:55No, he was your father.
00:33:56My father? An invalid at his age?
00:33:59No, man.
00:34:00The fact is that one had what the other lacked.
00:34:04And the two of you complemented each other.
00:34:05Don't cry.
00:34:13What are we going to do now?
00:34:15I have told you the whole truth.
00:34:17I have laid myself bare before you.
00:34:19That's clear.
00:34:20And he says spiritually, you fool.
00:34:22That's the way I'm going, man.
00:34:23Clear.
00:34:24I'm confused.
00:34:25I need to see things clearly.
00:34:28Leave.
00:34:29But where?
00:34:30I don't know.
00:34:31Far from you.
00:34:33Don't look for me.
00:34:34I will have my child on my own.
00:34:36Because the only thing I'm sure of is that it's mine.
00:34:40Yes, that's true.
00:34:43Bye bye.
00:34:43I love you all.
00:34:45You have so many good things.
00:34:46Me too.
00:34:47Don't bother trying to find me.
00:34:50And when whatever it is is born, I'll name it...
00:34:52My name is Ataulfa.
00:34:54Oh, what a hard time for the child.
00:34:56Name it Paco, like me.
00:34:57I say I'll put him in the foundling home.
00:34:59Because I alone won't be able to raise him in life.
00:35:03Bye bye.
00:35:04Goodbye forever.
00:35:06Lola.
00:35:09Would you be able to let one of your children go to a foundling home?
00:35:12You're not even a little bit shameful.
00:35:14Now it turns out the child is mine.
00:35:16Oh, you're going to deny it.
00:35:17Look, if it were mine, my blood would boil to know that they were going to put it in the foundling home.
00:35:24What if it's upset your stomach?
00:35:24Yes, it's all turned upside down.
00:35:27Me too.
00:35:27Well, then it can be yours too.
00:35:31Yes, but we'll never know.
00:35:32Never.
00:35:34There is no scientific way to find out for sure.
00:35:36Well, I was excited about the idea of becoming a father.
00:35:41And having a daughter with glasses.
00:35:44Disillusioner, Paco.
00:35:48Once you've seen one, you've seen them all.
00:35:51They are all the same.
00:35:53This one wasn't the same.
00:35:54Which one are you referring to?
00:35:56Because in this one there are 62 coitus.
00:35:59And in this 59th...
00:36:01You were talking about...
00:36:03Of course, yes.
00:36:04When you've seen 200 matings, you've seen them all.
00:36:09Yes of course.
00:36:10The year 201 is already monotonous.
00:36:12And then there's the Kamasutra joke, which is fine, but with so many positions it's very tiring.
00:36:19Well, make up your mind already, because I have to close.
00:36:22I don't know.
00:36:24Do you have any haystacks and estuary?
00:36:28Esteso and pajares?
00:36:29Yes, man.
00:36:30I don't know, I can't remember right now.
00:36:31I don't know who they are.
00:36:33Hey you, Don Paco.
00:36:34Do you know what I'm so excited about?
00:36:37For going to the filming of one of those movies...
00:36:40...porn.
00:36:41It was full of naked girls.
00:36:46Don't you know an artist like that?
00:36:48No, no, sir.
00:36:49But as soon as I find out about any production company that needs a leading man, I'll let them know.
00:36:53Just for viewing.
00:36:55Because when it comes to erotic things...
00:36:58...I'll manage with my girls and the cape.
00:37:01Come on, Don Rodolfo, I have to close up.
00:37:04Okay, I'll take this one.
00:37:06I've already seen it, but it has a longer striptease at the end.
00:37:11I'll play my video backwards to watch her get dressed.
00:37:15Let's see if this gets me a little turned on.
00:37:19Look how the old man hits the coconut.
00:37:21Come on, Don Rodolfo, it's time to close up.
00:37:24Please forgive me for wasting your time.
00:37:27And you know, if you can get me onto one of those film sets...
00:37:32Don't worry, I'll keep that in mind.
00:37:33Well, thank you, Don Paco. Goodbye.
00:37:38Bye bye.
00:37:42Did you feed the cat? He sometimes forgets.
00:37:46Yes, sir, I put it on.
00:37:47Incidentally, he doesn't like it at all.
00:37:49And he's right. Imagine a cat on a vegetable diet.
00:37:52Veterinarian's orders.
00:37:53Poor Vestringe has a stomach ulcer.
00:37:55Because of stress?
00:37:57Imagine calling the cat Vestringe.
00:37:59Out of admiration.
00:38:00And that having this business means you can't be anything but right-wing.
00:38:04Poor Vestringe, he's getting thinner every day.
00:38:06Yes, the day he sees a piece of cordilla he's going to have a heart attack.
00:38:10Well, here you go.
00:38:12He owes me 3,211.
00:38:13So give me 3,500 and it won't open anymore.
00:38:16Okay.
00:38:17Did you put the radiator in my room?
00:38:19Next to the bed, just the way you like it.
00:38:21Dinner is in the oven.
00:38:24Thank you very much, Angustias.
00:38:25Oh, what would become of me if it weren't for you?
00:38:29What you need to do is get married.
00:38:31Ah, yes, but where is that ideal woman?
00:38:34You single people are so selfish.
00:38:37They've already built their lives on their own terms and then they don't want to sacrifice themselves.
00:38:40Maybe, maybe.
00:38:42Come on, we'll go out through the portal.
00:38:43Come on, we'll go out through the portal.
00:39:13Come on, we'll go out through the portal.
00:39:43Tonight we're going to show you in detail the latest coup in Latin America.
00:39:57Jud, again!
00:39:58Next, you will hear from José María García, who, as every night, will speak a little badly of Pablo Pablito Pablete.
00:40:12Come on, those TV people, go on.
00:40:19Go, go, go, go, go.
00:40:20Go, go, go, go, go.
00:40:21Go, go, go, go.
00:40:21Little Jesus of my life, who is a child like me, in case I love you so much and give you my heart.
00:40:36No case, Don Ataulfo, no case.
00:40:39The profession of Santera is outdated.
00:40:42I go from house to house with the intention of helping, and as soon as they see me with this chapel on my arm, they make fun of me.
00:40:49Excuse my language, Don Ataulfo.
00:40:51Antonia, Antonia, that expression, what a joke.
00:40:54How obvious is it that her husband is an atheist?
00:40:56Yes, poor thing, and a leftist.
00:40:58It's just that being an atheist and right-wing doesn't go together.
00:41:01Come on, I've heard him say that Stalin was a fascist, imagine that.
00:41:04It's a lost cause.
00:41:06Well, what do we do, Don Ataulfo?
00:41:08Because I can't afford to pay for San Antonio.
00:41:11Okay, I'll tell you what we're going to do.
00:41:13I'm going to change San Antonio to San Martín de Porres.
00:41:17Since he's black, he'll go to the Torrejón de Ardoz airbase and make a fortune.
00:41:22You are very good, Don Ataulfo.
00:41:24Oh, it's not important.
00:41:26Not for you, but for me yes, it does have it.
00:41:28Because my husband, with his refusal to cooperate,
00:41:31so that capitalists can make a penny at their expense,
00:41:33He refuses to work.
00:41:35He's a workaholic.
00:41:36If you need anything from me, anything at all, count on me.
00:41:40Thank you very much, but it won't be necessary.
00:41:43But Antonia, beautiful,
00:41:45that I get a romantic partner
00:41:47to take care of the marital home
00:41:48and that it's not always surrounded by old-fashioned statues.
00:41:52Images, Don Ramón, images.
00:41:54To me they are just old statues and carriages.
00:41:57And we're not going to get into a conversation,
00:41:58Because words are just that, words.
00:42:00I'm better at words, Don Ramón.
00:42:02Haven't I heard of the saying
00:42:03Is a picture worth a thousand words?
00:42:05Multiply each image here by a thousand
00:42:06and a longer band will emerge than those of tender ones.
00:42:09Okay, okay, that's enough, come on, come on.
00:42:10Back to the marital home and cooking, that's what you do best.
00:42:13Well, Mr. Ataulfo, you know, at your service.
00:42:19Come on, Antonia, without servility,
00:42:20towards hallucinatory and aberrant capital.
00:42:22Let's go home.
00:42:27Don Ataulfo, what if San Antonio changed
00:42:30For this Saint George's Day?
00:42:31Whatever you say.
00:42:33What he's saying is nonsense.
00:42:34Because this is not a Saint George's Day celebration.
00:42:35I mean, Jorge, this is a rock.
00:42:38No, you don't see the dog.
00:42:39What Jorge had was a dragon.
00:42:40You know a lot about saints to be an atheist.
00:42:44Well, you know, you read.
00:42:46But not Marx, because he didn't talk about saints.
00:42:49You capitalists,
00:42:51They know nothing about Marx, not even what one reads.
00:42:53Come on, keep going, I don't know how you're not trembling.
00:42:55I tremble, I tremble.
00:42:59Goodbye, I mean, cheers.
00:43:00Yes, sir, greetings from God.
00:43:09Tell me.
00:43:10Good morning.
00:43:12What have you found out?
00:43:15Where?
00:43:20Where did he say he is?
00:43:21I don't know, mate.
00:43:23The girl has opened up to a commune.
00:43:25That's what they told me in his decrepit mother's shack, okay?
00:43:28A commune?
00:43:29Which municipality?
00:43:31A move by abusa in which a face has been set up
00:43:33who says he is descended from Buddha's father, okay?
00:43:36Okay.
00:43:37Give me those signs.
00:43:38I'll go to that commune tomorrow.
00:43:40Whatever it is, okay?
00:43:42Peace of mind.
00:43:45That is the goal we all must achieve.
00:43:49But how to achieve such a desired goal?
00:43:52Following in the footsteps of my ancestors
00:43:55and of the ancestors of my ancestors.
00:43:58The spirit is what matters.
00:44:01The body no.
00:44:02The body serves as a vessel for the spirit
00:44:06to set out on the path of the Rama,
00:44:09my predecessors,
00:44:11and achieve that goal.
00:44:13To reach that state of perfection.
00:44:16Listen, and it's not even worth 100,000 pesetas.
00:44:19Not 50, not 40, not 30,000, listen.
00:44:22I'll sell it to you for 25,000 pesetas a month.
00:44:27But let's be clear
00:44:28It's not about the price,
00:44:31but from a voluntary donation
00:44:33that you do to the sect
00:44:35for their spiritual support.
00:44:39And those who lack willpower
00:44:41They will be politely invited
00:44:43to leave our commune.
00:44:45Brother Rebolledo,
00:44:48Go to the door, someone's knocking.
00:44:52Love and safe travels.
00:44:54What did you say?
00:44:56I wish you love and well-being, boy.
00:44:58Oh, well, me too.
00:45:00Is Miss Dolores González López here?
00:45:09Is it possible?
00:45:11What are you doing here?
00:45:14Just like you, come and see Lola.
00:45:16Well, we've been misinformed.
00:45:18She's not here, nobody even knows her.
00:45:19Sidney Poitier told me this here,
00:45:21This lettuce dress.
00:45:22So, come on, let's go.
00:45:23No, sir.
00:45:24I didn't say I didn't have one.
00:45:26Oh, no?
00:45:27You have so little style.
00:45:29I want to see Miss Gonzalez Lopez.
00:45:31It can't be done.
00:45:32And who's going to stop us?
00:45:33That?
00:45:34No, nobody here.
00:45:35She is the one who gave the orders
00:45:37that she not be disturbed.
00:45:38What if I kick the door?
00:45:40And I go in, what's up?
00:45:41Save yourself the kick.
00:45:43I will not oppose your entry.
00:45:46Oh, well, thank you very much.
00:45:47Dogs, yes.
00:45:48What dogs?
00:45:49What dogs?
00:45:50Any poodles or any chihuahuas?
00:45:53What do you have there?
00:45:54Twelve Dobermans.
00:45:56We lock him up during the day.
00:45:58But if necessary,
00:45:59It can be released.
00:46:01So how can you get in there?
00:46:02Well, to hundreds of brothers of the sect.
00:46:06And where do I sign up?
00:46:07The cheap one is the one that can accept you.
00:46:10And who?
00:46:11What spillage?
00:46:12Juanito?
00:46:12No, cheap drama.
00:46:14"I think the bed is cheap," he says.
00:46:15I don't know what.
00:46:15I didn't understand it.
00:46:16Ah, yes.
00:46:17Well, we want to see that gentleman.
00:46:19You can come in.
00:46:20Thank you.
00:46:21Follow me.
00:46:22Be careful around dogs.
00:46:25Yes, yes.
00:46:27What, what?
00:46:28Get the same, get the same.
00:46:30Yes, do the same, I've seen it.
00:46:31I know about these sects.
00:46:33Get the same.
00:46:34It's because he's wearing a pencil skirt
00:46:35He's easier,
00:46:36But this is ridiculous.
00:46:37Well, be careful, because it's going to be the last one.
00:46:38And if another one of those big black guys in green shows up
00:46:40He can turn purple with you.
00:46:41Yes, I'm pressing, yes.
00:46:42And what do we say to that cheapskate?
00:46:43That we are enthusiasts of his sect.
00:46:45Leave it to me.
00:46:46I have read something about these new religions.
00:46:47You can come in.
00:46:48Baratirrama or received, right now.
00:46:50Thank you.
00:46:51You follow me.
00:46:51Okay, okay.
00:46:52Remember to stick your ass out.
00:46:53Yeah, but what a kidney pain!
00:46:55that we're going to get with this.
00:47:01Sacred Baratirrama,
00:47:02supreme spirit,
00:47:04this poor worm
00:47:05has the audacity
00:47:05to get closer to you
00:47:06with hope
00:47:07that you deign to take him
00:47:09among your disciples.
00:47:11I agree,
00:47:12but even more wormy.
00:47:14Kneel down, worms.
00:47:15See, see?
00:47:16How did I read it?
00:47:17This worm thing suits him.
00:47:18Look at this.
00:47:19Look, look, look.
00:47:21Look at this.
00:47:21No.
00:47:22So, what do you want?
00:47:24Yes, sign up for this.
00:47:25No, my friend,
00:47:27which means that we would like
00:47:27join your sect.
00:47:30Not everyone who wants to achieve
00:47:31the summit of peace
00:47:32and of supreme happiness
00:47:33They will be the chosen ones of the divinity.
00:47:36And what has he said here
00:47:37Doña Concha Piquer with a mustache?
00:47:38I don't know, I haven't heard anything.
00:47:39I'm going to turn up the volume and see if...
00:47:41Wow, this looks delicious.
00:47:44Coloto!
00:47:45Well, since you want it, then.
00:47:46We will accept you on a trial period.
00:47:49If when you get to know us
00:47:50Are you still interested in our philosophy?
00:47:52You will be our true brothers.
00:47:54And during that trial period
00:47:55we can get in touch
00:47:57with our brothers?
00:47:58And with the sisters,
00:48:00especially with one of them.
00:48:01As much time as the tests allow, yes.
00:48:04What does it say?
00:48:04The volume is low now.
00:48:06I can't hear him at all.
00:48:07I'll switch to the other channel and see.
00:48:10Wow, what a stereo system this has!
00:48:12Let's go.
00:48:14One moment.
00:48:15Down, worm.
00:48:16Sorry.
00:48:17Belonging to this sect
00:48:18It's completely free.
00:48:20Neither fees nor donations,
00:48:22Let it be known.
00:48:22Of course, that makes sense.
00:48:23They don't even have money for bras.
00:48:25Poor things.
00:48:26Now Brother Rebolledo
00:48:27will lead you to become equipped
00:48:30and to your place
00:48:31for rest and repose.
00:48:33Thank you so much.
00:48:35Well, I guess we'll see each other around here, won't we?
00:48:37Well, I don't go out much.
00:48:39Yes, yes.
00:48:40How he has it all set up.
00:48:41Let's have a few drinks, shall we?
00:48:42The ass, the ass.
00:48:45Hello.
00:48:46Goodbye, good afternoon.
00:48:47Headbutt it, man.
00:48:48He pushed me.
00:48:53Hello, what's up?
00:48:54Two tunics for these brothers.
00:48:56But I have a lot of flight.
00:48:57No, it's just that I don't like wearing tight clothes.
00:48:59Let's see if they have one in maroon grey.
00:49:00I just love this green color
00:49:02I find it very striking, I don't know.
00:49:03One size fits all, Jai Hitler!
00:49:06Hump.
00:49:06Already.
00:49:07Angreo, what's wrong with this guy?
00:49:09Thank you.
00:49:10Give me one of those ribbons.
00:49:11That's 30,000 pesetas per person.
00:49:13We accept credit cards.
00:49:1530,000 pesetas?
00:49:17Haven't they gone too far?
00:49:18I sell some habits in the store
00:49:19beautiful with a cord.
00:49:21What a mess I've made.
00:49:22And that's because these are the summer ones.
00:49:24What if we don't wear them?
00:49:26Does the sect oppose it?
00:49:27The sect no.
00:49:28Let's see.
00:49:28But dogs do.
00:49:29Fists!
00:49:30They are trained to attack
00:49:32to anyone who wears different clothes.
00:49:34It's to protect the brothers.
00:49:36Okay, brother.
00:49:36Yes, yes.
00:49:37I think these guys are more shameless.
00:49:40It couldn't be any other way.
00:49:41No.
00:49:41That would have been bad for you, cheap.
00:49:43This isn't bad, huh?
00:49:44Because you get a little breeze here.
00:49:46The bass is appreciated.
00:49:47We look like two Romans.
00:49:49Or two apple gándirs.
00:49:50It must be springtime at El Corte Inglés.
00:49:54Good morning, my weapon.
00:49:55Two pairs of sandals
00:49:56for these brothers.
00:49:58Number?
00:49:58In 1940.
00:49:5942.
00:50:00There are only 43, kid.
00:50:02So why ask?
00:50:04Just in case.
00:50:05Ah, I see.
00:50:05There are 15,000 puélfars.
00:50:09Or do they give it to the dogs?
00:50:10to our shoes?
00:50:11What they smell the most.
00:50:12Right, dark-haired one?
00:50:13They smell them, guys.
00:50:15If nobody here pays the fee.
00:50:19You're looking, huh?
00:50:20I brought him here because of the robberies.
00:50:22Take the 15, asshole.
00:50:28Now all that's left is personal hygiene.
00:50:30Well, look, that's going to be good for me.
00:50:31Because I need a haircut with precipitations,
00:50:33but only a little.
00:50:34I'm going to kill myself with an egg shampoo.
00:50:37Come on in.
00:50:38Thank you.
00:50:40Come on, girl, to the barbershop!
00:50:42Cigarette, cigarette!
00:50:43I told you not to take off your glasses.
00:50:50This barber has gone too far
00:50:51And on top of that, he lent us a hand
00:50:53of talcum powder.
00:50:54Do you know what a "cocilla" is?
00:50:54When did I realize
00:50:55I had the machine set to double zero.
00:50:57And thank goodness summer is coming.
00:50:58Doing this to me,
00:50:59I'm not a fool.
00:51:01No, and now I'm not even trying to be clever.
00:51:03Wait.
00:51:04Over there.
00:51:14I think that cheap show is staged, huh?
00:51:16The guy really knows how to put on a show.
00:51:18He has an arempa all by himself.
00:51:20And the sisters aren't so bad, huh?
00:51:23The one in the black bikini is good, huh?
00:51:25If none of them are wearing bikinis.
00:51:27What do you mean, no?
00:51:28That?
00:51:28Which?
00:51:29That?
00:51:30Come on, put your glasses on, mate.
00:51:31Can't you see a pepper, man?
00:51:33Oh, she's not wearing it?
00:51:33No.
00:51:36To say that...
00:51:37Losing this.
00:51:38Oh yes, that's true.
00:51:40Yes, it's the flikis.
00:51:41She's not wearing a bikini.
00:51:42Look, it's her.
00:51:45There's Lola.
00:51:47But there are some in the nude.
00:51:50But I can't see the mole she has on her left hip.
00:51:54How will she know about the mole if it's on her right hip?
00:51:56What do you know about that?
00:51:57But how could I not know?
00:52:03It's not her.
00:52:07Where are you going, Nestor?
00:52:08I don't know.
00:52:09Is it us?
00:52:10They point it out, yes.
00:52:11Oh, we've hooked up?
00:52:12Did we hook up?
00:52:13Yes, yes.
00:52:15Look, look, look, look.
00:52:16What passion seeks us out?
00:52:17Are they coming for us?
00:52:20Girls, let's go.
00:52:21Don't rush, girls, there will be enough for everyone.
00:52:23They'll all have their own thing going for them.
00:52:25Two for this one, two for me, and one for a relief shift.
00:52:27Come on, whistles, whistles, whistles.
00:52:30Where, Nestor?
00:52:31Have they gone too far?
00:52:33Sisters, sisters.
00:52:35I know I'm irresistible,
00:52:36But don't give off any lustful vibes in front of these new brothers.
00:52:40It's just that I have such an arrogant spirit.
00:52:42I attract them like honey attracts cows.
00:52:45Will it be like honey to flies?
00:52:47Cows will like honey too.
00:52:48Furthermore, the branch railing said so.
00:52:50So what, brothers?
00:52:51Are you enjoying the life of sacrifice, austerity, and celibacy?
00:52:55Are you celibate?
00:52:55No, not me.
00:52:57What more could I want?
00:52:58Ah, I see.
00:52:59Now I understand the divinity.
00:53:01To prevent the brothers from falling into erotic temptation,
00:53:04All the sisters, including the unuco, are for him.
00:53:07Someone has to make a sacrifice.
00:53:09And all the little sisters sooner or later?
00:53:12Does he sleep with them?
00:53:14Dolores needs to be taken out of here immediately.
00:53:16Nobody is here against their will.
00:53:18If the sister you're looking for doesn't want to leave,
00:53:20There must be a reason.
00:53:21I don't know why, but we'll find out.
00:53:23In the meantime, we can call the police.
00:53:25That.
00:53:26And I would order them to release the dogs, but it's not worth it.
00:53:29Rebolledo, take them to see that sister
00:53:31and leave us in peace.
00:53:39Thank you.
00:53:40Me too, thank you.
00:53:51Dolores.
00:53:55That's all we needed.
00:53:56Besides looking like two Easter eggs with ribbons and everything,
00:54:00You're making fun of us.
00:54:02Yes, the girl is right.
00:54:03You look like a meatball in flour.
00:54:04If you want, I'll bring you a mirror.
00:54:05Don't argue.
00:54:06What are you doing here?
00:54:07Looking for you.
00:54:08So that?
00:54:09Well, us, this guy and me.
00:54:12Tell him.
00:54:13We can't talk in a more discreet place.
00:54:16Yes, come with me.
00:54:17Hey, are the dogs around here?
00:54:19What dogs?
00:54:20Don't tell me there are no dogs.
00:54:21Not even a Pekingese.
00:54:23The dark-haired man didn't come out.
00:54:24Yes, the divine has laughed at us.
00:54:28You look beautiful.
00:54:30A little thinner.
00:54:31Of course, since he'll only be eating vegetables here.
00:54:37We can sit down here.
00:54:39What did you want?
00:54:40Well, you see, I'm very nervous.
00:54:44I can't sleep.
00:54:46I've spent the whole night pulling my hair out.
00:54:48It shows, doesn't it?
00:54:50And you?
00:54:50What have you come for?
00:54:52I needed to see you.
00:54:53And you wanted to give yourselves an idea.
00:54:55We don't know whose child it is.
00:54:57Why don't we wait until the child is born, look at him, and if he resembles him, then get married?
00:55:01Him with you?
00:55:01That's not a bad idea.
00:55:03Of course, I would have to divorce my wife first.
00:55:08Yes of course.
00:55:09Well, if she looked like me, I'd marry her.
00:55:14Well, but first I would have to put my poor father in a nursing home.
00:55:20Or not?
00:55:21And what happens until the baby is born?
00:55:23Well, I haven't thought about that yet.
00:55:26I do.
00:55:27If you want, we can continue as we have been.
00:55:28I see you on Mondays, Wednesdays, and Fridays.
00:55:30Hey, stop, stop, stop, stop.
00:55:32Don't leave me on Tuesdays, because I have tennis on Tuesdays.
00:55:34If you want, I'll swap Wednesday for Tuesday, since I'm going to the football match to watch the Cup.
00:55:37of Europe.
00:55:37That's messed up.
00:55:38I like international matches too.
00:55:40You want it all.
00:55:41Like you.
00:55:41That's enough, I'm going to work.
00:55:42One moment.
00:55:43And speaking of your work.
00:55:46Who brought you here?
00:55:46A friend, the one who opened the door.
00:55:48Who, the black guy, the, come on, that boy, kind of dark-skinned?
00:55:53Yes, yes.
00:55:53Yes, that one.
00:55:55And I've come because he offered me something very important.
00:55:58The fact that?
00:55:59The sect will recognize my son and Baratirrama will be his legal father.
00:56:03Your father?
00:56:05That pig?
00:56:06That pig who's done this to us?
00:56:08That.
00:56:10And if you don't like it, come on, admit it yourself.
00:56:13But what if it then looks like this?
00:56:16Give it to me, your last name(s).
00:56:19What if it's from this one?
00:56:20Well then, leave me alone.
00:56:22I am free and I can do whatever I want.
00:56:26Goodbye forever!
00:56:27The bad thing is that he's right, damn it.
00:56:30But neither you nor I have the courage to make a decision.
00:56:34Brother!
00:56:35We have to follow the initiation ceremony.
00:56:37No, it's not necessary, we're out of this.
00:56:39Yes, we're leaving.
00:56:40Yes, this is a lot of fun.
00:56:42They're shoving a barrel of honey down your throats.
00:56:44Then you get caught.
00:56:45Then you are dragged through an anthill.
00:56:48And if you pass the test, you're already a member of the sect.
00:56:51You know what I'm saying, dark-haired one?
00:56:52May they feather you.
00:56:54Let's go now, man.
00:56:54Let's get to it, guys!
00:56:55But what?
00:56:56Grab some rocks, boys!
00:56:57What did that do, girl?
00:56:58Run, you run!
00:56:59Run it, guys, don't let them castrate!
00:57:01Oh, oh, oh, oh!
00:57:02Don't castrate them, guys!
00:57:03With stones, boys, with stones!
00:57:05Thank you!
00:57:06Thank you!
00:57:07Thank you!
00:57:08Thank you!
00:57:09I'm sorry.
00:57:38I'm truly sorry, Gloria.
00:57:41There's no need to worry.
00:57:42But in the three months we've known each other, it's only worked out twice.
00:57:45That happens to anyone.
00:57:46Anyone who has reached the age of 70.
00:57:49Don't be harsh, Gloria.
00:57:50It's the worries, the regrets...
00:57:53What have you done?
00:57:54Have you killed anyone?
00:57:55No, no, woman.
00:57:56Of course not.
00:57:56Wait, wait, wait.
00:58:01Wait.
00:58:02Don't change your position.
00:58:05I stood still as a statue.
00:58:09That?
00:58:10Already?
00:58:11No.
00:58:13It seems to have given me a kind of chill.
00:58:16Sure, right there by the window...
00:58:17What do we do?
00:58:20Nothing.
00:58:21Get dressed and leave me alone.
00:58:22I think I've caught a cold.
00:58:24I'll take an aspirin and drink some warm milk.
00:58:27Too bad.
00:58:29It's like watching E.T. naked.
00:58:32And a movie theater?
00:58:33Shall we go to the movies?
00:58:34Double feature, does it?
00:58:35And a movie theater?
00:58:37I'm fed up with E.T.'s finger.
00:58:39We're going to have dinner.
00:58:41And then we had a musical jam session...
00:58:43...in a place where the long place button clicks.
00:58:46What a drag, man.
00:58:48Furthermore, they play the same thing everywhere.
00:58:51Viscos?
00:58:52A theater.
00:58:54For me, theater is...
00:58:56...they were sitting and looking in the same direction.
00:58:58What if we made love?
00:59:02Come on, cover yourself up, cover yourself up.
00:59:03That's always the same.
00:59:05It's monotonous.
00:59:06But it's liked.
00:59:08Don't believe it, don't believe it.
00:59:09Because you're there working like a dwarf.
00:59:11I'll hit you all afternoon...
00:59:14...and then in three seconds you're gone and I don't remember seeing you.
00:59:17Hey, dude.
00:59:18So what do we do?
00:59:19But it's essential to do something.
00:59:22When I met you.
00:59:24With that head, the yulbrines.
00:59:26You were something else.
00:59:28But as your hair has grown...
00:59:31...what a letdown you've had, man.
00:59:33I'm the opposite of Samson.
00:59:36You don't shave, you don't groom yourself.
00:59:38I lack motivation, I don't know.
00:59:40Well, I'm getting dressed and leaving.
00:59:43Because if I stay with you, I'll mummify.
00:59:45Come on, you're a real beating.
00:59:46I'm going to buy a phone without a ringer.
00:59:55Where are you?
00:59:57Tell me.
01:00:01But wait, I'm not in the mood for conversations.
01:00:04What did you say?
01:00:05How do you know Lola?
01:00:07Who are you?
01:00:08Their goalkeeper.
01:00:09But she lives alone.
01:00:12He did not live with his mother.
01:00:15And what happened to him?
01:00:17Dizziness.
01:00:19And what did the doctor say?
01:00:20Oh well, it doesn't matter.
01:00:22Tell me the address.
01:00:24Okay, I'm going there right away.
01:00:25Oh, and thanks for calling.
01:00:42What's happening?
01:00:43Where are you going?
01:00:43I'm going to...
01:00:45Go on, they'll tear you apart.
01:00:47Paco, where are you going?
01:00:48I'm going with you.
01:00:49Come on!
01:00:55But...
01:00:55What are you doing here?
01:00:57What you did is incredible, but you weren't dead.
01:00:59Me, dead?
01:01:00Because?
01:01:01I don't know, you had hope.
01:01:04Dolores is here.
01:01:04Is Lola there?
01:01:05Ah, it's you.
01:01:06Come in.
01:01:07He's better now.
01:01:08And since you have already come,
01:01:10I'm going to the goal, I have work to do.
01:01:12Thank you.
01:01:13I didn't tell her I called them, okay?
01:01:17Bye bye.
01:01:18Martirio, go down to your house.
01:01:19I'll manage on my own.
01:01:21I've already gotten over it.
01:01:21You see, you've already scared her.
01:01:26You must have scared her, funny guy.
01:01:28Of course, with that face...
01:01:29It was not expected.
01:01:31Poor thing, come here.
01:01:32What are you doing here?
01:01:33That doesn't matter.
01:01:34Come on, sit down.
01:01:35Oh, be careful there.
01:01:36What happened to you?
01:01:37Nothing, just natural.
01:01:39Hammer.
01:01:40And why didn't you warn us?
01:01:42So that?
01:01:43When the cold weather started, it was no longer possible to live there, so I left.
01:01:47But didn't you live in this house with your mother?
01:01:50My mother never left her village.
01:01:53So you deceived us?
01:01:55Well, well, this is not the time for recriminations, it's not appropriate.
01:01:57Can't you see how this creature is?
01:01:59Baby!
01:02:02Look, I thanked him.
01:02:03I know, you need to see a doctor, take vitamins, and prepare yourself to have a pain-free delivery.
01:02:10One moment.
01:02:17I have no money.
01:02:19Oh, no, don't worry.
01:02:21The video business is very profitable.
01:02:23He will pay.
01:02:24Okay, that's generous.
01:02:27Wait, wait.
01:02:28Give me a minute, man.
01:02:29And we won't leave you until the baby is born.
01:02:34You are very good.
01:02:35Do you see how much I love you both?
01:02:37Yes, man.
01:02:38Of course I will make sure that child is raised safely.
01:02:41Guchi, guchi, guchi!
01:02:42Well, not that I care that much, but which one of you is the father?
01:02:45I.
01:02:45I.
01:02:48West.
01:02:51Go on, Taufo.
01:02:52You'll see.
01:02:52Tell him.
01:02:54We'll explain it to you.
01:02:55No, no, no.
01:02:55If we are in '83, we are Europeans.
01:02:59If you only knew the things I've seen here.
01:03:01It's curious.
01:03:02There was one, one...
01:03:03That no longer...
01:03:05And that's it?
01:03:07What was I talking about just now?
01:03:08Of the Europeans.
01:03:09From our pregnancy.
01:03:10Well, it doesn't matter.
01:03:11But you, my dear, don't seem to understand it at all, do you?
01:03:13Nothing clear, doctor.
01:03:15I don't know which of the two is the father.
01:03:18Yes, yes.
01:03:18Well, I repeat that that's not the important thing.
01:03:20Okay, now I'll identify the mother and we'll prepare a plan for the mother and father.
01:03:26Well, for the parents, of course.
01:03:29The parents also play a role in this painless childbirth process.
01:03:33Yes, it's essential in the preparatory sessions, of course.
01:03:35Isn't that curious?
01:03:36I, I never again...
01:03:39What were we talking about just now?
01:03:43About painless childbirth.
01:03:45I'm in.
01:03:46Oh, and me.
01:03:48Will you both go?
01:03:49We shouldn't really be talking about painless childbirth, but about mother-assisted or mother-controlled childbirth.
01:03:56And the...
01:03:56Oh my, Pedrín!
01:03:57In the difficult moments leading up to the happy moment, the collaboration of the parents will be most important.
01:04:02This is based on three fundamental pillars, which are, namely, if not this, then...
01:04:06Does anyone know what I was talking about earlier?
01:04:09Does anyone know about this topic?
01:04:12Tell me, Mr. Andújar.
01:04:13The three fundamental pillars are, namely...
01:04:23Well, he's worse off than me, huh?
01:04:24I know it well, you know?
01:04:27We have the psychological factor.
01:04:30That?
01:04:32Ah, yes, controlled breathing.
01:04:35I have it on the tip of my tongue.
01:04:37Come on, come on, Mr. Tobar, help Mr. Andújar, come on.
01:04:40Relaxation?
01:04:41That.
01:04:42Congratulations, Mrs. Tobar and Andújar.
01:04:44Their husbands, aunt...
01:04:46Come on, you'll be very well taken care of.
01:04:52The mother's breathing during contractions is very important.
01:04:56It must provide sufficient oxygen to your blood and help to ensure that by pressing the lungs more lightly on the diaphragm,
01:05:02the painful sensation is less.
01:05:04Therefore, for certain moments of expulsion, breathing should be panting.
01:05:07Or, as it is commonly known, dog breathing.
01:05:11Do you see it?
01:05:11Well, I didn't believe it.
01:05:12Did I tell you that?
01:05:13To practice this breathing, I ask that you pay attention to the candles in front of you.
01:05:17Goes.
01:05:18And now, pay attention, because here comes the important part, okay?
01:05:20If we have...
01:05:21Already what the...
01:05:24What were we talking about just now?
01:05:25From the candles.
01:05:27Ah, yes, yes, that's right.
01:05:29Okay, now put your hands behind your back, okay?
01:05:31And breathe, breathe quickly so that the flame doesn't go out, okay?
01:05:38Okay, pay attention to me, look, now.
01:05:45Come on, come on, come on, come on.
01:05:47German Shepherd breathing, not poodle breathing, come on.
01:05:49Come on, come on, come on, don't throw it away, man.
01:05:54That means he won't let me have the space.
01:05:57You're going to pay for it.
01:05:58But with all the pushing you're doing, you're going to burn my uvula.
01:06:01I know about candles; a candle shop has them.
01:06:03Why would I know about candles?
01:06:03Be quiet!
01:06:06What are you throwing at me?
01:06:07Sorry.
01:06:09It's mine, it's mine.
01:06:10Leave me alone, she's mine.
01:06:11It burns me!
01:06:13It burns me!
01:06:14Oh, my finger!
01:06:15Who's going to have this herbal tea?
01:06:22Your pennyroyal, my dear.
01:06:24Thank you.
01:06:27How are you both feeling?
01:06:28Okay, but my back hurts a little.
01:06:31And Ataulfo?
01:06:32She's finishing washing the dishes.
01:06:34It makes me feel uneasy.
01:06:35I should do that.
01:06:37Don't worry, he loves it.
01:06:39Deep down, she has the spirit of a Filipina maid.
01:06:42Tell him to come, I want to talk to you.
01:06:45Ataulfo is here.
01:06:47Hey Paco, either you buy me a lemon or a dish soap, so choose.
01:06:50Leave that for now.
01:06:53But what are you doing?
01:06:54You don't know what to do to get attention, it's always the same.
01:06:57What have I fallen?
01:06:58Listen, the little girl wants to talk to us.
01:07:01Yeah?
01:07:04Oh, what a cute little bootie!
01:07:06We can't go on like this.
01:07:10You see, I told you.
01:07:11If you don't mop the floor, everything's a mess.
01:07:13It's not that.
01:07:15I have more than a month to go before I give birth.
01:07:18Thirty-six days according to my calculations.
01:07:21And I want us to find a solution to this absurd situation once and for all.
01:07:26Are you going to get up by yourself?
01:07:27Careful, careful, careful.
01:07:28Be careful.
01:07:28I had thought, if I can get out of here and...
01:07:33If you wanted, with a bit of luck...
01:07:38Have you thought of anything?
01:07:39Well yes.
01:07:40The fact that?
01:07:40What would happen if you had twins?
01:07:45We would recognize each of the children.
01:07:47But, man, but...
01:07:48Do you really think children can be ordered on demand?
01:07:50Now give me one, now give me two.
01:07:52But why not?
01:07:52Hey, Maria Dolores, you always carry it with her and nothing happens.
01:07:54Why this nonsense now?
01:07:56It's a joke, it's a joke.
01:07:57I know you are very good.
01:07:59You cover all my expenses.
01:08:00Especially me.
01:08:01And that's not tax-deductible, you know?
01:08:03And each of you has opened a savings account for me with a good amount of money, for whatever may come.
01:08:08That's right, each one, each one, whoever the child is.
01:08:11And that's not even...
01:08:11I know, you have been very generous.
01:08:15But I feel guilty in front of your families.
01:08:18Which families?
01:08:20Your elderly father and your wife.
01:08:23Ah, I see, because of Dad.
01:08:25No, don't worry.
01:08:27Yes, and I want to meet them.
01:08:31Whom?
01:08:32My wife?
01:08:33Dad?
01:08:36What a silly thing to say, right?
01:08:38Dad, Dad, it's not worth watching, believe me.
01:08:41It's very old.
01:08:42Nothing.
01:08:42I want to meet them.
01:08:44You bring them both here.
01:08:46Can you say that I am a friend?
01:08:48Come on, Dolores, with how annoying my wife is.
01:08:51Maybe he'll come and tell you anything...
01:08:53I don't know what he's going to say, anything.
01:08:56Look, Dad, it's going to depress you.
01:08:58And you're not in the mood for...
01:09:00I will not give in.
01:09:01If the child is yours, I want to know who I'm going to hurt.
01:09:04And if it's yours, since I'll have to live with your father, I want to meet him.
01:09:09Man, Dolores.
01:09:09If you don't bring them here, I'll think you've tricked me and that they don't exist.
01:09:13What thing?
01:09:14What, it doesn't exist, Dad?
01:09:15My father who doesn't exist?
01:09:16But, well, then, how was I born?
01:09:18Look, I don't want to upset you by introducing you to the poor old man.
01:09:23Ah, just bring his wife along and that's enough for you.
01:09:27By the way, what's your wife's name?
01:09:30Dolores already knows this.
01:09:32Oh, really?
01:09:33You've never told me.
01:09:34Look.
01:09:34I've never told you what the name of the...
01:09:37As?
01:09:37Hey?
01:09:38The...
01:09:38Come on, come on.
01:09:39Her name is Antonia.
01:09:40Antonia.
01:09:41Antonia, her name is Antonia.
01:09:42Antonia.
01:09:42Well, you bring Antonia here right now and this creature will calm down.
01:09:47Okay.
01:09:47I'll bring Antonia and you bring your damn father.
01:09:51Of course I'll bring him, as long as you bring your wife.
01:09:54Okay, let's see.
01:09:55Of course we'll see it.
01:09:56Let's see it, man, let's see it.
01:09:58I want to see that Antonia too.
01:09:59Antonia.
01:10:02It's a very big favor you can do for me.
01:10:05And I'm delighted, Don Ataulfo.
01:10:07He already knows what I owe him and I can make it up to him somehow.
01:10:10It doesn't have...
01:10:11Yes, it can be worth it for me.
01:10:14You see, I told a certain young lady that...
01:10:18Well, it's a very long story.
01:10:22What I need is for you to be my wife for one day.
01:10:25Jesus, Mary and Joseph, Don Ataulfo.
01:10:27No, no, no, it's not what you think, is it?
01:10:29Let me explain.
01:10:31But this, so suddenly.
01:10:33No, no, no, I'll explain.
01:10:35I didn't expect this from you.
01:10:36Yes, but only when I explain it to him.
01:10:37But I am very grateful.
01:10:39Me too.
01:10:39And from gratitude to love.
01:10:41There is only one step, one step, Don Ataulfo, one step.
01:10:45Antonia, what?
01:10:45I am all yours, Don Ataulfo.
01:10:47All yours.
01:10:48Do with me what you will, Don Ataulfo.
01:10:50But Antonia, how could you and I have been so right-wing?
01:10:52We're going to cheat on her husband.
01:10:55Don't know.
01:10:56I'm so flustered.
01:10:58Antonia, what I am asking is that you lend yourself to a farce.
01:11:02A farce?
01:11:04Clear.
01:11:04I want her to pretend to be my wife, but...
01:11:07So, Mr. Ataulfo, please.
01:11:09Antonia, but fake, fake.
01:11:12Oh, fake?
01:11:13Clear.
01:11:13Ah, I see.
01:11:15Ah, what a fright you gave me, Don Ataulfo.
01:11:19What a relief.
01:11:20Damn, what a relief.
01:11:23What a great performance!
01:11:24Well, you don't know, Don Paco, how grateful I am that you brought me to the filming of a movie.
01:11:31It's just that I've seen him so interested.
01:11:34And what am I supposed to do?
01:11:36Sit in this little car and go in there.
01:11:41He needs to speak little.
01:11:42Ah, better nothing.
01:11:43I'm going to get very nervous in front of the cameras.
01:11:46Cameras?
01:11:46Oh, no, no, no.
01:11:48Besides, you're not going to see them.
01:11:50Because?
01:11:51Because they are hidden.
01:11:53Ah, they hide the cameras so the girls aren't embarrassed to wear balls.
01:11:58Ah, if they ask you, you say that he is my father.
01:12:02That's part of the pornographic plot of the film.
01:12:05Is that clear?
01:12:06Phew, that's perfectly clear, my son.
01:12:08Okay, then, let's go.
01:12:10Oh, and remember, my father.
01:12:12Oh, and don't say a word, okay?
01:12:14No?
01:12:15What moment?
01:12:17Go ahead, go ahead.
01:12:21Hello.
01:12:22Hello.
01:12:23Lola, I'm going to introduce you to my father.
01:12:27Dad.
01:12:27Dad, dad.
01:12:29Dad, dad.
01:12:29This is Lola.
01:12:32Nice to meet you, Mr. Andujar.
01:12:34Andujar?
01:12:35Andujar, as I already told him.
01:12:37Ah, yes, of course, the argument.
01:12:39How are you, miss?
01:12:41Ma'am, Dad, ma'am, it's not that she's pregnant.
01:12:44Ah, she's pregnant.
01:12:46I thought he had one of the cameras hidden there.
01:12:50A what?
01:12:51The others must be around here too.
01:12:53Well, just ignore him.
01:12:54You know, the wires that get crossed.
01:12:56Poor man.
01:12:58I'm going to open it, with your permission.
01:13:00Yeah.
01:13:00I didn't tell him not to talk.
01:13:03Man, this whole being an artist thing makes me really nervous.
01:13:08Just pretend you're asleep.
01:13:11That's part of the plot of the movie.
01:13:14Come in.
01:13:16Good afternoon.
01:13:18Look, darling, this is Dolores.
01:13:20I have already explained to my wife that you are Paco Andujar's wife.
01:13:26And that they are going to have a child soon.
01:13:29Yes, it's a pleasure, ma'am.
01:13:31The pleasure is mine.
01:13:33Do you want to close it, tie it up?
01:13:35It's because of the cold.
01:13:36Ata?
01:13:36I simply call my ataulf ata.
01:13:39In a loving way.
01:13:41Come in, come in.
01:13:44Don't go overboard, Antonia.
01:13:46I am very worried.
01:13:47I thought my husband was following us.
01:13:49No, woman, please come in.
01:13:49Well, you already know each other, right?
01:13:52This gentleman is Mr. Andujar's father.
01:13:55This is?
01:13:56Is this your elderly father?
01:13:58Yes sir.
01:13:58What's happening?
01:13:59What can't a father like that have?
01:14:00Yes of course.
01:14:01Nice to meet you, Mrs. Andujar.
01:14:04Where is the tone?
01:14:05Yes of course.
01:14:05No, he's just very shy.
01:14:09Delighted.
01:14:10You're the handsome one in the movie.
01:14:12What does it say?
01:14:13I haven't told him not to say a word.
01:14:16Those are his own things.
01:14:17Crossed cables.
01:14:19He has arteriosclerosis in his arteries.
01:14:22Ah, it's over there.
01:14:23Oh, oh, oh.
01:14:23And what about this one?
01:14:25You...
01:14:26His wife?
01:14:27Yes, it's Antonia.
01:14:29How are you, ma'am?
01:14:30Nice to meet you.
01:14:32I was really looking forward to meeting them.
01:14:34Ata tells me a lot about you.
01:14:36Ata?
01:14:37Ulfo.
01:14:37Ata is an abbreviation of Ata, Ulfo.
01:14:39From Ata, Ulfo calls me Ata.
01:14:40Does he talk about me too?
01:14:43Always.
01:14:44They say they are an ideal couple, that they love each other very much, and that they go to mass a lot.
01:14:49A lot, a lot.
01:14:50Who?
01:14:51Lola and I?
01:14:52Well, after all, I've known them for a long time.
01:14:55Before you got married.
01:14:56Oh, son, are you married?
01:14:59That seems to be the case, Dad.
01:15:01Dad.
01:15:02Mine.
01:15:03And I ask you, when do we all start getting naked, huh?
01:15:07Put your foot down.
01:15:08His dad is always joking around.
01:15:11But who's going to get naked?
01:15:12Nobody, honey, relax.
01:15:13Well, with your permission, I had prepared a little snack.
01:15:16If you're okay with it, I'll go get her.
01:15:18Yes, that will be for the best.
01:15:21What a father you've found yourself, huh.
01:15:23Don't you dare touch Dad, okay?
01:15:24Well, look at the corny aunt you've got yourself for a wife...
01:15:27Ah, but this gentleman knows it.
01:15:29Ignore him.
01:15:31Listen, my dear son.
01:15:32Yes, Dad.
01:15:33Won't the movie be really bland if only the handsome guy, the pregnant woman, and the parrot get naked?
01:15:40He called me a parrot.
01:15:41But why does this sex-obsessed maniac want us all to get naked?
01:15:44Don't get angry, the cameras are focused on you.
01:15:48But what cameras?
01:15:50Where have you brought me, Don Ataulfo?
01:15:52Ignore him, don't see that he's a crazy old man.
01:15:54Oh, don't insult my elderly father.
01:15:56Go away, you and your father...
01:15:57Go take your father for a walk.
01:15:59He looks a little pale, doesn't he?
01:16:00Yes, it will be from as many green movies as you see.
01:16:03They need to be taken good care of.
01:16:04We'll have a coffee.
01:16:05Should you have told me and I could have helped you?
01:16:07Of course, woman.
01:16:09You should not carry things while in your condition.
01:16:12A coffee and some pastries.
01:16:14Do you prefer tea, Mr. Andújar?
01:16:16He's talking to you, Dad.
01:16:17Dad!
01:16:18He's a little deaf.
01:16:20And you're deaf?
01:16:21He is deaf, yes.
01:16:22He has this ear failing and only hears in mono.
01:16:24I used to hear it in stereo, now it's in mono.
01:16:26What things?
01:16:29Does Mr. Andújar call his father-in-law?
01:16:31She's very observant, yes.
01:16:34And?
01:16:34Have they been married long?
01:16:37Well, they are...
01:16:38There are six or seven of them, darling.
01:16:41Seven.
01:16:42Seven months.
01:16:43Years and years.
01:16:45I don't know what's wrong with him, he keeps confusing months with years.
01:16:50And what about you?
01:16:52I'm eager for us all to start rolling around in bed.
01:16:55If I say in the feet.
01:16:57Ah, this bunion is killing me.
01:17:01No, no, no.
01:17:02It's about your illness, Dad.
01:17:05He just doesn't understand.
01:17:06The wires are crossed.
01:17:07What he suffers from is a...
01:17:10A...
01:17:11A galloping paralysis.
01:17:14Galloping?
01:17:14Yes, galloping.
01:17:15Can't my dad have galloping paralysis?
01:17:18My husband!
01:17:19Here it is.
01:17:20No, the other one!
01:17:22Oh!
01:17:23It's a bisexual!
01:17:24But what are you saying, Antoñita?
01:17:26I was right, Don Ataulfo.
01:17:27He has followed us.
01:17:28It's a fake.
01:17:29His wife is a fake.
01:17:30And your father?
01:17:31It's a cocky question.
01:17:33I'm going to open it.
01:17:35Don't open it, Don Ataulfo!
01:17:36Don't open it!
01:17:37Shut up, woman!
01:17:38Olé!
01:17:39The fun has begun!
01:17:41Let the cameras roll!
01:17:45Where is that adulteress?
01:17:47Ah, you're there!
01:17:48What are you doing in this house and with that scoundrel?
01:17:51He's coming here!
01:17:52Don't get like that, Don Ramón!
01:17:54You are right, sir.
01:17:55He's a scoundrel who doesn't care about cheating on his wife.
01:17:58I haven't put anything in it.
01:17:59I swear!
01:18:00The glasses.
01:18:00This movie is a phenomenon!
01:18:03But take off your clothes.
01:18:04And I'll kill them both!
01:18:06Leave me alone!
01:18:07Don't get so upset, nothing happened!
01:18:09And who are you?
01:18:10A fool who has been believing these two scoundrels for a long time.
01:18:14And what can you tell me?
01:18:16Let me assure you.
01:18:17I'm telling you this because they tried to use your wife to make fun of me.
01:18:21But she is innocent.
01:18:23I don't.
01:18:23It was this scoundrel.
01:18:24Incursion!
01:18:25And you're worse.
01:18:26I?
01:18:27That you've hired a galloping paraplegic to pass him off as your father.
01:18:31Me, paralyzed?
01:18:33Come on, man.
01:18:35Come on, let's all get naked at once, man.
01:18:38He did not have galloping paralysis.
01:18:40And so galloping, you'll see how it gallops.
01:18:43Here is Maradona.
01:18:45How are you?
01:18:47Oh, what pain!
01:18:47What do you have?
01:18:49What's wrong, Dolores?
01:18:50That already...
01:18:51What now?
01:18:52The child who is coming soon...
01:18:53The camera broke!
01:18:54If you still have a month to go.
01:18:56Clear.
01:18:56Because of the upset you caused him, the park has been built ahead of schedule.
01:18:59What? Did I upset him?
01:19:00Yeah!
01:19:00Don't worry, we'll take him to bed.
01:19:02No, to the dining room and we laid her down on the table.
01:19:04No, no, to bed.
01:19:04She needs to be taken to a clinic.
01:19:06The basket.
01:19:07The bulletin is ready in my room.
01:19:09Yeah, yeah, leave it, dog.
01:19:10Do you remember when the candle...
01:19:11Ah, yes.
01:19:12The candle, the candle.
01:19:13Ramón, you and I will go ahead and look for a taxi.
01:19:15And with this film I'm becoming a porn star.
01:19:20Come on, let the cameras roll.
01:19:23You didn't want thighs.
01:19:24Here they are.
01:19:26We won't have left anything behind.
01:19:28Superficial writing, hold on.
01:19:30Panting, panting.
01:19:31He pants like a dog.
01:19:32Look at the steps.
01:19:33Watch the step.
01:19:34Don't worry, I'll take her by the arm.
01:19:36What has happened already?
01:19:37Yeah I know.
01:19:38It had to be.
01:19:39It was the date.
01:19:41But he still had a month to go.
01:19:43But what do you know?
01:19:44Man.
01:19:45Martirio, warn Porfirio, warn Porfirio.
01:19:47Who is Porfirio?
01:19:47Your family doctor.
01:19:49Well, let her know, but don't worry.
01:19:51Watch out, watch out for the step.
01:19:51Be careful on the stairs.
01:19:53Careful.
01:19:53Hold it yourself, because I get dizzy.
01:19:54So he's panting, panting.
01:19:55Yes, that's why I get dizzy, because of the panting.
01:20:11How long does it take?
01:20:13One hour.
01:20:15Isn't that a lot?
01:20:16I don't know, I'm a beginner.
01:20:18I'm a mess.
01:20:19Do you know what I'll do if he looks like me?
01:20:21Yes, delmayarte.
01:20:24No, I'll admit it.
01:20:26I will marry Lola.
01:20:29And you will be the child's godfather.
01:20:31I don't know if you'll believe me, but I had the same thought.
01:20:37What a nine months we've had!
01:20:40Eight.
01:20:41The child is eight months old.
01:20:42It must be because of the upset the poor woman had today.
01:20:45Poor.
01:20:46She's a good girl, but weak-willed.
01:20:50And we convinced her.
01:20:51Yes, the truth is that you and I are very talkative.
01:20:54Apparently.
01:20:55Hey, we shouldn't ask.
01:21:00No, Miguel took charge of the birth.
01:21:01Besides being a gynecologist, he is a friend of the choir.
01:21:03Yes indeed.
01:21:03Hey, the one who didn't come in the end is Lola's family doctor.
01:21:12What was his name again?
01:21:15Por, por, por, por, por, por, por, porphyry.
01:21:18I think it's Porphyry, right?
01:21:19Yes, yes, Porphyry.
01:21:22Well, that's it.
01:21:25How are you?
01:21:26How did the delivery go?
01:21:27Very well, the mother, the child and I are all doing very well.
01:21:29How was the child? Was there only one?
01:21:31Why did you want a football team?
01:21:32No, in case they were twins.
01:21:33No, no, no, that's just one, male and very strong.
01:21:36The male is mine.
01:21:37But, but, you see, but.
01:21:38Okay, there had to be a catch, that's why it took me so long.
01:21:40Of course, since the child is eight months old.
01:21:42No, no, yes, born at the right time.
01:21:44I waited for him one of these days and the guy didn't let me down.
01:21:46So, what happened?
01:21:47But no, not that, not that.
01:21:48You see, if the...
01:21:48Why, look?
01:21:50Hey, the one from the sixth.
01:21:52Where is Lola? Have you seen her?
01:21:53No, not yet. And what are you doing here?
01:21:55The doorman called me.
01:21:57I came as soon as I could, you understand.
01:21:59Excuse me, is your name Porfirio?
01:22:01Yeah.
01:22:02And are you a doctor?
01:22:03No, he'll be an architect next year.
01:22:07And why would anyone want an architect to help them give birth?
01:22:11Is the child here?
01:22:14I'm sure he looked like me.
01:22:15It will be my spitting image.
01:22:16Let me see it.
01:22:17Are you Sibilio?
01:22:44I mean, Porfirio.
01:22:46Yes, yes, yes.
01:22:46She's been calling him throughout the entire labor.
01:22:48Porfirio, my little Porfirio.
01:22:50Well, I'm not getting excited.
01:22:51Look at that nonsense.
01:22:52Be careful, small children have fallen, haven't they?
01:22:53But there's nothing like this one.
01:22:55Look, look, look.
01:22:55I'll think about it a bit.
01:22:56So that you can see it.
01:22:57Here is your son.
01:23:00Go and see her, she's impatient.
01:23:02Me too?
01:23:02What a cute baby you have, guys!
01:23:09I was the first one surprised.
01:23:11I've never seen him go out like that, so dark.
01:23:13I'm sorry, it's just that some women are completely crazy.
01:23:15You shouldn't see everything so negatively, and the extra...
01:23:19Incorrect.
01:23:20Yes, yes, I'm wrong.
01:23:22Let's see if I can leave.
01:23:28He is a very rich boy.
01:23:29And very black.
01:23:31Of course, he's not to blame for anything.
01:23:32What are you going to do now?
01:23:35I'm joining the Ku Klux Klan.
01:23:38I'm going home to break an Antonio Machín record I have.
01:23:52Leave her alone.
01:23:52She definitely has a Chinese boyfriend.
01:23:54I like it.
01:24:07Thanks for watching the video.
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