- hace 3 meses
Reparto: Concha Velasco, Laura Valenzuela, Amparo Soler Leal, Manolo Gómez Bur, Alfredo Landa, José Sazatornil, Margot Cottens, Lina Morgan, Florinda Chico, Charles Stalmaker, Álvaro de Luna, William Layton, King Black
Dirección: José María Forqué
Juana (Concha Velasco) y Francisca (Amparo Soler Leal) están sirviendo en el moderno chalet automatizado de los Stevens, un matrimonio estadounidense afincado en una urbanización en España, donde sólo residen norteamericanos. Las dos tienen novio o algo parecido: uno es transportista con motocarro propio (Alfredo Landa) y el otro es huevero (Manolo Gómez Bur). Y ambos con un concepto posesivo y machista de lo que deben ser las relaciones entre hombres y mujeres. Por eso, su relación de noviazgo va empeorando a medida que ellas tratan de imitar el comportamiento y el estilo de las relaciones sentimentales de los USA. Todo se complica aún más cuando entran en escena dos pretendientes estadounidenses destinados en la base militar de Torrejón de Ardoz. Entonces, Juana y Francisca se encontrarán en medio del choque de mentalidades de los dos bandos: los celosos españoles y los soberbios yanquis.
Dirección: José María Forqué
Juana (Concha Velasco) y Francisca (Amparo Soler Leal) están sirviendo en el moderno chalet automatizado de los Stevens, un matrimonio estadounidense afincado en una urbanización en España, donde sólo residen norteamericanos. Las dos tienen novio o algo parecido: uno es transportista con motocarro propio (Alfredo Landa) y el otro es huevero (Manolo Gómez Bur). Y ambos con un concepto posesivo y machista de lo que deben ser las relaciones entre hombres y mujeres. Por eso, su relación de noviazgo va empeorando a medida que ellas tratan de imitar el comportamiento y el estilo de las relaciones sentimentales de los USA. Todo se complica aún más cuando entran en escena dos pretendientes estadounidenses destinados en la base militar de Torrejón de Ardoz. Entonces, Juana y Francisca se encontrarán en medio del choque de mentalidades de los dos bandos: los celosos españoles y los soberbios yanquis.
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00:00:00The Church of Jesus Christ of Latter-day Saints
00:00:30The Church of Jesus Christ of Latter-day Saints
00:01:00The Church of Jesus Christ of Latter-day Saints
00:01:30The Church of Jesus Christ of Latter-day Saints
00:02:00The Church of Jesus Christ of Latter-day Saints
00:02:30As is evident, we are in Spain
00:02:33The Church of Jesus Christ of Latter-day Saints
00:02:38The Church of Jesus Christ of Latter-day Saints
00:02:43The Church of Jesus Christ of Latter-day Saints
00:02:48The Church of Jesus Christ of Latter-day Saints
00:02:53The Church of Jesus Christ of Latter-day Saints
00:02:58The Church of Jesus Christ of Latter-day Saints
00:03:03The Church of Jesus Christ of Latter-day Saints
00:03:08The Church of Jesus Christ of Latter-day Saints
00:03:13The Church of Jesus Christ of Latter-day Saints
00:03:18The Church of Jesus Christ of Latter-day Saints
00:03:20The Church of Jesus Christ of Latter-day Saints
00:03:26The Church of Jesus Christ of Latter-day Saints
00:03:28Oh, Francisca! Oh, Don Johnny!
00:03:58Disgusting!
00:04:20And Juana?
00:04:22There, in the laboratory.
00:04:28Hello, flat.
00:04:54Hello.
00:04:54Come on, give me a sugar spomelo, I'm dying of thirst.
00:04:57Well, I don't know what you're dehydrated from, son.
00:04:59Unless it's a cigarette rolling...
00:05:01Let's have a peaceful party, Juana.
00:05:04It's because I rinse my mouth, it tastes like gasoline.
00:05:07Of course, since you are a transporter...
00:05:10But who would come to work here with a motorcycle?
00:05:14With the Americans.
00:05:16With the standard of living they have.
00:05:19If we are in the country of electronics.
00:05:21We are in New Castile.
00:05:25Come on, make me another sugar spomelo.
00:05:29That I'm not just going away.
00:05:30You are lazy and you do nothing to win.
00:05:33And what you want is to continue living like a king and not get married and not redeem me.
00:05:37Don't prick me, don't prick me.
00:05:40I'm not going to prick you.
00:05:42Has the whistle sounded?
00:05:43Not yet.
00:05:44But do you think I like coming here?
00:05:48Do you think it's normal for you to invite me to lunch and dinner?
00:05:51And what about the gentlemen swallowing?
00:05:52They swallow because it is the most natural thing for a girl to have her romance at home.
00:05:56What did you call her?
00:05:58Romance.
00:05:59My romance.
00:06:00The boyfriend thing is already very common.
00:06:02Come on, if you want, you can put a bed in your room.
00:06:04I'm sure they'll pass it.
00:06:05The one who doesn't have it is me.
00:06:07Neither do I.
00:06:08Secondarily.
00:06:14That's it.
00:06:27It looks golden.
00:06:29But until they modernize and put color television...
00:06:44Can I speak?
00:06:58Well, I think you'll like it.
00:07:00On screen it looks golden.
00:07:03Short.
00:07:03What's beeping?
00:07:13I'm coming.
00:07:26Let's see if you make tortilla every day.
00:07:29I can't stand the supermarket.
00:07:30Everything canned, frozen, uncanned.
00:07:33Sorry sir for the monotony of food.
00:07:35Maybe if I changed restaurants one day...
00:07:37Oh, leave the boy alone.
00:07:38Juana, you've got it in for him.
00:07:40You don't understand.
00:07:41I'm used to those outings, Francisca.
00:07:43If I had to be distraught over the arguments I've had...
00:07:47It's golden brown, just the way you like it.
00:07:50Thank you, daughter.
00:07:51God bless you.
00:07:52Thank you.
00:07:52Thank you.
00:08:00Thank you.
00:08:01Thank you.
00:08:02Thank you.
00:08:03Thank you.
00:08:04Thank you.
00:08:34Thank you.
00:08:35Thank you.
00:08:36Thank you.
00:08:37Thank you.
00:08:38Thank you.
00:08:39Thank you.
00:08:40Thank you.
00:08:41Thank you.
00:08:42Thank you.
00:08:43Thank you.
00:08:44Thank you.
00:08:46Thank you.
00:08:47Thank you.
00:08:56Thank you.
00:08:57Thank you.
00:08:58Thank you.
00:08:59Aseite.
00:09:01Oil, smell oil.
00:09:04I don't like the beret, I'll tell you.
00:09:06Sorry, I didn't realize.
00:09:08Always oil, horrible Spanish oil that the fat man puts on.
00:09:12Oil, is that what it says? Impossible.
00:09:15Ah, maybe, I just entered this one... into the lathe.
00:09:20Oh, I suspect, sorry.
00:09:27I'm starving.
00:09:31Uh-huh.
00:10:01Major Andrew is very hard headed.
00:10:09I'm going to get angry
00:10:11Oh, what a morning, darling
00:10:1320 squadrons in flight
00:10:15Three mother planes
00:10:16Mother planes no
00:10:18Tanker aircraft
00:10:19Oh, excuse me
00:10:21Three tanker aircraft supplying fuel in flight
00:10:24I will be tracking planes on radar all morning.
00:10:27Very tired eyes
00:10:28A lot, a lot of responsibility
00:10:30And you, darling, how to hear your things
00:10:33Well, I'm already finishing Don Arturo's tooth.
00:10:36You work too much
00:10:40The three dozen
00:10:44Are they fresh?
00:10:47Positions today at the time of the news
00:10:49Directly from the hen to the customer
00:10:51Look, look, observe
00:10:52You have more options than that Real Madrid meadow.
00:10:57It's the Santiago Bernabéu
00:10:59A general?
00:10:59Not yet
00:11:01Would you like some tomato juice?
00:11:03I just had some mashed potatoes.
00:11:05Well, a tomato juice doesn't hurt anyone.
00:11:07I'm noticing
00:11:09You have a very thin waist.
00:11:12Aha
00:11:13How daring you are, Mr. Eggman.
00:11:15Well, even though it's wrong for me to say it
00:11:17And what does that mean I look backwards?
00:11:18What if I sing like this in profile?
00:11:19You might have more to come
00:11:21Have you ever tried waitressing in a cafe?
00:11:23Listen, I was born to serve.
00:11:26To the gentlemen of Stevens
00:11:27Or a man
00:11:29It is that we have the photoelectric cell
00:11:35Be from today?
00:11:36What does it say?
00:11:37It's been half an hour, ma'am.
00:11:39Directly from the hen to the customer
00:11:41Hit him hard, he barely knows Spanish.
00:11:43And she's a newbie
00:11:44I'm going to give Juana a hand.
00:11:47Madame, I'll leave you there with the egg-carrier.
00:11:49Which comes in self-service plan
00:11:51What is this?
00:11:55My egg, it's going away, it's going away
00:11:56My egg, which is gone
00:11:59That has gone
00:12:00Trente, six eggs, eggs
00:12:03At six pesetas
00:12:05Let's see now
00:12:06Two hundred, ten, six pesetas
00:12:09Three hundred pesetas?
00:12:12Three hundred?
00:12:13No
00:12:14The manufacturing license is not included there.
00:12:16Not even the stamping of the origolfio brake
00:12:18Then there is the tax for the hens' pension.
00:12:20And on the back there is a stamp that says
00:12:21General Directorate of Poultry Farming
00:12:23Service of fields, meadows, farms and adjoining areas
00:12:25Tamparantán they've seen you, Pepe
00:12:26Tamparantán they've seen you, Juan
00:12:28Not understanding
00:12:30Slow down, slowly
00:12:32That taxes are missing
00:12:34Chalá
00:12:35Ah, taxes
00:12:37Yes, the organic arrangement of the union macrostructure
00:12:40For the loss of the egg that they have danced for me
00:12:42Ah, you write
00:12:44Whatever you want?
00:12:45Whatever you want?
00:12:45Whatever you want?
00:12:47But it's clear, madame, it's clear.
00:12:48One hundred and twenty-six of the eggs
00:12:50Ninety of the organization for the development of the clear
00:12:54What to say?
00:12:55For the clear
00:12:57For the clear
00:12:57An egg is yolk and white
00:12:59But what is done here is the yolk
00:13:01We import the egg white from England.
00:13:03And then eighty-four
00:13:05For the National Social Security Institute
00:13:08Francisca?
00:13:11Francesquita?
00:13:12Oh, go!
00:13:12Three hundred?
00:13:18Yeah
00:13:18You are also from your people
00:13:20He told me to put the nail in it
00:13:22But this is not a nail
00:13:23This is the television antenna
00:13:25Is it going to be armed?
00:13:26No
00:13:28Do you know any Zarzuela romances?
00:13:30The one with the bunch of roses
00:13:32Attentive
00:13:32Say it with an angry face
00:13:33As if referring to the account
00:13:34Lesmy, madame!
00:13:38Come on, hurry up
00:13:39But without music
00:13:40I've been coming to the workshop for a long time.
00:13:42And I don't know why I'm here
00:13:42That is very alarming
00:13:43I don't understand that.
00:13:44When I have something to do
00:13:45I don't know what I'm doing
00:13:46Well, I see him unemployed.
00:13:47For being lazy and lazy
00:13:48I see you everywhere
00:13:49And almost always at my door
00:13:50I have what is hanging over me
00:13:50By retrecher and juncal
00:13:51What did a chamberí do?
00:13:52With the grace and salt of Madrid
00:13:53Cool!
00:13:54Pretty!
00:13:54Give him two hundred and eighty-nine
00:13:57You take into account a lot of good
00:13:59This thief
00:14:00Man, me!
00:14:04Madame, the return
00:14:06Two hundred and eighty-nine
00:14:08And five
00:14:09Two hundred and ninety-nine
00:14:11And one
00:14:12Three hundred
00:14:14Ok
00:14:15I'm already left with a hard one
00:14:24Oh, I'm laughing my head off.
00:14:28Give me a face-up card
00:14:45With a peseta
00:14:46Have you gone too far?
00:14:49No, I stand
00:14:50Are you seven thirty?
00:14:54I don't have to say it
00:14:55We have agreed that it is not said
00:14:56Woman, it is not that it is a condition without equanon
00:14:58But saying it is a fine detail
00:15:00Come on, come on
00:15:01Do you ask or not?
00:15:03I stand
00:15:04Seven and!
00:15:05Oh, I'm not standing!
00:15:05I stand!
00:15:06I'm not standing up!
00:15:06I'm not standing up!
00:15:07I ask!
00:15:08Arre to another seven
00:15:08He he!
00:15:10Have you gone too far?
00:15:11You are a cheater
00:15:11That is not seven and a half
00:15:12And?
00:15:12But I'm seven and you're fourteen.
00:15:14Come on, the peseta
00:15:15You've got me confused
00:15:16You won't even get involved with a lawyer for a penny.
00:15:18Come on
00:15:18What language do you have, Juana?
00:15:20Take, take
00:15:21For...
00:15:23So that you look at your father
00:15:24And so that you don't pay attention
00:15:25To those who start to provoke
00:15:27Be careful, Mrs. Lola.
00:15:28That it will last very little
00:15:30That husbands are not made of iron
00:15:32Jealous!
00:15:33But we can't sunbathe.
00:15:34On our day off
00:15:35Hey?
00:15:36Envy, filthy envy
00:15:37That I am an American lady
00:15:38Oh, how funny, Mona Lisa!
00:15:41They've seen you, Calisto!
00:15:43If you were well known
00:15:45Before racial aggregation with her husband
00:15:47That we know everything
00:15:48They called it the best
00:15:50What a fresh pair!
00:15:51They'll give you your license any day now!
00:15:53To drive?
00:15:54No, silly.
00:15:54The one that Doña Lola has
00:15:55From when I was a pilingui
00:15:57I am very madam
00:15:58To discuss with the service
00:15:59Ha ha ha!
00:16:01And tomorrow is Saturday, Saturday
00:16:03They're going to give it more than a mat
00:16:05It doesn't bother you at all
00:16:07Francisca!
00:16:08Francisca!
00:16:09That?
00:16:09Everything is ready
00:16:11I'll be right there, Mr. Peter.
00:16:13My peseta, please
00:16:15Come on, come on!
00:16:18Thank you
00:16:18Oh, Don Peter, I'm very nervous.
00:16:23Come on, if it's to test you
00:16:24That gives me the creeps
00:16:26Open your mouth
00:16:27So, more
00:16:28Further!
00:16:30All you can
00:16:32Ah!
00:16:33Oh!
00:16:33Please excuse me, Mr. Peter.
00:16:34It's the nerves
00:16:35You bit me
00:16:36It's that you have felt something
00:16:37My finger
00:16:38Open your mouth!
00:16:39Ah!
00:16:43Hey?
00:16:45Hey?
00:16:46Ha ha!
00:16:47Ah!
00:16:48Ah!
00:16:48Ha ha ha!
00:16:51By lowering it a little
00:16:52You still have a beautiful tooth.
00:16:54Sorry, but I have a can
00:16:55Fabada in a bain-marie
00:16:56It's on point
00:16:58Give me the wine!
00:17:00Would you like some?
00:17:01No, thanks
00:17:02I've had three whiskeys for a snack
00:17:04Well, you'll forgive me.
00:17:06But they are my hours
00:17:07Hey!
00:17:08What a cross you have.
00:17:09Hey, Mr. Peter.
00:17:11What are you dressed up as here?
00:17:13I'm welcome
00:17:14He is my father-in-law
00:17:15My wife says we have
00:17:16A great resemblance
00:17:17How a resemblance?
00:17:18If you are nailed
00:17:19The only thing missing is the cap
00:17:21Come on, don't exaggerate, Francisca
00:17:22Don't exaggerate
00:17:24His wife looks gorgeous as a bride
00:17:26In uniform she looks so serious
00:17:28Don't talk to me about the uniform
00:17:30I met her in a pink organza dress
00:17:33I had just arrived from Vietnam
00:17:35And it came launched
00:17:36You know what the military is like.
00:17:39When they come from the front
00:17:40I don't know about the front
00:17:41But fifth-rate, yes.
00:17:42We'll have to see how they come back.
00:17:44The young men of the town
00:17:44When they are discharged
00:17:45So scared
00:17:46Sheila was very affectionate
00:17:48But now the uniform
00:17:49It messes everything up
00:17:50Damn uniform
00:17:52I say that at night
00:17:53He will take it away
00:17:55Yes, but it's the same
00:17:56He takes off his uniform
00:18:00But the regulations remain
00:18:03Be careful with the merchandise
00:18:17Hey, hey
00:18:18Madam, madam, madam
00:18:36The young man has arrived
00:18:37Shall we bring it in?
00:18:37Oh, yes, yes
00:18:38Juana, Juana
00:18:39Juana
00:18:40Juana
00:18:43Juana
00:18:45Juana
00:18:46Juana
00:18:47Juana
00:18:48What's up, Mr. Johnny?
00:18:49What's happening?
00:18:50Don Johnny
00:18:50What is Saturday?
00:18:51Oh, chalk
00:18:52I had forgotten
00:18:53Hello
00:19:02Hello
00:19:04But listen
00:19:04Oops, oops, oops
00:19:06What's wrong with him?
00:19:08What's wrong with him?
00:19:09Nothing
00:19:09What is Saturday?
00:19:10You lend a hand
00:19:11Yes, yes
00:19:12Come on, come on
00:19:13Come on
00:19:13Come on
00:19:14Come on
00:19:15Come on
00:19:16Come on
00:19:17Come on
00:19:18Come on
00:19:19Come on
00:19:20Come on
00:19:21Come on
00:19:22Come on
00:19:23Come on
00:19:24Come on
00:19:25Come on
00:19:26Come on
00:19:27Come on
00:19:28Come on
00:19:29Come on
00:19:30Come on
00:19:31Come on
00:19:32Come on
00:19:33Come on
00:19:34Come on
00:19:35Come on
00:19:36Come on
00:19:37Come on
00:19:39Come on
00:19:40Come on
00:19:41Come on
00:19:42Come on
00:19:43Come on
00:19:44Come on
00:19:45Come on
00:19:46Come on
00:19:47Come on
00:19:48Come on
00:19:49Come on
00:19:50Come on
00:19:51Come on
00:19:52Come on
00:19:53Come on
00:19:54Come on
00:19:55Come on
00:19:56Come on
00:19:57Come on
00:19:58Come on
00:19:59Come on
00:20:00Come on
00:20:01Come on
00:20:02Come on
00:20:03Come on
00:20:04Come on
00:20:05Come on
00:20:06Come on
00:20:07Come on
00:20:08Come on
00:20:09Thank you!
00:20:39Madame, Don Johnny, is on the sofa.
00:20:52Roger.
00:20:54Johnny, sir, just five o'clock.
00:20:57Always saying, Johnny, drink before dinner is not a good idea.
00:21:01Madame is right.
00:21:02You have to grab the slice on Saturday night, like the neighbors.
00:21:06Oh, come on, Johnny.
00:21:08Come on, Johnny.
00:21:09Hey, hey.
00:21:11Oh, you, please.
00:21:12Now comes the good part.
00:21:14Oh, Mr. Johnny!
00:21:15Oh!
00:21:16Go on.
00:21:17Come in, Don Johnny, come in, come in.
00:21:20Yes, yes!
00:21:21Hey, Mr. Johnny!
00:21:23Hey!
00:21:25Oh!
00:21:27Oops!
00:21:28Man, no one can get it right like that.
00:21:29Man, Lorenzo, don't make it so difficult.
00:21:31Man, I...
00:21:32André, give it to him too, he'll appreciate it!
00:21:36Me!
00:21:36Bad!
00:21:37Hey, Mr. Johnny!
00:21:38Don Johnny, hey!
00:21:39Hey, Mr. Johnny, Mr. Johnny!
00:21:40Oh yeah, no, man!
00:21:41It's a charity!
00:21:42Look!
00:21:44Come on!
00:21:44Well, if it's a charity, you'll see.
00:21:46Come on, come on.
00:21:49Ok, ok.
00:21:50He's coming back, he's coming back!
00:21:52Hey, he almost left you there.
00:21:55Oh, Meg!
00:21:56We have guests.
00:21:58Nat, Spence, are coming for dinner.
00:22:00Johnny, come on, come on.
00:22:01Get everything ready, my friend Senna.
00:22:03Yes, ma'am.
00:22:03Yes, yes, yes.
00:22:06And they do this every Saturday?
00:22:08All.
00:22:08And we all beat them up like this.
00:22:10They are the first country in the world.
00:22:12They set off rockets.
00:22:13Like in my town.
00:22:13But in your town, the most they reach is the mayor's eye.
00:22:16Juana, please.
00:22:17Oh, go!
00:22:17Why don't you come and have dinner with us?
00:22:20And what are the Americans going to say?
00:22:21Oh, they're leaving us for the weekend.
00:22:23Antonio will also come.
00:22:25The romance of Juana.
00:22:27Of course romance comes every day of the year.
00:22:43They are not fruits, ah!
00:23:11The gentlemen leave immediately.
00:23:28Yes they can.
00:23:33Not bad.
00:23:34Not bad at all.
00:23:35Nat, what a dish.
00:23:37You said it, she's a real little cat.
00:23:41What are these children of Washington laughing at?
00:23:46They must have looked at themselves in the mirror at the entrance.
00:23:48Oh, don't be angry, miss.
00:23:50My friend and I say that you are very pretty.
00:23:54And we understand Spanish very well.
00:23:56Come on, dad, help the lady.
00:23:58Ok.
00:23:58Allow me.
00:23:59Oh, sorry.
00:23:59Does pipe smoke bother you?
00:24:01No no.
00:24:02It's a tablecloth, right?
00:24:02Yeah.
00:24:03Commitment.
00:24:04Sorry.
00:24:05What can I do?
00:24:07Well...
00:24:08Nothing.
00:24:09I have work to do in the kitchen.
00:24:11I'll go with her.
00:24:12Of course.
00:24:15Oops, the glasses are missing.
00:24:17Are you from Madrid?
00:24:19Extremaduran.
00:24:20Glasses.
00:24:21Goes.
00:24:25What's it called?
00:24:27Francisca Pizarro.
00:24:28To serve.
00:24:28No, no human being serves another.
00:24:30Works.
00:24:32So what I do is not serve.
00:24:34No, it's work.
00:24:35Working is very hard.
00:24:38Serving goes better with one.
00:24:40Do you want me to tell you something?
00:24:42There is a legend in Louisiana.
00:24:44The boys and girls say...
00:24:46Take the little one.
00:24:47Take it small.
00:24:49Because it is said that evil was a very big bug that chased good things.
00:24:53And these, so as not to be seen, become small, tiny, like this little finger.
00:25:01Like this little hand.
00:25:03Like this little arm.
00:25:05In Extremadura we have the legend of the man who was given a cherry and kept the tree.
00:25:10Spanish women misinterpret everything.
00:25:13Precautionists.
00:25:14Is there something wrong with Cris and one arm?
00:25:16No, a cousin of mine had her arm stroked five years ago and today she's dressed like a sailor.
00:25:20The arm?
00:25:21To the child!
00:25:23And flowers.
00:25:25It's nice to eat with flowers.
00:25:28You know what?
00:25:29If you lived in New York, you wouldn't be the Stevenses' maid.
00:25:35Of course, they live here.
00:25:37You are very pretty and have too much class to serve anyone.
00:25:42Thank you.
00:25:44America is the land of the free.
00:25:46Women and children rule there.
00:25:49There you would be, let me think, you would be a covergirl.
00:25:54Yes, a great covergirl.
00:25:58That?
00:25:59It would be on the covers of magazines.
00:26:02Or better yet, public relations.
00:26:04Yes, because you have public relations legs.
00:26:08Listen, I'm a decent girl and I have a serious boyfriend.
00:26:11I don't doubt it.
00:26:11A good public relations person must be a serious girl.
00:26:15Nat, I'm sorry.
00:26:16I had to take care of Johnny.
00:26:17He came home a little tipsy.
00:26:18It took him a little while to recover.
00:26:20Oh, don't worry about it, Margaret.
00:26:21You've been wonderful to put up with this old fox.
00:26:23Careful, boy.
00:26:25The old fox isn't too steady on his pins.
00:26:35Don't bother.
00:26:36The gentlemen of Steven are waiting for you.
00:26:38I'd rather stay here.
00:26:43Oh, please go away.
00:26:44Oh.
00:26:44Ah, yes.
00:26:46Good night.
00:26:47Hello, Lorenzo.
00:26:51Good night.
00:26:53Dinner with us?
00:26:54It's for you.
00:26:56A gift?
00:26:57I thought he would be excited.
00:27:00You bet he'll do it for me.
00:27:01How beautiful she is.
00:27:02It's like it smells like straw and green.
00:27:08Oh, oh, oh, oh.
00:27:10But Lorenzo, if it's a table with a propulsion motor, isn't it nonsense?
00:27:15This house looks like the Monster family's.
00:27:18Things happen...
00:27:23Watch out, the hen!
00:27:26My hen, my hen!
00:27:27What's going away?
00:27:27There's my hen!
00:27:29How are you doing?
00:27:31Good.
00:27:31Everything is ready.
00:27:33I'll let you know.
00:27:34This time he saved you.
00:27:36Pretty.
00:27:39Dulans, Dulans!
00:27:40Dinner is prepared there.
00:27:41Me, me, me.
00:27:41Ok.
00:27:42Okay, sir.
00:27:42Vacenar!
00:27:46We have to talk about America.
00:27:47Read Teresa.
00:27:49Vada?
00:27:54That they have made a mistake.
00:28:00Go to the living room, you're not mistaken.
00:28:02Oh no?
00:28:03Francesca.
00:28:03Forks.
00:28:04Do you want to pass the drinks?
00:28:06Forks.
00:28:07Do you like it a little more?
00:28:07Oh, no, no.
00:28:09No no.
00:28:09No no.
00:28:09No no.
00:28:09No no.
00:28:10No no.
00:28:10No no.
00:28:10No, no, no.
00:28:11No, no, no.
00:28:12No no.
00:28:17Come on.
00:28:17Come on.
00:28:17They always eat in the kitchen.
00:28:19Do you like it?
00:28:19Because?
00:28:20Because they feel like it.
00:28:21They are free.
00:28:22Here, anyone is free to eat in the kitchen.
00:28:25The difficult thing is being free to eat on the riz.
00:28:28Goes.
00:28:28Good evening, madame.
00:28:39Good evening, in general.
00:28:40Hi.
00:28:41Hi.
00:28:42He's Juana's boyfriend.
00:28:44Boyfriend?
00:28:45I believe so.
00:28:46They are already with their ordinary lives.
00:28:53You're always late.
00:28:55How do you work so much...
00:28:57Juana, let's not start.
00:28:59Let me have dinner in peace.
00:29:02Hello, Lorenzo.
00:29:02Ah.
00:29:03Your romance?
00:29:04No, no, for God's sake.
00:29:05A friendship.
00:29:06What's that?
00:29:07Vegetable stew.
00:29:09It has potatoes, artichokes, peas, bacon and then there's braised beef.
00:29:15And for dessert?
00:29:16As a tribute to Latin America, Paraguayans.
00:29:20And are you going to eat with the chicken on?
00:29:24If it's not a bother, I prefer.
00:29:26There are many dangers in this house.
00:29:28And to think that these Americans are the Indians we discovered?
00:29:32Well now they are the first country in the world.
00:29:34The country of democracy.
00:29:35Nothing strange has happened since then for these guys to have the space capsule.
00:29:40And we continue with the rence.
00:29:42The Republic.
00:29:43I think the republic was to blame for everything.
00:29:46I think the question begins with Ferdinand VII.
00:29:49Do you want me to tell you who is to blame for everything?
00:29:51You and the Spaniards who are like you.
00:29:54Because they were so smart, they didn't strike a blow.
00:29:56It bothers you that they beat you to the punch in building skyscrapers.
00:29:59You should have done them before.
00:30:00This.
00:30:01This is the culprit of everything.
00:30:03What's going to make my mother feel bad?
00:30:04Leave him, Juana, you're giving him dinner.
00:30:07I'm free, you know, handsome?
00:30:09Free.
00:30:10And as soon as we're done eating, you put on an apron and help me wash the cutlery.
00:30:16I.
00:30:17Not that, Juana, he's a man.
00:30:19Look, Juana, I'm not your husband, but I'm going to slap you.
00:30:23You to me?
00:30:24You to you!
00:30:24Please.
00:30:27Please.
00:30:29The hen is trembling.
00:30:31Well!
00:30:48They are hitting the repair hard.
00:30:51Here, democracy.
00:30:54Here, democracy.
00:30:55Here, democracy.
00:30:56Here, democracy.
00:30:57Here, democracy.
00:30:58Here, democracy.
00:30:59Here, democracy.
00:31:00Here, democracy.
00:31:01Here, democracy.
00:31:02Here, democracy.
00:31:03Here, democracy.
00:31:04Here, democracy.
00:31:05Here, democracy.
00:31:06Here, democracy.
00:31:07Here, democracy.
00:31:08Here, democracy.
00:31:09Here, democracy.
00:31:10Here, democracy.
00:31:11Here, democracy.
00:31:12Here, democracy.
00:31:13Here, democracy.
00:31:14Here, democracy.
00:31:15Here, democracy.
00:31:16Here, democracy.
00:31:17Here, democracy.
00:31:18Here, democracy.
00:31:19Here, democracy.
00:31:20Here, democracy.
00:31:21Why don't you take that out and put something more cheerful?
00:31:38Beethoven is the depth. The soul lives long with Beethoven.
00:31:41But we've been in depth for an hour.
00:31:44There's no hurry, Dolly, it's Saturday.
00:31:51My psychoanalyst recommends Beethoven. Good for my lectra complex.
00:31:58You look gorgeous. Without your uniform, you drive me crazy, crazy.
00:32:02Oh, darling, always thinking about the same things.
00:32:05It's only natural, I'm your husband, aren't I?
00:32:07No, that's normal. Your obsession. Needing psychoanalysts.
00:32:13Look what I need. I need you out of my life, baby.
00:32:17Later, later.
00:32:18After...
00:32:19Then you're soaked, Sheila. You've had four whiskeys.
00:32:27Better to forget.
00:32:30It's not possible, love.
00:32:33The regulations.
00:32:37You know well.
00:32:43The regulations.
00:32:48Give me a kilo of Spanish ones.
00:33:08Oops!
00:33:09A bug!
00:33:11Sure?
00:33:12Look, this doesn't happen in the supermarket.
00:33:14Do you think there are no bugs in America?
00:33:16Yes, but they don't give them with the lentils.
00:33:17How are they going to give them if they don't have lentils?
00:33:19Bah!
00:33:20Sorry about the bug, Francisca.
00:33:22It doesn't matter.
00:33:23Yes, yes it does.
00:33:25If we sold items with bugs, we would lose customers.
00:33:28Would you turn your back on me yourself?
00:33:31I don't turn my back on any man, just in case.
00:33:35How cautious!
00:33:37You have Juana very upset.
00:33:39You haven't been home for five days.
00:33:42Like he's thinner.
00:33:43One of lentils, boss.
00:33:44It's a lot to rub in.
00:33:45This is not a restaurant.
00:33:47And today we have Paraguayans.
00:33:48Come on, Juana talks as if I were feeding her.
00:33:50And that is not the case.
00:33:51I have my dignity.
00:33:55You know that I want to work.
00:33:57But with...
00:33:59...horizon.
00:34:01In the countryside.
00:34:03With a future.
00:34:04You had a future in Germany and you left it.
00:34:07Less future than it seems.
00:34:08That is very misleading.
00:34:09You spend the day working and when you least expect it, they let you go over the loudspeaker.
00:34:15Cheers!
00:34:16Heg itself is a laboratorum, a sic infelzulace.
00:34:21And you think they're going to give you an extra pay.
00:34:24And you feel joy.
00:34:25And they give it to you?
00:34:27What are they going to give you?
00:34:28It's a warning to get vaccinated against diphtheria.
00:34:32And so on.
00:34:33What's it going to be?
00:34:36I beer.
00:34:37For me, a glass of cazalla from the mountains.
00:34:40And you?
00:34:42Bosca with orange.
00:34:43Only orange left.
00:34:45For me, a 7up.
00:34:46There's nothing left of that.
00:34:47Lemonade.
00:34:48Soda.
00:34:49Is left over?
00:34:50You ask for some things.
00:34:51This is Spain!
00:34:52And I was talking about Germany.
00:34:54Where you were just as lazy as you are here.
00:34:57Edelmiro told me that they gave him a pick.
00:34:59And he went and asked where the button was to make the tool work.
00:35:03Man, of course.
00:35:03It's that I count so much on the German miracle.
00:35:06So that later they give you a peck like the ones here.
00:35:21I was born to be an Eggman.
00:35:23My happiness would be to have a poultry farm.
00:35:27You are full of plans.
00:35:28In a good way.
00:35:34In America we are in charge.
00:35:36And a woman can be a public relation.
00:35:39Hey?
00:35:40Have you gone mute?
00:35:41I was telling you.
00:35:43Two steps to the left, one to the right.
00:35:44If I don't get lost.
00:35:45Well, stop counting.
00:35:47Public relations.
00:35:49There it is.
00:35:50What is public relations?
00:35:52Well, the word itself indicates it.
00:35:54Public relations.
00:35:55The one that relates to the public.
00:35:56Yes, let's go.
00:35:57Like the bee's knees.
00:35:58Hey, Antonio, I won't allow that.
00:36:00And just so you know, I have PR legs.
00:36:04You have legs just for me, that's why you're my girlfriend.
00:36:07Look, Antonio, I'll tell you very clearly.
00:36:09Either you find a job and we get married immediately, or goodbye.
00:36:12No threats, huh?
00:36:15But who do you think I am?
00:36:17Say goodbye to me like that in English.
00:36:19Antonio, you're attracting attention.
00:36:21Let everyone know better.
00:36:22I'll give you back the photos tomorrow.
00:36:24But what's going on?
00:36:24Let's get out of here, Lorenzo.
00:36:26But...
00:36:26They are sold to the Americans.
00:36:28You have to have dignity.
00:36:29But if I don't...
00:36:30You're crazy!
00:36:32You are now free.
00:36:34And go fuck yourself with public relations.
00:36:36Applause!
00:36:36Can I ask you a question?
00:36:56Yes of course.
00:36:58How much can you earn here?
00:36:59Four thousand.
00:37:01Semanalis.
00:37:02Wow, how delicious, Federico!
00:37:04A month!
00:37:07They are enslaving her.
00:37:11Listen.
00:37:12A woman like you, beautiful, intelligent, nice,
00:37:17In New York I would earn more than a thousand dollars a month.
00:37:19That's 60...
00:37:2260 thousand pesetas?
00:37:26Yeah.
00:37:27But doing bad things,
00:37:28because my aunt with that plan takes out 45 thousand in Barcelona.
00:37:31An honorable job.
00:37:42New York is something fabulous.
00:37:45Do you know that in months,
00:37:46a department store,
00:37:48there is a sign
00:37:48what they say,
00:37:50the man who helps you
00:37:51should wear this apron?
00:37:54Do you know that women have
00:37:5775% of the shares
00:38:00of large companies?
00:38:03In America,
00:38:04the woman commands.
00:38:06The man
00:38:06works until he arrives
00:38:09the heart attack.
00:38:12America is the beautiful country
00:38:13full of old women
00:38:15and diures.
00:38:18Do you think I...?
00:38:20Sit down.
00:38:20Cross your legs.
00:38:26No.
00:38:28No decision,
00:38:29will do nothing in New York.
00:38:31Ok.
00:38:46Legs of a winner.
00:38:49Cheer up, Juanita.
00:38:50You can be free.
00:38:52A good car.
00:38:54Salary in dollars.
00:38:55And what do you have to do to leave?
00:38:57Obtain an employment contract.
00:38:59And how do you get it?
00:39:01You see.
00:39:02The first thing is to fill
00:39:03a huge form
00:39:04full of questions.
00:39:06For example,
00:39:07did I have any illness?
00:39:10Poliomyelitis,
00:39:11anxiety neurosis,
00:39:13encephalitis.
00:39:14No no,
00:39:15the Spanish,
00:39:15measles,
00:39:16whooping cough,
00:39:16flu.
00:39:17I have to be honest.
00:39:19It is very difficult
00:39:20obtain an employment contract.
00:39:22Almost impossible.
00:39:23The Department of Immigration
00:39:25by the minimum
00:39:26Spanish immigrants
00:39:27would take years.
00:39:29So?
00:39:29There is a system
00:39:30easier.
00:39:33Marry an American.
00:39:39This is what we are going to do
00:39:40it's an outrage.
00:39:41What are you saying?
00:39:42That is an outrage
00:39:44that they are going to kick us out.
00:39:46Don't be a chicken, Lorenzo.
00:39:48You, you, you,
00:39:48you are the one who is crazy.
00:39:49It's the birthday
00:39:55from Don Johnny.
00:39:56We are his friends, aren't we?
00:39:58And trusted friends
00:39:59because I'm fed up
00:40:00to eat at home
00:40:00and he was so happy.
00:40:02But what about Juana?
00:40:04I agree with the girls
00:40:05we are in a situation
00:40:06rather cold.
00:40:07How cold?
00:40:08What do you mean they are giving it to us?
00:40:09with the Americans?
00:40:10Well, so what?
00:40:11Ours is a commitment
00:40:12social with Don Johnny.
00:40:13Let's congratulate him,
00:40:14not to them.
00:40:21Come on, take that off.
00:40:22and put on this tie.
00:40:23You don't care
00:40:24the details.
00:40:25What's that?
00:40:25What's that?
00:40:26It's okay, man.
00:40:28Are they killing that one?
00:40:29He's got it made,
00:40:30crazy, let there be a Saturday.
00:40:34How bad, father!
00:40:35How bad, father!
00:40:38How bad, father!
00:40:44You?
00:40:57We want to see Don Johnny Stevens.
00:41:00It is a private matter.
00:41:02Announces Don Antonio Ponce de León,
00:41:05please.
00:41:06And to Don Lorenzo de Soto,
00:41:07also, please.
00:41:08Mr. Stevens
00:41:09cannot receive them now.
00:41:11He is being resuscitated in the shower.
00:41:14We are in no hurry.
00:41:15You don't,
00:41:16but Miss Juan
00:41:17and Miss Francisca does.
00:41:19So,
00:41:20get out of here!
00:41:21What manners!
00:41:22You have to see how the service is.
00:41:24Impossible.
00:41:26Get out of here
00:41:26or I call 091.
00:41:28It's the last straw.
00:41:29First he sends me to do
00:41:30I don't know what
00:41:31and then he comes to take me
00:41:32hair at home.
00:41:34With the one with the chicken!
00:41:35Without fail.
00:41:37What's happening?
00:41:38What's happening?
00:41:39Nothing.
00:41:39That the low voltage is
00:41:40and his friend the eggman
00:41:41they have come to make fun of it.
00:41:45Run, Juana,
00:41:46that luck is whistling!
00:41:49It seems to me
00:41:50that we have gone too far.
00:41:52They took it the wrong way, didn't they?
00:41:54They are on fire.
00:41:56I connect television
00:41:57in closed circuit.
00:42:00Ready to check image.
00:42:03Televising automatic pruning shears.
00:42:06Correct.
00:42:07Lettuce, okay.
00:42:08Cut beetroot.
00:42:15Sliced carrots.
00:42:18Pruning action concluded.
00:42:19Ok.
00:42:20Change.
00:42:21Step to oven number 3.
00:42:25You only see stripes.
00:42:26Possible failure
00:42:27hertzian waves.
00:42:31I correct image.
00:42:34Control continues.
00:42:35Defective image.
00:42:36I keep correcting.
00:42:38Communicates optimal point.
00:42:41Optimal vision achieved.
00:42:43Sirloin too raw.
00:42:45Don Johnny likes it better done.
00:42:47I estimate eight more minutes.
00:42:50Attentive output of finished product.
00:42:52Prepared next to a central grill.
00:42:54Pay attention to the countdown.
00:42:57Maximum lights.
00:42:58Attention!
00:43:00Attention.
00:43:02Five, four, three, two, one.
00:43:07Egg!
00:43:08Egg!
00:43:09Egg!
00:43:10Egg!
00:43:12Egg!
00:43:13Eggs one through five recovered.
00:43:17New release.
00:43:18The countdown begins.
00:43:20Maximum lights.
00:43:21What do they do?
00:43:24They are boiling eggs.
00:43:27Attention!
00:43:29Five, four, three, two, one.
00:43:35Egg!
00:43:37Egg!
00:43:39Egg!
00:43:42Egg!
00:43:44Egg!
00:43:45Numbers six to ten recovered.
00:43:50They are worth a lot.
00:43:52Bah, they are specialized.
00:43:55I connect table!
00:43:56Oh, mother!
00:43:57Oh!
00:43:59I must be stupid because I can't get used to it.
00:44:02What do we do with the waste?
00:44:04Should we throw them in the garbage disposal?
00:44:06Look, Juana, stop with the hints.
00:44:08Something strange is happening here.
00:44:11Have...
00:44:12conflicting reports
00:44:15that they are preparing an ambush for you.
00:44:18Who?
00:44:19The two Americans.
00:44:20And what do you care?
00:44:21Aren't we done for good?
00:44:23Well, on to something else.
00:44:23It's different.
00:44:24I have the duty to ensure your honesty
00:44:26and by Francisca's.
00:44:29Isn't that true, Lorenzo?
00:44:30I,
00:44:31if not as a person,
00:44:32as an egg-eater,
00:44:34I think I deserve an explanation.
00:44:36An explanation of what?
00:44:37These two unhappy ones
00:44:38They think they're going to take over the world
00:44:40and they will end up in white slavery.
00:44:42Oh, what's that?
00:44:43My aunt's case, the one from Barcelona,
00:44:45but in a collective way.
00:44:47Do they bother you?
00:44:47Yeah.
00:44:48No.
00:44:49Yeah.
00:44:50They are bothering.
00:44:51I said they're leaving
00:44:52and they don't want to do it.
00:44:52It's very ugly to bother some young ladies.
00:44:59In New York he would get seven days in jail for that.
00:45:04We are not in New York.
00:45:06TRUE.
00:45:07But it is duty
00:45:07of any man
00:45:09fulfill a woman's wishes.
00:45:12And Juana wants you to leave.
00:45:15Come on.
00:45:16I'm leaving.
00:45:21They don't kick me out.
00:45:23Well, well.
00:45:24As you wish.
00:45:26Permission.
00:45:28Spanish pride.
00:45:29Always Spanish pride.
00:45:41And you?
00:45:46Yes sir.
00:45:50They can throw whatever they want at me.
00:45:59Don't laugh!
00:46:01He's not your boyfriend anymore.
00:46:02But he is a man
00:46:03and you shouldn't laugh at him.
00:46:04And from the egg man
00:46:04I'm here to laugh.
00:46:12Relief!
00:46:12Relief!
00:46:14Help me!
00:46:14Help me!
00:46:15My husband wants to hit me!
00:46:17If he is your husband,
00:46:19has the right.
00:46:19If I were a stranger,
00:46:21here we were.
00:46:23But he is her husband.
00:46:24Ah, yes.
00:46:28Spaniards!
00:46:29Severation!
00:46:45What are you doing?
00:46:59What are you doing?
00:47:01For me?
00:47:03It's not a gift.
00:47:05Oh, she's beautiful!
00:47:07It's not a gift,
00:47:09Well.
00:47:10So?
00:47:11It's much more.
00:47:13In America,
00:47:14This ring means a lot.
00:47:16It's like being engaged.
00:47:18Do you accept it?
00:47:19Fiances are like boyfriends and girlfriends, right?
00:47:26A lot more.
00:47:28It's almost like being husband and wife.
00:47:32It's practically like being married.
00:47:36Wait a bit, you're already on your honeymoon.
00:47:39Will you be my wife, Juana?
00:47:43But a real wedding?
00:47:45No divorces?
00:47:47No divorces.
00:47:50So suddenly we don't know each other well.
00:47:54We have a lifetime to get to know each other.
00:47:59Look! Look!
00:48:00Look what Spike gave me!
00:48:01What is it?
00:48:02A can of fabada?
00:48:03Yes, yes, it seems so.
00:48:04But look!
00:48:06Look!
00:48:06Ah, you've kept your roulette.
00:48:13Oh yes!
00:48:15Now in New York they sell canned dresses.
00:48:18It is very practical.
00:48:19New York.
00:48:21What a country.
00:48:25Hello, Juana.
00:48:26Arriving late?
00:48:27No, no way.
00:48:27The gentlemen are still getting ready.
00:48:30Francisca!
00:48:31Oh, go!
00:48:31Madame.
00:48:31Good evening, Madame.
00:48:37Thank you, Francisca.
00:48:38How elegant, Francisca!
00:48:39Yeah.
00:48:40Tonight we are invited to the party, which is very democratic.
00:48:44Madame, with soda, with ice?
00:48:46No soda, just a little ice.
00:48:48Thank you.
00:48:48Dry whiskey.
00:48:50What can I do?
00:48:51Thank you.
00:48:52Please, please!
00:48:53Presentation.
00:48:54Spencer and Nathan, two friends from home.
00:48:57Incarnate.
00:48:59Hello.
00:48:59How do you do it?
00:48:59How do you do it?
00:49:00Lieutenant Sheila, her husband, Don Peter Pucho.
00:49:02It is a very pretty dress.
00:49:03Thank you.
00:49:04I think so.
00:49:06Gentlemen.
00:49:07Happy birthday to you.
00:49:11Happy birthday to you.
00:49:15Happy birthday, Mr. Johnny.
00:49:19Happy birthday to you.
00:49:24He was a boy who was happy.
00:49:28He was a boy who was happy.
00:49:28He was a boy who was happy.
00:49:31Ciaba is not given!
00:49:33Bravo!
00:49:34Happy birthday to you.
00:49:35Police!
00:49:37Police!
00:49:37Police!
00:49:39They've left us in Jogela alone.
00:49:43That's why we sing anyway.
00:49:47The Cartejón people have left us alone.
00:49:50Up with the bagpipes, up with the bagpipes and to the big story.
00:49:53Yeah!
00:49:54They've left us in Jogela alone.
00:49:57That's why we sing anyway.
00:50:01They have left us alone, those of Cartejón.
00:50:04Up with the bagpipes, up with the bagpipes and down with the jug.
00:50:07Boom, boom!
00:50:07They have left us in Tudela alone.
00:50:14Lorenzo, those women are waiting to see the Spaniard in us.
00:50:18To the male!
00:50:20Are you Spanish?
00:50:21Yes, but very mixed with Swiss.
00:50:23Come on!
00:50:24I don't get kicked out of a place twice.
00:50:26They're going to buzz us!
00:50:27Drink and listen to him.
00:50:31If we had stood our ground when we were forced to leave, we wouldn't be here now.
00:50:36We would be in the hospital.
00:50:37But have you seen the punches the Americans throw?
00:50:40No man has ever touched my face.
00:50:43Not even me.
00:50:44But you've seen them shake in the movies.
00:50:47But that's rigged.
00:50:49Trick?
00:50:49Clear.
00:50:50He puts his fist in.
00:50:51You throw up your stomach.
00:50:52You say ah!
00:50:53And that's the effect they've given you.
00:50:54Oh yeah?
00:50:55Yes?
00:50:57It makes your stomach sink.
00:50:58Take.
00:51:00Look.
00:51:02Say ah!
00:51:07Damn, why haven't you pulled in your stomach?
00:51:21They're coming down the Sierra Morena, they're coming down, some black eyes, Ole Dolores, some smuggled black eyes.
00:51:39Coming down come some black eyes, ole Dolores, some black eyes that love me.
00:51:47And that was said by someone who was plowing, Ole Dolores, someone who was plowing on a farm.
00:51:58Ole, ole.
00:52:01With the salt that a brunette sheds, a brunette, with the salt that a brunette sheds, a blonde remains, for a week and a half.
00:52:17Long live the salt shaker! Long live precious salt! Long live the salt shaker! Long live precious salt! Long live the salt shaker! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt! Long live precious salt!
00:52:47Torre del Oro, where the sevillanas, where the sevillanas and olé, play the horn.
00:53:04Torre del Oro, where the sevillanas, where the sevillanas and olé, play the horn.
00:53:12Here! He already left the coffee pot on for me!
00:53:18Arenaldas, sevillanas and olé!
00:53:20Where are the sevillanas and olé!
00:53:24Ole, ole! Very good, very good! Ole, ole, ole!
00:53:27The indigenous people!
00:53:31Where did you come in?
00:53:33What's going on outside the window?
00:53:34You're already leaving here.
00:53:35No!
00:53:38And you?
00:53:40I'm thinking about it.
00:53:43Psst! Psst!
00:53:46And as soon as he thinks about it, he's going to say no.
00:53:52Don't you know that you can't enter a house without asking permission?
00:53:55I came to congratulate Don Johnny on his birthday.
00:54:02Happy birthday, Don Johnny!
00:54:04Oh, thank you very much.
00:54:06Now, if there is any obstacle to dealing with workers...
00:54:12...because it could be that what happens is that the worker shouldn't be invited.
00:54:20No!
00:54:20We believed that democracy was also made for egg-makers...
00:54:26...but maybe not.
00:54:30No!
00:54:31What to say?
00:54:32Ah, think we don't want to deal with them.
00:54:34Why are they workers?
00:54:36Oh no!
00:54:36Yeah.
00:54:38The American will estimate a man primarily by his work.
00:54:41Lincoln, say it now!
00:54:43The boys who will give is fair.
00:54:45And I'm leaving.
00:54:46Because?
00:54:46They are Margaret's guests.
00:54:48For us, as if they didn't exist.
00:54:50Music, music!
00:54:52Lincoln, say it now!
00:55:22Music, music!
00:55:28Musky!
00:55:29Musky, pal de peña!
00:55:30I have to re-stain the rock!
00:55:31No!
00:56:01No!
00:56:31No touching, eh! No touching!
00:56:51Tell that man who came in not to move so much because he's bothering me.
00:56:55No gentleman has come in and you've already had enough to drink.
00:56:57Touching me! I don't even want to think about it!
00:57:18Francisca, Francisca!
00:57:20Look what a ring Naptan gave me!
00:57:22Wow, how nice!
00:57:24Is the stone good?
00:57:25It has to be. It's an engagement ring.
00:57:27We got married here and then we'll live in New York.
00:57:30Girl, how lucky! To live in New York!
00:57:32It's the most modern city in the world, right?
00:57:34You'll have to see the kitchens there. Ours. It'll be like a village kitchen.
00:57:37Well, the Russians reach the moon before anyone else!
00:57:39The Russians are less ghosts than who I know!
00:57:42There are people here who work little.
00:57:47And the nap.
00:57:48Have you heard of the siesta, Spay?
00:57:51Fire, please.
00:57:52Clear.
00:57:54And let's have a cigarette.
00:57:56And I will do it tomorrow.
00:57:59Because they are short, they get tired quickly.
00:58:02Pssst! Giants last me two minutes.
00:58:06They're pathetic, poor things. Are they always drunk?
00:58:10Give it up, Spay!
00:58:11In America everyone says what they want.
00:58:13It is the country of freedom.
00:58:15Freedom! Ha!
00:58:16What things should you hear?
00:58:17It will be freedom to go to the psychiatrist and to eat a raw tomato.
00:58:20Because when it comes down to it, there are the regulations.
00:58:23The regulations?
00:58:23Yes, the regulations.
00:58:25Because these gentlemen have regulations from the Middle Ages.
00:58:28And what is that, Don Peter?
00:58:30The rules of the land of freedom say that my wife cannot have children.
00:58:34And do you know why?
00:58:37Because he's a lieutenant.
00:58:39And the lieutenants are not allowed.
00:58:42Take freedom!
00:58:43I, on the other hand, know an armed police lieutenant in Valladolid with seven children.
00:58:48And on top of that they give him stitches.
00:58:50Do you see it?
00:58:50That we have an organic democracy.
00:58:52Do you see it?
00:58:53Let's go for a walk, Nathan.
00:58:56I'm fine here.
00:58:58And I'm not the one who has to leave.
00:59:00Please leave.
00:59:02Seriously, Antonio, you're giving Juana a bad feeling.
00:59:05That is very difficult.
00:59:06Things as they are.
00:59:07We are invited by the owner of the house.
00:59:09And in any case we voted for it.
00:59:11Vote!
00:59:12Some say we should leave, others say we love each other.
00:59:14I did not understand.
00:59:16Some say workers should give, others want workers to march.
00:59:19Nice guys.
00:59:21Let's vote.
00:59:22Vote!
00:59:22Hey, you!
00:59:24Hey?
00:59:24Listen!
00:59:25There it goes, there it goes!
00:59:26He refuses, he refuses this one!
00:59:27Let's see if there is democracy for some things and not for others.
00:59:31Raise your hands if you want us to leave.
00:59:34March!
00:59:34March!
00:59:35That?
00:59:36That?
00:59:37One, two, three, four.
00:59:42Four!
00:59:44Four!
00:59:46Fort!
00:59:47Raise your hand if you want us to stay.
00:59:50Workers to give!
00:59:52Workers!
00:59:53Two. One, two, three, four.
00:59:58Four! Four!
01:00:01Tied.
01:00:01No, no, no, no, no. I'm voting for Antonio to stay.
01:00:05Five. Yes, yes, yes.
01:00:07And I vote for Lorenzo to stay.
01:00:09Six! Six!
01:00:12Six against four. Workers remain.
01:00:15Okay, guys. I think we should be clear.
01:00:18Man, yes. That's what we want. Because what we like is to speak clearly.
01:00:23Didn't I tell you that what you had to do was speak clearly?
01:00:25Well, to put it bluntly. You guys think that...
01:00:28But not me. Because we either are or we aren't, we either are or we aren't.
01:00:32And if you're going to think this, that... You're very wrong.
01:00:36But how very wrong.
01:00:37Because here, out of the blue... No. But no.
01:00:41That's it. Because here, wearing your heart on your sleeve is fine.
01:00:44Now, if this isn't the case, look how I run, the last one paralyzed...
01:00:48No way! No way!
01:00:50Correct!
01:00:51Look, Antonio, let's be clear.
01:00:54You get pricked by what pricked you.
01:00:55And you can't think that the whole field is oregano.
01:01:00What pricks me, pricks me. And nothing more.
01:01:03And I don't want to get into other things.
01:01:05Correct!
01:01:07And since people understand each other through talking, it's necessary to engage in dialogue...
01:01:12I don't feel like it, eh!
01:01:13Without hesitation, like water. If we were all as we should be, we would be honest.
01:01:17Because what you like is talking and sleeping.
01:01:20With one eye open!
01:01:21And that's all right.
01:01:23When is it okay?
01:01:24And when it's not bad.
01:01:25Oh, that's for sure!
01:01:26Well, that's it.
01:01:27Well, ready.
01:01:27Well, that's it.
01:01:29What to say, workers?
01:01:30It's long to explain.
01:01:34I don't understand anything.
01:01:35I.
01:01:35He wants to repeat it to me.
01:01:43In Spanish, if you don't mind.
01:01:47All of this can be summed up in one sentence.
01:01:49There are undesirables.
01:01:51Correct!
01:01:51You are offending a non-American city.
01:01:56You realize.
01:01:56Oh, leave it, Nathalie!
01:01:57Nothing is going to happen.
01:02:00A non-American city!
01:02:06You don't know who you're talking to.
01:02:09Get your union card, Antonio.
01:02:10Get your union card and nothing else.
01:02:12I put this paper in front of you and you shut up for the rest of your life.
01:02:19That's it, that's it.
01:02:21Vaccination certificate.
01:02:24This is not it.
01:02:25It's this other one.
01:02:27And I don't show it to him because I don't want to.
01:02:28And nothing else.
01:02:29You don't know who this is dealing with.
01:02:30Tell him who you're dealing with, Antonio.
01:02:32Tell him who you deal with.
01:02:33Yeah, no need, man.
01:02:34The deputy mayor of Torrejón de Adolfo, as if he were his father.
01:02:37And from there, up.
01:02:39Man, let's see...
01:02:40Let's see, let's see, me...
01:02:42And let's see who signs this paper.
01:02:47Let's see who signs it.
01:02:49Illegible signature.
01:02:50So let's see who signs it.
01:02:53You don't want to understand what we are.
01:02:58North Americans.
01:02:59Do you understand?
01:03:01See this.
01:03:0450 states, 50 stars and all these bars.
01:03:09This flag protects us.
01:03:11This means a lot.
01:03:13Do you see this?
01:03:14Red and...
01:03:15Red and...
01:03:16What do they call yellow in flag style?
01:03:19Walda!
01:03:19That.
01:03:20Red and Walda.
01:03:21The color of blood because we replay.
01:03:23And the gold of America that we haven't spent because we are so generous.
01:03:26Well, something?
01:03:27I think that...
01:03:28Hey, does that flag protect you?
01:03:30Us?
01:03:31Where are they?
01:03:32This.
01:03:33What else?
01:03:34We held on too long.
01:03:36To the vice president.
01:03:38The other way around.
01:03:39Ah, the one you're talking about, from Spain.
01:03:42Wine from the Priorazo.
01:03:43Reus, Tarragona.
01:03:45Long live Catalonia!
01:03:46Visca, visca!
01:03:47I, I'm not scared of you two, nor of those six you brought with you.
01:03:51Lorenzo, what are you watching triple?
01:03:53Don't hold me, Antonio!
01:03:54Don't hold me!
01:03:55Here I am!
01:03:56Something's up!
01:03:57That?
01:03:57Look, also with the stomach forward.
01:03:59And I'll give him a head start.
01:04:02Come on, brave one!
01:04:02Come on!
01:04:03Something's up!
01:04:03That's enough.
01:04:04Let's go, Nati!
01:04:05America!
01:04:06Go public!
01:04:07Shh!
01:04:08Relation.
01:04:08Put the Relation.
01:04:10You won't get out with this one.
01:04:11Right?
01:04:12I bet you don't!
01:04:14I bet you don't!
01:04:15Take this.
01:04:16Give me!
01:04:18Come on, Spy.
01:04:20Today must be this.
01:04:21All right, boss.
01:04:23It can be fun.
01:04:31They're all crazy.
01:04:40Put on a jacket, Darlene.
01:04:42You look ridiculous.
01:04:43We go home.
01:04:44Get out of here, Sheila!
01:04:45To those big shots!
01:04:49Do you know what day it is today?
01:04:50Saturday?
01:04:51Saturday yes, but Saturday, May 2nd.
01:04:53Take care of that one, Nat.
01:04:54Yeah.
01:04:55Leave the guinea pig to me.
01:04:56All right.
01:05:07I hear the peace of your passion and I listen to the sad concert formed by the bell and the cannon tolling the death knell.
01:05:14Ya vayna!
01:05:15Oh, ah, ah.
01:05:17Bu hijab.
01:05:17Avvvvvvvvvvvvvvvvvvvvv
01:05:19Aspyscimbeň øivo distr
01:05:44Rush!
01:05:59No, no, no, no!
01:06:10Hold it!
01:06:11Ok
01:06:14Rush!
01:06:20No!
01:06:24Aaah!
01:06:31Aaah!
01:06:37Whiskey!
01:06:40No!
01:06:42Already!
01:06:45No!
01:06:48Loose!
01:06:49Loose!
01:06:50Loose!
01:06:51Rush!
01:06:56Aaah!
01:06:57Ah!
01:07:27Thank you!
01:07:57Thank you!
01:08:27Thank you!
01:08:37Thank you!
01:08:53Spanish friends! Spanish friends!
01:08:56Spanish friends, friends!
01:09:01Be a friend!
01:09:10I would have liked to get married in my town.
01:09:12We'll go after the wedding.
01:09:14It will be a surprise.
01:09:16I never thought I would get married in Malaga.
01:09:18I promised Aunt Angie.
01:09:20But May is a second mother.
01:09:22And she couldn't have come to the village?
01:09:24Impossible.
01:09:26He cannot leave Malaga.
01:09:28She is very delicate.
01:09:30I'm really looking forward to meeting her.
01:09:32You've told me so much about Aunt Angie.
01:09:34Mrs. Stevens.
01:09:42I am not.
01:09:44Word of honor.
01:09:45How clever.
01:09:46When did Mingote paint you?
01:09:48The day after painting your father.
01:09:50The casquero sent me to fill a vacancy.
01:09:53Mine.
01:09:54What happened?
01:09:55I'm leaving.
01:09:56Ha!
01:09:57To a beauty salon?
01:09:59Well, you're not that cool.
01:10:04Girl, what is this?
01:10:06It looks like a submarine.
01:10:08We are in the kitchen.
01:10:09It's very easy to handle, you'll see.
01:10:11Well, I don't know about you.
01:10:13Woman, I don't have an engineering degree, but I'm a smartass.
01:10:18Do you use?
01:10:19I don't usually do this during working hours.
01:10:22Come on, pretty girl.
01:10:24Introduce me to the lady.
01:10:25He is in a sanatorium receiving treatment for his nerves.
01:10:29So?
01:10:30Then you will meet the Lord.
01:10:31You'll see, he's a good person.
01:10:33Do you have long hands?
01:10:36Not as far as I know.
01:10:37Of course, with a girl like you, a bit of a jerk.
01:10:43How delicious!
01:10:46Hey, how's your eye for shopping?
01:10:49One day with another, give him ten duros.
01:10:52The payroll?
01:10:53Three thousand five hundred.
01:10:56Does the boyfriend enter the house?
01:10:57Clear.
01:10:59Are there geraniums?
01:11:00Because my Paco has allergies.
01:11:02No.
01:11:03I'm staying.
01:11:04Good.
01:11:05You can change in there.
01:11:06There is a suitcase on the bed.
01:11:08Take it off.
01:11:09It's about the girl who went to Malaga to get married.
01:11:13My bag!
01:11:16He's gone alone!
01:11:17What were you carrying that was important?
01:11:18200 pesetas and the identity card.
01:11:21Well, from this moment on you are undocumented.
01:11:32Does the smoke bother you, miss?
01:11:38No, thanks, I don't mind.
01:11:39Orange from Washington and the fine one from Orihuela!
01:11:53Rinete apple and maiden green.
01:11:55The delicious Castilian potato!
01:11:57I came to say goodbye.
01:11:58We're leaving at half past one.
01:12:01Are you going with Spencer?
01:12:02I'm going with Juana.
01:12:03But didn't he go to Malaga to get married?
01:12:05She came back this morning in a truck and single.
01:12:07You are right.
01:12:08The Nátanes is a scoundrel who wanted to steal the Juana's cargo.
01:12:11To Chalk!
01:12:12He's given her the wedding scam.
01:12:13Wow, New York!
01:12:14And here we are still with the tenth prize winner.
01:12:17I'm telling you, in case you tell Antonio.
01:12:19Because he knows it and you know what you're doing.
01:12:21And I don't, let's say.
01:12:22That deep down Juana is for Antonio.
01:12:24And you won't deny that Antonio's eyes go crazy for Juana.
01:12:27Yes, but I know Antonio and you know him like the back of your hand.
01:12:30And I don't know if after the trip with the American he's going to swallow the package.
01:12:34no matter how much his eyes turn on Juana.
01:12:37Don't get carried away, Lorenzo, you're offending Juana,
01:12:40which is the most decent thing there is in the entire colony.
01:12:42Pay attention.
01:12:43When she smelled the American's toast, she hit him on the head with her heel.
01:12:46He ran away from the bus stop, grabbed a truck and didn't stop until he got here.
01:12:49Safe and sound.
01:12:52We're leaving at half past one.
01:12:55Today.
01:12:56Yes, it was a bonso trado.
01:12:57To be seen...
01:13:02This madness had become known.
01:13:04Soh, I don't get along anymore.
01:13:06Then the same reb Porta or we put for the vaccine
01:13:22You're already getting the hang of the sausage.
01:13:36Thanks, darling.
01:13:37Beef, baby.
01:13:48I count on the kitchen so much and it's easier than playing woof.
01:13:51She's got her bagpipes. Just in case, keep an eye on her.
01:13:55Let him wait.
01:14:12Oh, what a surprise!
01:14:15Come in, come in. We were just leaving.
01:14:18You caught us by a miracle.
01:14:19Hello. Hello.
01:14:21Here's Miss Marilol and the new girl. Lorenzo, a friend of the egg-eater.
01:14:25Nice to meet you.
01:14:26Nice to meet you.
01:14:28Juana's boyfriend.
01:14:31The ex. The ex-boyfriend. The one who was. The ex. Let's get this straight. The ex.
01:14:38Yes, man, yes. That's clear. What else?
01:14:41Nothing more. It's a clarification regarding what people will say.
01:14:44Okay, that's enough. With everything I've got going on, you're not going to come with the hora pronovis.
01:14:48Yes, they told me so. But where are you hiding, Antonio?
01:14:50They've told me that too.
01:14:52About me? What have they told you about me?
01:14:53For God's sake, if you're the ex, don't make a fuss.
01:14:55Shut up! What did they tell you about me?
01:14:57The Elmir.
01:14:58Oh, what a joke!
01:14:59That you had told him, that they had told you to go to the doctor.
01:15:02Because sitting still was a disease, not a vice. In other words, you didn't rule.
01:15:07Francisca told me that you were crazy and that you woke up sleepy.
01:15:11What did you say to him? Look, you have a bad idea. I didn't tell you that.
01:15:14You told me so.
01:15:15What I said is that in the other house where Juana was, they had told the doorman that she was a tightrope walker.
01:15:20Oh, that!
01:15:23Tightrope walker!
01:15:23I will not allow that.
01:15:26It's not that bad, woman.
01:15:28After all, we all have our flaws.
01:15:30Well, we're leaving.
01:15:32Have you heard what's going on with Lorenzo yet?
01:15:34It's just that Lorenzo gave a lot of tender glances, but he didn't really confess anything, so Francisca was in a mess.
01:15:39And he asked me if I thought Lorenzo was shy or if it was just that he wasn't that into girls.
01:15:43What language do you have, Juana?
01:15:45But I, I, I... I really like girls.
01:15:49Don't pay attention, they're skinning a saint.
01:15:51Because if we start saying what needs to be said, maybe I'll tell Antonio that you called him
01:15:55Brave Bull, captain of the pack.
01:16:00Me.
01:16:01To you.
01:16:03To me, Brave Bull, captain of the pack.
01:16:07I'm going to kill them!
01:16:07I said it, what's up?
01:16:09But not with that intention.
01:16:10For me the bull is a noble and brave animal.
01:16:12And you are the captain.
01:16:14No, I'm going to have to be generous on top of that.
01:16:16Oops! Emergency!
01:16:17Watch out, watch out, watch out!
01:16:21Oh!
01:16:27What's going on!
01:16:29Mr. Staker's phone number is in the phone book.
01:16:31It's the electronic engineer!
01:16:34Call him to come and fix the problem.
01:16:40You have also already charged the photoelectric cell.
01:16:43Ah!
01:16:47Are you an orphan?
01:16:49No.
01:16:50I'm glad you're alive, because your father is going to handle this.
01:16:53Let's go, let's go, let's go!
01:16:54Let's go, let's go, let's go!
01:16:55Let's go, let's go, let's go!
01:16:56Let's go!
01:16:56Let's go, let's go!
01:16:57Let's go!
01:16:58Let's go!
01:16:59Anticyclonic situation, with high pressure,
01:17:01That's why we have painted this sun here,
01:17:03because that has been what has predominated in Spain today.
01:17:05The atmosphere, the breaths, are very transparent, worldwide.
01:17:12The temperatures are extraordinarily pleasant
01:17:14and, as we tell you, there is almost no wind.
01:17:19Absolute bonanza, calm atmosphere, serene and placid environment
01:17:25and also for flying, it is an excellent situation,
01:17:29It is the time that pilots call sun and flies.
01:17:35And you'll see where we get into, no children.
01:17:41Not American.
01:17:43The casquero told me that he knows a very good house
01:17:44of some gentlemen from Bilbao.
01:17:46You'll eat well there.
01:17:47Departure every day.
01:17:48I do the shopping, one day yes and the next no,
01:17:50I also have to save up for the trousseau.
01:17:52You can do it one on Mondays, Wednesdays and Fridays,
01:17:55and the other one, on Tuesdays, I had the exam.
01:18:05Thank you!
01:18:06Thank you!
01:18:07Thank you!
01:18:08Thank you!
01:18:10Thank you!
01:18:11Thank you!
01:18:12Thank you!
01:18:13Thank you!
01:18:14Thank you!
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