Los liantes 1981 HD 1080 Completa Fernando Esteso, Andrés Pajares

Retroscreen Movies Revival

Reparto: Fernando Esteso, Andrés Pajares, Antonio Ozores, Adriana Vega, Loreta Tovar, Marcia Bell, Emiliano Redondo, Alfonso del Real, Antonio Gamero, Adrián Ortega, José Yepes, Alfredo Calles, María Álvarez  Dirección: Mariano Ozores  Sinopsis: Fidel (Fernando Esteso) y Amador (Andrés Pajares), junto a Eduardo (Antonio Ozores), el cerebro del grupo, son unos timadores de poca monta que actúan en las playas de Torremolinos y alrededores con más desdicha que fortuna. Un día Eduardo tiene la brillante idea de hacer creer a un millonario supersticioso (Emiliano Redondo), que suele jugar en el casino, que Amador es un "hombre-elefante", una especie de hombre talismán que da suerte a los demás sin saberlo. Pero a estos tres liantes nunca les salen las cosas como pensaban.

Transcript

00:00:00We are three poor unemployed people, we are three ragged people, we are three uprooted people, we are three outcasts.

00:00:19And we're broke because we're three unemployed workers.

00:00:30We want to go to work with air conditioning and time to eat our sandwich.

00:00:41And we're broke because we're three unemployed workers.

00:00:46Luck has dealt us a bad hand, we're like the state, not a penny saved, and even less these days.

00:01:03And we're broke because we're three unemployed workers.

00:01:09No, nothing, it must be the batteries, they must have run out of batteries.

00:01:14His batteries must have run out, hey, sorry.

00:01:16What's wrong with Fran Sinatra in Badajoz, and are people being polite?

00:01:18What? Everyone sings a playba, Julio Iglesias, everyone.

00:01:21Nothing's wrong, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

00:01:29It's very easy, my. Just wait until I get hooked now. Soft, calm, relaxed breathing, that's it.

00:01:42And the little chest, the little chest rather to your being, as you have it, that is.

00:01:46Don't let your little penis get caught, that's what hurts the most.

00:01:48Upwards, neither to one side nor the other, that's how it is.

00:01:52And the groin area is tight, so that the thighs stay flabby, right?

00:01:56Oh, what thighs. Uh, okay, huh? Well, there you go.

00:02:01Something like this, look, look, touch, touch.

00:02:03Yes, yes, yes, your father's going to get you, come on, come on, come on, queue, damn it, then get done, this is it.

00:02:08Okay, ready, set, OK, let's fly. Go, one, two, three, up, up, up, up, up, up, up, up, up, go on, she's already got her butt in the air, viola.

00:02:21Closed, close, no fly today, no fly today.

00:02:24A good love, a good love, sorry, sorry, sorry, I'm sorry, sorry, I already said sorry, damn it, there.

00:02:29Come on, the first one is 100 pesetas for a look.

00:02:31Come on, take advantage of the opportunity, 100 pesetas, come on, look.

00:02:34Admire the beautiful scenery, 5 seconds have passed, next one, come on, come on, come on.

00:02:40Quickly, without the shins, without the shins.

00:02:42Admire the beautiful scenery, come on, next one.

00:02:45Admire, admire this unadulterated homemade booty.

00:02:49Okay, next one.

00:02:50Ready for the next round, it's 200 pesetas because it's coming straight at you and with its kiki in the air, so everyone get ready, it's 200.

00:02:56Okay, no, not your son, he's been coming two days in a row now and it might make you feel unwell.

00:03:00Come on, another one.

00:03:01Oh, how lovely!

00:03:11Oh, how lovely!

00:03:23Oh, how lovely!

00:03:34They're getting away from me!

00:03:37Oh, look, look, those little breasts!

00:03:39Hey, you like it, huh!

00:03:40Look, look, look!

00:03:42Oh no, the rug's slipping away! I'm going to be so mad!

00:03:46Damn, what pill is this for!

00:03:48Oh, how wonderful!

00:03:49Oh my goodness!

00:03:51Oh, how I'm getting!

00:03:53Come here!

00:03:54Come here, come here!

00:03:55Oh, what wonderful little pens!

00:03:58And this Suga doesn't realize how upset I am!

00:04:00Oh my God!

00:04:01Oh, well, what do you like about this place!

00:04:02Oh, what a wonderful foot, what a pool!

00:04:05But leave me alone, Father!

00:04:06What the hell are you doing?

00:04:07What do you know about having already had it?

00:04:08Come on, queen, let's go get some paella!

00:04:10Ah, what a wonderful foot!

00:04:14A photo!

00:04:15No!

00:04:15A photo!

00:04:16I'm not interested in the photo!

00:04:16Let's go, no way!

00:04:17Thank you very much!

00:04:18A photo to complete the family album!

00:04:20They're colorful, you'll like them.

00:04:22In addition, I've already done several of her taking pictures while holding the Nordic woman's breasts when she went down there.

00:04:27Holding him!

00:04:27How awful!

00:04:28I'm not interested in the photo!

00:04:29Thank you very much!

00:04:30Well.

00:04:30Come on, sit down!

00:04:31That happens!

00:04:31Don't worry!

00:04:32I'll give it to you!

00:04:33Ah, I'll send them to your people!

00:04:35One moment!

00:04:35They'll give me their sign at the hotel, yes.

00:04:36One moment!

00:04:37Come on, come on, come on!

00:04:38You're crazy.

00:04:39But how can he send that photo to my town?

00:04:41Well, my wife wouldn't wear it.

00:04:42Give me that reel!

00:04:43Come on, come on, come on!

00:04:43Come on, come on!

00:04:44Come on, come on!

00:04:44Come on, come on, come on!

00:04:45Come on, come on!

00:04:45Come on, come on, come on!

00:04:45Come on, come on!

00:04:45Come on, come on, come on!

00:04:45It's my livelihood!

00:04:46I'll buy it!

00:04:47What is the price of a reel?

00:04:48Should I give you double?

00:04:49No, no, it's impossible.

00:04:51In addition, I have already taken more than 20 photos of other clients and they are waiting for them.

00:04:55How can I face them and tell them I'm not going to give it to them?

00:04:58Well, tell him they're broken.

00:04:59But, but, you're offending me.

00:05:01I am not a vile liar.

00:05:03I am a professional.

00:05:05Already!

00:05:05Serious!

00:05:06Honest!

00:05:07One thousand pesetas.

00:05:10Incapable of deceiving anyone.

00:05:13Already.

00:05:15Two thousand pesetas.

00:05:15Besides, I have a reputation all along the coast, from end to end, that I can't do for myself.

00:05:24One, two, three, five thousand.

00:05:26Embroidery!

00:05:26I mean, okay, fine.

00:05:28I'll see what story he tells later.

00:05:30He'll think of something.

00:05:32I don't know why, but it seems to me that this has happened to you very often, huh?

00:05:35I'm going back!

00:05:36I'm closing the camera!

00:05:37I'm going to embroider the reel!

00:05:38Come on, come on, come on, from the reel!

00:05:40Okay, okay.

00:05:41There you go.

00:05:42And now you can shove it wherever it fits.

00:05:44He's going to put it in you.

00:05:46Hey, cutie, I'm going to get dressed, then eat, okay?

00:05:49Like the Indians.

00:05:50Okay, yes, yes!

00:05:51Shut me up, you jerk! That's what you're like!

00:05:53Come on!

00:05:53Goodbye!

00:05:54I'm not telling you about taking pictures of me.

00:05:56Yes, yes!

00:05:57Yes, yes!

00:05:58Yes, yes!

00:05:59These suckers never learn, do they?

00:06:02Oh, you say so, my soul!

00:06:04They are from a tree stump.

00:06:07A little wine.

00:06:10Your part, majarena.

00:06:11Hey, maybe you should dye your hair again, your roots are showing.

00:06:17And do you think this little device will work well?

00:06:19Ah, yes, sir.

00:06:21If you only knew how many we've already installed, and with tremendous success.

00:06:25It's a German invention.

00:06:26Well, to me it looks like a toilet paper holder.

00:06:29And it is, it is.

00:06:31The Germans are very clever.

00:06:33Come on, let's see what they're missing.

00:06:35They make them this way so that thieves don't suspect that it's a powerful anti-theft device.

00:06:39I've already installed two that simulated a phone.

00:06:42And three that perfectly imitated a feminine sanitary pad.

00:06:46And another one, a chamber pot.

00:06:48Things that you normally find anywhere.

00:06:51These are things that work well and are also decorative.

00:06:55And how does it work?

00:06:57Ah, very simple.

00:06:58This switch is flipped and then the transistorized computer inside

00:07:03It emits a certified laser beam, that is, not a normal, certified one.

00:07:08which establishes a circuit through the door.

00:07:11Look, look, look.

00:07:15And if anyone passes by here, a 10,000-volt current

00:07:18It instantly paralyzes him as a bell rings

00:07:22so that you have time to call the police.

00:07:24Yes sir.

00:07:25And how do we know if it's working correctly?

00:07:30Put your hand in and see?

00:07:31No, no, no, the truth is.

00:07:32Put your hand in!

00:07:33Put your hand in!

00:07:35This, this...

00:07:36Wait a minute, are you wearing rubber soles?

00:07:37No.

00:07:37Oh no, no, no, no.

00:07:38Then no, because the bamboo cannot cause the evil of voltio.

00:07:41No, no, no, no.

00:07:42But that has...

00:07:42That's easily fixed.

00:07:44Yeah.

00:07:45First thing, we'll call him and that's it.

00:07:47Oh, look, there comes a bumpkin.

00:07:49Ah, the girl, huh?

00:07:51No, no, no, the other one, the one with the face of a gut-lump.

00:07:54This one who comes here.

00:07:55Okay, be quiet, be quiet, be quiet.

00:07:56I'll call him.

00:07:57Hey, listen.

00:07:59Hey, friend.

00:08:00Listen.

00:08:01Hey, damn it.

00:08:02Come on, come on, come on.

00:08:03Is it me?

00:08:03Yes, what are you calling this gentleman?

00:08:05I?

00:08:06Did he want something from me?

00:08:07Yeah.

00:08:07Hey, what if he dies?

00:08:18Man, no, no, I don't think so.

00:08:19It would be the first.

00:08:20Well, the second one.

00:08:21He cracked some bones the other day, huh?

00:08:25He's like the exorcist.

00:08:28It gets as hot as a broken washing machine, huh?

00:08:30Disconnect, he's a man.

00:08:31Well, that's what it was.

00:08:32Yes of course.

00:08:33But unplug it.

00:08:34This man is not a thief.

00:08:35Calm down, calm down.

00:08:35Come on, come on, come on.

00:08:37It's all over now.

00:08:38Up, sir, up, up.

00:08:39Okay, okay.

00:08:40Calm down, calm down.

00:08:42Al, there's a couple of whiskeys and it's a tie.

00:08:43Al is better.

00:08:44She is doing well.

00:08:45Al, come on, come on.

00:08:46Sculpt, sculpt, sculpt.

00:08:48What happened to me?

00:08:50For him.

00:08:51Did I have an epileptic seizure?

00:08:52No, no.

00:08:53It's because we were testing an anti-theft device.

00:08:54that I just installed for this gentleman.

00:08:56That?

00:08:57Don't mess with me!

00:08:58Could he have killed me?

00:08:59Not so much.

00:09:01Well, I wouldn't kill him, but he might have ended up looking like a complete idiot.

00:09:03Yes, yes.

00:09:03Evil returned.

00:09:04I'm going to a duty judge right now.

00:09:07No, no, no, please.

00:09:08Bribe him.

00:09:08Yes, yes, I will compensate him.

00:09:11Life is priceless, my lord.

00:09:14Bribe him more.

00:09:15Okay, okay.

00:09:16Take it.

00:09:17Little money.

00:09:17Please take this and thank you very much.

00:09:20I'll take it, but I should report them.

00:09:24The life of a decent man is no longer worth a fig.

00:09:29This didn't happen with the other one.

00:09:30No, it didn't happen.

00:09:31Get well soon.

00:09:33Oh, thank goodness.

00:09:35Well.

00:09:36That's 15,000 pesetas from Lala, plus 3,000 from the rubber sole tax.

00:09:40Rubber.

00:09:41Oh, and 10 pesetas for the roll of toilet paper, which you have for 80 uses.

00:09:44Come on, I was scared shitless, of course.

00:09:46I don't know.

00:09:48Okay, sign here, where it says "the scammed person".

00:09:50I mean, this is signed.

00:09:51Here, here, here.

00:09:52Let's see.

00:09:53Good.

00:09:53Well, thank you very much and let's grow.

00:09:56I mean, this is goodbye forever.

00:09:57Thank you.

00:09:58Bye bye.

00:09:59Where is this guy who's taking my share?

00:10:01Music, music for your ear, stereo and mono.

00:10:06Music with the favorite songs of foreigners.

00:10:09Don't bother, I can't hear you, because I don't bring my hearing aid to the beach.

00:10:13Oh, he can't hear anything.

00:10:13Well, that's almost better, it's the same.

00:10:15Music for the deaf, Leopoldo Stokowski, with España Cañí, Julito el Yankee.

00:10:21Uh-huh.

00:10:23Ah.

00:10:24Music.

00:10:26May I, sir?

00:10:28Are you interested in some music to delight your spirit?

00:10:30But they rent out those things.

00:10:32These are junk, come on.

00:10:33I installed stereos with his favorite music for 200 pesetas an hour, I won't say more.

00:10:37And do they work?

00:10:38Naturally, right?

00:10:40Want to try it?

00:10:41Put that on.

00:10:43Wait, you wait.

00:10:43To make him hear the stereo, I inserted a demo tape.

00:10:47Pay attention, okay?

00:10:48Look, look, look, a plane flying low overhead.

00:10:52What's coming, what's coming, what's coming?

00:10:54Coming?

00:10:56No, no, no, no, it's coming from that way, it's coming from that way, it's coming from that way.

00:10:58Look, look, look, look.

00:10:59What's wrong, what's wrong?

00:11:00What's happening?

00:11:01It's already there, it's already there, look.

00:11:03Are you sure you have money?

00:11:05It's in the bag.

00:11:06At least he has 5,000 pesetas, and maybe you can buy a new case.

00:11:09I've already stopped talking.

00:11:10Give me one.

00:11:12What kind of music do you prefer?

00:11:13Yes, something cheerful and lively.

00:11:15Well, look, here's the funeral march, you can have a blast, I'm telling you, okay?

00:11:20But, put the bag down anywhere, man, we're talking.

00:11:24Hey?

00:11:24Hey, what are you doing?

00:11:25That bag is mine.

00:11:27What does it say?

00:11:27Which bag?

00:11:28Ah, this one.

00:11:30You're crazy.

00:11:31My mother gave it to me before she died.

00:11:33That?

00:11:34Talking?

00:11:35It's mine.

00:11:36I left it here, underneath.

00:11:37No, no, no.

00:11:38You are confused.

00:11:39No, I brought it from home and I've had it here all morning.

00:11:41I can't see a thing.

00:11:43This gets sorted out at a police station, man.

00:11:46Guards!

00:11:48Guards!

00:11:48I'm coming, what's going on over there?

00:11:49I'm coming right away, I'm coming right away.

00:11:51My goodness, what a pair of floaties.

00:11:53Guards!

00:11:54I'm coming, I'm coming, I'm coming right away.

00:11:57I'm sorry, miss, I'm sorry, it was an accident.

00:11:59I am an inspector of beaches, coasts, and breasts.

00:12:01I mean, um, ports.

00:12:02Here are my credentials.

00:12:03Look, look, look, look.

00:12:05Yes, yes, okay, okay, okay.

00:12:06What's happening?

00:12:07This crazy guy wants to keep my purse.

00:12:09The one who wants to take what's mine is this crook.

00:12:11Have you seen chorizo?

00:12:12Should I slap you?

00:12:14Not even my father calls me a crook.

00:12:15Come on, wait a minute, wait a minute, show some respect for authority, damn it!

00:12:18Very good.

00:12:19Bring it!

00:12:21We'll go to the police station and everything will be cleared up there.

00:12:23But if I have all my clothes at the hotel, how am I supposed to go to the police station like this?

00:12:26Well, go get dressed.

00:12:27We'll be waiting for you at police station 51.

00:12:2951?

00:12:29Yes sir.

00:12:31What if this crook gets away?

00:12:33But what do you mean, crook, man?

00:12:34It's happening again.

00:12:35What a crook!

00:12:35If it weren't for the law, I would have hit a ship.

00:12:37Wait a minute, wait a minute!

00:12:38Respect authority!

00:12:39Come on, man.

00:12:40Put the handcuffs on him.

00:12:42Okay, I'll put them on.

00:12:44But why do you have to tell him to put the handcuffs on me?

00:12:46It's to reassure this gentleman, don't you understand?

00:12:48Come on, come on, come on, give me that hand.

00:12:49Come on.

00:12:49Let's see.

00:12:50What's the matter?

00:12:51He's gotten a little hooked...

00:12:54Come, let us help you.

00:12:55Police, police, come here so we can help you.

00:12:57Pull up.

00:12:58All together now, okay?

00:12:59No, no, no, upwards.

00:13:00Up.

00:13:02He's ruined his underwear.

00:13:03Excuse me again, miss.

00:13:05Thank you, sorry.

00:13:05Okay, put the handcuffs on him there.

00:13:07No, he's the alleged one.

00:13:08No, no, not him, not me.

00:13:10Come on, come on.

00:13:11Come on.

00:13:11Take care of him.

00:13:12Here.

00:13:15Dad, you must be relieved, he's already put the handcuffs on me.

00:13:17That's it.

00:13:17Yes that's fine.

00:13:19Be careful.

00:13:19Careful.

00:13:20Careful.

00:13:21Come on.

00:13:21Go underneath.

00:13:22Be careful.

00:13:23Careful, careful, I'm deceiving you.

00:13:24Ah, leave me alone, leave me alone.

00:13:25But the doll, man.

00:13:27You get dressed, huh?

00:13:27Careful.

00:13:28Yeah.

00:13:28See you later.

00:13:29Yes, yes, yes.

00:13:30Hey, you'll be calm now.

00:13:31Put the handcuffs on him.

00:13:32It starts with stealing and then ends with murder.

00:13:34There, there, there.

00:13:35Come on.

00:13:35Cafe, let's all get together.

00:13:36With that hat you're wearing.

00:13:38Here, hold the magazine for me.

00:13:39Come on, boy, come on.

00:13:40Be careful, I won't hurt you.

00:13:40Let's go see the commissioner.

00:13:41Be careful, be careful.

00:13:42Let's see.

00:13:43But what are you doing?

00:13:43Are you coming or going, what are you doing?

00:13:44I walk around however I want, I'm the authority.

00:13:49That Eduardo is an idiot.

00:13:50Why did you insist that you put the handcuffs on me?

00:13:52To make the matter more truthful.

00:13:54Okay, then take it off now.

00:13:56I can't, they have the key, Eduardo.

00:13:57Are you serious?

00:13:58Yeah.

00:13:59We're crazy.

00:14:00And we won't find him at the car wash until this afternoon.

00:14:02Well, you tell me what we should do together.

00:14:04We look like a newlywed couple.

00:14:06The bad thing is that I have a date with a girl.

00:14:08Well, say goodbye to the date.

00:14:10But it's running like a dream, how can I just leave that?

00:14:11But how can you sleep with a woman in bed with me hanging off?

00:14:14What do you want?

00:14:15Come on, push and see who gets there first.

00:14:17Let's go to her house, maybe she has a friend.

00:14:19Man, if my friend was hot...

00:14:22Me, a friend?

00:14:23Yes, I have a friend, but she's in London.

00:14:26And you won't find a familiar face here, even if she's short, because it's for my friend and he doesn't understand.

00:14:31Yes of course.

00:14:32A dwarf.

00:14:33Ideally, it should be a transvestite, it won't bother you.

00:14:35Come on, let's go.

00:14:35Wait, wait, wait.

00:14:37You are my friend.

00:14:38Look at this baby.

00:14:40Look.

00:14:40I don't know how she is, but how is she for you...

00:14:42No, no, but please touch it, please touch it, don't be silly.

00:14:45I cut it off.

00:14:46Turn things upside down.

00:14:47Please touch it.

00:14:48Look at this.

00:14:49Yes, yes.

00:14:50Look at my tummy, look.

00:14:51No, no, if the tummy is...

00:14:53Turn around.

00:14:54Look at the pechines.

00:14:56Touch it, come on, touch it.

00:14:57Hey, do you want me to lift your arm if you give me a little suck?

00:15:01Well.

00:15:01Look, look, look, touch, touch, touch.

00:15:03Look, look, come on.

00:15:04Ma'am, you look great, don't you?

00:15:06Is?

00:15:06Do you like this one better?

00:15:09Hey, well I'll give it to you, it doesn't bother me at all.

00:15:11Just for me...

00:15:12Yes, yes, come on.

00:15:12Hey, handsome, I don't like this.

00:15:15Is he a police officer and has he arrested you?

00:15:18No, no, I stopped him, didn't I?

00:15:20And why didn't you arrest him tomorrow?

00:15:22It's a very long explanation.

00:15:25Come on, let's go, let's go right now, let's go.

00:15:27No, man, we have to find a solution to this, you'll see.

00:15:30What solution is there?

00:15:31What are you doing?

00:15:32Don't get naked.

00:15:33It's tiquito.

00:15:34One moment.

00:15:37I have an idea.

00:15:45You're doing great, Naranjito!

00:15:50Hey buddy, are you almost there?

00:15:55Because I'm already getting that deathly, frozen smile.

00:15:59Close the door, can't you see I'm naked and I might catch a cold?

00:16:06Come on, we're both going through the same thing, damn it.

00:16:11And to think I came to the Costa del Sol for the heat and the women, damn.

00:16:19Oh, Fifi!

00:16:20What, what?

00:16:21Oh, Fifi!

00:16:22That?

00:16:22Oh, Fifi, Fifi!

00:16:23Oh, Fifi!

00:16:24That?

00:16:25Oh, Fifi!

00:16:26Oh, Fifi, I'm dying!

00:16:28Well, go die alone, you wretch.

00:16:32God, you're exaggerating, for two hours in the fresh air.

00:16:34Hey, Jesus!

00:16:35Very good, man, very good.

00:16:36Put the handcuffs on, put the handcuffs on.

00:16:38You almost froze this man.

00:16:40Who am I?

00:16:40Ignore it.

00:16:41It was this idiot who wouldn't miss a chance to hook up even if they killed him.

00:16:44Well, I don't understand anything you're saying, huh?

00:16:45So, how's the crowd going, huh?

00:16:47Ah, yes, very good, twenty-four thousand, eh.

00:16:49Take your eight.

00:16:50We're on a roll, aren't we?

00:16:51Ah, Fifi!

00:16:52Wow!

00:16:53Jesus, how delicate he is.

00:16:54Damn, delicate, and I almost froze.

00:16:56What's wrong with him, has he caught distemper?

00:16:58No, no, no.

00:16:58Stop messing around and get the key to the handcuffs.

00:17:01Oh ok.

00:17:02Oh!

00:17:02She left it at my house.

00:17:05Damn your face, you wretch!

00:17:07Hey, I have a date with a Norwegian girl tonight, okay?

00:17:09Bullshit!

00:17:11Take this off me!

00:17:12Take this off me!

00:17:13I'm going to have a heart attack!

00:17:15Take this off me!

00:17:17You're going to get hysterical now, man!

00:17:19Take it off!

00:17:19But guys, it's not that big of a deal, man.

00:17:21If you want, I'll cut off one of your hands.

00:17:22You should cut something else off this guy, he's a sex addict.

00:17:26But if I'm good at it, what's my fault?

00:17:27What's the matter with the shit that the guy is trying to pick up?

00:17:29Stay still.

00:17:30Stay still.

00:17:31Stay still.

00:17:32What's happening?

00:17:33Who is pulling my leg?

00:17:35I don't.

00:17:36Well, nobody does.

00:17:37Look, look.

00:17:38But you go crazy.

00:17:40He's not a cold man.

00:17:41What, I'm not cold?

00:17:42No.

00:17:42And do I look like a frozen cod?

00:17:45Let me go, Eduardo.

00:17:46Let's see if it's possible.

00:17:47But stay still, man.

00:17:48What the hell?

00:17:49The roller is the one that never stands still.

00:17:50He has a hook-shaped bunion that gets caught on everything.

00:17:53Hey, this is what's eating us up.

00:17:54Well, look, a soaking is just what I needed today.

00:17:57Okay, calm down, calm down.

00:17:58Yes, yes, yes.

00:17:59No, I can't unhook this leg.

00:18:01Yes, I'm calm.

00:18:02Do you have a knife?

00:18:02I don't.

00:18:03Aren't you looking to cut off the foot?

00:18:04No, especially not if it's for pants, no.

00:18:05Okay, as a joke, that's enough.

00:18:07Turn this off yourself.

00:18:08Yes, yes.

00:18:09Yes, I can't.

00:18:09It's automatic and disconnects the boss with a key.

00:18:12Then call your boss.

00:18:13If you're not there, he's gone off with a Swedish woman.

00:18:15What a crazy way people have of hooking up.

00:18:17And you're saying that, come on, that's funny.

00:18:19Or you'll see it's falling, huh?

00:18:20Like a light drizzle, but on steroids.

00:18:22Well, nothing.

00:18:23So what do we do now?

00:18:24No, nothing, nothing.

00:18:25Roll up the windows and put the car in neutral.

00:18:28Thank goodness the headlight cleaning has already been done.

00:18:30So, how are you all doing?

00:18:31Good.

00:18:31Look, this is really appreciated after the fridge, huh?

00:18:33This first.

00:18:34Stick your teeth out so they shine bright, okay?

00:18:36We're going to pull your father's teeth out.

00:18:38It's not like it went through the wringer.

00:18:41It's the cleaning underneath.

00:18:45It's a stream, it reaches my ass.

00:18:48When the hell does the hair end here?

00:18:50You're turning out perfectly, really, you're going to be so proud when you leave.

00:18:53Thank you, because these words of encouragement are appreciated.

00:18:56I don't know, but she shines brighter, Videl.

00:18:58Amador is turning out to be more of a dunce, huh?

00:19:00It's a natural fat, Eduardo.

00:19:05How will you all fare? Come on, immune.

00:19:08You're going to look amazing.

00:19:10This machine turned out great.

00:19:11It even applies to people, because...

00:19:20So what do we do now?

00:19:25Give me forty pesetas each.

00:19:27On.

00:19:28Well, don't complain, because I've given you the price of a Seat Panda, okay?

00:19:32Eduardo?

00:19:34Fuck off!

00:19:38I've even forgotten my underwear.

00:19:40Ungrateful.

00:19:41On top of that, I haven't charged you for the undercarriage wash.

00:19:43Hey, what a kid, have you noticed?

00:20:06Yeah.

00:20:06What breasts, what mockery, what...

00:20:08Everything, huh?

00:20:09You're such a pervert.

00:20:10Look at that one, the one your wife is with.

00:20:14It's a competition, huh?

00:20:15Not at all.

00:20:16Dolores is the one who looks gorgeous.

00:20:18What a waist.

00:20:19And what thighs she has.

00:20:21Hey, check out this one with the quipita, huh?

00:20:23No, no, no, no, no.

00:20:24And look at the little belly button.

00:20:25Oh, the number of times I've bitten it.

00:20:27Yeah.

00:20:29Nothing, the little belly button is cute, huh?

00:20:31And how she kisses.

00:20:32You know how he kisses.

00:20:34Well, to be able to talk about it I'd have to try it.

00:20:37You're going to try your father.

00:20:39You're the one who does the advertising, aren't you?

00:20:41But you hear me, you say yes correctly and you keep quiet like a gentleman.

00:20:51Come on, they were about to finish.

00:20:54It's you who excites me, because I came in limp.

00:20:56What flabby nonsense, man.

00:20:57Hi, girls.

00:21:17Hello, this is Amador.

00:21:18Latin Love, girls.

00:21:19How are you?

00:21:20But what are you doing here?

00:21:22I've come to see you.

00:21:23It's useless, Fidel.

00:21:24We cannot continue together.

00:21:26Yes, but wait.

00:21:27Latin Love, Latin Love, Amador.

00:21:28Here is Amador Latin Love.

00:21:29Hey, Latin Leches, come here, man.

00:21:31Look, I've brought Amador here so you can see for yourself.

00:21:34Go on, explain it to him, Amador.

00:21:36The fact that?

00:21:38What we've been talking about with Eduardo this afternoon at the car wash.

00:21:42Ah, yes, yes.

00:21:45Well, you see, tacos too?

00:21:47No, man, no.

00:21:48About the work project, that project we have.

00:21:51Oh, no, no, he thinks you meant the thing about the...

00:21:53No, no, no, that's enough.

00:21:55Well.

00:21:55You'll see, you'll see.

00:21:56Well, you see, Eduardo has a project, completely planned out.

00:22:01But if you don't know what it's all about.

00:22:03Come on, Fidel, I love you very much, but I don't want to continue like this for the rest of my life.

00:22:05waiting to receive a phone call from a police station or a hospital,

00:22:09telling me to bring you a blanket and tobacco.

00:22:11Woman, a police station is possible, but a hospital seems very mean of you.

00:22:16One day someone will screw us over, it's useless, Fidel.

00:22:18I can't live like this.

00:22:20Hang on a minute.

00:22:21But that already happened.

00:22:22Go on, Amador, tell him that.

00:22:25That's so you can see that we have a decent, well-paid job.

00:22:29Okay, I'll tell you, but I'm not responsible, okay?

00:22:31What do you mean you're not answering?

00:22:32What are you not answering for?

00:22:33Whatever.

00:22:36Look, you're on the right track.

00:22:37The thing is, this guy and I, you see?

00:22:39What did you think?

00:22:39What did you think of the idea?

00:22:40What is good?

00:22:41But he hasn't said anything.

00:22:42What do you mean he hasn't said anything?

00:22:44Of course he said it, yes.

00:22:45No, not a peep, you haven't let me.

00:22:46Okay, I'll explain it now.

00:22:47Let it be now.

00:22:47Don't strain yourself, Fidel.

00:22:48I don't like the adventurous life.

00:22:50Well, I have to change.

00:22:51Bye bye.

00:22:52Dolores, wait.

00:22:53Dolores.

00:22:54Leave me alone.

00:22:54Do you see it?

00:22:55You've ruined everything.

00:22:57But I didn't say anything.

00:22:59That's why.

00:23:00You're great at charming girls, but when I try to charm my wife, you can't think of anything.

00:23:04Go away now.

00:23:05Hey, so what business has Eduardo proposed to us?

00:23:08It's no big deal.

00:23:09It just occurred to me.

00:23:10It's an excuse I've made up.

00:23:11Well, I understand it even less.

00:23:12I don't know if it's because I can't focus or you're confusing me, I don't know.

00:23:13Well, we're going to make a ton of money.

00:23:16It's a great idea, but I need your help.

00:23:20Well, you can see I don't understand this, huh.

00:23:22It seems unbelievable.

00:23:22An invention as simple as a hammer, which needs neither transistors nor batteries, and carries

00:23:28functioning for thousands of years.

00:23:29Come on, Eduardo, stop with the nonsense and tell me about this great thing.

00:23:34Well, you see, I work at the casino as an electrician on the maintenance team.

00:23:38I know.

00:23:39And the other day I saw a customer who must have more money than an Italian restaurant.

00:23:43And you want us to fleece him.

00:23:45But you're such a bumpkin and so old-fashioned, aren't you?

00:23:47Oh, really?

00:23:47Come on, hold here.

00:23:48Okay, okay.

00:23:50So, what should we do?

00:23:51Are you superstitious?

00:23:52Not because it brings bad luck.

00:23:54Well, it's nonsense.

00:23:56Yes, and what about normal?

00:23:57Well, this guy is more than normal.

00:23:58Oh, really?

00:24:00He believes in luck and elephants.

00:24:01And in tigers.

00:24:02Don't mess with me, come on.

00:24:04The Elephant Man is the one who brings luck to others.

00:24:07And?

00:24:07If we find a guy he thinks brings him luck, we could make a fortune.

00:24:12And where do we find an elephant?

00:24:15I mean, that elephant guy.

00:24:17Oh, well, I don't know, think about it.

00:24:20Amador?

00:24:21Uh-huh.

00:24:21That guy's stupid, man, what are you saying?

00:24:23But hold on here, man, eh.

00:24:25I've got it, I've got it.

00:24:27Come on, you lover.

00:24:28Furthermore, as soon as he sees a thigh, he's capable of ruining everything.

00:24:32Amador doesn't necessarily have to be involved.

00:24:34But how do we make sure that millionaire wins when he's paired with Amador?

00:24:39No, we don't have to do anything.

00:24:40Oh, no?

00:24:41A guy with a lot of money always has a lucky streak.

00:24:43Clear.

00:24:43He will believe that he owes it to her, my love.

00:24:45That's why he's superstitious.

00:24:46Uh-huh.

00:24:47When he loses three balls in a row, you take Amador.

00:24:50And whatever he loses from then on, he will believe he has lost it.

00:24:53because the person who brought him luck has left.

00:24:55Ah.

00:24:56Yes, hold it there, hold it.

00:24:57Yes, yes.

00:24:58Hey, I have a question.

00:25:00And then, how do we get the money from him?

00:25:03The important thing here is that Mr. Calapeña, which is the name of the rich man,

00:25:07I believe that it brings Amador luck.

00:25:09And when we've achieved that, that will be the moment to deliver the blow.

00:25:12Ah!

00:25:13Ah!

00:25:14Ah!

00:25:15Oh!

00:25:15Ah!

00:25:16Ah!

00:25:16Nothing, just a completely basic and dangerous tool.

00:25:19I'm telling you, okay?

00:25:19Really.

00:25:20You're the dangerous one, you crazy guy!

00:25:21Wow, the blow he gave me!

00:25:23Oh!

00:25:23It's because I'm too trusting.

00:25:25There are ten of us.

00:25:26The mayor and his wife, who's worth two.

00:25:28Thirteen in total.

00:25:29Thirteen!

00:25:31But how could he even think of organizing a dinner for thirteen guests, knowing me?

00:25:34I thought that...

00:25:35No!

00:25:36Nothing.

00:25:36Don't think, don't think.

00:25:37A woman who is always thinking is a danger.

00:25:39Cancel that dinner.

00:25:39She's already jinxed.

00:25:41Yes sir.

00:25:43You must have told the casino manager to keep an eye on the customers because I'm not coming back.

00:25:46Yes, Mr. Sisto.

00:25:47Come on, man.

00:25:48I spent the whole night putting up with Calvizco sitting in front of me.

00:25:51But how could I win with those eyes glued right in front of me?

00:25:55How much did we lose last night?

00:25:56Two million, two hundred thousand.

00:25:58Thank goodness.

00:25:59We could have lost almost four million.

00:26:01Oh, but don't leave those pliers open there, woman!

00:26:03No, woman!

00:26:04What do you mean it doesn't matter?

00:26:06That gives off horrible gas.

00:26:07I'm sure I'll die again tonight.

00:26:09Okay, I'm leaving.

00:26:10He's missing that little finger!

00:26:12It doesn't matter!

00:26:13I'll put it up my nose and that way nobody will notice.

00:26:19Hey there, cutie?

00:26:20How's it going?

00:26:22Phenomenal.

00:26:22It tans more than the sun.

00:26:24I use it because it cured my arthritis.

00:26:27It activates circulation and increases red blood cells.

00:26:30You won't believe how upset you're going to be.

00:26:34Goodbye, monkey.

00:26:35Be careful, there are superstitious people here in Andalusia.

00:26:40But this one can beat them all.

00:26:45I was able to stay put.

00:26:47But what was it like?

00:26:47The vacuum cleaner must have had a loose connection and gave me an electric shock.

00:26:51What happened?

00:26:52Nothing important, sir.

00:26:53But she could have been fried.

00:26:55I was calm because this morning I saw Amador and he shook my hand.

00:26:58Did he shake your hand?

00:26:59What a lucky streak!

00:27:00Yes, he's a friend of mine.

00:27:02And why did he shake her hand and nothing happened to her?

00:27:05You don't know Amador.

00:27:07One look from him and he won't receive any bad news for three days.

00:27:11It gives you its hand, and if a car runs you over, it dents and you don't get hurt.

00:27:14I have a friend who was kissed and the next day she won 40 million pesetas in the lottery.

00:27:20Wow, an elephant man.

00:27:22No, it's not very big, it's normal.

00:27:24No, no, I mean it brings good luck.

00:27:26Ah, for a while.

00:27:27Well, it's just that here in Andalusia we're so superstitious.

00:27:29What a silly thing to say, right?

00:27:31Are you not superstitious?

00:27:32No, no, no way.

00:27:34Furthermore, superstition is a sign of ignorance.

00:27:36Well, congratulations, huh?

00:27:38Bye bye.

00:27:39Goodbye, sir, and thank you.

00:27:40Bye bye.

00:27:42Prepare this for them, and thank you, guys.

00:27:44Here, this is for you.

00:27:49Fifth gear, kid!

00:27:51Sunday!

00:27:53Clear!

00:27:54They get their driver's license by eating ham.

00:27:57It hurt him, they're going crazy.

00:27:58No no.

00:27:59I saw some numbers on the license plate.

00:28:01Sir, have you seen the license plate?

00:28:03It must be reported.

00:28:05Well, no, I haven't noticed, to be honest.

00:28:06Don't worry, it was nothing.

00:28:10Besides, it's impossible that I could have been selected.

00:28:12But he almost crushed it.

00:28:14But it hasn't crushed me.

00:28:17Ah.

00:28:17I'm a friend of Amador's.

00:28:21Amador's? The lucky one?

00:28:22That.

00:28:24And every day, when I leave the house, he gives me a hug.

00:28:26Who wouldn't want to be a hug?

00:28:28Well, and on Tuesdays the 13th, it often gives me two.

00:28:31That's why, even if I get struck by lightning, I'll stay calm, okay?

00:28:35Sure, that's how it is, if Amador hugs him every day.

00:28:37Well, that's it, congratulations and keep that friendship.

00:28:41Yes, yes, I'll keep it, of course.

00:28:43Bye bye.

00:28:44Goodbye and thank you very much.

00:28:45Hey, sir.

00:28:46Hey?

00:28:47It's me.

00:28:48Yes, yes, you.

00:28:49Tell me.

00:28:50Is this the second time I've heard about that lover?

00:28:54It's true that it brings good luck.

00:28:55All.

00:28:57For those who are touched or given a helping hand, everything turns out well.

00:29:01Well, and if he shakes her hand twice, I won't say anything.

00:29:05Are you a friend of his?

00:29:06We are close friends.

00:29:08Come have a drink with me and we'll talk business.

00:29:12But what kind of business can we talk about?

00:29:14Come with me and you'll see, you'll see.

00:29:26I think you're all completely crazy.

00:29:28Should I play roulette?

00:29:29Yes, you, with the money of the three of us, with a procedure that this guy invented.

00:29:33No, if you can't fail, you know I'm infallible.

00:29:36Well, you see, he used two calculators with Saint Blaise.

00:29:41Not with San Blas, assembled, which is not the same thing.

00:29:43But you said we should pray to Saint Blaise just in case.

00:29:45Yes, but that's for coughs, that's a different matter.

00:29:48But those calculations to win at roulette are always a dud.

00:29:52Not this one, look.

00:29:53Look, leave it to me.

00:29:55It is based on the theory of probability calculus.

00:29:58I don't know what it is, but since this guy told me, I'll just tell you and that's that.

00:30:01And what kind of theory is that, huh?

00:30:03Hey?

00:30:03Well, you see, you go with a thousand pesetas and you gamble on twelve.

00:30:08For example, just to give a number, right?

00:30:10What comes out?

00:30:12The twenty-fifth.

00:30:13And why is it coming out on the twenty-fifth?

00:30:14Damn, why is the number twelve coming out?

00:30:16No, no, he's leaving on the 25th, that's his job.

00:30:17What does this guy say?

00:30:18What are you up to?

00:30:19Well, I'm going to cry because I'm dying a thousand times over.

00:30:23Are you doing badly?

00:30:24No, sir.

00:30:25You have to bet again.

00:30:27One moment.

00:30:28And which one this time?

00:30:29Except for twenty-five to anyone.

00:30:31It's taken the bait, it's taken the bait.

00:30:35He's like a child.

00:30:37And why did he take the bait?

00:30:39That's what I'd like to know.

00:30:40Explain it to him better yourself.

00:30:41What do you mean, should I explain it to you?

00:30:42Yes, okay.

00:30:42OK that's fine.

00:30:44You see, that's what any player would do.

00:30:46There.

00:30:47But with Eduardo's trick.

00:30:51What number should I bet on?

00:30:52Come on, explain it to him.

00:30:53I'll see.

00:30:54Here I go, here I go, here I go.

00:30:55Here I go, here I go.

00:30:56That's a thousand pesetas.

00:31:01Twenty-five, which is the number that came up.

00:31:06Multiplied by twelve, which is the number you bet on.

00:31:10Divided by thirty-six, which are the numbers on the roulette wheel, as you know.

00:31:13Now that they're working.

00:31:16And there's a number you have to bet on.

00:31:27Eight thousand three hundred thirty-three and thirty-three.

00:31:31Is that exactly it?

00:31:32Oh, that came out?

00:31:34How odd.

00:31:35There are eight thousand numbers on the roulette wheel.

00:31:37It will have to be a roulette wheel like a cartwheel.

00:31:40No, not eight thousand, but eight yes.

00:31:41Ah, right, the eight, right, the eight.

00:31:43You don't believe anything.

00:31:44If you catch a liar first, he'll pull out a cripple.

00:31:46You shut up.

00:31:46Hit the machine, hit the machine.

00:31:48And since you bet a thousand pesetas, they give you...

00:31:50Hey, you're going to run out of that white paper.

00:31:55Belú must pay this six hundred twenty-two thousand two hundred one.

00:32:00There, there.

00:32:01Hey, I don't really understand the one o'clock thing.

00:32:03What do we do with this one?

00:32:04Man, you give the groupie one away, you come here and we'll go out for a whopping forty thousand pesetas.

00:32:08Was?

00:32:09They walk around like fools.

00:32:09I think you two here are blind from firecrackers.

00:32:12No, no, no, no.

00:32:13Just do what we say and you'll be surprised, won't you?

00:32:16Sure, okay.

00:32:17Come on, the money.

00:32:20My thousand pesetas.

00:32:21Look, take a coin, fill me up to a thousand and you can give me back when it suits you.

00:32:26Well, let me tell you something.

00:32:28I am not a speaker, but allow me a few brief words.

00:32:31We've done a lot of business together.

00:32:34Yes, yes, yes, we already know.

00:32:36But this is a load of rubbish.

00:32:39What a stupid way to spend money!

00:32:55Go to your street and mind your own business.

00:32:57Hey, do you have the slip of paper that Eduardo gave us?

00:33:00Yes, here it is.

00:33:01Okay, take a walk around there and I'll choose a suitable table.

00:33:05Hey, I have a date with a girl in an hour, okay?

00:33:07Let's begin.

00:33:09Yes, man, I'm very energetic and every day I need a little something, otherwise I'm missing something.

00:33:13Honestly, sometimes I wish you were gay.

00:33:16Yes, but it wouldn't matter because I'd have the same problems but with guys, which is worse.

00:33:20Yes of course.

00:33:21Well, I've had a look, but I haven't played it, okay? Be careful.

00:33:24Okay, okay.

00:33:28I'm using your money, you crazy guy.

00:33:30Oh, sorry, I saw the gear lever and put it in first gear, I'm sorry.

00:33:33And on top of that, your gum hasn't come out, so...

00:33:35Good evening, Mr. Sisto.

00:33:39Oh, I thought he wasn't coming.

00:33:42Have you brought your friend?

00:33:43I have it concentrated somewhere.

00:33:45I wanted to tell you something, Don Sisto.

00:33:47Amador brings good luck, everyone knows it.

00:33:49It brings good luck, for sure.

00:33:50But the thing is, he's never tried to tell fortunes at a fixed time.

00:33:56And maybe today he'll get his period.

00:33:58I don't know if you understand me.

00:33:59Yes, yes, I understand.

00:34:00Come on, let's go, I'm impatient.

00:34:01Okay, wait a minute.

00:34:02The thing is, I didn't tell my friend that we came to bring you luck.

00:34:06So keep quiet, okay?

00:34:07Do you understand?

00:34:08Yes, yes, don't worry, we'll see about that.

00:34:10And be warned, if I win today, we'll have to talk.

00:34:13Because I wouldn't miss out on a talisman like his friend.

00:34:15Hey?

00:34:16Did he say if I win today?

00:34:17Yeah.

00:34:18What's happening?

00:34:19Doesn't he win often?

00:34:20Never.

00:34:21No way.

00:34:22Not once in this casino.

00:34:24Not once.

00:34:25Yes, we are fixing things.

00:34:26Alright, girl, let's go.

00:34:27Sorry.

00:34:29Hi, little one, do you study or work?

00:34:31Sorry, there are donors.

00:34:32And is that race very long?

00:34:36What are you doing?

00:34:37Take the die.

00:34:38What's up? Is it yours to roll the dice?

00:34:40No, but we have to leave the die on the table, right?

00:34:41I'll leave it at that.

00:34:43Sorry, sorry.

00:34:44Don't you know it wasn't worth it, what do I know?

00:34:45Sorry, that's it, leave it there.

00:34:47That?

00:34:48Sorry, uh.

00:34:49I'm sorry.

00:34:52Okay, okay, he's already apologized.

00:34:53What a shameless man.

00:34:53Sorry, just leave it there.

00:34:54Cool, because please.

00:34:57What game are you playing?

00:35:13To American roulette.

00:35:15Yeah.

00:35:15We played house.

00:35:17What does it say?

00:35:18No, I thought I knew his mother.

00:35:21No, no, nothing, no.

00:35:23Sorry.

00:35:23No, no, nothing more.

00:35:24Goes.

00:35:26Good luck, spin the roulette wheel.

00:35:29Amador.

00:35:31Look, I'm going to introduce you to a friend, Mr. Sisto Calapeña.

00:35:35Amador González.

00:35:36Nice to meet you.

00:35:39That?

00:35:39What are you doing?

00:35:40So delighted.

00:35:42No, well, we're going to play a game of chance that three friends have made.

00:35:46And of course, our Amador will play it.

00:35:48Of course, it's silly because what I like is ping-pong.

00:35:50A little cow, huh?

00:35:51Yes, yes.

00:35:52Big money?

00:35:53Well, no, of course not.

00:35:54They're doing the right thing.

00:35:54Three hundred thousand?

00:35:56No, no, even less.

00:35:57Thirty thousand?

00:35:58No, three thousand.

00:36:00Three thousand?

00:36:00Pounds and sterling or Swiss francs?

00:36:03No, rupees.

00:36:04Rupees?

00:36:05Oh.

00:36:06Okay, okay.

00:36:07By the way, we've been introduced.

00:36:08My name is Sixto Calapeña.

00:36:10Yes, yes.

00:36:11You had already shaken my hand before.

00:36:12Oh, sorry, I'm so absentminded.

00:36:15Two great opportunities?

00:36:16Yes, two.

00:36:18Shall we sit together?

00:36:19They have reserved two places for me.

00:36:21Please follow me.

00:36:21Come on.

00:36:22Hey, so what?

00:36:22Shall we go, girls?

00:36:23This guy is a faggot.

00:36:25No, why?

00:36:26I don't know.

00:36:27He rubbed my hand twice and smells like perfume.

00:36:31No, man.

00:36:32He's very affectionate.

00:36:34Well, I knew one who started out affectionate and now I'm walking around with a garter belt and false eyelashes.

00:36:37Come on, man, let's go.

00:36:38He's waiting for us, that's it.

00:36:40We're coming.

00:36:40I'm with that guy, Chupichuski, but he's with his father.

00:36:42Leave him alone, man.

00:36:43Hello.

00:36:45You sit here, right next to me.

00:36:47Ah, yes, that's it.

00:36:49Oh, so this, excuse me, I'll have the chair.

00:36:51Thank you so much.

00:36:52Hello.

00:36:53Leave me alone.

00:36:55Here you go.

00:36:55Change me, but only big ones, eh?

00:36:57It must be yours.

00:36:59What elegant people come to this bingo hall.

00:37:01Another one by the hand.

00:37:03Place your bets, gentlemen.

00:37:05I put them out in groups of a thousand, right?

00:37:07Whatever Eduardo's instructions say.

00:37:08Let's see, look, there, at sixteen.

00:37:13Okay, okay, to sixteen.

00:37:15Let's see, I'm going to put this one, this one.

00:37:17Hey, you're mistaken, those chips are worth a thousand pesetas.

00:37:19Yes, yes, I know, I never play less, but today doesn't matter, today is my big night, huh?

00:37:25Place this wherever you like.

00:37:26Excuse me, I'll see if I can get here.

00:37:29Oh, sorry, it's not my fault, it's just that I'm going to put stairs here for you.

00:37:33That's it, gentlemen.

00:37:36Twenty-five red, odd and step.

00:37:38Well, the gypsies don't want a good start for their children either.

00:37:41Tell me.

00:37:44Have we only lost a thousand pesetas?

00:37:46No, no, you've kicked the bucket, Eduardo, and you too, because when I lose another thousand I'm leaving with mine in my pocket.

00:37:49Cigar?

00:37:51Come on, don't get discouraged so easily.

00:37:53Place your bets, gentlemen.

00:37:54Anyway, let's see what we do now.

00:37:56Place your bets.

00:37:56Well, according to this wonderful little piece of paper, we have to put these thousand dead pesetas into the 30.

00:38:03Are there 30 here?

00:38:04There must be one because I've seen three hundred and two elevens.

00:38:07The thing is, these gentlemen probably covered it up with chips.

00:38:10It's there.

00:38:11Ah, yes, yes.

00:38:11Ah, yes, that's right, look, look, there it is, yes.

00:38:13If it's a wolf, it'll eat you, right?

00:38:15There you have it.

00:38:16Hey waiter, I've put a thousand pesetas on the 30.

00:38:22Let's see if he opens one of these things and says it's his.

00:38:24Well, let go of my hand, man.

00:38:26Do you know what's going on?

00:38:26Since there are so many blue chips, it might get confused with mine.

00:38:30We play with an arithmetic progression, like this.

00:38:34A friend of ours told us that we played 16 and then 30.

00:38:37I don't understand.

00:38:38No, but we play by the thousands.

00:38:42Take your hand away.

00:38:42I don't know this guy at all.

00:38:43I don't know him at all.

00:38:44No, Dad, I don't think there will be any, but maybe they'll give out churros later.

00:38:47Oh, bule, bule, diás.

00:38:48Clear.

00:38:48No, you're right about that.

00:38:49No, wait, wait.

00:38:51Hi, ma.

00:38:51You keep playing and I'll explain.

00:38:53I don't know if they'll have churros, but they always serve garlic soup in the early hours, yes.

00:38:56That's it.

00:38:57Don Sisto, this time he's going to make a fortune.

00:39:00So, who did you chip in with, mate?

00:39:02Shut up, you boor.

00:39:04Eight black, even and foul.

00:39:06I think the numbers I play aren't in the roulette.

00:39:09Well.

00:39:10That's already 135,000 pesetas.

00:39:13But it's okay.

00:39:14Don't worry.

00:39:14That's clear.

00:39:15We're not going to break the bank on the first night.

00:39:18Obviously.

00:39:19TRUE?

00:39:19At first, we won't jump over the table.

00:39:21It's like this.

00:39:22What do we do?

00:39:23Should we scrap this token or exchange it and have some prawns or a beer?

00:39:26We'll win because this...

00:39:28Place your bets, gentlemen.

00:39:31Cheer up.

00:39:32Cheer up, my foot.

00:39:33Look, this time we're not playing because Eduardo, that idiot, says we should play to zero.

00:39:37Yes, man.

00:39:38Yes, man.

00:39:38Look, there you have it.

00:39:40The fattest one.

00:39:40He'll definitely play more often.

00:39:41Final three.

00:39:42Look how nice, there's zero too.

00:39:44Okay, let's see if we can...

00:39:46This is the thing, man.

00:39:47Yes, yes, yes.

00:39:48But what are you doing?

00:39:49We're already skipping the table.

00:39:53Oh, right!

00:39:54Oh, right!

00:39:55Oh, right!

00:39:56I've been lucky too.

00:39:57Imagine the beard falling on top of you.

00:39:58I think I have a problem.

00:39:59I have a problem, I have a problem.

00:40:00Uh, excuse me.

00:40:01Because our thing is mus.

00:40:04Ligar?

00:40:05He turned gay.

00:40:07And that's not for faggots.

00:40:08He's a faggot.

00:40:09I don't.

00:40:09And that's not for faggots.

00:40:10Seriously, I don't care about that faggot.

00:40:11Wait, wait.

00:40:12This one, I didn't act like a faggot and neither did this one.

00:40:16That one, I regulated, I regulated like a faggot.

00:40:19That's it.

00:40:20Now we've really won.

00:40:22Well, let go of my hand so I can grab the profits, okay?

00:40:24Oops, sorry, sorry!

00:40:25I didn't realize it.

00:40:26Eighteen red, even and missing.

00:40:30In my life, three thousand pesetas had never lasted me less than three thousand pesetas.

00:40:33Well, I was right.

00:40:35Was I right?

00:40:35Oh, really?

00:40:36Well, we were right.

00:40:38If the escape route never fails.

00:40:39Congratulations, it was a pleasure.

00:40:41One moment!

00:40:42You can't go now.

00:40:43Because?

00:40:44Is it prohibited or what?

00:40:46He's going to leave me alone.

00:40:48Well, we came with very little funding and we've lost it.

00:40:51We are clean.

00:40:52If that's the reason, I'll give them the money.

00:40:54Oh, ladybug, it's definitely a ladybug.

00:40:57This will get me pregnant right here.

00:40:59Damn, that's a lot of money.

00:41:01Well, we simply cannot accept it.

00:41:03Understand it.

00:41:04But now I'm winning.

00:41:05Yes, I see it now.

00:41:07Well, that's better for you, sir.

00:41:09Just a moment, just a moment.

00:41:10Let's do one thing.

00:41:11You're playing with my money.

00:41:13And in the end, if they win, they take half.

00:41:14What are you choking me for, damn it?

00:41:16Place your bets, gentlemen.

00:41:17I see him wearing a garter belt.

00:41:18Well, if you insist, go ahead and pass the chips.

00:41:21Well, I'd do anything to avoid being late for a date I have with a girl, because I like women.

00:41:28Do you understand?

00:41:29Women, women.

00:41:30That thing that wears panties.

00:41:32It's just very strange.

00:41:33They pull down her panties.

00:41:34That's it.

00:41:35Oh, that's the truth, folks.

00:41:36Please.

00:41:37As?

00:41:38Yes, yes, I can put it on.

00:41:39If it reaches your arm, the place is empty.

00:41:40Yes, it's just one.

00:41:42Of course I'll put it on.

00:41:42What, should I put two on it?

00:41:45Gentlemen, please.

00:41:46Don't give me the date.

00:41:47Don't give me the date.

00:41:48What, the Mingo is yours?

00:41:50That's it, it goes on the sheet.

00:41:51Next time.

00:41:53Hey, that's right.

00:41:53It seems like he's going to inherit it.

00:41:55You're just too soft.

00:41:56Leave the stick.

00:41:57He leaves the stick and goes outside.

00:41:58It's so cool.

00:41:59It's because you're right next to me.

00:42:00Oh, really?

00:42:01No, he'll end up asking me for my hand in marriage.

00:42:03Oh, that's right.

00:42:04Clear.

00:42:04You give her ideas and in the end she ends up taking them.

00:42:07The hand, man, the hand, the hand.

00:42:34I've earned almost two million.

00:42:38Listen, you were right.

00:42:40This is insurance.

00:42:41I already told you it never fails.

00:42:42But nothing, the number.

00:42:44Now that bastard is coming out.

00:42:46How curious.

00:42:47I haven't won anything for two months in a row.

00:42:49He's already losing.

00:42:50Well, Amador, didn't you have a date?

00:42:53Hey, yes.

00:42:54And if I'm going to go.

00:42:55And it's to die for.

00:42:55What do we do with this?

00:42:56Half of it belongs to this gentleman.

00:42:58Are you leaving now?

00:42:59Yes of course.

00:42:59Oh well, it doesn't matter.

00:43:00I'll keep playing alone.

00:43:01I'm having a terrible night.

00:43:03Take away, take away the chips you've won.

00:43:05We'll do the math.

00:43:05Place your bets, gentlemen.

00:43:06Yes, thanks.

00:43:07I'm going to get one of the 5,000 ones to make a keychain for my mother.

00:43:09It's just that they don't believe that gambling has already been authorized in Spain.

00:43:12Well, my friend, another day.

00:43:13Yes, he didn't believe this.

00:43:15Bye bye.

00:43:15With this hand fatigue, I'm lucky enough to be able to keep playing for at least two more hours.

00:43:19If he doesn't let go of me.

00:43:21Let go, beat up.

00:43:22I'm going to wash my hands.

00:43:24Uncle is such a suck-up.

00:43:27I hope I never see him again.

00:43:28Don't say that, because I think he'll be looking for us like crazy tomorrow.

00:43:32Because?

00:43:32Did you take his wallet or has he fallen in love with me?

00:43:34No, it's my own business.

00:43:36But get this into your head.

00:43:37We've just started the best business deal of our lives.

00:43:39Are you sure that when you left he was starting to lose?

00:43:47I even lost weight.

00:43:48It had a good run right at the start, but then it went into a tailspin.

00:43:54Hey, he's not calling.

00:43:57Call her.

00:43:58You don't know superstitious people.

00:44:01You gave him the correct number here, didn't you?

00:44:04Yes, yes.

00:44:05I gave it to him, yes, yes.

00:44:08It's here!

00:44:09It's here!

00:44:09Stop!

00:44:11Don't think we're impatient.

00:44:13But we're not there.

00:44:14Let the doorbell ring, just let it.

00:44:16What if he gets tired and hangs up?

00:44:18Calm down, calm down.

00:44:19Look at me, nothing, just relax.

00:44:20Hurry up, come on!

00:44:24Here's the funeral home, the three little dead ones.

00:44:26Tell me.

00:44:27Damn!

00:44:30Go to hell!

00:44:33Oh well, I'll have bad luck.

00:44:35If I don't give that lover a hug today, I won't be able to get back on my feet.

00:44:38Girl, dial the number, but this time, do it right.

00:44:40Yes sir.

00:44:41You're drunk.

00:44:43Imagine naming a funeral home after a superstitious person.

00:44:45That's how you'll need more of a lover.

00:44:49There you have it, there you have it.

00:44:51Calm down, calm down.

00:44:52No rush, no rush.

00:44:55Tell me.

00:44:57Who says?

00:44:59Yes, it's me.

00:45:00But I haven't heard his name.

00:45:03Sisto?

00:45:04What is Sisto?

00:45:07Oh, yes!

00:45:08How are you?

00:45:10I just didn't remember at this moment.

00:45:13Is there anything I can do to help?

00:45:15Oh.

00:45:16Of gold.

00:45:18We're going to make a fortune.

00:45:1930% of what that guy earns is for us.

00:45:22Well, but don't forget that there's no one to tell Amador about any of this.

00:45:24No, no, no, no, no.

00:45:25Hey, the bodyguard idea was really good.

00:45:28Man, you bodyguards, you don't even have half a cake, huh?

00:45:32So what?

00:45:33We will never have to act like thugs.

00:45:34Remember that it's an excuse for Amador to be at the roulette table near a Sisto.

00:45:37Come on.

00:45:38Hey, hey, where does Amador live?

00:45:40In a caravan that he has parked at a campsite.

00:45:43It's a very discreet place.

00:45:45And that obsessive man takes all the women he can there.

00:45:48Hey, any visitors?

00:45:50None.

00:45:51There, those who go, already know what they're getting into.

00:45:54Come on, let's go.

00:45:55Uh, we're not going anywhere.

00:45:57Push, this car won't start.

00:45:58What's happening?

00:45:59Is something wrong?

00:45:59It's out of gas.

00:46:01But, damn it, if you have a pump right there, fill it up.

00:46:04Yes, but you have to pay for it.

00:46:05Do you think I'm stupid?

00:46:07The thing is...

00:46:07Come on, push.

00:46:08And why didn't you buy a scooter that uses less fuel, huh?

00:46:12Push, push.

00:46:12Yes, I'm already pushing.

00:46:14And don't worry, there's a downhill slope in six kilometers.

00:46:17That will be the one of faith.

00:46:18But forewarned is forearmed, right?

00:46:19At kilometer twelve there is an uphill climb, I also want to tell you that.

00:46:22When the uphill comes, I'll drive.

00:46:23This car is so fuel-efficient!

00:46:25They don't spend money on me, I'm delighted.

00:46:27Don't drive like a maniac, there's a stop sign at the exit.

00:46:29Push, crybaby, push.

00:46:38I've come here so you can tell me the truth.

00:46:46Is it true that you're going to have a good job?

00:46:48Did we do a good job?

00:46:50Honestly, I don't think so.

00:46:53Fidel loves you, girl, and I think you should move back in with him.

00:46:56I would like that, because I love that stubborn guy.

00:46:57But he needs to change his life, settle down, work honestly, and not be so jealous.

00:47:03Oh, is he jealous?

00:47:04A Moor.

00:47:05At home, he wouldn't let me open the door for the delivery man or the postman.

00:47:09What's the matter?

00:47:10Well, you see, when you came, I had a girl here.

00:47:15And did I ruin your plan?

00:47:17Well, if she hasn't suffocated, no, because I have her hidden in the bathroom.

00:47:21What a mess!

00:47:22You should have told me, man.

00:47:23I'm going now.

00:47:24I just wanted to know if what Fidel told me on the phone this morning was true.

00:47:27But I can see you don't have any serious jobs lined up.

00:47:30Nothing is certain.

00:47:31Sew me up with your husband's clothes, you know.

00:47:33Well, see you another day.

00:47:34And forgive me.

00:47:35Nothing, woman.

00:47:37What's happening?

00:47:38My husband.

00:47:39Because?

00:47:40Don't know.

00:47:40When he sees us alone, he kills us.

00:47:43No, woman, how could it not work for us?

00:47:44Go on, go on, go on, go on.

00:47:45On his wedding day he almost hit his father because he kissed me.

00:47:48Cuyons.

00:47:50Which way do I exit?

00:47:51I don't know, there's no other door than that one.

00:47:53Then hide me.

00:47:55Come on, it's possible.

00:47:55What a silly thing to do, completely out of the blue.

00:47:57Don't open that door now, don't open the door.

00:48:00There's no room for anyone else here.

00:48:02Sorry.

00:48:02Where do I go?

00:48:06Come here, come in, come in.

00:48:07Down here.

00:48:10Throw it away soon.

00:48:11Throw it out soon, throw it out soon.

00:48:12You should have stayed in your little house, honey.

00:48:14One moment.

00:48:15Cover yourself with the tablecloth.

00:48:17Complication.

00:48:17We've been calling for half an hour.

00:48:20Where have you been?

00:48:21Yes, well, I had gone up to the attics, then down to the cellars, and now I was in the ballroom.

00:48:27Where am I going to be? Here, but asleep?

00:48:29Well, you'll wake up when we tell you about the matter we've settled.

00:48:32There, there.

00:48:33So is it true that we have a serious job?

00:48:35And who told you that?

00:48:38That?

00:48:41I dreamt it.

00:48:42I dreamt it.

00:48:44What's wrong? Can't I dream or what?

00:48:45I dreamt it.

00:48:46You don't exactly look like you'd dream a lot, but stranger things have happened.

00:48:49Okay, what kind of job is that?

00:48:51Let's sit down and we'll explain it to you.

00:48:53It's a special job.

00:48:56Go on, tell him, come on.

00:48:57But don't worry, okay?

00:48:58And why should I be worried?

00:49:00This one, this one says it because you...

00:49:02Hey, are you using a handbag now?

00:49:06Well, yes, I find it more comfortable than carrying things in my pockets.

00:49:10Ah, but it's yours.

00:49:12Yes, yes, with this unisex fashion thing.

00:49:15It's very portable, you have everything at hand, and it all fits.

00:49:18You can bring tobacco, documents, a wrench, two cold beers, in short, whatever you want.

00:49:24Okay, can you give me a moment?

00:49:25Well, a bag just like this one, but exactly the same, right?

00:49:29I bought it for my wife last year.

00:49:31Yeah?

00:49:33Yes, well, there are many like it, right?

00:49:36Okay, so we're going to explain what this is all about, okay?

00:49:39It's exactly the same.

00:49:40You're going to work with a millionaire bodyguard.

00:49:43Us, watch the back of a millionaire?

00:49:45And who's going to keep them for us, huh?

00:49:46Yes, we already know you don't have half a cake.

00:49:50Goodbye, Superman.

00:49:51Yes, it's a very simple job.

00:49:53Don Sisto, the millionaire, comes here to sunbathe and gamble at the casino.

00:49:58Who's going to mess with him?

00:49:59Nobody.

00:49:59And we're going to make a fortune.

00:50:0125% of what I win playing.

00:50:06Hey, you're not going to believe this.

00:50:09The fact that?

00:50:10What coincidences!

00:50:12My wife has a perfume atomizer like this one.

00:50:15Yes, they sell them in huge quantities all along the coast, yes.

00:50:19Okay, Amador, we're leaving, right?

00:50:20You start work tonight.

00:50:22Now, come on, Fidel.

00:50:23No, but bring it here.

00:50:23Hold on, man.

00:50:24Let me.

00:50:26And this handkerchief?

00:50:29This handkerchief looks familiar.

00:50:31Wait a minute, it's not unusual for a handkerchief to rustle.

00:50:34Did you understand the joke?

00:50:37I did understand that little gadget.

00:50:39Okay, let's go now.

00:50:41Well, goodbye.

00:50:42See you tonight, okay?

00:50:43It's not funny at all.

00:50:46It smells the same.

00:50:49And speaking of smell, this is starting to smell bad to me.

00:50:53We'll have to dress well, because Don Sisto Calapeña lives in a way that...

00:51:02Careful!

00:51:03That?

00:51:03Be careful, it's hot in here.

00:51:06It's hot, it's sweltering.

00:51:07Okay, let's go then and all hold on.

00:51:11Wait and keep saying he's leaving.

00:51:12Hang on a minute.

00:51:14I'm going to see the caravan.

00:51:15I like the caravan.

00:51:18I like it.

00:51:21And the wood in this cabinet will withstand the heat.

00:51:25Heat?

00:51:26It's really hot in here, damn it.

00:51:28But...

00:51:29Amador, what is this woman doing here?

00:51:34Well, I was going to a novena and...

00:51:36Well, she's always been very sly, hasn't she?

00:51:38Yeah.

00:51:38Come on, officer, we have to keep pushing the car.

00:51:40No no.

00:51:41We're not leaving.

00:51:42So this whore and that scoundrel are cheating on me and I have to keep quiet.

00:51:46But how can we cheat on you if you have nothing to do with this girl?

00:51:50No.

00:51:51Nothing to do with each other, but a lot to discuss.

00:51:53And this woman is mine.

00:51:55Scoundrel!

00:51:56No, no, no.

00:51:57Not this one, man.

00:51:58What do you mean, no?

00:51:59No, absolutely not.

00:52:00Are you nervous or are you just talking nonsense?

00:52:02Of course, that's how I discovered the bag.

00:52:03Because I paid for it.

00:52:05No, no, don't bluff.

00:52:06No.

00:52:07This girl has never had sex with you.

00:52:10Don't yell at me!

00:52:12No, I won't yell at you, you wretch.

00:52:13Right, beautiful?

00:52:14Well, not relationships.

00:52:16What do you mean, no?

00:52:17We slept together.

00:52:19Do you see it?

00:52:20Of course, everything is ready.

00:52:21Do you see it?

00:52:22And you knew it.

00:52:23Come here.

00:52:24Are you ashamed of cheating on your friend with your lover?

00:52:28Look, why don't you shut up, handsome?

00:52:31Don't point that little testicle at me, it makes me nervous.

00:52:34Shut up!

00:52:35On!

00:52:35Shut up!

00:52:36On!

00:52:37You will be silent for life below!

00:52:38Let him talk.

00:52:40Let him sing plainly!

00:52:42But where did you come from?

00:52:44From under the table.

00:52:46And what were you doing down there?

00:52:48Finding out that my husband is cheating on me.

00:52:50You see.

00:52:51That I'm cheating on you?

00:52:53With who?

00:52:54That slut!

00:52:56You just said it!

00:52:57Me say?

00:52:58Did I say I have anything to do with this young lady?

00:53:03Right now!

00:53:04Here, cover yourself, please.

00:53:06Well, but if it's the...

00:53:07Oh, sorry.

00:53:08This is the first time I've seen her.

00:53:10By the way, I forgot.

00:53:12We haven't been introduced.

00:53:13Fidel, delighted.

00:53:15Do you see it?

00:53:15I don't know her?

00:53:16You just confessed!

00:53:17One moment!

00:53:18And what were you doing here?

00:53:22What have you come for?

00:53:23Don't change the subject.

00:53:25I wouldn't change a thing!

00:53:27What were you doing in this scoundrel's caravan, hiding under the table?

00:53:31He who hides, has something to hide.

00:53:36How did it go?

00:53:37No, no, it's very good.

00:53:38That's great.

00:53:38But I grunt, but it has been very brilliant.

00:53:40Man, that suits you, seriously.

00:53:41But he wasn't hiding anything.

00:53:43He came to see me to check if it was true that we had a job.

00:53:45Clear.

00:53:46Ah, that's why you knew.

00:53:48Sure, sure.

00:53:48I hadn't dreamed anything.

00:53:50Good, good, good, good.

00:53:52Well, I don't believe it!

00:53:53Well, what is it that you don't believe?

00:53:55Did you know that?

00:53:56Did he not dream anything or had he not come?

00:53:57You keep quiet, you cover-up!

00:53:59Unclear.

00:54:00Did you know that these three were deceiving me?

00:54:02In part.

00:54:02And that's why you wanted to get me out of here.

00:54:04Yes, you are all scoundrels.

00:54:06Well, not this one, because it has nothing to do with you...

00:54:10Oh, yes, of course, of course not, no.

00:54:12It has nothing to do with me...

00:54:13That remains to be seen.

00:54:14That slut is going to tell me the whole truth.

00:54:16What are you saying to her?

00:54:17How true!

00:54:18Somarra!

00:54:18Oh my goodness, what a mess this is going to be!

00:54:21Just in case!

00:54:22No!

00:54:23No!

00:54:24No!

00:54:25It's your fault for flirting so much.

00:54:26Well, you're the one saying it.

00:54:27Come on!

00:54:28Come on!

00:54:29Be careful, stay calm!

00:54:30Let's not allow the blood to reach the sea!

00:54:32Okay, let's keep it quiet so it doesn't look like we're in Congress.

00:54:35Come on!

00:54:35Ultra!

00:54:36Which one?

00:54:37Which?

00:54:38Ah!

00:54:38Oh!

00:54:39No!

00:54:39It's not natural!

00:54:40I don't feel it!

00:54:41No, sorry!

00:54:42I didn't mean queen!

00:54:44Oh, mother!

00:54:45What a husband!

00:54:47Watch out!

00:54:48What's happening?

00:54:49Because this thing moves!

00:54:50As?

00:54:51Careful!

00:54:52Oh no, their shoes have been cut!

00:54:53Here's my mother!

00:54:56Relief!

00:54:57Hey, don't mess around, this is my wife!

00:54:59Man, in an emergency?

00:55:00Emergency?

00:55:01We're going straight to Italy!

00:55:03Relief!

00:55:04Here's my mother!

00:55:05Here's my mother!

00:55:15Mr. Amador González?

00:55:17Yes, it's me.

00:55:19I am Don Sisto Calapeña's secretary.

00:55:21They've charged me to look after them until he arrives.

00:55:24Are you the man of the...

00:55:25He's the new bodyguard.

00:55:27I am the other one.

00:55:28Orien!

00:55:29Orien!

00:55:31Passion!

00:55:31For President!

00:55:33Atleti!

00:55:33Orien!

00:55:35Would you like to have a drink?

00:55:36Yes, yes.

00:55:37I come here to work and I don't drink with traitors.

00:55:40Come on, Fidel, how can I tell you that I wasn't to blame?

00:55:42False, false, you're a fake.

00:55:44I don't want to talk to you.

00:55:45Well, then don't talk to me and that's that.

00:55:46I will have that drink, miss.

00:55:47First we'll go and exchange this check for tokens.

00:55:50Well, I'm already acting as a bodyguard, aren't I?

00:55:53Something like that.

00:55:55But why do you say you are a bodyguard?

00:55:57Well, according to my information, they've hired him for something else.

00:56:01So that?

00:56:02To bring good luck.

00:56:04To give what?

00:56:05Luck.

00:56:05My boss has heard that you are a lucky charm and wants you on his side.

00:56:09Please exchange this check from Mr. Calapeña for me.

00:56:12Wait, did you say I'm a talisman?

00:56:14Don't pretend, man.

00:56:16He is famous all along the coast.

00:56:18But who said that?

00:56:20Everyone knows it.

00:56:21And since my boss really likes gambling, he's hired you to win.

00:56:25Your boss is crazy.

00:56:28Miriel!

00:56:30We need to talk.

00:56:32I don't talk to the man who is cheating on me, to my wife, and to my mistress at the same time.

00:56:36Stop talking nonsense and explain to me what you mean by "I bring good luck."

00:56:39Who told you that?

00:56:40The rich man's secretary.

00:56:41Who's crazy? The faggot who's rubbing my hands or you?

00:56:44You see, it's just that...

00:56:46Ah, look, let's go find Eduardo and we'll explain it to you together.

00:56:51Eduardo!

00:56:53Eduardo!

00:56:53There it is.

00:56:56Look, here it is.

00:56:58Go on, explain it to him.

00:56:59Well, it's a bit complicated, isn't it?

00:57:00Look, look.

00:57:01From here we control the casino's temperature, ambient humidity, and the possibility of fire.

00:57:08And all this fat mess here, right?

00:57:11This is all the air conditioning in the boss's office toilet.

00:57:14He doesn't notice because of the noise.

00:57:15One moment.

00:57:15The thing about luck.

00:57:17Explain to him about luck.

00:57:19Don't tell me that in the tenth draw we were playing, we got the short end of the stick...

00:57:23Pete, go to hell!

00:57:25Hey!

00:57:25What happened?

00:57:26What happened?

00:57:27What happened?

00:57:27It's just that I don't...

00:57:28This is sinking.

00:57:29It's called fire.

00:57:32Hey, no kidding around, Eduardo.

00:57:35He told me that Mr. Calapeña hired me because I bring good luck.

00:57:38Who's gone completely idiotic here?

00:57:40Well, explain it to him.

00:57:41We'll explain it to you.

00:57:44That's it, explain it to him.

00:57:46You give me.

00:57:47You are an elephant man.

00:57:49And you two goat men.

00:57:51In other words, two kids.

00:57:52Man, that's gone too far.

00:57:54An elephant man is a man who brings good luck to others.

00:57:57I don't bring luck to anyone.

00:57:58But I have terrible bad luck.

00:58:00It's not noticeable, I'm broke.

00:58:02Well, it's because you give me.

00:58:03No, no, no.

00:58:04The thing is, lucky charm men don't bring themselves luck.

00:58:08Not for the others either.

00:58:09You've known me for years and you're all broke.

00:58:14That's not it either.

00:58:15But.

00:58:15Go on, explain it to him, explain it to him.

00:58:16One moment.

00:58:20Ugh, and why haven't you done it before, you wretch?

00:58:23The good thing is that everyone gets what they want.

00:58:25That.

00:58:26And we don't want more than what we have.

00:58:29So, you like being two pieces of shit.

00:58:31Yes, that's true.

00:58:32Man, we're not two pieces of shit.

00:58:35Look, get real.

00:58:37We're two pieces of shit.

00:58:38But we're happy because with you here we're already three pieces of shit.

00:58:41And whether you like it or not, it's appreciated.

00:58:43But who came up with that stupid idea that I'm unlucky?

00:58:45You really hit it, Amador, you really hit it.

00:58:48An example.

00:58:50An example that seems silly but is very significant.

00:58:53Do you remember the crash you had on the motorcycle with Casimiro?

00:58:56Was Casimir lucky, yes or no?

00:58:58But how can he be lucky if the poor guy had one of his eyes gouged out?

00:59:01But the left one, which is the one used the least.

00:59:03And that girl who tried to poison herself with a mixed paella because you left her,

00:59:07Was he lucky or not, huh?

00:59:09But what about good luck?

00:59:10If a crayfish crossed her path and she was left speechless with shock.

00:59:12And isn't a woman who doesn't speak a lucky case?

00:59:15Ah, go poop.

00:59:16No, no, no, there is more.

00:59:17We miraculously didn't kill ourselves in your caravan this morning.

00:59:20What is that?

00:59:21And last night that guy from Calapa was winning like crazy until you left.

00:59:24No, that's true.

00:59:25And it is.

00:59:27Resign yourself.

00:59:28You don't realize it, but it brings good luck, kid.

00:59:31What are you going to do about it?

00:59:34I don't believe it.

00:59:36But I'm going to check it.

00:59:38Okay.

00:59:41Eduardo, that girl is an idiot.

00:59:44He almost ruined everything.

00:59:46Oh, what a burn, mother!

00:59:48What are you saying? And this is cold air?

00:59:50Well then, my hand must have frozen.

00:59:53Don't lose sight of him.

00:59:54I don't trust that lover at all.

00:59:57He's cheating on me twice over

00:59:59And on top of that, I have to take care of him like he's a baby.

01:00:02Come on, let's...

01:00:02Go on, go on, go on.

01:00:03Amador, wait for me.

01:00:04Wait for me.

01:00:06Pepe, make some noise.

01:00:08Go on.

01:00:10Pepe, it's happened to you, son.

01:00:13Oh, this one is unbelievable.

01:00:15Chibri, chibri, don't be an idiot.

01:00:16Give me luck, rabbit's foot.

01:00:20But hey, where have those two guys gone?

01:00:22If they were here.

01:00:25Oh, look at them.

01:00:26Man, I thought they weren't coming.

01:00:28Let's play, Mr. Calapeña, and see what happens.

01:00:31Give me your hand, please.

01:00:32With pleasure.

01:00:34Oh, wait for me, kid, don't be stupid.

01:00:35And bad luck, rabbit's foot.

01:00:36Let's go.

01:00:37They've reserved places for me.

01:00:38Yes, sir, two places.

01:00:40I heard something about hitting him between the eyebrows

01:00:41to a rabbit with the petejo.

01:00:42If this doesn't go well, I'm out of luck, Eduardo, and you.

01:00:44Please allow it.

01:00:46Thank you so much.

01:00:46Here, you here, by my side.

01:00:50But what is that?

01:00:53I already told the casino manager,

01:00:54But he replied that no one can be denied entry.

01:00:56But how am I going to win with that guy standing there in front of me?

01:00:59Ah, he's referring to the...

01:01:00Don't worry, I'm here.

01:01:04You play your part, and I'll put all my influence into it.

01:01:06to counter that man.

01:01:07Careful, careful.

01:01:08He didn't say that he didn't know it brought good luck.

01:01:11He hides it so he won't be harassed.

01:01:13But when a serious case arises, he acts like this.

01:01:16Ah.

01:01:18This, Don Sisto.

01:01:19Thank you.

01:01:20Anyway, play a little bit

01:01:22Until we see if the cross-eyedness goes away, huh?

01:01:24Well, let's see what happens.

01:01:25Place your bets, gentlemen.

01:01:33Put this in my kit.

01:01:34That's it, pretty girl.

01:01:35What's happening?

01:01:38No, no, no.

01:01:40Black quinceañera and pair and skirt.

01:01:42I won!

01:01:44Sure?

01:01:45Look at it.

01:01:47Do I have monkeys on my face?

01:01:48That's right, and with that cross-eyed guy right there in front of me.

01:01:52It's incredible!

01:01:54Because the other day, with that gloomy guy there in front of me,

01:01:57I even lost my liver.

01:01:59Place your bets, gentlemen.

01:02:01Let's play hard now.

01:02:03Wait, be careful, Don Sisto.

01:02:05I think two or three thousand pesetas would do, just to try it out.

01:02:10Mr. Cross-Eyed, you get a phone call.

01:02:14And if he's deaf too, he really has it all.

01:02:17No, no, no.

01:02:18Let me get in shape.

01:02:19Yeah.

01:02:20Neither, nor, nor, nor, nor, nor.

01:02:22What harm does this do?

01:02:24Nothing, man.

01:02:25Today, with this guy here, the bank really broke.

01:02:27Everything at fifteen.

01:02:28But the fifteenth just came out.

01:02:31I know.

01:02:31It doesn't matter.

01:02:33Furthermore, this is a very important contract for me.

01:02:37What I do?

01:02:37Should I sign it or not?

01:02:40Sign it because I'm going to play it.

01:02:42Stay still, just a moment.

01:02:4325% of the profits?

01:02:46According.

01:02:47Play it, lover!

01:02:48Give him one of your signature taps!

01:02:52That's it.

01:02:56Fifteen black and pair and skirt.

01:02:59That's great, that's great!

01:03:01That bald guy is so lucky!

01:03:03Scene, transversal, squares, horse and full.

01:03:07Look, look, look!

01:03:08Look, look, look!

01:03:09For me, for me!

01:03:10Look, look, look!

01:03:12For me, for me!

01:03:13Which of the dead ones?

01:03:14All because of the dead?

01:03:15What to save!

01:03:16Everything at fifteen!

01:03:18I submit my resignation.

01:03:20Now you lose it.

01:03:21Three fifteens in a row is impossible.

01:03:23Listen, seriously, this one brings good luck.

01:03:25But what you're asking for are little miracles.

01:03:27Leave him alone, man, I'm sure he'll turn out great.

01:03:29But your father is going to come out.

01:03:31But you actually believed that "luck" nonsense, you wretch.

01:03:33Sure, me too.

01:03:35Look, I don't need it anymore.

01:03:38Giveaway!

01:03:39The rest of the rabbit is sent to me by the garlic.

01:03:41But, Mr. Sisto, you don't understand that a number cannot be given three times in a row.

01:03:44And especially not fifteen!

01:03:46Fifteen, black, odd, and missing.

01:03:49What's wrong with him?

01:03:50What are you doing?

01:03:52Does he die for once?

01:03:52Let me kiss your beard.

01:03:54Then I'm going to take him dancing.

01:03:58What a big mouth!

01:03:59What a damn woman!

01:04:00That?

01:04:05Here it goes.

01:04:06I cured him.

01:04:07But how the hell did I get cured?

01:04:08If not now, when I see everything double.

01:04:09No!

01:04:11A doctor, who sees everything double.

01:04:13I've been cross-eyed for life.

01:04:16I've cured him!

01:04:18Well, it's a burner when it can take photographs.

01:04:21But artistic?

01:04:22No.

01:04:22Look, you know those photographs they take of all of us when we're six months old?

01:04:26Ah, yes, stark naked and with drool hanging off.

01:04:29Yes, that one.

01:04:29I made one just like it.

01:04:30At six months?

01:04:32No, after six months of being in the military.

01:04:34Oh, you must be disgusting, really.

01:04:36Yes, but I still show it off and get dates, you know?

01:04:38Come on.

01:04:38Do you want me to show it to you?

01:04:39Come on, you pig.

01:04:41No, but if I say the photo, man, how?

01:04:43Leave it.

01:04:44Look, here it is.

01:04:45Well, that, I do understand.

01:04:47These are two photos for the hitchhiker's license.

01:04:49Has it already happened?

01:04:50Flirting as usual, if he has it here.

01:04:52It's just that here in Spain, in Spain, the photos of...

01:04:56ID photos are taken completely naked.

01:05:00But, but how are they going to understand you if you don't speak languages?

01:05:04Come on, let's give him a hand because he can't undress them on his own.

01:05:06What are you doing here?

01:05:06Are you going to do something stupid?

01:05:07This link is mine.

01:05:08Just a moment, just a moment.

01:05:10Mises, do you speak English?

01:05:12Oh, yes.

01:05:13And you?

01:05:14Well, it's fixed now.

01:05:16We already know that one of them speaks English.

01:05:17Okay, now, who among us knows English to respond to what he said?

01:05:20Well, I knew you'd be doing badly.

01:05:21Wait, let me, let me.

01:05:23Mademoiselle, mademoiselle, vous parlez French?

01:05:27Oui, je suis de Paris.

01:05:29Hey, you see, he speaks French, he speaks French!

01:05:32What did he say?

01:05:33What did he say?

01:05:34She's really struggling, but she shouldn't be.

01:05:35No, but you have to tell him with signs.

01:05:37Do you want to have your passport photo taken?

01:05:39Here, in Spain?

01:05:40Yes, that's it.

01:05:41Ah, well, start taking off your clothes, okay?

01:05:43Wait, let me.

01:05:44The license, in Spain, is completely unrestricted.

01:05:48Oh.

01:05:48Do you understand?

01:05:49Yes, look, ne va de rope en cime.

01:05:53Well, it's a good thing you came, because they didn't believe me, you see?

01:05:56Yes, it's for full identification, yes, of scars, the right nipple plus

01:06:00obese than the left, the...

01:06:02Get off me, you pig!

01:06:03Sorry.

01:06:03Wow, what a pair of peppers this one has.

01:06:05Let me, let me, well, one on each side.

01:06:08Now I've made the shirt for Ribé.

01:06:10Hey, there are three of us and two of them, who's left over?

01:06:13No, well I'm fine with either one, okay?

01:06:14But hey, who invited you?

01:06:16Both are for me.

01:06:17That would be good.

01:06:18Shall we draw straws?

01:06:20No, no, no, we didn't throw anything in.

01:06:21Well, we'll have to add something, I suppose.

01:06:23Throw, throw, throw, you pig, pull down my skirt, monkey, and raise the blade.

01:06:26The foot, damn it, that one.

01:06:27And may I ask what you're doing here?

01:06:29The whole coast knows you drew fifteen twelve times, look at that luck.

01:06:32Are you famous?

01:06:33Oh, very famous!

01:06:35They bring us requests to give you a hand.

01:06:37And paying?

01:06:37Paying, of course.

01:06:39Take off Dayan's eyepatch, princess.

01:06:41Okay, we'll talk now, we're going to remove this, there's no other way, I'm sorry.

01:06:45It's like the fingerprint, no two are alike, the police

01:06:48He looks at it a lot, because people smuggle a lot of things here, transistors, televisions

01:06:52in color...

01:06:53We have a very blond business in sight.

01:06:55I have it too, but much blacker.

01:06:57We're going to charge twenty pesetas for a handshake.

01:07:00And a thousand pesetas for a hug.

01:07:02And to think I believed that the idea that I brought good luck was something you all made up?

01:07:05What nonsense are you talking about, Amaral?

01:07:06Ah, but there's no doubt, I bring good luck.

01:07:09Hey, I'll trade you both girls for a hug from me, okay?

01:07:11That's nothing.

01:07:12For me, the blonde girl is the best, even if she's a bit of a show-off, you know?

01:07:14Walk like that, brunette, turn around.

01:07:16Come on, let's take a gamble.

01:07:18Oh, really?

01:07:18Yes, come here.

01:07:19But just a little, okay?

01:07:20Oh, oh, oh.

01:07:22Three with which you take them out.

01:07:23None.

01:07:24Okay, that's not fair, let's start again.

01:07:26Okay, fine.

01:07:26No, no, yes, it's okay, yes, it's okay.

01:07:27None.

01:07:27Well, think about it, think about it.

01:07:29It's already been thought out.

01:07:29It's because of you that you're going to lose.

01:07:30It doesn't matter.

01:07:31That's it, none.

01:07:32Okay, go, go, go, go, go.

01:07:34Hey?

01:07:34I won.

01:07:35Ugh, I'm in such a bad mood.

01:07:37Come on, come closer.

01:07:38Come on, take out some coins.

01:07:39No, but if our situation is very clear, let's go.

01:07:41Tell me a number from one to ten.

01:07:42Come on.

01:07:43Wait, the five.

01:07:46Sorry, it was seven, you lost.

01:07:48Sure.

01:07:48Now, take the taxi we brought, pay for it, and leave with it.

01:07:51Goodbye, goodbye.

01:07:52What bad luck.

01:07:53I'm terrible, aren't I?

01:07:54Hey, you're unlucky in the game.

01:07:55And if you fall in love, it won't bother you.

01:07:57They've cheated me, they've tricked me.

01:07:59And on top of that, paying for a taxi doesn't bother you.

01:08:01Okay, now let's have a few snacks, shall we, beauties?

01:08:04Okay, wait a minute.

01:08:05I've really fallen in love with this one.

01:08:06Can I have it?

01:08:07Me.

01:08:07It's the same, just pick whichever one you want, okay?

01:08:08Hey, aren't you going to take both of them either?

01:08:10Leave me the dark one, at least.

01:08:11What, what, what can I tell you.

01:08:12Hey, it's them.

01:08:13Yes, I know, I'll have something.

01:08:15What more could I want?

01:08:15But you see it now.

01:08:17But what do I do?

01:08:18Well, take a cold shower, buddy.

01:08:20Or if you prefer, get in line.

01:08:21I'll rape you and give you luck for life.

01:08:23Does?

01:08:24Well, look where I'm going to address you formally.

01:08:26Go fuck yourself.

01:08:30Okay, okay, okay.

01:08:31Well, no, no, no.

01:08:32Well, no, no, no.

01:08:32Don't crowd together, okay?

01:08:33Let's take it one step at a time.

01:08:34Let's...

01:08:34Lower, lower the...

01:08:36Let's...

01:08:36Open the parenthesis.

01:08:37You too, you too, huh?

01:08:37Let's play a game I know.

01:08:39Let's get to the one that says...

01:08:41Pinto, pinto, gorgorito, saca la vaca de 25.

01:08:43Oh!

01:08:44Even numbers, this one comes first.

01:08:46Come on, come on, another one.

01:08:48Thank you so much.

01:08:49What bad luck he has, huh?

01:08:50I think it's from the sandal.

01:08:52Next?

01:08:53Come closer, son.

01:08:54What I wanted was luck so that my party would win the '83 elections.

01:08:58Which party do you belong to?

01:08:59From UCD.

01:09:00Well...

01:09:01Take.

01:09:01Well, I don't know if I should shake your hand or sleep with you, because you're in a tough spot, aren't you?

01:09:05Well, you shake his hand anyway.

01:09:07The handshakes and handshakes to help them win the elections.

01:09:09Okay, okay, come on.

01:09:11What do I do now?

01:09:12Should I not wash?

01:09:12I don't know, I'm new to this luck thing, you know.

01:09:15Come here, please.

01:09:16This way, this way, this way.

01:09:17Here.

01:09:18That's one thousand pesetas.

01:09:19Voluntary donation for impossible cases.

01:09:22Oh, and if you want some advice, your situation is like Lourdes, right?

01:09:25Because you're doing so badly that it's dragging the whole country down.

01:09:28At the door.

01:09:28Greetings to the Andean region.

01:09:31I come from a small town so that you can give me a hug.

01:09:33Oh, of the peoples.

01:09:34Has my fame spread that far?

01:09:35My daughter told me about it.

01:09:37And the townspeople are already chartering a bus to come and see him.

01:09:40Well, give me that hug, woman.

01:09:41To my womb, ma'am.

01:09:43Hurry up, we're losing money, come on.

01:09:44And what does luck need it for, huh?

01:09:46Oh, not at all in particular.

01:09:48He thinks luck is not enough.

01:09:51To avoid getting sick.

01:09:52So that there is no shortage of work.

01:09:55So that children who are absent will remember one.

01:09:59Luck.

01:10:00If you have some to spare and you give a little to others, well, that's great, isn't it?

01:10:06Back to my womb, ma'am.

01:10:08Come on, come on, come on.

01:10:09How much is it?

01:10:10No, he's invited.

01:10:11No, no, this miracle is on the house.

01:10:13Look, I'm starting to get lucky.

01:10:14I've been given free luck.

01:10:17How quickly he took the floor!

01:10:19The truth is, if we get sentimental, what a shitty business we're going to run.

01:10:22I'm like those famous doctors, I take money from the rich and treat the poor for free, right?

01:10:27Yes, that's right.

01:10:27The next one.

01:10:29Tell me, grandpa.

01:10:30Take off your hat that's here in front of the...

01:10:32Oh, yes, yes, sorry.

01:10:33What a small world.

01:10:34Tell me.

01:10:35You see, I'm after a phenomenal girl.

01:10:39And you want luck in picking her up?

01:10:41No.

01:10:42What I want is, if I get lucky, to be able to respond afterwards.

01:10:47And how old are you, grandpa?

01:10:48I say 72, I'm 75 and I look 80.

01:10:56You don't need luck, you need a transplant, grandpa.

01:10:59Is the girl okay?

01:11:02Oops!

01:11:04Well, pick her up, bring her here, and we'll see what can be done, eh?

01:11:07Come on, come on, pass, pass.

01:11:08His are 40 duros because it's difficult.

01:11:10The next pilgrim...

01:11:11Come in, son.

01:11:12Hey, dude, I'm lucky enough to get through at full speed.

01:11:14But yesterday I made a prediction and I'm bringing it here.

01:11:17It won't do any good.

01:11:17But what do I do?

01:11:18Should I pass it over your head?

01:11:20And why didn't you just shove it up your ass, you bastard?

01:11:23Oh, my mother!

01:11:24And he gets angry.

01:11:26Pull!

01:11:26But what's going on?

01:11:28Are you going to stay here with the divinity?

01:11:31Hey?

01:11:32Okay, okay, okay, I'm leaving.

01:11:34I'm also totally over arguments.

01:11:37I don't care about any of it.

01:11:38Well, if you want, we'll throw you in the sea and run your balls through the water, okay?

01:11:41Very good.

01:11:42Hey, I'm not into eggs either.

01:11:44Well, just walk right past him and go fuck yourself.

01:11:47Come on!

01:11:48Come on!

01:11:49Come on!

01:11:51Do you really think you're not going to mess things up here?

01:11:54The next one.

01:11:55My son, perhaps you are the good Carlitos.

01:11:57Dolores, you won't read Playboy at night, will you, son?

01:12:01That?

01:12:02Have you heard yet?

01:12:03Yes, and I've come to see you because this has gone too far.

01:12:05The fact that?

01:12:06It's one thing for him to be a millionaire, but to take advantage of all these poor people.

01:12:09Yes, we're not kidding them at all.

01:12:12Dolores is lucky, and she gives it away.

01:12:14But he's a wretch.

01:12:15Amador is an elephant.

01:12:17If you had seen it last night, the number fifteen came up twelve times in a row.

01:12:21Everyone knows it, it would ruin their roulette.

01:12:24But he has become famous.

01:12:26Look, in Monte Carlo, the number twenty came up eight times in a row.

01:12:30But twelve, only Amador can achieve that.

01:12:34We started last, but it really paid off.

01:12:38You're crazy, I don't believe any of it.

01:12:41You'd believe it if you saw the pile of banknotes we have stored in that store.

01:12:46Our part last night.

01:12:48A fortune!

01:12:49I don't like this, it's dangerous.

01:12:52Look, tonight when the show is over, come with us to the casino and you'll calm down.

01:12:57Besides, things between us are going to be sorted out.

01:12:58Do you know why?

01:13:00Because?

01:13:01Because Amador gave me a hug this morning.

01:13:05Go gargle, Fidel!

01:13:07Wait, Dolores, come here.

01:13:09Hey, wait a minute.

01:13:24Long live Betis, even if they lose.

01:13:28I am so grateful that you came here tonight.

01:13:35You really impressed me yesterday.

01:13:37Yes, I really push myself too hard.

01:13:41Oh, my neck!

01:13:46It's already happened to me, it's already happened to me.

01:13:48The little ball seemed stuck to the fifteenth.

01:13:51Isn't that right?

01:13:53I must have some very strong odors.

01:13:56And haven't you thought about taking advantage of that luck for yourself?

01:13:59Can't.

01:14:01I bring luck to others, but not to myself.

01:14:04You guys won a lot last night, didn't you?

01:14:06Yeah.

01:14:07Did you put it in the bank?

01:14:08No, I have it out there buried under a pine tree.

01:14:12It would be great if we got that money.

01:14:15We would go to the casino and in an hour multiply it by three or four.

01:14:21But that money also belongs to Fidel and Eduardo.

01:14:24And would it still be so?

01:14:25Well, whatever I earned would be for you.

01:14:27And for me, if you liked it, for a season.

01:14:29You...

01:14:31I've liked you for a long time, but if I start playing games, since I don't get lucky, we'll lose everything.

01:14:40If you play it, yes, but if someone else plays it...

01:14:44He's making a fortune because today...

01:14:46Today I'm in shape not only for the game, but for everything.

01:14:51You've seen it before, have you seen it now?

01:14:52And could that person be me?

01:14:54You're right.

01:14:59Why not?

01:15:00We can get rich overnight.

01:15:02So what are we waiting for?

01:15:04Handando!

01:15:06The bad thing is having to start digging now under the pine tree with the exhaustion I just had.

01:15:10Tete!

01:15:11Yes, mate!

01:15:12Yes, mate!

01:15:15Well, I've thought about buying the Rock of Gibraltar from the English.

01:15:18And then instead of belonging to the English, it will be mine, and you can finally be Spanish.

01:15:22What do you think?

01:15:24What do you think of my wife?

01:15:35Which is it?

01:15:36The one behind the fans, the one who moves them.

01:15:41Look at her!

01:15:42That one that just appeared, don't you see it?

01:15:44No.

01:15:47You don't see it.

01:15:48You're stupid, Sisto, you don't get it, you're stupid.

01:15:51No!

01:15:51You don't know!

01:15:54Look, that one, the one that's beckoning to us like a mouth.

01:16:16Oh, yes, yes!

01:16:17I'm coming, it's good!

01:16:19She's pretty, isn't she?

01:16:20It seems like he wants to tell us something.

01:16:22Oh, really?

01:16:22I'll see if I can find out.

01:16:25Oh!

01:16:25Watch out, Sisto!

01:16:27Watch out, Sisto!

01:16:28Watch out, Sisto!

01:16:29Watch out, Sisto!

01:16:33Can you tell me what's going on?

01:16:35Amador is at the casino.

01:16:38Wait, wait.

01:16:40Hang on a minute.

01:16:43Yes, we have an appointment with him, but later.

01:16:45And that's why they call me.

01:16:47He's been there for two hours.

01:16:48They told me in there.

01:16:49And he's playing!

01:16:50That?

01:16:53Dolores.

01:16:54Dolores.

01:16:54Excuse me, gentlemen.

01:16:55Dolores.

01:16:56Look, look, Dolores.

01:16:57Sorry, no, it's not you.

01:16:59They're all the same.

01:17:01Damn it, stay still for a bit.

01:17:03Dolores.

01:17:04Light, please, light.

01:17:05A little light.

01:17:06Dolores.

01:17:06Look, Dolores.

01:17:07Sorry, it's not you either.

01:17:09Dolores.

01:17:09Nothing can be seen here, Dolores.

01:17:11Oh, I caught her!

01:17:12And what game is he playing?

01:17:13Something to...?

01:17:14Playing roulette with the millionaire's secretary

01:17:16and he's even losing his liver.

01:17:18Amador has no more guts than the one we won last night.

01:17:20And it belongs to all three of them.

01:17:21Well, he's brushing it all off himself.

01:17:23Yes, what a faggot!

01:17:26Thank you, thank you.

01:17:27Thank you, thank you.

01:17:28Oh!

01:17:29Remove this veil.

01:17:31They are here.

01:17:33Excuse me, okay?

01:17:33I'll do better next time.

01:17:37Excuse me.

01:17:37No, no, it was nothing.

01:17:39Excuse me.

01:17:39Excuse me, come on, Mr. Sisto, things are getting out of hand at the casino.

01:17:43Because?

01:17:44I'll tell you about it on the way.

01:17:45But, sir!

01:17:4726 black, stop and pass.

01:17:49Nothing to the number.

01:17:51Nothing either.

01:17:53Well, be careful, I'm concentrating, okay?

01:17:54Well, concentrate more, because we don't have much money left.

01:17:58That's without even the cross-eyed one being there.

01:18:01Gentlemen, place your bets.

01:18:03I don't know what to do, kid.

01:18:04What number should I put on, huh?

01:18:05You're the one who plays, I just bring luck.

01:18:08Less joking around, Amador.

01:18:09Okay, what do I do?

01:18:11Set it to 10, which was the age I was when I was 10 years old.

01:18:14What are you saying?

01:18:14Come on, put it on, put it on.

01:18:15In short, it doesn't matter which one.

01:18:16Put that at 10.

01:18:17That's it.

01:18:20Focus, man.

01:18:21The 10, the 10, the 10.

01:18:22In bed, if possible, you do better than afterwards.

01:18:25But what am I saying?

01:18:25Donteria.

01:18:26He's not going to come out on the 10th.

01:18:27He's not going to come out on the 10th.

01:18:29He's not going to come out on the 10th.

01:18:31Thirty-six, red, even and pass.

01:18:33Square, horse and full.

01:18:34Not even close.

01:18:35Hey, you're not a pessimist, are you?

01:18:37Your father.

01:18:38The thing is, if you bring good luck, I, I'm a nun.

01:18:41I don't bring luck, I don't bring luck.

01:18:43The thing is, he used to hold Don Sisto's hand.

01:18:45Let's switch, let's see if grabbing one of your breasts helps.

01:18:48You're crazy.

01:18:52There they are.

01:18:54Please.

01:18:55What are you doing?

01:18:56Have you gone mad?

01:18:58Because?

01:18:58It's just that only you will come up with good ideas.

01:19:01What kind of money are you playing with?

01:19:02And what are you doing here?

01:19:04Whatever I want.

01:19:04Oh, right.

01:19:05You're right, girl.

01:19:06Or will only you be able to play?

01:19:08No, anyone can play, but with their own money.

01:19:11Yes sir.

01:19:11You are playing with ours.

01:19:14Excuse me.

01:19:14Place your bets, gentlemen.

01:19:17Don't worry, Marita.

01:19:18Play with everything we have left.

01:19:19What number?

01:19:21Miss, you are fired.

01:19:24And you two, go fuck yourselves.

01:19:29I have a hunch.

01:19:30Yeah.

01:19:30Put it on two, put it on two.

01:19:31Everything at two.

01:19:33Everything at two.

01:19:33You're sure?

01:19:34That's it, gentlemen.

01:19:35You're going to have to eat your words.

01:19:38If they don't win a full house, they might as well turn to human trafficking.

01:19:41which is all they have left.

01:19:42Yeah.

01:19:42And if number two comes up, you can go to hell.

01:19:46Hey?

01:19:46Odd and passes.

01:19:48Nothing, no.

01:19:48Giving it up.

01:19:49Regarding the topic we were discussing, Mr. Sisto.

01:19:52Don't get too excited, Don Sisto.

01:19:53Clean.

01:19:53We've been left clean.

01:19:55We need to talk.

01:19:55Don't worry, darling.

01:19:57We will win another day.

01:19:58Amador, nice guy.

01:19:59You're as gloomy as a truck that overwhelms you.

01:20:02Bye bye.

01:20:03Just a moment, just a moment.

01:20:04Here's how things work, you come with Don Sisto.

01:20:06Come, sit down here, Don Sisto.

01:20:07You idiots.

01:20:08I'm always going to play next to a cat, okay?

01:20:11He just lost his entire fortune.

01:20:13As if I were crazy.

01:20:14Bye bye.

01:20:15Give him a little pampering, Don Sisto.

01:20:16Play something for him and see if he perks up.

01:20:17Come on.

01:20:18And I never want to see them again in my entire life.

01:20:20Oh, lizard, lizard.

01:20:22Don Sisto.

01:20:22And she leaves like that, without even giving me a kiss.

01:20:27Excuse me, aren't you going to continue playing?

01:20:28No, no, you can sit down, that table brings good luck.

01:20:32It's enough to make you want to die.

01:20:35Well, I think if we pooled our money, Eduardo, you and I, maybe I could concentrate on those things.

01:20:39Amador, you're not any dumber because you don't practice.

01:20:43That woman tricked me, Fidel.

01:20:45I already knew that.

01:20:46I already knew that as soon as you saw a thigh you'd start everything.

01:20:49So what do we do now?

01:20:51Let's focus on being decent, and see if things go better for us.

01:20:54But if I want to be decent, how does one be decent?

01:20:57How does one become decent?

01:20:58We'll come up with something.

01:20:59But I won't fall for another scam, I swear.

01:21:01I swear it too.

01:21:02I swear, it's top-quality merchandise.

01:21:05I'll sell it to you cheap, Buana.

01:21:07It's her, the blonde one.

01:21:08My purchase is all for my flour.

01:21:14For your Senegalese father.

01:21:16Not all of them are for sale.

01:21:18Only the blonde.

01:21:19Three hundred thousand pesetas.

01:21:21Only three hundred thousand.

01:21:22Hey, don't throw the merchandise on the floor, I'm asking this Mustafa for five hundred

01:21:26one thousand pesetas for my wife.

01:21:27Okay, okay.

01:21:28Look, it's the one where she dances.

01:21:31Yes, but his friend sells them cheaper.

01:21:36No, no, it's just that she's new to ballet.

01:21:38I have it on sale.

01:21:40Discount, my discount.

01:21:42Yes, but be careful.

01:21:42Because if you don't decide soon, we'll raise the price.

01:21:45They will be able.

01:21:46Damn, you guys don't raise the price of oil, so we're raising the price of meat.

01:21:50Hey?

01:21:50Take.

01:21:51I'm left with the blonde one.

01:21:52Can I take her to a hotel tonight?

01:21:54No, no, first I pay in cash, no traveler's check, no credit cards, no, no, no, no.

01:21:59Furthermore, these girls take off their underwear, I mean, they deduct it for tax purposes.

01:22:03Very important.

01:22:04Very important, I believe so, yes, yes.

01:22:05Ah, if they don't have enough money on them, well, uh, we can accept a deposit.

01:22:09Yeah.

01:22:10Because it's clear you guys are gentlemen, right?

01:22:13Twenty-five thousand per man, twenty-five thousand per girl.

01:22:16Hey?

01:22:17You fell short, you should have asked them for more.

01:22:19They looked like two second-rate Arabs to me, the kind you find in Alcoy, you know, the kind of people who are just a bunch of snotty-nosed Christians.

01:22:25There are five more, yes, five, five.

01:22:27This that you have left over.

01:22:31Well then, salam, salam, take care.

01:22:33That?

01:22:34What a silly way to do it, right?

01:22:35Salam, again.

01:22:36Hey, I'm going to eat this Moorish guy, watch out, man.

01:22:38Salam, salam.

01:22:39When the show is over, ask for the subway, Mr. Garijo, he's the one who wraps them, he'll put a little bow on them, salam.

01:22:44Salam, salam, you fools, because you didn't believe it.

01:22:47And now with these ten thousand pesetas, don't tell me anything else, everything at sixteen.

01:22:54No, no, wait, I have a hunch.

01:22:56Do you remember when we beat fifteen?

01:22:57Do you remember about the fifteenth?

01:22:58Yes, yes, yes.

01:22:59Everything at fifteen.

01:23:01Okay, everything's perfect.

01:23:03Nothing else.

01:23:04No.

01:23:13Sixteen reds, even and missing.

01:23:14Sixteen reds, even and missing.

01:23:44Sixteen reds, even and missing.

01:24:14Sixteen reds, even and missing.

01:24:17Sixteen reds, even and missing.

01:24:20Sixteen reds, even and missing.

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