- hace 22 horas
Reparto: Paco Martínez Soria, Florinda Chico, José Sacristán, María José Goyanes, Mary Paz Pondal, Rafael López Somoza, Rafaela Aparicio, Antonio Ferrandis, Mirta Miller, Manuel Zarzo, María Luisa Ponte, Ricardo Merino, Carmen Martínez Sierra
Dirección: Pedro Lazaga
Eduardo (Paco Martínez Soria) y Antonina (Florinda Chico), un matrimonio entrado en años, están esperando, con la natural emoción, la llegada de su primer nieto. Pero en los análisis clínicos de las primeras semanas se confirma que Pili, la hija del matrimonio, no estaba embarazada. Antonina, sin embargo, sí que presenta los síntomas propios de un embarazo. O sea, que al final la cigüeña ha cambiado de dirección y en lugar de un nieto van a tener un hijo. Esta inesperada situación influye decisivamente en el hasta ahora carácter austero de Eduardo, que comienza a vivir lo que él llama su "segunda juventud", cuando ya se consideraba jubilado para todo.
Dirección: Pedro Lazaga
Eduardo (Paco Martínez Soria) y Antonina (Florinda Chico), un matrimonio entrado en años, están esperando, con la natural emoción, la llegada de su primer nieto. Pero en los análisis clínicos de las primeras semanas se confirma que Pili, la hija del matrimonio, no estaba embarazada. Antonina, sin embargo, sí que presenta los síntomas propios de un embarazo. O sea, que al final la cigüeña ha cambiado de dirección y en lugar de un nieto van a tener un hijo. Esta inesperada situación influye decisivamente en el hasta ahora carácter austero de Eduardo, que comienza a vivir lo que él llama su "segunda juventud", cuando ya se consideraba jubilado para todo.
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CortometrajesTranscripción
00:02:08According to the latest international statistics, 24,658 children are born every hour in the world.
00:02:27Yes, yes, you heard right. More than 400 children per minute. Imagine how fast the mothers have to rush to fill the occupancy.
00:02:36This is the story of one of those children. A story that begins in spring. Here it is. Spring has come. As the poet said, no one knows what it was like.
00:02:54But here it is. In the parks, in the gardens, in the streets. Despite the air pollution.
00:03:01Everyone feels younger, more optimistic. Even the guards notice. The city is turning green.
00:03:19Everything is green. Green.
00:03:23Very green. And as the poet also said, springtime stirs the blood. Not only in the young, but also in those not so young.
00:03:34Look at this autumnal woman. Her name is Antonina. When she went out this morning, she wasn't thinking about buying anything. Well, women always think about buying something.
00:03:43But this had not occurred to Antonina until now.
00:03:47I think it would fit me, shrinking my stomach a little.
00:03:51Yes, gentlemen. This is spring. Everything is blooming. Everything is smiling. Everything is rejuvenated.
00:04:00Well, not this man. For him, spring doesn't exist. It doesn't change his blood, it doesn't change anything.
00:04:10His name is Eduardo Contreras. When he was a child, back in the days of Don Praxe de Esmateo Sagasta,
00:04:16The ladies who were visiting had already told him: What a serious little boy!
00:04:21And Don Eduardo has been serious all his life. And organized and punctual like a clock.
00:04:27The heart pill, the gallbladder tablet, the pylorus tablet.
00:04:33By profession, he makes umbrellas. He is the managing director of this renowned factory.
00:04:39His grandfather founded it in Lugo. His father moved it to Madrid because he said it rarely rains in Galicia.
00:04:46Our man lives here. A quiet, rent-limited, and very decent house, of course.
00:04:53Hey! Hey! The one with the camera! This isn't the story of that young lady we're going to tell.
00:04:59Don Eduardo married Antonina, the autumnal girl in the nightgown.
00:05:03They had a daughter, Pilar, who was stripping at six months old.
00:05:08Of course, that was 25 years ago. And Pili got married just one year ago, dressed naturally.
00:05:15The stork hasn't arrived yet, but our man is about to become a grandfather.
00:05:19Which is precisely what he was born to do.
00:05:22Until one spring night they decided to go to an art-house cinema.
00:05:28Despite the eleven o'clock pill, he fell asleep. But she didn't. And so it began.
00:05:51Antonina! Is something wrong?
00:05:54No. Why?
00:05:56Because you've been in the bathroom for two hours.
00:05:58I'm going, I'm going. Don't be impatient.
00:06:09You've got another cold. Have an Uber Flu.
00:06:12Edward.
00:06:13What? Huh? What's that?
00:06:16A naughty trick? Is there anything special about it?
00:06:19That? That's indecent.
00:06:22It would be indecent if I wore it to sleep with someone else.
00:06:24Antonina!
00:06:25If you saw me in love with someone else, what would you do?
00:06:28Oh well.
00:06:29What was Filip doing?
00:06:30What Filip?
00:06:31The one from the movie we saw?
00:06:33I haven't seen anything.
00:06:34Of course. Did you fall asleep after the headlines?
00:06:37Well, you don't know what you've been missing, monchuchu.
00:06:39Oh! What a man!
00:06:41What a man!
00:06:42Have you already taken the sleeping pill?
00:06:44I'm not sleepy.
00:06:46Oh.
00:06:47Driving licenses.
00:06:49Why don't you put a lock of hair over your forehead like Filip did?
00:06:55Well.
00:06:56I'm going to take it all in peace.
00:07:04But all you think about is sleeping.
00:07:07And what do you want me to think about at 1:30 in the morning?
00:07:09In what Filip was doing.
00:07:10What a movie we've seen!
00:07:12Antonina!
00:07:13It must have been three diamonds!
00:07:14Come on, pick me up!
00:07:16I!
00:07:17And take me to bed!
00:07:18Just like that without a wheelbarrow!
00:07:19Oh, you're crazy!
00:07:20Oh, that sent shivers down my spine!
00:07:22Clear!
00:07:23With so little nightgown!
00:07:24Come on, monchuchu, pick me up!
00:07:26Antonina, there could be a disaster!
00:07:28I'm not up for these things!
00:07:30You are a man, a man and a very manly man!
00:07:32Don't let me go, okay?
00:07:33But what persistence!
00:07:34If I don't anymore!
00:07:35Come on, hold on, sweetheart!
00:07:36Let's see!
00:07:37Let's see!
00:07:38At one o'clock!
00:07:39At two!
00:07:40Oh!
00:07:41Oh!
00:07:42Lumbago!
00:07:43I've got lumbago!
00:07:45Take me to bed!
00:07:46Yeah!
00:07:47To bed!
00:07:48Ah!
00:07:49Oh!
00:07:50And I told you so!
00:07:51Ah!
00:07:52Ah!
00:07:53Calm down, calm down, darling!
00:07:54Ah!
00:07:55The green pill!
00:07:56Yes, right now!
00:07:57Ah!
00:07:58There!
00:07:59There!
00:08:00There!
00:08:01Take!
00:08:02Water!
00:08:03Water!
00:08:04There!
00:08:05Shin!
00:08:06Ah!
00:08:07Ah!
00:08:08Ah!
00:08:09Thank you!
00:08:39Thank you!
00:09:09Thank you!
00:09:10Thank you!
00:09:11Thank you!
00:09:12Thank you!
00:09:13Thank you!
00:09:14Thank you!
00:09:15Thank you!
00:09:16Thank you!
00:09:17Thank you!
00:09:18Thank you!
00:09:19Thank you!
00:09:20Thank you!
00:09:21Taxi!
00:09:22A grandson, my God!
00:09:23I'm going to be a grandmother!
00:09:24Lee Tyler and I are the most beautiful grandmothers in the world!
00:09:27But sit down, my daughter!
00:09:29Oh, don't cry, child!
00:09:31It's exciting, Mom!
00:09:32Yes of course!
00:09:33A son!
00:09:34My little girl is going to have a son!
00:09:35Fried eggs will disgust you, won't they?
00:09:37Yeah!
00:09:38My daughter, when you were about to come into the world!
00:09:40Not just eat them!
00:09:41As soon as someone mentioned fried eggs, I would get some chews!
00:09:44Well, not me!
00:09:45What I fancy are chestnuts!
00:09:46Yeah!
00:09:47You have it at home!
00:09:48My daughter, we will buy all the chestnuts in the world!
00:09:50Chestnuts!
00:09:51Where are there chestnuts?
00:09:52And your husband has already told him!
00:09:54Because I guess it will be his!
00:09:55Mother!
00:09:56Oh, daughter, sorry, I'm very nervous!
00:09:57I mean, it will look like him!
00:09:59Do you know?
00:10:00Yeah!
00:10:01And he's crazy!
00:10:08Good!
00:10:09Oh, Don Purito!
00:10:10Thank you!
00:10:11Come now!
00:10:15Good morning!
00:10:16Good morning!
00:10:17Sorry, Elisa.
00:10:18Is Don Eduardo alone?
00:10:19He is with Martin dictating some letters.
00:10:20Come on, and congratulations.
00:10:21And thank you very much.
00:10:22And you see it and may it be for the best.
00:10:23Goodbye, goodbye, goodbye.
00:10:24Eduardo!
00:10:25Dad!
00:10:26One moment.
00:10:27And regarding the colored umbrellas,
00:10:29We regret to inform you that we do not manufacture that model, etc., etc., etc.
00:10:36We compete on quality, not frivolity, etc., etc.
00:10:42We assume they'll be able to handle everything, etc., etc., etc.
00:10:46We look forward to hearing from you, etc., etc.
00:10:49Nothing else.
00:10:50Nothing else?
00:10:51Yes sir.
00:10:54What the hell is wrong with you?
00:10:56Dad!
00:10:57Grandfather!
00:10:58Hey, do you want to explain it to me?
00:10:59He just doesn't understand it yet.
00:11:01Is that perhaps my daughter?
00:11:02Well, his daughter and I, of course.
00:11:04Oh!
00:11:05A grandson!
00:11:06A little blonde and red-haired angel who is already on the way.
00:11:08Oh!
00:11:10Have you told Pili yet?
00:11:12Dad, she was the one who told me.
00:11:14Clear!
00:11:15If she's the one who...
00:11:16Come on, let it be the one...
00:11:18These emotions affect me a lot!
00:11:22An heir, Dad!
00:11:23An heir!
00:11:24I can already see him at the top of the factory!
00:11:25The workshop!
00:11:26Claudio Caminero!
00:11:27Hey, son!
00:11:28Hey?
00:11:29How about Claudio Caminero?
00:11:31Well, one day you least expect it, you'll give us a hard time.
00:11:34And I mean he's retiring.
00:11:36Hey!
00:11:37Nothing of Caminero!
00:11:38The factory will be called Eduardo Contreras y Nieto!
00:11:42Well, it's the same.
00:11:43The important thing is that we now have a successor in the family.
00:11:46Hey!
00:11:47Grandson!
00:11:49But...
00:11:50Are you sure?
00:11:51Ask your friend.
00:11:53You recommended it to us.
00:11:54The eminent Dr. Fernández Pérez.
00:11:56That frog thing is a hoax.
00:11:59The face.
00:12:00What you have to look at is the face.
00:12:02And you, Pili, you have the same face your mother had when she got pregnant.
00:12:07It would not be advisable, in any case, to perform an analysis.
00:12:11Well, for me.
00:12:12But you're very pregnant, my dear.
00:12:15And what do I do, doctor?
00:12:17What all women in your case, gain weight.
00:12:20Well, but what plan should be followed?
00:12:22No plan.
00:12:23No injections, no vitamins, no bagpipes.
00:12:26We must leave nature to itself.
00:12:28Can I eat chestnuts?
00:12:29If you feel like it.
00:12:31Your mother couldn't handle fried eggs.
00:12:34They get more stressed with cravings.
00:12:37If I don't like this, buy me something else.
00:12:40Put on this little tie.
00:12:42You take it easy.
00:12:44Healthy living, fresh air, comfortable shoes, and a walk.
00:12:49You have to do a lot of exercise.
00:12:51You know, take the road to La Coruña.
00:12:54You like the tie I bought you, huh?
00:12:57Lovely.
00:12:58Two taxis and a van have already stopped me.
00:13:01I look like a traffic light.
00:13:02It's not worth getting so upset about.
00:13:03It's ok don't worry.
00:13:04I'll buy you another one.
00:13:05Hey, honey, can't we sit on this bench for a bit?
00:13:08You know what the doctor said.
00:13:10Lots of exercise.
00:13:11Now, if you prefer that the child be born, it is cuchimizado.
00:13:13Oh, no, no, not that.
00:13:14Do you want another casaña?
00:13:15They are delicious.
00:13:16They are delicious.
00:13:17Hey!
00:13:18Hey!
00:13:19Hey!
00:13:20Hey!
00:13:25Hey, honey, can't we sit on this bench for a bit?
00:13:28You know what the doctor said.
00:13:30Lots of exercise.
00:13:31Ah.
00:13:32Now, if you prefer that the child be born, it is cuchimizado.
00:13:34Oh no, no!
00:13:35Not that.
00:13:36Do you want another casaña?
00:13:37They are delicious.
00:13:42Hey!
00:13:50The Minister of Labor closed the second assembly in Madrid today...
00:13:57But well, what will the children have?
00:13:59A child or a knitwear store?
00:14:01Don't protest, it's for your grandson.
00:14:04I didn't have to come this afternoon.
00:14:07Because I have to go to the owners' meeting and it's late.
00:14:11And here's a lot... a lot of reel left.
00:14:13They must have gone for a walk.
00:14:15This afternoon he stayed at the International Press Club...
00:14:18Poor Claudio is going to be skin and bones from all that walking.
00:14:24It must be them.
00:14:26I'll open.
00:14:27I'm going out.
00:14:29Bye bye.
00:14:30Bye bye.
00:14:34Hello!
00:14:35Hello, Dad.
00:14:36How beautiful Madrid is!
00:14:37And mom?
00:14:38In there.
00:14:39And Claudio?
00:14:40Where is?
00:14:45But, Claudio...
00:14:51It's also a coincidence that the elevator broke down.
00:14:53Yeah.
00:14:54That's what I was missing.
00:14:55Where have you arrived today?
00:14:56I think to Toledo.
00:14:58Excuse me.
00:15:03Poor.
00:15:05I don't know what taking drugs is, but...
00:15:06Time to take off your shoes...
00:15:09A child is well worth it.
00:15:11And do you think that with these walks...
00:15:13And with three kilos of chestnuts that I carry today...
00:15:15Will I get to see him?
00:15:16If you lack character.
00:15:18That stuff about cravings is nonsense that women make up.
00:15:24They had to give to me.
00:15:27Because the bow tie too...
00:15:30And the matching socks...
00:15:32She chose them.
00:15:34And now...
00:15:35Let's talk about the attic...
00:15:36What is more important.
00:15:38There is joy.
00:15:39Hopefully.
00:15:41This is the new neighbor.
00:15:44If you could see how he sunbathes on the terrace...
00:15:48As her mother brought her into the world.
00:15:50Man.
00:15:51That would have to be seen.
00:15:52Ramon.
00:15:53No.
00:15:54I mean, it will have to be checked.
00:15:57Because...
00:15:58It's not right for such scandals to occur in a serious house.
00:16:01Clear.
00:16:02Clear.
00:16:03Well, that's not the worst of it.
00:16:04Since I live on the floor facing...
00:16:07Orgies are organized at night.
00:16:11And the record player is at full blast.
00:16:13You'll know what to call his attention.
00:16:15What you have to do is throw it out.
00:16:17Each time they get on the elevator with a different man.
00:16:20The other day with a black guy.
00:16:22And he even had the nerve to tell me that he was her uncle.
00:16:25He was a real uncle.
00:16:27But his was nothing like it.
00:16:30And have you seen how she is dressed?
00:16:33Yes, ma'am.
00:16:34Yeah.
00:16:36With a skirt or whatever.
00:16:39Here.
00:16:40Clear.
00:16:41It's very easy to dazzle men that way.
00:16:44Imagine if I were to wear something like that.
00:16:47How would you look at me?
00:16:49Well, I think we should visit that young lady.
00:16:57Miss?
00:16:58That's just a scam.
00:17:00And you're too busy to make visits.
00:17:02I see you coming, Ramón.
00:17:03No.
00:17:04If I was going to propose that a serious person do it,
00:17:10respectable, energetic.
00:17:19Come in, Benito.
00:17:26Pour yourself a drink, I'm taking a shower.
00:17:49Honey, close it there, there's a draft.
00:18:19Where is Don Benito?
00:18:26Hey?
00:18:27Don Benito?
00:18:29Between Cáceres and Badajoz, right?
00:18:31Listen, I know you.
00:18:33You live in...
00:18:35On the third left.
00:18:37And what are you doing so high up here?
00:18:40Have you come to the wrong apartment?
00:18:42No.
00:18:43No, ma'am.
00:18:44I come on behalf of the community of neighbors.
00:18:46Oh, yeah.
00:18:47You have cornered the cockatoo.
00:18:50The cockatoo.
00:18:51But sit down.
00:18:52Well.
00:18:53Is it going to be such a quick visit?
00:18:56Take without whiskey.
00:18:57No, no, no.
00:18:58That's not it.
00:18:59Thank you very much, no.
00:19:03Do you like the photo?
00:19:04It's that I am an advertising model.
00:19:07A very decent profession.
00:19:10Actually my mission is not very pleasant.
00:19:12The community would like to know.
00:19:15Ask, ask.
00:19:17I am very sincere.
00:19:19I never hide anything.
00:19:22Next to nothing.
00:19:23Yes, ma'am.
00:19:24Next to nothing.
00:19:25The community would like to see, would like to know.
00:19:28The cockatoo.
00:19:29I mean, the lady next door must have told you about the drunkenness the other day, right?
00:19:35No, he didn't say anything about being drunk.
00:19:38Well, about breaking that glass wall that separates the terraces.
00:19:44Neither.
00:19:45No.
00:19:47Well...
00:19:49So what is that witch protesting about?
00:19:52From black.
00:19:53The black one.
00:19:54In black?
00:19:56From Jimmy.
00:19:57No, it's not black.
00:19:58It's just that she dyes her gray hair and sometimes she goes a little overboard.
00:19:59Ha ha ha!
00:20:00Well, yes it is black.
00:20:01But it doesn't show anything.
00:20:03And besides, are we going to be as discriminated against here as we are in the United States?
00:20:09You see, miss.
00:20:10Doña Catalina has protested strongly and the community believes...
00:20:12Is it chewing gum?
00:20:13No, no, no.
00:20:14It's for the pylorus.
00:20:15Go on!
00:20:16You take care of yourself too, huh?
00:20:17Ha ha ha!
00:20:18In the end.
00:20:19I have nothing against you.
00:20:20But as president.
00:20:21I have nothing against you.
00:20:22Ha ha ha!
00:20:23Well, yes it is black.
00:20:24But it doesn't show anything.
00:20:25And besides, are we going to be as discriminated against here as we are in the United States?
00:20:26You see, miss.
00:20:27Doña Catalina has protested strongly and the community believes...
00:20:28Is it chewing gum?
00:20:29No, no, no.
00:20:30It's for the pylorus.
00:20:31Go on!
00:20:32You take care of yourself too, huh?
00:20:34Ha ha ha!
00:20:35In the end.
00:20:36I have nothing against you.
00:20:38But as president.
00:20:39From the community.
00:20:40You'll defend me, won't you?
00:20:41I will say that you have offered me...
00:20:44Whatever you need.
00:20:45No, no, no.
00:20:46I don't need anything.
00:20:47It's for the good name of the house.
00:20:49About the name.
00:20:51What is your name?
00:20:52Edward.
00:20:53Eduardo Contreras.
00:20:55I already like it.
00:20:56Like everyone else.
00:20:57Because we remain friends, right?
00:21:00As president of the community.
00:21:03I don't know if I should...
00:21:05Oops.
00:21:06Excuse me.
00:21:07Excuse me.
00:21:08I thought it was the arm of the sofa.
00:21:09Well no.
00:21:10It's the leg.
00:21:11I know.
00:21:12This is the leg.
00:21:13The arm is that one.
00:21:14But this is the leg.
00:21:15Excuse me.
00:21:16What I beg of you, miss, is that there be no more scandals.
00:21:22Who do you take me for?
00:21:25Edward.
00:21:26This is the analysis.
00:21:30The result was negative.
00:21:33We did the frog test and it was as if we had given him vitamins.
00:21:38Mother.
00:21:39But it is not possible.
00:21:40That's why I have no faith in the frog.
00:21:42The face.
00:21:43It's the face that counts.
00:21:44The nerve of some.
00:21:46Claudio.
00:21:47I don't know why she's not pregnant because she has reasons, come on.
00:21:49And me too.
00:21:50You?
00:21:51Man, of course.
00:21:52After 200 kilometers of cross country.
00:21:54This.
00:21:55This.
00:21:56And 30 kilos of chestnuts.
00:21:58Oh, Mom.
00:21:59I am very unhappy.
00:22:01Oh.
00:22:02How bad I'm getting.
00:22:04What's the matter?
00:22:05I don't know.
00:22:06I'm dizzy as a tuna.
00:22:07Give him some water, doctor.
00:22:09Water for frogs.
00:22:11Enough of the jokes with the frog.
00:22:13These women who insist on losing weight.
00:22:17I'm sure you haven't eaten today.
00:22:19Go on.
00:22:20Take him to a cafe and have him have a couple of fried eggs with ham.
00:22:25Disgusting.
00:22:27Mother.
00:22:30Antonina.
00:22:31Man, at this hour fried eggs.
00:22:33And he is silent.
00:22:36But what's going on?
00:22:37It seems to me that there has been a change in pregnancy.
00:22:40Instead of a son, you're going to have a little brother.
00:22:47Contreras Inieto.
00:22:56Limited Company.
00:22:58Very good.
00:23:02When do you want it placed?
00:23:04Well...
00:23:05Until December 13th.
00:23:08By January.
00:23:09Yes sir.
00:23:10Excuse me, Mr. Eduardo.
00:23:12These gentlemen want to see you.
00:23:14Miss.
00:23:15I've told you many times that I don't like you dressing like that.
00:23:20It's the fashion, Don Eduardo.
00:23:21It will be the fashion.
00:23:22But those little pants are going to be too small for my grandson in six months.
00:23:27Well, I'm telling you to come in, yes or no?
00:23:30Let them come in.
00:23:31Let them come in.
00:23:32Yes sir.
00:23:35Impact.
00:23:36Alfredo Miranda.
00:23:37Look.
00:23:38Mr. Contreras, how are you?
00:23:39Mr. Contreras.
00:23:40I assume you already know our organization.
00:23:42No, no, no.
00:23:43Impact.
00:23:44That's our motto.
00:23:45We bring you an advertising promotion plan whose first cycle would be based on a husband.
00:23:48Look.
00:23:49No, no, not me.
00:23:50You already know that television is the means of communication of our time.
00:23:52A picture is worth a thousand words.
00:23:54But vehicles...
00:23:55There it goes.
00:23:56What do you think?
00:23:57One moment.
00:23:58This house was founded in 1870.
00:24:00And neither my grandfather nor my father ever advertised on television.
00:24:04Of course, it didn't exist then.
00:24:06No, you didn't know my grandfather.
00:24:08If my grandfather had needed television, he would have invented this.
00:24:13Anyway, if you allow me to show you these projects, what do you think?
00:24:16Good heavens.
00:24:17What do you think?
00:24:18All based on national monuments.
00:24:21And the slogan is a hit, huh?
00:24:23It never rains to everyone's liking.
00:24:25It only rains to the liking of those who use umbrellas.
00:24:27The workshop.
00:24:28From Eduardo Contreras y Nieto, who knows everything, my friend.
00:24:32But they want to involve my grandson in these indecencies.
00:24:35Not at all.
00:24:37Say.
00:24:38Don Eduardo, his wife on the phone.
00:24:41They should be ashamed of themselves for bringing my grandson into all this.
00:24:45Diva Antonina.
00:24:47Yes, I'm very busy now.
00:24:49You see, we went to the obstetrician.
00:24:52No, no, the girl is fine.
00:24:55Come on, too good.
00:24:57There has been a mistake.
00:25:00And it turns out that...
00:25:03that she is not pregnant.
00:25:05Hey?
00:25:07Oh!
00:25:08But what a frog!
00:25:10If nothing else could be expected from an idiot like Claudio.
00:25:14Only one!
00:25:16Thank you!
00:25:18What a good baby!
00:25:21Fuck!
00:25:22This is another one, they are pretty!
00:25:23One and that's enough!
00:25:24Leave me alone!
00:25:25Well, there's more.
00:25:27No, man, no.
00:25:28Catastrophe, precisely, no.
00:25:30But...
00:25:32Are you going to take a long time to come?
00:25:35Yeah.
00:25:36Well, when you come we'll talk.
00:25:39Why haven't you told him?
00:25:41I don't know.
00:25:42I don't know why.
00:25:47I haven't dared.
00:25:49Your father has a weak heart.
00:25:51All the more reason for me to tell you.
00:25:52Don't die without knowing you have a posthumous child.
00:25:54Claudio, for God's sake!
00:25:55Mom, you're very nervous.
00:25:57Sit down.
00:25:58No, leave her.
00:25:59Now she's the one who has to walk.
00:26:00Well, she and he.
00:26:02And your father, being so sick, won't make it back to the university campus alive.
00:26:05Claudius!
00:26:08Come on, go.
00:26:09I'll tell you my way.
00:26:11We will be home.
00:26:12If you need us...
00:26:13Well, yes, you know that, jokes aside, you can count on me for anything.
00:26:16No, son, for whatever reason, no.
00:26:18Mom, please.
00:26:21Goodbye, Mom.
00:26:25If you don't explain it to someone.
00:26:32A man who was no longer good for anything other than scrapping and look.
00:26:35Look.
00:26:43Good evening, Mr. Eduardo.
00:26:44Good evening, Antonio.
00:26:47Hello, neighbor. How are you?
00:26:48Good night.
00:26:49It's raining?
00:26:51No, ma'am.
00:26:52But it may rain.
00:26:53Also, I make umbrellas.
00:26:56How interesting.
00:26:57You have to tell me someday, okay?
00:26:59Yes, ma'am.
00:27:07What's wrong with him?
00:27:08Oh.
00:27:09I always hit the door.
00:27:11Gee.
00:27:15What's happening?
00:27:16I've hit the attic and you're going to the third, aren't you?
00:27:19Well, it's the same.
00:27:22Look, look.
00:27:24These are the things the board should be concerned about.
00:27:26Yeah, yeah.
00:27:27Not that nonsense the cockatoo tells you.
00:27:28Yes, ma'am.
00:27:29And it's that this is so narrow.
00:27:31Yes, ma'am.
00:27:32I'm covered in bruises.
00:27:33And it makes me so angry.
00:27:37Well, I do have one day.
00:27:39I broke a heel.
00:27:41Excuse me.
00:27:43Oh!
00:27:46Beautiful shoes.
00:27:47Yeah.
00:27:48You just premiered.
00:27:49Already.
00:27:51Oh!
00:28:01What a scandal!
00:28:02You see, Mrs. Cockatoo.
00:28:04I say, Mrs. Catalina.
00:28:05Already.
00:28:06I can see how he fulfills the task given to him by the board.
00:28:10The charge is fulfilled.
00:28:11Wait for that lady.
00:28:12Oh!
00:28:13Her heel is broken!
00:28:16Bye, neighbor.
00:28:18And remember, you have to explain to me about the umbrellas, okay?
00:28:22Bye bye.
00:28:23But what are you going to explain to him?
00:28:24At his age.
00:28:26About to be a grandfather.
00:28:27Let's not touch on that subject.
00:28:30Where are you going?
00:28:31Below.
00:28:32Not with me.
00:28:33I have my heels very well placed.
00:28:36Up the stairs.
00:28:37Satyr!
00:28:38Satyr!
00:28:43Goes!
00:28:56Antonina!
00:28:57Hello darling.
00:28:58What is the purpose of this exhibition?
00:29:00Can you undo all this and make me a two-tone scarf?
00:29:04Well, I think you're going to be left without a scarf.
00:29:05But didn't the doctor say Pili didn't!
00:29:06Go on!
00:29:07Take two little pills!
00:29:08What's happening?
00:29:09Edward.
00:29:10Eduardo, I thought tea had already appeared in the movie of our life.
00:29:12But didn't the doctor say Pili didn't!
00:29:13Go on!
00:29:14Take two little pills!
00:29:15No!
00:29:16No!
00:29:17No!
00:29:18No!
00:29:19No!
00:29:20No!
00:29:21No!
00:29:22No!
00:29:23No!
00:29:24No!
00:29:25No!
00:29:26No!
00:29:27No!
00:29:28No!
00:29:29No!
00:29:30No!
00:29:31No!
00:29:32No!
00:29:33No!
00:29:34No!
00:29:35No!
00:29:36No!
00:29:37No!
00:29:38No!
00:29:39No!
00:29:40No!
00:29:41No!
00:29:42No!
00:29:43No!
00:29:44No!
00:29:45No!
00:29:46No!
00:29:47No!
00:29:48No!
00:29:49No!
00:29:50No!
00:29:51No!
00:29:52No!
00:29:53No!
00:29:54No!
00:29:55No!
00:29:56So, with your permission
00:30:00Ah, I know what's going on.
00:30:04Yeah?
00:30:05The tax inspector has come
00:30:08What is to come has not come, but it will come.
00:30:11Are you making me so nervous?
00:30:14Come on, bad news soon
00:30:15Well, bad, precisely
00:30:17Have you heard of the seeds and pollen of flowers?
00:30:24Come on, don't tell me anymore.
00:30:26You've destroyed all the geraniums on the terrace.
00:30:29Wow, and that's why he made me water them every night.
00:30:32Eduardo, but you just don't want to understand.
00:30:35Leave me with the crosswords
00:30:36That today with so much disgust I have something here inside
00:30:39You too?
00:30:40Already
00:30:41You're not going to be a grandfather
00:30:44You already told me that on the phone.
00:30:46Ah, women
00:30:47You're going to be a father
00:30:49How do you like to dramatize?
00:30:56Hey?
00:30:58What did you say?
00:31:00Are we going to have a child?
00:31:02That can't be
00:31:03When I went with the girl to the obstetrician
00:31:06It turns out she wasn't there.
00:31:08But I do
00:31:10Hey, you are
00:31:12Come on, I
00:31:14Come on, you and I
00:31:16It just can't be
00:31:17If we
00:31:19From figs to brevas
00:31:20Well, you see.
00:31:21With the last harvest
00:31:22Don't trust Federico
00:31:24Because with that
00:31:25That he doesn't do the frog thing
00:31:26No
00:31:27Sure, Eduardo
00:31:28With frog and all
00:31:29Let's do a test
00:31:32You'll see
00:31:32Imagine a frying pan
00:31:35Full of oil
00:31:36Hot
00:31:37Hot
00:31:38Clash
00:31:40Plus
00:31:41A fried egg
00:31:43Eduardo
00:31:43Clash
00:31:45Plus
00:31:45Clash
00:31:46Plus
00:31:47Two fried eggs
00:31:49For God's sake
00:31:50Oh yes
00:31:51Oh yes
00:31:52Oh yes
00:31:53Yes
00:31:54Yes
00:31:54Yes
00:31:55I'm going to be a father
00:31:57He he
00:31:58And the fool Claudius
00:32:00At 27 years old
00:32:01Nothing
00:32:01Long live the fifth
00:32:04From the wolf ravine
00:32:06My life
00:32:08Eduardo
00:32:13Dear
00:32:14Eduardo Papayito
00:32:16Oh, what do I do?
00:32:17Eduardo
00:32:18Oh
00:32:19Oh
00:32:20Oh
00:32:24Oh
00:32:24It has been the impression
00:32:48You scared me so much.
00:32:49Well, go on, the one you gave me
00:32:51Come on, it's like at my age
00:32:53They will call me again
00:32:54To do military service
00:32:56You have nothing
00:32:57Overeating pills
00:32:59But what does this guy know about what I have?
00:33:02If you are an obstetrician
00:33:03Was
00:33:04I'm already retired
00:33:05But what's wrong with you?
00:33:07It is very easy to diagnose
00:33:09Suddenly they tell you
00:33:10That you are going to be a grandfather
00:33:11Hey
00:33:12I say father
00:33:13Ah
00:33:14That
00:33:14Instead you and I
00:33:15Well don't worry, honey.
00:33:17If your father is going to have a child
00:33:18Imagine us
00:33:19Hey
00:33:20You said that about your father as if you were saying
00:33:22There are no seals that pass the wire
00:33:24No, but it's still strange.
00:33:26Come on if it's not another mistake
00:33:28Mistake
00:33:29Tell this fried egg
00:33:31And you will see
00:33:31Eduardo for God's sake
00:33:32Do you want to change the conversation?
00:33:35Don't be like that
00:33:36You'll see how in a year's time
00:33:38This summer
00:33:40You are going to a quiet beach
00:33:42The two of them alone
00:33:43In a secluded chalet
00:33:45We don't need so many facilities
00:33:47That's enough, Claudio.
00:33:48Let's go
00:33:49Daughter
00:33:49The important thing is that a child is coming to this house.
00:33:51What does it matter if it's yours?
00:33:53Oh mine
00:33:53And from this
00:33:54Or whoever's
00:33:55Hey
00:33:56No
00:33:56Whoever it is, no
00:33:58Well
00:33:58You to recover
00:33:59And you already know it
00:34:01Healthy life
00:34:02Outdoors
00:34:03And walks
00:34:04Many walks
00:34:05You go out as a princess
00:34:06Iron gate
00:34:08Pardo Road
00:34:09Mirasierra
00:34:10Peace Clinic
00:34:11Oh stop
00:34:12I'm staying there.
00:34:13Well, you have to exercise.
00:34:14Look
00:34:15As soon as I recover
00:34:16The only exercise I'm going to do
00:34:18It's the game at the casino
00:34:20Hey
00:34:21That this is another one
00:34:22Because when they tell it
00:34:25It's the rock
00:34:26I thought it was a joke
00:34:30Dear Eduardo
00:34:31Joke
00:34:33Because?
00:34:33Man
00:34:34You looked like a retired tram
00:34:36From circulation
00:34:37And suddenly
00:34:38Wow!
00:34:39The saved
00:34:40If you are convincing
00:34:41I thought that you
00:34:43Now to women
00:34:44Hey
00:34:45Man
00:34:46I thought you were like us
00:34:48Us
00:34:49Our eyes wander
00:34:50Behind every girl
00:34:51This one kills them silently
00:34:55Maybe you also have some trouble there.
00:34:58Because it has already been put on hold
00:34:59Don Eduardo
00:35:01He calls Miss Martina on the phone
00:35:03Ah
00:35:04I'm not telling you
00:35:05They don't let you live
00:35:06With permission
00:35:07Maybe he'll turn out to be a flirt for us.
00:35:12Say
00:35:15Are you feeling better now, Don Eduardo?
00:35:17I'm very happy to hear it
00:35:18He has some urgent letters to sign here.
00:35:22I don't know if I'll be able to go to Martina's office.
00:35:25If you could bring them here
00:35:26I'll take them myself.
00:35:28No, it's no bother at all.
00:35:30I'll be right there
00:35:31What's wrong, Martina?
00:35:35Daughter
00:35:35It must be the flu.
00:35:37That?
00:35:40That?
00:35:41What of what?
00:35:42Man account
00:35:43That we are friends
00:35:45That Martina
00:35:46Well
00:35:47No?
00:35:48But what are you saying?
00:35:50Oh
00:35:50How is?
00:35:51Chubby, right?
00:35:52She is my secretary
00:35:53What a guy
00:35:54You have everything organized
00:35:56Without leaving the office
00:35:57Men like you
00:35:58They are the ones who have made us famous in the world
00:36:01She is my secretary
00:36:02A very respectable lady
00:36:05Widow
00:36:06The poor thing is already very old.
00:36:09Come on
00:36:09Now you will see her
00:36:11My goodness
00:36:14The widow
00:36:15Let's see, let's see
00:36:16I can't see well
00:36:17Oh, what a widow!
00:36:21Don Eduardo
00:36:26Well
00:36:30This is not the one I was telling you about.
00:36:32Ah, no
00:36:32Ah, this is another widow
00:36:34TRUE?
00:36:36What are you doing here?
00:36:37It's that Martina got sick
00:36:38And he told me
00:36:39Well
00:36:40Come on
00:36:41Let's go to the library
00:36:43Step forward
00:36:44That's why I took so many pills
00:36:47And he said they were for the stomach
00:36:49Yes, yes, for the stomach
00:36:51Ha, ha
00:37:19No
00:37:49Don Eduardo
00:38:01Street, you can't talk here.
00:38:03What are you signing on the tie?
00:38:05Hey?
00:38:06Where would my eyes be?
00:38:19The card!
00:38:29Show him the card!
00:38:30Shut up already, old man!
00:38:32Of course!
00:38:34If he has made a penalty like a poop
00:38:35What would it be like in your days when you played Pichichi?
00:38:38Doesn't this old man know how to act?
00:38:39Old man, friend!
00:38:40Give me up!
00:38:41Give me up!
00:38:41Give me up!
00:38:41Give me up!
00:38:41Give me up!
00:38:41Give me up!
00:38:42Give me up!
00:38:42Give me up!
00:38:43Give me up!
00:38:43Give me up!
00:38:44Give me up!
00:38:44Give me up!
00:38:45Give me up!
00:38:46Give me up!
00:38:47Give me up!
00:38:48Give me up!
00:38:49Give me up!
00:38:50Give me up!
00:38:50Hey, for a while now you've been
00:38:52very agitated.
00:38:53I?
00:38:54Before you didn't argue with anyone, or yell, and now you don't either?
00:39:00Pass it now!
00:39:02Pass it now!
00:39:02Come on!
00:39:03Come on!
00:39:16Wait!
00:39:17Wait, it's not over.
00:39:19You're missing...
00:39:21Yeah, yeah, but...
00:39:22Yeah, yeah, yeah.
00:39:23Ah, there you have it.
00:39:25In the second part...
00:39:27We'll put two more in.
00:39:29Are you going to smoke it?
00:39:31A day is a day.
00:39:33Eduardo, I understand that when something happens to you...
00:39:37Well, what happens to you is that you feel younger, more euphoria.
00:39:43May I?
00:39:45With great pleasure.
00:39:46How is the lady?
00:39:47Don't go too far, Eduardo, you're not a kid.
00:39:51We are from the same generation.
00:39:53No, you are two years older than me.
00:39:55Besides, they have always been more bottomy.
00:39:57No, no, what you should do is worry more about Antonina.
00:40:01The cravings have started.
00:40:05Look, look.
00:40:07Now that I'm doing this, I only wear it when I come into the house.
00:40:11This was Claudio's idea for me.
00:40:13In these late pregnancies, great care must be taken.
00:40:16Do whatever she wants.
00:40:19Come on, like in all marriages.
00:40:21Well, if you fancy something strange...
00:40:24You call me on the phone, but don't contradict him.
00:40:27Say, what's wrong, Eduardo?
00:40:48The weird things are starting now.
00:40:50Look, he wants to see the big chaparral.
00:40:54Well, show it to him.
00:40:56If it's a TV movie, Federico, and it's four in the morning.
00:41:00Yes, the walks have already started and my feet are ready.
00:41:09But I'm not calling you for that.
00:41:11It's because his mother was from Valencia and today is orange day at the country fair,
00:41:17Well, he has insisted that we go.
00:41:19Well, that's close.
00:41:21You just don't know how he wants us to go.
00:41:23I think he's abusing it, you know?
00:41:27Of course, since I've always had it in my grasp until now, now I'm taking advantage of it.
00:41:32It's your fault.
00:41:34Distract her.
00:41:35Take her to any quiet place.
00:41:37Attention to all children in need.
00:41:40The amusement park has opened a wonderful mechanical disc for all members.
00:41:44with clowns, giraffes, camels, grandmas, dogs and even his own band.
00:41:49On our mechanical disc you'll see all those artists and many more who speak and move.
00:41:55I'm sure you'll have a great time.
00:41:57Don't forget to visit the mechanical disc at the Amusement Park,
00:42:00located to the left of the main door, opposite the information building.
00:42:05If you would like to experience the feeling of being in the Park, visit the Magnetic House.
00:42:10You will feel the walls pulling you towards it.
00:42:13Visit the Magnetic House, located in the vision of the married women,
00:42:17and protect any mechanical objects you carry.
00:42:20We suggest you don't miss out on a ride on the largest Ferris wheel in Spain.
00:42:24From here you will find a magnificent panoramic view over Mali, Casa de Campo and the Sierra.
00:42:30On our Seven Peaks roller coaster,
00:42:33performed to the left of the main door,
00:42:35there will be a lot of 500 meters journey, full of emotions.
00:42:40Siete Picos is one of the best roller coasters in Europe.
00:42:43On the back court, you can see the interest.
00:42:46Why don't we sit there and have a beer?
00:43:00No, no, no, let's go for a walk.
00:43:01Come on.
00:43:02Why don't we sit down?
00:43:03This reminds me of the festivals when we were dating, do you remember?
00:43:11A lot has happened.
00:43:12Yes, but to you it seems like it didn't happen.
00:43:14You look better since you took off your half-mourning.
00:43:17Antonina.
00:43:17It's true, you don't look your age.
00:43:20Even I fell for it, I thought you weren't...
00:43:23And look at the grace you have done.
00:43:25Yes, I feel strong.
00:43:26Well, come on, let's go up the Ferris wheel, Forstachón.
00:43:28No, not the Ferris wheel, you might feel bad in that state.
00:43:33There are other things that are much more fun, you'll see.
00:43:36Of course, you like this because you can notice the girls more.
00:43:57In which girls?
00:43:58Do you think I haven't noticed?
00:43:59You've been ogling the blonde behind you.
00:44:01A blonde?
00:44:01Where?
00:44:02Don't pretend, Scoundrel.
00:44:03The one with the butane sweater.
00:44:04Ah, the one with the butane sweater or the other one.
00:44:06Well, that's enough, Eduardo.
00:44:08Leave me alone, woman.
00:44:11Well, I hadn't even noticed, you see.
00:44:14And by the way, are you going to raise the child or should we find a mother?
00:44:17Looks like I'm going to have to keep an eye on you.
00:44:19You are very upset.
00:44:20Man, everyone saying I'm upset.
00:44:23And I'm as always.
00:44:24I've never looked at a woman in my life.
00:44:26Eduardo, you're never done!
00:44:27Take it, if they don't put an arrow.
00:44:30Oh, what a scare!
00:44:30Ah, yes, there it is.
00:44:32Oh!
00:44:34It's ready, it was the quiet thing.
00:44:35You see, I frown.
00:44:36Oh my God!
00:44:38Man!
00:44:40Of course?
00:44:48One thing I ask you?
00:44:50I'm not into this kind of spinning.
00:44:53Well, look, if the child turns out to be a mountebank, you know who's to blame.
00:44:56Look, look how wonderful.
00:45:17Don't move, we're off-level.
00:45:20Yeah.
00:45:21And you can handle it.
00:45:22Oh yes!
00:45:32There!
00:45:33There, see!
00:45:34It's already broken.
00:45:35Oh!
00:45:35When I told you that this is not very safe.
00:45:39Oh!
00:45:39Listen!
00:45:41Get us down!
00:45:42Listen!
00:45:43Let's see if they take this down now.
00:45:46There!
00:45:46No! Hey, unscrew it! Hey! Please! Let's see if you can pull this down!
00:45:56Ow, ow, ow! Ow, I'm so dizzy! Stop! Stop! Down! Down! We're pregnant!
00:46:06No way! We're pregnant!
00:46:16Hello, Mr. Eduardo.
00:46:20No, Martina called.
00:46:23It's just that Martina hasn't come. She's still a little under the weather.
00:46:26Oh well, I had to edit some letters.
00:46:28If I serve you.
00:46:30Do you know shorthand?
00:46:32No, but I run quite a bit by hand.
00:46:34Sit down.
00:46:37Let's see.
00:46:46Whenever you want, Don Eduardo.
00:46:54Yes, let's see. Madrid, so much, so much, etcetera, etcetera, etcetera.
00:46:59Factories united, etc., etc., etc.
00:47:02Dear Sirs, received or attentive, etcetera, etcetera, etcetera.
00:47:06One moment, please, not so fast.
00:47:08Huh? Where did he go?
00:47:10In the first etcetera.
00:47:11Look, Lisa, we're going to do something.
00:47:15I'll put a note in the letters, you take them to Martina's house and she'll answer them.
00:47:21As you wish.
00:47:28Elisa!
00:47:29Yes sir.
00:47:30Oh, I thought he was gone.
00:47:32When you give me the letters.
00:47:34I like your way, your way of being, Elisa.
00:47:38Just call me Lisa, the American way.
00:47:40That's what everyone calls me.
00:47:42Well, calling you Lisa seems silly to me.
00:47:46I see you happier, like you're younger.
00:47:50A son of mine is on the way.
00:47:52I was doing my military service.
00:47:53Lisa, cutie.
00:47:55But how old do you think I am?
00:47:57Well, don't tell me, but you're right, I feel young.
00:48:02I really like the little skirt you're wearing.
00:48:05Yes, yes.
00:48:06I'm going to make uniforms like that for all the girls.
00:48:09Well, not for everyone, because poor Martina, what for?
00:48:15But I want to reform all this.
00:48:18I'm going to make colorful legs, colorful umbrellas.
00:48:25Hey, what about that TV commercial?
00:48:28I think you had the projects here.
00:48:30If I remember correctly, it was a good idea.
00:48:40I believe it.
00:48:42Very good.
00:48:42Oh, and let's not even mention this other one.
00:48:47What was the phrase?
00:48:49When it rains, some people don't like it.
00:48:53Rain pleases those who are rained on, no.
00:48:56It never rains to everyone's liking.
00:48:58It only rains to the liking of those who use umbrellas, the workshop.
00:49:02That's it, you're doing very well.
00:49:06Come on, from memory, very good from memory.
00:49:09Wherever people of good taste go, Winston almost always goes.
00:49:15We're going to make a very nice spot, with some national monuments and a great phrase.
00:49:24When the rain falls to taste, no, no, no, it's always nice to have rain when it rains.
00:49:33It's not like that, but it's very good.
00:49:34Look, Eduardo, since that little dark-skinned one will be ours, he will look just like you.
00:49:43Solares water in his old man's bottle.
00:49:48Solares only tastes like water.
00:49:51No, I prefer him to look like you, the first one, because those who come later...
00:49:57But what are you saying?
00:49:58We're not going to stop once we're launched.
00:50:01A child is bored alone.
00:50:03Well, well, flat.
00:50:04He needs a little brother to be able to play.
00:50:06Unfortunately, we're going to have the second one before the first one.
00:50:09One that looks like you and one that looks like the one in the ad.
00:50:15Oh, I'm going to open it, the assistant has left me.
00:50:17Stay still, stay still, mommy, don't make any effort.
00:50:21Hello.
00:50:34Hello.
00:50:35What's the matter?
00:50:37Mom, is my room free?
00:50:39What are you saying?
00:50:40Do you think we rent it with kitchen rights?
00:50:42Well, I'm staying.
00:50:44As if I were single, mom.
00:50:45I'm staying to live with you.
00:50:47But what about your husband?
00:50:49He's a scoundrel, a sadist.
00:50:50In any case, a bit of an idiot.
00:50:53We went to another otocologist because he said that Dad's friend had learned medical school through correspondence.
00:50:58Well, he's not that stupid.
00:51:01And the new doctor said I had a lazy uterus.
00:51:04Surely the lazy one was the matrix.
00:51:06Yes, but with a strong impression, an accident could make me pregnant.
00:51:11And since then he has been scaring me.
00:51:13Wouldn't you understand it the other way around?
00:51:15Because it was me who scared your father.
00:51:17No, but Claudio doesn't scare me.
00:51:19What makes me angry is that he's such an idiot.
00:51:21Calm down, daughter.
00:51:22You can also be happy without having children.
00:51:24I believe that childless couples love each other more.
00:51:27You don't have to share your affection with anyone.
00:51:29But you don't have to convince me.
00:51:31He is the one who does not resign.
00:51:32Clear.
00:51:33It has been a bad thing for him to now have a newborn brother-in-law.
00:51:39Are you sure it's him?
00:51:40Does he follow me everywhere?
00:51:42Tranquillity.
00:51:42I'll open.
00:51:43Come on, don't be silly.
00:51:46You'll see how it will happen on the least expected day.
00:51:48What's happening?
00:51:50Nothing.
00:51:50I opened the door and bam!
00:51:52The natural reaction.
00:51:54Oh, oh, oh!
00:51:55But what a beast, what a way of welcoming people.
00:51:57Not to people.
00:51:58It's that suddenly one finds oneself with Dracula.
00:52:00I thought Pili would open.
00:52:02But I didn't tell you that.
00:52:03He's a jerk.
00:52:05Understand, darling.
00:52:06I'll do it for you.
00:52:07It's just that the doctor said that...
00:52:08Yes, yes, yes.
00:52:09But he's not afraid of anything, you see.
00:52:11What you have to do is calm down.
00:52:13Calm down.
00:52:14But being married to this guy is like living with the Monster family.
00:52:16And not lose hope.
00:52:18Look at me.
00:52:19Who would have told me at my age?
00:52:21I haven't gotten the idea yet.
00:52:23I see myself with a stroller walking through the Retiro and I don't know.
00:52:26What I think is that everyone is going to want me to sell peanuts.
00:52:30By the way, we haven't bought the stroller for the baby yet.
00:52:34Well, Eduardo, now is not the time.
00:52:36No no.
00:52:36It's that if we leave it from one day to the next, then time catches up with us and no.
00:52:40I'm going to buy the stroller.
00:52:42I'm going to buy the stroller right now.
00:52:44It's convertible, foldable, has handbrakes, tubeless tires, and has great suspension.
00:52:51And where do they give you the license to drive this?
00:52:54You'll see how comfortable your grandson is here.
00:52:56No, if it's not for my grandson, it's for my son.
00:53:00Ah, congratulations.
00:53:01It won't use much gas, will it?
00:53:05Because I figure running sixty will make them easy.
00:53:09And the one hundred and fifty?
00:53:10I like it.
00:53:13Yes, sir, I like it.
00:53:15Are you staying in the old car?
00:53:17Of course.
00:53:18What's yours?
00:53:19That.
00:53:21The dox?
00:53:22No, the one in the back.
00:53:23It's a gem, huh?
00:53:27Yeah.
00:53:28It really is a museum piece.
00:53:30It will have gasogen, right?
00:53:32Man!
00:53:32Wow, Mr. Eduardo.
00:53:49Hello.
00:53:50Buying things for my grandson, huh?
00:53:51Son, son, son.
00:53:52Ah, well, it's because before you were going to be a grandfather.
00:53:56Big guy, get off, I'll help you carry the packages.
00:53:59You'll have to help me get off.
00:54:01Let's see, grab the head and pull.
00:54:04No, not mine!
00:54:06The one with Bambi!
00:54:07Oh, right!
00:54:08Now the leg.
00:54:10The one with Bambi?
00:54:11No, now mine!
00:54:16Now!
00:54:24Wow, Mr. Eduardo.
00:54:25What a fight!
00:54:27Well, getting in is more difficult.
00:54:28When I walk in it feels like I'm putting on a girdle.
00:54:31Of course, as it is the latest model!
00:54:33Clear!
00:54:34And what have you come for?
00:54:35Well, the damn neighbor in the attic.
00:54:39Ah!
00:54:40Ah!
00:54:41There have been more protests.
00:54:44Now I'm wearing some shorts.
00:54:47Come on, as if I weren't wearing anything.
00:54:51Nothing?
00:54:51Leave that route to me.
00:54:55I will sacrifice myself for the community.
00:54:58I'll see that stray's little pants.
00:55:01Oh, is that you?
00:55:04Yes, ma'am.
00:55:05May I come in?
00:55:07Come in, come in.
00:55:08Thank you so much.
00:55:09Good night.
00:55:13I don't want to bother you, but you know that Doña Catalina, the cockatoo...
00:55:19Again?
00:55:19What does that lady think she is?
00:55:21I am a very decent girl.
00:55:23What do you want me to tell you?
00:55:24Shall we sit down?
00:55:32If it were up to me, a man of the world with a young heart, we would be waiting right now.
00:55:38a child at home.
00:55:44Yes, I've already been told that you're going to be a grandfather.
00:55:47No, that was before.
00:55:49Now I'm going to be a son.
00:55:51Don't pay attention to me.
00:55:53No, come on, I mean, in the maternity ward they still tell me, we're counting on you.
00:56:01Do you understand?
00:56:01No, sir.
00:56:02This, this is what bothers Mrs. Cockatoo.
00:56:06The legs.
00:56:07May you have legs and two.
00:56:09One on each side.
00:56:10And very cute, huh?
00:56:11Also equal.
00:56:12Because they are the same.
00:56:13This one that is.
00:56:14They are equal and the same.
00:56:16The little pants are the most mini-mini he has.
00:56:19Don Eduardo, why don't we talk about this another day?
00:56:24There has been a claim.
00:56:26And I have to check it out for myself.
00:56:30That is.
00:56:31May I?
00:56:32Let's see.
00:56:34Is that little mole you have there natural or imported?
00:56:39It's a craving.
00:56:41A craving?
00:56:43But what a craving, more, more well placed.
00:56:47Oops!
00:56:48I threw something away.
00:56:49The ashtray.
00:56:50Don't bother picking it up, okay?
00:56:52I certainly would.
00:56:54And there it is.
00:57:12Hello good.
00:57:13What are you doing there?
00:57:15I have come to inform the lady of the meeting's agreement.
00:57:19But what do you have to communicate?
00:57:21If I am the president.
00:57:22And I, the secretary.
00:57:23Vice.
00:57:25Vice Secretary.
00:57:26And so in shirtsleeves, no vice or anything.
00:57:29Listen, without being rude.
00:57:31You are such a cynic, taking advantage of your position...
00:57:34But you were also very upset about the little mole and the legs.
00:57:38I was doing my duty.
00:57:41Yes, with duty and with playing.
00:57:43Well, don't act like that, you're both really coming up with the same thing.
00:57:47Sure, but I arrived first.
00:57:49But I am the president.
00:57:51And we'll talk about this at the next meeting.
00:57:53If he snitches, I'll snitch.
00:57:56Well, miss, I'm leaving.
00:58:01And Don Ramón is also leaving.
00:58:03But like good friends, eh?
00:58:08Come on, shake hands.
00:58:10For my part...
00:58:13The hand.
00:58:19Well, thanks to both of you.
00:58:21You are two suns.
00:58:22Bye bye.
00:58:22Once again, and in pairs, no one will be able to get out, not even to the landing.
00:58:29Have you taken the sleeping pill?
00:58:48That.
00:58:49I fall asleep.
00:58:50You get going and see who takes you to the sanatorium.
00:58:53But there are still three months left.
00:58:55You never know.
00:58:57There are premature ones.
00:58:58It says so here.
00:58:59Hey, the sanatorium thing is accurate.
00:59:14Your daughter was born at home.
00:59:15But, Eduardo, that was twenty-five years ago.
00:59:19It's that the sanatorium...
00:59:21What if they change our child?
00:59:23Don't laugh at how small they are, how much they look so alike, so bald.
00:59:28It doesn't bother you if they lose one.
00:59:30And let's see, where do you complain?
00:59:32I think they give you what they have left over there.
00:59:35Come on, turn off the light and let's go to sleep.
00:59:37See you tomorrow, chata.
00:59:51God willing.
00:59:53Hey, do you know anything about the boys?
00:59:55No.
00:59:56Let's see if that barbarian scared Pili to death.
01:00:04Get her out of my sight!
01:00:06Take it away!
01:00:07But, honey, if you're joking, look at her.
01:00:09Claudio, for God's sake!
01:00:10Well, well, there is no more spider.
01:00:13Kill her, kill her!
01:00:14But how am I going to kill her if she's made of plastic?
01:00:16Kill her!
01:00:17OK that's fine.
01:00:18Die!
01:00:19Spider!
01:00:22He stabs me with his paw, I hit my finger.
01:00:26Forgive me.
01:00:27You're the one who has to forgive me, I'm an idiot.
01:00:29No, it was my fault.
01:00:31No, no, me, me, me.
01:00:33Claudio, if I could not have children,
01:00:35would you mind very much?
01:00:37No, of course not.
01:00:39Sometimes I think Mom is right.
01:00:41Married couples who don't have children love each other more.
01:00:44Yes, yes.
01:00:44And I love you very much.
01:00:47And I love you, darling.
01:00:59Umbrella, five, second.
01:01:00Thank you!
01:01:02Thank you!
01:01:32Stop! Cut! Cut! All right, everyone, listen to me. We're going to make some corrections.
01:01:58What do you think?
01:01:59Great! It's symbolic, you know. The four seasons.
01:02:03Spring, summer, autumn and winter.
01:02:07Hey, couldn't it all be in the summer?
01:02:10Not a bad idea.
01:02:15Let's see, the movement of the umbrella.
01:02:18It needs to be done with more elegance.
01:02:21More movement.
01:02:22Yes, yes, agreed.
01:02:23Okay. Let's do another one.
01:02:25The bow is ready, huh?
01:02:27Whenever you want for me.
01:02:29I don't like.
01:02:31As?
01:02:31It's a shame to lose this stage.
01:02:34An authentic Egyptian temple.
01:02:36That?
01:02:37Imagine Cleopatra here, with all her mysterious beauty, opening an umbrella.
01:02:46She also used an umbrella.
01:02:48The workshop!
01:02:49Hey, that wouldn't be bad.
01:02:51Psychedelic humor.
01:02:53Sure, but we would need an extraordinary Cleopatra.
01:02:59Be careful with the people in the back, don't get involved.
01:03:01I already have it.
01:03:17No, my slaves.
01:03:20I want something more practical than swan feathers.
01:03:22I do like this.
01:03:45Stop!
01:03:47Cut, cut, cut!
01:03:49Let's do the close-ups.
01:03:52How's the girl?
01:03:53That girl is a firecracker.
01:03:55The umbrella stand recommended it.
01:03:57Well, the spot is going to be loaded!
01:03:58Very well, Odalisques!
01:04:04How happy!
01:04:06A lot, Don Eduardo.
01:04:07And very grateful.
01:04:09This is my thing.
01:04:11I try to do it like Elizabeth Taylor in Cleopatra.
01:04:13Better, because you have more talents.
01:04:19If only I knew the jokes the technicians play on me.
01:04:22Are they messing with you?
01:04:24What's up?
01:04:25They think I'm their little friend.
01:04:27Oh my God!
01:04:29But how can they think that at my age?
01:04:32If you're a kid, a kid.
01:04:36Cleopatra, until now our dealings have been commercial.
01:04:40But if you get too cuddly, we're going to make a mess of things.
01:04:57Eduardo!
01:05:04Eduardo, Eduardo!
01:05:07That?
01:05:07Eduardo!
01:05:09Come on!
01:05:10Come on, come on, come on!
01:05:12What do you mean, what?
01:05:13His wife, who is already in the sanatorium!
01:05:16Antonina, my wife!
01:05:18Oh, come on!
01:05:20I'm coming, Antonina!
01:05:22Oh, what joy!
01:05:23A son of mine!
01:05:26Oh my God, what joy!
01:05:27To the!
01:05:27To the!
01:05:28To the!
01:05:28Above!
01:05:29Let's go!
01:05:30Come on, come on!
01:05:40You should be ashamed of yourself.
01:05:41If he said he was missing two months, isn't that it?
01:05:43His wife is about to give him a child and you are from Egyptian folklore.
01:05:46I!
01:05:47Watch out, the truck!
01:05:49The truck, he didn't screw up!
01:05:50Come on, let it be!
01:05:52But get rid of the plastic!
01:05:54Good luck!
01:05:54Your father!
01:05:55The chicken!
01:05:57Come for your love!
01:05:58Don't you see I'm fried, man!
01:06:02Let's see if we can say it!
01:06:05Dear, go on and go home!
01:06:08I can't believe it.
01:06:10Before, he looked like he was 90 years old.
01:06:11Now you're in your 30s.
01:06:13If that's them, Claudio.
01:06:15Since they know I'm going to be a father, I don't know what they're going to give me.
01:06:18It must be the second youth.
01:06:19Well, neither one nor the other.
01:06:20Neither 90 nor 30.
01:06:22The ones you have.
01:06:2355 years old.
01:06:25Completed 8 years ago.
01:06:26Do you know what the English say?
01:06:27No.
01:06:28An age for everything and everything in its age.
01:06:30So, what have I done wrong?
01:06:31You are too old.
01:06:32Screw-on...
01:06:33And from disk.
01:06:47Come on, hurry up.
01:06:47It will have arrived by now, for sure.
01:06:49It would be well spent and it would be seven months.
01:06:52My son has already arrived.
01:06:53The one about the appendicitis operation?
01:06:54No, no, it's a birth.
01:06:55Mrs. Contreras.
01:06:56Yeah.
01:06:57The maiden name?
01:06:58Antonia.
01:07:00Antonia Galíndez.
01:07:01At home we call her Antonina.
01:07:03One moment.
01:07:05The 124?
01:07:06Accrimation.
01:07:07You may go into the nest.
01:07:09To the nest?
01:07:10There it is, in the nest.
01:07:11He's handsome.
01:07:13Yeah.
01:07:13It has arrived complete.
01:07:15Come on.
01:07:22But what is it?
01:07:23Which is it?
01:07:24Which is it?
01:07:25I was already telling Antonia.
01:07:27That among so many we were going to lose it.
01:07:31That's it.
01:07:32That's it.
01:07:33My son.
01:07:35My son.
01:07:36That's it.
01:07:39Well, that's not it.
01:07:40No.
01:07:41If I already told you that you lose them here, I told you so.
01:07:44Mother.
01:07:45Calm down, calm down.
01:07:46But with calm.
01:07:48That's it.
01:07:49That's it.
01:07:50That's it.
01:07:51My son.
01:07:55My son.
01:08:00No.
01:08:01That's not it.
01:08:02Yes sir.
01:08:03No, ma'am.
01:08:04That's not it.
01:08:05That's not it.
01:08:06I would know.
01:08:07Yes sir.
01:08:08I tell him that...
01:08:08But don't you see how pale your father's complexion is?
01:08:14And why are you looking at me like that?
01:08:15Hey?
01:08:15Sorry, there was a mistake.
01:08:22Yeah, yeah.
01:08:24They wanted to saddle me with Mobutu's son.
01:08:27His wife was here, but she left.
01:08:28He should be home by now.
01:08:30With the child?
01:08:31No.
01:08:32It was a false alarm.
01:08:33As soon as I arrived at the sanatorium, the pain went away and here I am, perfect as a rose.
01:08:37Yeah, yeah, yeah.
01:08:38But women don't take anything seriously.
01:08:41Ah, dad.
01:08:42Not dad or anything.
01:08:43In the factory, I say, you pay on the 29th and you pay on the 29th.
01:08:48Well, they send this one within 90 days.
01:08:50Don't worry.
01:08:51You'll see how it arrives for Christmas.
01:09:13Don't worry.
01:09:15Don't worry.
01:09:18Don't worry.
01:09:21Don't worry.
01:09:22Thank you!
01:09:53Likewise, Antonio.
01:09:54Thank you so much.
01:10:05Hello, neighbor.
01:10:06Hello.
01:10:07Blessed are the eyes.
01:10:08Hello, Cleopatra. On vacation?
01:10:10No, I'm moving.
01:10:12Don't tell me.
01:10:13I couldn't stand that cockatoo any longer.
01:10:15And how did they appoint you president of the community?
01:10:18Oh! There was a fraud!
01:10:20The only reason I'm sorry to leave is because of you.
01:10:23And I, I'm sorry to lose sight of her too.
01:10:26Is it because you want to?
01:10:28Man, me!
01:10:31I'm going to put my address and phone number here.
01:10:34And if you want something from me, well...
01:10:36Okay, okay. Maybe we'll do another spot.
01:10:39Well, count on me for whatever.
01:10:42Oh! And Happy Easter!
01:10:51Thank you!
01:10:56Each thing in its own time.
01:10:59Well, it seems to me that I am old enough for many things.
01:11:02Where are you?
01:11:25Hello.
01:11:26Hello darling.
01:11:31That?
01:11:32Nothing.
01:11:33Nothing.
01:11:35Not even a little pain.
01:11:37Nothing at all.
01:11:38Didn't you say it was for Christmas?
01:11:40Well, it will be for kings.
01:11:41And let it not be for failures.
01:11:43And why does it have to be in the middle of the holidays?
01:11:45Because his father is a real party animal.
01:11:47Look, I'm going to call the doctor.
01:11:48So that?
01:11:49Nobody knows about this more than me.
01:11:51And I tell you it's going to take a long time.
01:11:53Eduardo!
01:11:55Already!
01:11:56That?
01:11:57Coming!
01:11:58It's here!
01:11:59Oh!
01:12:00Let's see!
01:12:01I'm coming!
01:12:02I'm coming!
01:12:03I'm coming!
01:12:04The key!
01:12:05Where did you put the key!
01:12:06Hurry up!
01:12:07The light switch!
01:12:08Here!
01:12:09This!
01:12:10Well!
01:12:11Calm!
01:12:12Calm down, woman!
01:12:13Oh!
01:12:14My life will not be a false alarm!
01:12:15No!
01:12:16Already!
01:12:17Peaceful!
01:12:18Peaceful!
01:12:19Hold your breath!
01:12:20As the book says!
01:12:21Let's see the book!
01:12:22I had it yesterday!
01:12:24Let's see!
01:12:25Stop reading books now!
01:12:26No!
01:12:27There it is!
01:12:28Yes man!
01:12:29Yes, you have to!
01:12:30There you go!
01:12:31Hahaha!
01:12:32Hahaha!
01:12:33Peaceful!
01:12:34The glasses!
01:12:35Where are they!
01:12:36How lucky!
01:12:37Oh!
01:12:38Gardo!
01:12:39I'm drowning!
01:12:40Clear!
01:12:41If the book says so!
01:12:42First!
01:12:43You have to drown yourself first!
01:12:44And then you'll see!
01:12:45It says so here!
01:12:46Hey!
01:12:47Lumbar flexion!
01:12:48Relaxing!
01:12:49You see?
01:12:50One and two!
01:12:51One and two!
01:12:52One and two!
01:12:53Clear!
01:12:54Clear!
01:12:55It's not the time for gymnastics!
01:12:57Clear!
01:12:58Calm!
01:12:59Calm down woman!
01:13:00It's going to be a very short hour!
01:13:01Ha ha ha!
01:13:02Don't you see me!
01:13:03Very calm!
01:13:04Look how peaceful!
01:13:05Careful!
01:13:09Careful!
01:13:10Wrap up warm, woman!
01:13:11That!
01:13:12We'll be at the sanatorium in a moment!
01:13:14Yeah!
01:13:15You'll see!
01:13:16Watch out there!
01:13:17There!
01:13:18Go for it!
01:13:19My car has been stolen!
01:13:20It's there!
01:13:21Ah!
01:13:22What a scare!
01:13:23Let's take it slow!
01:13:24But not so much, eh!
01:13:26Pull and be careful!
01:13:28You should have warned the boys!
01:13:30They've gone to the cinema to see Elga!
01:13:32You see!
01:13:33If you stay here you'll save on tickets!
01:13:35Eduardo!
01:13:36I don't fit in that car!
01:13:37Don't play tricks on me, Antonina!
01:13:39So far where can I find a taxi!
01:13:41Come on!
01:13:42Come on, baby!
01:13:43Don't be like that!
01:13:44Come on!
01:13:45Try to get in here!
01:13:46I can't fit Eduardo!
01:13:47I don't fit!
01:13:48Head first!
01:13:49Go on, try it!
01:13:50Wow!
01:13:51And now what?
01:13:52Push!
01:13:53If you push, I'll come out the other door!
01:13:55Ah!
01:13:56Why would I come with the Ford when it was so comfortable?
01:13:59Oh Eduardo!
01:14:00Get me out of here!
01:14:01Call an ambulance!
01:14:02Yeah!
01:14:03I'll go up and call now!
01:14:06Go for it!
01:14:07I left my keys upstairs!
01:14:09But why do women always give health at night and not at 4 in the afternoon!
01:14:14And we have plenty of training to do!
01:14:16Go on, cheers!
01:14:17If we stay here, the mayor will be the godfather!
01:14:19Have courage, darling!
01:14:20Don't kiss my watchman!
01:14:22Serene!
01:14:23A car!
01:14:24Stop!
01:14:25Please stop!
01:14:27Stop!
01:14:28Stop!
01:14:29Stop!
01:14:30Oh well!
01:14:31What's happening?
01:14:32Let's take her to the sanatorium!
01:14:33But I'm loaded!
01:14:34But imagine how she goes!
01:14:35And always at night these things!
01:14:37Get in!
01:14:38Get in!
01:14:39What are we going to do?
01:14:40Come on, this good man is taking us!
01:14:42Come on!
01:14:43Ah!
01:14:44There!
01:14:45But on a motorcycle!
01:14:46There is nothing else!
01:14:47Come on!
01:14:48Come on!
01:14:49You'll be fine!
01:14:50I'm bringing two armchairs for the Three Wise Men from the gallery!
01:14:51Come on!
01:14:52Come on!
01:14:53Let's go strong!
01:14:54Let's go strong!
01:14:55Wow! Thank goodness!
01:15:22Are you doing well?
01:15:25It's like we're Melchior and Gaspar. All that's missing is Balthazar.
01:15:31Another pothole and here we have Balthazar.
01:15:34Hey, you can't go any faster!
01:15:37But do you think this is the Jarama circuit?
01:15:39Careful!
01:15:42But stop!
01:15:44But where did you leave your glasses, you idiot?
01:15:46But what's going on? I was going to my right.
01:15:49Your right? What do you see less with a cat?
01:15:50What do I see less?
01:15:51Yes, sir. I was going to your right and you missed the disc.
01:15:54But what does that old man say?
01:15:56Let's see if I can break his face.
01:15:58Eduardo, you won't have time to split anything.
01:16:00What's it to you?
01:16:00At his age and partying.
01:16:01Let's party! You'll see.
01:16:03Eduardo, for God's sake!
01:16:04No, man, no. The lady is about to give birth, and I'm taking them to the sanatorium.
01:16:08Clear!
01:16:08Since I couldn't find the taxi!
01:16:09Man, you have to be warned!
01:16:10Excuse me, sir.
01:16:12Come by taxi, you'll be better off there.
01:16:14Excuse me, please put your daughter down.
01:16:16But listen, this isn't my daughter, she's my mother.
01:16:19I mean, if it's my father, no.
01:16:21It's the same.
01:16:22I don't know.
01:16:22Take care, lady.
01:16:23I don't know who he is.
01:16:24Don't worry.
01:16:24My mother!
01:16:26Take that thing away from here!
01:16:27What a man, yes!
01:16:28Come on, let's take your hand, let's take your hand.
01:16:37It's almost here, darling.
01:16:39Yes, because if it takes longer...
01:16:41Don't deprive yourself of anything for me, madam.
01:16:42I'm used to it now.
01:16:43Six were born here.
01:16:45They call me the stork.
01:16:46Well, speed up, stork, or we'll go for the seventh.
01:16:50Take your handkerchief out the window.
01:16:52You'll see how we pass all the records.
01:16:53Eduardo, not that.
01:16:56What do they think we're carrying a 20-ton truck behind us?
01:16:59Come on, come on.
01:17:00You use mine.
01:17:02Thank you.
01:17:19Thank you.
01:17:20Thank you.
01:17:23Calm down, calm down, man.
01:17:34You'll see how everything goes well.
01:17:35No, I'm very calm.
01:17:40Please tell the taxi driver who brought us.
01:17:43But that's just me.
01:17:44Oh, sorry.
01:17:46Well, whenever you want, you can leave.
01:17:48Man, I don't know what to leave you alone.
01:17:50No, I'm staying with that man.
01:17:53You are a first-timer.
01:17:54First-timer?
01:17:55I come here every year now.
01:17:57I'm already like a member of the family.
01:17:59Look, look.
01:18:00He has been photographed with all the sanatorium staff.
01:18:09It's my family, my wife, my children.
01:18:11Man, anyone can do that.
01:18:14But I'm going to have the first one.
01:18:16After so many years, imagine.
01:18:18The wallet has been put in the box.
01:18:19Oh, excuse me, it's yours.
01:18:21It must be very exciting to have your first grandchild, right?
01:18:24A lot, a lot.
01:18:26Listen, what I'm going to have is not a grandson, it's a son.
01:18:30Wait, wait.
01:18:32What? How are things going?
01:18:37Well, now they're selling me the apartment, but the bad thing is that my mother-in-law is coming to live with us.
01:18:40And what do I care?
01:18:41Man, how things are going for me, he told me.
01:18:43Things in the delivery room.
01:18:46What do I know, I belong to kitchens.
01:18:48But how do you cook?
01:18:49How nervous are you, Grandpa?
01:18:50Not a grandfather or anything, I'm the father.
01:18:53Ole!
01:18:56So that they can talk about Charlo later.
01:18:58Congratulations, grandpa.
01:19:01That?
01:19:06What, Dad, already?
01:19:07Nothing, I don't know anything.
01:19:10Nothing, nothing.
01:19:11It's family, right? Congratulations.
01:19:13The taxi driver who brought us, I can't get rid of him.
01:19:16Man, since I'm here I'd like to know if it's a boy or a girl.
01:19:18Yeah, yeah.
01:19:19You understand, right?
01:19:20It's here.
01:19:21Hey?
01:19:21Finally!
01:19:22Son!
01:19:22My son!
01:19:23No, no, no!
01:19:24It belongs to that gentleman.
01:19:27Let's see, let's see.
01:19:28It's a girl.
01:19:32Wow, a girl.
01:19:34Well.
01:19:34Well.
01:19:36Car!
01:19:39Sorry?
01:19:39Hey, what do we know about the other lady?
01:19:42I don't know, it's not from my room, but don't worry, grandpa.
01:19:45Go with grandpa, I'm the father.
01:19:47Sorry?
01:19:47Talk, so much grandpa!
01:19:49Look, Mom, what a cute baby!
01:19:51Come on, come on!
01:19:51Yeah, yeah.
01:19:52I'm not surprised.
01:19:54With the training this man has, he makes them like churros.
01:20:01Mr. Contreras.
01:20:03I.
01:20:05Already.
01:20:06Already.
01:20:07I.
01:20:08Are you the father?
01:20:08No, I'm the grandfather.
01:20:10I mean, I'm the guy.
01:20:11I mean, I'm the father.
01:20:13Congratulations.
01:20:14You have a beautiful son.
01:20:15Yes, I already have a son.
01:20:18I already have a son!
01:20:20It's a little late, but we already have the couple.
01:20:24Ole, dad!
01:20:26Dad!
01:20:29Congratulations!
01:20:30That's your uncle!
01:20:31Eduardo!
01:20:32What a woman you have, Eduardo!
01:20:34How are you doing?
01:20:35As if nothing happened.
01:20:37He gave me a message for you.
01:20:38Yeah.
01:20:39He says that next week you should prepare yourself.
01:20:41Well, he wants to go home with you, Eladio, to eat half a dozen fried eggs.
01:20:47Wow, woman.
01:20:49Oh, how disgusting!
01:20:50What's happening?
01:20:51Oh, how disgusting!
01:20:52Oh!
01:20:53What's wrong, honey?
01:20:55I don't know.
01:20:56Who takes after his mother.
01:20:57That she is pregnant.
01:21:00But, my love.
01:21:02When I tell you that the frog thing is useless.
01:21:11What you know.
01:21:13Don't you want to see your son?
01:21:14Oh.
01:21:15Look at it.
01:21:16My son.
01:21:17Let's see, let's see.
01:21:17He's handsome.
01:21:18He looks like me, doesn't he?
01:21:20Man.
01:21:21Young man!
01:21:22Very handsome.
01:21:23I believe it.
01:21:24Very handsome.
01:21:26Just like me.
01:21:27He dropped this.
01:21:32Throw it away.
01:21:33He has a password and a phone number.
01:21:35I give it to him with signs and everything.
01:21:37Now I have to settle down.
01:21:39I have a son.
01:21:41That.
01:21:42And a grandson.
01:21:43Congratulations, Dad.
01:21:45Cough, cough, cough, cough!
01:21:46Thank you!
01:21:47Thank you!
01:21:49How many pelargons did he give you in two months?
01:21:51Five.
01:21:52And as a snack I would put him on the stove for ten minutes, but now he's eating purees.
01:21:55From a boat?
01:21:56No, I'll do it myself.
01:21:58Two boiled potatoes, a splash of oil,
01:22:01rice semolina and a chicken liver.
01:22:04And he passes it all through the turbix.
01:22:05Clear!
01:22:07Eduardo takes it very well!
01:22:08I've gained half a kilo in two weeks.
01:22:10Well, Pili wants nothing more than the breast.
01:22:11I don't know what I'm going to do with her.
01:22:13Goodbye, Mommy!
01:22:15Bye bye!
01:22:17What a delicious thing!
01:22:18Hey, don't look at me like that, because you'll end up believing that the seven children are mine.
01:22:35Stop it, daughter!
01:22:35What a delicious thing!
01:22:40Hello darling.
01:22:43How was the walk?
01:22:44Hi my love.
01:22:44Good.
01:22:44Come on, let's go.
01:22:46Calm down.
01:22:47Be careful.
01:22:48Careful.
01:22:48Already.
01:22:53Already.
01:22:53Thank you!
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