- hace 2 meses
Reparto: Alfredo Landa, Esperanza Roy, José Sacristán, Antonio Ferrandis, Ricardo Merino, Alfonso del Real, Adrián Ortega, Mónica Randall, Gracita Morales, Laly Soldevila, Rafaela Aparicio, Erasmo Pascual, Carmen Martínez Sierra
Dirección: Luis María Delgado
Sinopsis: Fidel es un joven pastor que es casi el único habitante de un pueblo manchego y su padre le insiste en que resista allí, ya que quiere que reciba la herencia de la que en su día fuera la rica del lugar. Pero en el testamento hay una condición: recibirá la herencia la familia que en determinada fecha aún siga viviendo en el pueblo. La fecha se acerca y Fidel necesita urgentemente encontrar esposa.
Dirección: Luis María Delgado
Sinopsis: Fidel es un joven pastor que es casi el único habitante de un pueblo manchego y su padre le insiste en que resista allí, ya que quiere que reciba la herencia de la que en su día fuera la rica del lugar. Pero en el testamento hay una condición: recibirá la herencia la familia que en determinada fecha aún siga viviendo en el pueblo. La fecha se acerca y Fidel necesita urgentemente encontrar esposa.
Categoría
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CortometrajesTranscripción
00:00:28Thank you!
00:00:49Thank you!
00:01:28Thank you!
00:01:52Thank you!
00:02:01Hey, Mr. Eusebio!
00:02:05Are you there?
00:02:10Fidel!
00:02:11Giddy-up!
00:02:15Oh!
00:02:16We have visitors!
00:02:18Now, come closer!
00:02:19Already!
00:02:21What's up, Genaro?
00:02:23Good morning, Mr. Eusebio!
00:02:25Here I am again!
00:02:27What? Did you bring something?
00:02:28Yes, a letter.
00:02:29You can already guess what it's about.
00:02:32Already.
00:02:34Hey, what if we say I haven't received it?
00:02:37It's certified, and the book sings.
00:02:39Already.
00:02:40Sign here!
00:02:42And Fidel?
00:02:44He's around here somewhere, with the cattle.
00:03:02Frau ley!
00:03:06Frau ley!
00:03:07The point is shouted! Good!
00:03:11Brau! Blue!
00:03:15Baser! Water!
00:03:18Fidel!
00:03:22Fidel!
00:03:23Fidel!
00:03:25Fidel!
00:03:25Fidel!
00:03:25Hey?
00:03:28What's wrong, Dad?
00:03:30Come here!
00:03:32Go!
00:03:34Come on!
00:03:35Let's go! Let's go!
00:03:36Come on!
00:03:37He just arrived!
00:03:39From the city hall of the capital!
00:03:41It had to happen sooner or later.
00:03:44Come on.
00:03:52What, what?
00:03:53I'm telling you no.
00:03:55You, Fidel, don't be stupid and listen to your father.
00:03:57But if this paper says so, it's the law.
00:04:00There is no law, damn it.
00:04:02As long as the two of us live here, nobody can kick us out.
00:04:06Also, find out.
00:04:08We're getting closer to being rich.
00:04:10And there you go again, Father, you're going on about it again.
00:04:13We just have to wait until May 20th.
00:04:15And it's April.
00:04:16We have to be here, in this town, until May 20th.
00:04:20So that?
00:04:21You'll talk to them in due time.
00:04:22Tomorrow you will speak with Don Arturo and Father Bernardo.
00:04:26They will tell you what to do.
00:04:28Yes, father, yes.
00:04:29Go see the governor if necessary.
00:04:31Yes, yes.
00:04:32And don't be swayed by empty words.
00:04:34No.
00:04:35Come see how they made you a corporal in the army, son.
00:04:37Okay, father.
00:04:40Go on.
00:04:43And shout really loudly.
00:04:45Yeah.
00:04:46If they don't listen to you, I'll come with my stick.
00:04:48Well.
00:05:06And they can do that, Father.
00:05:08No, I don't think so.
00:05:09The thing is, a village with only two neighbors...
00:05:13You know what my father is like.
00:05:15No one can make him abandon it.
00:05:17Well, Fidel, defend the people.
00:05:19The land that saw him born, then, is very noble.
00:05:22No, I won't leave him alone.
00:05:23If it weren't for her, I would have gone to Germany like the other young men.
00:05:26Yes, Fidel.
00:05:28I know you're a good son.
00:05:31And now, he tells me about May 20th.
00:05:34Father, what happens on May 20th?
00:05:37May 20th?
00:05:38Yeah.
00:05:40I don't know.
00:05:42I don't remember.
00:05:43May 20th, you say?
00:05:45Yeah.
00:05:46But no, it doesn't ring a bell.
00:05:48My father is really obsessed with that.
00:05:49Especially from about a year and a half ago.
00:05:52How odd.
00:05:52Hey, Elena.
00:05:53Do you know of anything important that's going to happen on May 20th?
00:05:57Or that it happened?
00:05:59No.
00:06:00I don't realize it so suddenly.
00:06:07Arremura.
00:06:29Hello, father.
00:06:31How did that go?
00:06:32Things are not good.
00:06:33For now, we can do nothing but write the instance.
00:06:36Don Bernardo will help us.
00:06:37I'm not interested in anything done by force.
00:06:40Yes, yes.
00:06:40They don't know who they're messing with.
00:06:44Because I'll go wherever I'm needed.
00:06:47Oh, oh, oh.
00:06:48Don Arturo, the father, should have done it.
00:06:51Foolishness.
00:06:52And we have to stay here, at least until May 20th.
00:06:56But why?
00:06:57You'll find out in due time.
00:06:59What do you ask a lot of questions?
00:07:02Come on, old man!
00:07:03Come on, come on!
00:07:08Come on!
00:07:09Come on, whatever it takes!
00:07:11Come on, come on!
00:07:15Come on, come on!
00:07:22Come on, Dad!
00:07:24Come on, Dad!
00:07:24Father!
00:07:25Father!
00:07:26What's wrong with him?
00:07:27Nobody is going to talk.
00:07:28I was resting.
00:07:29Oh, what a strange rest!
00:07:31Father Fidel!
00:07:32Father!
00:07:33My God!
00:07:33I don't like this at all!
00:07:35I don't like it at all!
00:07:36Because?
00:07:37Father!
00:07:38Come on, let's go home!
00:07:40Whatever you want!
00:07:44This is a copy signed by her.
00:07:47The original is in Don Aniceto's notary office in Guadalajara.
00:07:51Why did it take you so long to say it, man?
00:07:53I don't want Fidel to find out before May 20th.
00:07:56I want her to love this.
00:07:59Not for the inheritance, but for the people.
00:08:02For the land.
00:08:06Come on, come on.
00:08:09Well, that's it.
00:08:12Now, silence.
00:08:14Don't worry, we'll keep your secret.
00:08:17And now, stillness and rest.
00:08:25That?
00:08:27It would be advisable for your father to be seen by X-ray.
00:08:30Anyone can tell you that.
00:08:31Have you been in this town for 30 years?
00:08:33Look, for now, give him this every four hours.
00:08:38And that he doesn't get out of bed, for at least three days.
00:08:42Yeah.
00:08:43I'll be back on Saturday.
00:08:44Yes, yes.
00:08:45Even without seeing him on screen, I cannot make a diagnosis.
00:08:48But is it serious?
00:08:49No, I don't think so.
00:08:50I really don't like coughing.
00:08:52It's for smoking.
00:08:53But he doesn't smoke.
00:08:55That's why I'm telling you.
00:08:56If I smoked, I wouldn't cough.
00:08:58I don't want to be in bed.
00:09:00I am healthy, strong as an oak.
00:09:02I have plenty of health.
00:09:04And I'll arrive on May 20th.
00:09:07He's delirious again.
00:09:08But what a mania.
00:09:10He doesn't seem to be in too bad a state, does he?
00:09:13No.
00:09:13A man who screams with that force.
00:09:16He'll outlive us all, son.
00:09:34Your father, before he died, revealed a secret to us.
00:09:38A secret?
00:09:40Yes, Fidel.
00:09:42The events of May 20th.
00:09:43Ah, poor thing.
00:09:44His obsession.
00:09:45It wasn't a mania.
00:09:47Now everything is very clear.
00:09:48Your father told us the day we went up to see him.
00:09:51He never told you about this.
00:09:53Why would you stay?
00:09:55I don't quite understand.
00:09:56If they can't clarify things, what's the point of all the beating around the bush?
00:09:59Doña Teresa left a clause in her will
00:10:01in which he names his relatives as heirs,
00:10:04parents and children or married couples
00:10:06who live in the town on May 20th,
00:10:08five years after his death.
00:10:10Provided it was a single person,
00:10:13the will would be annulled
00:10:15and his entire fortune would go to charity.
00:10:18So what do I do now?
00:10:20What are you going to do?
00:10:21Get married?
00:10:22And soon.
00:10:23Because you already know the deadline.
00:10:26Difficult, very difficult.
00:10:28I'm afraid of young women.
00:10:30If it had been with a sheep, maybe.
00:10:32But a young woman.
00:10:33My God.
00:10:34My God.
00:10:40They're all very common here.
00:10:42You have more experience than I do.
00:10:45Yes, I do have women.
00:10:46Don't believe that.
00:10:47But we're not getting married very often.
00:10:50We look for the opposite of what you look for in women.
00:10:52Well, that's a problem.
00:10:54You can take off your glasses now.
00:10:57Well, the only place where you can have
00:10:59A first contact is...
00:11:03Where?
00:11:04Well...
00:11:05Today is Saturday.
00:11:06And here on Saturdays there is a place of perdition.
00:11:08Would you dare?
00:11:11Whatever.
00:11:12If we have to start there...
00:11:13Well, get ready, buddy.
00:11:14But dress differently, because you're not getting anywhere like that.
00:11:18No, I have another suit.
00:11:19Ah.
00:11:38That?
00:11:39Oh.
00:11:39That?
00:11:40What do you think?
00:11:43Wow, what a frog!
00:11:46They're scary, huh?
00:11:51Hey, how do you dance this?
00:11:53Relax, man, this rhythm isn't for us.
00:12:03And look at the postman, what things he does with the lights!
00:12:14It's so we don't see the girls' faces.
00:12:33Okay, put on your tail and when it's your turn, you'll come out.
00:12:36Well, no, yes, man, you choose the one you like and take her out to dance
00:12:40Come on, let's go
00:12:46Whose turn is it?
00:12:47I
00:12:47Well, here I am, huh?
00:12:49We danced
00:12:52We danced
00:12:54I am honored that you have granted me this piece
00:12:56Thank you, I'm very tired.
00:12:59Well, excuse the trouble
00:13:03What? Shall we dance?
00:13:05Rari, separate messages
00:13:07I have separate ones, naturally.
00:13:09Let's go
00:13:24Sorry, sorry, sorry
00:13:33Sorry, sorry
00:13:34What's happening?
00:13:34Okay, sure, it's here.
00:13:36Look at that!
00:13:40If you don't want to
00:13:42She is alone
00:13:43Come on
00:13:44Come on
00:13:46Arame
00:13:52Please
00:13:53Yes, thanks
00:14:03Sorry
00:14:03Oh, what about...
00:14:06Oh
00:14:08Sorry
00:14:10Oh, what about...
00:14:13Sorry
00:14:13My thing is the letter J
00:14:16The initial
00:14:16No, no, no, my name is Fidel Frutos
00:14:19Ah, and you're absolutely right, everyone is their own boss.
00:14:22And you?
00:14:24My name is not Fidel Frutos
00:14:28Well, I didn't come here to dance.
00:14:32I had already noticed it because of the foot
00:14:36My thing is getting married.
00:14:39Very well, come to my house tomorrow between six and eight.
00:14:42As?
00:14:43First he needs to talk to my father
00:14:4545 Calle de la Flor Marchita
00:14:46Low
00:14:47Good afternoon
00:14:49See you tomorrow
00:14:50No, it wasn't expensive.
00:14:53Uh, uh, yeah
00:14:55Yes, yes, I've already hooked up.
00:14:57I finally got lucky
00:14:58Clea, don't close the door!
00:15:00Tomorrow from six to eight
00:15:02Rolvi!
00:15:02Rolvi!
00:15:22Rolvi!
00:15:25Good afternoon
00:15:55When was it?
00:15:56Fidel Frutos at your service
00:15:58That?
00:15:59That?
00:16:00Just kidding, right?
00:16:01No, no, sir, it's true
00:16:02I want to marry your daughter
00:16:04Come on!
00:16:07Have you looked at my daughter slowly?
00:16:09Uh, just a quick glance, nothing more.
00:16:11Does he want to marry her?
00:16:12Always with your permission, of course.
00:16:14For a bet
00:16:14No, no, sir
00:16:16Maria!
00:16:17Maria!
00:16:18Take the girl out!
00:16:21Everything else?
00:16:24Is this it, daughter?
00:16:25Yes, Father.
00:16:30Sorry
00:16:30Oh, sorry!
00:16:33Okay, explain yourself
00:16:34Well, I want to marry her, her daughter.
00:16:37Have you noticed that my daughter is a real pain?
00:16:39No, sir
00:16:40I find it refined and sensitive.
00:16:42Do you see it, Father?
00:16:44I have sensitivity
00:16:45And it shows.
00:16:47You shut up, girl
00:16:48What do you want?
00:16:49My daughter is mentally retarded, as everyone knows.
00:16:52My job is what it is
00:16:54And you
00:16:55Let me see your teeth.
00:17:05Yes, you look healthy.
00:17:08I don't understand
00:17:10I only had measles and I don't remember anything else.
00:17:12So you're here to laugh.
00:17:14No, no, no, no, no, sir
00:17:16I can't laugh at anything because I'm in mourning.
00:17:18Why does he want to get married, and with the girl?
00:17:25To start a home
00:17:27Repeat it in front of my wife if you are a man
00:17:30Yes, sir, yes
00:17:33I want to get married to start a family
00:17:38Hush, hush
00:17:39I thought I heard that...
00:17:40Again!
00:17:42Well, that's it
00:17:43I want to marry her daughter and start a family together.
00:17:46You take the girl and found whatever you want.
00:17:48Enough!
00:17:51Good
00:17:53You say that you have come
00:17:54Well...
00:17:55Sit down, sit down
00:17:56Thank you
00:17:57Well, I've come because I want to marry your daughter.
00:18:00For...
00:18:01Don't give explanations
00:18:03Intention is enough
00:18:04Do you realize?
00:18:06A man
00:18:07A real man
00:18:10Show your teeth
00:18:11Do you see it?
00:18:12Healthy
00:18:13Worship
00:18:14Shapely
00:18:15And that he wants to marry the girl
00:18:17The best thing is a satyr
00:18:19Or is it better?
00:18:19But hey, what's going on?
00:18:22Can I get married or not?
00:18:23Man, imagine that
00:18:24It had never happened before.
00:18:26And we had already lost hope.
00:18:29We brought the family along because otherwise, they wouldn't believe it.
00:18:31Okay, girl
00:18:32And what do you say?
00:18:36Well...
00:18:36I say no.
00:18:38No?
00:18:39Because?
00:18:41Because I like it...
00:18:43Cousin Alberto
00:18:44Cousin Alberto
00:18:46Cousin Alberto
00:18:48Nothing about cousin Alberto!
00:18:50Then stupid children are born
00:18:52Loss
00:18:53You like them all
00:18:55So...
00:18:57It's just that I like cousin Alberto
00:18:58Who is a practitioner
00:18:59My cousin Alberto is a medical practitioner.
00:19:02Ah, I see.
00:19:03Then I'm leaving.
00:19:04I'm sorry and thank you very much.
00:19:07This has been very helpful to me.
00:19:08Oh, really?
00:19:09Clear
00:19:09They said I couldn't get a date
00:19:16I'm going to kill you
00:19:18I'm going to kill you
00:19:19I'm going to kill you
00:19:19Mentally retarded
00:19:20What have you done to yourself?
00:19:21Mental
00:19:21I always ask you for it
00:19:23I ask for it
00:19:24I ask for it
00:19:24I ask for it
00:19:25But not
00:19:25Nobody eats here
00:19:30Don't worry.
00:19:31You'll see what a man
00:19:32You'll see how popular it is.
00:19:34And why would I want it to be popular?
00:19:37Hey, you're single, right?
00:19:39Oh, what a drag
00:19:40You're always going on about the same thing.
00:19:41Single, 23 years old
00:19:43It seems she's going to take some university entrance exams.
00:19:48Could he be an American from the base?
00:19:50No
00:19:50One of these
00:19:51But with a hook
00:19:52What is it?
00:19:53Butcher?
00:19:54That
00:19:54He has no other obsession than meat
00:19:55Jesus
00:19:56A sadist
00:19:58Careful
00:19:59Don't faint
00:20:01A man arrives
00:20:05That?
00:20:06El Cid Campeador
00:20:08The Cid Campeador bound in velvet
00:20:10And thank goodness he's not wearing the beret.
00:20:14Hello hello
00:20:15Well, here I am
00:20:17Fidel, this is Pilar
00:20:19Pilar, there you have it.
00:20:21Nothing more than that
00:20:23Delighted
00:20:26What we do for you, Fidel
00:20:27Well, what did you want so urgently?
00:20:30Thank goodness he speaks
00:20:32From a distance it looked like a Coca-Cola
00:20:34Single, male
00:20:35Single woman
00:20:36You'll have to tell us all about it, Fidel.
00:20:38Come on, man
00:20:47Wow, compile
00:20:49That
00:20:51Well, well
00:20:54You're one of those guys who gets women with smooth talk, aren't you?
00:20:58I?
00:20:59No, no, no
00:20:59No way?
00:21:00No no
00:21:02So you're one of those people who thinks everything is as it seems.
00:21:05Yes indeed
00:21:06Yeah
00:21:10And speaking of oregano
00:21:12Are we going to stand here all afternoon?
00:21:14I know of a place
00:21:15Come on?
00:21:17Oh, what a mind he has!
00:21:18You are the devil, Fidel
00:21:21Oh, what a mind he has!
00:21:25Look
00:21:26Look, look, touch
00:21:27Touch, touch
00:21:28Play without fear
00:21:29Touch
00:21:29Nothing
00:21:30It doesn't give you a cramp
00:21:31Tough, huh?
00:21:32No fat
00:21:33And now?
00:21:35Now comes the good part
00:21:36Thank goodness
00:21:38Now we're going rabbit hunting
00:21:40No
00:21:40I refuse
00:21:41The countryside makes me feel claustrophobic.
00:21:43Oh, lazy
00:21:44You're very lazy
00:21:46We've only been in the field for six hours and you're already bored.
00:21:51Fidel
00:21:52Hey?
00:21:53You bring me down
00:21:54Where to?
00:21:58Handsome
00:21:58I?
00:21:59Take off your beret
00:22:00The beret?
00:22:01Yeah
00:22:02Well, if you get high
00:22:06My mother
00:22:07What a head
00:22:08She cries like a baby, look
00:22:11Hold me
00:22:12Men should know how to use their heads
00:22:14A year ago
00:22:15With a header and
00:22:16I killed a donkey
00:22:18Hold me
00:22:19You're cold
00:22:21I like you, waiter
00:22:22And that's why I'm going to hug you, because you're going on a trip
00:22:25Oh, let's see.
00:22:27You look really tough
00:22:29Ah, that's right.
00:22:30And that's how I like men.
00:22:32Sure, sure, sure
00:22:33And also
00:22:34Things are done
00:22:36Things?
00:22:37Yeah
00:22:39523
00:22:40524
00:22:42525
00:22:43500
00:22:44Well
00:22:45And how long will this go on?
00:22:46I can last for more than three hours
00:22:47And as if nothing had happened
00:22:48And is that a date?
00:22:51Yes a lot
00:22:51That's what I like the most
00:22:53And you can't do anything with your elbows
00:22:57Yes, yes, I move them
00:22:58It sounds like a duck.
00:23:00And I know how to imitate a hen
00:23:01You are a man
00:23:02I am a woman
00:23:05Did you bring a blanket?
00:23:07You are very strange
00:23:08Before
00:23:08Let me hug you
00:23:09Now a blanket
00:23:10You won't be sick
00:23:12So, what do you want?
00:23:14I'm getting married
00:23:17And when will there be another one?
00:23:20That, that later
00:23:28He hit me with a rock
00:23:30When I told him that I didn't do those things
00:23:32I don't understand
00:23:33There are women for everything.
00:23:34You wouldn't believe how much we talk about you.
00:23:36Well, but there's just no way
00:23:38That I marry a woman like that
00:23:41As a contract
00:23:42Because they ask for some things
00:23:43That's all there is to it.
00:23:44Let's move on to the next exercise.
00:23:46No, no, no
00:23:47You have to lose your fear of women
00:23:48No, no, no
00:23:49No, no
00:23:50I prefer sheep
00:23:51But you have to learn from us
00:23:53Marcos, look
00:23:55I manage fine with sheep.
00:23:57But with women
00:24:00Look at that.
00:24:00Here goes
00:24:01Go on, that's fine.
00:24:02Come on
00:24:03Come on, man, let's go
00:24:04Go for it
00:24:06He can now receive a compliment
00:24:09You walk very well, beautiful.
00:24:10You have bigger eyes than my feet.
00:24:13But much bigger than my feet
00:24:15Paco!
00:24:15That?
00:24:16Look at this
00:24:19Do you like my girlfriend?
00:24:20With your permission, yes, sir.
00:24:22But don't get the wrong idea, okay?
00:24:23It's for marriage
00:24:33I give up
00:24:34I'm leaving this here
00:24:35My thing is transistors and sheep
00:24:38There, peacefully, learning German
00:24:40And listening to Manolo Escobar
00:24:42Where is my car?
00:24:44Where is my car?
00:24:45That's it?
00:24:46No, no, don't scare me, Marcos
00:24:48For your father
00:24:48Why don't you write to a relationship advice column?
00:24:50Of course, he doesn't write.
00:24:50What idea did you just come up with?
00:24:51But, man, how come I didn't think of that before?
00:24:53He's safe.
00:24:54You don't trust me.
00:24:55No, no, no, no
00:24:56If I trust, I trust.
00:24:57Of course I trust you
00:24:58But I don't have any more eyes left.
00:25:09Well, I think this is fine now, but very good indeed.
00:25:12Read
00:25:15Young man with land
00:25:1627 years old
00:25:17Well
00:25:18Not selfish at all
00:25:19And of a refined spirit
00:25:21Looking for a pure woman
00:25:22Single woman
00:25:23To get married within a month
00:25:25Women over 35 and under 18 need not participate
00:25:28Oh, oh
00:25:29Send photographs
00:25:30Fidel Frutos
00:25:31Church of Alanda de Lerma, Guadalajara
00:25:33Wow, that's really good.
00:25:34And I send the photograph
00:25:35Man, of course
00:25:36Otherwise, they'll believe it's the priest.
00:25:37Clear
00:25:38Well, now we wait.
00:25:40No one will answer.
00:25:41But hey, it doesn't hurt to check.
00:25:43Furthermore, this section of the newspaper is read by many people.
00:25:45Oh, Enna
00:25:47relationship advice section
00:25:49Are you looking for your other half?
00:25:51There, there
00:25:52Now all that's left is to send the letter.
00:25:54And the die is cast
00:25:56None of them will answer, you'll see.
00:25:58Already
00:25:58What are you saying, man?
00:26:02Let's toast
00:26:02Through marriage
00:26:04Because?
00:26:05The wedding
00:26:06Ah
00:26:19Come on, Lorenzo!
00:26:21Come on!
00:26:22Come on!
00:26:23Come on!
00:26:23There!
00:26:25There!
00:26:27There!
00:26:32Chafer, base, more chafer and more base.
00:26:48Look at him there!
00:26:53Fidel!
00:26:54Fidel!
00:26:56That?
00:26:56The letters from Madrid have arrived!
00:26:58Well, it's up to you, you have three to choose from.
00:27:02I don't know, we can just draw lots.
00:27:04And why not all three?
00:27:05Man, Marco, if I can't handle one...
00:27:07I'm saying that you treat all three of them.
00:27:08You don't tell her anything and then you choose the one you like best.
00:27:11Sure, that way you have options.
00:27:13And will I have to go to Madrid?
00:27:14Of course, now they are answered and quoted.
00:27:16I don't know Madrid.
00:27:17Well, it's like the village, but with potholes.
00:27:19For example, the first one, this one.
00:27:21That is.
00:27:22Okay.
00:27:23And then there's this one, which isn't bad either, huh?
00:27:25Oh my God, how scary.
00:27:26Hey, you won't let me go alone, will you?
00:27:28Hey, you're the one who needs to get married, marriage isn't for us.
00:27:31Yes, yes, yes, yes.
00:27:33And then this one.
00:27:35You can't see his face very well in the photo, but...
00:27:38She seems like a good-looking girl, huh?
00:27:40Now we need to think about where to meet them.
00:27:43A secluded spot that doesn't attract much attention, okay?
00:27:46No.
00:27:48No.
00:28:00No.
00:28:02No.
00:28:02No.
00:28:05No.
00:28:32Is it me?
00:28:39Are you Paloma?
00:28:40Excuse me, do you need anything?
00:28:41As we agreed here, in this place...
00:28:44Please.
00:28:46Oh, and you play the whistle really well, don't you?
00:28:48Are you in the mood for a joke?
00:28:49No, what I really want is to get married.
00:28:51I am Fidel.
00:28:54Here is the newspaper clipping.
00:28:56Aren't you Paloma?
00:28:57No, I'm not.
00:28:59Go away, move along, and let it be the last time.
00:29:01Oh, sorry, please excuse me.
00:29:20Are you Fidel Frutos?
00:29:21Server.
00:29:22Pigeon.
00:29:23Are you Paloma?
00:29:24Come on.
00:29:26Home.
00:29:33Did you imagine you were taller?
00:29:35And I love you a little younger.
00:29:38How much should I pour?
00:29:39I said in the ad that no more than 35.
00:29:42Miss Paloma is only 24 years old.
00:29:45Oh, isn't that you?
00:29:47I.
00:29:48Oh, what a fright!
00:29:50Oh my God!
00:29:51Yes, yes, yes.
00:30:02This house?
00:30:03It belongs to Miss Paloma.
00:30:05All yours?
00:30:06Clear.
00:30:15Lucas, bathe sir, perfume it, the lady is waiting for you.
00:30:19As?
00:30:20Listen.
00:30:20Follow me, sir.
00:30:21Just a moment, just a moment.
00:30:23Is it true that I have to take a bath?
00:30:25Miss Paloma wants it this way and cannot disappoint.
00:30:27Come on, man, come on.
00:30:28I don't know what the point of a bathroom is now.
00:30:33Oh!
00:30:42Careful, Lucas, they're tickling me.
00:30:44The gentleman will look much better.
00:30:46Otherwise, I have to leave nothing.
00:30:48No, no, no!
00:30:49Don't float around here, it's dark!
00:31:00No, no, no, no, don't float around here, it's dark.
00:31:04No!
00:31:08I didn't imagine he was dark-skinned too, man.
00:31:10Oh!
00:31:18Now we remove a little shine and we're done.
00:31:20But, well, let's see.
00:31:21You don't know that I'm here because of the advertisement
00:31:23And what I want is to get married and start a family.
00:31:25Yes, we know.
00:31:37Come on, follow me.
00:31:47Miss Don Fidel Frutos.
00:31:49Leave me alone with him.
00:31:58Come closer.
00:32:05Are you the one from the ad?
00:32:08My God.
00:32:10As?
00:32:11I say, yes, yes, yes, yes, yes, miss.
00:32:16Do you want to get married?
00:32:18Isn't he the kind of man who goes around just to have a laugh?
00:32:23You choose, of course.
00:32:26I don't understand.
00:32:27Well, what's wrong with you?
00:32:30Nothing.
00:32:32That nowadays men find it very difficult to get married.
00:32:35Sit down.
00:32:38Well, yes, that's true.
00:32:40But I want to get married.
00:32:42Come on, if you have a priest handy, right now.
00:32:45Why does she want to get married?
00:32:48You are a handsome man.
00:32:50She's in the prime of her life.
00:32:52You can tell he has sensitivity.
00:32:55Don't you think that's tying yourself down too much?
00:32:58Yes, but it doesn't matter.
00:32:59They can tie me up now, as far as I'm concerned.
00:33:01How clever my father was.
00:33:06Are you getting married because of your father?
00:33:09For the father and for the church.
00:33:11For life, of course.
00:33:15That's how it should be.
00:33:19You are an exemplary person.
00:33:21A typical Spaniard.
00:33:23You say it quietly.
00:33:24But, well, you're not bad at being tall either.
00:33:29And do you believe...
00:33:33that I could make him happy?
00:33:35Man.
00:33:39Do you know how to make stew?
00:33:41What cuisine do you prefer?
00:33:42French?
00:33:43Italian?
00:33:45Spanish?
00:33:48Do you make good beans with chorizo?
00:33:51They are my specialty.
00:33:53Can I help you?
00:33:55Of course it's useful to me.
00:33:57You'll see.
00:33:59The servant is a pastor.
00:34:00Protestant?
00:34:01No, not at all.
00:34:02The sheep!
00:34:03Tume, tume!
00:34:04The sheep!
00:34:05Tume, tume!
00:34:06Let's see.
00:34:07Do you go out at night?
00:34:09To the corral.
00:34:11A cabaret?
00:34:12No, no, no, no.
00:34:13There's nothing like that in the village.
00:34:15Do you like children?
00:34:18Which children?
00:34:20Which children?
00:34:24Alright.
00:34:25Approved.
00:34:28When we got married...
00:34:29You've already seen it.
00:34:30It was another episode of the Hidden Target series.
00:34:33The space made by you and for you.
00:34:36The top program of maximum human interest.
00:34:40Careful, friend.
00:34:41Who will be our next visitor?
00:34:43Don't be overconfident.
00:34:44Could it be you?
00:34:47Thank you very much, Mr. Fidel, for your spontaneous collaboration.
00:34:49And also to you, ladies and gentlemen, for your attention.
00:34:52It was a hidden target.
00:34:55Good afternoon and see you next week.
00:35:01Okay, we're finished.
00:35:03Thank you.
00:35:04Very good, Fidel.
00:35:05Very natural.
00:35:06Listen.
00:35:07You were very good, especially in the bathroom.
00:35:10What is this?
00:35:11The most daring television program.
00:35:13We always do it this way, without preparation.
00:35:16Ah, here you go.
00:35:17A fond memory of their performance.
00:35:21And thank you very much.
00:35:25Hey, hey.
00:35:26You don't want to get married, do you?
00:35:28Don't talk to me about that.
00:35:30I did it four years ago and I have three children.
00:35:32Well, I'd be delighted.
00:35:33Nice to meet you.
00:35:34Ah, if you're going downtown, I'll give you a ride.
00:35:36I have another appointment, but I'm not going anymore.
00:35:38Whatever.
00:35:39Bye, guys.
00:35:40See you tomorrow.
00:35:40Bye.
00:35:41It turned out very well.
00:35:42Listen.
00:35:43They'll cut the bathroom thing, won't they?
00:35:45No, I don't think so.
00:35:46We have hardly any censorship on television.
00:35:48We can do and say whatever we want.
00:35:50There is absolute freedom.
00:36:13Fidel Frutas?
00:36:14Uh, yes, it's me.
00:36:15I am Marga.
00:36:16Marga Domínguez.
00:36:17Yes, yes, yes.
00:36:18What a thoughtful touch.
00:36:19Thank you very much, man.
00:36:20Come on?
00:36:21Is...
00:36:22Taxi!
00:36:23It's because I live far away.
00:36:24Ah.
00:36:25Taxi!
00:36:52Hello, doll.
00:36:53Can't you see I have a job?
00:36:56Hello.
00:36:57Fidel Frutos at your service.
00:36:58What's up?
00:36:59Don't you have anything to say to me, Darling?
00:37:01Take.
00:37:02Wait for me at home.
00:37:03Third on the right, door D.
00:37:05Very good.
00:37:08Excuse me.
00:37:09The elevator is not working.
00:37:10Oh, oh, oh.
00:37:13Do you know what time it is?
00:37:15I stepped out of the bar for a moment.
00:37:16Yeah?
00:37:17Why, doll?
00:37:18Are you going to leave me without five cents?
00:37:19I have to pay the rent.
00:37:20Here, have a coffee.
00:37:22Careful.
00:37:22I don't want any jokes.
00:37:25Get him out of here quickly, I have a lot of expenses.
00:37:27I'll wait for you in half an hour at the bar.
00:37:29Let go of my arm, you're hurting me.
00:37:32And you know I don't like it when you take the initiative.
00:37:34I don't want to.
00:37:41Pig!
00:37:43Cool!
00:37:44This is going to end.
00:38:19He was an acquaintance
00:38:20Yes, yes, you have a very nice house
00:38:22My job costs me
00:38:27Are you in a hurry?
00:38:28Not much, the train doesn't leave until night
00:38:31What? Does it make a cup?
00:38:34Well, I'm in the mood for drinks.
00:38:36Excuse me a moment
00:38:37Yes, yes
00:39:23And it turns out it was a television program
00:39:28No
00:39:30What's happening in the city?
00:39:34Dude, you're going to be famous
00:39:36I'll see you on Wednesday
00:39:43I'm not the one you're looking for, am I?
00:39:46Well
00:39:48Are you single?
00:39:49From birth
00:39:51My life here in Madrid
00:39:52It hasn't been easy.
00:39:53I came from the village very young to work
00:39:56But that wasn't for me.
00:39:58Fidel
00:39:59I want to get out of all this
00:40:01I
00:40:04I know that the girl on TV
00:40:05It was impossible.
00:40:06But you
00:40:09I don't know
00:40:12Marriage is a very serious thing
00:40:15Geez, kid
00:40:16You placed an ad
00:40:18But you want the inheritance
00:40:19A chocolate
00:40:20And that she be a young lady
00:40:21You're no Richard Burton either.
00:40:24I'm sorry, I didn't mean to offend you
00:40:26But the thing is
00:40:29It's just that I'm
00:40:30I'm so confused
00:40:34And you?
00:40:36Why don't you just leave this alone?
00:40:39It's very easy to say.
00:40:40But where am I going to go?
00:40:43I'm caught in the trap
00:40:45Only by getting married
00:40:46That's why I replied to your ad.
00:40:50But let's see who's going to carry it.
00:40:51With a girl like me
00:40:53I'd like to help you.
00:40:55But
00:40:55But I don't know
00:40:59Goes
00:41:00Leave it
00:41:05Take
00:41:05Your time is valuable
00:41:07What is this?
00:41:09Five pesetas
00:41:10Don't be offended
00:41:11I know that life isn't easy.
00:41:14With this
00:41:16Thank you
00:41:16Anyway, it's already late
00:41:18And I have to leave.
00:41:23Goodbye, Marga
00:41:24I've had a great pleasure.
00:41:25Bye
00:41:27Well
00:41:27If you ever return to Madrid
00:41:29It doesn't matter that you're married
00:41:31You know where I am
00:41:33Here or at the Sundai
00:41:34From Ballesta Street
00:41:39Well
00:41:39Many thanks for everything
00:41:41Bye
00:41:47Bye
00:41:50Tell me
00:41:51Yes, I'm coming.
00:41:53I'm coming
00:41:55Yeah
00:41:56Well, you're going to laugh.
00:41:57When you find out how much money I've taken from him
00:42:00I'm coming.
00:42:02Well, tell him to wait.
00:42:05However long it takes them to fix me
00:42:26Loam
00:42:27Loam
00:42:28Marga, but
00:42:28But, but
00:42:29What are you doing here?
00:42:30Don't say anything
00:42:31Just let me go with you.
00:42:33Prove
00:42:35I don't know why I do it.
00:42:36But I want to go with you.
00:42:37I'm going to the village
00:42:39Well
00:42:40I'll like your town too.
00:42:41And you'll see.
00:42:43Can
00:42:44Sign a pact between you and me
00:42:45Without forcing ourselves to do anything else
00:42:47You take your inheritance
00:42:50And I'm getting out of all this garbage
00:42:52I
00:42:53One thing I want to make very clear, Fidel
00:42:56I've slept with many men in my life
00:43:00But I've never loved any of them
00:43:01Well
00:43:02The same thing happened to me.
00:43:04I mean, I've never loved any woman.
00:43:08Well, yes
00:43:08To my mother when I was little
00:43:14I'm going to leave the suitcases, okay?
00:43:22Okay, father
00:43:28What do you think?
00:43:31Hey?
00:43:37Where did you find it?
00:43:39It's Marga
00:43:40The one from the third letter you received
00:43:42For me
00:43:43From Madrid?
00:43:44Clear
00:43:51But what's going on?
00:43:52What is it that he doesn't like?
00:43:53Quite the opposite
00:43:54That girl is really nice.
00:43:55If I have any vision
00:43:58What a character I am!
00:43:59In the capital, they like guys like me.
00:44:01Healthy
00:44:02Stop talking nonsense
00:44:06But hey, Dad
00:44:06When are you going to marry us?
00:44:08First let me talk to the girl
00:44:10Yes, yes
00:44:20You are of legal age and therefore you know very well what you are doing.
00:44:23Of course, Father
00:44:24Are you Catholic?
00:44:25Yes, father
00:44:26Look at this
00:44:28It is the Virgin of the Forsaken
00:44:30I never take it off, not even for...
00:44:32Not at all
00:44:35Fidel is like...
00:44:38Like a child
00:44:39It has no malice
00:44:41It's like a big animal
00:44:43I don't think I've ever hurt anyone.
00:44:45He seems to be very good
00:44:46Better than bread
00:44:48That's why...
00:44:49I wouldn't want anyone to make him suffer.
00:44:51It makes perfect sense
00:44:53Do you want to marry him?
00:44:55Of course, Father
00:44:56That's what we're here for.
00:44:57I will respect him
00:44:58I swear
00:45:00I swear on this
00:45:01By the Virgin
00:45:02Okay, daughter, okay
00:45:03Your goals are enough.
00:45:06You will have to confess
00:45:08Is there no other option?
00:45:09Clear
00:45:10Fidel
00:45:11Hey?
00:45:12Fidel
00:45:12How cool?
00:45:13Do you like it bitter?
00:45:14Hey?
00:45:15Fidel
00:45:16What happened?
00:45:17Nothing, nothing, nothing
00:45:18What harm has been done, Fidel?
00:45:19It was nothing
00:45:20I raise my glass to the health of this lovely lady.
00:45:24Well
00:45:26When is the wedding going to be?
00:45:28Father Bernardo has the floor on that.
00:45:30In eight days
00:45:31I will publish the warnings tomorrow.
00:45:33And quick stuff
00:45:35I'm really looking forward to visiting Fidel's village.
00:45:37I can buy my bridal trousseau there.
00:45:41I haven't told him
00:45:42Hey?
00:45:43What do you have to tell me?
00:45:44No, nothing, nothing
00:45:46You'll like Tordesillas de los Infantes
00:45:48It is the most beautiful town in the world
00:45:50My parents are buried there.
00:45:52What should it be like?
00:45:54I'm from a very small town, a very small town
00:45:57Tordesillas is not very big
00:45:59But like mine, impossible.
00:46:01There wasn't even a cinema.
00:46:02That's outrageous!
00:46:04Yes, he was a boy, yes.
00:46:05Well
00:46:06Movies aren't really necessary.
00:46:09Small towns
00:46:11They're fine too.
00:46:13Yes, but so small
00:46:15Well, and at first there was no breeding
00:46:17No, no, no
00:46:18Not at first
00:46:20Wow, that's a number, man.
00:46:21What will I find?
00:46:22I don't even want to think about it.
00:46:23We have to hide it
00:46:24Whatever the case, we
00:46:26As if it were normal
00:46:27We're going to have a rough time.
00:46:28Poor Fidel
00:46:34Hey, we delivered the flowers
00:46:36And we're out of here.
00:46:37It just can't be
00:46:37Remember that we promised him
00:46:38Take them to the village
00:46:39You're right
00:46:41Come on, it won't last long.
00:46:42The conversation with Father Bernardo
00:46:43She'll be one of those pious women.
00:46:53Look there
00:46:55Do you see what I see?
00:46:56My mother
00:46:57But it's not possible.
00:46:59How is the girl?
00:47:00Wait until I speak
00:47:01Maybe she stutters
00:47:02It's all the same to me.
00:47:03Even in Brazil, I forgive him everything.
00:47:06Oh, and if in addition to what we see
00:47:07It's normal
00:47:08Be quiet, pretend you don't notice
00:47:09Excellent
00:47:10Come on
00:47:14Hi guys
00:47:15Hello
00:47:16Well, this is Marga
00:47:17Marga, here's a friend.
00:47:19Hello
00:47:20Hello
00:47:21Take
00:47:21Oh, thank you so much!
00:47:22How are you guys?
00:47:24Fidel has told me a lot about you.
00:47:26Oh, really?
00:47:26Furthermore, I believe the idea of placing the ad in the newspaper was yours, wasn't it?
00:47:29And the guy was nice.
00:47:33Okay, so what?
00:47:34Do you like my girlfriend?
00:47:36What are we going to say?
00:47:38Sure, man, don't put them in that awkward position.
00:47:40And nice too
00:47:41When I'm comfortable, yes
00:47:43Oh, she's laughing!
00:47:44It seems like all the ones here have some liver in them.
00:47:46I'll tell you later.
00:47:47I have many things to tell you
00:47:49And I'm dying to visit Tordesillas.
00:47:52If it's not too much trouble, let's get closer.
00:47:54Inconvenience?
00:47:55Right now!
00:48:05It's a shame that no one from your family is alive.
00:48:07They would be waiting for us in the town square
00:48:08Well, they would be the only ones
00:48:10Well, I wasn't expecting the town band either.
00:48:11Although that wouldn't be bad.
00:48:13What's wrong, Fidel?
00:48:14Why do you have that face?
00:48:16I was thinking we could turn around
00:48:18I think it's a great idea.
00:48:19What are you saying?
00:48:20I'm dying to get a bed
00:48:21Oh, really?
00:48:22And don't you have any friends?
00:48:23Because he and I are single
00:48:24I certainly believe I have
00:48:25And many
00:48:26Ignore them
00:48:27They don't want to get married.
00:48:28Who told you that?
00:48:31Stop, stop here
00:48:31Alright
00:48:34Tordesillas de los Infantes
00:48:36Well, it doesn't seem very big.
00:48:37It's not very clear from here.
00:48:39Hey
00:48:40Hey, Fidel
00:48:40But you're going to get there on foot
00:48:42Yes, first we'll leave those flowers.
00:48:44At my parents' grave
00:48:45Clear
00:48:45We'll be waiting for you.
00:48:46No, since we're in town
00:48:48So that?
00:48:48No, I was the one saying it.
00:48:49Because four
00:48:50We're leaving
00:48:51Let's go
00:48:51Goodbye, nice to meet you
00:48:53Nice to meet you
00:48:54Bye
00:48:55Bye
00:48:55And thank you very much for the ride.
00:48:56Yes, let's go
00:48:57This way
00:48:57Bye
00:48:59Bye
00:49:01Bye
00:49:01Oh, Julian
00:49:02What a girl
00:49:03What have you seen?
00:49:15Go, a hen
00:49:16No, it's a rooster.
00:49:28It gives the impression
00:49:29As if there was nobody there
00:49:31Yes, exactly.
00:49:32But you don't know how happy it is
00:49:34Unless they set off rockets
00:49:38Come on, come on
00:49:44Here
00:49:57Well, we've arrived.
00:50:03Is this your house?
00:50:04Yeah
00:50:05Come, come, come
00:50:06Look
00:50:07This is Adolfo, my dog.
00:50:10Adolfo
00:50:10Hello, Adolfo
00:50:12Hello
00:50:13Look, this is your mistress
00:50:14Oh, how beautiful!
00:50:20Come in, Marga
00:50:21Happens
00:50:27Come in, come in
00:50:32Oh, forgive me
00:50:33But the thing is, I'm alone.
00:50:33Well, it's a bit messy.
00:50:35But already
00:50:39Well, this is what it is
00:50:41But how awful!
00:50:43How have you managed to stay here so long?
00:50:45My father, I already told you
00:50:46I was going to paint the house
00:50:47But how did he die?
00:50:48Yeah, yeah
00:50:48Mourning
00:50:49And this is the kitchen
00:50:55There's not much luxury, as you can see.
00:50:57But it's a wood-burning stove.
00:51:00And where am I going to live?
00:51:01Well, if you don't mind, right here.
00:51:03The other houses are worthless
00:51:05Hey, you're kind of like a local chieftain, aren't you?
00:51:09Well, something like that.
00:51:12And how are we going to sleep?
00:51:14Man
00:51:15I sleep like this, with the new one here
00:51:17You haven't understood me.
00:51:18Let's see, how many beds are there?
00:51:21Two
00:51:21Ah, that's right.
00:51:23Large and wide
00:51:24And the mattress is made of wool.
00:51:25It's nice to lie down.
00:51:26So you see, you're going to sleep
00:51:27In my father's bed
00:51:28The poor man left there
00:51:30To enter the checkout
00:51:31I, out of respect
00:51:32I've never used it.
00:51:33And you?
00:51:34Me in mine
00:51:34It's not that wide, but...
00:51:36If you don't mind
00:51:37I'll sleep in yours
00:51:38Man, I don't think it's right.
00:51:39I couldn't care less.
00:51:41But in your father's
00:51:42He's going to get involved...
00:51:43No, no, no
00:51:43I said so.
00:51:44Because we're not married yet
00:51:46Sleeping in the same bed
00:51:48People are very mean.
00:51:50But you haven't understood me.
00:51:51Oh, no?
00:51:53I'll sleep in yours
00:51:54And you can do whatever you want
00:51:56Ah, yes, yes, woman
00:51:58Yes, it goes up
00:51:59Go up here
00:52:00Here
00:52:03My God
00:52:04Where have I gotten myself into?
00:52:05What were you saying?
00:52:06Nothing, man, nothing.
00:52:07Ah, I see, I see
00:52:09Here
00:52:10Here
00:52:16And this is the room
00:52:18Wait, I have a surprise.
00:52:34What do you think?
00:52:37A dream
00:52:39Ah, there, I can breathe easy.
00:52:41Come on, you think, you think
00:52:42Come on, come on, you think
00:52:45Look, for a moment I thought
00:52:46You weren't going to like this house
00:52:47Yeah?
00:52:49Yeah
00:52:49How could you have guessed something like that?
00:52:50Well, I don't know, things...
00:52:51Okay, which one is my room?
00:52:52Here, here, here
00:52:56This is the bed
00:52:57Here my grandmother Octaviana died of occult garrotillo
00:53:00Idale
00:53:03This blanket
00:53:03My uncle Claudio carried it on the Teruel front
00:53:06You'll see what would have
00:53:07Already
00:53:07The bathroom
00:53:09The room of what?
00:53:11The bathroom
00:53:13Oh no, no, no, no
00:53:15That goes in the corral
00:53:16When does it rain?
00:53:17I'll go with you and carry an umbrella
00:53:19Well, let him rest.
00:53:20Tomorrow I'm getting up at 5:30.
00:53:22I go out with the flock
00:53:22If you want to come with me
00:53:24No, thank you very much.
00:53:26Well, it's fun
00:53:27Yeah, I can imagine.
00:53:28Sheep, as we know.
00:53:30Well, if you want something
00:53:31I sleep right here
00:53:32You let out a scream
00:53:33What if I wake up the neighbors?
00:53:34To the neighbors
00:53:35Don't worry, just scream
00:53:37But, kid
00:53:38Wouldn't a doorbell, a chime, or a cowbell be better?
00:53:41Well, that's for sure.
00:53:41We'll put it up tomorrow, okay?
00:53:43Take a rest
00:54:19Mother, my mother
00:54:20What I've hooked up
00:54:44And we can't leave
00:54:45Without preparing lunch for him
00:54:47That?
00:54:48Do you like it bitter?
00:54:49Oh, and look how clever I am!
00:54:56Come on, Adolfo!
00:55:06Come on, Adolfo!
00:55:10Add it up, take it, take it!
00:55:17Add it up, take it, take it, take it!
00:55:22Add it up, take it, take it, take it!
00:55:38Ah
00:55:59Fidel
00:56:06Fidel
00:56:08Are you there?
00:56:19There's work here for the long haul.
00:56:20Ah, this one's clever.
00:56:22He wasn't looking for a wife, but a maid.
00:56:44Good one, Adolfo
00:56:45Now we have other obligations
00:56:48We need to take a bath from time to time
00:57:10Oh, good heavens!
00:57:13But what have I done?
00:57:17Is anyone there?
00:57:34But nobody lives here
00:57:43There's nobody here.
00:57:44It's a ghost town
00:57:45I'm leaving here right now.
00:58:02Come on, come on, come on, come on
00:58:04Aleja, let's go, let's go
00:58:18But, Marga, what are you doing here?
00:58:20There is nobody here
00:58:21No, no, that's it.
00:58:22Nobody lives here
00:58:24Archie!
00:58:26Well, I live here and Adolfo
00:58:28And the animals
00:58:29And now you
00:58:30That's why they leave the inheritance
00:58:31No?
00:58:33But here one dies of boredom
00:58:34Oh, nobody dies from that.
00:58:36Besides, you'll see
00:58:37When you get used to it
00:58:39This is anything but boring
00:58:40There is a river
00:58:41Why didn't you tell me?
00:58:43I was going to tell you, I swear.
00:58:44But I didn't dare
00:58:46But I didn't deceive you.
00:58:47All the waiters have left.
00:58:49To Catalonia, to Madrid, to Germany
00:58:51That's why, Doña Teresa
00:58:53Leave the inheritance to the family
00:58:54Let it stay here
00:58:56And how can you live here alone?
00:58:58Without speaking to anyone?
00:58:59I have a bicycle
00:59:00And the week is rare
00:59:01Nobody's coming around here
00:59:02But what if something happens to you?
00:59:04What if you get sick?
00:59:06Who, me, sick?
00:59:07Me get sick?
00:59:10I'm still cold
00:59:12Very cold
00:59:18Are you feeling better?
00:59:19Yeah
00:59:23Look, my father
00:59:25Geez, don't scare me
00:59:26My father
00:59:29My father
00:59:30He has come to see you
00:59:32Oh, Fidel
00:59:32For your father
00:59:33No, not because of your father.
00:59:36Father, don't you ever look at me like that?
00:59:38Oh, take off your beret in front of Marga
00:59:41Oh, how cursed I am
00:59:42Fidel, you have a high fever.
00:59:44You need to see a doctor right away.
01:00:11This will allow you to rest until tomorrow.
01:00:13It's very serious, Don Arturo.
01:00:15No, son, no
01:00:17It must have cooled down
01:00:21Tomorrow when I take these pills
01:00:24One every six hours
01:00:27They are for horses
01:00:28But they will have the same effect on Fidel.
01:00:49How are you?
01:00:52Far better
01:00:55I've slept a lot
01:00:56Five days
01:00:57My God
01:00:59You've had a fever over forty.
01:01:01Take this
01:01:02Don Arturo sent it
01:01:04He has come every afternoon
01:01:06Know
01:01:08I was afraid to wake up
01:01:09In case you had left
01:01:12What things do you come up with?
01:01:13I was going to leave you like that
01:01:14Thank you
01:01:15And have Julian and Marcos come too?
01:01:17Every day
01:01:18So?
01:01:18And they have helped me a lot.
01:01:19You'll see
01:01:21No, very good friends of mine
01:01:22And they like me quite a lot.
01:01:24I believe it.
01:01:27No, very good friends
01:01:31No, very good friends
01:01:56What is this?
01:01:58What a luxury, my mother
01:02:02It was impossible to live with so much filth
01:02:03And you did all this by yourself?
01:02:06Julian and Marcos have helped me a lot
01:02:07And your money too.
01:02:08Are you okay?
01:02:09Yes, I'm fine now.
01:02:10Go outside, shave, and wash your face.
01:02:12And hurry up, we're going to eat!
01:02:13Yes, I'm coming.
01:02:14From today on, you won't sit down to a meal without checking in.
01:02:17Sure, sure
01:02:23Hello good
01:02:26Do you want to go first?
01:02:28Well
01:02:28Should I go?
01:02:30Wait
01:02:35Purest Germany
01:02:37conceived without sin
01:02:45In nomina patria, fila, espíritus ante
01:02:48A.M
01:02:53How are you?
01:02:54Nothing
01:02:54He's a very good person.
01:02:55Three Hail Marys
01:02:56Come on, you
01:03:12Let's see, daughter
01:03:14How long has it been since you last confessed?
01:03:17Well, I don't know
01:03:18Me, me
01:03:20Fourteen years
01:03:21That's a long time, daughter.
01:03:26If you wish, I'll leave.
01:03:29No, daughter, no
01:03:30Let's see
01:03:35Let's see
01:03:38Let's review the commandments
01:03:44Look, father
01:03:46I am very much a woman
01:03:47No, daughter, no
01:04:25You have been excommunicated
01:04:28Twenty rosaries, thirty masses, and two Stations of the Cross
01:04:32Geez?
01:04:33Well, you've gotten more than the guy who killed Kennedy.
01:04:45Daisy
01:04:45Receive this alliance
01:04:47As a sign of my love
01:04:48And fidelity
01:05:07The blessing of God, Almighty, Father, Son, and Holy Spirit
01:05:24Amen
01:05:25Fidel
01:05:27Margar
01:05:30My children
01:05:31May God our Lord grant you all happiness
01:05:34That he gives to his chosen ones
01:05:38Thank you, Father.
01:05:42For your dreams
01:05:44For the bride and groom
01:05:47Come on, boyfriend!
01:05:49Come on, boyfriend!
01:05:50Come on, boyfriend!
01:05:50How lucky!
01:05:52This is really good!
01:05:54You're going to be so lucky!
01:05:55Yes, uh
01:05:56Me, ugly
01:05:57They say it's joy, right?
01:05:59Yes, yes
01:06:01How are you going to get through this, huh?
01:06:02Those are the things my doctor recommends to me.
01:06:04Hush, hush
01:06:05Thank you, thank you
01:06:07Yes, thanks
01:06:07Thank you
01:06:08Thank you
01:06:09How lucky!
01:06:10Thank you
01:06:12Well, goodbye and thanks, okay?
01:06:14Bye
01:06:15Come on, let's go
01:06:16Come on, come on
01:06:18Phew
01:06:19I thought this would never end
01:06:20Yeah, yeah
01:06:21So, what are you going to do?
01:06:25Be good!
01:06:26Just imagine it was us!
01:06:28Okay, little sister!
01:06:53Go on, drink so much you're going to feel sick!
01:06:55Give me the matches
01:06:56Ah, yes
01:06:57I'm going to the bathroom.
01:07:02I am happy, very happy.
01:07:04I have everything.
01:07:05A woman, a dog, and an inheritance.
01:07:07I don't like it when you go to the bullfights in a miniskirt.
01:07:12I don't like it when you go to the bullfights in a miniskirt.
01:07:15I don't like that...
01:07:16We're rich, Marga!
01:07:20We need to have everything ready to collect the money on the 20th.
01:07:23And now to bed.
01:07:24We have to go to the notary tomorrow.
01:07:28Loam.
01:07:29Did you want something?
01:07:31No, nothing.
01:07:33I like that you didn't take off your ring.
01:07:35It suits you very well.
01:07:37It is part of the contract.
01:07:38This proves it.
01:07:39What would newlyweds be without these rings?
01:07:42Clear.
01:07:43Good night.
01:07:44And don't drink anymore.
01:07:46Go to bed early.
01:07:47Yes, right now.
01:08:15You see.
01:08:17I've been alone my whole life, and tonight is when I feel it the most.
01:08:19Precisely tonight.
01:08:22Of course, a deal is a deal and it must be respected.
01:08:31Come on, come on, let's go.
01:08:53Come on, come on, let's go.
01:08:57At one o'clock.
01:08:59At two o'clock.
01:09:01Already!
01:09:01A mouth has...
01:09:03Hey?
01:09:04Hey?
01:09:05What's that?
01:09:10There goes the morgue.
01:09:17What is this?
01:09:19I forgot to tell you.
01:09:20It's the custom around here.
01:09:22And will they be like this for a long time?
01:09:23No, just all night.
01:09:25They think that way they won't let us do anything naughty.
01:09:27Oh, what's missing.
01:09:28I took the sleeping pills.
01:09:29What do we do?
01:09:32Let's look out the window.
01:09:34And then we jumped.
01:09:35No, no, no.
01:09:35You smile at them.
01:09:37Hey?
01:09:40Hey?
01:09:43That's enough, okay?
01:09:45You cut us off from the most exciting part.
01:09:51You'd better mess up your hair and look like you're having a blast.
01:09:55Do you think you'll know?
01:09:57I have a vague idea.
01:10:05Do you want to leave now?
01:10:06I'm with my man.
01:10:08And that's no way.
01:10:12Good, good, good, good, good!
01:10:14How are you?
01:10:16Very good.
01:10:18You know a lot, huh?
01:10:21Come on, Marga!
01:10:23Fidel!
01:10:33So what happens now?
01:10:35Are they going to plant a bomb?
01:10:39They have to listen to us like...
01:10:41Hey?
01:10:41Like what?
01:10:43I want them to hear that we are...
01:10:46You know what the priest said about consummating the marriage.
01:10:50Well then, let's go.
01:10:56Hey?
01:10:57Let it begin!
01:10:59Let it begin!
01:11:02Whenever you want, Marga.
01:11:05Good.
01:11:06Oops!
01:11:06I'm getting so sleepy!
01:11:08Who starts, you or me?
01:11:09I myself, so that it is less violent for you.
01:11:12Well then.
01:11:14There you go, girl!
01:11:16There you go!
01:11:17I'm so relieved!
01:11:19Clau!
01:11:19Walrus!
01:11:20You're in a bad way, darling!
01:11:22There you go, girl!
01:11:24There you go!
01:11:27Is that making love or talking to sheep?
01:11:32Now you say something.
01:11:35My love, what a man you are.
01:11:38How much I like you.
01:11:42You are wonderful, wonderful.
01:11:45My love, how happy I feel in your arms.
01:11:50You're such a man, such a man.
01:11:56Come on, say something.
01:11:58But why are you sighing?
01:12:02Because I have asthma, I'm not telling you.
01:12:04Come on, kid, say something, they're going to think you've had a stroke.
01:12:07Clau!
01:12:08My mom, who would have thought it about Fidel?
01:12:11Okay, that's enough.
01:12:13Let's go.
01:12:14Come on, get out.
01:12:15Come on, everyone, out.
01:12:22Come on, let's go, let's go.
01:12:30It seems they've already left.
01:12:32Have we convinced them?
01:12:33I think so.
01:12:35Is there anything else that needs to be done?
01:12:37No, nothing more.
01:12:39This is what is called spending the wedding night in the village.
01:12:43Now, to everyone, we are a happy couple who will have a child in nine months.
01:12:50Good night.
01:12:52I'm so tired I could fall off.
01:13:19We want a family book.
01:13:20Birth party.
01:13:21Yes sir.
01:13:23Marriage certificate.
01:13:24Here you go.
01:13:25Three policies, two of eight pesetas and one of fifteen.
01:13:28Where?
01:13:28I filled out these forms for him.
01:13:30Attach the policies, three photographs, and both of you sign here.
01:13:34Okay, ready.
01:13:36Come on.
01:14:07Hello good.
01:14:08We're the same as before.
01:14:09Everything is here.
01:14:15Don't push, don't push.
01:14:35Good.
01:14:37Wow, that window!
01:14:40Thank you.
01:14:42Hello good.
01:14:43We came from the other window.
01:14:45Everything is here.
01:14:47It's time.
01:14:48Come back tomorrow.
01:14:49We're not from here and we have to go back to our village.
01:14:51I already saw what you told me.
01:14:54Nothing to be done.
01:14:56Alright.
01:14:57You leave it to me.
01:15:18Nothing to be done.
01:15:54And so that my will may be done, I place it in the hands of the law.
01:15:58And let everything remain within the family or families that live in Tordesillas de los Infantes.
01:16:03This is my last will and testament.
01:16:05Very good.
01:16:05That's very clear.
01:16:07These gentlemen are the only family living in Tordesillas de los Infantes.
01:16:13Do they have the family book?
01:16:14Yes, yes, sir.
01:16:16Do they have children?
01:16:17No, not yet.
01:16:18But Doña Teresa doesn't say anything about that, does she?
01:16:20Unclear.
01:16:22Do you live at a permanent address in the aforementioned town?
01:16:27Yes, it's always been that way.
01:16:29Can you attest to that?
01:16:30Naturally.
01:16:31Then I continue.
01:16:34They will be my only heirs and, therefore, owners of all the land there is
01:16:39in the town of Tordesillas de los Infantes, as well as belongings and personal effects
01:16:50that belong to me, that belong to me, that belong to me, that belong to me, and of one
01:16:56Savings account book from the Bank of Bilbao, with 737 pesetas.
01:17:10In Guadalajara, on May 20, 1965.
01:17:15Signed, Teresa Andújar de Jaramillo, widow of Lezcán.
01:17:19That's all.
01:17:21But anyway, do those lands have any value?
01:17:24Well, not much now.
01:17:26But what if they ever build a highway through that land?
01:17:30The woman also leaves us her personal belongings.
01:17:38Blessed are you, you of all women and blessed.
01:17:50Come on, boy, tell Father Bernardo.
01:17:52She is praying the holy rosary.
01:17:54I see that, but it's urgent, he has to annul a marriage.
01:17:56Yes sir.
01:17:58You would have made a good veterinarian.
01:18:00I really like animals.
01:18:02And what's going to happen now, Don Arturo?
01:18:04Marga married me for the inheritance.
01:18:07And the inheritance... Oh!
01:18:08Nothing will happen, man. Tonight, alone, you'll see how everything works out.
01:18:13Phew! If you only knew, you'd install the transistor.
01:18:16That's not bad.
01:18:18It's because she puts it on herself, Don Arturo.
01:18:20You don't do that to me.
01:18:22Sit down.
01:18:25I have signed a contract.
01:18:27And you know it.
01:18:28This ring is the signature of that contract.
01:18:31And that contract doesn't say I have to be buried here, in this grave.
01:18:34I was planning to stay here to live a different kind of life.
01:18:37Calm down, daughter.
01:18:38No, I can't take it anymore.
01:18:39I'm leaving tomorrow.
01:18:41So they don't have time to tell me a story and convince me.
01:18:46This girl has character.
01:18:50Hello, daughter.
01:18:51Is Fidel there?
01:18:52Yes, he's with Don Arturo in the laboratory.
01:18:54You know the way.
01:18:55Thank you.
01:19:01What's happening with Marga is...
01:19:04It's something special.
01:19:06I don't know how to explain it to him.
01:19:08Since he's been by my side,
01:19:10Everything seems different to me, Don Arturo.
01:19:12You love her, don't you?
01:19:14It's what I've wanted most in my life.
01:19:16Do you see how much I love my dog Adolfo?
01:19:18Well, there's no comparison.
01:19:20I love Marga much more.
01:19:22Well, it will be different.
01:19:26Of course, man.
01:19:28The thing is...
01:19:29Do you know?
01:19:30He looks at me...
01:19:32And I tremble.
01:19:34She's so beautiful, isn't she, Don Arturo?
01:19:37Yes, it is.
01:19:39I've gotten used to it now.
01:19:41And if he's with me,
01:19:42I don't care that he doesn't love me.
01:19:45That's all that's missing.
01:19:47And also...
01:19:48He fell in love with me.
01:19:50And now it will continue from here...
01:19:51And he'll leave me alone, you'll see.
01:19:54What if she stayed here...
01:19:56With you?
01:19:57Who thinks about that?
01:19:58It's not good to daydream, Don Arturo.
01:20:02You are good, Fidel.
01:20:04You deserve the best woman.
01:20:34Thank you!
01:20:46Wow, you look unrecognizable, girl, you know?
01:20:48The bar is better for you.
01:20:51What do you want? What have you come for?
01:20:53Come on, grab your things, we're leaving.
01:20:56Your customers are already nervous
01:20:58You can't do anything, I'm not going with you.
01:21:01I am married, and in the church, as God commands.
01:21:03Don't make me laugh, beautiful
01:21:05What are you going too far with?
01:21:07Come on, girl
01:21:07Leave me alone, you beast! You're hurting me! Let me go!
01:21:11What's wrong, Marga?
01:21:14Isn't this your husband?
01:21:15Yes, what's wrong? Besides, he loves me.
01:21:17Don't make me laugh
01:21:18Listen, I don't think it's right to treat a woman like that.
01:21:21He wants me to go with him to Madrid to start over.
01:21:23Marga isn't leaving here, you're the one who's going to leave right now.
01:21:30Watch out, Fidel, he'll kill you, he's a beast! You don't know how hard he hits!
01:21:35Cumbia!
01:21:37Cumbia!
01:21:42Cumbia!
01:21:51No!
01:21:53Cumbia!
01:21:58No!
01:22:03Thank you!
01:22:43Thank you!
01:22:57Watch out, Fidel!
01:22:58Nothing, get down!
01:23:28Already!
01:23:34Help me!
01:23:37Let's wake up!
01:23:49Come on!
01:23:49Come on! Get out of here! Come on!
01:23:50So you know what's going on! Come on! Wake up! Wake up!
01:23:54Don't even think about coming back!
01:23:57Come on! You wretch!
01:23:59Come on!
01:24:01Go away, you starving wretch! You scoundrel! You pimp!
01:24:16I'm coming, I'm coming, I'm coming, I'm coming!
01:24:18Look, look! Look how it runs!
01:24:21Fidel, Fidel! I didn't know anything about this!
01:24:24And that's without even trying hard! If I hit him with my head, I'll ruin him!
01:24:27Ah!
01:24:36Ah!
01:24:38Ah!
01:24:55Ah!
01:25:08I was thinking that we're a very strange couple.
01:25:13The pact, you know.
01:25:15A couple doesn't get married just for an inheritance.
01:25:19And what inheritance? Oh, Doña Teresa!
01:25:21I didn't know you were in love with me.
01:25:25I?
01:25:27Yeah.
01:25:28Don't deny it.
01:25:30As?
01:25:31Did you take care of me when I had those tremors?
01:25:34It was a pleasure.
01:25:36Any woman would be very happy to be on your arm.
01:25:41You're saying that because of the cakes I give, right?
01:25:43I look like a windmill.
01:25:45No, that's not why.
01:25:48I heard you when you were talking to Don Arturo.
01:25:50Ah, I express myself better with him.
01:25:54Fidel.
01:25:55Yeah.
01:25:56Take off your beret.
01:25:58The beret?
01:26:00Yes of course.
01:26:02Oh, what a fright!
01:26:04I thought he had gotten away with it.
01:26:06Fidel.
01:26:07Do nothing.
01:26:08Don't even think about screaming.
01:26:09I'm going to take your shirt off.
01:26:11But why?
01:26:11Because of a promise?
01:26:12I am your wife and you are my husband.
01:26:14And this is a stable.
01:26:15Sure, since it's a cow and a goat, but...
01:26:17But, Marga, respect me.
01:26:18No, we're not going any further.
01:26:20Life or death!
01:26:21Oh!
01:26:21After what you've done, Marga, I love you too.
01:26:24Marga, Marga.
01:26:24We'll save you!
01:26:25What are you going to do with me?
01:26:27No no!
01:26:28No way!
01:26:29Aaah!
01:26:31I'm your type!
01:26:43Hmm!
01:26:46What a scandal!
01:26:47These things don't happen in the town on TV.
01:26:50Hmm!
01:26:50No!
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