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  • hace 3 meses
Reparto: Gracita Morales, José Luis López Vázquez, Rafaela Aparicio, Juanjo Menéndez, Mari Carmen Prendes, Rafael Alonso, Andrés Mejuto, Antonio Ferrandis, Margot Cottens, José Sacristán, Luis Sánchez Polack, Alfonso del Real, Pedro Porcel

Dirección: Pedro Lazaga

Una comunidad de monjas, que tiene a su cargo un orfanato para niñas, decide motorizarse. Un coche les es muy necesario en sus diversas labores y, tras firmar las consabidas letras, se hacen con el vehículo: un Citroën 2CV. A la hermana Tomasa (Gracita Morales), la más moderna y rebelde de la congregación, le toca conducirlo. Pronto será conocida en todas las calles de Madrid como 'Sor Citroën'. Un 'título' otorgado tras sufrir mil y una peripecias al volante cuando era principiante. Ya totalmente motorizadas, sor Tomasa y sor Rafaela (Rafaela Aparicio) deberán ampliar la recaudación de las donaciones y encargarse de unos hermanos huérfanos, niña y niño, que no pueden convivir juntos por la segregación por sexos religiosa.
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00:04:10Come on!
00:04:14And don't turn it on, that's where everyone bites.
00:04:17Don't worry, Sister Rafaela, that's a piece of cake.
00:04:34What are you doing?
00:04:36Put it in first gear?
00:04:37Put it on first, go!
00:04:38Ah, this time it's not on!
00:04:39What a mess!
00:04:45Tell me, sir!
00:05:10For!
00:05:11For!
00:05:16For!
00:05:18Hello, Father!
00:05:24Do you want to get me into trouble?
00:05:26What's up!
00:05:27Don't be mad, Dad, I just like it.
00:05:29I know you have the soul of a railwayman, but don't do it again.
00:05:33No, no, no, no.
00:05:36Die!
00:05:37Die!
00:05:42Sister, can't you go a little faster?
00:05:44Yes, yes, sir, whatever you command.
00:05:55Come on!
00:05:55Get going, Valentín, you're going to be late arriving at Matallana!
00:05:58That better be your father!
00:06:00Thank you!
00:06:00Sister, why are you stopping?
00:06:30Did I stop or the car?
00:06:31More like you, right?
00:06:33Yeah.
00:06:34Please continue.
00:06:35Yes, yes, yes, yes.
00:06:36Haven't you thought carefully, daughter?
00:06:47Yes, dad.
00:06:48And you're going to leave me alone?
00:06:50No.
00:06:51I will always be with you, even if I am not here.
00:06:54If it is your wish.
00:06:56What can I do?
00:06:57Here comes the quickie from León again, late.
00:07:13Informed and have a good nap, Marcelino.
00:07:16Watch out, watch out!
00:07:16He bathes her, he bathes her!
00:07:17He bathes her!
00:07:19What happens now?
00:07:20Nothing.
00:07:21But he doesn't see.
00:07:22A little more if we put it in the Manzanares.
00:07:24What was I thinking?
00:07:26In my father.
00:07:27Whenever I'm in a hurry, I think of him.
00:07:29And the other time you were also thinking about your father?
00:07:31Yes sir.
00:07:31Well, wait for me to get off.
00:07:32No, no, no, Mr. Engineer, don't go.
00:07:34Let him not think about anything anymore.
00:07:36Reverse!
00:07:37Yes sir!
00:07:38Yes sir!
00:08:07The botijero was to blame.
00:08:19Before it was the melon farmer.
00:08:21Now the botijero.
00:08:22And next time?
00:08:23The engineer.
00:08:26Third time's the charm, Mother Superior.
00:08:28Well, hurry up, because the car is already ours and we can't turn back.
00:08:33I've signed a bunch of papers, the insurance, and eighteen bills.
00:08:40Who knows how they will be paid?
00:08:43Well, if God knows, we'll be calm.
00:08:46Sister, you got us into this mess, and I still don't understand how I let myself be convinced.
00:08:56The same as when Sister Rafaela came up with the idea that orange peel could make a restorative wine.
00:09:03And I don't want to remember what came out.
00:09:05Yes, yes, it's better to forget it.
00:09:08I don't know why in this house every sister has an invention.
00:09:12And you had the one with the car.
00:09:14Because we need it.
00:09:16Walking all day we asked in 20 houses.
00:09:18With the car we will ask for 100.
00:09:20This is how we will increase productivity.
00:09:22You have to motorize.
00:09:23OK.
00:09:25And we already have the engine.
00:09:27But not the mechanic.
00:09:28I promise you that I will have the card within 15 days.
00:09:30And if necessary, first special.
00:09:32Mother Superior?
00:09:34What's up, Sister Isabel?
00:09:35Father Jerome has come.
00:09:37Another girl?
00:09:39Two.
00:09:39Ah!
00:09:40Well, all the better.
00:09:44What is your name?
00:09:45Well, San Maria Baños Martinez.
00:09:47Wow, what a pretty name!
00:09:50And what is your name?
00:09:51I don't want to.
00:09:52Don't you want to tell me?
00:09:54I don't want to!
00:09:56Was I going to give you a chocolate bar?
00:09:58His name is Fernando.
00:10:00Be quiet!
00:10:01Do you have any trading cards?
00:10:02The fact that?
00:10:04The chocolate bar.
00:10:06Yes, but you still haven't told me your name.
00:10:09Nando.
00:10:10The car crashed into a truck.
00:10:12Nobody can explain it to him.
00:10:13It was at dusk.
00:10:15The parents died instantly.
00:10:17The little one didn't even have a scratch.
00:10:19The girl sometimes complains about her right arm.
00:10:22They have no one.
00:10:25They have been left alone.
00:10:27The child notices it less.
00:10:29But she realizes everything.
00:10:31Poor creatures.
00:10:32I've done my best, but there's no way to separate them.
00:10:35You know we can't keep the child.
00:10:38Nor do we to the girl.
00:10:39And what do we do?
00:10:42You have a special art.
00:10:44I hope they get it.
00:10:46It's so painful to separate them.
00:10:50Evil.
00:10:52I want more.
00:10:55Do you know you're a beggar?
00:10:57Now you have to give Sister Rafaela a kiss.
00:11:01No, it's very ugly.
00:11:04Yami, are you going to give me a kiss?
00:11:06It's delicious.
00:11:07We're going to keep him.
00:11:08You have always made things easy.
00:11:11Come.
00:11:12Come with me.
00:11:12No no.
00:11:14You are a very handsome boy.
00:11:16Luis, yes.
00:11:17Where are you?
00:11:20I'm here, Nando.
00:11:21Luis, yes.
00:11:22Don't go.
00:11:25Come.
00:11:26I don't want to.
00:11:27Ugly.
00:11:28Ugly.
00:11:29Come with me, daughter.
00:11:32Do you want another chocolate bar?
00:11:34Yeah.
00:11:35Why does he have to go with you and not with me?
00:11:37We asked him.
00:11:39It seems that he doesn't like me.
00:11:41Who understands, my Luisa.
00:11:44You'll see each other every Sunday.
00:11:45And if you behave, on Thursdays.
00:11:49He will be very well with other children.
00:11:51And you with other girls and with us.
00:11:54You realize, right?
00:11:57I would like to have both of them, but it can't be.
00:12:02Luisi!
00:12:03Luisi!
00:12:07Nando, you have to go with the priest.
00:12:10I have to stay here, you know?
00:12:12And mom?
00:12:17Mom isn't here.
00:12:18You have to be good.
00:12:21I'll see you later.
00:12:24And mom?
00:12:26Where is mom?
00:12:34I want to go with Mom, Luisi.
00:12:40Go on, go.
00:12:41I want to go with mom.
00:12:47No, no, no!
00:12:49Luisi, come!
00:12:50I don't want to go with mom!
00:12:52I want to go with mom!
00:12:53To mom!
00:12:55Mother!
00:12:56Mantle!
00:12:58Mantle!
00:13:02Mantle, wow!
00:13:05Millions, you're going to be fine here.
00:13:07And we will love you very much.
00:13:11Me, me, me...
00:13:12I don't want to go!
00:13:13Swim, no, no!
00:13:17I maybe!
00:13:47Sister, what's the new one's name?
00:13:52Luisa María, you have to behave yourself with her, you're a nuisance. Go to sleep!
00:13:57And won't you give me a kiss?
00:14:00I've already given it to you before.
00:14:01Yes, but since I haven't fallen asleep...
00:14:03Good night, critter.
00:14:17What is this?
00:14:32A cow!
00:14:34Canada!
00:14:36That?
00:14:38Let's see these.
00:14:40I don't know it by heart. I'm telling you with my eyes closed.
00:14:44Level crossing without barriers.
00:14:48Dangerous double curve, left, right.
00:14:53Works.
00:14:55Stop!
00:14:57Loose animals.
00:14:59Open your eyes, sister.
00:15:01If you continue like this, they'll bring us down for the third time.
00:15:04Oh, you've got it in for me.
00:15:06What I have is a lot of patience.
00:15:09We've been using the code for six months.
00:15:12and you still don't know what the direction of traffic is.
00:15:16Well, the direction of traffic is...
00:15:20The direction of traffic?
00:15:22The word itself says it.
00:15:25Oh!
00:15:26All vehicles, beasts of burden, load or chair
00:15:31They must drive on the right side of the road.
00:15:35Article 21.
00:15:37And if you know so much, why don't you take the exam?
00:15:41Because I've had enough of orange peels.
00:15:45and I don't want any more trouble.
00:15:46The thing about the orange peels was really big.
00:15:52Patients in regulis nostri, prima virtus es...
00:15:57OK that's fine.
00:15:59If you don't want to help me, I'll manage on my own.
00:16:03We are very arid.
00:16:04I help you.
00:16:05I wouldn't miss the spectacle of seeing you as a driver.
00:16:09And why don't you play?
00:16:24I do want to, but not this one.
00:16:26And why don't you want to play, Luisa?
00:16:29Don't ask him why he doesn't talk.
00:16:31I tell her things and she doesn't say anything.
00:16:34Can you come play with me, like you are now?
00:16:36Wait.
00:16:38Now we're all going to play.
00:16:40You do want to play with me, right?
00:16:42Give me your hand first.
00:16:44Oh!
00:16:45Sister Rafaela, come on!
00:16:49Come on!
00:16:54Sister, let's play the horn.
00:16:59Let's play salad, let's play potato.
00:17:03What gentlemen, marajitas and lemons eat.
00:17:07Let's suck it! Let's suck it!
00:17:09I stayed seated!
00:17:11Sister, I can't get up.
00:17:16Milkman, father, father. Watch out, watch out.
00:17:35Is something wrong, Mr. Engineer?
00:17:46Yes.
00:17:48And the milkman?
00:17:48There it goes.
00:17:50It's a miracle. A miracle.
00:17:53And what are we doing here?
00:17:54You told me to stop and I stopped.
00:17:56Alone?
00:17:57Well, with the help of the brake.
00:17:59Would you please continue?
00:18:01Well yes, sir.
00:18:01Oh well.
00:18:07Just a moment, Mr. Engineer, I'll be right back.
00:18:14What happens now?
00:18:19That?
00:18:20What joy, Sister Thomas?
00:18:22I was thinking about you right now.
00:18:24If you had been thinking about me, you wouldn't be working from that bag.
00:18:27What if he was sunbathing?
00:18:30Careless.
00:18:31Do you want to go back to Carabanchel?
00:18:33You are wrong, sister.
00:18:35I swear.
00:18:36Forgive him, sir.
00:18:37That I have fallen, that I am another, that I have already entered the straight line.
00:18:41Now I work.
00:18:41Yes, on buses, on the subway, on football fields.
00:18:45I am a book delivery man.
00:18:46I have specialized in religious texts, especially Bibles.
00:18:49I have one here.
00:18:51Yeah, yeah, yeah, yeah, they've screwed me again.
00:18:55It was the one with the mustache, the one with the mustache.
00:18:57Yes, yes, yes, yes, yes.
00:18:58Little girl, you can't fool me.
00:19:00If it weren't for me, you'd lighten that lady's bag.
00:19:02You are not ashamed.
00:19:04But you don't understand that I do it for your own good.
00:19:06That with the life you lead you're going to end up badly.
00:19:09And you are young and still fixable.
00:19:11But what have I done for you to persecute me?
00:19:13I find it even in soup.
00:19:15I'm a wretch.
00:19:16How unfortunate.
00:19:17Oh, you are a scoundrel.
00:19:18And why have you taken it out on me?
00:19:20There's no one in the world like me.
00:19:21If you want to redeem a gulf, because it is another gulf.
00:19:23There are many scoundrels and leave me alone.
00:19:25Shut up, shut up!
00:19:26If you listened to me and believed...
00:19:29And who is the lilac who creates with this empty stomach, sister?
00:19:33Well, you have to believe it, see if I hit you in this pot.
00:19:36You don't understand that what I want is to help you.
00:19:39Okay, then give me something for breakfast, I haven't eaten since yesterday, sister.
00:19:43Look how my stomach rumbles.
00:19:47You know that if I could I would.
00:19:49Yeah, if you don't give more than...
00:19:51Words, words.
00:19:52And I need five duros to calm my stomach.
00:19:56Sister, we are not in the country!
00:19:59Wait.
00:20:04Mr. Engineer, can you lend me five duros? I'll pay you back later.
00:20:15Take.
00:20:16And I don't want to see you neglecting anyone again.
00:20:19Thank you, sister. Thank you. Thank you so much.
00:20:20You are a saint, a saint.
00:20:23And that man, another saint.
00:20:24You are a saint of the tower and faith, sir.
00:20:26Relocking for my sister, whom I miss very much.
00:20:28Thank you. Thank you.
00:20:30You are a generous charity.
00:20:32Goodbye, may God bless you.
00:20:33The whipper with her basket
00:20:36He walks around the field a little with his spikelet.
00:20:39Oh, oh, oh, oh, oh, oh.
00:20:40It's coming. It's coming.
00:20:43Thank God.
00:20:44To the park.
00:20:45Would you like to tell me how everything turned out so well this time?
00:21:00Because I didn't come alone.
00:21:02Oh no?
00:21:03I have brought San Cristóbal, San Rafael,
00:21:06to the Guardian Angel and Saint Jude,
00:21:08who is the lawyer of the impossible.
00:21:10And where are they?
00:21:11One on each wheel.
00:21:12I give up.
00:21:14By the way, I'm bringing you your receipt.
00:21:17What do I receive?
00:21:19The subscription one.
00:21:20It's 100 pesetas.
00:21:22100 pesetas.
00:21:23Yes, ma'am.
00:21:27And what have I subscribed to?
00:21:29To our orphanage.
00:21:37God will reward you!
00:21:42Well, we are now motorized.
00:22:07You'll see how happy she is, mother.
00:22:09The amount of things we're going to do in a jiffy.
00:22:11In the name of the Father, and of the Son, and of the Holy Spirit.
00:22:14Amen.
00:22:14The record, the record.
00:22:32Is it us?
00:22:33Oh, my love.
00:22:34The girl and for the girl, of all colors, they inflate themselves.
00:22:38Oh, oh, oh!
00:22:40Oh, oh, oh!
00:22:48But what happened?
00:22:49Oh, oh, oh!
00:23:19If you want, run it.
00:23:21Oh, oh, oh, oh!
00:23:24It's all over now, Mother Superior!
00:23:30Calm down.
00:23:31But what happened?
00:23:32Sister Tomasa, who has taken a liking to melon growers.
00:23:36There is no right.
00:23:37I was going so calmly and suddenly...
00:23:38Pah!
00:23:38And before I knew it, I was out of ice cream.
00:23:41And mine has no name.
00:23:42No, sir.
00:23:43I was going to my right.
00:23:44Enough!
00:23:45If they all talk at once, I don't understand anything.
00:23:48Please, mother.
00:23:50Sister.
00:23:51Well, sister.
00:23:53Would you like to explain how the events occurred?
00:23:56Yes, Commissioner.
00:23:58The city council is to blame for everything.
00:24:01The town hall?
00:24:02Yes sir.
00:24:03With that mania they've gotten into removing sidewalks,
00:24:06These poor gentlemen have to go selling their merchandise on the road, exposed to being run over.
00:24:10That is.
00:24:11And on top of that we pay the license.
00:24:13Do you see it?
00:24:13Ah, there used to be parks and boulevards.
00:24:15I used to sit on a bench and sell all the balloons in a tank.
00:24:18And I, in the shade of a tree, was dispatching the merchandise.
00:24:21And with the invention that mothers have now come up with of putting their children on half board,
00:24:26Well, you don't see a child in freedom.
00:24:27In short, he spends an old day walking around looking for the client.
00:24:30It is not right, it is an injustice.
00:24:31That's why you can't drive.
00:24:33Listen, let's see if it turns out that we were the ones who ran over you.
00:24:37And what I want to know is who pays for my melons.
00:24:40And to me my ice creams.
00:24:41And to me my balloons.
00:24:42Calm down, calm down.
00:24:44Calm down, calm down.
00:24:45It's that I hadn't made my debut.
00:24:46Take it, neither do I.
00:24:47Nor me, Commissioner.
00:24:49A newly arrived truck of melons has loaded them all.
00:24:53Don't say that, there was just a little pile.
00:24:55A truckload of pure syrup.
00:24:58Man, there must have been some cucumber.
00:24:59Arrope, Commissioner, I'm telling you.
00:25:01Well, well.
00:25:03Let's see, your driver's license.
00:25:05Don't you have?
00:25:07Clear.
00:25:15What is this?
00:25:16It's that first you give a piece of paper and then the card.
00:25:19Oh, yeah.
00:25:20The insurance policy?
00:25:22The other little piece of paper.
00:25:23Does it also give out a piece of paper?
00:25:24Yes sir.
00:25:25And this other one?
00:25:26That's from our nursing home.
00:25:28If you want to subscribe, it's 100 pesetas.
00:25:30But if you want to give 200 or more, that depends on your mercy.
00:25:36And you have the face of a good Christian.
00:25:38This is an outrage.
00:25:41I will complain to the Vatican.
00:25:43And this?
00:25:43Well, woman, you complain, but now come in.
00:25:45Don't touch me, don't touch me.
00:25:47What's happening?
00:25:47Let me go, let me go.
00:25:48Let me go.
00:25:51My mother.
00:25:53What a competition, huh?
00:25:55Where do you come from?
00:25:56Ah.
00:25:57And you for a melon?
00:25:59What few affirmations, chubby girl.
00:26:01But what does this nun say?
00:26:03Religious?
00:26:03Yes, yes.
00:26:04This one hasn't seen a church since she was baptized.
00:26:07Girl!
00:26:08I know you.
00:26:10You are not the Portuguese woman's sister.
00:26:12But what sister or what Portuguese?
00:26:14I am an only child.
00:26:15Don't dissimulate with me.
00:26:17What are you like from the new wave?
00:26:18Ah, but...
00:26:19Do they know each other?
00:26:20Oops!
00:26:20I don't know her at all.
00:26:22What order is it?
00:26:23From the order of misfortune.
00:26:24Because whatever they dress me in, sas!
00:26:26They catch me.
00:26:27Peña, would you like to tell me what this means?
00:26:29But I didn't know her.
00:26:30I'm the trini, don Paco.
00:26:32I really got you, huh?
00:26:34We caught her in Serrano.
00:26:35Last of the raffle.
00:26:36Shh!
00:26:36And how well things were going?
00:26:38If I have the black one!
00:26:39These are the ones who are ahead of us.
00:26:42And because of them, they slam the door in our faces.
00:26:46And why do you do that?
00:26:47Why do you wear those habits?
00:26:48Oh, how funny!
00:26:50And you?
00:26:51Why do you wear them?
00:26:52Because they are real nuns.
00:26:54Yeah.
00:26:55Well, I wouldn't trust him, Don Paco.
00:26:57Peña, take her.
00:26:58And this time he has double punishment.
00:27:00Oh, Don Paco!
00:27:01You don't do that to me.
00:27:02That's very good.
00:27:04Give me the usual fifteenth.
00:27:06You've gone too far this time, Trini.
00:27:07Poor aunt.
00:27:08Why haven't you forgiven her, Don Paco?
00:27:10I say, Mr. Commissioner.
00:27:12The Lord says there is more joy in heaven over a lost sheep that is restored.
00:27:16That's exactly right!
00:27:17That!
00:27:17Sister, you are a very lost sheep.
00:27:20Don Paco.
00:27:21It's that I'm alone in the world and no one feels sorry for me.
00:27:25If that's the case, we can help you.
00:27:27Find him a decent job to get him on the right path.
00:27:32What is the right way?
00:27:33Yes, for one they are all full of potholes.
00:27:35I know, but it's a matter of not going so fast.
00:27:38Listen, my potholes are other potholes.
00:27:42They can be avoided if you let us guide you.
00:27:45Isn't that right, Mother Superior?
00:27:47If he wanted to make amends.
00:27:49Of course he'll change his ways, mother.
00:27:50Don't you see how the poor girl is crying?
00:27:52Oh, how unfortunate I am!
00:27:54Come on, take her away at once.
00:27:56Go on!
00:27:56Oh, Don Paco! Don Paco!
00:27:59Well, it's the same.
00:28:01Next month is July 18th, so I'm fine, diva.
00:28:03Oh!
00:28:07Let's see, where were we?
00:28:09In our case, Commissioner.
00:28:11There are a lot of nuns here, but nothing is clear.
00:28:17Balloons.
00:28:20Three hundred.
00:28:24Ice creams.
00:28:27One thousand two hundred.
00:28:33Melons.
00:28:35Five thousand.
00:28:35I know the dessert of the whole year.
00:28:39That with the ninety-five thousand of the car.
00:28:43And the seven thousand three hundred cradles.
00:28:46From insurance, they add up.
00:28:48And what have we learned?
00:29:00A good scare and a melon from Villaconejos.
00:29:05Which might be a cucumber.
00:29:07Do you want us to catch him?
00:29:08We paid for the car and the insurance in installments.
00:29:13But damages must be paid for in cash.
00:29:16We have no choice but to sell the car.
00:29:18Not that, Mother Superior.
00:29:19God has to help us.
00:29:21If you think you haven't helped us enough.
00:29:23We live by miracle.
00:29:25But it was nothing.
00:29:27It seems little to me.
00:29:27My daughter.
00:29:33It seems that the Lord has not called you through the path of mechanics.
00:29:39And that inventions in this community do not prosper.
00:29:43Sounding sounds good.
00:29:59Yeah, like a pain, right?
00:30:13This two-horse seems to be new.
00:30:34Yes, it seems so.
00:30:39How many kilometers is it?
00:30:41Oh, what do I know?
00:30:43Seventeen.
00:30:52Only?
00:30:53I thought there were many more.
00:30:55Hey, sister.
00:30:57Do you want to sell me the car or pull my leg?
00:31:00Oh, well, the truth is...
00:31:02We want to sell it!
00:31:04How much do they want for it?
00:31:05One hundred and eight thousand eight hundred and one.
00:31:08Palindrome.
00:31:09Yes, sir. Palindrome.
00:31:10Look, ma'am, I'll give you fifty thousand pesetas right now and that's it.
00:31:15How? But it's new.
00:31:17New or fixed?
00:31:20He only has one little trip.
00:31:22And what do you think?
00:31:24Are you a smart guy?
00:31:25I?
00:31:27But before he told me that it sounded tinny and that it was a piece of junk.
00:31:29Did I say that?
00:31:31Sir, don't hold it against him.
00:31:33Mother, don't pay attention to him.
00:31:34What is a freeloader?
00:31:35But what is he saying?
00:31:36Offer fifty thousand pesetas knowing that it is worth double.
00:31:40You take advantage of the fact that we are poor, defenseless nuns.
00:31:42that we trust in the good faith of people.
00:31:45Bully!
00:31:46And you take advantage of the fact that you are wearing a habit.
00:31:48But who would send me to a convent knowing what they are like?
00:31:53Damn!
00:31:57What a bird!
00:32:00This is the third one that comes out throwing sparks.
00:32:03Have you decided that we should not sell to you?
00:32:05Oh, it makes me sad that they're taking it away from us.
00:32:08I have grown fond of him.
00:32:10Despite everything?
00:32:12When you're here it's for a reason, right?
00:32:14Of course, for the eighteen letters.
00:32:17It's an investment and it will pay off, mother.
00:32:19You'll see how it pays off.
00:32:21Mother Superior!
00:32:22Mother Superior!
00:32:23What's happening?
00:32:23What's happening?
00:32:32How has it been?
00:32:33How was that?
00:32:33Mother Superior!
00:32:37Mother Superior!
00:32:39What happened?
00:32:40The new one was playing and suddenly fell.
00:32:42He doesn't move and he's speechless.
00:32:44Take her to my cell.
00:32:45You tell the nurse sister.
00:32:46Yeah!
00:32:47And you, to the garden.
00:32:48It would be best to take her to a clinic right away.
00:33:07But what's wrong with it?
00:33:08I don't know, I'm scared.
00:33:09Call an ambulance.
00:33:09It is very urgent.
00:33:17We have a very serious child.
00:33:18But what do you mean there's no ambulance?
00:33:21Yes, yes, I understand everything.
00:33:22But where can I call?
00:33:24Yeah.
00:33:24Yes, thank you very much.
00:33:26What do they say?
00:33:27There are none free.
00:33:28We have to wait.
00:33:28No, there is no time to waste.
00:33:31Let Sister Tomasa come.
00:33:33And let it be what God...
00:33:34We're here, we're here.
00:33:46Yes, we're here.
00:33:46Yes, we're here.
00:34:04No, there is no time to waste.
00:34:34We arrived in time to prevent the compression from causing total paralysis.
00:34:55My God.
00:34:56The second cervical vertebra was almost sunken.
00:34:58You know you had an accident.
00:35:00That was the cause.
00:35:02It only took one hit to completely dislodge it.
00:35:06But it will be fine.
00:35:07I hope so at your age.
00:35:09The tissues recover quickly.
00:35:12This time the minutes were decisive.
00:35:14One delay and it would all have been useless.
00:35:17Can we see it?
00:35:19I would tell them no.
00:35:21But they won't listen to me.
00:35:22Why are you crying, sister?
00:35:51Why are you crying, sister?
00:35:52Well, out of joy.
00:35:54And why are you crying?
00:35:56Because I'm very happy with the ambulance driver.
00:35:59If it hadn't been for you.
00:36:02I haven't done anything.
00:36:04It was the donkey.
00:36:05Well, on two horses he has behaved well.
00:36:09I was so nervous.
00:36:10But Saint Christopher gave me a hand.
00:36:13Well, both.
00:36:15As I am a calamity.
00:36:17So may all calamities be like this.
00:36:20And I'm glad your invention is succeeding.
00:36:22What was that?
00:36:49What's it going to be?
00:36:51Sister si troe.
00:36:52There are no discs or anything for that one.
00:36:53Put your hand out!
00:37:19No, they didn't give out the card with such joy.
00:37:23Don't mind me, it's just that I...
00:37:28Is it far away?
00:37:30We'll be there soon.
00:37:34There he is, there he is Nando.
00:37:36There it is.
00:37:37Luisi!
00:37:38Luisi!
00:37:40Luisi!
00:37:42Nando!
00:37:43Luisi!
00:37:46Luisi!
00:37:47Luisi!
00:38:17Today is not Sunday, sister.
00:38:20For that, yes. I remember when I was little.
00:38:24For children, every day should be Sunday.
00:38:33I would keep both of them for life.
00:38:38So you know, Luis, this is a secret between you and me.
00:38:41If Mother Superior finds out...
00:38:43Are you going to take me tomorrow?
00:38:45It can't be every day.
00:38:48At bedtime.
00:38:58Sorcitroen.
00:38:59What did you say?
00:39:01Sorcitroen.
00:39:02Who taught you that?
00:39:05Sister Rafaela.
00:39:06Oh yeah?
00:39:08Well, that grace is not graceful.
00:39:12I'm not saying it, everyone is.
00:39:14Or hasn't he noticed?
00:39:16It was his idea that we already know each other.
00:39:18But he gets upset because I don't care.
00:39:20Hey, hey!
00:39:21I want to ride the donkey too.
00:39:28Yeah?
00:39:29Well, tomorrow it's your turn.
00:39:30He hasn't noticed.
00:39:32But he has heard a greeting.
00:39:33Yeah?
00:39:37Yeah?
00:39:38What is it?
00:39:40Thank you!
00:40:10We're new to this neighborhood. We have to get off on the right foot.
00:40:16Of course, with you coming, things are difficult.
00:40:19Does that mean I'm unlucky?
00:40:21Not for nothing, but every time he comes with me something happens.
00:40:23Thank goodness you didn't come when this little angel happened.
00:40:26Slander, calumny and heresy.
00:40:29The thing is, you're always in limbo.
00:40:31And then he blames others.
00:40:33Has anything happened now?
00:40:35The day is not over yet.
00:40:36Patience in regulis nostri, prima esti virtue.
00:40:46Well, you choose your field.
00:40:50I prefer pairs.
00:40:51Of course, since you are right-wing.
00:40:54Well, I'll stick with the odds and see who gets the most.
00:40:57Come on, you brat.
00:41:06God protect you, sister.
00:41:10Yes, but with his alms.
00:41:11I don't have anything.
00:41:12Do you have a good heart?
00:41:14I don't have a good heart either.
00:41:16If he has a good face.
00:41:18You don't give a damn.
00:41:19And she is also very generous.
00:41:21He still hasn't given a damn.
00:41:23You looked like a witch.
00:41:24Are you going to read my cards?
00:41:26What I'm going to say are three Our Fathers and three Hail Marys, which will be perfect for her.
00:41:30Who is it?
00:41:32Saint Teresa, with girl and holy card.
00:41:35To the ground, there's current!
00:41:39We're off to a bad start.
00:41:41He slammed the door in our faces.
00:41:44One to zero.
00:41:45Let's see if this neighborhood has been touched by the trini.
00:41:47Who is the trini?
00:41:49A lost sheep.
00:41:50Come on, ring the bell.
00:41:57Rosalía, how much have you prospered?
00:41:59I'm so glad to see you!
00:42:00I tell you the same thing.
00:42:03Two to zero.
00:42:05Daughter, every time I see you, you start to cry.
00:42:07And now why?
00:42:08It's your fault.
00:42:11Get married, Rosalía, get married.
00:42:14And I got married.
00:42:15With the legionnaire?
00:42:16No, that one already gave me its due.
00:42:19With Don Santiago.
00:42:21The fishmonger?
00:42:22Himself.
00:42:24Rosalía, marry the one with the name of an apostle.
00:42:28Atheist!
00:42:29It's out!
00:42:30He beats me up a lot.
00:42:32I'm exhausted!
00:42:34Look!
00:42:34Look!
00:42:35If you are very weak.
00:42:37You like being hit.
00:42:38Yes, but not like Don Santiago.
00:42:41Make a legionary in the zapalva.
00:42:44Rosalía, you've always been very crazy.
00:42:47Could it be that you provoke him?
00:42:49A husband is not like the others.
00:42:51A husband is a husband.
00:42:53And you are really missing it.
00:42:55Yeah?
00:42:56Well, keep it.
00:42:58I'll change it right now.
00:43:00I'm going with the girl and you stay with Don Santiago.
00:43:03Don't be silly, don't be silly and stop crying.
00:43:06If necessary, I will speak with Don Santiago.
00:43:08But I love her very much, sister.
00:43:11So why the glue?
00:43:12Because it's a broken mani.
00:43:14She doesn't know how to cook, she doesn't know how to sew, she doesn't know how to iron.
00:43:17And also...
00:43:18And what else?
00:43:19That looks at her.
00:43:20And what's wrong with that?
00:43:21It's just that she looks at them first.
00:43:24And he looks at them in a way...
00:43:26Well, I understand that I'm short.
00:43:28But I have my dignity.
00:43:30That.
00:43:30And a very light hand.
00:43:33It seems incredible to hit that poor unfortunate woman.
00:43:35He is not ashamed.
00:43:37I give you a wife and not a servant, they told him in the church.
00:43:40Husbands should love their wives as their own bodies.
00:43:43And the poor thing has it covered in bruises.
00:43:45And he must never hate his own flesh.
00:43:48But to feed and shelter her.
00:43:50And not to smoke it.
00:43:52And what do you want, sister?
00:43:53Put up with me?
00:43:54Yes, and be understanding.
00:43:56And if he does something wrong, you tell him it's okay and that's it.
00:44:00And if she goes with someone else, what?
00:44:02It holds up.
00:44:04On?
00:44:05Yes, because it was your fault.
00:44:08Treat her properly.
00:44:10Women are weak and need the affection and trust of their husbands.
00:44:14And you save the firewood to light the stove.
00:44:18And if I find out that you touch even a hair on her clothes again, get ready because I'm not like her.
00:44:26Hey?
00:44:36Hey!
00:44:36Hey!
00:44:37What are they doing to my car?
00:44:40Oh!
00:44:40And you're watching it and you leave it.
00:44:45And what do you want me to do?
00:44:45I am not the driver.
00:44:46I knew that while you were alive something bad was bound to happen.
00:44:49That?
00:44:50Please give me back my car!
00:44:52And who are you?
00:44:53The owner!
00:44:54And how do I know you're the owner?
00:45:01Nardino, you can throw whenever you want.
00:45:03Still!
00:45:04It has no way of going anywhere.
00:45:06Have you convinced yourself who the owner is?
00:45:07What do we do?
00:45:08Strip!
00:45:10Achin!
00:45:11Come on.
00:45:12This is a kidnapping, a hijacking!
00:45:14I am a sacred person!
00:45:16Face the consequences!
00:45:19Wait, Bernardino, wait.
00:45:22Well, considering what you have to take into account, I paid the fine and nothing happened here.
00:45:27What fine?
00:45:28What's it going to be?
00:45:29It's 50 duros.
00:45:3250 duros?
00:45:33Jesus, Mary and Joseph.
00:45:35And you have the nerve to ask me for 50 duros?
00:45:37But you don't know that I pray for others.
00:45:40This is not my account.
00:45:41But no, it's his responsibility.
00:45:43And of that gentleman, and of that one, and of that one, and of you too, Bernardino, and of everyone.
00:45:48If it weren't for your charity, how could those little angels live?
00:45:52Look at her!
00:45:52Don't you feel ashamed of them?
00:45:54You don't have any children.
00:45:55If you were orphaned, what would you do?
00:45:59Sister.
00:46:01Well, that's what we're here for.
00:46:03That we are their fathers, their mothers, and we love them like daughters.
00:46:06These girls are more important than you, your crane, and all the city councils combined.
00:46:12Yes sir.
00:46:13The sister is right.
00:46:14This is an abuse of authority.
00:46:16Give him the car.
00:46:16Just a moment, just a moment.
00:46:18Five duros that the nun wins.
00:46:20You're missing out, Bernardino, you don't know Antolí.
00:46:22Does he have no conscience?
00:46:23What a mess it is with the labyrinth of the crane.
00:46:26Yes, this is all very well, but who pays the fine for me?
00:46:29Hey?
00:46:31Oh yes!
00:46:32Myself, man.
00:46:32Me too.
00:46:33There go ten duros.
00:46:35And four.
00:46:35And twenty.
00:46:36And three.
00:46:37And whatever it takes.
00:46:38Thank you.
00:46:46Well, well, that's enough.
00:46:48Well, if there are any left over, throw them here.
00:46:50What did we wear one day?
00:46:51Take it, keep everything and the fine.
00:46:54Take it, if they sanction me, let them sanction me.
00:46:58Your five duros.
00:47:00Give them to the nun.
00:47:02Thank you.
00:47:03Thanks to all.
00:47:05You are very good.
00:47:07There is more charity in the world than meets the eye.
00:47:11May God bless you.
00:47:12Sister Rafaela.
00:47:22That?
00:47:23Thanks for the cape.
00:47:24You are good at heart.
00:47:26Good me?
00:47:27If anything, fat.
00:47:29And bedbug.
00:47:30But with a big heart.
00:47:32You don't have to flatter me.
00:47:34I did it so I wouldn't have to walk back.
00:47:35You don't want broth.
00:48:01Take.
00:48:02Three cups.
00:48:03What are you looking at?
00:48:05Nothing.
00:48:06Can't I look at her?
00:48:07Yes, but not like that.
00:48:09We already know each other.
00:48:11I'm wondering, why did the donkey stop?
00:48:14Maybe it's my fault too, right?
00:48:17I didn't say that.
00:48:18But he thinks about it.
00:48:19Which is worse.
00:48:21And I don't push anymore.
00:48:22I'm out of breath.
00:48:24Let's take another look at it and see if it starts.
00:48:35When do we eat?
00:48:38That's what I say.
00:48:39When do we eat?
00:48:40Well, if you're so hungry, eat the hake.
00:48:43I don't answer him.
00:48:45Because I'm fainted.
00:48:47Would you please start the engine?
00:49:02Oh!
00:49:04I said to start the contact.
00:49:08Yes, I know, but what's my fault that the whistle blew?
00:49:13But he says!
00:49:15What's the deal?
00:49:19This is a spark plug issue.
00:49:22Or the connecting rods.
00:49:24I said spark plugs!
00:49:26And I have said about the connecting rods.
00:49:28Give me the little book.
00:49:35Swelling on the road.
00:49:36This is not it.
00:49:37Oil change.
00:49:40Neither.
00:49:41Neither.
00:49:42Let's see, let's see.
00:49:44Spark plugs.
00:49:45Oh, oh!
00:49:46Spark plugs.
00:49:49Spark plugs.
00:49:50How many spark plugs?
00:49:52I'm hungry.
00:49:53Me too...
00:49:54We are all hungry.
00:49:56But...
00:49:57But what?
00:49:58Nothing, nothing.
00:49:59As far as I'm concerned, you can keep looking for the spark plugs until tomorrow.
00:50:03If I were to look for the connecting rods.
00:50:05I look for the solution and there is only one.
00:50:08Get to the Don Felipe gas station.
00:50:10It's one kilometer away.
00:50:10Oh.
00:50:11Thank goodness.
00:50:14But you have to push.
00:50:17There are many curves and I can't let go of the steering wheel.
00:50:19Ah!
00:50:27Ah!
00:50:27Hey, Martinez, do you know you're coming, Profetroen?
00:50:44Yes, yes, sir.
00:50:46Well, I didn't come, you didn't see me.
00:50:49As?
00:50:50Ah, yes, sir, but hide yourself well, you know what it's like.
00:50:53And be careful with the alms, because you are feeding morality.
00:50:57Well, well.
00:51:07Oh my God, what a pilgrimage.
00:51:11Are you feeling better, sister?
00:51:14I know, yes, but I have a long way to go with my feet.
00:51:20Well, this car has nothing.
00:51:24So why isn't it walking?
00:51:26Here, because it doesn't have gas.
00:51:28You're sure?
00:51:29Not a single drop.
00:51:32Well, then, give it a go.
00:51:33I'm like gas, huh?
00:51:48And now, what did I have to say?
00:51:53I've got five kilometers under my belt.
00:51:56Now I'll save this one for you.
00:51:59Patientia inreguli nostri, prima virtue et.
00:52:04Why does it stop?
00:52:25Twenty, the usual ones.
00:52:27And limonite?
00:52:28The cistern is on its last legs and until the replacement arrives.
00:52:35Well, he charges me fifteen and that's it.
00:52:37But you always want to come out on top.
00:52:40There is mass on Sunday.
00:52:42It's just that this Sunday is not free.
00:52:45Martinez, I told you that mass comes first.
00:52:48And if Don Felipe refuses, I'll tell him a few things.
00:52:52I'm going twice next Sunday.
00:52:55It's two hundred and twenty pesetas.
00:52:57That's not it.
00:52:58I'll fix that with Don Felipe.
00:53:02That he is not here, that he has not come today.
00:53:05Hey, sister.
00:53:10Don Felipe, don't hide, I've seen you.
00:53:12No one can beat you, sister.
00:53:25And he accused me of having tried to hit a fishmonger and a guard.
00:53:28Of course, then I felt like kissing him.
00:53:32Neither one nor the other.
00:53:34Moderation.
00:53:35At first the guard was angry.
00:53:38Shh, what language is that?
00:53:41He wanted to take the donkey.
00:53:43It is called car.
00:53:45But then he behaved very well.
00:53:50And maybe it's because of me that they punish him.
00:53:53What else?
00:53:55I had a fight with Sister Rafaela.
00:53:58How many times?
00:54:00Many.
00:54:01And who started first?
00:54:04Almost always me.
00:54:06But I just can't help myself.
00:54:08Also, I am arrogant, a liar.
00:54:11I swear and ask in a certain way.
00:54:15Yes, it has reached my ears.
00:54:19All you need to do is set up a raffle and raffle the same item twice.
00:54:24Ah, well that wouldn't be a bad idea, Father.
00:54:28Alms are not required, sister.
00:54:31They beg.
00:54:32It's just that people have a hard time putting their hands in their pockets.
00:54:36We must help them.
00:54:37But not your way, sister.
00:54:41You have many virtues.
00:54:44And many flaws, I know.
00:54:46That's why I need you to help me correct myself, Father.
00:54:49Sister, you are very weak in the cardinal virtues.
00:54:55Prudence, justice, fortitude and temperance.
00:54:59Above all, prudence and moderation.
00:55:03Stop! Stop! Stop!
00:55:06Evaristo, I think it's fine that you want to get rich, but not with us.
00:55:09But if I lose money with you.
00:55:11The monthly allowance for his orphans, which no longer held its own.
00:55:14The parish, the brush of Saint Anthony, the brotherhood, the dom, the miraculous and the child of the remedy.
00:55:22They're just freaking me out.
00:55:24That has nothing to do with the prices you charge me.
00:55:27Why did I eat cauliflower, cabbage, and carrots?
00:55:31Everything, everything has gone up, everything.
00:55:32Life goes up.
00:55:34And what's my fault?
00:55:35Sister, you have pre-war prices.
00:55:38Don't be rude.
00:55:39Set your prices properly.
00:55:41Look, put them on and tell me what you want.
00:55:44That one! That thief!
00:55:46That one! That one! That thief!
00:55:48Where are you going with them?
00:55:49Let me go, let me go, he's coming for my sister.
00:55:51Let me go, they're getting me, they're getting me, sisters.
00:55:54Thank you, sister.
00:55:55Thief, I'm going to give you one more wait.
00:55:57What's up, Antonio?
00:55:58This scoundrel stole my ham.
00:56:00I tell you no, it was unintentional, it came into my hands.
00:56:03You know I don't...
00:56:04I know you're an ass.
00:56:06Why didn't you tell him what I told you?
00:56:09To whom, sister, what a mess this is.
00:56:12If I sent it.
00:56:14That he stole it.
00:56:16See what a mentally retarded person looks like.
00:56:19I told him, tell Mr. Antonio to give you a ham for me.
00:56:23And he goes and gets it.
00:56:25That, I thought you knew.
00:56:27Let's see, by following that one, that one.
00:56:29Oh, you're going there.
00:56:30And why were you running?
00:56:32Take it, if it catches me on the move, it relieves me.
00:56:34And he took you to the maceo?
00:56:36Sister, who is from Jabugo.
00:56:37I'll go now.
00:56:38And excuse me, Mr. Antonio.
00:56:46Oh, thank you, sister.
00:56:48If it weren't for you.
00:56:49Two months in the shade and how badly it eats you.
00:56:52You are a saint.
00:56:54Do you know what I should do with you?
00:56:55Take him to the police station.
00:56:56But when are you going to listen to me?
00:56:57Yes, I want to listen to him, but as soon as I start working, after two days, kick him out.
00:57:02Something will get stuck between your fingers.
00:57:04I can't help it, sister.
00:57:05It's like a disease.
00:57:06As soon as I'm not careful, my hands get out of hand.
00:57:09But what are you doing?
00:57:11Come on, come on, because of you I'm going to have to confess again.
00:57:14Band-aid!
00:57:15Poop!
00:57:27What are you doing there so composed?
00:57:46Today is Sunday.
00:57:48Oh, that's true.
00:57:49We have to go see Nando.
00:57:51Do you love him very much?
00:57:52Yeah.
00:57:54Mother Superior says you are my weakness.
00:57:56But I love everyone.
00:58:01I owe you six Our Fathers.
00:58:03But this is more urgent, isn't it?
00:58:06That's what I say.
00:58:17I bet you can't find me.
00:58:21Where could this child be?
00:58:23Where could this child be?
00:58:26I bet you can't find me.
00:58:36I bet you can't find me.
00:58:39Do you get it?
00:58:40When she's with her sister Soto, the other days she gives me a hard time.
00:58:57He doesn't want to eat, he doesn't play with the other kids.
00:59:00He is always alone.
00:59:01He asks me all the time, when is my sister coming?
00:59:03It's natural, they've always been together.
00:59:06At first, the same thing happened to her, but she's gotten used to it.
00:59:10It doesn't take me.
00:59:13Although I notice that he needs it.
00:59:16The worst thing is the goodbyes.
00:59:18When they separate there is no way to console him.
00:59:21Oh, the bad thing is that it's already time.
00:59:23Whose turn is it today, sister?
00:59:28To you, father.
00:59:30It's always me, I don't know how he manages it.
00:59:32Since I am so little.
00:59:42Young man, is the party over?
00:59:44No.
00:59:45What did you promise me this morning, young man?
00:59:49Just a little longer, okay?
00:59:51But only a little bit, it's too late.
00:59:54Come.
00:59:56Now it's your turn, huh?
01:00:12Luisi!
01:00:13Don't go, Luisi!
01:00:14Don't go, Luisi!
01:00:16Goodbye, Nando.
01:00:18Bye bye!
01:00:19Don't go, Luisi!
01:00:23Bye bye!
01:00:25Goodbye, Nando!
01:00:27Luisi!
01:00:28Luisi!
01:00:29Come on, let's go, Nando.
01:00:31Now it's your and my turn to play.
01:00:33Have you seen how handsome he is, hey?
01:00:49And what has grown?
01:00:51It will be enough for you soon.
01:00:53Father Jerónimo says he is very clever.
01:00:55He already knows how to read.
01:00:57He ate the whole chocolate bar.
01:00:58The same thing happens every time we come.
01:01:03Cry, Nando, you cry, I cry.
01:01:06You know what I'm telling you?
01:01:07That we are not coming anymore.
01:01:10Don't pay attention to me.
01:01:12If you want, we'll come tomorrow, the day after, and every day.
01:01:16Wipe away those tears and give me a kiss.
01:01:40Well, haven't you seen the record?
01:02:00Yes, sir, of course I've seen it.
01:02:02And why doesn't it stop?
01:02:03It's that if I brake suddenly, the girl wakes up.
01:02:08How does he do it?
01:02:10The fact that?
01:02:10Let him fall asleep so easily, because mine, until he swallows his soul, is calm.
01:02:15Don't put him to bed.
01:02:16That is fixed by turning off the television first.
01:02:26Dear daughter, I don't know if you remember why you are so absent-minded.
01:02:29that next Saturday you turn 26.
01:02:33What memory do you have?
01:02:34I can't forget, because the day you came into the world
01:02:37You gave your mother and me a lot of trouble.
01:02:39You see, it's like I'm seeing you so tiny and so tearful.
01:02:43At first, your mother said you weren't growing and that you were going to become a dwarf.
01:02:49Then you grew and settled where you are.
01:02:53She couldn't see it.
01:02:54Well, I'm going somewhere else and this is not what I wanted to tell you.
01:02:59I imagine, my daughter, that you are well and very entertained with your girls and your nuns.
01:03:05I, as always, a little more alone, miss you a lot.
01:03:11And even though it's been a while, I can't get used to being without you.
01:03:14But I endure, because you have come into the world for something more than to be with your father.
01:03:22Sister, why are you crying?
01:03:25I'm not crying, it's just that a mosquito got into my eye.
01:03:28Go on, go play with the girls.
01:03:30Do you want a lollipop?
01:03:31Thank you.
01:03:32With Emiliano, the one who makes the bathroom sales line, he sends you something.
01:03:44He will take her to the convent.
01:03:46It doesn't matter, but I know you'll like it.
01:03:55What an idea! Look what it is!
01:03:57It looks real.
01:04:00Oops!
01:04:02We took this photo when I was a train driver!
01:04:13And the tables have turned?
01:04:14The thing is, my vocation came to me like that, all of a sudden.
01:04:17Do you do everything suddenly?
01:04:20Oh, there she is, sister, there she is, sister!
01:04:23Careful, careful.
01:04:26There you come, come in.
01:04:27It was not enough.
01:04:28One, two, three.
01:04:33We wish you many congratulations.
01:04:39The girls, the sisters, on their birthday.
01:04:44Have a great time and live many years, you are Citroën.
01:04:54This is your doing, isn't it?
01:05:09And the cake too.
01:05:11The girls who have insisted.
01:05:13And he will have put orange peel on it.
01:05:16It has a lot of vitamins.
01:05:17As long as what happened to his invention doesn't happen again...
01:05:19No, of his invention.
01:05:21Thank you, Sister Rafaela.
01:05:23And to you, Mother Superior.
01:05:25And to all of you.
01:05:27And to you for making me so happy.
01:05:29You'll have to help me blow because I have very little bellows.
01:05:33At one o'clock.
01:05:34At two o'clock.
01:05:35Mother Superior!
01:05:35And to the...
01:05:36Mother Superior!
01:05:38What's happening?
01:05:38Father Jerome is there.
01:05:40He says it's very urgent.
01:05:42Nando has disappeared.
01:05:43It is not possible.
01:05:44I've looked for him everywhere, but it's as if the earth had swallowed him up.
01:05:47I didn't want to call the police.
01:05:48All resources must be exhausted before realizing it.
01:05:51Yeah.
01:05:51Don't let him find out, Luisa.
01:05:53Go with her.
01:05:53Yeah.
01:05:54Mother.
01:05:55What do you want?
01:05:57I am puzzled.
01:05:58That child has always worried me a lot.
01:06:00You know it, Sister Tomasa.
01:06:01When did you go?
01:06:02How did he realize it?
01:06:04This morning.
01:06:05We were returning from a walk in the countryside.
01:06:07When we arrived I counted them.
01:06:09I always count them.
01:06:10There are so many.
01:06:14I immediately realized that he was not there.
01:06:17I asked the other boys.
01:06:19But no one knew anything.
01:06:21She didn't always go alone and was so attracted.
01:06:24They had seen him leave.
01:06:25Afterwards they didn't remember.
01:06:27I returned with a few to the place where we were.
01:06:30We searched everywhere.
01:06:33So much!
01:06:33So much!
01:06:34So much!
01:06:34So much!
01:06:34We called him again and again.
01:06:53And nothing.
01:06:54I don't know where to look for it anymore.
01:06:56That's why I came here.
01:06:56In case you knew anything.
01:06:57And what can we do?
01:06:59I don't know.
01:07:00Mother, if you authorize me, I will go look for him.
01:07:03And where will it go?
01:07:04Luisa María will know.
01:07:05And you think you're going to say that about the girl?
01:07:07You will be upset.
01:07:08What nonsense!
01:07:09She's the only one who can help us find him.
01:07:12It may be a solution.
01:07:13Those kids are so close.
01:07:16It's worth a try.
01:07:17Do you believe?
01:07:18I know it's hard, but maybe kids have a sixth sense.
01:07:23Let me go, Mother Superior.
01:07:25Go and may God be with you.
01:07:35Where could it be?
01:07:47Go and may God be with you.
01:08:17Go and may God be with you.
01:08:47Go and may God be with you.
01:09:17Go and may God be with you.
01:09:47Go and may God be with you.
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01:14:36I do what I'm thinking.
01:14:41It's just that if we separate again...
01:14:45Yes, I know, but I don't care.
01:14:48What matters is them.
01:14:50That's what I say.
01:15:04So let the sun rise over Antequera.
01:15:06Well, I know it doesn't come out through Antequera.
01:15:10It's a saying.
01:15:31Careful.
01:15:34That you're going to wake them up.
01:15:36It caught the attention of Lady Asperla.
01:15:38And he has grabbed it with such desire that no one can take it away from him.
01:15:41Maybe he has the soul of a railwayman.
01:15:43You already have a helper.
01:15:45I miss it.
01:15:47Do you think he likes me?
01:15:48Ah, he has become your friend, just by seeing you.
01:15:51And Luisa María too.
01:15:53Of course that's not difficult.
01:15:54Who doesn't become your friend, dad.
01:15:57He is very clever.
01:15:59And he has genius.
01:16:01Have you seen how they both ate?
01:16:03I've done nothing but look at them.
01:16:05They were so happy, little angels.
01:16:08What they needed was to be together and now they are.
01:16:10You don't know what a weight has been lifted off my shoulders.
01:16:13Wait.
01:16:14When you were there, you liked it when I opened the window for you to watch the first train go by.
01:16:29Now I close so they can sleep more.
01:16:31You filled it all.
01:16:44You don't know how much work it has taken me to get used to not having you.
01:16:49Now you won't be alone anymore.
01:16:51You have them.
01:16:52They need you.
01:16:54And you need it too.
01:16:59Will I have to buy another bed?
01:17:01And clothes?
01:17:02Why did you bring them with what they were wearing?
01:17:03Don't let them cross the tracks and don't let them get on the trains.
01:17:06I'll be careful.
01:17:08That you left me one day as far as Cistierna.
01:17:11And thank goodness Marcelino caught you.
01:17:13If not, you don't stop until Milbao.
01:17:16You got quite a scare.
01:17:20And now what are you going to say when you arrive?
01:17:23The truth.
01:17:25And all hell is going to break loose.
01:17:28But he will give me a hand.
01:17:31What she has done is intolerable, unacceptable, unbecoming of a religious woman.
01:17:39You've kept us on tenterhooks for 48 hours without knowing anything about those creatures, or about you.
01:17:45We had to notify the police and the juvenile court.
01:17:49Who knows if it has reached the ears of the bishop?
01:17:52I know I didn't do right, that I should have brought us here.
01:17:56But we would have continued the same, each one on his own.
01:17:59The position is that the same thing would happen.
01:18:01And who knows the consequences.
01:18:04And who tells you to act on your own?
01:18:06Oh, if only I had seen them, Mother, when they met it was a shame to separate them.
01:18:11You would have done the same as me.
01:18:14I would have done my duty above my feelings.
01:18:17Mother, our mission is not charity.
01:18:21Yes, but in order, not in your own way.
01:18:25You have believed that you are above all laws
01:18:27and thinks she is God's chosen one.
01:18:30I don't think anything.
01:18:36It's already noticeable, already.
01:18:38I've only thought about them.
01:18:40They were so happy.
01:18:41Well, I'll inform the guardianship court right now so they can take charge of them.
01:18:46Not that, mother!
01:18:48These children cannot live apart.
01:18:51Leave them there.
01:18:52I will carry whatever needs to be carried
01:18:54and with all the punishments that are necessary.
01:18:57Leave them with my father.
01:18:59It's very good.
01:19:00And he'll take care of them better than anyone else.
01:19:02And what education are they going to receive?
01:19:05The one I have received.
01:19:09And you see.
01:19:10You are a disaster.
01:19:18Yeah?
01:19:20Yes, provincial mother.
01:19:25It's here.
01:19:28As?
01:19:31Yeah, yeah.
01:19:34Yes, yes.
01:19:35Yes, I've already told you.
01:19:38Of course.
01:19:40We could wait a little.
01:19:47Let's see if it gets fixed.
01:19:50Well, as you say.
01:19:52Provincial Mother.
01:19:54Yeah.
01:19:55Tomorrow itself.
01:19:56I'm being transferred, right?
01:20:02Yeah.
01:20:04Very far.
01:20:06Which way?
01:20:08Well, if it's nothing more than that.
01:20:12I feel sorry for you, Mother Superior.
01:20:14He had grown fond of her.
01:20:15And to sister Rafaela and to everyone.
01:20:17They've put up with me a lot.
01:20:19Especially you.
01:20:20Yes, I told myself so.
01:20:23Tomasa, what's wrong with you if I went too far?
01:20:26I wanted to stop it, but the provincial mother said it was better for you.
01:20:30Yes, the provincial mother says so.
01:20:33Admit that you have done many mischiefs.
01:20:35Yeah.
01:20:36But I will do what I can for those children.
01:20:37Thank you, Mother Superior.
01:20:41You are better than bread.
01:20:44And I'm sorry to see you go.
01:20:45Don't worry.
01:20:46Maybe in a year they'll bring me back here again.
01:20:54We'll have to sell the donkey.
01:20:55Jesus.
01:20:56The car.
01:20:57I've even picked up on their language.
01:20:59And why are they going to sell him, poor thing, when he behaves so well?
01:21:03Who's going to take it?
01:21:03Sister Rafaela.
01:21:04And?
01:21:05He knows the code from cover to cover.
01:21:07And with a couple of lessons I'll have it ready.
01:21:08What will it be?
01:21:09If the Mother Superior has arranged it, I will sacrifice myself.
01:21:14But I don't like it.
01:21:15When you take the exam, make sure you get the same engineer.
01:21:18He is a very good person.
01:21:20I don't need favoritism.
01:21:22I'll pass on the first try.
01:21:23Don't trust him.
01:21:25Don't trust too much.
01:21:27They are increasingly putting up obstacles and unintentionally prodding us.
01:21:31I'm not like you.
01:21:32The one who sees me.
01:21:35Let's start as usual.
01:21:38Don't miss your train.
01:21:40Jesus, what a thing!
01:21:42Take it, take it!
01:21:44You like it, right?
01:21:47What would you like about that?
01:21:48That's just kid stuff.
01:21:51Keep it, I'll give it to you.
01:21:54Really.
01:21:57This way you will remember me more.
01:22:00If I'm honest, I liked it from day one.
01:22:05Thank you, Sister Tomasa.
01:22:09And now who am I going to fight with?
01:22:12In Bilbao you're going to fight with everyone.
01:22:15It's going to be harder for me.
01:22:18He used to scold you so easily.
01:22:20Maybe they don't like me there and send me back.
01:22:26And stop crying that I'm not going to war.
01:22:28Jesus!
01:22:39Jesus!
01:22:39Sister Citroën, this nun is going to try my patience.
01:22:42Now that this...
01:22:43This is over.
01:22:45What license plate do you have?
01:22:46Come on, man.
01:22:47Don't dissimulate with me.
01:22:48We already know that nuns have bulapató.
01:22:50Oh, with the brush!
01:22:55Okay, okay.
01:22:56Oh well.
01:22:58You squeal!
01:23:00You squeal!
01:23:02Where are you going with that suitcase?
01:23:04You again, but what a punishment.
01:23:06So now working on the stations.
01:23:08Give me the suitcase, you wretch!
01:23:10It's coming in, sister!
01:23:12The suitcase belongs to that man!
01:23:13Give it back to him right away.
01:23:14Because if I give it back to him, he won't pay me.
01:23:17Sister, I have entered the right path.
01:23:18Well, you're sure, because for me that's the worst in the world.
01:23:21I wake up very early, in short, to get twenty filthy hard cash for listening to him.
01:23:26Thank God.
01:23:27You know the uniform looks really good on you, huh?
01:23:29Yeah.
01:23:30I understand that it will be a bit difficult for you to be decent.
01:23:33But you'll get used to it.
01:23:35Well, goodbye.
01:23:37And don't be tempted again.
01:23:40It's not worth it here.
01:23:41The suitcase doesn't work that way.
01:23:42And dirty clothes.
01:23:43Now I'm leaving with peace of mind.
01:23:46We have recovered a lost lamb.
01:23:47Hallelujah, hallelujah!
01:23:49Oh, so he's leaving?
01:23:51Yeah.
01:23:53But forever.
01:23:55Until God wants it.
01:23:56So the one who says hallelujah is me.
01:24:00Alleluia!
01:24:02Alleluia!
01:24:03The sister is leaving, hallelujah!
01:24:06Goodbye, sister, hallelujah!
01:24:08Gornita what a gift!
01:24:10Sister, hurry up.
01:24:12You're going to miss the train.
01:24:14Don't linger.
01:24:19He can't see what time it is.
01:24:26Don't forget to grease the donkey every fifteen hundred.
01:24:31Take her to Don Felipe's pump, you know he doesn't charge us.
01:24:35If it doesn't start when you start it, tap it twice.
01:24:38It's that the fuel pump gets stuck.
01:24:40You don't expect me to take the car now.
01:24:44And you don't intend to leave him abandoned here.
01:24:47Well, he doesn't dare.
01:24:49I?
01:24:50I don't dare?
01:24:51Right now.
01:24:53And I'll handle it better than you.
01:24:55Be careful.
01:24:57There is plenty of accommodation.
01:25:00Good morning, Mr. Melonero.
01:25:02Again.
01:25:02Oh, what happened?
01:25:05What happened?
01:25:06Should I put them on?
01:25:13Look at them.
01:25:14Your cap is planted and no one can take it off.
01:25:21Do you want them to call them?
01:25:23No.
01:25:24I prefer to see them from here.
01:25:25They must not know anything.
01:25:26Well, time's up.
01:25:34It's already a minute late.
01:25:37Dad, can I start like before?
01:25:41But daughter, like this?
01:25:42Oh?
01:25:43What the council has brought us.
01:26:09How are you, dad?
01:26:19I couldn't have done better.
01:26:24Look, the train is leaving.
01:26:26Goodbye, Dad.
01:26:27Take care of yourself.
01:26:29And take care of it.
01:26:39Take care of it.
01:26:40Take care of it.
01:26:41Take care of it.
01:26:42Take care of it.
01:26:43Take care of it.
01:26:44Take care of it.
01:26:45Take care of it.
01:26:46Take care of it.
01:26:47Take care of it.
01:26:48Take care of it.
01:26:49Take care of it.
01:26:50Take care of it.
01:26:51Take care of it.
01:26:52Take care of it.
01:26:53Take care of it.
01:26:54Take care of it.
01:26:55Take care of it.
01:26:56Take care of it.
01:26:57Take care of it.
01:26:58Take care of it.
01:26:59Take care of it.
01:27:00Take care of it.
01:27:01Take care of it.
01:27:02Take care of it.
01:27:03Take care of it.
01:27:04Take care of it.
01:27:05Take care of it.
01:27:06Take care of it.
01:27:07Take care of it.
01:27:08Take care of it.
01:27:09Thanks for watching the video.
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