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Igra sudbine Epizoda 1568,Igra sudbine 1568,Igra sudbine 1569,Igra sudbine Epizoda 1568, Igra sudbine Epizoda 1569,Epizoda 1568 Igra sudbine ,Epizoda 1569 Igra sudbine
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00:28Sorry, but I wouldn't talk about it.
00:30I wouldn't talk about it.
00:32I wouldn't talk about it.
00:34I hope I will get it from the gas station.
00:36We're going to talk about it.
00:38We're going to talk about it.
00:40We're going to talk about it.
00:42Yes, I'm talking about it.
00:44Oh, see who is?
00:46Who is?
00:48Who is?
00:50You're going to go.
00:52Yes.
00:54Let's go.
00:58I'm going to go.
01:00I'm going to sleep a little.
01:02Good evening everyone.
01:04Good evening.
01:06I'm going to do something else.
01:10Lenka, how are you?
01:12Great.
01:14Let's go.
01:16Lenka, you don't have to do that.
01:18No, it's not the need.
01:20I really don't want to be here in the toxic environment.
01:24Lenka.
01:26Professor.
01:30I have to admit that I've been expecting you in this moment.
01:34It's not.
01:36It's not.
01:42You haven't come to me there?
01:44You have to go to the hospital.
01:48Yes.
01:50No, I've come to talk a little bit.
01:54I don't like you.
01:56What is it, Maxime?
01:58I don't like you.
02:00No, you like me.
02:02I have to be oppressed.
02:04Why do you want to be oppressed?
02:06Because of a new job.
02:08I don't like you.
02:10No, I don't like you.
02:12I don't know him.
02:14I don't know him well.
02:16I don't have to admit that I'm doing something else.
02:18I don't know him.
02:20I don't know him.
02:22I don't know him.
02:24Look at that.
02:26Yes, I remember. Yes, yes, it was.
02:32I just want to see my daughter. I want to know where she is.
02:39I want to see how she is.
02:42Okay, I totally understand that.
02:46I'm just going to stop.
02:49You don't go to the village.
02:53Okay, but I don't want to get away until I don't let you say what I have.
02:56Do you want to tell me how I love you?
02:59I didn't plan to talk about it.
03:02I gave you answers to all the topics that are interested in.
03:05I don't know what to tell you.
03:07Even if you came here, it was still.
03:10It was still.
03:13Okay, allow me.
03:15Here?
03:17I don't want to invite you to go inside.
03:19What did he say?
03:21He said something, but I don't know what.
03:23Yes, because I was far away from him.
03:29That's it.
03:31Yes, interesting.
03:33Why is it really interesting to you?
03:36I don't want to ask you.
03:38Well, tomorrow is a important day.
03:43It's our day for the village.
03:48It's your shop.
03:50I mean, our shop.
03:52But it's yours.
03:53I'm not going to do that.
03:55I'm not going to do that.
04:00Let me really get upset.
04:04You're always a professional.
04:09You're all in everything, you know?
04:11You're rational.
04:14And I think that's what got me to you.
04:23We've finished my mind.
04:31What's your life?
04:32I'm not going to do that.
04:35They say that life is written novels.
04:40They say that life isn't fair.
04:45It's a loss, but often oraz me.
04:48I sve je nežvesno, osim sudbine
04:54Kao ljubavi u ratu, kuca se nema pravila
05:06Imaš jedan život, samo jednu šansu
05:11Da postaneš nikom, jer zvezda
05:16Imaš jedan život, samo jednu šansu
05:20Igra sudbine, kao kolo sreće
05:25Nekoga hoće, nekoga baš neće
05:29Kao na ruletu, sve se okreće
05:34A mi smo talci
05:37Svoje sudbine
05:41Imaš jedan život, samo jednu šansu
05:46Oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh
06:16Yes, yes. Yes, yes.
06:21Yes, it's 8 in the same location.
06:24It's good, it's nice.
06:26Come on, Mateo, take this phone, it's impossible.
06:28I'm going to call Catherine. I told you to check it now.
06:31Let me call them 5 times, man.
06:33What are you doing now?
06:345 times is a little.
06:35Good day.
06:36You have to call them 5, 10, 20, 30 times.
06:39Where are you now?
06:41I want to call them all tip-top, right?
06:44I believe I'll be, but they fall off with my legs.
06:47Don't let me tell you.
06:49I fall off with my legs.
06:50Why did I fall off?
06:53Let me leave Lazara to do his job.
06:56I don't need to panic.
06:57It's not panic, Natalija.
06:59It's professionalism.
07:00You know?
07:01Good day, what are you doing so quick?
07:12We're going to see you.
07:14I want to tell you that the first of my detective job is successful.
07:20Yeah.
07:21That operation Maxim I've found was really a great thing,
07:23I think.
07:24It was just my genius.
07:25It's just my talents.
07:26Normal.
07:27It's just a great thing.
07:28It's just a great thing, my talent.
07:29It's just a great thing.
07:30It's just a great thing.
07:31And you're really happy to have the first detective job
07:34and to make sure you have to give yourself a lot of your own.
07:36It's the same thing.
07:37I put it all in myself.
07:41But how different is it?
07:43When Dijana Erski is in question, it's always like that.
07:46It's always like that.
07:48It wasn't so easy to talk about this job.
07:52You already know yourself, but since I've already said that,
07:56it's until the end.
07:58I've done that job.
08:00How do I say it?
08:02It was, let's say, epsic.
08:06I'm not Dijana Erski.
08:08I'm, I can say it freely, Dijana Epski.
08:11What did I say?
08:13Dijana Epski.
08:15No, no, no.
08:17No, no, no, no.
08:19I've just said that.
08:21No, no, no, no.
08:23It's always like Dijana Epski.
08:25It's so sexy and sweet.
08:28I'm from today.
08:30What's that?
08:32No, no, no.
08:34Dijana Epski.
08:35So it's a little angry, a little angry, a little simpatic,
08:40a little charmant, a little mystic.
08:42Okay, Dijana, what did you know?
08:46Everything I know.
08:48Everything.
08:49Here I am.
08:51Here it is.
08:52Here it is.
08:53This is only half of the report.
08:55Gala is the director of marketing.
09:09I was missing a scenario for you?
09:11I was missing a scenario for you.
09:12Oh, scenario…
09:13Yes, here.
09:14Here.
09:15Give me Gala.
09:16Give me…
09:17Give me to…
09:18Gala is looking at the time, but you're not going to lose time.
09:20Gala is the director of marketing.
09:21He's got a newspaper.
09:22He's looking at what he's doing.
09:24He's looking at what he's doing.
09:25I'm not aware of the academic.
09:27What do you mean, Dijana Epski?
09:29What do you mean?
09:31When did you become a language teacher?
09:33In the past year you wrote in the tabloid,
09:35and now you're trying something to do.
09:37That's a sense of sense.
09:39When you're a sense of sense,
09:40then you're in the description of the town, right?
09:42Guys, let's pray. We have a lot of work.
09:44Why don't you do your language
09:46on the speakers?
09:48Why don't you talk like this?
09:49I don't want to get into your speech.
09:51You're crazy.
09:53What's happening here?
09:59You're crazy.
10:01You're crazy.
10:03You're crazy.
10:05I'm going to read the entire article.
10:07I don't know who's going to read.
10:09I don't know who's going to read.
10:11I don't know who's going to read.
10:13I think it's a stupid idea.
10:15Sorry, what's wrong?
10:17Who's going to read the wrong idea?
10:19Let's listen to the article.
10:21Let's read the article.
10:23That's the thing.
10:25The main reason is
10:27the main conclusion of the Maxime
10:29is that he is interviewed
10:31a lot more atmospheric.
10:33He's interviewed
10:34a lot more strange.
10:35A man, a man,
10:37he's seeing me as a какую-fear
10:39like the same thing.
10:41They don't know what to do.
10:43He's looking for me.
10:45He's looking for a whole
10:47and she's looking for the same thing.
10:49Good morning, Diana.
10:51We don't understand
10:53how Maxim is the Love,
10:55Did you bring something new to you, something in the state?
10:59Do you have noticed something suspiciously?
11:02No, Bojša!
11:04No, Bojša!
11:06What is the story of this girl?
11:08Don't do it like that?
11:10Don't do it like that?
11:12No, it's not like that.
11:14First, we were not in the state of his state,
11:16but we were in my state.
11:17No, I'm not a nice woman,
11:18so I'm going to go to his state of his state.
11:20See, I have to continue to read what is going on.
11:24So, I'm sorry.
11:26So, I'm sorry.
11:28He's more connected to me.
11:32And for me, it was interesting to say,
11:36let me show you some kind of charmant.
11:40The most important thing to me,
11:44and the most important thing for this whole project,
11:48is the fact that he called me a gazelle.
11:51He said that he was so beautiful,
11:53like a gazelle.
11:54He didn't see a lupus in his life.
11:56He didn't see it.
11:57He didn't show it.
11:58It's a change with him.
11:59It's very important.
12:00So, I'm a gazelle for him.
12:02I'm a gazelle for him.
12:03I'm like,
12:04I'm going to get out of some bales.
12:06It's a change with me,
12:08so you have to act as a plan to take a lot of steps.
12:10Of course,
12:11you don't tell me the struggle.
12:12You're so beautiful because you're here
12:13some kind of man can act as an imagined penguin.
12:16No.
12:17We're a certain time on all.
12:18No, it's not true.
12:19It's not true.
12:20I ask you, Gabriel,
12:21here all are all the importance here on this book.
12:23He doesn't want to do his job, he wants to do his job, or whatever, but he needs to do it.
12:26Yes.
12:27Everyone is working here and everyone is working out of his job.
12:30You don't see it because you are normal.
12:32He can always be stronger, he can always be better, he can always be more more than more.
12:35If you are doing so, people will not be able to do his job, he can always be better, than he will be better.
12:39Okay, a lot.
12:40A lot.
12:41People, we have a lot of job.
12:43If someone is not satisfied, he is not satisfied here, he is wanting to do something else, he can be free to leave.
12:49I will not be able to stay.
12:50I will go back to the hospital.
12:53Of course.
12:54I will be angry.
13:16Five times in two days you will make me chaos.
13:19You know what to do, I will be angry when you are a child, like a child.
13:23You are a young person.
13:25You have to find a common language because this doesn't work to do.
13:29You are almost there.
13:30Yes.
13:31Is he jasn?
13:33I'm sorry, but he's a little boy who thought about it.
13:38He doesn't have a huge amount of money.
13:41I mean, with her dignity, this agency is going to be...
13:44I don't have a lot of money.
13:46It's not a lot of money.
13:48You have a lot of money.
13:50I don't have a lot of money.
13:52I don't have a lot of money.
13:54I don't have to do this.
13:56I don't have to do this.
13:58I have to do this in my own harmony.
14:00I i ja istu, veruj mi...
14:02K'so slastneš?
14:04K'so slastneš?!
14:06Dosta, Ivane, i imajnu lepu vez za tebe.
14:09Gažemme?
14:10Unapređen si...
14:12Da.
14:13Stvarno.
14:14Da, da, u analitčara smo.
14:15Znao sam... znao sam da imam talenta, još kad bi stignu ti neki zamršeni slučajevi...
14:19Impe, kad upotrebi svoju naprednu analitiku, vidit ću tebe.
14:23Dobar. Samo nećemo priterivati.
14:25Ponekad ćeš dobiti neki slučaj, radit ćeš malo na njemu, daćeš svoju analizu i to je to.
14:29Okay?
14:30Okay, I'll do everything from myself.
14:33I work for a time, I'll be able to do my own money.
14:37Barbara, it's been a lot of time.
14:40Ivana, you can get yourself to me on a daily level.
14:44One day you're a rocker, the other day you're a writer,
14:48the other day you're a artist, the other day you're a detective.
14:52Everything is great.
14:54You'll do it.
14:56You'll do it.
14:57There's no doubt about it.
14:59But don't worry about it.
15:01You have to move on to be a detective.
15:03Is that right?
15:04Yes, yes.
15:07What's that?
15:09Good evening.
15:11Good evening.
15:13Good evening.
15:15Good evening.
15:16Good evening.
15:17Good evening.
15:18Good evening.
15:19Good evening, good evening.
15:31As you can see, all the important guests are here.
15:34We were just trying to do it.
15:36Okay, let me tell you, can you tell me?
15:39Yes, of course.
15:44We did everything as we needed, but I can't stop it.
15:48It's because you're nervous.
15:51This is an important event and all the eyes are up to you.
15:54Do you want to drink anything?
15:56Yes, I'm going to drink water.
16:04Hey, Galeel, is there something new?
16:08Almost all of them are there.
16:10A few people said that it would be later,
16:12but all of a sudden, everything goes through the protocol.
16:14Yes.
16:16What happened?
16:17What happened?
16:19No, no, I'm not.
16:21I'm just thinking about Alex's coming.
16:23Alex's?
16:24Well, he recently said that he won't.
16:26He didn't get into details, but he was and I was.
16:29Okay, maybe he's thinking about it, but he's still coming.
16:32I don't know, Gabriel, the protocol is made without him.
16:36Well, I'm just thinking about it.
16:40Who doesn't have without him?
16:41No, that's right.
16:42Here it is.
16:43It's hot.
16:44It's hot.
16:45It's hot.
16:46It's hot.
16:47It's hot.
16:48It's hot.
16:50It's hot.
16:51It's hot.
16:52It's hot.
16:53It's hot.
16:54It's hot.
16:55It's hot.
16:57You going to get to me?
16:58Towards my face.
16:59Yeah?
17:01Oh.
17:06What do you think of me?
17:07No.
17:08We don't think of everything.
17:11No.
17:12We don't drink it, but we're so sorry to see you nervous.
17:17And how do I not be nervous before everything that happens?
17:20I understand. I understand. It's a little unpleasant thing.
17:26Catastrofa, catastrofa. I'm very sorry to tell you.
17:30But it's a different situation, so that I'm going to fight you two ribs.
17:34But in this situation, there's no ego to get hurt.
17:39I'm wrong for everything.
17:42But with Lenko, of course.
17:44I'm ready. If Gabriela is waiting for my child...
17:48Good, come on.
17:50You don't have to worry about it. The man was yesterday with me.
17:53Do you understand?
17:54What?
17:55I didn't think so. I thought he'd come back and talk to me as he loves me.
17:58But what happened?
18:00He came to convince me to go to my birth home.
18:04My birth home?
18:05Wait, wait, wait.
18:09No, stop.
18:11Come on.
18:12What am I waiting for?
18:13I don't want to go. They have a protocol and that's all.
18:16I don't want to go.
18:17Wait, you won't want to go to my own company?
18:21What?
18:22What?
18:23What?
18:24I'm sure I'm sorry.
18:25I'm sorry.
18:26What?
18:27What?
18:28What?
18:32What?
18:33What?
18:34What is it called?
18:35What?
18:36What?
18:37What?
18:39In the past few days, we went together on an incredible path.
18:43First, we managed to stay in the media.
18:47Second, we managed to make new innovations in the same work system.
18:51And third, and what is important for us,
18:54we don't stay here.
18:56We go further.
19:07Thank you very much.
19:08This is the first time we have been in the evening.
19:13I want to show you something special about us.
19:18The question is our project.
19:20Dona Podcast.
19:23Thank you very much.
19:30We will start with the work.
19:33I am sure that the other will follow our example.
19:36But we will not stop it.
19:38Because of this, we will be more quality and better.
19:42And what we will surely not be able to stop it is that we will be the first time.
19:48Stay here.
19:49Stay here.
19:51Stay here.
19:52Stay here.
19:53Stay here.
19:56I told you what I wanted to say.
20:07That's it.
20:08You said you should be born in the morning, until the day.
20:11Yes.
20:12What are you doing here? Can you tell me?
20:14You're not there.
20:15Don't forget to go home.
20:18I can understand your knowledge.
20:21It's clear.
20:22But if you want to be born in Maldives, I'm not going to be born in Maldives.
20:26I'm not even the owner.
20:28It's not that way.
20:29It's not that way.
20:30It's not that way.
20:32I understand.
20:33But if you want to return to your life,
20:36the first thing you need to start is the job.
20:39That's right, Goranček.
20:41You're the director.
20:43What will people say to you?
20:45What will I say to you?
20:47You have to pay attention.
20:49People tell me what the company wants.
20:51It's not that way.
20:52That's right.
20:53I'm not that way.
20:54First of all, Alex, I know you.
20:57You're not like that.
20:59You've been to the company.
21:00I know you.
21:01Don't talk to me.
21:02Is your brother saying something?
21:03Here, brother.
21:04The situation.
21:05Thank you, Vicky.
21:06No.
21:07The situation with women is very complicated.
21:09That's right.
21:10I understand.
21:11Now, what else do you say, brother?
21:13Look.
21:14What about your situation with women,
21:16what have you said?
21:17What are you saying?
21:18What happened with women?
21:19What was the current thing?
21:21What happened with women,
21:24believe me,
21:25what happened with women,
21:26what has happened with women.
21:28What happened with women,
21:29what's the title of women,
21:30and what is the future,
21:31why you believe?
21:32You're what's the meaning of women.
21:33You're not going to be too hard.
21:35I could do it,
21:37and have a great day.
21:40You have to take control over your life. You have to go to Prostlavu, and that's right now, from this stop, right?
21:47That's right, in the right corner.
21:49Listen to us, go to Prostlavu, Alexa, get out of here!
21:52Don't say anything, listen to me, listen to me.
21:55Listen to me, in the right corner, right?
22:03Okay, listen to me, listen to me.
22:05You can see how I'm going to get out of here.
22:09What?
22:11Just because of what I'm saying.
22:13The best motivational speaker in Serbia and Crnogor.
22:17Six times four.
22:19Okay, let's go.
22:39How do you know?
22:41You're not too big.
22:43I like that.
22:45I like that.
22:47I love that, I love that.
22:49Yeah.
22:50Back to back.
22:51No, we don't have a problem.
23:05Hello, ladies and gentlemen.
23:07Hello, ladies and gentlemen.
23:08I hope you enjoy your life.
23:10I hope you enjoy your life.
23:12I hope you enjoy your life.
23:13Oh, Kajo, Kajo, Kaji.
23:16Please, Kaji.
23:21What did you do?
23:22What did you do?
23:23What did you feel?
23:25What did you do with your wife?
23:27I saw you with Natalie after our conversation.
23:30Eh?
23:31Eh.
23:32What did you do?
23:33I managed to get out.
23:35Good.
23:36Good.
23:37But believe me, Gora, please.
23:38Don't be aware of the information that you know.
23:42I would be very, very, very nervous.
23:45I felt so relaxed.
23:46I felt worse than now.
23:48I felt so nervous.
23:49Don't be afraid of anything.
23:51Don't be afraid of anything.
23:52What is it?
23:53When you are afraid of anything.
23:55You are afraid of anything.
23:56You know how much I've said in my life.
23:58Things that I didn't need to do.
24:00You know how much.
24:02Why did you do that?
24:04Because when I was a teacher.
24:06When I was a teacher.
24:08When I was a teacher.
24:09I was a teacher.
24:10I was a teacher.
24:11I was a teacher.
24:12And I said to someone.
24:13I said.
24:14I said.
24:15And the teacher was very, very, very familiar.
24:16Because they didn't make a loan.
24:18My family.
24:19I said.
24:20I thought.
24:21And when I was a girl.
24:23I asked.
24:24I said.
24:25What are you planning to do in life?
24:30And she said to me, she said to me, and she said to me, and she said to me.
24:37Oh, dear.
24:38Is it possible?
24:39Is it possible?
24:40Is it possible?
24:41Is it possible?
24:42Is it possible that you can be the only one to laugh with your stupid stories?
25:01You are absolutely right.
25:02Today, everyone has podcasts.
25:04It's true, but these are the needs of the new media.
25:08It must be.
25:09I don't see...
25:10...
25:26...
25:27...
25:28...
25:30...
25:31...
25:32...
25:33...
25:34...
25:35...
25:36...
25:37...
25:38...
25:39...
25:40...
25:41...
25:42...
25:43...
25:44...
25:45...
25:47...
25:48...
25:49...
25:50...
25:51...
25:52...
25:53Hey, Alexa, are you here?
26:20Aha.
26:20Hi, are you going to drink something?
26:22A, kasno.
26:23E, e, sve protiče odlično i baš mi je drago da si tu.
26:27Da, baš smo iznenađeni što si došao.
26:29Sve je bilo savršeno.
26:37Znala sam da ćeš doći.
26:38I ja.
26:52Raštaj sunce.
26:53Evo da, ako se ražele, dok se vratiš sljedeći put.
26:57Alo.
26:58Hop.
26:59Alo, alo, alo, alo, alo.
27:03Ej.
27:04Ej.
27:05Ej.
27:06Ej.
27:07Šta se radi?
27:08Može li se?
27:09Ej.
27:10Ej.
27:11Ej.
27:12Ej.
27:13Ej.
27:14Ej.
27:15Ej.
27:16Ej.
27:17Ej.
27:19No, njena.
27:19Mislim da li, evo, eo...
27:21...normalno, e...
27:25...što radimo?
27:26A?
27:27Korane?
27:28A o ni?
27:29Evo ja imam pitanja.
27:30Ima kaj dodiar.
27:31Jaj.
27:32Ej ovo normalno što mi radimo.
27:33Je ovo normalno što mi radimo?
27:35A ko ste vi, izominäte?
27:37O ni?
27:38Ko ste vi?
27:39Narod unut Conf מעst.
27:40Shta termi či.
27:41Am?
27:41Što pričaš sti?
27:42Šta se pratBN tarviš?
27:44Šta
27:44G 걍ажdu šta последnicar?"
27:46Šta vi mene pitate?
27:47What's wrong?
27:49Everything is wrong.
27:51I'm not wrong.
27:53I'm not going to hold you a light.
27:55You're going to miss me.
27:57Wait, wait, wait, wait.
27:59He has announced us.
28:01He has announced us.
28:03He won't be able to.
28:05He won't be able to.
28:07He won't be able to.
28:09He won't be able to.
28:11He won't be able to.
28:13He won't be able to.
28:15We're going to ask you.
28:17Really?
28:31Ladies and gentlemen,
28:33please wait a little.
28:35This is our second owner.
28:39Bravo.
28:41Bravo.
28:45Thanks.
28:47Thanks.
28:49Alex, what did you do at the beginning?
28:51It wasn't good.
28:53It wasn't good.
28:55It wasn't good.
28:57It was great to see how people reacted to the promotion of the podcast.
28:59It was phenomenal.
29:01I believe that everything is going to happen.
29:03You should believe me.
29:05At the beginning, I had a little bit of a feeling.
29:07It was a positive feeling.
29:09It wasn't good.
29:11Sorry.
29:13I didn't know what you were going to say.
29:15I can't tell you anymore.
29:17You're not.
29:19...
29:20...
29:24...
29:29...
29:30I can't say anything.
29:31I can't say anything you can do to do to work, or to not work.
29:34You can't say anything.
29:36I can't say anything you can do to work.
29:39You're not the one.
29:40You're a fan!
29:42What?
29:43What?
29:44What?!
29:45What?
29:46What?
29:47What? What?
29:48What?
29:49What?
29:50Because he's doing it. I'm looking at him.
29:53No, I'm looking at him.
29:55I see that you want to say something, but you don't speak.
29:59I don't want to say anything.
30:01Wait, wait, wait.
30:03Wait, wait, wait.
30:05I'm telling you, people, I'm looking at you all night.
30:08It's evident that you love yourself.
30:10Only if you don't have anything against me.
30:12You don't have anything against me?
30:14I don't have anything against me.
30:17I don't have anything against me.
30:19Thank you, Ali, Kajo.
30:21I'll tell you something.
30:23You know that I've criticized him because of what he did to you.
30:38Sorry, but later we had a lot of work in Maldives.
30:41That's what I don't care about.
30:43I don't know it better.
30:44I understand.
30:45I know that I can tell you.
30:46But I can tell you nothing else, and I can tell you.
30:47I know you'm not going there.
30:48What?
30:49What?
30:50How are you?
30:54You sent me to get on the phone call?
30:56I don't have a question.
30:57That's right, I don't care about the phone call.
30:59I don't know everything.
31:00I don't know if not, but I don't care about them.
31:02I don't care about it.
31:03I don't care about it.
31:04What so?
31:05You could have asked me to ask you for a health?
31:08Yes. All the way.
31:10Okay.
31:12I don't know what I'm saying.
31:13No, I don't know what I'm saying.
31:15I don't know what I'm saying.
31:17Just if I'm not asking you how I'm asking you,
31:19then it means that I have a little picture.
31:22Okay. I don't know what I'm saying.
31:24Nothing.
31:25I don't know what I'm saying.
31:27I'm talking about him, and I'm asking you.
31:35That's all!
31:42That's all?
31:44Yeah.
31:45There's nothing.
31:46There's nothing.
31:47Just a little.
31:48I believe I'd be a little scared.
31:51I don't blame you.
31:53Maybe this is a bad idea.
31:54Let's go to the fire!
31:56We are better to start.
31:57You should be afraid of me.
31:58Please.
31:59You want me to ask me.
32:00I want to ask you something?
32:02I ask you to ask.
32:03Why did you leave me?
32:07Why did you leave me?
32:12You mean you know?
32:15I don't want to miss you.
32:17Okay.
32:18I'm just asking you to tell me.
32:21You just want me to leave me.
32:23I don't want to enter.
32:26It's not my thing.
32:27It's the end of the story.
32:28Why did you leave me?
32:30You just left me...
32:32...because of you.
32:35Because of you.
32:36Because of you.
32:38Because of you.
32:39You're a classic.
32:41You're a good guy.
32:42You're a good guy.
32:44You're a good guy.
32:48I'm a good guy.
32:50I want to leave you a little bit.
32:52I'll help you to help you.
32:54I'm here.
32:56I'm a good guy.
32:57I'm a good guy.
33:00That's a bad guy.
33:01True of all.
33:02Trust me.
33:08Shane?
33:09A good guy.
33:11Do you have money to help you?
33:13No, this makes sense.
33:14Do you have money to help me?
33:15I jerk my nephew.
33:16I've just said it's only about that.
33:17Dear vagy.
33:18Fine?
33:19Uh-uh.
33:20Don't get to.
33:21My...?
33:22I don't mind.
33:23We can't step away when the house needed to help me.
33:26What?
33:27I don't know, I think I've lost myself. I don't know if it's necessary.
33:35Please?
33:38What?
33:39I don't know.
33:43You know what, Premier? What's your biggest problem?
33:47What?
33:48What are you doing?
33:51Bravo, Kajal!
33:53Who is in Skograd?
33:55What are you doing, Kajal?
33:56No one said to me that I'm in Skograd.
33:58What are you talking about?
33:59No, I'm not in Skograd.
34:00I'm not in Skograd.
34:01You said to me that I'm not in Skograd.
34:03Wait a minute, I'm telling you that you're in Skograd.
34:06I'm not in Skograd.
34:07Yes!
34:08You understand, for example, what will happen if we don't think about anything.
34:16If something happens, we'll have to think about it.
34:20And not that we're talking about that.
34:24That's the time.
34:25That's the time.
34:26Yes.
34:27Believe me.
34:28I'll show you my apartment.
34:31What apartment?
34:33From the 5th star.
34:35I didn't even know if you had something like this.
34:38I want you to help me.
34:40If you can.
34:42You, my little girl.
34:43What?
34:44Why did you do that?
34:45Come, come.
34:46Come, come.
34:47Come, come.
34:48Let me see something.
34:49Hey, my little boy.
34:51I love you.
34:52I love you.
34:53I love you.
34:54We're here.
34:55We're here.
34:56Good.
35:00Skograd.
35:03Hey.
35:04Hey.
35:05Let's go.
35:06Let's get some respect.
35:08Give a little gender.
35:09Here.
35:12Trudan.
35:13Let's get started.
35:14For example.
35:15Let's get started.
35:17I tried to dance.
35:18Let's get started.
35:19Let's hear you.
35:20Let's get started.
35:21No.
35:22That's right.
35:23A lot of people are in the middle of the test.
35:25What's wrong with you?
35:26Let's get started.
35:27Let's get started.
35:28I'm sorry.
35:29Let's get started.
35:30How is this a sign of anything?
35:31Let's get started.
35:32Let's get started.
35:34We're here to get to the middle of the street.
35:36Let's go, Alex. I'll call you taxi, so you know.
35:38I can go with you, I think.
35:40Yes, of course, of course.
35:42Why don't you stay for a while?
35:44We are the owners, people are waiting to stay until the end.
35:47I think you can do it yourself, and I will die.
35:50And that's what I told you about.
35:52Let's go, take a look at the speech.
35:54I ask you to, what is this?
35:56We are the one who was here to do something.
35:58That's right.
36:00We are the same when I tell you the one about the speech.
36:02We are the one who is here to do something, but what is it?
36:04I'm sure I tell you, let's read the speech.
36:06I don't ask you to tell me, what is it?
36:08We are the one who has done it here.
36:10We are together to tell him about the speech.
36:12Okay, well, we are the same.
36:13Yes, you are the same when I tell you.
36:15That's what I tell you.
36:16Yes, that's what I tell you.
36:17But it could be something useful.
36:32What? I wanted something to say.
36:34Yes, you should have to say something.
36:36Yes.
36:37Would I have been able to take a taxi with you?
36:42I mean, you don't have to. If you want to see yourself, I understand everything.
36:48It's okay, really.
36:49I don't have to say anything.
36:51What?
36:52What?
36:53What did you say to him? What did you say to him?
36:56What did you say to him? What was the problem?
36:58What did you say to him?
37:05What did you say to him?
37:10When you live under my cross, son, you have to know that in this room there is a certain rule and a certain rule that needs to be respected.
37:21Of course, as you say.
37:26I'll give it to myself that I have nothing to do.
37:33Gorane!
37:37What did I do?
37:39Oh, bro, Olga, there's no need for that tone.
37:52Don't want me to talk about that tone.
37:54Is it clear?
37:55Okay.
37:56Okay, but Alex, you know what you're doing.
37:59Okay, I can ask you to leave me at peace.
38:02Just to leave me at peace.
38:04Okay?
38:09I personally don't remember when I was better.
38:21Okay, nice.
38:23What do you think about it?
38:26It was good, yes.
38:29But?
38:31It wasn't.
38:33It was okay.
38:35The service was okay.
38:37Everything was okay.
38:38I don't want that.
38:39I don't want that.
38:40What does the service mean as a service?
38:52Lenka, open it.
38:53I pray that you are here.
38:54Olga is here, Lenka.
38:55Here we go.
38:59Hey, Olga.
39:00Olga.
39:01Is that a man who is a man who is like a question of life and death?
39:05Yes.
39:06You know what it is.
39:07In the question of Alex.
39:08Gabriela, I haven't decided to keep it over a certain day.
39:25I have to repeat it for a few days, so if I can, I will see you again.
39:33Why are you upset?
39:35To be alone.
39:41And you and me know that it is not true.
39:55I have to repeat it for a few days, so if I can, I will see you again.
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