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00:00I don't know what to say, young, sweet, loved ones, now they need privacy, I understand them, but in this house there is no privacy, you know where I am,
00:28where I am, where I am from, where I am, where are you from?
00:38Alex, you are not something that is needed to me.
00:44What do you want to tell?
00:46I want to tell you that it is between us a tension, a little bit of a pressure,
00:53And...
00:55And...
00:57I want to say that...
00:59Maybe it's a real moment.
01:01We think that...
01:03What?
01:09Nothing. We'll go on the other way.
01:11Okay.
01:17What are you doing?
01:19What are you doing?
01:21And...
01:23Are you sure about your idea?
01:25Yes, what?
01:31Look, you'll know more and more than me.
01:35You know how she can be a problem.
01:39And you won't have a better idea when you remember that?
01:43When he sees me...
01:45When he sees such an avion of women...
01:47Then he'll be able to take care of him.
01:49And...
01:51Yes.
01:53And...
01:55And...
01:57And...
01:59And...
02:01And...
02:03And...
02:05And...
02:07And...
02:09And...
02:11And...
02:13And...
02:15And...
02:17And...
02:19And...
02:20And...
02:21And...
02:25And...
02:27And...
02:29And...
02:30Hello, how can I help you?
02:34I came to see Nataliju.
02:36Nataliju?
02:40Hey, Olga, someone is looking for you.
02:43Who is looking for you?
02:47Hello.
02:49If it was the maximum amount of time,
02:59this was a lot of women's society.
03:04We could do this combination of two.
03:08Two?
03:09Yes.
03:10I don't want to pray.
03:12We will not be able to live.
03:14Where are you from?
03:17I have my own channels.
03:19What channels?
03:20I have my own channels.
03:21I have my own channels.
03:22I have my own channels.
03:23Who has said that?
03:24Just tell me who has said that, Gorane.
03:25I can't find my own channels.
03:26You have to tell me who has said that.
03:28I hear my own people.
03:29Gorane, tell me now who has said that.
03:34Hello, Olga.
03:35Hello.
03:40Okay.
03:43Let's see.
03:44Is it okay?
03:45You have to tell me who has said that.
03:46If you have two things to start,
03:51your father will not be the best in the world.
03:53If you have a coach,
03:55who will be the manager?
03:56Who will be doing it?
03:57You will be able to do it.
03:58We both need to show the most possible of customer.
04:02I know, I know,
04:05I know what is very good of us.
04:07I know, I know.
04:08It's totally clear, but I'm sure that you and I can find a common language.
04:16I'm 100% sure.
04:18Only Alex didn't show any interest, I have to say.
04:23But okay, I'm sure you'll have to solve it.
04:28That's it.
04:30Can you wait for a second?
04:38Yes.
04:55They say that life writes novels
05:00They say that life isn't fair
05:04Sometimes it's a lot, but often it's a lot
05:09And everything is not clear, but it's a lot
05:15Like love in the war, nothing has been done
05:27You have one life, one chance
05:32To become one who is the star
05:36Everything is good
05:40You have one life, like a circle of happiness
05:45Someone wants, someone doesn't want
05:50Like a life, everything is over
05:54And we are all for you
05:58So you should be there
06:02And we are all for you
06:14What do you think of the guarantee?
06:43What do you think of the guarantee?
06:45Wait, wait, wait, I have another idea.
06:47I have a problem with an old guest.
06:53If you could, you could talk to him and see that the person is in peace.
07:03I am a woman who is a maltreated woman.
07:05He can't do it anymore.
07:07What do we do not do this?
07:11No.
07:15Maybe Diana Erskis is a vessel, but she did not have a chance.
07:21It is so scary.
07:25If we work, he will go.
07:28And the crime for parking, and the crime for driving, and the crime for driving, and the crime for driving.
07:35And, of course, two times a month to check the competition.
07:40What are you talking about? It's not the case of the police.
07:44No, don't worry.
07:46And in my case of the case, I'm going to kill Maxima.
07:50Okay, let's go back to this crime and control.
07:53In terms of parking cases, we can do that.
07:58In terms of speed, we will see something here.
08:02And the control of the competition is one-day.
08:06What a man, he doesn't have an aggressive type, he doesn't have an aggressive type.
08:11He even comes to fame, just to talk with him.
08:16Okay.
08:18He can have an informative conversation with a person.
08:22Is he?
08:23Yes, he is.
08:24Yes, he is.
08:25Yes, he is.
08:26Yes, he is.
08:27Yes, he is.
08:28Yes, he is.
08:29Yes, he is.
08:30Yes.
08:31Okay.
08:32And when I get to Maxima, when I start to get him, when Maxima falls on me, what do I need to do?
08:42No.
08:43No.
08:44No.
08:45Then you will be able to document it.
08:47You need to take pictures, write a newspaper and write an article.
08:52No.
08:53Oh, I will be a real spy.
08:55Yes.
08:56No.
08:57No.
08:58No.
08:59No.
09:00No.
09:01No.
09:02No.
09:03No.
09:04No.
09:05No.
09:06No.
09:07No.
09:08No.
09:09No.
09:10No.
09:11No.
09:12No.
09:13No.
09:14No.
09:15No.
09:16All right.
09:17Well, if I have all to do, are you aware of that I have a professional preparation?
09:21What?
09:22No.
09:23Yes, a professional?
09:24You need a phone with a professional camera.
09:26You should have one of such a few reasons on job.
09:30And what, this usual job doesn't work?
09:33Am I a professional at this moment, or am I someone who is quite usual?
09:40You are a professional.
09:43If I am a professional, then I should be a professional.
09:47Okay, we'll see what we can do.
09:51Do we have an agreement?
09:53And something else, please.
09:57I want to have that code. You know what it is?
10:00I want a code for this, let's say, spectacular operation.
10:05Do we have a code?
10:08Okay, you will have it.
10:11Bravo, bravo Lence, bravo, bravo Lence.
10:16It's amazing, amazing, amazing.
10:18Then we agreed, but before we agreed,
10:23now we will put it on paper,
10:25we will write an agreement,
10:27and then I will move on to the maximum.
10:32Okay, do we have an agreement?
10:37Okay, I have a website,
10:39I have to close something quickly.
10:42what you did?
10:44Is it the best that someone is ready?
10:48did you blow the medal?
10:50Arrevo Krasino,
10:51why would you hate me this?
10:53I am with you.
10:55I am learning you.
10:57Thank you, George.
11:18I just wanted to say that.
11:20I wanted to see how you look at this whole situation.
11:27I don't think I was going to get into a deep polemic with you.
11:33I don't know.
11:35I don't like that.
11:37I just wanted to talk to you about it.
11:42I just wanted to say that.
11:44Yes, yes.
11:47There is a very important thing.
11:50That is?
11:52I don't have any intention to change Alex's life.
11:57What do you think?
12:00It's nice.
12:01Alexa and Gabriela need to do it themselves.
12:03They are people from over 30 years old.
12:06Yes, yes.
12:08I say yes, but on the other hand, we are the ones who need to meet them.
12:16No need.
12:17They need to be like parents.
12:20Miljana.
12:24I told you what I had for this question.
12:26And what I'm talking about...
12:28That's all.
12:33Good.
12:35Good.
12:44I hope I didn't have any interest in you.
12:47No.
12:48No.
12:49No.
12:50No.
12:51No.
12:52Okay.
12:53Sorry.
12:54Sorry.
12:55I'm sorry.
12:56I'm just like this.
12:57I fell.
12:58Thanks.
12:59Let's see you.
13:00Let's see you.
13:01Let's see you.
13:02Let's see you.
13:03Let's see you.
13:33I found that who was.
13:36Is there any problem?
13:39No.
13:40I would like to diz that you again方 would put this sharpener for the disappointed ones.
13:45What do you think?
13:47I mean, you're again falling on the ordinary charm of the Don Joana with Brkojma.
13:54What's your point?
13:56I don't have a point, yes?
13:58No.
13:59Do you have a point?
14:01I don't have a point.
14:03I don't have a point, but when I told you, I wouldn't understand it.
14:07We're going to tell you that I'm stupid.
14:09I don't understand it.
14:10No, I want to tell you that everything that you're interested in is just to get out of the company.
14:14Everything that you're interested in, everything that you're interested in, you don't have to understand it.
14:18I see you become a psychologist, a psychiatrist.
14:21Yes, yes.
14:22You need to give yourself a little to yourself.
14:24I want to give yourself a little to yourself.
14:26Yes.
14:27What?
14:28You're doing a lot better than you are.
14:33Just without you, you know.
14:36People started to give up.
14:38It's not a shame.
14:41What?
14:42You're done.
14:43You're done.
14:44You're done.
14:45You're done.
14:46Right.
14:47What's happened?
14:48You're done.
14:49Hope you enjoyed it?
15:00No.
15:02Why do you write so much?
15:04Mateo, this is only a matter of things.
15:07Lazare, don't write on the laptop, you write on personal security.
15:11Mateo, I know what I do.
15:14You should have to do the platform you have to while you.
15:17Okay, I know everything.
15:19Okay.
15:21Here I go.
15:25Please read it.
15:27I'll read it.
15:29I'm reading it.
15:31I'm reading it.
15:33What is this?
15:35Wait, don't understand.
15:37Then you have...
15:39Mazare?
15:41What?
15:43This is crazy.
15:45I'm sorry, but this is the advertising for a prank.
15:48You have no idea.
15:49What, your texts are better?
15:51They are better because this one can all write.
15:54I'm sorry, my God.
15:56Your texts are going.
15:57Give you a story, you can sell them.
15:59No.
16:00What story?
16:01The story about a serious investigative work.
16:05I don't sell any story about a serious investigative work,
16:09but I want to be a professional,
16:11to be a reliable topic,
16:13and I'm going to write a promo material.
16:15Sorry, I'm not aware of you.
16:17You know what?
16:19You're expecting an analysis of the benefits of the media.
16:23Not a review for the product.
16:24I'm listening to you.
16:25I'm listening to you.
16:26I'm listening to you.
16:27I'm listening to you.
16:28I'm listening to you.
16:29I'm listening to you.
16:30I'm listening to you.
16:31I'm listening to you.
16:32You can see it.
16:33You're listening to me.
16:35What are you doing?
16:36What are you doing?
16:37I'm trying to write your text because it'll be the most difficult part.
16:39Right.
16:40You're listening to my text that you're looking at?
16:41Yes.
16:43And...
16:44What's it?
16:45Good, you're so good.
16:46This is not a job, mate, it's a serious investigative job.
16:48Not a promo material.
16:49Mateja, it's broke.
16:51No, no, you're listening to me.
16:52No, wait.
16:53What's your best?
16:54Why?
16:55Because he's doing something wrong.
16:56To you?
16:57No.
16:58What is fair?
17:00I'm afraid, I'm afraid.
17:02What is it now?
17:04I'm going to write it from the beginning,
17:06but I'm going to tell you all about Vitu Miru.
17:08Everything!
17:10You don't have to tell him,
17:12you don't have to tell him,
17:14I'm going to tell him,
17:16I'm going to tell him.
17:24I want to tell you that you've done everything you need.
17:27You're a great professional.
17:29You've always been.
17:31Thank you, Gabriela, thank you.
17:35It was a mistake.
17:37It was a mistake.
17:39It was a mistake.
17:41It's hard to control me,
17:43especially now in this situation.
17:45Yes, you see,
17:47I understand everything.
17:49Now it's important to me
17:51to be satisfied.
17:53It's important to me,
17:55in Miru,
17:56and without tension.
17:57I know my job,
17:59and I'd say that I'm going to do well.
18:01Of course, I really love him.
18:03Okay.
18:05If I'm going to do everything,
18:07I'd be back on the job.
18:08Of course,
18:09you can only tell Alexi
18:11to come and talk about something about the process?
18:13Alexi?
18:14Yes.
18:15I don't know where he is.
18:17I don't know.
18:18Is it going to be a video?
18:19I don't know.
18:20I don't know.
18:21I don't know.
18:22I don't know.
18:23I don't know.
18:24Okay.
18:41What?
18:42For now, it's better.
18:43Yes.
18:45You've got to get better.
18:47I've got to go for rock.
18:49I would leave the idea about the new generation as you want.
18:57If you call this a serious literary work, I really don't know.
19:03There you have space to add about social networks,
19:07about social networks.
19:08But this isn't a topic, you understand?
19:12Okay.
19:14Rock?
19:15Where is rock?
19:16What is rock? Now I have to write about podcasting,
19:19but I don't remember Donin Podcast.
19:24What? Benefit Podcast Formata, information about the new generation,
19:27that will not be...
19:28That are my texts.
19:30And where is rock?
19:32I will write the texts and think about what you should do
19:35and you start practicing.
19:37The texts are sad and monotone.
19:39You need to add more of the raw material.
19:42Do you think it was like your text?
19:44Of course.
19:45I mean, we can write about how Donna plans the revolution.
19:49That's interesting.
19:50People love it.
19:51But we don't want to write about the new plans.
19:55That's what Vito said.
19:56Okay.
19:57If he said that, okay.
19:58But that would be good, that would be good.
19:59That would be good.
20:00That's what Vito said.
20:01That's what Vito said.
20:02That's what you said.
20:03That's what you said.
20:04I'm not a dick, but I know what I'm doing.
20:06That's what you said.
20:07That's right.
20:08That's right.
20:09You know, you have a lot of mistakes.
20:12The lecturer when he reads it, he will fall into the mess.
20:15What are you doing here?
20:16I'll write a better text from you.
20:17You'll see it.
20:18I don't have time for you.
20:19I'll write a letter for you.
20:20I'll write about what Donna is hiding from the public.
20:26That's it.
20:28I'm done.
20:29I'm done.
20:30I'll write a letter for you.
20:31I'll write a letter for you.
20:32And you know, my way is better than your own.
20:35Just do it with scandal.
20:37I'll go with the hand.
21:00I'll write a letter for you.
21:02What's your name, Gabriel?
21:32Hello Alexa.
21:36You know what I'm calling you.
21:39Tomorrow you have to come.
21:42I don't have to do anything and I won't come.
21:47Alexa, you also have to do it.
21:50You have 50%.
21:52People are waiting for you. You can't ignore everything.
21:55I'm not supposed to be in place, so I'm free to lead you.
21:58I believe that it will be phenomenal.
22:00There are Gala and all the others.
22:03So it will be great without me.
22:07It's not professional.
22:09It's so strange.
22:10How do you think about it?
22:12The owner and the director of the company
22:13should not come to the process of the same year.
22:16That's not happening, man.
22:18What's that?
22:20You have to come.
22:23I don't need anything.
22:28What's that?
22:54Eh?
22:55Evo ga, Čajić.
22:57Eh, neka, malo hvala.
23:03Dobro.
23:04Nego.
23:06Do you want to go?
23:07Neću.
23:09Na šta mene zanima?
23:11Da mi kažeš šta se dešava sa Rođendorom Done,
23:15pošto znam da nešto spremate i zanima me sve.
23:18Pa vidi, ništa spektakularno.
23:20Pravimo proslavu u Biznis klubu i jutra večer.
23:22To ti je sve.
23:23U Biznis klubu?
23:25Da.
23:26Znači ništa novo.
23:27Mislim dobro, ja već znam kako to ide.
23:29Radila sam na tom projektu dok nije ispalo kako ispalo.
23:33Znam.
23:34Znam Lenka, znam ja, zna i Gabriela.
23:38Svi znamo koliko si se ti posvećivala na poslu.
23:42Šta mi je najgore od svega kad već pričam o tome?
23:46Što meni je nekako i dalje stalo do Done.
23:50Mislim do cijelog magazina, do ideje, do svega na čemu smo radili zajedno.
23:55Znam Lenka, ali…
23:57Ma, sve je okej, kažem samo.
23:59Mislim, čudan je osjećaj da nekako gledam kako to sve ide dalje bez mene.
24:04Samo ima ono bez vesene.
24:07Slušaj, razumijem da ti nije lako.
24:10Evo, vjeruj mi, ni meni nije lako.
24:13Ali moram nešto da ti kažem.
24:15Evo, moram da idem.
24:33Pa da ćeš, čekaj, čekaj da ti kažu. Ej, bila sam kod Olge.
24:38O Bože, ti stvarno hoćeš sve da pokvariš?
24:42Naproti, ja pokušavam samo da ti pomognem.
24:46Mama, sto put sam ti rekla da mi ne treba pomoć.
24:49Sama znam da vodim računa o sebi.
24:51Ne, izgleda baš tako.
24:53Ti misliš da sve možeš sama, ali ponekad ga bila stvarno lakše.
24:57Mama, ako mi zatreba pomoć ja ću da je tražim.
25:01Do tad možda mi pomožeš kao i do sad.
25:05Naprimjer, da spremiš večeru. Gladna sam.
25:08Ja, ja, nikad ne umeš da ceniš ono što ti neko uoči.
25:14Ne radi se ovde o cenjenju.
25:16Radi se o tome da ja stvarno znam šta mi treba, a šta ne.
25:19Ja samo želim, Gabriela, da ti olakšem.
25:22Znam.
25:24Vidim te, ali tvoj trudi bespotreban.
25:26Znaš, ja se ježim od pomesti da neko odlučuje nešto umjesto mene.
25:30A ništa ne shvataš?
25:32Ne, naprotiv.
25:34Ja shvatam sve onako kako trebam.
25:37Ti treba da shvatiš da ja ovo moram da uradim sama.
25:40I sama i onako kako ja smatram da trebam.
25:49Ja, samo beži.
25:51Beži, beži.
26:00Mislim da idealizuješ čitavu situaciju.
26:13Mislim, malo kad vratiš film, uopšte stvari nisu bile tako savršene na poslu.
26:18Pa evo, samo se sjeti Jovane koliko je znala da bude neprijatna prema tebi.
26:22Pa sjećaš se tog čitavog haosa?
26:24Sjećam se, vrlo dobro se sjećam.
26:27Se sjećam i...
26:30Ma sjećam se toga kako smo Aleksa i ja uspjeli da u svemu tome nađemo neki naš mir i kako smo nekako, do sad shvatam, zapravo bili srećni jer smo bili tim.
26:42Dobro, dobro, slučaj, znam ja sve to, ali vidji, ti ne možeš više ovako da se ponašaš.
26:46Ponašaš se kao da si neka zatočenica u ovom stanu.
26:50Pa jeste, Lenka, moraš malo da izađeš, majka mu stara, malo u šetnju, na piće, mislim, šta god, šta god.
26:55Ne mogu, ne ide mi se, stvarno mi se ne ide.
26:57Čuš ne ide, ti se, ma neću uopšte to da slušam, ne prihvatam to.
27:00Vidji ti nje.
27:01Ajde, trgni se malo.
27:03Ne mogu.
27:06Što ti ođe?
27:07Ima neke stvari, bez veze nisam stigla razlog koje mi daje.
27:11Ajde, vidimo, šta je bez veze?
27:13Ništa, vredno, gluposti.
27:16Opa, čuš bez veze.
27:19Koja ti je ovo, haljina, ne znam ti je ovo?
27:21A, nisam mi nikad nisam.
27:22Opa, a da ne moja mi zezat, vidi kako je dobra haljina, šta je ovo?
27:27Zašto ja nemam ovu haljinu, kako je dobra?
27:30Da vidim.
27:32Ajde, jadna ne bila pa ovo da obučeš, svako bi na guzicu pao.
27:36Kako su ti luda.
27:38A što sam luda, pa znaš da govorim istinu.
27:40Ajde, ajde.
27:41Ajde, ajde, molim te.
27:43Svarno, gala, stvarno, nema šanse.
27:45Lenka, ajde, molim te.
27:47Evo kad te molim, molim te.
27:49Evo probaj, haljino, ajde, ajde, molim te, moraš malo da se trgneš.
27:52Molim te, pokreni se, ajde.
27:56Dobro.
27:57Ajde, ajde, života ti mogla.
27:59Sluša, imamo nekih sat vremena za piće.
28:01Ajde, kreni.
28:02Sat vremena za piće, posle toga ja moram sa Natalijom da se stančim.
28:06Mislim, pozvana si i na to ko želiš.
28:08Ne, ne, ne, to ću preskočiti već.
28:09Dobro, dobro.
28:10Ne treba mi još jedna trauma i ovo mi je mnogo.
28:12Dobro, ajde, obuči te u haljino da te vidi imačku.
28:14Idem, evo.
28:15Ajde, čekam.
28:17Ajde, vidjete i nje, tu se nešto smara doma.
28:21E, nemoj da se predomisli.
28:23Samo ti to obuči, odmah ćeš se bolje osjećati.
28:26Dobro, evo.
28:27Ajde.
28:28Ajde.
28:58Moje namere su bile najbolje.
29:14A tvoje pijanstvo najgore?
29:16Znači, ona je tebe slagala da sam ja bila pijana i da sam napala nju jadnicu,
29:22koja sedi kod kuće s krštenih ruku dok joj muž trune u zatvoru.
29:26A taj muž je slučajno moj rođeni sin i šta je ja trebalo da radim?
29:29Da zabijem glavu u pesa konoj.
29:32Jer je ona njeno veličanstvo snaja.
29:34Njoj ne sme niko ništa da kaže.
29:36Jesi završila taj traktat?
29:37Evo jedva.
29:38E pa slušaj me dobro.
29:40Ne možeš da mi se obraćaš takvim tonom.
29:43Dve stvari.
29:44Prvo, ukoliko ti se ovo bude ponovo dogodilo,
29:47možeš da zaboraviš na svog sina koji se zove Aleksa.
29:50A drugo,
29:51mada to je u stvari prvo,
29:53ukoliko odmah ne nastaviš sa lečenjem tvojeg alkoholizma,
29:56ja ću te lično strpati u bolnicu koji te niko neće pitati
30:00da li si tu samostalno ili ne.
30:03Ti meni retiš.
30:05Da, u oba slučaja.
30:08Evo je, sine.
30:09Blago tebi,
30:10ako ti ona nije problem nego ja.
30:12Blago tebi.
30:13Rekao sam sve što sam imao na ovu temu.
30:15I više nećem ubičiti.
30:16U oba slučaja.
30:30Nećeš, mga Olga.
30:32Nećeš, Vala.
30:33I ne to znam svoj život u svoje rukje.
30:40Nećeš, pre...
30:46Nećeš, pre...
31:05Ale, ale.
31:06Kaži, ne?
31:08Hoću da ti predložim nešto
31:11što će u samom startu zvučiti glupo,
31:14ali je ideja fantastična.
31:17Ti da predložiš.
31:18Gorane, Gorane!
31:19Milaj, a kako ja da znam da li je glupo il nije
31:21ako nisam ni čuo tu ideju?
31:23Ovako, jel si?
31:24Gledao film Kako izgubiti dečka?
31:27Za deset dana?
31:29Romkom.
31:30Nebitno.
31:33Ovako, uzmeš jedan tefter,
31:35napišeš Gabriela i napišeš Lenka.
31:38I onda plus, minus, minus, minus, plus, plus, plus, minus.
31:41Razumeš?
31:42Pozitivne stvari pelečiš kao plus,
31:44a negativne kao minus.
31:46Uuu, kakva ideja!
31:47Svaka čas mi lence.
31:49Hvala, Gorane, hvala.
31:50To je veoma glupa ideja i neću tu narati.
31:52Kako nećeš glupiti?
31:53Glupa nije glupa,
31:54ja da sam to znao,
31:55to bi meni život i skorije na promijeni.
31:57Tek ja da sam ranije gledao kako izgubiti dečka.
32:01Ovo je najbolja ideja koju sam ja rekao o proteklih 5-10 godina.
32:05Koje nemam.
32:06Dobro, dobro, dobro, evo, ajde.
32:08Ajde.
32:09Reći ću.
32:10Plus?
32:11Da, plus za Lenko je to što je rižna.
32:15Rižna.
32:16A za Gabriela?
32:17Plus za Gabriela je to što je odgovorna.
32:20Odgovorna.
32:21E, sad minus.
32:22A minus je...
32:23Daj, samo priča broši ima.
32:25Daj, pusti.
32:26Daj, dobro.
32:27Vidi kako je leče kada se čovjek nasmije kada se opuštio brate.
32:29Znaš ti i ja kada se imao najvisi problemi u životu.
32:31Kada se imao batinaši kada su me krkali, razumiješ?
32:34Ja samo smije.
32:35Goren.
32:36Smanji malo.
32:37Što?
32:38Smanji, zato što kad su došli batinaši, ti si se us...
32:40Molim spaničio.
32:42A da ga nije spasio Vukasin, onda bi se stvarno us...
32:46...panicio.
32:48Sram te bilo.
32:49Kako to pričaš?
32:50Kako to pričaš?
32:51Šta pričaš?
32:52Šta pričaš?
32:53Istinu.
32:54Istinu.
32:55Mile pričaš, samo istinu.
32:56Istinu.
32:57Istinu.
32:58Istinu.
32:59Kako je ovo lažov?
33:00Ovo je najveći lažov.
33:02E, nemoj ti.
33:03Ajde, ajde, ajde.
33:04Samo ne ovo.
33:05Mogu li ja za Gabrielu neki plus da kažem?
33:06Pa šta hoćeš sad za Kaju plus?
33:08Pa za Lenku minus?
33:09Pa za Gabrielu minus?
33:10Pa plus?
33:11Šta pričati?
33:12Kta?
33:13Ha-ha.
33:14Dobrodošli.
33:15Bođe vas našli.
33:16Da nismo malo pretarali sa alkoholom?
33:20I don't know.
33:38We haven't been drunk with alcohol?
33:41How are you different?
33:44When I drink, I usually make a stupid thing.
33:48Now I'm quite drunk.
33:53I don't have anything better.
33:57Nothing.
33:58Then, in this name.
33:59Live.
34:00Live.
34:09Good evening.
34:18How are you?
34:20We're very good.
34:22How are you?
34:24How are you doing?
34:25How are you doing?
34:26How are you?
34:28We are good.
34:30We are good.
34:32How are you?
34:34How are you?
34:36How are you?
34:38Standard.
34:40What do you want to do?
34:42We will change the standard.
34:44We will change the standard.
34:46Oh!
34:58Kopre is alive.
35:00It's not hard to fall.
35:02Yes.
35:04Tell me,
35:06when you look at your life,
35:08do you want to change the standard?
35:10Or do you want to change the standard?
35:12I don't want to live on the island.
35:14Sorry, but I wouldn't say that.
35:16Why?
35:18What?
35:30I hope that the gas will be the same.
35:32We will change the standard.
35:34We will talk about it.
35:36We will talk about it.
35:38Yes, we will talk about it.
35:40Oh! Look at Kae.
35:42Kae? Where is Kae?
35:44You are a little.
35:46Yes, you are a little.
35:48Yes, come on, come on.
35:50Come on, come on.
35:52Come on, come on.
35:54I would like to go.
35:56I will sleep a little.
35:58You are a little.
35:59Good morning.
36:08Good morning everyone.
36:10Good morning.
36:11Good morning.
36:12Good morning.
36:13Good morning.
36:14Lenka, how are you?
36:18Great.
36:20Let's go.
36:22Lenka, there's no reason to go.
36:24No, there's no need.
36:26I really don't plan to stay here in this toxic environment.
36:29Lenka!
36:31Profesor, I have to admit that I was expecting you in this moment.
36:51Well, dear.
36:53You're not able to see me in the house?
37:03Yes.
37:05I've been able to talk a little bit about these people.
37:10I'm listening.
37:23What is it, Maxime? I don't like you.
37:26No, you like me.
37:28I have to be oppressed.
37:30Why do you want to be oppressed?
37:32Because of a new employee.
37:34Wait, does he do not like you?
37:36No.
37:38I don't like you.
37:40I don't know him well.
37:42I don't want to hear him now.
37:44I don't want to hear him now.
37:46Who is the employee?
37:48Maybe I know him.
37:50I know him.
37:53I'm not over my head.
37:55I'm sorry.
37:56No, he's been here.
37:57He knows him.
37:58He's too late.
38:01He's too late.
38:02Have you ever noticed that you've never met.
38:04He's not here enough.
38:06Had you noticed something like that?
38:07Someone who hadn't gotten arrived.
38:08He's a male?
38:10I was sure.
38:12He knows him.
38:13I've noticed that.
38:14Yes.
38:15I've also been.
38:16Do you want to call me 5, 10, 20, 30 times? Where are you now when I'm talking?
38:30I want to be all tip-top, right?
38:33I believe I'm being being, but I'm falling down on the floor.
38:37Don't tell me, I'm falling down on the floor.
38:40Why did I fall down?
38:46I just want to see my daughter.
38:56I want to know where it is.
38:59I want to see how it is.
39:01Okay, I totally understand.
39:05I'll just break down the floor.
39:08Don't go to the floor.
39:16Okay, but I won't go to the floor until you don't let me tell you what I have.
39:26You'll be right back and tell me how I love you.
39:28I didn't plan to talk about that.
39:31I gave you answers to all the topics that are interested in you.
39:35I don't know what to tell you anymore.
39:37Even if you came to the floor, the floor is still there.
39:40It's still there.
39:42Okay, let's go.
39:44What?
39:45What?
39:46I don't want to go.
39:47I'm going from the floor.
39:51O, O, O, O, O.
39:59No, there is no need, because I really don't plan to do it.
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