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Igra sudbine Epizoda 1566,Igra sudbine 1566,Igra sudbine 1567,Igra sudbine Epizoda 1566, Igra sudbine Epizoda 1567,Epizoda 1566 Igra sudbine ,Epizoda 1567 Igra sudbine

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00:00I don't know what to say, young, sweet, loved ones, now they need privacy, I understand them, but in this house there is no privacy, you know where I am,
00:28and when we go to privacy, how are you?
00:32I know, when we go to privacy, where is Goran?
00:37You're not really something that needs me.
00:43What do you want to say?
00:46I want to say that this between us is a tension, some pressure, everything, everything, and a lot of pressure.
00:55What do you want to say?
00:57I want to say that now is a real moment, that we think that...
01:04What?
01:09Nothing, we'll go on the other way.
01:12What is the best of me?
01:19What is it?
01:21And you are sure about your idea?
01:25Yes, what?
01:27Look, Ukaše, you know Dijanu better than me. You know what she may be a problem.
01:38And then you won't have a better idea when you remember that?
01:42Well, when he sees me, when he sees such an avion of women,
01:47he will take care of me again. That's what we can do right now.
01:52It's crazy, we got to talk about it.
01:56I heard it. What happened to you?
02:02It happened to everyone who wants to take care of me.
02:07How do I love you?
02:10The man starts.
02:12He was able to make one of the past before the past.
02:17He managed to make one of the past.
02:21As I know, you are the one who always makes a memory.
02:25Who told me?
02:27You told me.
02:28Good morning.
02:29Hello.
02:30How can we help you?
02:33I came to see Nataliju.
02:36Nataliju?
02:40Hey, Olga, someone is looking for you.
02:43Who is looking for you?
02:47Hello.
02:48I'm the one who's drawn to you.
02:56If you are the one with the only two.
02:58After the previous answer, it's been a very valuable woman society.
03:04So we could do this combination.
03:07Yes, there's two.
03:08Yes, there's two.
03:09Yes.
03:10I don't want to pray.
03:12I don't want to live.
03:16Gorane, where are you?
03:18I have my channel.
03:19What channel?
03:20I have my channel. I have my channel. I have my channel.
03:22Who told me?
03:23Who told me?
03:24Just tell me who told me, Gorane.
03:25I don't know my channel.
03:26You have to tell me who told me.
03:28I hear my channel.
03:29Gorane, tell me right now who told me.
03:34Good morning, Kala.
03:35Good morning.
03:40Dobro.
03:43Da vidimo.
03:44Je to u redu?
03:45Pazi ovako.
03:46Nebojša.
03:47Ako mi te dve stvari za početak ne budeš rešio,
03:51tvoj tata će izgubiti najbolje na netvrku na svetu.
03:53Ovdje klubu, ako izgubi menažerku,
03:55ko će da radi?
03:56Pa ti ćeš morati da radiš.
03:57Nas dve treba sada da pokažemo najveću moguću odgovornost.
04:02Znam, znam, znam da je ovo sa jako osjetljivo,
04:07jasno mi je, potpuno mi je jasno.
04:09Ali sam obađenja da ti i ja
04:13sigurno možemo da nađemo neki zajednički jezik.
04:16To sam sto posto sigurna.
04:18Pa, jedino, Aleksa nije pokazao neko interesovanje,
04:22to moram da kažem.
04:23Ali, dobro, računam.
04:25Vi ćete to već rešiti između seba, tako.
04:28Eto, to je to.
04:29To.
04:30Može sači veš sekund.
04:31Može sači već.
04:33Može sači već.
04:34Može sači već.
04:35Može sači već.
04:36Može sači već.
04:38Može sači već.
04:39Može sači već.
04:40Može sači već.
04:41Može sači već.
04:42Može sači već.
04:43Može sači već.
04:44Može sači već.
04:45Može sači već.
04:46Može sači već.
04:47Može sači već.
04:48Može sači već.
04:49Može sači već.
04:50Može sači već.
04:51Može sači već.
04:52Može sači već.
04:53Može sači već.
04:54Može sači već.
04:55Može sači već.
04:56Može sači već.
04:57Može sači već.
04:58Može sači već.
04:59Može sači već.
05:00Može sači već.
05:01Može sači već.
05:02Može sači već.
05:03Sometimes it will be, but often it will be mine
05:08And everything is unknown, except for the truth
05:14Like love in the war, there is no way to make it
05:26You have one life, only one chance
05:32To become no one, because the star will all be mine
05:40I play with love, like a circle of happiness
05:45Nekoga wants, nekoga baš neće
05:50Kao na uletu, sve se opleće, a mi svoj za oci
05:57So you should be there
06:03Oh, oh, oh, oh, oh
06:11Oh, oh, oh, oh, oh, oh, oh
06:20Oh, oh, oh, oh, oh, oh, oh
06:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
07:00If you talk to him, you can see that the man is in peace.
07:04I am maltreated a woman. He can't do that anymore.
07:08How do we do that?
07:16Maybe Dijana Erskisila is a fool,
07:20but she didn't have to get a chance.
07:24It's terrible. If we work,
07:28we can't do that.
07:30We can't do that.
07:32We can't do that.
07:34We can't do that.
07:36We can't do that.
07:38We can't do that.
07:40What are you talking about?
07:42It's not the case of police.
07:44No, I don't have to.
07:46My case is the case of Maksima.
07:50Okay.
07:52Let's go back to this case of police.
07:54What is the case of parking cases?
07:58We can't do that.
08:00What is the speed?
08:02We will see something here.
08:04The competition is one-month-old.
08:06What a man.
08:08He's not a bad guy.
08:10He's not a bad guy.
08:12He's not a aggressive guy.
08:14He's not a bad guy.
08:16He's not a bad guy.
08:18Can you have a nice informative conversation with a picture?
08:23Yes, I can.
08:24Great.
08:25Great.
08:26Nebojšice, you're a guest.
08:28Bravo, bravo, Vence.
08:33Okay.
08:34And I think when I get to Maxime, when I start to shoot him,
08:40when Maxime falls on me, what do I need to do?
08:44Nothing.
08:45Then you'll be able to document it.
08:48You'll be able to take photos, write a newspaper and write an article.
08:55Then I'll be a real spy.
08:58Yes.
09:00It's not bad.
09:02It's really nice to me.
09:03It's like in films, when I was a little while watching the spy.
09:06It's so sweet.
09:09I'm very excited.
09:11It's funny.
09:12Okay.
09:14Tell me, if I need to do this, are you aware that I need to do professional work?
09:21What kind of work?
09:23Profesional work?
09:25I need a phone with a professional camera.
09:27I need to do something that means such a job.
09:30And what?
09:31You don't do this usual job?
09:33I'm a professional at this moment, or I'm someone who is quite unusual.
09:40You're a professional.
09:43If I'm a professional, then I'm going to be a professional.
09:46Okay.
09:47We'll see what we can do.
09:49Do we have a agreement?
09:52Do we have a agreement?
09:53And something else, please.
09:55I want to have my code.
09:58Do you know what I mean?
09:59I want a code for this spectacular operation.
10:05Do we have a code?
10:07Okay.
10:08You'll have it.
10:09Okay.
10:10You'll have it.
10:11You'll have it.
10:12Good.
10:13Good.
10:14Good.
10:15Good.
10:16Good.
10:17Good.
10:18Good.
10:19Good.
10:20It's all about nothing.
10:21We're getting ready, but before that we are definitely done,
10:24we'll be living on paper,
10:25then we'll post an answer,
10:27and then I'll go to the maximum.
10:32Okay.
10:33We have an agreement?
10:37Okay.
10:38I need to note,
10:39I need to close something quickly.
10:44Was he a man?
10:47You gave him a medal.
10:51Tell me, why do you hate me?
10:54I teach you.
10:56I teach you, George.
10:58I just wanted to tell you, and I wanted to see how you look at this whole situation.
11:26I don't want to get into a deep polemic with you.
11:34I don't like that.
11:37I'm looking forward to talking to you about this.
11:43I'm looking forward to it.
11:46There is a very important thing.
11:49I don't have any intention to change Alex's life.
11:57What do you think?
11:58What do you think?
12:01Alexa and Gabriela need to do it themselves.
12:03They are people from over 30 years.
12:06Yes, yes, yes.
12:08I agree, yes.
12:10But on the other hand, we are the ones who need to meet them now.
12:16No, no.
12:17No, no.
12:18No, no.
12:20No, no.
12:21I'm not saying anything about this.
12:22I'm not saying anything about this.
12:23I'm not saying anything about this.
12:24I'm saying anything about this.
12:26And what it is, to me, to me.
12:28Yes.
12:29Okay.
12:30Good. Good. Thank you for allowing me to talk to you.
12:43I don't know.
12:44I hope I didn't expect you to see you.
12:47No, no.
12:48Are you sure?
12:50No.
12:53Good.
12:55Sorry for that.
13:00Let's see.
13:02Let's see.
13:27I saw who was.
13:32Do you have any problems?
13:37No.
13:38Can I tell you again that this charmer for the siromage?
13:44What do you mean?
13:46What do you mean?
13:47What do you mean?
13:48You're again falling on the charmer of the Don Juan with the brke.
13:54What do you mean?
13:56I don't have any idea, yes?
13:58No.
13:59Do you have any idea?
14:01What do you mean?
14:03I don't understand anything.
14:04I told you that I couldn't understand you.
14:07We're going to say you're stupid.
14:09I don't understand.
14:10No.
14:11All you need is to be able to take a picture of the company and steal.
14:14That's all you want.
14:15Everything you want is to be able to do.
14:16You don't have to understand.
14:17You're going to become a psychologist, a psychiatrist.
14:20Yes.
14:21You're going to be a little bit to give yourself.
14:23It would be more important.
14:24I give myself to give myself.
14:26Yes.
14:27What?
14:28You're doing a lot better than you are.
14:32Only without you.
14:34You know?
14:35You're going to start with people who are being upset.
14:37You're going to start with people.
14:38You are the only thing.
14:39I am your turn.
14:40You're almost done.
14:41You're still done.
14:42You're done?
14:43I was done.
14:44You're done.
14:46You're done.
14:47It was done.
14:52You're done.
14:57You're done.
14:58I'm done.
14:59You're done?
15:00I'm done.
15:01I'm done.
15:02You're done.
15:03You're done?
15:04Maybe you're done?
15:05It's a very simple topic.
15:07I'm sorry, Lazar, I don't write about the nuclear physics,
15:09write about the social media.
15:11I know what I'm doing.
15:14We need to do that on the web platform.
15:17All I know, all I know.
15:19All I know.
15:21Here I go.
15:24Please, read it.
15:27I'm going to read it.
15:29I'm going to read it.
15:31I'm going to read it.
15:33What is this?
15:35I don't understand the introduction,
15:37and then you have...
15:39Mazare?
15:40What?
15:41This is crazy.
15:43Don't mess up, please.
15:45Don't mess up, sorry,
15:46but it's on the advertising for makeup.
15:48I don't understand.
15:49What?
15:50Your texts are better.
15:51They are better,
15:52because everyone can write this.
15:54I'm sorry, I'm sorry.
15:56Your texts are gone.
15:57Give them the story,
15:58you can sell them.
15:59No.
16:00What story?
16:01I don't want a story about the formal newspaper.
16:04I'm not selling anything.
16:06I'm selling it.
16:07I don't want a story about the formal newspaper work,
16:09I want to make sure that I can do it.
16:11I'm going to do it.
16:12Not to write the material.
16:14I'm sorry.
16:15I'm not even aware of it.
16:17You know what?
16:18You know what, Vitomir is expecting an analysis of the benefits of the media.
16:23Not a review for fraud!
16:24I heard it! I heard it!
16:26I don't know what's going on with you.
16:28Mateo, the text is good, reading, the public will love it.
16:31You can see it!
16:33Let's do it!
16:35What are you doing?
16:37I've done your text because you'll see us Vitomir.
16:39You'll see my text is done!
16:41Yes.
16:43That's good!
16:45Aman Brečoveča, this must be a serious research work, not a promo material.
16:49Mateo, this happened to me.
16:51No, no, wait, what's your best for me?
16:54That's why he's wrong with you.
16:56No, this really isn't fair.
16:58Mateo, wait, wait, wait.
17:01What are you doing now?
17:02I'm going to write it myself, from the beginning, but I'm going to tell you all about Vitomir.
17:08All of you!
17:09You don't want to tell him, you don't want to tell him.
17:12I'll tell him everything!
17:14I'm going to tell him!
17:15Let me, let me go!
17:24I want to tell you that you've done everything you need.
17:27You're a great professional.
17:29You've always been there.
17:30Oh, thank you, Gabriela, thank you.
17:35It was a mistake.
17:37It was a mistake.
17:39It was a mistake.
17:41It's hard to control myself, especially now in this situation.
17:44Yes.
17:45You see, I understand everything.
17:49Now, the most important thing is to be satisfied.
17:51It's important to me.
17:53It's important to me that I can do my job in peace and without the tension.
17:57I know my job and I would say that I'm doing it well.
18:01Of course, I really appreciate it.
18:03Okay.
18:04Okay.
18:05If that's all, I'd be back on the job.
18:07Of course.
18:08I'm sorry.
18:09Can you just tell Alexi to come and talk about something related to the process?
18:13Alexi?
18:14Yes.
18:15I don't know where he is.
18:17I don't know.
18:18Did he see someone?
18:19I don't know where he is.
18:20I don't know where he is.
18:21I don't know where he is, but I'm not even sure where he is.
18:22I don't know where he is.
18:23Okay, thanks.
18:25Thanks.
18:27Thanks.
18:40You're welcome.
18:41What's that now?
18:42It's a great thing.
18:43Yes.
18:44How much more is the improvement.
18:46I have to do it because of rock.
18:49I would leave the idea about the new generation,
18:52but as soon as you want.
18:57If you call this a serious literary work,
19:00I really don't know.
19:02I mean, listen, you have space to add
19:05about social networks,
19:07about social networks.
19:08But this isn't a topic, do you understand?
19:11Okay.
19:13Rock?
19:15Where is rock?
19:16What is rock?
19:17I have to write about podcasting,
19:19but I don't remember Donin's podcast.
19:23What is it?
19:24Benefit podcast format,
19:25information about new generation,
19:27which will not be...
19:28To me, the notes.
19:29Leave it.
19:30And rock?
19:31Where is rock?
19:32I will write the notes
19:34and think about what you should
19:35if you start practicing.
19:37The notes are ridiculous, monotone.
19:39You need to add even more
19:40more delicious material.
19:42Do you think it was in your text?
19:44Of course.
19:45Evo,
19:46na primer,
19:47možemo da napišemo
19:48kako Dona planira revoluciju.
19:49Mislim,
19:50to je zanimljivo,
19:51to ljudi vole.
19:52A možda čoveče,
19:53ne smemo da pišemo
19:54o Doninim planovima?
19:55To je Vito mi rekao,
19:56jeli?
19:57Dobro.
19:58Ako je on rekao,
19:59ok,
20:00ali to bi bilo dobro,
20:01to bi prošlo.
20:02pošto si zaboravio oče i gledim te.
20:03Slušaj,
20:04nisam budala,
20:05nego znam šta radim.
20:07A šta radiš?
20:08A šta radiš?
20:09I da znaš imaš previše slovnih grešaka.
20:12Lektor kada bude čitao ima da padne u nesvest.
20:14A šta radiš sad ti tu?
20:15Napisat ću bolji tekst od tebe,
20:17vidjet ćeš.
20:18Nemam ja vremena za tebe češ.
20:20Eh,
20:21ja ću da pišem o tome
20:23šta Dona krije od javnosti.
20:27Eh,
20:29gotovo.
20:30Ja završila.
20:31I da znaš,
20:32moj pristup je i dalje bolji od tvog.
20:34Samo se ti bavi skandalima,
20:36a ja idem na ručak.
20:44Ono se ti bavi skandalima,
25:33I understand everything like I need.
25:36You need to understand that I have to do it myself.
25:40And myself as I think I should.
25:49Go, go.
25:51Go, go, go.
26:03Go, go, go.
26:07I think you idealize the whole situation.
26:13When you come back to the film, the things were not so done in the job.
26:18Just remember Jovana, how she knew it would be uncomfortable for you.
26:22Do you remember the whole chaos?
26:24I remember very well.
26:27I remember...
26:30I remember it's time to see it.
26:33I remember that we were lucky.
26:36I remember that we were lucky.
26:38We were lucky.
26:39We were happy that we were lucky.
26:42I know it all.
26:44But you can't move on.
26:46You can't take the same place like that you are a slave.
26:50You can't take the same place.
26:52You can't go to the house, you can't go.
26:54You can't go.
26:56I can't go.
26:58No, I don't listen to that, I don't accept it.
27:00Look at her, let's go a little bit.
27:03No.
27:06What are you doing?
27:07I don't have any things, I don't understand what I'm doing.
27:11I don't see what I'm doing.
27:13Nothing bad, stupid.
27:16What are you doing?
27:19What are you doing?
27:20I don't know anything.
27:22What are you doing?
27:24What are you doing?
27:26What are you doing?
27:28Why are you doing this?
27:30Why are you doing this?
27:32Let's see.
27:34No, I'm not going to do this.
27:36Everyone is going to do this.
27:38Why are you doing this?
27:40I know I'm saying the truth.
27:42Let's go.
27:44Let's go.
27:46Let's go.
27:48Let's go.
27:50Let's go.
27:52Let's go.
27:54Okay.
27:56Okay.
27:58Let's go.
28:00Let's go.
28:02Let's go.
28:04Let's go.
28:06Do you want to do it?
28:08I don't want to do it.
28:10I don't want to do it again.
28:12Okay, come on.
28:14Come on.
28:16Come on.
28:18Come on.
28:20Come on.
28:22Don't worry.
28:24Come on.
28:26Come on.
28:36Come on.
28:38Come on.
28:40Come on.
28:42Hmm.
29:06Come on.
29:12Moje namere su bile najbolje.
29:14A tvoje pijanstvo najgore?
29:16Znači, ona je tebe slagala.
29:19Da sam ja bila pijana i da sam napala nju jadnicu.
29:22Koja sedi kod kuće s krštenih ruku dok joj muž trune u zatvoru.
29:26A taj muž je slučajno moj rođeni sin.
29:28I šta je ja trebalo da radim?
29:30Da zabijem glavu u pesa konoj.
29:32Jer je ona njeno veličanstvo snaja.
29:34Njoj ne sme niko ništa da kaže.
29:36Jesi završila taj traktat?
29:37Evo jedva.
29:38E pa slušaj me dobro.
29:40Ne možeš da mi se obraćaš takvim tonom?
29:43Dve stvari.
29:44Prvo, ukoliko ti se ovo bude ponovo dogodilo,
29:47možeš da zaboraviš na svog sina koji se zove Aleksa.
29:50A drugo,
29:51ma da to je u stvari prvo,
29:53ukoliko odmah ne nastaviš sa lečenjem tvojeg alkoholizma,
29:56ja ću te lično strpati u bolnicu koji te niko neće pitati da li si tu samostalno ili ne.
30:02Ti meni retiš.
30:05Da, u oba slučaja.
30:07Evo je sine,
30:09blago tebi ako ti ona nije problem nego ja.
30:12Blago tebi.
30:13Rekao sam sve što sam imao na ovu temu.
30:15I više li će ubičiti.
30:30Nećeš ga, Olga.
30:31Nećeš, vala.
30:33Ile, tozmeš svoj život u svoje ruke.
30:35Nećeš pre...
30:37Nećeš pre...
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31:00Nećeš pre...
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31:03Nećeš pre...
31:04I want to present you something that will sound stupid, but the idea is fantastic.
31:16What do you want to present?
31:19Mila, how do I know if it's stupid or not, if I haven't heard the idea?
31:23Have you watched the film How to kill a girl for 10 days?
31:28Rom.com?
31:30It's unusual.
31:32So, take a tefter, write Gabriela and write Lenka.
31:38And then plus, minus, minus, plus, plus, plus, minus.
31:41You understand?
31:42Positive things you play as plus, and negative as minus.
31:46What a idea!
31:47Every time, Milence.
31:49Thank you, Goren.
31:50It's a very stupid idea and I won't do that.
31:52Why won't you do that?
31:53It's not stupid.
31:54I knew it.
31:55I knew it.
31:56My life is more than a problem.
31:57I've watched it before how to kill a girl.
32:00This is the best idea that I've said for the past 5-10 years.
32:05I don't have it.
32:06Okay.
32:07Okay, let's go.
32:08Let's go.
32:09Let's go.
32:10Plus?
32:11Yes.
32:12Plus, for Lenka, that's what's written.
32:15And for Gabriela?
32:17Plus, for Gabriela, that's what's written.
32:20Now, minus.
32:22And minus is...
32:23Let's just talk about it.
32:24Let's go.
32:25Let's go.
32:26Let's go.
32:27Look how it's easier for a man to laugh when he leaves.
32:29You know, I've had the biggest problem in the world,
32:31when I was a kid, I was a kid, I just laughed.
32:35Goren, you're a little bit.
32:37You're a little bit.
32:38You're a little bit.
32:39You're a little bit.
32:40You're a little bit.
32:41You're a little bit.
32:42You're a little bit.
32:43You're a little bit.
32:44You're a little bit.
32:45You're a little bit.
32:47You're a little bit.
32:48How do you say it?
32:49What do you say?
32:50What do you say?
32:51What do you say?
32:52The truth.
32:53The truth.
32:54The truth.
32:55The truth.
32:56The truth.
32:57No, please.
32:58Let's go.
32:59Let's go.
33:00If we need to move on, we'll go back on it.
33:02Let's go.
33:03Just not this.
33:04I can't say for Gabriela plus.
33:05What do you want?
33:06For Kaju plus?
33:07For Lenku minus.
33:08For Gabriela minus.
33:09For Gabriela minus.
33:10For plus.
33:11What do you say?
33:12What do you say.
33:14Thank you so much.
33:15Good.
33:16Good.
33:17Good.
33:18Good to see you.
33:38We're not bleeding with alcohol?
33:40How would it be different?
33:44When I drink, I usually make some nonsense.
33:48And now I'm quite drunk.
33:52I don't know anything better.
33:56Nothing. Then in that name.
34:00Live.
34:02Live.
34:04Good evening.
34:28How are you?
34:30We are great.
34:34How are you?
34:36How are you?
34:38Standard.
34:40What do you want to drink?
34:42Do you want to change anything?
34:44Yes, you can.
34:46Oh.
34:58Kopre, live in the open.
35:00It won't be hard.
35:02Yes.
35:04Tell me,
35:06when you look at your life,
35:08do you want to change the old one?
35:10Or do you want to change anything?
35:12I don't want to live on the island.
35:14I don't want to talk about it.
35:16Please.
35:17I don't want to talk about it.
35:18What do you want to talk about it?
35:20What do you want to talk about it?
35:30I hope that it will be the gas station.
35:32At the last time, we're going to talk about it.
35:34We're going to talk about it.
35:36Yes, we're going to talk about it.
35:38We're going to talk about it.
35:40Oh, what's up?
35:41What's up?
35:42What's up?
35:43What's up?
35:44What's up?
35:45What's up?
35:46What's up?
35:47I'm not a little.
35:49Let's go.
35:50Let's go.
35:53Let's go.
35:54It's better to go, to sleep.
36:08Good evening to everyone.
36:10Good evening.
36:11I'm going to break something up?
36:13No.
36:16Lenka, how are you?
36:18Great.
36:20Let's go.
36:22Lenka, there's no reason to go.
36:24There's no need, Alexe, because I really don't plan to stay here in this toxic environment.
36:29Lenka.
36:42Profesor,
36:46I have to admit that I was expecting you in a moment.
36:51It's nice to be.
36:52It's nice to be.
36:57You weren't able to see me in the house?
37:02Yes.
37:03Yes.
37:04I was able to talk a little bit like people.
37:09I was able to talk a little bit like people.
37:12I'm listening.
37:13I was able to talk a little bit like that.
37:15But I don't think that you're in love.
37:16I'm going to be a little bit like that.
37:17What's the matter?
37:18What is it, Maksima? I don't like you.
37:25No, you like me. I have to be oppressed.
37:30Why do you want to be oppressed?
37:32Because of a new employee.
37:34Is he going to meet you with women or what?
37:37No, I don't like women, but I don't know him well.
37:42I don't want to hear that I can do something else.
37:46Who is your husband? Maybe I know him.
37:49I don't know.
38:01Have you ever noticed someone who didn't come before?
38:07Someone who didn't come before?
38:09I remember him.
38:13Yes, yes, he was.
38:24You have to call him 5, 10, 20, and 30 times.
38:27Where are you now talking about?
38:29I want to be in the evening to be all tip-top, right?
38:32I want to see my daughter. I want to know where she is.
38:34I want to know where she is.
38:35I want to know where she is.
38:36I want to know where she is.
38:37I want to know where she is.
38:38I want to know where she is from.
38:40I want to know where she is.
38:45I just want to see my daughter, I want to know where it is, to see how it is.
39:02Okay, I totally understand.
39:06I'm just going to stop you, so you don't go to Vivo Kanački.
39:23Okay, but I won't get away until you don't let me tell you what I have.
39:26You will again tell me how you love me.
39:28I haven't planned to talk about that.
39:31I have given you all the things that are interested in.
39:34I don't know what to say to you.
39:36Even though you came to me, it is still.
39:40It is still.
39:42Okay, please.
39:45Here you go.
39:46You don't want me to go inside.
39:48No i don't.
39:50No, not because I think I'm going to be 22.
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