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00:01Previously on Desperate Housewives...
00:03Tom moved out of the house.
00:05Tom and I are separating now.
00:07After covering up a murder,
00:09Gabby warned Bree it was a bad time to be dating a cop.
00:14Get rid of Chuck.
00:15But you've got to end this and you've got to end it now.
00:18Bree showed the mysterious letter to Paul,
00:20who'd seen one like it before.
00:22I mentioned the letter to the police.
00:24The main detective was a tall guy with a short name like, uh, Pence.
00:28Was it Vance? Chuck Vance?
00:30That's it.
00:31Carlos struggled with remorse.
00:33I just want us to get back to normal.
00:34We're never going back to normal!
00:36And discovered he wasn't the only one feeling guilty.
00:39It is nice to be able to talk about this.
00:42Do you want to get some coffee?
00:49Susan Delfino and Carlos Solis had never been the best of friends.
00:54Susan thought Carlos paid too much attention to other people's opinions.
01:01And Carlos thought Susan didn't pay attention at all.
01:07Over the years, they'd never had much to say to one another.
01:13But one night, Susan found herself troubled by thoughts she couldn't share with her spouse.
01:19While two doors down, Carlos was in the same predicament.
01:24And that's how it came to pass,
01:29that two people who'd never had much to say to one another,
01:34suddenly found they had a great deal to talk about.
01:40So I leave the office, walk into the parking garage, and there he is.
01:49Alejandro.
01:50Right in front of me.
01:52I practically jump out of my skin.
01:54Then I turn around again.
01:56It's just some guy getting into his car.
01:59This is not me.
02:01I can't sleep.
02:02I'm seeing ghosts.
02:04I feel like I'm walking around with a neon sign on my forehead flashing guilty, guilty.
02:11And everybody can see it.
02:14And sometimes I think I'm losing it.
02:16Me too.
02:18I was getting ready to detect the guy.
02:20Can you imagine?
02:21Can I imagine?
02:23I assaulted a cop, remember?
02:25Oh, yeah.
02:27What happened with that?
02:29Fifteen hours of community service.
02:31Oh, I see.
02:32And I can't tell Mike.
02:34There's one more thing I'm lying to him about.
02:36Well, I can talk to Gabby, but she's sick of listening.
02:40That's what makes this feel so...
02:48I know.
02:52Can I tell you something?
02:54When I went out walking tonight,
02:58I was kind of hoping I'd run into you.
03:01I was kind of hoping that, too.
03:12You're kidding.
03:13You've never read To Kill a Mockingbird.
03:15In my school, if you read a book, it was more like To Kill a Sophomore.
03:19Well, you would love it.
03:22It's about a guy who tries to hang on to his sense of right and wrong when the system fails him.
03:30Gee, I don't get that at all.
03:32Hmm.
03:34Oh.
03:35Your jacket.
03:38Mm-hmm.
03:39Mm-hmm.
03:40Yes.
03:41Susan and Carlos were starting to pay attention to one another.
03:45Good night.
03:47But what they didn't realize was that someone else was paying attention, too.
03:56Wisteria Lane may look flawless, but that's only because its residents are so good at concealing imperfections.
04:17They know how to make something old look new again.
04:24How to make an embarrassing mistake disappear.
04:29How to make a poor showing look like a modest victory.
04:34And how to make a friend feel better after she's gone through a messy breakup.
04:40Cappy, how thoughtful.
04:42It's from that new place, Skinnyberry.
04:44Tastes like a milkshake, but only 18 calories.
04:49And I figured you could use a little pick-me-up after you dump Chuck.
04:53Yeah, well, about that.
04:57Morning, women.
05:00Morning.
05:01Oh, is that from Skinnyberry?
05:04You know the fraud units all over that place, right?
05:06Apparently those things are like pure ice cream.
05:08Huh.
05:09Guess you can't trust anybody.
05:14Have a good day.
05:18All right, I know what you're gonna say.
05:20Three words.
05:21First word, your.
05:22Third word, crazy.
05:23Middle word, what you keep doing to that guy!
05:25You don't understand.
05:26Damn right I don't.
05:27You said you were gonna dump him.
05:29I was.
05:31But...
05:33I think Chuck wrote the letter.
05:36That I know what you did letter?
05:38What makes you think that?
05:39I spoke to Paul Young and...
05:41Why would you talk to Paul?
05:42To find out who else knew about Mary Alice's letter.
05:45And he said that when he confessed to killing Martha Huber, Chuck was there.
05:51Okay, but...
05:52Why would Chuck blackmail you?
05:54He's already got the milk and the cow.
05:57No offense, just what else could he want?
05:59Maybe he wants to control me.
06:00Maybe he wants money.
06:01I don't know.
06:02You've gotta start snooping.
06:04What?
06:05Yeah.
06:06Go through his stuff.
06:07Hack into his emails.
06:08Listen in on his phone calls.
06:09I can't do that.
06:10You have to breathe.
06:12Until we know what Chuck knows.
06:13Exactly what he knows.
06:15It's not just you who's in danger.
06:16It's all of us.
06:26How's that pressure?
06:27Oh, perfect.
06:29And remember, Friedrich, I've hidden your tip somewhere on my body.
06:32It's up to you to find it.
06:37Go away!
06:39Renee!
06:40I need you.
06:41Lee!
06:42I am in crisis.
06:43I am at my wit's will.
06:44Hello.
06:45Lee McDermott.
06:46Nice to meet you.
06:48I'm Friedrich.
06:49Ooh.
06:50Liking the sound of music?
06:53Nothing?
06:54Okay, he plays for your team.
06:55Anyway, I need a huge favor.
06:57I don't do favors, you know that.
06:59It's for Jenny.
07:00Oh, your daughter?
07:02No!
07:03Please!
07:04I am desperate.
07:07When Bob and I adopted her, we agreed that I would take care of the time of the month
07:11talk and Bob would handle all things bra.
07:13Well, that bastard is in Tokyo and the booby fairy has arrived.
07:18The booby fairy?
07:19See why I should not be the one handling this?
07:22I was hoping maybe you could take her shopping.
07:25Oh, man up.
07:26It's just a bra.
07:27They terrify me.
07:29Too many numbers and letters and colors and it's my little girl growing up.
07:33and I can't deal.
07:38Oh, yes.
07:40So you'll do it?
07:41No.
07:42He just found his tip.
07:45Renee!
07:47Fine.
07:48I'll take her, but only for an hour and no small talk.
07:51Oh, bless you.
07:52I will never forget you for this.
07:55Look, Ricky Martin.
07:56Eating a banana.
07:59Just checking.
08:03Oh, please come with us.
08:06You bra shop with Penny.
08:08And maybe one of your older boys, if I'm guessing right.
08:11I can't.
08:12I have plans.
08:13Oh, that's right.
08:14Tom's got the kids and you have this whole place to yourself.
08:18What are you gonna do?
08:20Oh, sweetie.
08:21Some man who's not married to you is gonna have to see that body soon.
08:24Do not do this.
08:26It's not for me.
08:27My sister's coming.
08:28Lydia?
08:29The disaster?
08:30Yeah.
08:31Out of the blue she called and says she wants to visit.
08:33You know what that means?
08:34She got dumped.
08:35After loaning him a lot of money.
08:37And finding out he's married.
08:38In two states.
08:39So, I gotta get the whole tool kit ready so after she crash lands here, I can pick up the pieces.
08:46Ah, I'm going out the back door.
08:48I hate to see people crying.
08:50It reminds me how little I actually care about others.
08:56Coming!
08:59Oh, hi.
09:01You look...
09:03You look fantastic.
09:05You thought I'd be my usual blubbery mess of snot and tears, didn't you?
09:10What? No.
09:11Well, that's not me anymore.
09:13Thanks to Rashi, I'm a changed woman.
09:17Rashi?
09:18Oh, God.
09:19Did you get a dog?
09:20No, silly.
09:21I got engaged.
09:22To the greatest guy in the world.
09:29Oh, and Lynette.
09:31I'm so sorry about you and Tom.
09:34But don't worry.
09:36I'm here to help.
09:37Hey.
09:38Sorry I'm late.
09:39The grocery store was a madhouse.
09:40I actually had to fight a woman over the last chicken.
09:41Susan.
09:42Unfortunately, she was Slavica.
09:43Very sturdy people.
09:44So, I hope you like cereal.
09:45Susan.
09:46Stop.
09:47I just got off the phone with a guy from the county.
09:48Something about your court-ordered community service for assaulting a policeman.
09:51Oh, that.
09:52Yeah, that.
09:53It's so ridiculous.
09:54I was trying to fight a parking ticket and I knocked over the cop's bike.
09:55Um, I maybe told him his baby was ugly.
09:56He, he, he.
09:57I just got off the phone with a guy from the county.
10:00Something about your court-ordered community service for assaulting a policeman.
10:05Oh, that.
10:08That.
10:09Yeah, that.
10:13It's so ridiculous.
10:15I was trying to fight a parking ticket and I knocked over the cop's bike.
10:21Um, I maybe told him his baby was ugly.
10:24He, he blew the whole thing out of proportion.
10:27Well, you know what I'm blowing out of proportion?
10:29The guy on the phone called me Mr. Solis.
10:34Right.
10:35Because, uh, Carlos picked me up at the, uh, police station.
10:42Which I know sounds weird.
10:44Why him and not you?
10:46I, I, I was just, uh, so embarrassed.
10:52I, I didn't want to tell you.
10:57So there's nothing going on with you and Carlos?
11:00I shouldn't be worried about your little moonlight stroll last night.
11:08Wow.
11:10Have you been taking fighting lessons from that Slavic lady?
11:16Mike, come on.
11:17I couldn't sleep.
11:18Carlos couldn't sleep.
11:19We ran into each other and we talked.
11:21About what?
11:22You barely know him.
11:23The first eight years we lived here, you called him Ricky Ricardo.
11:26He's going through something and I'm helping him.
11:33Yeah?
11:35Tell me, what's he going through?
11:39It's personal.
11:43Mike, Carlos and I are just friends.
11:46I don't mind you being friends with a guy.
11:48It's all the sneaking around and the lying.
11:50I'm having a hard time with.
12:00So she waltzes into my advanced yoga class, even though clearly she's never done yoga before.
12:06Well, the teacher of the beginners class wasn't nearly as cute as you.
12:09And then I, uh, go over and correct her cobbler pose, right?
12:14And our eyes meet.
12:17And three weeks later, he gives me this.
12:21Wow, that's some rock.
12:23Literally, it's a rock.
12:25I saw it on the beach after class.
12:27It calls out to me.
12:29And I feel like I might need it someday.
12:32And you did.
12:34Isn't the universe amazing?
12:36Amazingly thrifty.
12:38Okay, so this is my third glass.
12:42I'm saying mean things, but I'm not getting a buzz.
12:45The wine is alcohol free.
12:47So this night's not getting any better.
12:50Ever since Rashi did a liver cleanse on me, I haven't had a drop to drink.
12:53Wow.
12:55You got Liddy to give up wine?
12:57You should take your act to Vegas.
12:59It's not an act.
13:01I'm gonna go grab some spices out of the van.
13:03Mmm.
13:05Mmm.
13:13Okay, who are you kidding?
13:15You can't marry that sunflower seed.
13:17I'm not kidding anybody.
13:19I love him.
13:21In fact, he's leading a meditation seminar at Kerrigan Park.
13:26Why don't you come?
13:28It might help you deal with your marriage crashing.
13:30My marriage did not crash.
13:33Tom and I are separated.
13:35Exactly why you should be doing some Lynette work.
13:37Come on, it'll be fun.
13:39Six hours of silence in a traditional mountain yurt.
13:43I promise you, Lydia, if you drag me to a yurt, two will go in, one will come out.
13:48Hey, careful, that's our tax dollars you're dripping.
13:59Sorry.
14:01You need to pace yourself.
14:03You're gonna need lots of paint to cover that gigantic banana over there.
14:07Uh, I don't think that's a banana.
14:10Hey, I worked hard on that graffiti.
14:20What are you doing here?
14:22To kill a mockingbird.
14:25I started reading it last night, it was so good I couldn't wait to talk to you about it.
14:28Yeah, well, I'm kind of beautifying the city at the moment.
14:32Don't you get a lunch?
14:34Um, look, Carlos, Mike found out we were spending time together and he's a little weird about it, so I don't think we should be having any intimate lunches.
14:44Why is he weird? I mean, nothing's going on.
14:49No, of course not, but somehow, us meeting in the middle of the night and me lying about it was kind of a red flag for him.
15:00Oh, okay. Well, if lunch is too intimate, how about I help with the beautifying?
15:10I guess there's no harm in that.
15:12Excuse me, are you here for community service?
15:17Nope, just trying to be a good citizen.
15:19Can't. Not unless you've committed a crime.
15:23Are you serious?
15:25Yeah.
15:32There. I littered.
15:42Jenny, trust me. You want Jackson to notice you? Ice him out. Don't talk to him. Don't look at him. Maybe have sex with his best friend. I mean, have a soda. Got it? Totes.
15:56What happened to you guys? You were supposed to be back two hours ago.
15:59Uh, we went shopping. Here's your credit card. Oh, and by the way, I upped your limit three grand. What are you, a nurse?
16:05So, tell me all about your day. OMG, I want to see everything you bought.
16:11Dad, you're like a million years too old for OMG.
16:15I'm gonna try the makeup you got me.
16:18Wait, you got her makeup? She's 11.
16:20Uh, she wears a bra now? Thinks she's ready for strawberry lip loss? Tell me what happens with Jackson. I want all the deets.
16:29Deets. I love you.
16:33Well, look at you two all BFF.
16:37So, who's this Jackson? I would like those deets.
16:40Oh, she asked me not to tell anyone about him.
16:43I'm not anyone. I'm her co-father.
16:45Well, don't take it personally. They're just some things girls would rather talk about with other girls.
16:50I can be a girl. I can totally be a girl.
16:53Well, you got the voice down.
17:02Hey, where are you?
17:04In the kitchen. Come join me.
17:09Smells amazing. What are you making?
17:11Oh, seared tilapia with Bernays Sauvignon and a little bok choy. Mind giving me a hand?
17:18Brie, the only word I recognized in that sentence was hand.
17:21Come on. There's nothing to it. This is Bernays sauce. It just needs ten minutes of constant whisking. Constant.
17:29Look at you. You're a natural. I'm gonna go dress for dinner.
17:37Now remember, keep whisking for ten minutes. If your hand starts to spasm, it means you're doing it right.
17:59Marie, I think it's been ten minutes.
18:10No, no, not even close. Keep whisking til it's light and frothy.
18:14Okay. I don't care how long it's been. That stuff ain't getting any fraught.
18:26And I got a cramp in my shooting hand. So, if a criminal gets away tomorrow, it'll be your fault.
18:31Oh, well, I'm so sorry. Here. Let me, uh, massage it for you.
18:32Oh.
18:33Oh.
18:34Oh.
18:35Oh.
18:36Oh.
18:37Oh.
18:38Oh.
18:39Oh.
18:40Oh.
18:41Oh.
18:42Oh.
18:43Oh.
18:44Oh.
18:45Oh.
18:46Oh.
18:47Oh.
18:48Oh.
18:49Oh.
18:50Oh.
18:51Oh.
18:52Oh.
18:53Oh.
18:54Oh.
18:55Oh.
18:56Oh.
18:57Oh.
18:58Oh.
18:59Oh.
19:00Oh.
19:09He took a picture of your hand while you were sleeping? How creepy is that?
19:11I know. Why would he do such a thing?
19:14Oh my God. What?
19:17He must have found a handprint at the crime scene. He pulled your print off the photo and they were a match.
19:22Is that possible?
19:23I don't know.
19:24Well, then what's in the envelope?
19:26Maybe the cell phone or a piece of the shovel handle. Whatever it is, that's what he's gonna use to nail us.
19:32Well, we have to get that envelope. And I can't keep distracting him by having him stir sauces.
19:36By the way, it's Bernays disaster.
19:39Okay. Tonight when he gets home, you take him for a long walk, leave the back door open and I'll do the rest.
19:45Got it.
19:48What if the briefcase is locked?
19:50I can pick locks.
19:52Yeah.
19:53I can also disguise my voice, forge people's signatures, and I'm a decent pickpocket.
19:57Adultery gave me some valuable life skills.
20:04Fractions are so stupid.
20:06You're never gonna need this stuff anyway.
20:08Are you kidding me?
20:09Let's say you marry a guy who's worth twenty million dollars.
20:14You divorce him, and he gives you half, but your prenup says you get three quarters.
20:19That extra five million gets you a yacht, because you learned your fractions.
20:25True story, by the way.
20:27Hello? It's Lee.
20:29Hey, come on up.
20:31You know, you'd be a really cool mom.
20:34You think so?
20:37No.
20:38I'd probably just leave the kid in a nightclub or Morocco.
20:43Hey, what are you doing here?
20:45What am I doing here? I'm looking for my daughter, who said she'd be home by five.
20:49I guess we got carried away.
20:51Totes.
20:52Use the whole word! How much time are you saving?
20:55Calm down.
20:56Can you stay out of this? This is between me and my daughter.
20:59Stop. You're embarrassing me.
21:01I don't care. You need to come home with me. Now.
21:05What if I say I'm not ready to leave?
21:07What if I say you're grounded for a week? Should we keep going?
21:09What? You are so unfair!
21:18Aren't you being a little hard on her?
21:20Back off, Renee. You're not her mother.
21:22You're not her mother.
21:27Mmm. My sweet. That was your most delicious meal yet. What was in this?
21:32Uh, just walnuts, hemp curds, and one very special ingredient.
21:38Please don't say love, because I'm already nauseous.
21:41I find that a walk after a meal helps encourage my digestive flow. Anybody care to join me?
21:47You go. I'll clean up.
21:54Oh, Lynette. That's full of poison.
21:58Yes, delicious, creamy poison. Which, by the way, you used to suck down by the gallon.
22:02Yes, I know. But I've changed. And I want to help you change, too. It's why I'm here.
22:09Wow. That's a bigger load of crap than the one we just ate.
22:13Excuse me?
22:15You're not here for me. You're here because, for once, you're the one in the happy relationship,
22:20and you just couldn't wait to rub my face in it.
22:23How could... Why do you all... No! No, no, no, no, no.
22:27No. You won't drag me down to your level. I am surrounded by a beautiful bubble of loving energy.
22:36Yes, Lydia, you are in a bubble. But once the pebble collector dumps you, like they all do,
22:42you'll go right back to being the ice cream-binging, wine-swilling, neurotic mess you really are.
22:48Pop!
22:50You are so mean. God, I hate you.
22:53There she is. Welcome back.
22:54My whole life, you've treated me like a screw-up. You always had to be the happy one, the smart one, the married one.
23:00Well, guess what? Now you're the screw-up bitch. You're alone and miserable, and I love it!
23:06I love it! I love it! I love it! I love it! I love it!
23:08Wow.
23:11I just, uh, forgot my iPod.
23:20Wow.
23:24I love it!
23:25That was my pleasure.
23:26I like this one.
23:27I know a happy party.
23:40Uh-oh, a Chardonnay float.
23:52Does that mean...
23:54Yes.
23:56Rashi's gone to the retreat alone, so congratulations.
24:01Now I'm just as miserable as you are.
24:04Did he dump you?
24:06He said now that he's seen the real me, he needs to meditate on whether or not he can still marry me.
24:14I'm so screwed, dude.
24:17Oh.
24:20You know, if he was that quick to run off, maybe he's not the guy.
24:26He's the guy.
24:28I'm just not the girl.
24:29I thought I could put all that loser stuff behind me and actually have a functional relationship.
24:38I guess that's too much to ask for.
24:41Why don't you go talk to him?
24:43I can't.
24:45After how I behaved, I've been told my energy is no longer welcome in the yurt.
24:51Where is she?
25:06Where is who?
25:07Jenny.
25:08She's supposed to be grounded, but when I went to her room to check on her, she was gone.
25:11Well, she's not here.
25:13I've been out all afternoon.
25:14I don't think I trust you.
25:17Jenny?
25:18Are you in here?
25:18This is all your fault, you know.
25:22My fault?
25:22How is it my fault?
25:23I'm sorry, I'm not speaking to you right now.
25:26We were a perfectly happy family before you got involved.
25:29Got involved?
25:30You made me take her shopping because you're scared of boobs.
25:33Yeah, and then you glommed on because you don't have kids of your own.
25:36It's not her fault.
25:39Jenny.
25:41I snuck in the back window.
25:43Sorry.
25:44What's going on?
25:45Why are you here?
25:47I like it here.
25:48We did our nails.
25:50More?
25:51I don't know.
25:54Sometimes I think it'd be cool to have a mother.
25:58Oh my God, the M word.
26:00Easy.
26:03What can a mother do that I can't?
26:06You want to do your nails?
26:07Mani-pedi Monday.
26:08Start next week.
26:09You want to try on shoes?
26:10I have the stilettos that Cher wore to the Moonstruck premiere.
26:13You can't go in the ladies' room with me.
26:17So that's the problem?
26:19Well, you've got me.
26:21I see why having a dad and a papa is so horrible.
26:24Jenny, why don't you go in the kitchen?
26:26The latest Vogue's in there.
26:27We have magazines at our house, too.
26:33Are you okay?
26:40This is my worst nightmare come true.
26:43I've worried about this moment ever since she came into our lives.
26:46What if Bob and I aren't enough?
26:47What if she does need a mother?
26:54Oh, shut up.
26:57Excuse me?
26:59You took a girl who was bouncing from one foster home to another
27:03and gave her two great parents who love her.
27:05But you heard her.
27:06It's not enough.
27:07Oh, please.
27:08She's a kid.
27:10Today she wants a mom.
27:11Tomorrow she'll want a car.
27:13Jenny is not lacking for anything,
27:14and you guys are doing an amazing job with her.
27:16Really?
27:19Yeah, really.
27:20So amazing that for the first time in my life,
27:23I actually enjoyed hanging out with a kid.
27:28Oh, thank you.
27:31And I take back everything I said about you being an insensitive bitch.
27:36Uh, you never said that.
27:39Don't open your email.
27:40We are the sun, the warmth, radiating from our hearts.
27:51We are the endless sea, rolling beneath the forever sky.
27:57We are the leaves, the wind blows us from trees.
28:03Sorry, sorry.
28:04Stupid wind.
28:06We are the stars, glowing, growing, losing ourselves, but gaining the universe.
28:14You got a sec.
28:18What are you doing here?
28:20Besides trying not to laugh my ass off, I need to talk to you.
28:24Well, not now.
28:25My students have been meditating for six hours.
28:27They are very close to finding their bliss.
28:29I'm sure they can spare you for a few minutes,
28:31so come talk to me or I will start singing Bethel Merman at the top of my lungs.
28:35There's no business like show business.
28:40There's no...
28:41So sorry.
28:42I'll be right back.
28:43Come on.
28:49You can't leave Lydia.
28:51I don't want to, but I didn't recognize that person I saw yelling at you.
28:56I did.
28:56It's the person I turn her into every time we get together.
29:00The Lydia I didn't recognize was the one who breezed through my house, happy and in love.
29:04You don't understand.
29:05It's too hard for me to be around people like you and Lydia.
29:09Then eat a root or chant or whatever.
29:12It's not going to help, okay?
29:13Why not?
29:14Because you are exactly like my family.
29:18My name is not Rashi.
29:21It's Herbert Brickmeyer from Levittown, Long Island.
29:25And that energy in your kitchen, that was pure Brickmeyer.
29:28And I can't be around that again.
29:30Okay.
29:31Okay, first of all, Lydia doesn't act like that when I'm not pushing her buttons.
29:36And even if she did, work it out.
29:38That's what a relationship is.
29:40And you're a relationship expert?
29:43I'm an expert on screwing them up.
29:45I'm guessing it took you a while to stop being a crazy Long Island Brickmeyer.
29:53So give Lydia a little time to find her bliss too.
30:03I'll think about it.
30:04All this talk about my family's got me really jonesing for a cigarette.
30:10You wouldn't happen to.
30:12Sorry, Herb.
30:12Hi.
30:28Hi.
30:32What?
30:33Rashi called.
30:35He had an epiphany during the retreat.
30:37He knows I'm changing, and he's willing to be patient.
30:40He's right.
30:48You are changing.
30:49I have never seen you like this before.
30:52Really?
30:53Yeah.
30:53Really, honey.
30:55I think...
30:56I think that is why I have been so rotten to you.
31:02I'm jealous.
31:07Why?
31:08Why?
31:10I don't get in relationships, Lydia.
31:12I get on them.
31:15I mount them and grab them by the hair and kick them in the sides until I make them go where I want.
31:22And God help the other person if they have a different idea than me.
31:27Is that what happened with you and Tom?
31:29Oh, yeah.
31:36You can change, too, Lynette.
31:40I don't know if I can.
31:42I'm pretty sure this is as good as it gets.
31:45No, Lynette.
31:46No.
31:47Because you recognize your problem now.
31:49And a wise man once said that to begin the journey of change, we must pull on the boots of self-awareness.
31:58And was that wise man Rashi?
32:04Isn't he adorable?
32:05When he talks to Scout and Jem, you know he doesn't want to just do the right thing for the community.
32:18He wants to do the right thing as a father.
32:19I know.
32:20It's like when Gregory Peck looks at those kids, you can tell that he's...
32:24Gregory Peck?
32:27You didn't actually read the book, did you?
32:28Yeah, I started and then it was on cable.
32:34I'm sorry, it's just too many pages.
32:37Mike.
32:38What?
32:41Oh, God, he's turning around.
32:43Okay.
32:47Okay, come on.
32:56Do you think he saw us?
32:57I don't know.
32:58I don't see the stroke.
33:01I think he left.
33:02Oh, thank God.
33:04Well, that was close.
33:07I know my heart is pounding.
33:09I know I can feel it.
33:16What is going on here?
33:20Nothing.
33:24Are you sure?
33:26No, we're just...
33:28two friends who have gone through a tough time and are trying to help each other through it, right?
33:35Then why are we hiding in the back of a van for my husband?
33:38I don't think we should do this anymore.
33:48Yeah.
33:49Yeah.
33:55Mike, what are you doing?
33:57When you're done helping your boyfriend, we need to talk.
33:59Oh.
34:01Oh, yeah.
34:11Hello.
34:11How was your day?
34:15It was a little stressful.
34:17Oh, mine too.
34:19We need to unwind.
34:21How about a nice long walk?
34:23I have a better idea.
34:25There's someplace special I'd like to take you.
34:28Oh?
34:29Where?
34:34It's a surprise.
34:37I don't really like surprises.
34:40I do.
34:41Shall we?
34:43Now?
34:43Uh, can I freshen up first?
34:47You look plenty fresh to me.
34:49Well, I've been in these clothes all day.
34:51I'd really like to change.
34:54Okay.
34:55Don't keep me waiting.
35:05Brie, have you left yet?
35:07No plan.
35:07He's taking me out and he's got the envelope.
35:10Where are you going?
35:11He won't say, but if he wrote that letter and he's bringing me somewhere with the evidence,
35:15this is when he gives you the shakedown.
35:17I'll follow you.
35:22I thought you were going to change.
35:25I did.
35:26My attitude.
35:27I didn't want to go, but now I do.
35:41What about that table in the corner?
35:48We'd like some privacy.
35:49No, no, no, no.
35:49I hate privacy.
35:51I like noise and bustle and lots of people.
35:54How about this one in the middle?
35:57Whatever you say.
35:58Aren't you warm in that jacket?
36:10Actually, a little.
36:11Hmm.
36:20So, um, let's order first and then we can talk.
36:24Don't these appetizers sound delicious?
36:32Yum.
36:33Escargot.
36:34And I love onion soup, but it'll be hard to pass up on the beef tartare.
36:40Rustic country pate.
36:43Look.
36:44What am I looking at?
36:45It just says rustic country pate.
36:47Yeah, we should look on the left side of the menu.
36:51I definitely think we'll find something good on the left side.
36:54We didn't get a wine list.
36:55Where's our waiter?
37:05Wow.
37:06Wow.
37:09I'll be right back.
37:10Wait, where are you going?
37:11To freshen up.
37:13Again?
37:17What do you think's in there?
37:22What if it's a bone?
37:24You open it.
37:32Oh, no.
37:35Maybe it's a tooth?
37:39Oh, the picture of my hand.
37:41He was trying to figure out my ring size.
37:44Wow, this doesn't necessarily mean he didn't send the letter.
37:47I think it does.
37:48Okay, well, this is a relief, right?
37:49I mean, at least he's not blackmailing you.
37:52No, it means he wants to marry me.
37:55So what are you going to do?
37:58I like Chuck, but he's not the man I want to spend the rest of my life with.
38:02You can go.
38:03I'll do my best to let him down easy.
38:05Some rock and on a cop's salary.
38:11But you should still dump him.
38:20Mike.
38:22If you're going to say it, say it fast.
38:24There is no fast way to say it, buddy.
38:26What the hell are you doing here?
38:31We're finally going to tell you the truth.
38:42About a month ago, the progressive dinner.
38:45You remember that night?
38:47Just get to the part that's the truth.
38:48I killed Gabby's stepfather.
38:57And me and the girls helped cover it up.
38:58I'm sorry that took so long.
39:12Oh, that's all right.
39:16It actually gave me a chance to have a scotch and a glass of red wine.
39:21Calm my nerves a little.
39:22God, I wish I could have a drink.
39:25Why?
39:26What are you nervous about?
39:27I have something important to say.
39:31Huh.
39:32Um, I wonder if it's the same thing that I'm going to say.
39:35I'm pretty sure it's not.
39:39Chuck, you are a wonderful man.
39:42And I have enjoyed our time together, but...
39:44Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
39:46Are you...
39:47You dumping me?
39:53I was...
39:55I was about to propose to you.
39:58I'm sorry if I misled you.
40:00Hey, there's a fake apology.
40:01You did mislead me.
40:03Chuck, please.
40:03You know, it's like you're two people.
40:06There's the woman I have fun with, who I really...
40:08I really connect to.
40:10And then this is the woman who's...
40:11Who's, uh...
40:12Who's mysterious and...
40:13And weird.
40:14And keeps sneaking out to run errands.
40:17There's another guy, isn't there?
40:21No.
40:22I assure you, there's no one else.
40:23Don't lie to me!
40:29Was he the one who sent you that letter?
40:32What letter?
40:32The one that you, uh...
40:34You were reading the other night.
40:35You got all shook up about.
40:36Was that from him?
40:37There is no him.
40:40You know, Brie, I would have done anything for you.
40:43I protect the people that I care about.
40:48I don't care about you now.
40:52So if you find yourself in trouble...
40:55And I'm pretty sure that someday you will.
40:59Then don't come calling me.
41:01You have made a very big mistake.
41:13Yes.
41:14The residents of Wisteria Lane are skilled at the art of concealment.
41:22They know how to cover the evidence of a messy breakup.
41:26To compensate for what their children might be missing.
41:37And to spare the feelings of a loved one whose taste they may not share.
41:45But for some, the art of concealment comes at too great a cost.
41:50And so they find themselves forced to reveal the truth.
41:59Even at the risk of facing an uncertain future.
42:04But before it comes, you see the difference.
42:06And so I feel like you will have done everything.
42:07Comprehensive and atmosphere in danger.
42:10You won't give a reason but I've don't have to look at it.
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