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00:01Previously on Desperate Housewives...
00:03Renee confronted Lynette.
00:05Look, you and Tom tried to make it work, and you couldn't.
00:08Now he's moved on.
00:10Carlos agreed to go into rehab.
00:13I know a great place. I can call tomorrow.
00:15Susan's secret work of art...
00:18No one can see these!
00:20...fueled the detective's suspicions...
00:22All I see is four women who killed a guy with a candlestick
00:26and dumped his body in the woods.
00:28...and drove a wedge between friends.
00:31More secrets?
00:33What did you think you were doing?
00:35I was protecting you!
00:36Yeah, well, great job.
00:45Whenever Bree Vandekamp was feeling low...
00:49she found solace in the act of baking.
00:55When her first husband passed away...
00:58she made coffee cake.
01:01When her second husband went to jail...
01:04she made sugar cookies.
01:08And when her teenage daughter got pregnant...
01:11she made creme brulee.
01:15So when Bree's best friend stopped speaking to her...
01:18she hoped that her warm cherry scones...
01:21might thaw...
01:22might thaw...
01:23their chilly relationship.
01:29Susan!
01:30Hey, sweetie, is your mom home?
01:44Uh, no.
01:46She's at... church.
01:48On a Thursday?
01:50She told you to say that, didn't she?
01:52Only if it was you.
01:53If it was the priest, I'm supposed to say...
01:55she's reading to the blind.
02:05Can you stop pounding?
02:08I just put Paige down.
02:11I'm sorry, but no one will talk to me.
02:13Really?
02:14I wonder why that is.
02:16I have made a mess of things, but I want to make it up to you all.
02:20You really think you can bake your way out of this one?
02:22Of course not.
02:23It's just a peace offering.
02:24A way to begin the conversation.
02:26I have nothing to discuss with you.
02:27Not after the way you and Gabby lied to me.
02:30Lynette, please understand.
02:31I was only trying to protect you.
02:33All of you.
02:34No!
02:35You were trying to control us the way you try and control everything.
02:40That's not fair.
02:41You told us that as long as we trusted each other and stuck together,
02:44everything would be fine.
02:46It will be.
02:47As long as we have our friendship, they can't do anything to us.
02:50Don't you get it?
02:51There is no us.
02:53There is no friendship.
02:54Not anymore.
02:56You're on your own.
02:59We all are.
03:05Yes, Brie had always taken comfort in baking.
03:11But when baking failed her, she took comfort in something else.
03:21In a place as peaceful as Wisteria Lane, the smallest crime can prompt a call to the police.
03:39When a neighborhood kid makes a reckless mistake.
03:42When children need to be taught a lesson.
03:50When the teenagers next door start a band.
03:56Yes, the women of Wisteria Lane were used to calling the police.
04:01What they weren't used to was having the police call them.
04:07So, what's going on?
04:09Not sure. No one's talked to us yet.
04:13Do you think we need a lawyer?
04:15I don't know. Maybe Susan can paint one for us.
04:18Lawyers won't be necessary, ladies.
04:21This is not an official investigation. It's just a casual conversation among friends.
04:26But if you want to bring lawyers into it, I can open a case file, take your fingerprints.
04:30No, no. We like the friend thing.
04:33Great. So, the first friend I'd like to talk to is Susan.
04:39Try my coffee.
04:46The guys are always complimenting me on it.
04:49Thanks. I'm trying to cut down on caffeine.
04:52Gets you all jittery and nervous.
04:54Yeah, I hate that.
04:55So, you're feeling jittery and nervous right now?
04:57What? No. No, absolutely not.
05:07Uh, yum. My compliments.
05:09Why'd you paint those?
05:10Uh, why? It's hard to say why artists paint what they do.
05:26Gosh, that probably sounded so artsy.
05:32No, not really.
05:34I would imagine it's even possible that the artist herself doesn't really know why she did it.
05:39Sometimes you say to yourself, where the heck did that come from? Maybe I shouldn't have eaten that pepperoni pizza before bed.
05:52Or maybe you say to yourself, I feel so guilty about what I did.
06:01I don't...
06:03Who... who is that?
06:05The guy in your painting. The one in the grave.
06:09No. Uh, uh, no. That came from my imagination.
06:15Bull. It's him. Ramon Sanchez.
06:18A missing person from Oklahoma.
06:22I don't know anything about that.
06:24That isn't a painting, Susan.
06:27It's a guilty conscience trying to find peace, but it never will. Ever.
06:31Until you tell the truth.
06:33So you've never seen this guy before?
06:39You already asked me that, and I told you. No.
06:43You know something like that? You'd have made a good cop.
06:45You know how to stay cool, keep your emotions in check.
06:51Listen to me.
06:53You women are good people, I know that.
06:56But you're obviously covering something up.
06:59Now, forget about me being a cop, okay?
07:01Let me tell you something as a friend.
07:02A jury will forgive a lot when they understand why something happened.
07:06But first, you have to stop lying.
07:09I'm not lying.
07:13How much more of a toll are you gonna let this thing take on you?
07:16What does that mean?
07:17It means that whatever it is you've done,
07:20it's clearly the reason your husband walked out on you.
07:26Sorry. But you said to forget you were a cop.
07:29Huh, look at that.
07:33What happened to keeping your cool?
07:41Recognize him?
07:43Sorry.
07:45You wanna look at it for two seconds before you answer?
07:47I got nothing. Can I go?
07:52He's a person, Gabby.
07:54He's two kids. Not much older than yours.
07:57Two girls who may never see their daddy again.
07:59I don't know him.
08:01Now may I leave? I have a lot of things to do.
08:04Oh, yeah? Like what?
08:06Visiting your husband in rehab?
08:09I heard about his drinking. I'm sorry.
08:10Yeah.
08:11Well, the good news is, looks like we nipped it in the bud.
08:14Oh, it's a new problem.
08:16Yeah, why?
08:17Usually there's a trigger when somebody starts abusing alcohol out of the blue.
08:21Anything come to mind? Anything stressful?
08:23He... yeah, had an affair.
08:24Carlos?
08:26It's hard to believe.
08:27I know, right? I mean, who would cheat on this?
08:30I meant because he seems like such a good man.
08:32Well, he's not. He's a cad.
08:35Philandering SOB, but I love him.
08:36I love him.
08:38I love him.
08:40I love him.
08:42I love him.
08:43I love him.
08:44I love him.
08:46I love him.
08:47I love him.
08:49I love him.
08:50I love him.
08:51I love him.
08:52I love him.
08:54So, if I go there tomorrow and ask Carlos that same question,
09:00he gave me the same answer?
09:03You bet.
09:05Great.
09:07I might just do that.
09:16I'll have another, please.
09:19Okay.
09:22You got a friend who can drive you home?
09:25Hmm.
09:26No.
09:27Turns out I'm friendless at the moment.
09:30Don't worry.
09:31I'll take a taxi.
09:32You ladies sound like you're having fun.
09:45What's the occasion?
09:47Just, you know, girls' night out.
09:49Let the kids and the husbands at home.
09:51Woo hoo. I'll drink to that.
09:52Yeah.
09:53Amen to that, sister.
09:54I mean, who needs families when we've got girlfriends?
09:57Am I right?
09:59I'm sorry.
10:00Who are you?
10:02Where are my manners?
10:04Brie van de Kamp.
10:05I heard you all carrying on and, well, frankly, I've been feeling a little disconnected lately and I thought,
10:11Brie, a little human contact is just what you need.
10:14Uh, yeah.
10:16Kelly just had a baby and we haven't seen each other for a while, so we were hoping...
10:21A baby? Oh, that's wonderful.
10:23Well, we need to celebrate.
10:25A bottle of champagne?
10:27It's on me.
10:29So, how do we all know each other?
10:32Well, these two I know from college and you I know from randomly sitting down at our table.
10:42God, I miss this.
10:47And then one day, you wake up and you realize you've got nothing. Nothing.
10:53Your children abandoned you. Even the gay one.
10:57I mean, aren't gay men supposed to be obsessed with their mothers?
11:01And as far as relationships go, forget it.
11:04Two of them left me. Three of them are dead.
11:07And all of this I could bear as long as I had my girlfriends.
11:11But now they've abandoned me too.
11:14Everything I touch.
11:17Everything I love.
11:18Well, on that note, I think I'll call it a night.
11:24Same here.
11:25Wait, it's barely midnight.
11:27Awfully early for four single gals like us.
11:30We're all married.
11:32You don't have to rub it in, Lynette.
11:33Stop calling me Lynette. It's really creeping me out.
11:36Wait, I've got an idea.
11:38Why don't you all come back to my place and we can have a sleepover.
11:42Good night.
11:43No, no, please, please come home with me.
11:45I have a really big house with lots of empty rooms and...
11:53Okay, lady. You want me to call you to your cab yet?
11:55No.
11:57I'm just going to finish Lynette's champagne.
12:12Ben.
12:13Hello.
12:14How are you feeling?
12:16Fine.
12:18If I do ask.
12:19You don't remember last night, do you?
12:21Of course I do.
12:23Really? What do you remember?
12:26I went out to dinner with a few girlfriends, came home and went to bed.
12:30Uh, close.
12:31You knocked on my door at two in the morning to borrow money because the cab driver wouldn't take the fried zucchini you had in your purse.
12:40Then you cursed at me for not making your pancakes before you stumbled back to your house.
12:45How long you been off the wagon?
12:55A few days.
12:57I'd appreciate it if you wouldn't tell anyone.
13:00It's just a temporary relapse. I'll get it under control.
13:03Isolating yourself is only going to make matters worse.
13:09You've got a great group of friends.
13:12Reach out to them.
13:14I can't. We're not on speaking terms right now.
13:16Well, I'm sure you can fix that.
13:19I tried.
13:21But they all seem to hate me.
13:24My recommendation?
13:26Start with the one who hates you the least.
13:35Oh, not ready for that.
13:38It's a beautiful day.
13:41I'd hate for you to waste another one with a hangover.
13:45Thank you, Ben.
13:52See you.
13:53Oh, I know Chuck could tell I was lying. I always do that thing when I lie.
14:08What thing?
14:10Oh, like I'm going to tell you.
14:12You have no idea how terrifying it was.
14:15Look, have a drink. It'll calm you down.
14:18I don't want a drink.
14:20Really?
14:21Of course I want a drink. See? I'm a terrible liar.
14:25Look, if Chuck had something concrete, we'd know.
14:28I'm sure he's just fishing.
14:31He is not going to let up.
14:33He is just waiting to, like, crack.
14:35Honey, you're panicking over nothing.
14:37The body's gone. Chuck doesn't have a case without it.
14:40Now, the only way this thing blows up is if somebody talks.
14:44Are you not listening to me?
14:46I talk. Me.
14:48I'm the one who's going to send us away.
14:49We need to get out of town.
14:53Just for a few weeks.
14:55Until Chuck finds someone else to focus on.
14:58Not only would that look incredibly suspicious.
15:01We don't have the kind of money to do something like that.
15:03Okay. Money.
15:05If we need money, we can have a garage sale.
15:08Grab some chairs, I'll put up some flyers.
15:09Trust me. We're going to stay here. And everything is going to be fine.
15:16Wow. You're an even worse liar than I am.
15:20Hello. Excuse me. Hello.
15:21Someone is never going to finish the help. What can I do for you?
15:34I need to speak with my husband, Carlos Solis.
15:37Is it an emergency?
15:39No. I just need to tell him something.
15:42Then I can't allow you. Mr. Solis is still on restricted access.
15:46What does that mean?
15:47First week after admission, no visitors, cell phones or emails.
15:50No distractions. We only want our patients to focus on getting better.
15:52Okay, but I really need to talk to him.
15:55I'm sorry. Those are the rules.
16:00Well, rules are made to be broken.
16:04I'm sure there's a no boobs on the counter rule too.
16:08Seriously.
16:11Male nurse.
16:15Right.
16:17You can come back on Tuesday.
16:18We're doing this because we love you.
16:21It's not my fault.
16:22It wasn't your fault. It wasn't mine.
16:23I was never around.
16:24Kid didn't have a role model.
16:25We're getting help, Jimmy. They're going to take care of me here.
16:26You don't need this place. I told you. I don't have a problem.
16:29Come on, Tony. We called.
16:31Admissions is right through that door.
16:32Thank you. Come on. It's going to be all right.
16:37We should have seen this coming.
16:42Jimmy, we're only doing this because we love you.
16:45Such a tragedy. So much potential.
16:48All right. Gotta go.
16:53Excuse me.
16:55Where are you supposed to be?
16:57Oh, I'm with them. The Manzini's.
17:00If you're with the family, you need to stay for group counseling.
17:02Oh, I don't think I have much to contribute.
17:05It's vital. This way.
17:06This way.
17:11Come on, Tom. I know you're there.
17:17Fine. I'll get in another way and pound on your door until you open up.
17:20Yes?
17:22Hola. My name is Maria. I forgot the keys to Mr. Tom's casa. Could you let me in, por favor?
17:31There's no Mr. Tom here. You have the wrong apartment.
17:34No. I am doing the cleaning for Mr. Tom.
17:38Wow. Impersonating a maid stereotype. Pathetic much?
17:44Oh, Chloe, look. I know your mother and my husband are leaving for Paris.
17:48I just need to talk to Tom for five minutes before they head to the airport.
17:51They left an hour ago.
17:52Who's there?
17:54I got it, Miss Schoenfield.
17:56This is Miss Schoenfield.
17:57Do you know what flight they're taking? It's really important I talk with Tom.
18:00He's not picking up his phone.
18:02Geez. Stalk much?
18:04Come on. Come on. I'm not a stalker.
18:07Seriously? My mom told me you were hiding under his bed while they were in it.
18:12So I'm certainly not going to help you sabotage her trip to Paris.
18:15Listen to me. Something happened yesterday and I can't go into it.
18:18But Tom needs to be here. Not for me. For the kids. Please. Please.
18:26Fine. I've got their flight information upstairs.
18:32It's clear Jimmy feels conflicted about whether or not he belongs in rehab.
18:37But his loved ones, all of you in this room, are here because you care deeply about helping him.
18:42So let's start by sharing with Jimmy the ways his drinking has impacted your lives.
18:48You know, Zanny, go ahead.
18:50Well, actually, can I go first? I have somewhere I need to be.
18:56Who are you?
18:58I thought she worked here.
19:00No, no, no. I am... his girlfriend. Ex-girlfriend. You know, since all the problems started.
19:07Girlfriend? Another thing you didn't tell us about.
19:10She's not my girlfriend. I've never seen her before.
19:18Yeah, that's the problem right there. You know, how can you have a relationship when your boyfriend drinks and doesn't even remember you?
19:25Why are you wearing a wedding ring?
19:26Oh, because I moved on. That's right, Jimmy. You had to hear it.
19:32I seriously had you for a girlfriend. You are smoking hot.
19:37Yeah, I am.
19:39Oh, my God. I do have a problem. I was with someone like you. I don't even remember it. Mom, Pop. I want to get better.
19:48Oh, Jimmy! That's the spirit, Jimmy.
19:51Now, there's a lot of people in here just like you who can help you.
19:56Like, uh, like Jason Kerwitz and Peter Morton and Carlos Delis from 247.
20:02Okay, good luck.
20:10Hey!
20:12Gabby, what are you doing here? Are the kids okay?
20:15Yeah, the kids are fine. I just needed to talk to you.
20:18What's this? You don't lift your finger at home, but here you vacuum?
20:22This is my group task. Recovery here is based on two core principles. Responsibility and total honesty.
20:28Okay, great. Come in here. I need to talk to you about a lie.
20:34So, when Chuck asks what made you start drinking, and I'm guessing he will say you cheated on me.
20:39With who?
20:40It doesn't matter. It's someone ugly. Don't go overboard.
20:43So, Chuck saw Susan's paintings. He's questioned each of you, and you think this one lie is going to throw him off.
20:50He's got nothing else.
20:51Gabby, let me tell you something about cops. What you think he knows is about one tenth of what he does know.
20:57We've got to stop this guy. God, this is a hell of a time for me to be stuck in here.
21:04No, honey. Hey, hey. It's gonna be fine, okay? You just focus on getting better.
21:10I'll try.
21:11Okay. Well, I should get out of here before they find me.
21:15Tell the girls I miss them.
21:17They miss you, too.
21:25Mr. Bergman, hi. Remember me?
21:28Remember you, Susan Delfino? You sold five paintings twenty minutes into your first art show.
21:34You are my prodigy. Are you here to revel in your glory?
21:39Actually, no. See, I'm kind of in a rough spot right now.
21:45Oh, dear. You seem a bit agitated. You're not considering jumping off a bridge, are you?
21:51But if you are, could you please leave behind a large body of work for me to sell?
21:58No, uh, it's just, um, I need the money from my paintings, please.
22:06Oh, I just started on the paperwork. You should receive a check in four to six weeks.
22:12No, no, no. I need it now. I, um, I have to get out of town for a while.
22:19Oh, my housewife just got even more interesting. Are you a junkie? Gambler? Are you on the run from the mob?
22:29I can't tell you what it is. I just really need that money.
22:33Well, here's the thing. Um, I am having a teensy bit of a cash flow problem, but I assure you, eight to ten weeks...
22:42I thought you said four to six.
22:44Okay, not so teensy.
22:46Mr. Bergman, I wouldn't ask if it wasn't really important.
22:50No, I will see what I can do. But no promises.
22:55My mysterious little housewife.
23:02That's nice.
23:05What's that for?
23:06Oh, you're right. A hug should be for something.
23:09Like the one I saw you giving Brie this morning? What was that for?
23:12Oh, Rene.
23:14There was nothing.
23:15Oh, so you're just going door to door giving hugs?
23:18What is that, an Australian thing?
23:19Look, there is nothing between me and Brie.
23:24It's just going through something right now.
23:27I was a shoulder to cry on.
23:28As long as that shoulder isn't a gateway body part.
23:37Oh, I'm sorry to interrupt. I only need a minute.
23:40I just have to ask you a couple of questions about your girlfriend.
23:44So ask me. I'm standing right here.
23:47Not you, Brie.
23:48Funny.
23:51We were just talking about your girlfriend, Brie.
23:55Goodbye.
23:57Brie, I...
24:00What the hell did you do that for?
24:02I don't know. Just trying to make your life miserable.
24:05Oh, and I got more.
24:07I'm tracking down a missing person.
24:08It turns out his last phone signal came from somewhere on your construction site.
24:13I don't know anything about that.
24:15Doesn't matter. Still a great reason to shut you down.
24:19How long?
24:20Two weeks. Maybe a month. I don't know.
24:23Oh, let me guess.
24:24As long as it takes for me to lose my investment.
24:26Yeah.
24:28That sounds about right.
24:31You're not getting on that property without a warrant.
24:36Oh, jeez.
24:38Where would a detective get one of those?
24:43See you Monday.
24:48Oh, my God. This tastes so good.
24:49I know.
24:50Reminds me of the first time Lynette and I ever flew first class.
24:51We had been so used to traveling coach.
24:52Tom.
24:53Yeah.
24:54Please don't take this the wrong way, but...
24:55You're on a romantic trip with your girlfriend.
24:56Do you think it could just stay the two of us?
24:57I'm sorry.
24:59Old habits.
25:00That is the last time you'll hear of Lynette.
25:02To Paris.
25:03Machelet.
25:04Oh.
25:05Oh, God.
25:06Stay close with that, Mom.
25:07Oh, that's my mom.
25:08I'm sorry.
25:09You don't take this the wrong way, but...
25:10You're on a romantic trip with your girlfriend.
25:11Do you think it could just stay the two of us?
25:15I'm sorry.
25:18Old habits.
25:19That is the last time you'll hear of Lynette.
25:24To Paris, ma chérie.
25:31Oh, God.
25:33Stay close with that mom.
25:35Flight 502 to Paris will be 425.
25:38I'm going to run to the men's room.
25:39It's a long flight.
25:41And airplane bathrooms?
25:42Freak me out.
25:43Well, there goes one fantasy.
25:45Oh.
25:54Hey, Lynette.
25:57What the hell are you doing here?
25:59I need to talk to you.
26:00I can't believe you.
26:01You think I want to chase you down in an airport men's room?
26:03Now listen to me.
26:04I can only breathe through my mouth for a few minutes.
26:06Well, you can save your breath.
26:09Because I am going...
26:10I am going to Paris with Jane.
26:15And I am sorry if you're having a hard time with it.
26:17This isn't about you and Jane.
26:18Look, see? Good with it. Okay?
26:20Okay, good. Then why are you here?
26:24Because you can't go to Paris. Not now.
26:28Okay, I'm confused.
26:29You don't care if I go to Paris with Jane,
26:31but you're telling me I can't go to Paris with Jane.
26:32I'm sorry. I have to tell you something,
26:34but it's just really hard to say.
26:35I'm sorry, but my plane is boarding.
26:37I have to go.
26:38I'm an accessory to murder.
26:51Here. Let me help you with this.
26:53I think you've helped enough.
26:56Gabby, please.
26:57I can't stand this anymore.
26:58Can't we talk for a minute?
27:00To be honest, after what Chuck put me through,
27:01I'm kind of talked out.
27:03Wait, what do you mean?
27:04He interrogated us.
27:06Me, Lynette, and Susan.
27:07He called us down to the station
27:08and grilled us one by one.
27:10Why didn't he call me down there?
27:12Good question, given this whole thing is about you.
27:14What are you talking about?
27:15Brie, he wants revenge.
27:17He wants to bring you down,
27:19and we're all going to go down with you.
27:21Gabby, please.
27:22I will figure out a way to make things better.
27:24No, you won't.
27:26This isn't going to stop until Chuck is stopped.
27:27Say something.
27:39Why didn't you tell me this?
27:40I wanted to a hundred times,
27:42but we weren't together anymore,
27:44and it seemed wrong to drag you into it.
27:47Tom, plan's boarding.
27:49You've got to be kidding me.
27:55Jane, I'm sorry.
27:56I know what this must look like.
27:58Really?
28:00You know what it looks like
28:01to walk into a men's room
28:03and find your boyfriend's ex
28:04chatting him up before your flight to Paris?
28:06It's not like that.
28:08Oh, of course not.
28:09I'm the crazy one.
28:11You two rendezvousing in an airport toilet.
28:13I'm the nut job.
28:14She's hiding under your bed.
28:16Jane's the one who needs to be sedated.
28:17Tom, I really can't deal with this right now.
28:20Can we just go?
28:30You are not doing this to me right now.
28:36We will go at the end of this month.
28:39I promise.
28:47Jane, Jane, it's really not Tom's fault.
28:57Tom?
28:59Honey?
29:01You know what she's doing, right?
29:03You give in here, now.
29:05It'll never stop.
29:08I am so sorry.
29:09There are extenuating circumstances.
29:14Okay.
29:15Then tell me.
29:17Tell me what they are.
29:19I think I at least deserve that.
29:32Okay.
29:32I'm going to Paris.
29:41And if you want, you can meet me there.
29:51I'm so sorry.
29:53But I don't.
29:56Just don't talk.
29:58Oh, my God, you brought it.
30:12Now, before I give it to you...
30:14Oh, well, that never works.
30:16What I was going to say,
30:18I have a little proposition for you.
30:21Oh, calm down.
30:22It's not sex.
30:24Dang it.
30:25I believe you have that certain something
30:29that makes a great artist.
30:31Maybe it's talent.
30:33Maybe it's mental illness.
30:35All I heard was great artist.
30:37Keep going.
30:37Fairview is not the fertile ground
30:40required for you to grow.
30:43I think we need to move your skinny little tush
30:45to New York City.
30:47Move?
30:48No.
30:49I just need to get away for a few weeks.
30:51I'll set you up in an apartment.
30:53You paint.
30:54I'll take 50% of whatever I sell.
30:57But let's not get bogged down
30:58in how the sausage gets made.
31:01What about my family?
31:02My son is in the middle of third grade.
31:05New York has the best private schools in the world.
31:07He can wear a little blazer to school.
31:11Heck, if he can fit into a child's medium,
31:13I can loan him one of mine.
31:17Oh.
31:17I never really thought about moving before.
31:21Well, what is keeping you here?
31:24You're not much.
31:31Okay.
31:32Think it over.
31:34But if you turn me down,
31:35then I'll know
31:36it's mental illness.
31:39I want to offer you a deal.
31:52A deal?
31:54Really?
31:56Terms?
31:57Whatever I've done,
31:59or whatever it is you think I've done,
32:01you write it up and I'll sign a confession.
32:04In exchange for...
32:07You leave my friends out of it.
32:10Oh, darn.
32:11I was actually interested there for a minute.
32:13What do you hope to gain by harassing my friends?
32:15What do you want?
32:17This?
32:19You in pain.
32:21You see,
32:21I could never figure out a way to hurt you
32:24the way you hurt me.
32:26If you had any idea how much I'm hurting already.
32:29It's not enough.
32:30You know why?
32:31Because you're too resilient.
32:33Husbands die.
32:34Kids leave.
32:34Businesses collapse.
32:35And Brie always bounces back.
32:38But threaten her friends.
32:40Ouch.
32:41Please.
32:43You're talking about the people I love.
32:46They're my whole world.
32:47I have nothing else.
32:50You have nothing else?
32:53It's a bad position to make a deal from.
32:55Sorry.
33:04Hey,
33:05you remember that deal I wanted to make with you?
33:08You marry me
33:09and I take care of you for the rest of your life?
33:14Maybe you should have taken it.
33:15Hey,
33:34you're old and pretty much housebound.
33:37Have you noticed
33:38if Ben's been
33:39entertaining a lot lately?
33:41This is what I get
33:42from that having a pit bull.
33:43I think he's cheating on me.
33:46Ben?
33:47No,
33:48he seems like a great guy.
33:50My ex was a great guy, too.
33:51Ask any stripper in New York City.
33:53Oh, my God.
33:54I cannot go through that again.
33:56I just can't.
33:58Renee,
33:58I may not be your biggest fan
34:00or even like you.
34:02But there's one thing
34:03no one can argue with.
34:05You are hot.
34:08Pardon?
34:09Look at you.
34:11You're a knockout.
34:12Those gams,
34:13those curves
34:14that kill her smile.
34:16Basically,
34:16you're me
34:1735 years ago.
34:19So this is my future.
34:22The point is,
34:24whoever this woman is,
34:24she can't hold a candle to you.
34:27Oh,
34:27thank you, Karen.
34:29Now,
34:29go out there
34:30and fight for your man.
34:31You're right.
34:32Tonight,
34:33I will throw on
34:34a little nothing
34:34and make a house call.
34:37Atta girl.
34:38Oh,
34:38you know what?
34:42I wish I'd known you
34:4435 years ago.
34:45We would have made
34:46a hell of a team.
34:47Hey,
34:48we still can
34:48if the Aussie's into it.
34:54Stop packing.
34:55We're not moving.
34:56Don't you see
34:57how great this is?
34:58Living in New York
34:59and getting paid to paint.
35:00It's an amazing opportunity.
35:02To uproot our family
35:03and move somewhere
35:04we've never lived before?
35:05So we'll go for a few weeks
35:06and see how we like it.
35:08Susan,
35:08you do know
35:09that if Chuck
35:09wants to take you down,
35:11moving to New York
35:11is not going to stop him.
35:13I know that.
35:15Well,
35:15then why would you want
35:15to give up the life
35:16we have here
35:17after all this time?
35:19Because it's different.
35:22Before,
35:22all I had to do
35:23was look out that window
35:24and I'd see a true friend.
35:26Someone who would do
35:27anything for me
35:28or my family.
35:29But now,
35:30it's all gone.
35:32You think you're going
35:33to find that somewhere else?
35:36You're just running.
35:38Okay,
35:39so I'm running.
35:41Mike,
35:41if I get caught,
35:42I could go away
35:43for a lot of years.
35:45So in the meantime,
35:47why not try to live
35:49the life I've dreamed of?
35:51It's not my dream.
35:53If this is something
35:53that you need to do,
35:54you're on your own.
36:02Hello, Gabby.
36:08Is this a bad time?
36:10Ah, Chuck,
36:11I have two daughters
36:12under 13.
36:12It's always a bad time.
36:14Yeah, why don't you
36:14just step outside
36:15here for a second?
36:23So,
36:23did you talk to Carlos?
36:24He's obviously ashamed
36:25of his affair,
36:26the whoremonger.
36:27But at least
36:28he's honest about it.
36:30No,
36:31I wound up taking
36:32a different angle
36:32on the investigation.
36:33Naturally,
36:34you were the reason
36:35for that.
36:36Me?
36:37What do you mean?
36:39You remember
36:39when we were talking
36:41about this guy?
36:43Vaguely.
36:44I remember it vividly.
36:46Because it was
36:47the oddest thing.
36:48You see,
36:49when Susan saw
36:50this picture,
36:50she nearly passed out.
36:52And when Lynette saw it,
36:53she willed herself
36:55into not reacting.
36:57But you,
36:58you smirked.
37:05That's crazy.
37:06Why would I do that?
37:06Same question
37:07I asked myself.
37:09So,
37:10I started doing
37:11some digging
37:11into your background.
37:13Turns out,
37:15Ramon Sanchez,
37:17formerly of Oklahoma,
37:19is actually
37:21Alejandro Perez,
37:24your stepfather.
37:29And you never
37:30mentioned him.
37:32Oh, come on, Chuck.
37:33You get him
37:34and see you.
37:35Who...
37:36At this point,
37:36I don't think
37:37you should say anything
37:38without a lawyer present.
37:40Wait,
37:40am I under arrest?
37:42Not yet.
37:43But based on this,
37:44I have to start
37:44an official case file.
37:46I'm going to need you
37:46to come down to headquarters
37:47for an interview.
37:49Be there tomorrow
37:50at 10.
37:54And Gabby,
37:55if you don't,
37:57I'll send a squad car
37:58to get you.
37:59Hi, I need to speak
38:14with Carlos Solis
38:15immediately.
38:16I'm sorry,
38:17but Mr. Solis...
38:17I know, I know,
38:18you have that annoying
38:19no-contact policy,
38:20but this is an emergency.
38:21Mr. Solis isn't here.
38:22He checked himself out
38:23two hours ago.
38:24What?
38:24Why didn't you stop him?
38:26He was not in the mood
38:27to be stopped.
38:28Ben!
38:35Are you in there?
38:37I'm wearing leather
38:38and I'm getting cold.
38:43Ben!
38:58Bri, no need to call me back.
39:25Just wanted to let you know
39:28that my unofficial investigation
39:29is about to go official.
39:31Be at the station
39:32tomorrow morning at 10.
39:33Bring a lawyer.
39:36Fuck!
39:36Just when my friends
39:49needed each other most,
39:51they found themselves
39:52utterly alone.
39:55One with the frantic need
39:57to find her husband.
40:01One with the consequences
40:04of revealing a painful secret
40:06and one with the feeling
40:10that she simply
40:12no longer belonged.
40:17But for one of my friends,
40:20the sense of isolation
40:22was so complete...
40:23There you go.
40:24There might be
40:26no escaping it.
40:28Connival breakfast
40:28runs till 10.30
40:29but the good stuff's gone
40:30by 8.
40:32Oh, I don't think
40:33I'll be having breakfast.
40:36Suit yourself.
40:37Well, let's go.
40:47Okay.
40:49Okay.
40:57Bye.
40:58Bye.
40:59Bye.
41:02Bye.
41:05Bye.
41:05Bye.
41:07Do you remember how wonderful things used to be on the lane?
41:14I had the perfect life.
41:20Doctor husband.
41:24Two beautiful children.
41:27Oh, and such dear friends.
41:33What happened?
41:35How did I lose it all?
41:40Things change, Brie.
41:44I'm so unhappy.
41:54Are you happy now?
42:00I'm not unhappy.
42:05I'm happy now.
42:10I'm happy now.
42:14I'm happy now.
42:16I'm happy now.
42:18I'm happy now.
42:23I'm happy now.
42:27I'm happy now.
42:29I'm happy now.
42:31I'm happy now.
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