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00:01Previously on Desperate Housewives,
00:03Detective Vance got aggressive.
00:06Have you seen this man?
00:08But Ben came to the rescue.
00:10He's putting her out to build a case without a body.
00:12I'll take care of it.
00:14And Mike got rid of the body.
00:17But so many secrets led to a falling out.
00:20We're done.
00:21Don't you think you're ever reacting?
00:23I don't think she is.
00:25And Susan expressed her anger the only way she knew how.
00:36There is nothing more peaceful than the sounds of Wisteria Lane at night.
00:43Whether it's the murmur of a neighbor's television.
00:50The hum of the street lamps.
00:55Or the songs of the night birds.
01:02Wisteria Lane is so peaceful that even the slightest disturbance.
01:08Can be very alarming.
01:16911.
01:17There's an intruder in my home.
01:18I'm at 4355 Wisteria Lane.
01:20Please hurry.
01:25Hello.
01:41Oh my god.
01:43Chuck.
01:45Hello, Brie.
01:46What are you doing here? I could have shot you.
01:50I heard your call over the radio.
01:51When I got here, the door was wide open.
01:54So, I'm just going to have a look around.
02:01If you don't mind putting the gun in your pocket while I do.
02:11So, tell me again what you heard.
02:13Um, a loud bang and then some footsteps.
02:18Like, um, like someone had forced their way in.
02:22You're sure you didn't accidentally leave the door open?
02:25I'm positive. I locked it.
02:27Well, I don't know what to tell you.
02:30Maybe it was just some drifter looking for a few bucks. You scared him off.
02:33We don't get a lot of drifters around here.
02:36Except for that guy we saw right out front a few months ago.
02:40The one who turned up as a missing person?
02:42I told you I don't remember anything about that.
02:45And yet you're positive you locked your door before you went to bed last night.
02:50It's funny.
02:51The things we remember.
02:53And the things we don't.
02:55Are you interrogating me?
02:57No. Of course not.
02:59You're a victim.
03:02And why would you say that?
03:04Because it's obvious to me what's going on here.
03:06Someone's sending you a message.
03:11What kind of message?
03:13Maybe they think you're hiding something.
03:16Maybe they're trying to rattle you.
03:19Hoping you'll slip up.
03:21Or maybe they just don't want you to feel safe in your own home.
03:24Yes.
03:29There's nothing more peaceful than a night on Wisteria Lane.
03:33But I wouldn't lose any sleep over this brain.
03:37I'll be keeping an eye on you.
03:40Until someone comes along.
03:44And disturbs the peace.
03:46In a stressful world, we can all be forgiven for having a few weaknesses.
04:07Some of us are lured by a sweet treat.
04:12Others by a sad face.
04:16And still others by the pull of a great novel.
04:24But Gabrielle Solis was about to discover that some weaknesses...
04:29Is he yours?
04:32...aren't so easy to forgive.
04:36Depends. Is he drunk?
04:38Unless he throws up in cabs when he's sober.
04:42I'm so sorry.
04:43Hey, here's 20 bucks for the ride.
04:47And another 20 for your upholstery.
04:53This will make you feel better.
04:54Oh, it smells like hot sauce.
04:56Yeah, it's Mexican hangover cure.
04:58It's the only thing I inherited from my family that's actually worth anything.
05:01I'm really sorry about all this.
05:07I thought it would get better after Ben did what he did, but...
05:10It hasn't.
05:13Maybe we need to get you help.
05:15Like, rehab or something.
05:17I'm not addicted, Gabby.
05:19It's just when I'm stressed, this is what I do.
05:22Really? You were stressed on the golf course this morning?
05:25It was work.
05:26And there's always drinking when it's work.
05:29We're golfing with a client.
05:30Beer.
05:31We're hammering out a deal.
05:32Wine.
05:32We make the deal.
05:33Champagne.
05:34Well, maybe you need to take a little time away from work.
05:37Dry out.
05:38Kickstart your sobriety.
05:39I am the CEO.
05:40If I do that, the whole place will fall apart.
05:42And if you don't, you'll fall apart.
05:44Well, maybe you're right.
05:50But I can't do it today.
05:51I've got payroll to sign.
05:52You're sweating bourbon.
05:54You're not going anywhere.
05:55I'll go in and I'll sign it for you.
05:56You can't sign my name.
05:57Please.
05:58I afford your signature all the time.
05:59How else do you think I got that platinum card?
06:03Wow, I must be in bad shape.
06:05I don't even have the energy to get mad.
06:06With any luck, you'll forget I said it.
06:08I'm sure some of you feel I've been too hard on you these past few weeks.
06:16I think I speak for all of us when I say all of us.
06:20Well, after today, you will long for the mother's milk that has been my criticism.
06:24Please meet our special guest, my art dealer and the owner of the Bergman Gallery, Felix Bergman.
06:31I smell fear and mediocrity.
06:38Oh, God.
06:38It's like someone left Andre in the dryer too long.
06:41Shh.
06:42Felix has agreed to evaluate your work, give honest feedback, and teach you the business of art.
06:48So, what do you call this piece?
06:51A celebration of the female nude.
06:54This is why I don't sleep with women.
06:56It's repulsive.
06:57Well, it's not a literal mind drifting, eyelids drooping, and I'm gone.
07:05He's not a critic.
07:06He's a little ball of hate.
07:08Oh, God.
07:10No art student's portfolio would be complete without the obligatory squares and circles colliding,
07:16or what I like to call man's inhumanity to art.
07:20Well, Amy is one of my most promising students.
07:22I find her work to be bold, defiant, and dazzlingly layered.
07:26You're stooping her, aren't you?
07:31Regardless, I just think that there's a place for her work.
07:33I think you may be right.
07:38Found it.
07:43So, what do you have for me?
07:46The same thing you have for us, contempt.
07:49Excuse me?
07:50We get it.
07:51You're a super sophisticated art snob who hates everything.
07:55Well, guess what?
07:56I'm not playing.
07:57Susan?
07:58No, I am not getting my teeth kicked in just because your mother didn't breastfeed you.
08:03Go play your game with someone else.
08:04Look, if you want to be a professional artist, you need to develop a thick skin.
08:13Did you paint this?
08:18Yes, I did, and I have no interest in hearing what you think of it.
08:21Well, that's too bad, because I think it's brilliant.
08:25Really?
08:25Really.
08:25It's original.
08:28Dark, brooding.
08:29It tells a story.
08:30I'm totally drawn in.
08:33Congratulations, Andre.
08:35I do believe you've struck artist.
08:40Yeah, I suppose she shows promise.
08:42She may amount to something one day.
08:43One day?
08:44This girl has arrived.
08:46In fact, she reminds me of a young...
08:48You.
08:49Now, now, where's that thick skin you were crowing about?
09:01And for the den, Franklin wants a southwestern look.
09:04You know, Navajo rugs, red chili peppers, chairs made of horns.
09:10Southwestern.
09:10Fun.
09:11And bound to come back in style since it's been out so long.
09:15We can't wait to work with you, Cindy.
09:18Yes, all we need is a $5,000 deposit, and then I will saddle up, mosey into town, and rustle up that wagon wheel table.
09:26What's the date today?
09:27Uh, the 13th.
09:2913th? No. Can't be.
09:31Yes.
09:32Why?
09:33It's my wedding anniversary.
09:3622 years.
09:38Congratulations. 22 years. What is that? Copper, brass?
09:42Separation, in my case.
09:44Oh. I'm sorry. I saw your ring, and I just assumed that...
09:48Yeah. Still wearing it. Even though we're hanging on by a thread.
09:52You poor thing.
09:53Yes, we're all devastated. Would you like a pen?
09:56I remember what my mother sent me on my wedding day.
10:01It's bad luck to get married on the 13th, and for 21 years, Tom and I have been laughing about how wrong she was.
10:09About this year.
10:10Yeah, let's make it out to Perry Scavo Designs.
10:14Well, don't give up, Lynette. It's never too late.
10:17Yeah, I think his girlfriend might disagree with you on that one. His beautiful doctor girlfriend.
10:24That's P-E-R-R.
10:27Now, you listen to me. My Franklin and I almost split up two years ago.
10:30He was getting bored, and I could see he was about to pronounce our marriage dead.
10:34But then I said no.
10:37No?
10:38No. Splitting up wasn't an option. I had waited too long to find this man. I wasn't going down without a fight.
10:44So what'd you do?
10:45I changed. I got a new do, new wardrobe. Franklin liked the new Cindy so much, he started to change too.
10:52That's amazing.
10:54You know what? Just sign it. We have a stamp.
10:57I will go to the tile yard to see if they have those adobe shingles. You want to check on the fabric?
11:05Do you think I fought enough?
11:09Lynette, you're taking marriage advice from a woman who wants coyote sconces?
11:13I'm serious. Am I giving up on my marriage too easily?
11:16No. I think you knew when it was time to call it quits.
11:21That's just it. I'm quitting. Instead of not taking no for an answer.
11:25Look, you and Tom tried to make it work and you couldn't.
11:30Now he's moved on.
11:32And you are an amazing woman with your whole life ahead of you.
11:36So take off that wedding ring.
11:38Go live it.
11:48Hey, Gabby, do you have a minute?
11:50Oh, now's not really a good time. Why don't we talk tomorrow, please?
11:54I don't know who else to turn to.
11:56Susan won't return my phone calls.
11:58And when I went to Lynette, she pretended she wasn't home.
12:01Yeah. Okay.
12:07How do things get so bad so quickly?
12:10This morning I was all set to make food for poker night and then I remembered.
12:13No poker night.
12:14I feel like I've lost the life I had.
12:18First my family and now my friends.
12:21Who knows if Susan or Lynette will ever speak to me again.
12:24They'll cool off once they realize we're in the clear.
12:26What if we're not in the clear?
12:28What do you mean?
12:29The body's eight feet under dirt and concrete.
12:31No body, no crime.
12:33I know, but, well...
12:36Chuck came by yesterday.
12:38Chuck?
12:39Chuck, what did he want?
12:43Oh, hey.
12:45Babe, do we have any aspirin?
12:48Yeah.
12:50Um, are you feeling better?
12:54Mm.
12:58Is he?
12:59I thought he stopped drinking.
13:03Me too.
13:04Oh, Gabby, I'm so sorry.
13:06I keep saying it's because of work, but I know it's the guilt still eating away at him.
13:10I just don't understand how drinking helps.
13:13I do.
13:14Sometimes a drink feels like the only friend you have left.
13:17Well, I just thank God this ordeal is behind us.
13:20We all need to move on.
13:23You're right.
13:24I'm gonna go.
13:26Mm.
13:26You never told me what Chuck wanted.
13:28Oh, uh, what else?
13:32Hey, you wanted to get back together again.
13:34Oh, God.
13:35Please tell me you said no.
13:37Of course I did.
13:39Oh, and Brie.
13:42Never think you lost me as a friend, because...
13:45You're my rock.
13:45Oh, hey, Marilyn.
13:59Oh, Mrs. Sillis, thank God.
14:01I've been trying to reach Carlos, and it keeps going to voicemail.
14:03Oh, it's okay.
14:04No need to bother Carlos.
14:05I'm here to sign the payroll.
14:06This isn't about the payroll.
14:08Frank Sweeney, one of our biggest clients, he's on his way here, and he did not sound happy.
14:13I'm gonna try Carlos again.
14:15Whoa, whoa, whoa.
14:16I, uh, I don't want to stress out Carlos.
14:19He's home with the flu.
14:21Besides, I'm here.
14:23How does that help?
14:25I know Frank Sweeney.
14:26He grabbed my ass at the Christmas party.
14:29Actually, a lot of guys did.
14:30That was a good party.
14:32Yes, it was.
14:33Leave this guy to me.
14:36I know I'm setting women's lib back 20 years, but I can do this.
14:42So, Frank, it's been forever.
14:46When's the last time we've seen each other?
14:48Uh, I'm not sure.
14:51I am.
14:53Jingle bells, jingle bells, jingle all the way.
14:58Is Carlos coming in?
14:59I really need to speak with him.
15:00Well, aren't you all business?
15:05Ooh, and all muscle, too.
15:07Does Carlos even know I'm here?
15:08I mean, if he doesn't take an $80 million account seriously, huh?
15:11No, no, no.
15:12Of course he takes it seriously.
15:16What are you doing?
15:17In my modeling days, we called this the moneymaker.
15:22Well, now it looks like a neck spasm.
15:24Look, where is Carlos?
15:25Carlos, I don't know what kind of business he's running here, but if he thinks he can pawn his clients off on his wife...
15:30No, no, no, no.
15:31We understand you've been a little unhappy, and we want you to know you've been heard.
15:37I haven't said anything yet.
15:41Knock, knock.
15:43Mr. Sweeney, sir.
15:44Heard you were in the building.
15:45Just wanted to make sure you were being taken care of.
15:47Oh, I'm sorry.
15:49I didn't mean to interrupt.
15:51No, no.
15:51Please, interrupt, whoever you are.
15:54Jeffrey Mathers, senior account manager.
15:57I understand you have some concerns about the market.
16:00I do have three or four real-world solutions to protect your money in this economy.
16:04That is if you'd like to hear them.
16:06Actually, that's what I came in to talk about today.
16:09Well, of course it is.
16:11I was just getting to it.
16:13But it seems like Jeffrey here has a handle on things, so please join us, Jeffrey.
16:20Have a seat, sir.
16:22So, I noticed you aren't using derivatives to hedge against further declines in the market.
16:31That was fun.
16:32I like Felix.
16:34I thought you were annoying when you were cheerful, but this smugness is much worse.
16:38Why would I be smug just because he called me the young you?
16:43I guess that makes you the, uh, ooh, old you.
16:49He can be a touch theatrical.
16:51I wouldn't take his praise too seriously.
16:53Oh, I would.
16:54I think this time I may have laid it on a little too thin.
16:57I have not been this excited since I discovered Andre doing caricatures at the pier.
17:04They weren't caricatures.
17:05They were images of the American grotesque.
17:07Uh-huh.
17:08And if you bought two, you got a free churro.
17:12I am not surprised he didn't tell me about you.
17:14I'm sure he saw you in his rearview mirror gaining on him, and it scared him to death.
17:21Why would a professional like Andre be threatened by, what did you call me?
17:26A silly, bored housewife unburdened by talent.
17:30You are a housewife?
17:33Hmm.
17:34I love it!
17:36You're like a, uh, a sexy suburban Georgia O'Keeffe without all the pesky vaginas.
17:43I can sell the heck out of this story at my gallery.
17:47What?
17:50Uh, wait, you want to show my painting in public?
17:53Welcome to the big time!
17:54No, no, no.
17:55No, that, uh, no, that can't happen.
17:57My dear, do you understand what an opportunity this is?
18:01Hundreds of people will see your work.
18:02I'm sorry.
18:04I'm flattered, and I thank you for your offer.
18:08Um, but I can't.
18:13Artist.
18:17My pleasure, Frank, and I'm serious, you call me any time.
18:20Yeah, Frank, great talking to you.
18:26Oh, thank God you got here.
18:30I was 30 seconds away from flashing him a boob.
18:32It was nothing.
18:33Carlos has done a lot for me over the years.
18:36Is he okay?
18:39Yeah, yeah, he's just got the flu.
18:41Really?
18:42Because he usually comes running the second Sweeney pops into town,
18:46and I don't think the flu would keep him away.
18:49Um.
18:53Mrs. Solis, your husband has been like a father to me.
18:57I really want to help if I can.
19:03Okay.
19:04He's been going through a rough time,
19:06and, well, he's been drinking a lot.
19:10So he's going to be staying home for the next week or two,
19:12trying to pull himself together.
19:14Poor guy.
19:16Well, don't worry.
19:17You go home, and you take care of him.
19:19I'll take care of things here.
19:21Really?
19:21Just get him better.
19:23We need him back.
19:26You're a good kid.
19:28You know what?
19:28I'm telling Carlos you deserve a raise.
19:33Can you tell him when he's sober?
19:35Yeah.
19:36Lynette Scava?
19:46Yes.
19:46Wow, these are beautiful.
19:48Someone must be thinking of you.
19:49Have a good one.
19:50Thanks.
19:59Who sent flowers?
20:01Um.
20:02Just your Aunt Renee.
20:03That was nice.
20:05Right?
20:07A little unexpected, but very, very nice.
20:11Mm-hmm.
20:19Hey, honey.
20:22How was your day?
20:24Daytime TV sucks.
20:26Just a bunch of women sitting around
20:27talking about menopause
20:29and things they don't eat anymore.
20:30You did record that, right?
20:32Yes.
20:35So how'd it go at the office?
20:37Took you a long time to sign the payroll.
20:39Well, it wasn't just that.
20:40People were asking where you were.
20:42So what'd you say?
20:43I told them you had the flu
20:44and you were very comfortable staying home
20:46because you had a great staff.
20:48Which you do, by the way.
20:49Yeah?
20:50Who'd you talk to?
20:50Bunch of people.
20:51Um, Steve, Marilyn, Jeffrey.
20:54Jeffrey?
20:54Jeffrey?
20:54Right.
20:57Guy probably started doing cartwheels
20:58as soon as you left.
21:00Why would you say that?
21:01He's a snake.
21:03What?
21:03You mean like a nice snake?
21:06No.
21:07Like a backstabber.
21:09His contract's up at the end of the month
21:11and I'm not keeping him on
21:12so he's trying to poach my biggest clients.
21:17Wow.
21:18What a day.
21:19I really need a drink.
21:21Hon.
21:23You threw out all the booze when I quit, remember?
21:26Oh, please.
21:26There's a ball of Chardonnay
21:27in the tank of the guest's toilet.
21:29It's like you don't know me at all.
21:38Lynette, it's me.
21:39Go ahead.
21:42Ta-da.
21:44Oh, my God.
21:45Look at your hair.
21:47Does he like it?
21:48Is it permanent?
21:50No.
21:50Then I love it.
21:52Especially if it means
21:54you're finally ready
21:55to put yourself out there again.
21:56Not so much out there
21:58as back there with Tom.
22:01Oh, Lynette.
22:03Stop it with that.
22:04He's moved on.
22:06Then why did he send me flowers
22:08for our anniversary?
22:10Love always, Tom.
22:12Well, I don't get it.
22:13Isn't he seen, Jane?
22:15Yeah, but maybe with the anniversary coming up
22:19he started thinking about it
22:20and he wants to give it another try.
22:25What are you going to do?
22:27Well, I got Penny's keys to his apartment and...
22:30Oh, I get it.
22:32He gets home.
22:33You meet him at the door
22:34wearing nothing but whipped cream
22:36and a smile.
22:38Now, I'm going to put a bottle of scotch
22:41on his nightstand.
22:42That is our anniversary thing.
22:44He sends me flowers.
22:45Sometimes I give him scotch.
22:46Oh, now I get it.
22:48You get him all liquored up
22:50and then you undress him.
22:51No, Renee, no sex.
22:53Okay, I don't get it.
22:55I was thinking maybe
22:57he sees the outfit, the hair
22:59and he realizes I've changed.
23:02And then maybe he wants to change too.
23:05Are you sure that's what you want?
23:09All I know is
23:10we have been walking away from each other
23:11since this thing started
23:12and this is the first time
23:13he's taken a step toward me.
23:16I think I have to take a step too.
23:19Well, you look amazing.
23:23I hope it works.
23:25Thanks.
23:25I do too.
23:27And if it doesn't,
23:28I know this really hot thing you can do
23:31with a dinner mint and a feather.
23:33No sex.
23:34How are we even friends?
23:43You're an idiot.
23:45And that's why you're not getting any coffee.
23:49Susan, hanging our paintings in the gallery
23:51is a major opportunity.
23:53Listen to me.
23:55I consider myself a mentor to you.
23:57What?
23:58You have insulted and discouraged me
24:01since the day we met.
24:02What else does a mentor do?
24:04Okay, fine.
24:06You got me.
24:07I don't care about you.
24:08I care about me.
24:09You came over just to tell me that?
24:11I teach to support my painting.
24:13If one of my students does well,
24:14maybe I can teach at a better college.
24:16Like one that doesn't have a major
24:17in air conditioning repair.
24:19Look,
24:20if you taught me anything,
24:23it's that the only gallery that matters
24:24is the one in here.
24:26Was that a Tuesday
24:28because I drank at lunch on Tuesdays?
24:31I made those paintings for me.
24:34And no matter what you say,
24:35I'm not sharing them with anyone.
24:37You're scared.
24:40What?
24:40Afraid of being judged.
24:45Yep.
24:47You're right.
24:47I'm a big old scaredy cat.
24:51Fear of rejection.
24:52Never felt good enough.
24:53Blah, blah, blah.
24:54Happy?
24:56Bye-bye.
24:56So,
25:06did you get me the paintings?
25:08No,
25:08she still won't do it.
25:10But you know what they say.
25:12Some were born great.
25:14Some achieve greatness
25:15and others have greatness thrust upon them.
25:19Looks like it's time to start thrusting.
25:26If you're spying on me,
25:35you're not very good at it.
25:38Oh,
25:38I thought I was pretty good
25:39when I followed you
25:40to the gardening store in Euclid.
25:41And that stop you made for frozen yogurt?
25:44Our little secret.
25:46Isn't stalking illegal?
25:48We cops like to call it surveillance.
25:53Stay.
25:54I'm not done with you.
25:56This guy.
26:00The one you say
26:01you don't remember seeing.
26:03You think you might remember seeing his car?
26:05His car?
26:06Yeah.
26:07A silver Ford Focus.
26:09Just like the one you and Gabby
26:10were dropping back to her aunt Shirley
26:13the day I pulled you over.
26:15What are the odds?
26:16I'm sure it's just a coincidence.
26:18You want to hear another coincidence?
26:20The missing guys from Oklahoma City.
26:23Wasn't Gabby's aunt?
26:25A big fan of the Oklahoma City Red Hawks.
26:28I don't know what personality deficiency
26:31causes you to act this way,
26:32but I feel compelled to inform you
26:33how utterly unattractive it makes you.
26:36Fine.
26:37You don't want to answer my questions?
26:39Maybe Gabby does.
26:40You leave Gabby out of this.
26:42Carlos has been sick.
26:44She has her hands full.
26:45Oh, I'm so sorry to hear that.
26:50Well, I'm patient.
26:51I can talk to her later.
26:54Bree,
26:55I've been a cop for a long time,
26:58and I can always feel
26:59when I'm getting close to the truth.
27:02You want to hear a wild guess?
27:04If it would allow me to get on with my day,
27:05I would be delighted.
27:06Something happened to this guy.
27:08Something bad and permanent.
27:10Now, I don't think you did it,
27:15but I think you know who did.
27:18It's probably one of your friends.
27:21And you, being Bree,
27:23are protecting them.
27:25I do protect my friends.
27:28I would do anything for them, anything.
27:30They're the one thing in my life
27:32that have never failed me,
27:33and I will never fail them.
27:35And against that,
27:37you are powerless.
27:39Now, I am tired of your little guesses
27:41and your game,
27:42so if you want to charge me with something,
27:44I suggest you take out your cuffs.
27:46If not,
27:47you get the hell off my street.
27:49I don't know.
28:05You scum!
28:20Oh, not you, Mr. Sweeney.
28:22Good to see you again.
28:23Mrs. Solis.
28:24We're sort of in the middle of something here.
28:26Yeah, I know.
28:26You're in the middle of stealing my husband's client
28:28while sitting at his desk
28:29in front of a photo of his wife and kids.
28:32Wait a minute.
28:34That's not me.
28:36That's me and my girlfriend
28:37in Belize
28:38with our dog.
28:40What kind of man
28:41puts his photos on another man's desk
28:43or takes his dog to Belize?
28:46I'll tell you what kind of man.
28:47The kind that shows up for meetings,
28:49unlike your husband.
28:51I told you he's got the flu.
28:54Gabby,
28:55I think Mr. Sweeney deserves to know the truth.
28:57Fine, I'll tell him.
29:04Carlos is a drunk.
29:05He isn't here because he drinks too much
29:07and he's unable to perform
29:08the responsibilities that come with the job.
29:11You know what?
29:12Carlos will get sober,
29:13but you will always be
29:15just a low-life son of a bitch.
29:17Is this true?
29:21Yeah.
29:22I need to speak to him
29:23right now.
29:24Carlos.
29:34Carlos, wake up.
29:35Wake up.
29:35Ah.
29:37Hey, babe.
29:38I was just dreaming about you.
29:40You were in that little black number.
29:42Carlos!
29:43Mr. Sweeney's here.
29:45Huh?
29:46Hello, Carlos.
29:48Mr. Sweeney.
29:49Mr. Sweeney.
29:50Yeah.
29:51In our house.
29:52And I'm in pajamas
29:53covered in chips.
29:54He knows what's going on.
29:58I'm sorry.
30:03Look, I am really sorry.
30:07I had a rough couple days,
30:10but I'm fine now.
30:13You can count on me.
30:14You see this?
30:1514 years sober.
30:19But there was a time
30:21when I was standing
30:21right where you're standing.
30:23The only thing that got me back together
30:25was admitting I had a problem
30:26and going to rehab.
30:29No, that's not where I am.
30:31I mean,
30:32I know it looks bad,
30:35but trust me, I'm fine.
30:36Well, you can tell yourself that.
30:40But it's time for you
30:41to make a choice.
30:42Either throw away
30:43everything you've worked for,
30:45including your family,
30:46or take back control
30:48of your life.
30:51Honey, I think you should go.
30:53I know a great place,
30:54the place I went.
30:55I can call tomorrow
30:56and get everything set up for you.
30:58It's going to be okay, sweetie.
31:28I'm sorry.
31:42That waiter was totally flirting with you.
31:44He was not.
31:45Oh, please,
31:46keep asking how your potato was.
31:49I mean, look,
31:49it's a potato.
31:51How many ways can it go wrong?
31:54Jared was just being attentive.
31:56Oh, oh, now it's Jared.
31:58I didn't realize
31:59you two were on a first-name basis.
32:01You know what?
32:02I like seeing you jealous.
32:04I'm not jealous.
32:05You just spent so much time
32:05on our table,
32:06you should have split the bill with me.
32:08Jealous?
32:09Nah, Jared.
32:11Only got to bring you a potato.
32:14I...
32:15Oh.
32:17Got to bring you home.
32:20Oh, stop, stop!
32:21Stop, stop, stop!
32:22I'm here!
32:23Oh, my God.
32:23Lynette, what the hell?
32:24I'm sorry.
32:26What is she doing here?
32:27Yeah, what are you doing here?
32:28I didn't think.
32:29I wasn't...
32:30I think she's on a bender.
32:31No, no, I just...
32:33What?
32:34You just what?
32:37Uh...
32:37Okay.
32:44Why don't I give you guys
32:46some privacy?
32:47As ironic as that sounds right now.
32:49I'll be at Chloe's.
32:57Please, tell me,
32:59this is the first time
33:00you have done this.
33:01I just wanted
33:03to bring you
33:04your scotch.
33:05You know?
33:06For our anniversary.
33:08Anniversary?
33:09Yes.
33:11I got the flowers
33:12you sent me.
33:13Oh, my God.
33:15What?
33:20You remember
33:2112 years ago
33:23when I forgot
33:24our anniversary?
33:25I felt so awful
33:26I placed a standing order
33:27at the florist.
33:31I wanted to make sure
33:32you got flowers
33:32every year.
33:35Oh, God.
33:36I'm so sorry.
33:37No.
33:38No.
33:39Honest mistake.
33:40It will never happen again.
33:42I am canceling it
33:43first thing tomorrow.
33:46Okay.
33:52I'm going to go.
34:00Lynette?
34:03Your hair looks nice.
34:23He made it.
34:25Oh.
34:25Felix was nice enough
34:26to invite me to the openings.
34:27The least I could do.
34:29Susan, that's art.
34:34Sorry.
34:37Wow.
34:39There's a lot of people here.
34:41Yep.
34:41And before the night's over,
34:43I believe they'll all
34:44be talking about you.
34:46What?
34:47I did something.
34:49And you're going to
34:50thank me for it.
34:54Oh, my God.
34:57Oh, my God.
34:58Oh, my God.
34:59Oh, my God.
35:00You're welcome.
35:02What did you do?
35:04Well, you seemed so terrified
35:05about displaying your work,
35:07I figured I'd rip off
35:08the Band-Aid for you.
35:10And see?
35:11You're a hit.
35:14Don't forget who made you.
35:15Oh.
35:29Sweetie, can I help you?
35:31Nope.
35:33Don't mind me.
35:33I'm just adjusting the...
35:40Wow.
35:42That is really stuck on good, huh?
35:44What are you doing?
35:46Andre submitted these
35:47without my consent.
35:48They were meant to be private.
35:49I really want them back.
35:50Oh, jeez.
35:51How many screws
35:52have you got in there?
35:53Stop it.
35:54The only way they're coming down
35:56is if somebody buys them.
35:59Felix, please.
36:01Please give them back.
36:03No one can see these.
36:08Oh, you are clever.
36:11Creating a scene
36:12like a crazy artist.
36:15There is not a person
36:17in this room
36:17who isn't looking this way.
36:19You're a genius.
36:20No.
36:21No, I'm not a genius.
36:22I swear.
36:23I just need the paintings.
36:24Keep it up.
36:25Keep it up.
36:26I'm going to grab
36:26the photographer
36:27from the Sentinel.
36:28The crazier, the better.
36:29Oh, her mind has snapped.
36:32Oh.
36:32Oh.
36:37Oh, stupid art.
36:44Oh.
36:48Oh.
36:50Oh.
36:50Bri, it's Susan.
36:54I know we're not talking right now,
36:55but I really need you
36:56and Gabby
36:57and your checkbooks.
37:01Susan, this isn't art.
37:03It's an illustrated confession.
37:04It's like a kid's book.
37:06Meet Dick and Jane.
37:07See Jane kill Dick.
37:08See Jane bury Dick.
37:09Run, Jane, run.
37:10I swear I didn't know.
37:12He just took them
37:12out of the classroom
37:13and put them up.
37:14Well, we have to get them
37:15down immediately.
37:16Hello, ladies.
37:17Are you enjoying the art?
37:18Yes.
37:19So much so that we would like
37:20to buy this whole series
37:22of paintings.
37:23Then take them home with us.
37:24Immediately.
37:26Ordinarily, I would place
37:27a sticker on the work
37:28that says sold
37:29and then I would contact you
37:31when the show's over.
37:32Yeah.
37:32Well, you heard the lady.
37:33We've got to have these paintings
37:33and we've got to have them now.
37:34So how much?
37:35Well, if you're going to buy
37:37the whole series,
37:38I suppose I can trim
37:39a little off the price.
37:41$10,000 should cover it.
37:42$10,000 for my art?
37:45I mean, it seems a little steep.
37:48Yeah.
37:49She painted my kids
37:49a mural of monkeys
37:50playing soccer
37:51for a bottle of wine.
37:53Fine, we'll take them.
37:55Congratulations.
37:57Mrs. Delfino,
37:58you are officially sold out
38:00thanks to this lovely
38:01lesbian couple.
38:03Oh, we're going to...
38:03You know what?
38:04This is not the time.
38:05We'll start pulling
38:07the pieces down.
38:09I'm so sorry.
38:10Tomorrow I'm back
38:11to monkeys and squirrels.
38:13You bought these?
38:15Yep, there are,
38:15so stop looking at them.
38:17You really have a good eye.
38:19Yes, they're so powerful.
38:22It's clearly an allegory
38:23for the bludgeoning
38:24and burying
38:25of the middle class
38:26in this country.
38:27Oh, I don't know.
38:30All I see is four women
38:32who killed a guy
38:33with a candlestick
38:34and dumped his body
38:36in the woods.
38:38But then again,
38:40what do I know
38:41about art?
38:48Chuck, you followed me here?
38:50How would he be following you?
38:52Yeah, what's going on?
38:53I'm just trying
38:54to get a little culture.
38:55Susan,
38:56you painted these?
39:00Yes.
39:01Bravo.
39:02They are amazing.
39:05I mean,
39:06this one,
39:07for example.
39:08I mean,
39:08I'm getting shivers
39:09just looking at it.
39:11And is it me
39:13or do those women
39:15look familiar?
39:19The short one
39:20kind of looks like you,
39:22Gabby.
39:23And there's you,
39:25Susan,
39:26and your friend Lynette.
39:27And the pretty one
39:29with the red hair,
39:30well,
39:31who else but Brie?
39:33It's a work of art.
39:34I'm sure it's open
39:35to interpretation.
39:37No,
39:37I'm pretty certain
39:37it's you.
39:39What I can figure out
39:41is
39:41who's that?
39:47Susan,
39:47you painted it.
39:48You can't tell me
39:48who that dead body
39:50might represent.
39:53Brie,
39:54any theories?
39:56Maybe a certain
39:57missing person
39:58from Oklahoma?
39:59Okay,
40:01what the hell
40:01is he talking about?
40:05I am this close
40:07to putting this together.
40:09But you know what?
40:11I think I'm going
40:12to take my time
40:13because I want
40:15to enjoy
40:16watching the
40:17ice princess melt.
40:25Brie?
40:26What is he talking about?
40:28Alejandro.
40:30Somebody reported
40:30him missing
40:31and Chuck thinks
40:31we're connected.
40:32Oh, God.
40:34Is that why
40:34he was at your house
40:35the other day?
40:36Yes.
40:37But I asked you
40:37about that.
40:38Why didn't you tell me?
40:39Because you're going
40:39through such a hard time
40:40with Carlos.
40:41I didn't want
40:41to burn you.
40:42God, Brie,
40:43more secrets?
40:46What did you think
40:47you were doing?
40:48I was protecting you.
40:50I've been protecting
40:51all of you
40:51ever since that night.
40:52I am the one
40:53trying to keep
40:54this thing together.
40:55Yeah, well,
40:55great job.
40:58There's the woman
41:11of the hour.
41:12How do you feel?
41:15I never wanted
41:16people to see
41:17these paintings.
41:18I feel miserable.
41:26Then congratulations.
41:31You're finally an artist.
41:32Yes, there comes a time
41:39when we must expose
41:41our weaknesses.
41:45When our secrets
41:46can no longer
41:47remain private.
41:51When our solitude
41:53can no longer
41:54be denied.
41:55When our pain
42:02can no longer
42:03be ignored.
42:08But sometimes
42:09we feel so alone
42:11that a weakness
42:13we thought
42:13we'd overcome
42:15suddenly becomes
42:19too strong
42:20to fight.
42:21We'll be right
42:51Transcription by CastingWords
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