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00:00Jeremy Edwards, Matthew Horne, Rufus Hound and Kirsten O'Brien.
00:04Thanks to you at home for watching the night.
00:23Hi.
00:24Good show?
00:25One of the best. One of the best.
00:27You're being ironic, but thank you very much.
00:29Set for tomorrow?
00:30What? What are you talking about?
00:32Set for tomorrow.
00:32What's tomorrow?
00:34Wales.
00:36What do you mean, Wales?
00:37You're coming to Wales with me tomorrow.
00:39I'm not going to Wales with you tomorrow.
00:40I mean, who do you think you are? We start tomorrow.
00:42Yeah, but I can't just up and go to Wales, Rob.
00:44For the money I'm paying you, you could up and go to bloody Timbuktu.
00:49OK, I'll come.
00:50I've always been curious about, you know, where I'm from.
00:59I remember when I would read about family trees or whatever, it's something when you're younger you're just not interested in.
01:05And then, I think you get older and you wake up one morning and I think you realise that your ancestors were you.
01:15You know, they're the same as you, really.
01:16They had the same fears, the same sort of anxieties, hopes, worries, ambitions.
01:22And the only difference, really, is that, you know, they were wearing chain mail or, you know, whatever a peasant would wear, I suppose.
01:33Robert Gethin Brydon was born in the Welsh mining village of Llanbarrow, achieving fame as a comic actor when he was listed by The Observer in 2003 as one of Britain's 50 funniest acts.
02:04He moved to London shortly afterwards.
02:09It makes me feel very proud of what I came from and, you know, therefore what I am.
02:19So it gives you a, it's the geographical piece of the puzzle, but it's not the emotional part of the puzzle.
02:27It's a fashion novel.
02:28That is, that's telling me that the, that the, the, it's not, the thing that tells you if you're going to hit something isn't working.
02:35But, uh,
02:36As his father wasn't able to stay in the village of Rob's childhood, Rob traveled to a nearby 70s executive-style estate to visit him.
02:45There you go, look.
02:49Even named after me.
02:52You would live in a house like this.
02:54Hey, you all right?
02:55Yeah.
02:56Nice to see you.
02:56And you.
02:57Come in.
02:57Good to see you.
02:58Good.
02:58Oh, new clubs.
03:04Hey, brand new.
03:05Mega there.
03:06Mega.
03:06Ah, that's a very big golfer.
03:08Oh, guilty as charged your honour and I'd like another six sports to be taken into consideration.
03:12Those are very shiny.
03:13Have you used them?
03:14No, I haven't used them yet.
03:16Wait them for the royal visit.
03:19Your brother.
03:21Not shitting away, am I?
03:22Calm down, man.
03:24Calm down.
03:24I am calm.
03:25Don't panic, Captain Minerian.
03:27Don't panic.
03:28Run for your life.
03:31That's where I get it from.
03:33Who were you doing then?
03:35Who's that?
03:36That's on the buses.
03:37I've always had, seriously, and don't laugh at this, I've always had a vague thought that because Wales is a small country, I, and I don't mean this to sound conceited, I think I could be descended from Welsh royalty.
03:54You've got high expectations in many ways for this show.
03:58I have high expectations. I think there's a fair chance I'm descended from Welsh royalty.
04:02Well, that's, I mean, you couldn't get a higher expectation than that.
04:05Of course you could.
04:06But Welsh royalty, in terms of the world royalty rankings, is pretty low.
04:12But in Wales, you couldn't have any higher expectation than that.
04:16Yeah, fair point.
04:22See, I can remember, like, your dad and Uncle David, but before that, literally nothing on your side.
04:31I have.
04:31So why is that? Why can I not remember anybody previous to your dad?
04:35Because they would have been around me when I was little, wouldn't they?
04:39Because we have erased your memory in an experiment in the bank of the future.
04:46Seriously? Seriously, why can I not? I mean, I question whether that is your dad, because he looks nothing like you.
04:53No.
04:53May have a look?
04:55No.
04:56That's Artie Lewis, three doors down.
04:58Be serious. Be serious. Be serious for a minute now. I'm trying to, er...
05:02Yeah.
05:03Who is that?
05:05Peter Brough and Archie Andrews.
05:09A woman with a child.
05:10All right.
05:13See?
05:14All right.
05:16They always make a bit of a fuss about me when I, er...
05:19When I'm in Wales.
05:20I'd almost like to sort of send out a little letter, please, just, you know, just treat me like everyone else.
05:30Hey.
05:31Hiya.
05:32What have your parents told you about your history?
05:34My mum, when she was alive, er, talked about the men from her side a lot.
05:44You know, my uncles, who were all miners.
05:47And they all worked, obviously, at the same mine.
05:50And that's the biggest sense of family that I've had from them, is this image of mining, which is ironic, because I, I, you know, I'm obviously not a miner.
05:58And, er, I have the, I have the build of a miner, maybe, you know, you know, the kind of stocky, sort of, wiry, sort of muscular, smaller frame.
06:08I think I could mine if, if, if I had to.
06:12You know, if I was in a situation, er, maybe I'm on a skiing holiday, um, and there's some kind of avalanche or we're trapped in a tunnel, I think instinctively then I would probably mine.
06:24I would probably find a way out in a way that perhaps others, if I was with some English comedians, they may wonder what to do.
06:33I just think there would be something in the blood that would kick in and I, and they would say, God, you know, what's, what's Rob Brydon doing?
06:40You know, and he's, he's, he's, and I'd be scurrying.
06:45I always said I'd made a good mole in Wind in the Willows for that reason, you know, which I never, I never did.
06:49Um, I think I would have been very good in that one that Matt Lucas did at Christmas, but, you know, it wasn't to be.
06:57Can you tell when people recognise you, whether they recognise you as Rob Brydon the boy or Rob Brydon the celebrity?
07:05You know, when I'm recognised here, they're seeing a unique combination of the two, which I don't think most fans get to see.
07:13They see the boy and the man together, and that's what makes it special for me.
07:21Normally, when you meet a member of the public and they get into a right old tizz over you, really, as the performer, you don't get a lot from it, because it's, to you it's normal, but to them it's something special.
07:33But in this instance, another one now.
07:35All right, yeah, yes it is, um, but when it's people around here, they're seeing something special, because they're seeing the boy and the man together.
07:50Dad's not one for looking back, and he very much lives in the moment, um, so I don't get a great sense of where I come from, from him.
08:00Oh, now that is one good shot.
08:06Nice one, boy.
08:07Good, you've improved.
08:09Straight down the middle.
08:11Cue for a song.
08:13Yeah.
08:13Straight down the middle.
08:19Right, while we look for that wonderful shot.
08:21Good shot, mate.
08:22Tell me about your grandfather, right?
08:26Your mum and dad's dad.
08:28Oh, your grandfather, hey, what a dancer he was.
08:31Latin American rumba.
08:32Mind you, he'd be the first to admit that his ballroom let him down.
08:35No, no, no, your, your grandfather, my great-grandfather.
08:39My great-grandfather.
08:41He was the first man to bring the Argentine tango to Wales.
08:45What?
08:46Very light on his feet, he was, let me tell you.
08:49Why are you talking about dancing?
08:50Well, I've given you a bit of stuff to cut around the feet, you know.
08:53Well, what, what, what do you think we're doing here?
08:59Strictly come dancing.
09:00What?
09:01Why, why would I be filming myself playing golf with you if I was doing strictly come dancing?
09:07Well, it's like a, like a training montage, like in Rocky.
09:10I'm not doing strictly come dancing.
09:13Well, well, well, why are all these cameras here?
09:15Because I'm doing who do you think you are?
09:17I'm tracing the family tree.
09:22Stop the cameras a minute, boys.
09:23Huh?
09:24Put the, put the camera down.
09:25What are you doing?
09:26Put the, put the camera down a minute, please.
09:28What are you doing?
09:29Come here, come here.
09:30What?
09:31No.
09:31You don't want to open this can of worms, I'm telling you now.
09:34What can of worms?
09:35Oh, hey, you don't want to know what I'm telling you.
09:37Why?
09:38You can't go into your family tree, Rob.
09:40Why?
09:40Because I'm telling you.
09:41Why?
09:41Don't ask.
09:42I'm asking you, why can I not find out?
09:45What is this dreadful thing that I cannot find out about my family tree?
09:48Don't go off on one day, I'm telling you.
09:48I'm going off on one, because you've made me look an idiot.
09:51Don't shout at me, I'm your father.
09:52Let's have less of the gags as well in front of them, okay?
09:54Let's have less of the I'm the centre of attention.
09:57Because the programme, in case you haven't noticed it, is about me, okay?
10:00It's not about you.
10:01Me, me, me.
10:01Yes, me.
10:02That's who it's about.
10:03It's not about Tom Bryden, okay?
10:05Father of the stars.
10:06It's not.
10:07It's about me, okay?
10:09To get started on tracing his family tree, Rob needs more details from his father,
10:15convinced that he holds the key to unlocking the past.
10:18Your father's father, hmm?
10:21What did he do?
10:22I am unable at present to help you with your inquiries.
10:26Have you been on Richard and Judy?
10:28Have you been on Des and Mel?
10:29Have you been on QI?
10:30Have you done a bloody good lap time on Top Gear?
10:32No.
10:33So come back when you have.
10:34Was he involved in Grandpa's wool shop?
10:37I refer you to the answer I gave earlier.
10:42Can't believe that you are my son.
10:44Well, the feeling is mutual.
10:47Oh, bollocks.
10:49I'm bollocks to you as well.
10:50Listen, but I love the show, man.
10:52The one with Bill Artie.
10:54Well, I was in floods.
10:56Bit like you.
10:57I'm tracking down your long lost sister.
11:00Is that it?
11:00Have I got a sister?
11:01Oh, shit.
11:02Now I am, man.
11:04Unless your mother knows otherwise.
11:06And you can't ask her.
11:06Is she going to a better place?
11:08Swansea.
11:10What are you joking?
11:11She's dead.
11:12Right, the one's a biscuit.
11:13Want a biscuit a bit?
11:14Tea?
11:15Tea or coffee?
11:16Coffee?
11:21What?
11:24I told you it was a bad idea.
11:26I wouldn't do it.
11:29I wouldn't.
11:30Well, they're not going to ask you, are they?
11:32It's a celebrity programme.
11:34Me, Stephen Fry.
11:36Leslie Garris.
11:38What's wrong with Leslie Garrett?
11:40Very good singer?
11:42Tell you what, if they ever did, through some clerical error,
11:45ask you to do the show, you'd be very wise to decline.
11:48Oh, really?
11:49Why?
11:50Come on.
11:51No, what?
11:52What do you mean?
11:52Well, you know, your old Irish ancestry.
11:55Well, you might dig up, eh?
11:57May discover your ancestors were the first people ever
12:00to get halfway through laying a new driveway
12:04and then disappear, taking all the money, eh?
12:08But out the VAT.
12:09Oh, I don't mean you.
12:10I mean your ancestors.
12:12You've done very well.
12:13You've dragged yourself up.
12:14I buried her there.
12:15Left her bum two inches above the ground.
12:17You've got to have some of the parking bike, haven't you, boys?
12:23After drawing a blank with his father,
12:25Rob decides to find out if official records
12:27can cast any light on the shadows of his past.
12:30Dad isn't quite the, uh, font of knowledge
12:34that I was hoping for.
12:36So, I'm on my way to Cardiff,
12:39to the public records office,
12:41to see, uh, what we can find out there.
12:45It is becoming quite a mystery.
12:47Here we go.
12:54They, uh, make a bit of a fuss of me in Wales,
12:57so I take a deep breath,
13:00head down,
13:01and hope for the best.
13:11What the?
13:12Welcome, Mr. Brayden.
13:15And might I be permitted to say
13:16that it is an honour
13:17to welcome you to the records office, Mr. Brayden?
13:21Thank you very much.
13:22Uh, call me Ron?
13:23Oh, of course.
13:24Whatever you prefer.
13:25We're all thrilled to have you here
13:27and to become part, as it were, of the mystery.
13:31Thank you very much.
13:32Uh, might you be kind enough, uh,
13:35to allow me the impertinence
13:37of leading you towards the appropriate office
13:39that we might begin our quest?
13:42Of course.
13:42Uh, and perhaps, before we begin,
13:45I might just be allowed to say
13:46that I'm a great admirer of the programme.
13:49I love the bloody one.
13:51I was in flunce.
13:53This way, please.
13:54Of course.
13:57Nice man.
14:00I want to know why I am like this.
14:03Why have I become...
14:05Why am I a comedian?
14:06All right, not a comedian.
14:07More than that, a comedy actor.
14:08Why have I become a very respected comedy actor?
14:11What is it in my past
14:13that has made me the sort of comic actor
14:18who, all right, he doesn't get massive viewing figures,
14:21but he's very respected within the industry?
14:25And, OK, he doesn't have a lot of merchandise.
14:29You know, there's DVDs
14:30and there was a mug on the tour.
14:32But, you know,
14:34I've never had a calendar, for example.
14:37Why is that?
14:38You know, why is that?
14:40Did I have ancestors
14:42who, again, were hugely respected for what they did?
14:45You know, was one of my ancestors a blacksmith
14:46who was greatly respected,
14:49but there was another blacksmith in the village
14:51who sold more hooves?
14:56Who might that be today?
14:58Ricky Chavez.
14:59Peter Kaye.
15:08Little Britain.
15:09The important thing when we try to trace our family tree
15:15is to try as much as possible,
15:17to gather as much as possible
15:19first-hand information.
15:22And to that end,
15:24the document that you have gathered,
15:27while not as numerically great as one would have hoped for,
15:30nonetheless,
15:31it helps to paint a picture,
15:35or if you'd rather...
15:35A jigsaw.
15:36I mean, we know...
15:38Oh, sorry.
15:39Where you are.
15:40Sorry.
15:40Oh, sorry.
15:43Ask my dad if he'll take it.
15:45All right.
15:45Hello?
15:48What?
15:50All right.
15:50Calm down.
15:52What?
15:52Are you all right?
15:57Right.
15:57Well, can you call someone?
16:00All right, all right.
16:01Yes, yes.
16:02I'll be there.
16:03Hang on.
16:04My dad, he's fallen over.
16:05We'll have to go.
16:06Why doesn't he call the neighbour?
16:07I can't reach the phone.
16:10There you go.
16:10Sorry.
16:10Sorry.
16:10There's nothing wrong with you.
16:18I've had a blocker, man.
16:19You look really well.
16:21Well, that's because you, my lovely...
16:23Lord, don't start with that.
16:25Could he tempt you off the straight and narrow?
16:29No.
16:30Well, I mean, you know, he could if he tried.
16:32I'm just...
16:33I'm using all my powers of resistance.
16:36You should pop over to Spain with him,
16:37and we've got a little place over there, may we, Rob?
16:39We have, yes.
16:40Well, I don't think my husband was a proof.
16:43Oh, sir.
16:44Really.
16:45Fair enough.
16:45Big weather, was it?
16:46Oh, what are you doing?
16:48Stop asking her about her self.
16:51Just sort of, you know, it was intimate and small.
16:54Did you?
16:55Did he go?
16:56Oh, yeah.
16:57Yeah, yeah.
16:58Yeah, you are.
17:00Oh, Mickey, you're so fine.
17:02You're so fine.
17:03You blow my mind.
17:04Hey, Mickey.
17:07You never said.
17:09Odd, that, isn't it?
17:10Because I tell you everything.
17:11Yeah, if they're one of our heart-to-hearts,
17:13I would probably have opened up to you about that.
17:15Yes.
17:17What goes on in your head?
17:19After getting nowhere with his father, Rob begins to explore his mother's side of the family,
17:33miners from Ebovale.
17:34So this is where my mother's father, who's Grandpa Glyn, and his four brothers, all worked from when they were 14 until they retired at 65.
17:46Five.
17:47Five.
17:47So for my mother's side of the family, at least, this place is a huge part of our family history.
17:55Of.
17:56Of.
17:56So, uh, what do we know about, uh, my relatives that worked here?
18:01Nothing.
18:03All burned.
18:04All the records gone.
18:06Gone with the wind.
18:07Don't give a damn, Frank.
18:10What, there's no record of my relatives working here?
18:12No record.
18:13Your word against mine.
18:14Well, no, no, they, they, they did work here.
18:18So you say.
18:20Well, they did.
18:22According to you.
18:23Well, I wouldn't make something like that up, would I?
18:26Wouldn't you?
18:27Well, no.
18:29Well, let's just say, we don't know.
18:34How do you think it's going so far?
18:36Uh, so far my quest into the past has uncovered my father, which I was already aware of, up to a point.
18:44Um, so, I am going to go back to Cardiff, to the public records office, see Mr. Griffiths, and just see if he's turned anything up.
18:53Why do you think your father seems so reluctant to look back?
18:57I wouldn't honestly say he was reluctant.
18:59I mean, I don't get that shit.
19:00Robert.
19:01Hello.
19:02It's me, man.
19:04Mr. Johns.
19:05Oh, from school.
19:06From school.
19:07Hello.
19:07See who got it.
19:08Oh, yeah.
19:10Why do you want to know about your parents?
19:14Did they have a...
19:15Not my parents, no.
19:16I just need to know about my family...
19:18No, well, that's what I'm saying.
19:19History.
19:20You want to know.
19:21They call it, what do they call it?
19:22Genealogy.
19:23Genealogy.
19:24Genealogy.
19:24There's no O in it.
19:25Sorry, genealogy.
19:27It's an A, I think.
19:29Genealogy, yes, as I say.
19:30That's about the only thing I know.
19:32Well, you know you were a minor.
19:34You know that.
19:35I wasn't a minor.
19:36But you were, I thought you were, to get a job here, you have to be an ex-minor to be
19:40a guide.
19:40No, no, no.
19:42What did you do?
19:43I had a pet job.
19:45I had a pet job, yeah.
19:47I don't mean to be rude, but why are you dressed as a minor?
19:50Oh, didn't you know, I work here now, don't I?
19:53What about the teaching?
19:54You haven't retired, have you?
19:55Oh, no, not exactly.
19:56No, I'm just trying to put it behind me.
19:58Let the dust settle, as it were.
20:01Why?
20:02Well, I lost my temper, didn't I?
20:05And I hit someone.
20:06You didn't hit a pupil.
20:08Oh, good God, no, Robert.
20:09No, no, no.
20:10I'd never hit a child, man.
20:12It was a parent.
20:14He accused me of having an inappropriate relationship with his son.
20:20Oh, God.
20:21Well, I don't mind telling you I lashed out, didn't I?
20:25I will not have people thinking that about me.
20:28I mean, I was a father figure to so many of those boys.
20:32Yes.
20:32Helping them through their troubles at home.
20:34I know you're always giving me a little hug.
20:36Exactly.
20:37Nothing wrong with that.
20:41There wasn't any information available from the mine.
20:45Rob hopes his second visit to Mr Griffiths at the public records office will be more useful.
20:49Hi, I'm Rob Brydon.
20:56I've come to see Mr Griffiths.
20:58Mr Griffiths Sr. is unwell today, but his son will deal with you.
21:01Mr Griffiths Jr.
21:02Mr Brydon.
21:03Hello.
21:04Mr Brydon, what a delight to welcome you to the records office.
21:08Thank you very much.
21:09Might I be permitted to say how much I enjoyed a cock and bull story?
21:13Oh, you might.
21:13My favourite Winterbottom film by far.
21:16You would?
21:17I've not seen any of his other ones.
21:19Walk this way.
21:21Now, one of the most important things when we try to trace our family tree is to try as
21:26much as possible to gather as much as possible first-hand information.
21:33And to that end, the documents, while not as numerically great as what one might have hoped
21:40for, nonetheless, they do help to begin to paint the picture, or if you'd prefer, the jigsaw.
21:46So, if you would just have the good grace to leave it with me, I will be in telephone
21:53communication with yourself and contact you at the earliest opportunity that is convenient
21:57with yourself.
22:00Okay.
22:01Do you have an expectation?
22:10Yeah, I think, I think, whatever happens, I'll get some sense of what the Americans call
22:15closure, which is a feeling, okay, I can close that book now.
22:20And I'm expecting, I'm expecting to have a greater sense of belonging, in a way, just to know
22:30where I come from.
22:31So, you're saying you don't know any of these people?
22:33No.
22:34No.
22:35Who's that?
22:36I'm not a clue.
22:37That?
22:38Dunno.
22:39Her?
22:40No, I don't know who she is.
22:42Him?
22:43No.
22:44Hang on.
22:45I recognise that one.
22:46Yeah, that's me.
22:47Spoiled on, bud.
22:48Well done.
22:50Sorry.
22:51Hello?
22:52Sorry.
22:53Hello?
22:54Mr. Griffiths, hiya.
22:55Yeah?
22:56Really?
22:57What's just happened?
22:58I just had a phone call from Mr. Griffiths Senior.
23:03He says he's made a significant discovery, and he wants to meet now.
23:08So, that's where I'm going.
23:11With so many earlier false trails and general lack of information, Rob's meeting with Mr.
23:20Griffiths in a supermarket car park seems significant.
23:24Can this finally be what he's looking for?
23:29Mr. Brydon.
23:30Hello.
23:31Mr. Brydon.
23:32Hello.
23:33Well, sir, there has been a development of not inconsiderable proportions.
23:36Mr. Griffiths?
23:37We are standing on the site of immense importance to your family history.
23:41This is your Stonehenge.
23:44This is your Magna Carta.
23:46Mr. Griffiths?
23:47It's 1901.
23:49Illness is rife.
23:51Infant mortality figures are through the roof.
23:54For those lucky enough to have a roof.
23:57But your great-grandfather, inspirational Mayor Gethin Brydon...
24:02He was a mayor?
24:04Mm-hm.
24:05He proposed a municipal bath to be built on this very spot and set about encouraging donations from all the townsfolk.
24:12Even the church made a substantial contribution.
24:15In the end, he raised, according to today's standards...
24:18In excess of two million pounds.
24:21Two million pounds.
24:22Two million pounds.
24:24He was a hero.
24:25Yes.
24:26Initially.
24:27You don't know what they're going to bring up.
24:31You don't know what they're going to find.
24:32It could be really embarrassing.
24:33Descended from Crippen the acid bath killer?
24:36Well...
24:37You don't know and...
24:38I'm pretty sure.
24:39You would deal with it very badly.
24:40I know that.
24:41Why would I?
24:42Why would you say I would react badly to it like other people wouldn't?
24:46Because there's something shifty about you.
24:48Especially around the eyes, you know?
24:50On the morning of the 6th of August, 1901, the funds, and your great-grandfather, Gethin Brighton, vanished.
24:57Now, we can't be sure the two are connected.
25:01Mm-hm.
25:06We can be sure.
25:07He was never seen again.
25:12Some people say he went to Ireland, some the continent, France, Italy.
25:16Spain.
25:17Spain.
25:18Yeah.
25:19I feel ill.
25:20Erm...
25:21I'm sorry.
25:22Can we stop from the front?
25:32Why didn't you tell me?
25:34I did!
25:35No, you didn't!
25:36You said you couldn't remember anything!
25:40Robert!
25:41What's the matter, boy?
25:43I just found out my great-grandfather stole two million pounds.
25:47Good God.
25:48Can I have a hug?
25:49Oh, of course you can!
25:50Come here, man.
25:51Aw, it'll be all right, don't you worry now.
25:55It'll be all right.
25:56What a lovely sight.
25:58Mr. Johns is teacher at school.
25:59Teacher?
26:00Wonderful.
26:01You've obviously had a hand in this young man's development.
26:03Sorry?
26:04You've groomed him!
26:05Cute!
26:06Let's talk about the matter with you now!
26:07Don't you dare!
26:08Let's talk about the important!
26:09Get off my dad!
26:10Well, there we are.
26:11He looks nice in that train, isn't he?
26:12You've groomed him.
26:14You!
26:15Let's not do it with you now, don't you dare!
26:18Let's not do it with you!
26:20Get off my dad!
26:23Get off my dad!
26:26Well, there we are. He looks nice in that dream, doesn't he?
26:30Why didn't you tell me?
26:33It was your mother, man. Your mother didn't want you to know.
26:37I don't know why you're looking up there. She's not in a spare room.
26:41I'm sorry. I should come down more. I should visit more. I am sorry.
26:48Because there's no more secrets.
26:49No, no more secrets.
26:50Nothing?
26:51Nothing.
26:52Not even a little thing?
26:54Rob, I've told you everything.
26:58Well, in that case, look, let's try and start again, yeah?
27:01Yeah.
27:02Let's be a proper father and son. I don't have to go straight back to London.
27:05Let's do something now. Let's do something this afternoon to bond.
27:08Well, it's a lovely day. I tell you what, let's go play golf.
27:11Yeah, all right. Yeah? Let's play golf, yes.
27:15Great. I'll go and get my shoes.
27:17Son.
27:20All right. Dad.
27:23Watch it.
27:35You're listening to Magic 105.4. Eamon and Ruth here with our magic end.
27:47You're listening to Magic 105.4. Eamon and Ruth here with our magic end.
27:59You are listening to Magic 105.5. We're listening to Magic 1010.
28:01Yeah.
28:02I'll come back and see you guys.
28:03See you next time.
28:04I'll go.
28:05I'll touch.
28:06Yeah.
28:07Arana is here with the magic cave.
28:08I'm out.
28:09I'm out.
28:10By the magic cave.
28:11I'm out.
28:12I'm out.
28:13Yeah.
28:14I'm out.
28:15I'm out.
28:16I'm out.
28:17I'm out.
28:18I'm out.
28:19I'm out.
28:20I'm out.
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