- hace 6 meses
Conclusion. After 99 foils a KAOS assassination attempt on the Chief in his hospital room, Max and 99 eventually wind up at Panamint studios in Los Angeles in their investigation of the DRY-UP caper. Can they discover who is the mastermind before KAOS dries up the Mississippi River?
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00:00Max, the chief's been hit!
00:18I'm sorry.
00:20Don't try to talk, chief. Try to save your strength.
00:22Oh, Max, the chief's got to be all right. He's just got to be, if anything happens to him.
00:3199.
00:32Max, please tell me he'll be all right.
00:3499.
00:35Tell me he'll be all right, Max. Tell me, Max, tell me.
00:38He'll be all right.
00:39You're just saying that.
00:4199, you know how I feel about the chief.
00:43I know, Max. He yells at you a lot, but he really likes you so much.
00:48Yes. You know, it's funny, 99. At a time like this, you remember little things.
00:52Do you know, when I first came to control, the chief had a full head of hair.
00:56Really? When I came here, he was bald.
00:59That's right. You joined two weeks after I did.
01:02Max, I'm so afraid, Castle. I mean, if anything should happen to you, I...
01:07Don't worry, 99. Nothing's going to happen to me.
01:11You know what I mean, Max.
01:14Yes, I do. Ernestine.
01:18That's the first time you've ever called me Ernestine.
01:21I know.
01:22I wish it were my name.
01:30Admiral Hargrave.
01:32Oh, there you are.
01:38Certainly are a lot of sharp turns in this hall.
01:42What are you doing here, Admiral?
01:46What am I doing here?
01:48My boy, when the President of the United States puts me in charge of a case, I take charge.
01:57Don't do it yourself, sir.
01:59Well, maybe 31 years old, but I have just as much vim and vigor as I had when I was 32.
02:08Well, maybe 31.
02:1632 is actually a very bad year.
02:20All right, 86, let me have your report.
02:24Well, it's bad news, sir.
02:26The chief has been hurt.
02:28Tell me the bad news first, then we'll discuss the chief.
02:33That's it, sir.
02:34The chief has been shot.
02:35Well, what about our witness, Betty Oiskin?
02:38Did you talk to him while he was conscious?
02:41Did he tell you who has the stolen formula?
02:44Well, he wasn't able to talk, but he wrote something down on a piece of paper.
02:47Well, that's a piece of paper, all right.
02:57We better get this over to Betty Oiskin's brother right away.
03:01If anybody can read this, it's Dr. Smith.
03:05This piece of paper will tell us who has the stolen formula.
03:09I can't believe this.
03:11The chief is lying in there in critical condition, and all you're worried about is a formula.
03:15Now, see here, young lady.
03:18I am a soldier, and so is the man in that room.
03:22Our nation's security comes before any one man.
03:27And if one of us falls by the wayside, we must still move forward.
03:36I hope I didn't get him too excited.
03:37No, it's all right, 99.
03:39It's time for his nap anyway.
03:40Get him over there and stand him against the wall.
03:45Let's go look in on the chief, Max.
03:55Right, 99.
03:56Have a good rest, old-timer.
04:07Hi.
04:08Hello, chief.
04:08What's new?
04:15The doctor says you're going to be just fine.
04:18Yes, chief.
04:19But it's very important that you get a lot of peace and quiet.
04:23And I'm personally going to see to it that you get...
04:25Sorry about that, chief.
04:29Now, if there's anything I can do, anything at all, don't hesitate to let me know.
04:35If you need blood, you can have mine.
04:40Excuse me, I have to check this chart.
04:42Well, we have to be going anyway, chief.
04:44I've got to get Betty Oiskin's message over to Dr. Smith.
04:47There's every chance in the world that he may be able to decipher his brother's handwriting.
04:51Put your hands up.
04:54Max!
04:59What are you doing?
05:01The doctor expressly said that the chief should have rest, peace, and quiet.
05:05She's a chaos agent.
05:06Max, look!
05:07How did you know she wasn't a nurse?
05:09A nurse doesn't wear high heels on duty, Max.
05:12Hold it!
05:17All right.
05:18Get on your feet.
05:19Get on your feet.
05:21Max!
05:27Max, are you all right?
05:28Yes.
05:28Don't let her get away, 99.
05:29All right, Max.
05:30Now, you just relax, chief, and get some sleep.
05:41There she goes, Max.
05:45The chief's car.
05:47Larry, be quick.
05:48Follow that car.
05:49Right in, you six.
05:51Ah!
06:13Ah!
06:13Ah!
06:14Ah!
06:14Ah!
06:15The five!
06:16All right!
06:16Ah!
06:17Ah!
06:17Ah!
06:21¶¶
06:51I'll go first.
06:57Right, Max.
07:11If we do not receive $1 billion,
07:14we will unleash the terrifying power of Formula 6076767.
07:19Your country will be turned into a wasteland.
07:23Chaos has moved ahead with its threat to destroy your country.
07:27Less than 30 minutes ago, we dried up another body of water, Niagara Falls.
07:35Isn't that terrible?
07:36Now thousands of honeymooners will be stranded up there with nothing to do.
07:40Dr. Smith, you must decipher your brother's handwriting.
07:46If you fail, the entire country may be destroyed
07:49by the very formula you have created.
07:55It's three initials.
07:57T-B-O.
07:59Whose initials are T-B-O?
08:03T-B-O.
08:05Why does that sound so familiar?
08:08Where did you get that?
08:09Where is the phone?
08:10It's the microscope.
08:11No, no, no.
08:12Internal security changed it this morning.
08:14It's the Bunsen burner.
08:17You listen to the metal part and talk into the flame.
08:20A hotline, huh?
08:21This is Control Laboratory.
08:26Maxwell Smart speaking.
08:29I blew the connection.
08:30It's a big black T, a lot of little letters, a big B, and then...
08:36Hello?
08:3899?
08:39It's Agent 13.
08:40He's reporting in that he infiltrated the laundry.
08:43The laundry!
08:44That's it!
08:46These are the laundry tickets that I found in your brother's clothes at the hotel room.
08:49Three brothers on the wash.
08:52T-B-O.
08:53Good girl, 99.
08:56Now, I want you and 86 to go to that laundry immediately.
09:00This is a code P alert.
09:03That's P as in Peter.
09:06Hello, 13?
09:07This is a code P alert.
09:09That's P as in Peter.
09:15Hello, 13?
09:16I was saying, it's a code P alert.
09:20Uh, how about L for Lamont?
09:24Well, I'll tell him when I get there.
09:26Come on, 99.
09:27Right, right.
09:30Hi, 99.
09:31Where you been keeping yourself?
09:32Hello, 13.
09:33How you doing in there?
09:34If you two are quite finished, do you mind if we get down to business?
09:38Have you learned anything, 13?
09:40Yeah.
09:40Oh, somebody's coming.
09:42Listen, you better keep stuffing clothes in here so we don't look suspicious.
09:45And if anybody comes by, close the door.
09:47The laundry's a front for a horse room.
09:49The machines represent different horses and races throughout the country.
09:53The vets are in the laundry bags and they're deposited in the machine.
09:56Someone's coming.
10:04Are deposited in the machines by runners posing as customers.
10:07Of course.
10:10That explains everything.
10:12That's why you found the laundry tickets in Betty Oiskin's room.
10:15The laundry tickets are the bets for the races.
10:18The red tickets...
10:19Shh.
10:20He's coming back.
10:21Are $500 bets and the white ones are $1,000.
10:30Betty Oiskin had six $1,000 tickets.
10:33Of course.
10:34Of course.
10:35He was betting on the races and losing and he had to pay off.
10:38So he stole the formula and sold it to chaos.
10:41Yeah.
10:42Hey, 86.
10:42Do you think you'll be needing me anymore?
10:44No, I don't think so.
10:4513.
10:46Well, I can't wait to get home and take a warm bath.
10:48That man who just came in.
10:55What about him?
10:56Don't you recognize him, Max?
10:57That's the drunk who was in the hotel lobby when Betty Oiskin was shot.
11:01You're right, 99.
11:02Why, he could have shot Betty Oiskin.
11:04Do you think he saw us?
11:05No, I don't think so.
11:06But we better step back here just in case he comes out.
11:09Strange he's showing up here.
11:10Well, maybe he's a horse player.
11:12Max, I have a hunch.
11:13Call it woman's intuition, but his being here is not just a coincidence.
11:16Now, supposing he owns this place and supposing Betty Oiskin had lost heavily at the races
11:20and supposing he's the bookmaker that Betty Oiskin had to pay off.
11:24Well, that's a lot of supposing, 99.
11:26But you just may be right.
11:27And if you are, then the pieces begin to fit together very nicely.
11:30Now, if we could just figure out what T.B.O. stands for.
11:33T.B.O.
11:33T.B.O.
11:34Wait a minute, 99.
11:35I've got an idea.
11:38T.B.
11:39No, that's not good.
11:41Max, look.
11:42T.B.O.
11:43Yes, and a lot of little letters underneath it.
11:46R.L.A.N.D.O.
11:48Orlando.
11:49And a phone number.
11:50Max, 213.
11:51That's the area code for Los Angeles.
11:53Now, maybe someone called it T.B.
11:55Orlando in Los Angeles.
11:57Do you think Orlando was a name?
11:58Could be.
11:59Well, there's only one way to find out, 99.
12:01I'm going to call that number.
12:02Hello, operator.
12:10This is Maxwell Smart.
12:11I want to call long distance.
12:12Los Angeles, California.
12:15The number is 462-7399.
12:18I want to speak person to person to a Mr. Orlando.
12:21Panaman Studios.
12:23It's Panaman Studios.
12:25Mr. Orlando?
12:27Yes, we have a Mr. Orlando.
12:28T.B. Orlando.
12:30Shall I ring him?
12:31No, never mind.
12:36Well, that's it, 99.
12:37We found our T.B.O.
12:39Come on, we're going to Los Angeles.
12:40Max, why didn't you talk to him?
12:42Why warn him?
12:42This way, nobody knows we're coming.
12:44Come on.
12:49A man called Smart just phoned from Washington
12:53inquiring about Orlando.
12:54Look, fella, you can't see Mr. Orlando without a pass.
13:07Besides, I don't believe you're his brother.
13:11Would you please stand back and let Mr. Hurrah's car through?
13:14Mr. Hurrah?
13:15Wait a minute.
13:16We know Mr. Hurrah.
13:17If he says it's okay, can we get in?
13:19He's the big one.
13:19If you get an okay from Mr. Hurrah and you're in.
13:27Morning.
13:27Morning, sir.
13:28Uh, Mr. Hurrah, I don't know if you remember me or not,
13:31but we met in Washington when your friend Betty Oyskin was...
13:34Of course, when Betty Oyskin was, uh, was what?
13:38Uh, shot.
13:39Shot?
13:40Yes, terrible, sad.
13:42Some actors should be shot, but not Betty Oyskin.
13:45What are you doing here?
13:47Uh, well, my sister and I, we just came out here to see a friend in the studio,
13:50but they won't let us in.
13:51You want to get in the studio?
13:53You're in the studio.
13:54This man is a very dear friend of mine.
13:55You let him in?
13:56Yes, sir.
13:57Come, I'll give you a ride.
13:58Get in.
13:59Oh, well, we wouldn't want to put you out, Mr. Hurrah.
14:02Nonsense, nonsense, my dear friend.
14:03Get in, get in.
14:04Bring your sister, get in.
14:05Plenty of room.
14:06Come right here.
14:07That's it.
14:07I'll make a little room.
14:08Sit right here, my dear.
14:10Here.
14:12That's it.
14:14That's it, that's it.
14:15Oh, okay.
14:17Okay.
14:18You all right?
14:19Be careful.
14:19I'm on the edge of the car.
14:20No, this is the edge of the car.
14:22My new picture.
14:23Are you sure we're not putting you in any trouble?
14:25No.
14:26Where are you going, my friend?
14:27Stage seven.
14:30Here we are.
14:31I hope we didn't take you out of your way.
14:35Not at all, my friend.
14:36I'm so glad that you could have the ride with me.
14:38Fine.
14:39I'll just take that.
14:40That's the girl.
14:42Yes, there we are.
14:46Who are you going to see on the lot?
14:48We're looking for Mr. Orlando.
14:50Orlando?
14:51Oh, there he is, over there with the green jacket.
14:53Well, goodbye, my friend.
15:01Mr. Orlando, I have to talk to you.
15:08About what?
15:09I'm Maxwell Smarter, government agent.
15:11I don't know anything.
15:13This concerns the whole world.
15:14You've got to help us.
15:15I have an appointment with Mr. Hurrah, and the big one doesn't like to be kept waiting.
15:20Betty Oiskin told us to contact you.
15:22He even wrote your initials on a slip of paper.
15:24T-B-O.
15:25A T-B-O can mean a lot of things.
15:28Oh, really?
15:29For instance, give me another T-B-O.
15:31One T-B-O, 40 cents.
15:33T-B-O?
15:34Tomato and bacon on an onion roll.
15:37You see?
15:38Now go away.
15:39Our nation's security is at stake.
15:40You owe it to your country to tell us what you know.
15:43Wait a minute.
15:45Did you say Betty Oiskin wrote the initials T-B-O on a piece of paper?
15:51Yes.
15:52I must check something.
15:54What?
15:54What?
15:55Meet me on stage seven.
15:59Give me five minutes.
16:00There must be a light switch in here somewhere, Max.
16:25Forget it, 99.
16:26It'll make us perfect targets for Orlando.
16:28Just stick close to me and hug the shadows.
16:31Come on.
16:31Take it easy, 99.
16:35It's just a bunch of people.
16:36Take it easy, 99.
16:37It's just a bunch of dummies.
17:02They use them for fight scenes.
17:03Max, look.
17:05Max, look.
17:09It's Orlando.
17:10He's dead.
17:11Oh, Max, how terrible.
17:13I know.
17:15That practically eliminates him as a suspect.
17:18Come on, let's get out of here.
17:20Oh, Max.
17:21Oh, Max, we're right back where we started.
17:29We still don't know who the big one is.
17:31Yes, well, I guess we better call the admiral.
17:33Right.
17:34Wait a minute.
17:35Wait a minute, 99.
17:36What?
17:37It's been right here in front of our eyes all the time.
17:39What has?
17:39Of course.
17:41Orlando said it.
17:42The guard said it.
17:43And now you just said it.
17:45Said what, Max?
17:46The big one.
17:47T-B-O.
17:48T-B-O stands for the big one.
17:49Max, I don't know what you're talking about.
17:51Don't you remember, 99?
17:52Orlando said, I've got an appointment with Otto Hurrah.
17:55And the big one doesn't like to be kept waiting.
17:58And then the guard said...
17:59If it's all right with the big one, you're in.
18:01T-B-O.
18:02The big one is Otto Hurrah.
18:03Exactly.
18:04What are we going to do now, Max?
18:05Well, we'll just go over to Mr. Hurrah's office and have a little talk with him.
18:09Why not have it here?
18:11Run, 99, run.
18:2199!
18:26I'll get him, 99.
18:39I'll get him, 99.
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20:24Heria!
20:25Ha!
20:26Ha!
20:41C'mon!
20:56Ha yeah!
20:58Ha ha!
20:59Ha ha!
21:09This is going to be a pleasure, Hurrah!
21:13For you!
21:16Tell me, Hurrah, what made you decide to join Chaos?
21:20I'm a creative producer and director bursting with new concepts.
21:23new concepts. I was wasted in the movie
21:25business. Chaos had an opening for our
21:27mastermind, so I took it.
21:29Besides, my agent recommended it.
21:35But chaos is vicious, evil,
21:37and rotten. So is my agent.
21:44Your government made a big mistake, not giving
21:47us the money, Mr. Smart.
21:49Now everyone in America is doomed
21:51and die of thirst and starvation.
21:53You're the one who's made the mistake, hurrah.
21:56Yes, I let others
21:57try to kill you. I almost deprive
21:59myself of this measureless pleasure.
22:02Any last words, Mr. Smart?
22:04Yes, you're
22:05under arrest.
22:19Last chance, Mr. Smart.
22:21Make a phone call and guarantee the money
22:23and I'll let you live.
22:24You're bluffing, hurrah.
22:25You've used up most of the formula in demonstrations
22:27already.
22:28Our chemists in Europe will duplicate
22:30the formula as soon as I deliver it there.
22:32We have men at every airport, every seaport.
22:33You'll never get the formula past them.
22:35We shall see. Correction, I
22:37shall see. You want to be
22:39alive.
22:40Well, hurrah. As they say in the movies, this is the end.
22:46Don't worry, my friend. I've never killed an on-arm match.
22:54Well, hurrah. As they say in the movies, this is the end.
23:10Don't worry, my friend. I've never killed an on-arm match.
23:21Sorry about that.
23:23Well, sir, I'm very glad to tell you that the case is officially closed
23:34and I will now turn over the wheel of the ship to you.
23:38Well, Admiral, it was a pleasure serving under you again, sir.
23:43The pleasure was mine.
23:45And now I've got to get to my doctor.
23:47I'm overdue for my checkup.
23:49When did you have your last one?
23:51Yesterday.
23:53I think we should all go home.
23:54We could certainly use a nice, quiet weekend.
23:56Yeah.
24:19And now I have, trying to stop.
24:24Oi!
24:25Bye.
24:27Bye.
24:28Bye.
24:29Bye.
24:30Bye.
24:38Bye.
24:39Bye.
24:43Bye.
24:47Bye.
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