- 4 weeks ago
Category
π₯
Short filmTranscript
00:00Oh
00:30Oh
00:36We've had this conversation before
00:40Do you understand
00:42I'm sorry
01:00Good night
01:30Good night
02:00Good night
02:30Good night
02:32Good night
02:34Good night
02:36Good night
02:38Good night
02:40Good night
02:42Good night
02:44Good night
02:46Good night
02:48Good night
02:50Good night
02:52Good night
02:54Good night
02:56Good night
02:588-9-2-1-8.
03:19Hello, John.
03:21Lucy.
03:22I know.
03:23It's not even a birthday or an anniversary.
03:26I need a favour.
03:28A big one.
03:29How big?
03:30Pretty big.
03:30It's going to involve you having to leave the house.
03:34And get into the taxi that I've booked for you.
03:38Taxi?
03:42There's a taxi outside my house.
03:44Lucy, why is there a taxi outside my house?
03:47Because I've known you since we were six years old.
03:49Five and four months.
03:50Meaning I know all too well that the only way I'm going to get you to travel 140 plus miles to Cambridge is if I book you one.
03:56And then very annoyingly refuse to tell you why on the phone.
04:00What the?
04:00That's ridiculous.
04:02Lucy, I can't just...
04:03I'll match whatever you're making for dinner.
04:05Like for like.
04:07Given that it's Sunday,
04:09I am assuming
04:10pasta.
04:13Carbonara.
04:15John?
04:16No, Lucy, I'm not...
04:18Please.
04:20See you soon.
04:24John Taylor?
04:51Yes.
04:52Hi, I'm Chris.
04:54I'm from Cambridge, yeah?
04:56It's a long drive.
04:57You the kind of guy who likes to talk?
04:59Or shall I stick on the radio?
05:04Radio it is.
05:08Can you turn that off, please?
05:24No.
05:25I'm not going to go.
05:26No.
05:27You're so good.
05:28No.
05:29I'm not going to go.
05:30I'm not going to go.
05:31Let me know.
05:32I'm not going to go.
05:33I'm not going to go.
06:04Don't get mud on your dad's new car.
06:13Where is that?
06:14He's been called into the office.
06:17Again.
06:19But then he's off for Christmas and New Year.
06:24Why are you so dirty?
06:27Pee.
06:27Well then why St. James?
06:29Because he didn't get deliberately pushed over.
06:34Hello.
06:41The Elvis Presley of Puzzle Setters.
06:45See?
06:45You survived a taxi trip.
06:46Well done.
06:48Henry!
06:51The spare bedroom's all made up.
06:53Three pillows.
06:54Just how you like it.
06:56Goodness, you travel light.
06:57Yes, well my packing time was somewhat limited.
07:01It really is good to see you, John.
07:05Uncle John.
07:08Henry.
07:09You're taller.
07:11Yes, well, teenagers do tend to grow over the course of a year.
07:15Dinner in ten minutes or five, if you're willing to set the table.
07:20Off you go.
07:24Right, now you've popped your bag down, maybe a good next step is to take your jacket off.
07:27Where's James?
07:29That's away.
07:30He's working a case.
07:34Lucy, what's all this about?
07:36Maybe we should talk after dinner.
07:37I think I'd be more comfortable knowing now.
07:40Oh, come on, John.
07:40When have you ever felt comfortable?
07:45Before you ask, no, I haven't sold any.
07:47And yes, I am still doing endless weddings and bonneted babies.
07:51And no, I most certainly am not artistically satisfied.
07:56I wasn't actually going to ask you any of those things.
07:59John, I need your help.
08:01Henry doesn't know anything about why you're here.
08:04I've told him you're on a work thingy.
08:07A convention.
08:09So, a puzzle convention?
08:11Yes.
08:12No, I don't know.
08:13I had to tell him something.
08:16Maybe, um, maybe you should sit down.
08:21Don't worry, I won't give you tetanus.
08:23So, it started a couple of months ago.
08:25James was on some case or other.
08:27I don't know.
08:28I didn't ask.
08:29I never asked.
08:29It was like some unwritten rule.
08:31You know, your brother spent day in and day out at some grisly murder scene or other.
08:36But when he came home to us, then DCI Taylor ceased to exist and he was just James.
08:42Our James.
08:43Lucy, why are you talking in the past tense?
08:48Oh, I didn't realize that I was.
08:49Well, maybe it's because for the last two months, our James wasn't the one coming home to us.
09:02What do you mean?
09:03I mean, he changed.
09:04Something about that last case changed him.
09:08He'd come in, he'd barely communicate, he'd lock himself away.
09:11I'd be asleep by the time he came upstairs.
09:13He'd be gone by the time I woke up.
09:17Until three nights ago.
09:18When he didn't come home at all.
09:25And then the next day, I received this.
09:29It's from him.
09:32B-A-R.
09:34Burn after reading.
09:36It's sweet, isn't it?
09:36Do you remember when we were kids, the three of us, we used to pass those notes through the fence.
09:40DCS Shaw.
09:47It's his boss.
09:48It's a letter of resignation.
10:02What does any of this mean?
10:06Well, exactly what it says.
10:08It's a list of instructions.
10:10So post the letter of resignation and then get to Henry and just leave.
10:14I mean, as you can see, he doesn't feel the need to tell me why or where we're supposed to go.
10:17Just that I am to do it.
10:19And that if anyone from his department tries to contact me, then...
10:23Don't talk to them.
10:24Don't meet with them.
10:26Don't believe them.
10:30That's it.
10:32Now does anything about that letter strike you as odd?
10:37Yes.
10:38Everything.
10:38It's the single most terrifying thing I've ever read in my life.
10:42No, John.
10:43That's not what I mean.
10:45I mean, look, John, you know me.
10:47In fact, the only person that knows me better is him.
10:50Would either of you expect me to read that and then just go,
10:53Oh, I know, I'll do what I'm told and I won't think any further on it.
10:56I'll just pop off.
10:57Does that even remotely sound like me?
11:00Not right now.
11:01It doesn't know.
11:02And he knows that.
11:04Which brings me to the big favour.
11:07Lucy, I'm not sure.
11:08Just...
11:09Okay.
11:11So I went into his home office looking for clues as to what he might have been working on.
11:16And there's nothing.
11:18He's been hidden in there for two months.
11:19Nothing to show for it.
11:20Now, either he took his files and tatty orange notebook with him or it's in his other office.
11:28The one at the police station.
11:29Now, I can't access that.
11:31In fact, the only person that can is James.
11:33Or somebody who looks remarkably like him.
11:47No!
11:49It's nothing.
11:49It's easy.
11:50It is in and out.
11:51Are you...
11:52No!
11:53Absolutely not!
11:54I've been there.
11:55I know the layout.
11:55You won't have to talk to anybody.
11:57Really?
11:57And if they talk to me?
11:59Just stick to small talk.
11:59Just keep walking.
12:00What small talk?
12:01Have you heard my small talk?
12:03This, right now, is about as good as it gets.
12:06Look, I've met most of his colleagues.
12:08I mean, I can brief you on all of them.
12:10Certainly enough to get you through a piddly little visit to the office.
12:13Just there and back.
12:14Lucy, stop!
12:15That would be illegal.
12:18James couldn't just abandon his family without reason.
12:23He knows what that feels like.
12:26If he's not telling you everything, it's because he's trying to keep you safe.
12:30And this is how he does it.
12:34You don't get it.
12:38That isn't a letter that a husband of 20 years sends his wife.
12:41No matter how much he's trying to protect her.
12:44There's nothing personal in it.
12:47There's no comfort.
12:51No feeling.
12:52It's more like the type of letter that...
12:55That's true.
12:59Maybe I shouldn't have involved you.
13:03I don't know.
13:03I should, um...
13:04I love you.
13:10Always have.
13:13Oh.
13:15I-L-O-V-E.
13:20It's an acrostic.
13:21The same one we used as kids.
13:24The same one every kid learns.
13:27Oh, right!
13:28Right, yes, was.
13:29First letter of each sentence.
13:31I'll just be in and out, right?
13:52Oh, thank you.
13:54Thank you, John.
14:08How's this?
14:10Yes, you do look like him.
14:14Something's different.
14:15Of course something's different.
14:17I'm literally a different person.
14:20These pens will have to go.
14:22I might need them.
14:23Not in there.
14:24Not a school prefect.
14:27You'll need his car.
14:29James still has your dad's.
14:33Do you drive much these days?
14:34No.
14:37No.
14:45No.
15:15I've got his work phone. He left it. It's locked. I've tried every date I can think of. My birthday, Henry's birthday.
15:38Too obvious. Try your first date.
15:41I'm supposed to remember when...
15:4223rd July 1991. You went to the village fair.
15:46Right.
15:49Nope.
15:49Historical dates then. Battle of Hastings. Signing of the Magna Carpet.
15:54James always liked trains. Try the invention of the steam locomotive.
15:58Oh, well I'm locked out for an hour now.
16:00When you get there, just look for his notebook. Tati, orange. I'll keep trying the pin on this thing.
16:06Listen, we're going to have to keep in contact. Do you even own a mobile phone?
16:09Of course I do. You know I do. You bought it me for Christmas.
16:14No, I didn't. You...
16:16What? Wait.
16:18That was 20 years ago.
16:19That was 20 years ago.
16:49Yeah...
16:52Oh...
16:54Yeah...
16:57Oh, God.
17:02Well, this was quite a lot of...
17:09Oh, man.
17:10OK.
17:10Well, as soon as a person...
17:13Do you talk with the playful race?
17:15Oh, yes...
17:17Yeah, I did.
17:19Detective Chief Superintendent Carol Shaw.
17:30I've never liked touching eyeballs. Especially mine.
17:34James doesn't wear glasses so you're going to have to suck it up I'm afraid.
17:38She's the one that I was supposed to have sent a resignation letter to.
17:41James's boss?
17:42Everybody's boss.
17:49You do understand why you're out here, yeah?
17:52Right, I'm leaving the room.
17:54Yeah.
17:55There.
17:56I'll be just in front of the room.
18:01Hold!
18:02Hold!
18:03Yeah.
18:04Doors closing.
18:05Cheers.
18:09Do you say a tailor?
18:15Oh yes, hello.
18:19You.
18:22I was hungry.
18:26You know kids today with their skateboards.
18:33Floors opening.
18:35Second floor.
18:36Oh my God.
18:43His team are on the second floor in front of the stairs.
18:47It's a large open plan room with shared desks and workspaces.
18:51They'll probably be manned but don't worry about that, just walk straight through.
18:54Shhh.
18:55Yeah.
18:56I'm sorry.
18:57I'm sorry, I'm sorry.
18:58I'm sorry.
18:59I'm sorry to see you.
19:00Oh, what are you doing?
19:01Yeah.
19:08James's office is at the back on the left.
19:09Don't talk to anyone.
19:11James' office is at the back on the left.
19:20Don't talk to anyone.
19:24Oh, James, hello.
19:25Do you have to...
19:41D.I. Matt Neville. They've worked together for ten years. James is his best man. He knows
19:52him better than anybody else. Memorise this face. He's the only one you can trust. But
19:58be careful.
20:04Oh, there you are, Gavin.
20:11New pens.
20:16Looking sharp.
20:19Anyway, here's a good one.
20:20Some big shot solicitor guy found in his office this morning with an antique letter opener
20:25stuck in his chest. Been there all weekend, apparently. The rest of the team already down there.
20:33Gov, that bloke's this way.
20:36Um, yes, I just, um, I need to get something from my office.
20:42What?
20:44My gun.
20:46Your gun?
20:47Gum.
20:50Curry night, was it?
20:52Don't worry, I've got some Tic Tacs in the car. Come on. Come on, let's go.
20:56There's only like ten people in the whole building. No CCTV, but security on the door. You have
21:05to sign in when you arrive, sign out when you leave, which, according to the sheet, they
21:10all did, including the victim. Is there something in your eye, Gov?
21:14Oh, sorry, new context. But for some reason I don't wear glasses, you see.
21:20Oh, okay, well, I guess that explains the parking.
21:31Are you alright?
21:33Um, yeah, good, great. I just, I need to make a quick phone call on my mobile telephone.
21:40Okay.
22:04John?
22:05I didn't get to the office, there's no Matt Neville, I'm back outside, and I'm supposed
22:09to be attending a crime scene.
22:11What?
22:12I didn't get to the office, there's no Matt Neville, I'm back outside and-
22:15Yes, no, I heard you the first time, John. What do you mean there's no Matt Neville?
22:18I mean James has a completely different partner from the one you told me about, that's what
22:21I mean. One that sat waiting for me to go and look at a dead solicitor with him.
22:26No, that doesn't make any sense. I'm sure he would have told me if Matt had left, or if
22:31he had a new partner, or-
22:34I mean, wouldn't he?
22:37He's looking at me.
22:38Yes, it's probably not helped by the fact that you're standing there holding a phone that's
22:41older than the Bible.
22:42Oh God, I'm going to prison, aren't I?
22:44No, you're not going to prison.
22:46I'm impersonating a police officer!
22:47Yes, but he's your brother.
22:49That's really not the legal loophole, you think it is.
22:53Oh, Henry's school is calling.
22:56What? So?
22:58Lucy, what am I going to do?
23:00Look, you've got no choice, she's going to have to wing it.
23:02I mean, it's easy, you're lead detective, so just, um, delegate.
23:06Delegate?
23:07Yes, let them do their jobs, maybe gauge their reactions, see if they're acting sus.
23:12Look, the main thing is, you need to get back to the station and into that office.
23:15John, you can do this.
23:17Lucy, you can't still think.
23:18Please, John, if nobody's noticed so far, you'll be fine.
23:21Call me if you need me.
23:22What?
23:23Wait, Lucy!
23:26Okay, bye.
23:45You good?
23:57You good?
24:04Ah!
24:05Ah!
24:07Ah!
24:08Ah!
24:32What are you doing?
24:33Nothing.
24:34Uh, making notes.
24:39Morning.
24:40Morning.
24:42Morning.
24:43Good job.
24:54You're doing a fine job, well done.
24:56What's that we're taking the stairs?
24:57Morning.
24:58Morning.
24:59Morning.
25:00Morning.
25:01Morning.
25:02I'll let them know if you just...
25:03Ah, ahem.
25:04Great to be there.
25:05Right.
25:06Oh, there you are.
25:07Detective Constable Simon Evans, the youngest member of the team, I think he's into his graphic novels.
25:14Know much about superheroes?
25:16Well, I do know that he still lives with his mother, so if you get stuck, then just ask after her.
25:20Oh, that's a nice selection of pens, sir.
25:21Thank you!
25:24Yeah.
25:25Right.
25:26Okay, yes, so we've come and did the biggest conference room in the building.
25:27I've got the paper.
25:28And it's a paper.
25:29Oh, please.
25:33Here you go.
25:34I'll let you know.
25:49in the building i've got them all gathered in there everyone who was here friday i haven't
25:52questioned them as such but i have taken a detailed statement of their movements at the time now
25:57i mean it all gets a bit uh ah but uh no they were in and out up and down all over the place
26:03really but um i figured you'd want to talk to them all separately anyway no i'm all right thanks
26:11oh
26:11yeah these are tailors right we're not talking to anybody until we visited
26:19you weren't kidding were you must have a dance number uh no we're not talking to anybody until
26:23we visited the scene so uh just try and keep them entertained for now sir
26:34how's your mom oh very well thank you sir yeah good
26:42well she has actually started dating him um i'll i'll i'll see you in there
26:55morning
27:01no there's not okay morning sir detective sergeant alice finch shaw's protΓ©gΓ© ambitious
27:09the hairy letter of the law probably spent her teenage years dubbing in fellow students to the
27:15head lives for the job rule of thumb with her don't attempt to witty repartee
27:23actually just be you
27:28this feels big really big like six-part docudrama big
27:33phone records had the provider emailed them through so there was an incoming call
27:38friday afternoon at 17 06 hours it was page go unregistered and it connected there's no answer
27:44service set up on the office phone if nobody's here it just rings out so somebody was definitely
27:49here at 17 06 hours although according to the security book both the assistant and the victim signed
27:56out at 1703 and 1705 respectively yes but it's pretty safe to assume he was here sergeant given
28:03the fact that you know he still is do you want to come take a look at this yeah thank you
28:11so nobody reported a missing over the whole weekend
28:13no divorced no children i'm just gonna come out and say this yeah this feels professional like
28:21organized crime professional someone trying to send a message i think that we need to look if he
28:25was working any big criminal trials you know people that might have the reason the resources or the
28:29connections just put the brakes on he did convincing law
28:37sir probably not too many big criminal trials then sergeant but hey maybe a disgruntled estate agent
28:44well then i think it's about time that we introduced ourselves to the chorus line don't you
28:51it's about time right how long are we going to be here until we've ascertained everybody's
29:09whereabouts at the time of the incident and how long will that be we've already been through all this
29:14with him calm down bro what i'm just saying i never knew the guy i barely even spoke to him i could even
29:20tell you his name alan howells all right all right i'm sorry but i honestly never knew the guy
29:31none of us did it's three different companies three different floors we share the same building
29:35that's all yeah i've never even been on this floor before it's nice though uh gov do you wanna
29:41okay well in that case regardless of floors or companies you were the only people in the building
29:56on that friday how do you know that it's not fort knox um i don't just let people walk in you're not
30:02always there though are you well you said earlier you went to check a fire door well yeah the alarm was
30:08going off right there you have it somebody broken in the back well if they did then they walked
30:13straight back out again you got to go through another set of fire doors to get into the main
30:17building none of those went off okay fine somebody came in the front when you were out back brilliant
30:22what i'm just saying it's not rocket science is it your alarm went off at three minutes past five
30:27that was um just after the phone call
30:29are you okay sir is it hot in here not especially no excuse me sorry what phone call
30:41someone called your office off an unregistered number i take it you're not the one who answered
30:45it no and i would back behind my desk by then by which point anybody could waltz in that's all i'm
30:49saying well did any of you see anybody waltzing in waltzing up to the third floor and waltzing down again
30:55during the three minute window where everybody seemed to be either on the stairs or inside the
30:59lift in that case let me ask this did any of you throughout the whole of friday see anyone in
31:11this building who isn't currently sat around this table i didn't see anything but i don't know half
31:15the people sat around here right how can you not see me right there don't you dare think that i
31:21don't know that you spent most of your time i was just behind why am i still sat here in this room
31:34do your job dci taylor are you all right i think i need some hair
31:45that would you take the profit of this room inside the bed is a push sir
32:15John? I want to go home. My home, my house, my life. I can't do this, Lucy. I don't know
32:40how anybody can. I don't know how James ever did. Look, I know it's not easy, but James
32:51chose to do this job because... I'm not talking about his job, I'm talking about
32:55all of it. I'm talking about just getting up in the morning and leaving the house, coming
33:00out here to this or this. Crowds and noise and buildings and offices and computers and
33:10people. Nobody seeing each other and everybody talking at once. Alarms going
33:16off, phones ringing, everybody moving around, up and down and in and out and no
33:21order to any of it. No structure, no purpose. You do realise that in many ways James was
33:28as intimidated by the world as you? It was easier for him. He had you.
33:34Look, you and James, you're so alike, but... John, I remember the day that your father
33:50left. Night. Night he left. New Year's Eve, 1989.
33:55Yes. But it changed you both. James, it pushed him forward, gave him drive, made him want
34:04to take on the whole world. Whereas it made you... Just want to hide from it. Yes, I know,
34:10and I'd quite like to go back to that now, please. And you can, tomorrow. But first, I just need
34:16you to get back to the station and find his notebook. It's just one day, one day in a life. I mean,
34:21if you think about it logically, you can get through one day. Logic doesn't come into it.
34:25If it were up to me, everything would be logical. The whole world. But it isn't, is it? It doesn't
34:31work that way. Things don't always fit neatly into some ordered, structured, 15 by 15 grid,
34:38like some sort of puzzle. I know it's difficult. It is, but I really do have... I've got to go.
34:47Sorry? Bit awkward, really. I think I might just have solved her murder. I'll call you back.
34:54Do you think you've what...
34:56Please, please, please, please, please. Yes.
35:23Is it OK if I use this? Um, yeah, sure.
35:47OK, so what we're looking at here is a concatenation of syllogisms, obviously. A series of statements
36:03and propositions, one of which will be false, but which we can weed out via a process of cross-reference
36:08and deductive reason. It's a logic puzzle. In this room, we have seven subjects, or suspects.
36:16I will label you A to G for simplicity. Three definitive facts, presumably connected. The fire door alarm,
36:23the phone call, and the murder itself. Unable, then, one to three. Plus, of course, the alleged movements
36:29of everyone in this column within the timescale of the factual events contained in this one,
36:34which we'll put into a third column of seven, T to Z.
36:37So, C was exiting the elevator in the foyer at the same time as D was leaving by the front. Both
36:48statements confirm the other, which means that neither C nor D could have been present at factual
36:53events one and two, so we can cross those off, which naturally means we can also put crosses here
36:58and here, and here, and here, since this dictates that A and E could not have been present in that
37:03location at that time, or else they would have crossed with C or D. Do you follow?
37:08No.
37:11Hello, hello, hello. Listen, we're going to have to do the legwork on this one.
37:15And we know that E was still in the office at the time of factual event one, which was verified by
37:20A, who left immediately afterwards.
37:22Alice, you're going to want to see this.
37:23A signed out just after G, who had left the building between factual events one and two.
37:29F left the building last and locked it up, leaving no one inside but Mr. Howell,
37:35which in turn locks off the rest of everything for A in this column and this column, meaning
37:41that F must be movement Y in this column, locking off all of these ones.
37:48And there we go.
37:49Only one subject remains that could possibly have been at events one, two, and three.
37:57Opening the fire door to create a distraction, an opportunity to forge Mr. Howell's signature,
38:02making the telephone call to delay his departure, and finally, making their way up the stairwell
38:07to his office, just as the last of the other subjects was leaving.
38:10Therefore, we have our killer.
38:12And that person is?
38:23Well, B.
38:26B.
38:27Oh, sorry.
38:30Sarah Gilmarsh.
38:31Are you joking?
38:36What the hell are you talking about?
38:38Why would Sarah want to murder some solicitor bloke she barely even knew?
38:41I have absolutely no idea.
38:43Right, I think it's best if we, you know, all just take a bit, take time to think a bit
38:48more about this and regroup, relax, you know, everybody.
38:53I'm sorry.
38:54I'm sorry.
38:54I'm sorry.
39:01I didn't plan any of this, I swear.
39:10No, you definitely did.
39:12You set off a fire alarm, faked a telephone call, and forged a signature.
39:16Yeah, but I never wanted any of this to happen.
39:22Well, you probably shouldn't have done it then.
39:29Okay.
39:31Um, Sergeant, would you like to do the honours?
39:40Sarah Gilmarsh, I am arresting you on suspicion of murder.
39:43You do not have to say anything, but it may help your defence.
39:45If you do not mention my question, something we should later rely on in court.
39:48Anything you do say may be given in evidence.
39:50Cool.
39:51Is it okay if we go back to the police station now?
40:01Well, well, well.
40:23If there's anything I'm taking from today, it's that maybe I should start making notes before
40:31attending a crime scene too.
40:33I mean, they told me you were brilliant when I transferred, but I did not expect something
40:38of this level in my second week.
40:40You've only been here two weeks.
40:42Oh, you're going to tell me it feels like a lot longer, are you?
40:45Well, you know what?
40:45I choose to take that as a compliment.
40:47I'll be in my office if you need me, Governor.
41:06Oh, great.
41:08Yes, me too.
41:11There it is.
41:36There it is.
42:06There it is.
42:17Gov.
42:47D.C.I. Taylor.
43:07Congratulations, sir! Full confession!
43:11Crime of Passion, would you believe it?
43:13Yeah, they're having an affair for six years. He chose to end it, she chose to end him.
43:19Sorry, we do realise that if she hadn't confessed, we'd have nothing. Like, there was no actual evidence.
43:25Yes, well, fortunately for us, Sergeant Finch, she did.
43:30I'm reliably informed you went slightly unorthodox on this one, D.C.I. Taylor.
43:36Nonetheless, results speak for themselves, so I suppose congratulations are in order.
43:42Thank you very much.
43:48Ma'am.
43:50Yes, yes, sir.
43:52Chief Constable Ziegler, I wasn't aware you were in the station today.
43:54No, it's just a flying visit, although I would like a quick word if you're not too busy.
43:58Yes, of course, sir. Two minutes.
44:07Ah, the Icarus. It's good to see you. Settling in okay, are we?
44:12Yes, yes, thank you, sir.
44:13Good. Good. I'll be in your office.
44:17Right, then, another 90 seconds of celebrating and then on to the paperwork, please.
44:24Let's see if we can get that wrapped up as quickly as the case.
44:35This is something of a new look for you, isn't it, Detective Chief Inspector?
44:39Mm-hmm.
44:41Oh, yes. Thank you for noticing.
44:47Um, Mom.
45:17Ah, he, he.
45:19Oh, yes.
45:33Uh, catal Sol.
46:37That was quite the puzzle convention.
46:44I think there's a charger in my studio. Just care for what you're unplugging.
46:52So, the pens are back.
46:53For easy access.
46:55And I'll have you know I've been getting compliments on my attire all day.
46:59What was he saying? Follow me.
47:02What were you saying about a murder?
47:05Oh, that. Yes, I solved it.
47:09Everyone seemed very pleased.
47:11You solved a murder?
47:14But...
47:14I don't care.
47:17I need to show you something.
47:18I cracked the code on the phone.
47:20It was a significant date.
47:22One only he, and of course you, would never forget.
47:25New Year's Eve 1989.
47:28Oh.
47:28The night Dad left.
47:30He'd cleared the calls and texts and he'd attempted to delete a photo, which I've restored.
47:36I'm not sure that James quite understands how the cloud works.
47:40What cloud?
47:41Yes.
47:43Look at this.
47:46That's nice.
47:47Hmm?
47:49No, not that.
47:49Sorry, I've gone too far back.
47:51Er, not that.
47:53No.
47:54Not that.
47:56No, no, no.
47:57You know we do invite you every year.
47:59You do.
48:00He doesn't.
48:01Would he come if he did?
48:04Oh, here it is.
48:08No clue who this chap is.
48:10That's Chief Constable Ziegler.
48:13Who?
48:14Who's Chief Constable Ziegler?
48:16Someone else at the station you didn't warn me about.
48:18That's who.
48:19Yeah, sorry about that, John.
48:20I may have slightly exaggerated my knowledge of that place.
48:25Well, you wouldn't have gone there otherwise, would you?
48:27No, obviously not.
48:29But since I did...
48:31Oh, you found it.
48:37Looks like a cipher.
48:39Polyalphabetic.
48:39Numbers and symbols substituting for letters.
48:42Most likely a pretty advanced one.
48:44He was obviously using this to take notes about whatever he was investigating.
48:48Notes that nobody else could read.
48:50What does it mean?
48:51I presume it answers every single question we have.
48:55You presume?
48:55Well, I haven't actually been able to solve it.
49:00But you're Ludwig.
49:01I'm sure even Elvis had his off days.
49:04I will solve it.
49:05Just need more data, that's all.
49:07A keyword to search for that might unlock the rest.
49:12Need to find out what he's been doing, what he's been working on, who he's been working with.
49:17I'll start tomorrow.
49:18You're going back in there?
49:24I have to.
49:25It's a puzzle.
49:27Puzzles are meant to be solved.
49:31Oh, Don.
49:34Henry!
49:39Your uncle's going to be staying with us for a few days.
49:50Oh, Henry.
49:58Dad's gone.
49:59Watch Mom's reading.
50:20Bye.
50:26Bye.
50:29Why is she crying?
50:31It's alright. I'll talk to her.
50:33Just give us a few minutes, okay?
50:42Okay.
50:59Okay.
51:29Okay.
51:59Okay.
52:01Okay.
52:02Okay.
52:03Okay.
52:04Okay.
52:05Okay.
52:06Okay.
52:07Okay.
52:08Okay.
52:09Okay.
52:10Okay.
52:11Okay.
52:12Okay.
52:13Okay.
52:14Okay.
52:15Okay.
52:16Okay.
52:17Okay.
52:18Okay.
52:19Okay.
52:20Okay.
52:21Okay.
52:22Okay.
52:23Okay.
52:24Okay.
52:25Okay.
52:26Okay.
52:27Okay.
54:19
|
Up next
54:53
Recommended
57:15
57:05
55:39
58:32
48:08
22:06
45:06
43:39
42:20
40:06
46:23
1:29:28
58:24
46:39
47:21
47:45
1:23:51
1:28:30
21:25
1:34:03
16:54
1:40:56
1:00:01
22:52
1:43:33
1:51:49
0:40
0:57
23:20
21:26
20:02
21:01
21:01
20:47
21:01
21:01
20:53
21:02
21:04
21:00
58:11
44:44
21:39
21:38
Be the first to comment