- 2 days ago
Hollow Triumph (working title The Man Who Murdered Himself, reissued in the United States as The Scar) is a 1948 American film noir crime film directed by Steve Sekely starring Paul Henreid, Joan Bennett and Leslie Brooks.
Plot: Re-mastered in HD. This top-notch film noir suspense thriller gave actor Paul Henreid (Casablanca) a chance to trade in his romantic image for not one, but two sinister performances. After a botched hit on a casino, gambler John Muller (Henreid) has nowhere to run and with a band of killers hired by a rival mobster on his trail, he’s mistaken for the psychiatrist Dr. Bartok, his dead ringer. He decides to kill Bartok and impersonate him, but it’s not long before the doctor’s beautiful secretary (Joan Bennett, The Woman in the Window, Scarlet Street) is on to him and Muller discovers the doctor had a few of his skeletons in the closet.
Soundtracks Blue Danube Waltz (uncredited) Written by Johann Strauss Whistled by Muller's workmate at the garage.
Plot: Re-mastered in HD. This top-notch film noir suspense thriller gave actor Paul Henreid (Casablanca) a chance to trade in his romantic image for not one, but two sinister performances. After a botched hit on a casino, gambler John Muller (Henreid) has nowhere to run and with a band of killers hired by a rival mobster on his trail, he’s mistaken for the psychiatrist Dr. Bartok, his dead ringer. He decides to kill Bartok and impersonate him, but it’s not long before the doctor’s beautiful secretary (Joan Bennett, The Woman in the Window, Scarlet Street) is on to him and Muller discovers the doctor had a few of his skeletons in the closet.
Soundtracks Blue Danube Waltz (uncredited) Written by Johann Strauss Whistled by Muller's workmate at the garage.
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30College educated, medical school, specialized in psychic, psychic, mental disorders, brilliant mind, smart.
00:01:55Get him in here, will you, Harold?
00:02:00Yes.
00:02:02John Muller, parents deceased.
00:02:06One brother, Frederick, accountant, New York Civil Service Welfare Department.
00:02:11Worked his way through Standish University.
00:02:15Four years pre-medical, two years medical college.
00:02:20Withdrew suddenly.
00:02:22Practiced psychoanalysis without a license.
00:02:25Miami, Florida.
00:02:26Released.
00:02:27No evidence.
00:02:29What?
00:02:29Sold stock in non-existent oil wells.
00:02:33Cincinnati, Ohio.
00:02:35Released.
00:02:37Maintained hotel suite.
00:02:39Lavish spender.
00:02:41Apprehended Middleton.
00:02:43Payroll holdup.
00:02:46Convicted.
00:02:47Sentenced.
00:02:48There's a bus ticket to Los Angeles.
00:02:52That's the address of the Michael John Company.
00:02:54What's the Michael John Company?
00:02:56Medical supply house.
00:02:58Your line.
00:02:59You ought to make good at it.
00:03:00Who fixed it up, my brother Fred?
00:03:02The personnel manager there will have your record.
00:03:05Nobody else will know anything about you.
00:03:07It's a good job.
00:03:09Decent life.
00:03:11Thirty-five bucks a week.
00:03:13You won't take it.
00:03:14No.
00:03:15You'll be back here.
00:03:17You're a smart man, Muller.
00:03:20Good luck, Muller.
00:03:25Hiya, Marcy.
00:03:37Al, big boy Fritch.
00:03:45It's all set down there.
00:03:46They're ready for you.
00:03:49You've got a lot to make up for, huh, Johnny?
00:03:53Who's she?
00:03:55Just a second, Johnny.
00:03:56Dear, what's your name?
00:04:07Hi, Johnny.
00:04:19Pretty nice dump, huh?
00:04:22Real comfortable.
00:04:24Yeah?
00:04:26Comfortable and crummy.
00:04:28What about the boys?
00:04:30What are you so impatient about?
00:04:31Just out of the clink and you got ants already?
00:04:35So pickle yourself, I see.
00:04:36No, I take it easy.
00:04:39How long have you been up here with the squirrels?
00:04:42Oh, about two years.
00:04:46You want one, Johnny?
00:04:48You said you had a good setup?
00:04:50Yeah.
00:04:51Safe and sure.
00:04:53I got my own slot machine route now.
00:04:55Big time, eh, Marcy?
00:04:57I bet that brings you 90 bucks a week.
00:04:59Oh, more than that.
00:05:00Sometimes as much as a hundred and a quarter.
00:05:03Safe and sure.
00:05:04You're getting to sound like my brother.
00:05:07Maybe you ought to take civil service.
00:05:09Hey, uh, Johnny.
00:05:11What do you got in your mind?
00:05:13What do you got planned?
00:05:14Hey, Johnny!
00:05:15You'll see.
00:05:16Good to see you, chum.
00:05:17Hello, big boy.
00:05:18Nice to have you back.
00:05:19Good to be out, eh, Johnny?
00:05:21Sure.
00:05:22Lost a lot of time, though.
00:05:23Got to make a killing.
00:05:24Oh, take time for a beer.
00:05:27What's exciting?
00:05:28Nothing.
00:05:29Same old thing.
00:05:30I got a job in a poker joint.
00:05:32Pays good, though.
00:05:34Sometimes they even give me free chips.
00:05:36That's nice.
00:05:37A little handout now and then.
00:05:39Oh, what's wrong with that, Johnny?
00:05:45Still think you got the world by the tail?
00:05:48Hello, Rosie.
00:05:49Well, we got the brains back.
00:05:52Glad you came.
00:05:53Sit down, you guys.
00:05:53Sit down.
00:05:55Let's have food.
00:05:57What's the matter with you?
00:05:59Gotta take chances.
00:06:00That's the overhead in our racket.
00:06:02Now, listen.
00:06:04I had a lot of time to think.
00:06:05Got it all worked out.
00:06:07You're going to knock over
00:06:08off the Stanzik's gambling joint.
00:06:10No, Johnny.
00:06:11Why not?
00:06:12Not Stanzik.
00:06:13You'd need an army to take him.
00:06:14Just as soon have the feds on me as his boys.
00:06:17What happened to you?
00:06:18You two gone soft?
00:06:19Johnny, you know the setup.
00:06:20We'd never get away with it.
00:06:21He's got frigorment all over the joint.
00:06:23And the place is always crowded.
00:06:25That's it.
00:06:26Lots of people.
00:06:27And lots of money.
00:06:29The take ought to be 200,000 for us.
00:06:31And people they never notice.
00:06:33They're all wrapped up in themselves.
00:06:34Now, listen.
00:06:35This is what we do.
00:06:36We take two cars.
00:06:38We drive south all night and all day.
00:06:41Next night, we go to Stanzik's.
00:06:43One guy stands by the cars.
00:06:44One takes the light switch.
00:06:46Three of us walk in, just like players.
00:06:49We get the cash quietly.
00:06:50No fuss.
00:06:51Nobody notices.
00:06:52You hope?
00:06:56Nobody notices.
00:06:59The guy at the switch pulls it on time.
00:07:01The place is dark.
00:07:02We make our getaway.
00:07:03Well?
00:07:05Johnny, you remember Dick Balter?
00:07:07Sure.
00:07:07He tried to knock off Stanzik.
00:07:09He got away.
00:07:09No dough, but he got away.
00:07:11But still, Stanzik's guys got him.
00:07:12It took him two years, but they found him in Paris and put a meat stamp on him.
00:07:15In Paris, Johnny.
00:07:16That's the way Stanzik operates.
00:07:18I don't like it.
00:07:18What are you crying for, Marcy?
00:07:23He doesn't know who we are.
00:07:24What can he do?
00:07:27What do you say, big boy?
00:07:31I don't know, Johnny.
00:07:33I don't know.
00:07:34You say you've got things all figured out.
00:07:38You've always done pretty good before, but I don't know.
00:07:43How?
00:07:45$200,000?
00:07:47That's a lot of dough for just a minute's work.
00:07:50Rosie.
00:07:53If everything goes like you said, fine.
00:07:56But if we follow up somewhere...
00:07:57We won't.
00:07:58Cut me out, Johnny.
00:08:13You forget easy, Marcy, don't you?
00:08:15Who covered for you at the trial?
00:08:18Who would have been in prison with me if I hadn't watched what I said on the stand?
00:08:22And now you try to worship me.
00:08:28Okay, Johnny.
00:08:31I don't like it.
00:08:33But I'll go along with you.
00:08:35Well?
00:08:37And we all set.
00:08:39Funny, I have to whip you guys into picking up a fortune.
00:08:45All right, take it.
00:08:54Get them out.
00:08:56Buy one, Marcy.
00:08:58Go one, Marcy.
00:08:59What do you want to hit?
00:09:00Number 15.
00:09:03Four, number 3.
00:09:06Seven.
00:09:07Five.
00:09:09All right.
00:09:12Lay your bets.
00:09:13Lay your bets.
00:09:16Get it.
00:09:18Nine.
00:09:23Number 9.
00:09:24Number 9.
00:09:24Number 9.
00:09:24Go on, 7.
00:09:26Number 9.
00:09:26Put the cash in the envelope, sir.
00:09:28All of it.
00:09:29I'll catch them.
00:09:56Here they are.
00:09:58Here they are.
00:10:00Here they are.
00:10:02Number nine.
00:10:04Number nine.
00:10:06Number nine.
00:10:08Number nine.
00:10:10What do you think in the back?
00:10:12I got it.
00:10:26This is my lucky night.
00:10:52Why didn't you pay off?
00:10:54Why didn't you pay off?
00:11:24Come on, Johnny.
00:11:26Come on.
00:11:28Come on.
00:11:30Come on.
00:11:32Come on.
00:11:34Come on.
00:11:36Come on, Johnny! Come on!
00:11:42Come on! Come on!
00:11:58Come on, get out. Come on, out!
00:12:06How many got away?
00:12:08Two, in the other car.
00:12:11Who are they?
00:12:15What's their names?
00:12:29Marcy and Johnny Muller.
00:12:32Get him. If it takes 20 years, get him.
00:12:39Okay, you can go.
00:12:42You mean we just walk away?
00:12:46Just walk away.
00:12:47Not gonna let him get away, are you, Bullseye?
00:13:01We got Rosie, big boy.
00:13:04They'll rat on us.
00:13:05They'll tell them everything they know about us.
00:13:06Who we are, everything.
00:13:07They'll find us.
00:13:08They'll get us.
00:13:09God like Stancic.
00:13:10Those guys don't stop till they get even.
00:13:11Believe me.
00:13:12Shut up, boss.
00:13:13How come you didn't figure the outside lamps?
00:13:14You're smart.
00:13:15How come you didn't know they worked on their own generators?
00:13:16You got the money, haven't you?
00:13:17That's 60 grand.
00:13:1860 grand?
00:13:19I'd be better off working for some slob of 30 bucks a week.
00:13:21What good is it?
00:13:31What am I gonna do with you?
00:13:33Um, uh...
00:13:35You're looking for me in every hotel in every town.
00:13:37We had Stancic's joint.
00:13:39You realize that?
00:13:40Rocky Stancic.
00:13:41You know a place you can hide out from Rocky Stancic?
00:13:43God, tell me.
00:13:44You're smart, educated, college man.
00:13:46I'm through with you.
00:13:47I'm gonna blow.
00:13:48Mexico.
00:13:49South America.
00:13:50On my own.
00:13:51As far as I can get.
00:14:09We'll give you every protection you need.
00:14:11We know how it is.
00:14:13You want to make a new start in a new city.
00:14:17You want to get away from your old surrounding.
00:14:19Now nobody's going to know where you are or who you are.
00:14:22From now on, you're just another employee.
00:14:24Same as everyone else here at Michael Johnson.
00:14:27Yes, Mr. Anderson.
00:14:29I guess it's time I settled down and took my big brother's advice.
00:14:43I don't make the regulations here.
00:14:56I only enforce them.
00:14:58In the future, will you kindly see that your desk lamp's switched out before you leave?
00:15:14Yes, Mr. Thompson.
00:15:17What do you want me to do with that?
00:15:19Deliver them.
00:15:20It's a rush order.
00:15:21Some books that have to go to the medical building.
00:15:22Why?
00:15:23What is it?
00:15:24Just a minute.
00:15:25Don't you like to run errands?
00:15:26Is it beneath you?
00:15:27Too good for the job?
00:15:28You can always quit, you know.
00:15:29There's no law that says you have to work here.
00:15:32Yes, Mr. Thompson.
00:15:33Yes.
00:15:34Yes, Mr. Thompson.
00:15:35Yes.
00:15:36Too good for the job?
00:15:40You can always quit, you know.
00:15:42There's no law that says you have to work here.
00:15:50Yes, Mr. Thompson. Yes.
00:16:06Yes, Mr. Thompson.
00:16:36What do you want?
00:16:44I don't want anything.
00:16:46Who are you? Who sent you?
00:16:47Sent who? Me?
00:16:48What are you following me for?
00:16:49Oh, yes, of course. That was all a mistake.
00:16:52Mistake?
00:16:53Yes, you see, I thought I recognized you.
00:16:55I thought you were somebody I know.
00:16:57Shh!
00:16:58You look exactly like him.
00:17:00The same features, the same build.
00:17:02Don't give me that.
00:17:03Please.
00:17:04There's nobody that looks like me.
00:17:06Believe me.
00:17:07You look exactly like him.
00:17:09Except, of course, for the scar.
00:17:11Scar?
00:17:12Yes, he's got a scar on his right cheek.
00:17:14No, I mean his left cheek.
00:17:16I don't remember.
00:17:18You don't remember.
00:17:19Believe me, honest.
00:17:20His name is Bartok.
00:17:21He's a professional colleague.
00:17:23I mean, we have offices in the same building.
00:17:25The medical building over there.
00:17:26He's a doctor and I'm a dentist.
00:17:28Here.
00:17:29You can smell the iota from her, aren't me?
00:17:31My wife always complains.
00:17:33She said it's in all my suits.
00:17:34Look.
00:17:35Beat it.
00:17:36Yes.
00:17:37Yes, thank you very much.
00:17:38You too.
00:17:39You're a ghost.
00:17:40A ghost.
00:17:41You'll be dead, You're a ghost.
00:17:42Oh, yeah.
00:17:43And you're going to be dead.
00:17:44Thank you very much.
00:17:45Good.
00:17:46Yes, I'm going to be dead.
00:17:47You're in the away.
00:17:48Yes, I'm going to be dead.
00:17:49You're nice.
00:17:50You're in the...
00:17:51You're in the away, little.
00:17:52You're a dead.
00:17:53See you.
00:17:54Well, no, no, no.
00:17:55You're in the...
00:17:56What are you doing here so early?
00:18:19Why not?
00:18:21Your first appointment doesn't start until 10.30.
00:18:24I just talked to you on the phone.
00:18:27How'd you get here so fast?
00:18:29You don't think it was easy to do, do you?
00:18:32Hello, Victor.
00:18:33Wait a minute.
00:18:34I'm not...
00:18:39Oh, my.
00:18:43It's all right?
00:18:44Oh, I'm sorry.
00:18:44I don't know what to say.
00:18:45I understand.
00:18:46No, you see, you look just like Dr. Bartok.
00:18:48Naturally, you're his secretary.
00:18:49So naturally, you...
00:18:50Yes, that's the way it was.
00:18:52No.
00:18:53Let go.
00:18:54No, I mean it.
00:18:58What can I do for you?
00:19:00What more could any reasonable man ask?
00:19:02No, no, I didn't mean that.
00:19:04It was a slip.
00:19:05Slip my eye.
00:19:06That's Freud.
00:19:07What do you know about Freud?
00:19:09You gave yourself away.
00:19:10The subconscious mind coming out in spite of yourself.
00:19:13You're just a wild bundle raring to go.
00:19:18What are you anyway?
00:19:19An analyst or a patient?
00:19:21Neither.
00:19:21An innocent bystander, I guess.
00:19:23What do you want?
00:19:25Nothing.
00:19:26Then what'd you come up here for?
00:19:27You told me I looked like Bartok.
00:19:29I was curious.
00:19:30Just that?
00:19:31That's all.
00:19:32The next thing you know, a girl, a perfect stranger to me, comes up and...
00:19:36Dr. Bartok isn't here.
00:19:37Goodbye.
00:19:39Wait a minute.
00:19:40A thing like this upsets a fellow.
00:19:42Goodbye.
00:19:44What do you mean, upsets a fellow?
00:19:47What are you doing tonight?
00:19:49Listen to him.
00:19:51About that date tonight.
00:19:52I'm very sorry.
00:19:54I'm busy.
00:19:55Dr. Bartok.
00:19:57Well, you...
00:19:58Here he comes.
00:20:10What do you think?
00:20:11Dead ringer, huh?
00:20:13But what a difference.
00:20:15Don't kid yourself.
00:20:17If you knew me the way you know him, you'd probably change your mind.
00:20:20So long.
00:20:23You've been away from your desk for three hours.
00:20:25Three hours and ten minutes, to be exact.
00:20:27Don't you think you owe me an explanation?
00:20:29I was delayed.
00:20:31Very interesting.
00:20:32What, if I may ask, delayed you?
00:20:33I don't know.
00:20:34I walked around.
00:20:35I took a walk.
00:20:36You took a walk?
00:20:37Yes, Mr. Thompson.
00:20:38I felt like walking, Mr. Thompson.
00:20:40Here, don't you turn your back on.
00:20:42Your hands on me.
00:20:43You're going to listen to me.
00:20:44Get them off.
00:20:45Ah, right here.
00:20:46You got yourself fired.
00:21:07You know that.
00:21:08It's about time I had enough of this place.
00:21:11Don't you need the job?
00:21:13No.
00:21:14What are you going to do?
00:21:16Retire?
00:21:16That's right.
00:21:17That's very nice.
00:21:18It just takes a little know, you know.
00:21:22Did you get the message?
00:21:25What message?
00:21:26There was a telephone call for you.
00:21:28Yes?
00:21:28Who?
00:21:29Did you leave a name?
00:21:30We're getting excited about it.
00:21:31It was just your brother.
00:21:33Oh.
00:21:34He wants to see you.
00:21:34He's at the Hotel Frazier.
00:21:36Thanks.
00:21:38I knew something was wrong.
00:21:39The minute I found out, you took that job at Michael John's.
00:21:42What's the matter?
00:21:43What do you want?
00:21:44They started coming around.
00:21:46Looking for you.
00:21:47Who came around?
00:21:48Friends of yours.
00:21:50They said they wanted to reach you.
00:21:55They were no friends, John.
00:21:57They were Rocky Stancic's boys.
00:21:59How do you know?
00:22:01I checked it in his department.
00:22:02I found out all right.
00:22:04When did they come?
00:22:06Three or four weeks ago.
00:22:07It'll blow over.
00:22:10And lose interest.
00:22:12You think so?
00:22:17There's a friend of yours.
00:22:19What?
00:22:20Marcy.
00:22:20Marcy.
00:22:27It ended up, explained everything.
00:22:29I remember Marcy.
00:22:31The way the two of you went running around.
00:22:33I remember his big cars, his fancy suits, his haberdashery.
00:22:37Why didn't you say home and mind your own business?
00:22:39Don't you see what you did, you fool?
00:22:40You brought him straight to me.
00:22:41Nobody followed me.
00:22:42Don't worry.
00:22:43I watched out.
00:22:44What do you know about it?
00:22:48You ran around.
00:22:50Good times.
00:22:51Girls.
00:22:52You were special.
00:22:53We never followed the rules.
00:22:57There were no rules for you.
00:22:59Would you believe it?
00:23:01I think I wanted to see you get away with it.
00:23:04You were everything I wasn't, everything I wanted to be,
00:23:06everything we all like to be.
00:23:09Only we know better.
00:23:11We don't take the chances.
00:23:14We know sooner or later it always catches up with you.
00:23:20Leave me alone, Freddy.
00:23:21Don't give me any lectures.
00:23:23Where are you going to go?
00:23:25What are you going to do?
00:23:26Marcy tried Mexico.
00:23:27It didn't help.
00:23:53At that moment.
00:23:57Are you going to die?
00:23:58Well, no.
00:24:10I'm there.
00:24:13I'm not sure.
00:24:14Wait a minute.
00:24:15I'm here.
00:24:16Who's here?
00:24:18Are you going to蹴?
00:24:18viver fragment,
00:24:19wish.
00:24:20Come on.
00:24:50Come on.
00:25:20Come on.
00:25:50Come on.
00:25:52Acta, acta, I read all about her yesterday.
00:25:55Come on.
00:25:57Come on.
00:25:59Come on.
00:26:01Come on!
00:26:31Come on!
00:26:53Oh, you see, you look just like Dr Bartok.
00:26:56This was you. A real double down to the last detail.
00:27:00What do you think? Dead ringer, huh?
00:27:02Where are you going to go? What are you going to do?
00:27:04Marcy tried Mexico. It didn't help.
00:27:08Bartok. That's it. They won't find me.
00:27:12Maybe I can get away with it.
00:27:26There are a lot of people like that.
00:27:27They don't know what they're running around for, but they keep it up.
00:27:31If they had any sense at all in their heads, they would stop all this foolishness, wouldn't they?
00:27:35And ask themselves what they're getting out of life.
00:27:37Now, there's you.
00:27:39Me?
00:27:40She goes to the office every morning, does her work, comes home at night, watches out a pair of stockings in the bathroom sink.
00:27:46She could do better?
00:27:48I don't know. I suppose she could.
00:27:50Listen.
00:27:51What?
00:27:52You didn't call me up and keep after me just to take me to the zoo.
00:27:55No?
00:27:56Something's going on in that head of yours. I can read it in your eyes.
00:28:00You're both doing a lot of eye reading here.
00:28:02Only I don't know what I see in yours.
00:28:04What are you talking about?
00:28:06What are you trying to tell me?
00:28:07Nothing. The facts of life.
00:28:09What about the facts of life?
00:28:11Listen. I'm just a guy out with a girl on a Sunday afternoon, working on her in a nice, normal way, trying to get acquainted. What's the matter? Are you afraid?
00:28:21Don't worry. I don't get frightened.
00:28:24Then what is it? That guy, Barton?
00:28:26What about Barton?
00:28:27Well, what about him? Is that the reason I, you and...
00:28:29Don't take too much for granted. A girl has to have a social life.
00:28:32The things that come out of that sweet babyface of yours.
00:28:36Don't run away with yourself. Take it easy.
00:28:39Why do I like you?
00:28:42My baby blue eyes.
00:28:50You don't think you're gonna put anything over on me, do you?
00:28:53Did you ever notice?
00:28:54Pretty girls nowadays walk around with an angry look on their face all the time.
00:28:58What kind of a chump do you take me for, anyway?
00:29:01They're suspicious. Always watching out.
00:29:03They're just like misers.
00:29:04I know you. Inside out. What you're thinking.
00:29:07Every minute, I know exactly what you are.
00:29:10What do you mean like misers?
00:29:12Well, you know, a miser's always afraid that somebody's scheming to rob him, to take him.
00:29:17What do you mean you know what I am? What am I?
00:29:20You're one of those...
00:29:25What?
00:29:26You heard me.
00:29:28Well, somebody generally is, isn't it?
00:29:30Generally is what?
00:29:31Trying to take somebody.
00:29:33Oh.
00:29:35Well, what are my chances?
00:29:39When you start walking on your head.
00:29:41And now, thanks very much for dinner and everything, and I want to go home.
00:29:45If you think I'm going to get myself mixed up with you, you're crazy.
00:29:48You're pretty good, and you've got style, but first comes you, second comes you, third comes you, and after that comes you.
00:29:54You're one of those egotistical smart-alecks with big ideas.
00:29:57You think you've got a right to get away with murder, and I imagine you often do, but not with me.
00:30:02It's a cinch.
00:30:04You are dead.
00:30:05No woman alive could possibly resist a man as attractive as all that.
00:30:16You don't want me to get all wet and take you to the door, do you?
00:30:19You can make it by yourself.
00:30:20Sure.
00:30:23What's the matter now?
00:30:25You had to pick on Sunday.
00:30:27How a working girl hates Sunday evenings.
00:30:30Come on.
00:30:32Let's have some coffee.
00:30:41What do they mean by scopophobia?
00:30:43A morbid fear some people have of being seen or looked at.
00:30:46What's Korsakov's syndrome?
00:30:48False memories, remembering things that never happened.
00:30:51What are you fishing around for?
00:30:53You really know a lot about psychoanalysis.
00:30:55So do you.
00:30:56Oh, I work for an analyst.
00:30:58I told you I studied for years.
00:31:02I can't let you see Dr. Bartok's files.
00:31:04Then don't.
00:31:05Those records are supposed to be confidential.
00:31:07Forget it.
00:31:08Forget it.
00:31:09I was just curious to see how he handled his patients.
00:31:13Why, it stopped raining.
00:31:15Yes.
00:31:19Johnny.
00:31:27Good night.
00:31:29Good night.
00:31:30Not at all, Mrs. Nielsen. Not at all.
00:31:31Well, we'll see how it goes tomorrow.
00:31:32Good night.
00:31:33Good night.
00:31:34Good night.
00:31:35Good night.
00:31:55Not at all, Mrs. Nielsen. Not at all.
00:31:57Well, we'll see how it goes tomorrow, Doctor.
00:31:58Yes, Mrs. Nielsen.
00:31:59Goodbye, Doctor.
00:32:00Goodbye.
00:32:01Goodbye.
00:32:02Goodbye, Doctor.
00:32:03Goodbye.
00:32:32Goodbye, Doctor.
00:32:33Goodbye, Doctor.
00:32:38What are you trying to do?
00:32:39Get me fired?
00:32:40No.
00:32:41Why?
00:32:42Shh.
00:32:43He'll hear you.
00:32:44I'm not supposed to have personal visitors.
00:32:45What would he think if he saw you?
00:32:46Oh, I see what you mean.
00:32:47Very complicated kind of life.
00:32:48You'll see.
00:32:49Stop it, Johnny.
00:32:50Get out of here.
00:32:51What's that?
00:32:52What?
00:32:53Nothing.
00:32:54Go on.
00:32:55What is it, Evelyn?
00:32:56A recording tape?
00:32:57Well, we have so much in common.
00:32:59Now, wait a minute.
00:33:01How'd this get out here?
00:33:04Not here.
00:33:05What's the matter with you?
00:33:06Don't take chances.
00:33:07You take chances.
00:33:08Will you get some sense into your head?
00:33:10When do I see you tonight?
00:33:11You don't.
00:33:12I'm having my hair done.
00:33:13What time is your appointment?
00:33:14Seven.
00:33:16I'll pick you up when you get through.
00:33:17Where is it?
00:33:18Vincent's Wilshire at Laurel.
00:33:20Vincent's Wilshire.
00:33:25Put it right in their pocket.
00:33:45Subject spoke reluctantly.
00:33:47Blocked preliminary move.
00:33:49Subject spoke reluctantly.
00:33:53Blocked.
00:33:54Blocked.
00:33:55Blocked.
00:33:56Blocked.
00:33:57Blocked.
00:34:19Blocked.
00:34:20Money.
00:34:21Played.
00:34:29thunder.
00:34:31Simée.
00:34:33Corn��도록 was.
00:34:34챔 팁.
00:35:05For you.
00:35:08This didn't come from the five and ten.
00:35:10You don't like it?
00:35:12It just goes to show how wrong a girl can be.
00:35:15What do you mean?
00:35:17I was positive this beautiful thing between us was good for another ten or fifteen weeks at least.
00:35:23It isn't?
00:35:24Well, it's about ten o'clock now. By twelve, you'd have it all worked out.
00:35:28Goodbye, darling. Good luck.
00:35:32It's all over, isn't that right?
00:35:33You don't bat an eyelash.
00:35:37I just stepped in and saved you a couple of hours.
00:35:40That's what I always liked about you. You're so quick.
00:35:44You're a neat worker yourself.
00:35:46Well, we're both prejudiced. Are you sore?
00:35:49No, why should I be? What do you think I expected?
00:35:53Tell me, how are you going to put it?
00:35:56How was I going to put what?
00:35:57I'm just curious. What kind of a story were you going to give me?
00:36:01A nice story. And it's true, too. I'm leaving town.
00:36:04What a shame.
00:36:05No, really, I'm leaving the country, Paris.
00:36:08Honestly, you couldn't be nicer.
00:36:11I was just making some coffee. Do you want a cup?
00:36:13Oh, thanks.
00:36:15Hey.
00:36:16What?
00:36:18Listen.
00:36:20Just a minute now. Don't muck your arm.
00:36:23What if I told you I was crazy about you?
00:36:26Who said you weren't? So what?
00:36:28No, look. What I mean.
00:36:31Johnny.
00:36:32I really like you.
00:36:34I really like you, too.
00:36:35Only I told you. Perhaps.
00:36:37You don't trust me.
00:36:39Should I trust you?
00:36:40Maybe I'd be good for you.
00:36:42You'd be surprised. Maybe I could help you.
00:36:44Please, don't help me.
00:36:46Maybe we could make a nice, decent life for ourselves together.
00:36:49Maybe I don't want it.
00:36:50Why don't you just forget it?
00:36:52Come on, Johnny.
00:36:54Everett.
00:36:59It's no use.
00:37:01It's no use.
00:37:04Don't get me wrong. I'm not kicking.
00:37:06You're so, darling.
00:37:08No.
00:37:10You'll get over it.
00:37:11I'll live.
00:37:12You'll pass me on the street someday.
00:37:14You'll see me in a restaurant.
00:37:16You won't even know who I am.
00:37:18No, I'll remember you.
00:37:20I think I'll always take the travel.
00:37:23That's sweet.
00:37:28Goodbye, Johnny.
00:37:32Goodbye.
00:37:32Goodbye.
00:37:33Goodbye.
00:37:33Goodbye.
00:37:33Goodbye.
00:37:34Goodbye.
00:37:34Goodbye.
00:37:35Goodbye.
00:37:35Goodbye.
00:37:36Goodbye.
00:37:36Goodbye.
00:37:37Goodbye.
00:37:37Goodbye.
00:37:38Goodbye.
00:37:38Goodbye.
00:37:39Goodbye.
00:37:39Goodbye.
00:37:40Goodbye.
00:37:40Goodbye.
00:37:41Goodbye.
00:37:41Goodbye.
00:37:42Goodbye.
00:37:42Goodbye.
00:37:43Goodbye.
00:37:43Goodbye.
00:37:44Goodbye.
00:37:44Goodbye.
00:37:45Goodbye.
00:37:45Goodbye.
00:37:46Goodbye.
00:37:46Goodbye.
00:37:47Goodbye.
00:37:47Goodbye.
00:37:48Goodbye.
00:37:48Goodbye.
00:37:49Goodbye.
00:37:49Goodbye.
00:37:50Goodbye.
00:37:50Goodbye.
00:37:51Goodbye.
00:37:51Goodbye.
00:37:52Goodbye.
00:37:52Goodbye.
00:37:53Goodbye.
00:37:54Goodbye.
00:37:54Goodbye.
00:37:55Goodbye.
00:37:56Goodbye.
00:37:57Goodbye.
00:37:58Goodbye.
00:37:59Goodbye.
00:38:00Goodbye.
00:38:01Any kind of a trick you might want to try, my friend, let me tell you here and now.
00:38:15You'll find we got the answers before you even raise the questions.
00:38:19I bet you do.
00:38:20When you're on a call, don't dilly-dally.
00:38:22It's not your car.
00:38:23Bring it right back to the garage.
00:38:25Tell the girlfriend to take the bus.
00:38:27Sure.
00:38:29Everything here is on the time clock.
00:38:31Written record, going in and out.
00:38:33And, of course, that's only one example.
00:38:35I see.
00:38:36Nothing personal.
00:38:37We trust you.
00:38:38Only these days, to stay in business, you've got to be a hawk.
00:38:41Otherwise, they'll rob the shirt right off your back.
00:38:44After all, everybody's human.
00:38:46You got a reference?
00:38:48Reference?
00:38:49You've got to have at least one local reference here.
00:38:52Otherwise.
00:38:53The Michael John Company.
00:38:55I worked for the Michael John Company.
00:38:57You hesitate.
00:38:58Well, I was fired at a fight.
00:39:02A fist fight?
00:39:03Yes.
00:39:03Is that all?
00:39:04That's clean trouble.
00:39:06Don't worry.
00:39:07No, thanks.
00:39:08See the porter down there?
00:39:10He'll give you a uniform.
00:39:11Maybe it'll fit.
00:39:12Be agreeable, and we'll all get along.
00:39:15Thanks.
00:39:16Oh, one thing more I forgot.
00:39:18Yes?
00:39:19The new men here work the night shift.
00:39:21That's the rule.
00:39:22They get the late hours.
00:39:24Any objections?
00:39:24No.
00:39:26Why should I object?
00:39:28Roger.
00:39:36Good morning, Dr. Bartok.
00:39:54Good morning, Dr. Bartok.
00:40:02I'm sorry.
00:40:03I'm sorry.
00:40:05I'm sorry.
00:40:06Good morning.
00:40:07All right.
00:40:08Let's go.
00:40:38Let's go.
00:41:08Let's go.
00:41:38Let's go.
00:42:08Let's go.
00:42:38Let's go.
00:43:08Let's go.
00:43:10Let's go.
00:43:12Let's go.
00:43:14Let's go.
00:43:16Let's go.
00:43:18Let's go.
00:43:20Let's go.
00:43:26Let's go.
00:43:28Let's go.
00:43:34Let's go.
00:43:36Let's go.
00:43:46Let's go.
00:43:48How many, please?
00:43:49How many, please?
00:43:50A dollar's worth.
00:43:52Let's go.
00:43:54Let's go.
00:43:58Let's go.
00:44:00Let's go.
00:44:02Let's go.
00:44:04Let's go.
00:44:10Let's go.
00:44:12Let's go.
00:44:14Let's go.
00:44:16Let's go.
00:45:18That'll be a dollar, please.
00:45:34It's going to check the oil.
00:45:36It's going to check the oil.
00:46:06It's going to check the oil.
00:46:07It's going to check the oil.
00:46:38How much do you get for overnight, Parker?
00:46:4275 cents.
00:46:44Okay.
00:46:45We'll be back later.
00:46:46We'll be back later.
00:46:48We'll be back later.
00:46:50We'll be back later.
00:46:52We'll be back later.
00:46:54We'll be back later.
00:46:55We'll be back later.
00:46:56We'll be back later.
00:46:57We'll be back later.
00:46:58We'll be back later.
00:46:59We'll be back later.
00:47:00We'll be back later.
00:47:01We'll be back later.
00:47:02We'll be back later.
00:47:03We'll be back later.
00:47:04We'll be back later.
00:47:05We'll be back later.
00:47:06We'll be back later.
00:47:07We'll be back later.
00:47:08We'll be back later.
00:47:09We'll be back later.
00:47:10We'll be back later.
00:47:11Let's go.
00:47:12I'll be back later.
00:47:13I'll be back later.
00:47:14I guess you've caught me in the act.
00:47:28Think nothing of it, Jerry.
00:47:30Why don't you have your supper?
00:47:32Because I don't want it.
00:47:34There are only two or three cars out. I can carry on alone.
00:47:37It's all right.
00:47:39I hope to achieve a career as a professional ballroom dancer.
00:47:42Do you think that's silly?
00:47:44Go right ahead.
00:47:45It appeals to me. I guess I crave the spotlight.
00:47:48All I need is a proper partner.
00:47:50Some young lady who is talented and who would fall in with my ideas.
00:47:54The point is, I wish to create a distinctive dancing style of my own.
00:47:59I'll bet you anything you like, I know exactly what's going on in your mind.
00:48:03Yeah?
00:48:04My height, right?
00:48:06Being short isn't as insuperable a handicap as you might think.
00:48:10If your personality is powerful, you can project the illusion of height.
00:48:14Also, they have specially fitted shoes.
00:48:19That's the doctor, Bartok, back from his country weekend.
00:48:21I'll take it.
00:48:23You will? Say thanks.
00:48:24You want to be very careful.
00:48:32What?
00:48:33That ball on your face.
00:48:34Did it get infected?
00:48:36I notice you still have it taped.
00:48:38Must be tweaks now.
00:48:40If neglected, an infection can be a serious thing.
00:48:43No, no, no. In the back.
00:48:51Sorry.
00:48:56And we'll do without any conversation either.
00:48:59We'll do without any conversation.
00:49:12Okay, we'll be back later.
00:49:15Where are you going to go?
00:49:18What are you going to do?
00:49:20Marcy tried Mexico.
00:49:23They found him.
00:49:25Now get us. Now find us.
00:49:27I'm going to go to Mexico.
00:49:29Marcy tried Mexico.
00:49:31They found him.
00:49:33Now get us. Now find us.
00:49:35I'm going to go to Mexico.
00:49:37Marcy tried Mexico.
00:49:39They'll get us. They'll find us.
00:49:42A guy like Stancic, those guys don't stop till they get even.
00:49:45You know a place you can hide out from Rocky Stancic?
00:49:47Here's a friend of yours.
00:49:49Okay, we'll be back later.
00:50:09You got me.
00:50:12yo
00:50:19I
00:50:25I
00:50:26I
00:50:27I
00:50:29I
00:50:30I
00:50:33I
00:50:34I
00:51:07What's your trouble, fella?
00:51:18Nothing. Motor's flooded.
00:51:20Want to push?
00:51:21No.
00:51:22Oh, let me give you a hand.
00:51:23It's all right.
00:51:24No, no, let me tell you, fella.
00:51:26I never pass up a man on the road that's in trouble.
00:51:28That's mean, selfish.
00:51:29I don't do that.
00:51:30Couldn't be like that if I tried.
00:51:32Wait.
00:51:32What's the matter with you, Marty?
00:51:34Can't you see he's a mechanic from a garage?
00:51:36He don't need no help from you.
00:51:38Oh, that's right.
00:51:40Oh, excuse me.
00:51:41Sure.
00:51:41I just wanted to help.
00:51:43Well, good night to you, fella.
00:51:45Good night.
00:51:45Good night.
00:51:46Good night.
00:51:46Good night.
00:51:46Good night.
00:51:47Good night.
00:51:47Good night.
00:51:48Good night.
00:51:48Good night.
00:51:49Good night.
00:51:49Good night.
00:51:50Good night.
00:51:50Good night.
00:51:51Good night.
00:51:51Good night.
00:51:52Good night.
00:51:52Good night.
00:51:52Good night.
00:51:53Good night.
00:51:53Good night.
00:51:54Good night.
00:51:54Good night.
00:51:55Good night.
00:51:55Good night.
00:51:56Good night.
00:51:56Good night.
00:51:57Good night.
00:51:58Good night.
00:51:58Good night.
00:51:59Good night.
00:52:00Good night.
00:52:00Good night.
00:52:01Good night.
00:52:02Good night.
00:52:03Good night.
00:52:04Good night.
00:52:05Good night.
00:52:06Good night.
00:52:07Good night.
00:52:08Good night.
00:52:09Good night.
00:52:10Good night.
00:52:11Good night.
00:52:12Good night.
00:52:12Good night.
00:52:13There must be something wrong, operator.
00:52:23I can't get an answer.
00:52:23Would you check the number for me?
00:52:25Curon, 83831.
00:52:30Dr. Bartok's not at home.
00:52:31I can't understand it.
00:52:32He's never late.
00:52:33The way these doctors push you around nowadays,
00:52:35I tell you, really.
00:52:38I'm not waiting.
00:52:43Wait a minute.
00:52:45Wait a minute.
00:52:46I don't blame you for worrying, Miss Hahn.
00:52:47The hiker with him last night,
00:52:49he was four hours overdue getting back.
00:52:51Now, four hours, that's certainly suspicious.
00:52:53It certainly don't look kosher.
00:52:55Now, now, now, don't get excited.
00:52:57I'll tell you what to do.
00:52:58We fired the guy, the hiker, on the spot, naturally.
00:53:00We'll get hold of him.
00:53:01Don't worry.
00:53:02But in the meantime, look, Miss Hahn,
00:53:03why don't you call the police, see?
00:53:06Yeah, Dr. Bartok's missing.
00:53:08Yeah, that's right.
00:53:09It's for the police.
00:53:10Just a minute, old phone.
00:53:11There.
00:53:13You people, for crying out loud, believe me,
00:53:18he's all right.
00:53:20The boy just delivered his car to him.
00:53:23Yes.
00:53:24Sure, the doctor's driving downtown now.
00:53:27He's probably over there right this minute.
00:53:36Good morning, Dr. Bartok.
00:53:38How are you?
00:53:43Good morning, Dr. Bartok.
00:53:45Good morning, Margie.
00:54:00You had me going for a minute.
00:54:03Mrs. Nymer canceled out.
00:54:04She wouldn't wait.
00:54:05What happened to you, anyway?
00:54:07I was detained.
00:54:09What was the trouble, Victor?
00:54:11Nothing at all.
00:54:15Victor, the way you look.
00:54:18Yes.
00:54:19You're exhausted.
00:54:20You didn't get any sleep at all last night, did you?
00:54:23I was working, reading.
00:54:25Who's outside?
00:54:26Who you take at 11 o'clock, Mr. Davis.
00:54:28Oh, yes, Mr. Davis, the retired clothing manufacturer.
00:54:32Give me five minutes, will you, and then send him in.
00:54:35Certainly.
00:54:37Oh, Dr. Bartok.
00:54:39I saw you down in the lobby.
00:54:40I just had to come up while I was still thinking of it.
00:54:43I'm Dr. Swanger, remember, in the dentist down on the ground floor?
00:54:46Yes, doctor.
00:54:47I wanted to talk to you about this for quite some time now.
00:54:50Why don't you come in, doctor?
00:54:51Come in.
00:54:51Oh, thank you.
00:54:52Thank you very much.
00:54:54Why, the funniest thing happened.
00:54:56About a month ago, I ran into a fellow who looked exactly like you.
00:55:03You don't believe it, do you?
00:55:04Interesting.
00:55:05I don't mean it was just a resemblance.
00:55:08One of those things.
00:55:09This was you.
00:55:11A real double down to the last detail.
00:55:14Except, of course, he didn't have a scar on his cheek, naturally.
00:55:17Of course.
00:55:18That's one thing about me.
00:55:20If I do say so myself, I am observant.
00:55:23I, uh, I take everything in.
00:55:25You want to know the reason why?
00:55:27Simple.
00:55:28It's my disposition.
00:55:29Now, I'm not all wrapped up in myself.
00:55:32Why, you take four out of five men and hold a gun to their heads and ask them the color of their wife's eyes, would they know it?
00:55:38Why, of course not.
00:55:42I don't know why I'm telling you this.
00:55:45I'm a dentist.
00:55:46You're the psychoanalyst.
00:55:49Silly.
00:55:50Yes.
00:55:52Not that you can blame them, of course.
00:55:53Why, the man in the street, he has his own worries and his petty little greeds and preoccupations, et cetera, et cetera.
00:56:00Why, they wouldn't notice it if the next fellow was breathing or dying.
00:56:03Now, isn't that a fact?
00:56:05Yes.
00:56:06All they can think about and talk about is themselves.
00:56:09Well, thank goodness I'm not that way at all.
00:56:14I'm not egotistic.
00:56:16No.
00:56:19Well, I, um, I've got to run along my office and, and you're a pretty busy man yourself.
00:56:25Well, so long.
00:56:27Thank you very much, doctor.
00:56:28Uh, for what?
00:56:30Oh, oh, well, it's nothing at all.
00:56:32Oh, doctor.
00:56:33Yes.
00:56:34I wanted to ask you, how is your wife?
00:56:37My wife?
00:56:37Yes.
00:56:38Oh, uh, oh, she's fine.
00:56:40Oh.
00:56:41Yes, yes, she's fine.
00:56:42She's all right.
00:56:44Yeah.
00:56:44I had specifically told them there what I wanted for breakfast, and I made a fuss.
00:57:00I suppose that was small of me.
00:57:04Couldn't help that.
00:57:06I wanted things to go well.
00:57:09It was the first vacation I'd taken in years.
00:57:12As you know, I've worked hard all my life, never spared myself.
00:57:18Well, I don't want any credit for that.
00:57:22I was reading Thackeray.
00:57:29I prefer the classics, books that have withstood the test of time.
00:57:33I must say I have no patience with contemporary light reading.
00:57:37I, I, I asked my wife, no, I, I think I, yes, what I did.
00:57:50And then they went off for a week, my daughters and my son.
00:57:54And there I was, left in the house all by myself.
00:57:57Was that fair, doctor?
00:57:59Tell me honestly what you think.
00:58:01It isn't that I make demands.
00:58:02The last thing I want to be is a burden to them.
00:58:05I never ask them to wait on me hand and foot the way some mothers do.
00:58:09But after all, I've devoted my whole life to them.
00:58:12Surely the least they could do is to show me a little affection,
00:58:16a little consideration.
00:58:42Hello?
00:58:58Hello?
00:59:02Hello?
00:59:03Hello?
00:59:12Victor, darling.
00:59:16Oh, hello.
00:59:17You said you'd call me up.
00:59:19I was just going to the phone.
00:59:21Is anything wrong?
00:59:22No, I'm fine.
00:59:24Well, aren't you coming?
00:59:25It's late.
00:59:26Uh, darling, I, uh...
00:59:28I can't understand it.
00:59:29You told Maxwell we'd be there by nine.
00:59:31You made a special point.
00:59:32But I'm on my way.
00:59:34Oh.
00:59:35Oh, wait.
00:59:36What?
00:59:37Where are you?
00:59:38Where do you think?
00:59:39Home.
00:59:40Oh, no, that isn't what I mean, darling.
00:59:41Listen, uh, could you do something for me?
00:59:44Uh, could you meet me at the Wellington?
00:59:45The Hotel Wellington?
00:59:46Yes, in the arcade.
00:59:48Uh, I'll have to make a call there.
00:59:49It'll save time.
00:59:50Well, are you going to be very long?
00:59:52Uh, no, I'll meet you in half an hour.
00:59:54Oh, darling.
00:59:55Yes?
00:59:56Um, uh, I want you to stop in at the florist there
01:00:00and get yourself an orchid.
01:00:02An orchid?
01:00:03Yes, I want you to have it.
01:00:05Uh, tell them to charge it to my account.
01:00:08All right.
01:00:08I'll meet you at the Wellington.
01:00:10Good.
01:00:10And don't forget the orchid.
01:00:11And don't forget the orchid.
01:00:40What's going on?
01:00:41What's going on?
01:01:10Weddings, weddings.
01:01:15Guess.
01:01:16Darling.
01:01:21You see, I got your orchid.
01:01:23Yes, I notice.
01:01:25They're probably wondering right now what happened to us.
01:01:27Better hurry.
01:01:29Yes, wait.
01:01:31What is it, Victor?
01:01:33Nothing, I was wondering.
01:01:35Do we really have to go to Maxwell's tonight?
01:01:38Do we?
01:01:40You know those boys.
01:01:42If we don't show up, they'll think we're running out of them or something.
01:01:44Yes, they would, wouldn't they?
01:01:46Listen, who's going to be there tonight?
01:01:48What do you mean who's going to be there?
01:01:50Usual crowd.
01:01:51Yes, of course.
01:01:53Darling, would you like to drive my car to Maxwell's?
01:01:55What?
01:01:56I thought you might enjoy it.
01:01:57Enjoy it? I'd love it.
01:01:59You know I've been wanting to drive that car for weeks.
01:02:02Well, all you had to do was say so.
01:02:06You're looking very well this evening, Victor.
01:02:10Am I?
01:02:11Mm-hmm.
01:02:12Very handsome.
01:02:13Thank you, dear.
01:02:14Shall we go?
01:02:21Good evening.
01:02:22Good evening.
01:02:23Good evening, Dr. Bartow.
01:02:24Good evening.
01:02:26Mm-hmm.
01:02:36Know what that says.
01:02:43Place your bets, ladies and gentlemen.
01:02:4823, red.
01:02:50What's the matter?
01:02:52Nothing.
01:02:54I, uh, I was just going to say I've been cashing a lot of bonds lately, haven't I?
01:02:58Hello, Doctor.
01:02:59Hello.
01:03:00You always take a chance when you gamble.
01:03:02Good evening, Dr. Barton.
01:03:03Good evening.
01:03:04You're coming around to Maxwell's quite often these days.
01:03:06Two or three times a week, huh?
01:03:07I guess you're right.
01:03:08Take care now.
01:03:09Don't let them rob you.
01:03:11Good evening, Miss Taylor.
01:03:12Hello.
01:03:13Victor?
01:03:15Come along.
01:03:15Three, Red.
01:03:22Same tonight, Dr. Barton?
01:03:24The same, Frank.
01:03:27I'll put it on your account.
01:03:29It's Harry.
01:03:31I'm sorry, Harry.
01:03:32Hi, Virginia.
01:03:33Hello, Marjorie.
01:03:35Sit down, Virginia.
01:03:38Make a play.
01:03:39Put them down.
01:03:45You know, it's very strange.
01:03:48I didn't think of it until just now.
01:03:51You didn't think of what, Mrs. Nielsen?
01:03:53Your methods.
01:03:54I don't know what it was, but they weren't quite the same today, were they?
01:03:59We vary our procedures from time to time, Mrs. Nielsen.
01:04:02We like to see what results we get.
01:04:04Well, I must say the things went much smoother today, though, didn't they?
01:04:08Yes, I think so, Mrs. Nielsen.
01:04:11Goodbye, Doctor.
01:04:12Goodbye, Mrs. Nielsen.
01:04:15I told them to send up a tray around seven.
01:04:40You're really putting in long hours, aren't you?
01:04:43Yes.
01:04:43I guess I'll run along.
01:04:44Good night.
01:04:45Evelyn?
01:04:48Yes?
01:04:49Come here.
01:04:52What is it?
01:04:54Look at me.
01:04:55What?
01:04:57You've been watching me all day, haven't you?
01:04:59Have I?
01:04:59Is there anything peculiar about me?
01:05:02No, of course not.
01:05:04Then why do you watch me?
01:05:05What are you worried about?
01:05:07I don't know.
01:05:08Something troubling you?
01:05:10No.
01:05:14Yes.
01:05:14Well, tell me.
01:05:18You've been so strange.
01:05:20Really?
01:05:21You've been avoiding me.
01:05:23Do you blame me?
01:05:25What do you mean?
01:05:26What do you think I am, Evelyn?
01:05:27Don't I know?
01:05:28Know what?
01:05:28You've been seeing somebody.
01:05:30Oh, come now.
01:05:31All right, I don't mind.
01:05:32I was just curious.
01:05:35Well, isn't it true?
01:05:37No, it's not.
01:05:38Are you sure?
01:05:39I'm sure.
01:05:46Then, uh, why do you turn away?
01:05:48Does this embarrass you?
01:05:49I don't know what you want.
01:05:50It's late.
01:05:51What do you do?
01:05:52Give you a bad time?
01:05:53I don't want to stay here and quarrel.
01:05:54I don't feel like it.
01:05:55What happened?
01:05:57Did he hurt you?
01:05:58Do I look hurt?
01:05:59I should say you do.
01:06:00Oh, don't fool yourself.
01:06:01You don't get hurt these days.
01:06:02No?
01:06:03No, it's very simple.
01:06:04You never expect anything, so you're never disappointed.
01:06:06You're a bitter little lady.
01:06:08It's a bitter little world, full of sad surprises, and you don't go around letting people hurt you.
01:06:12I'll tell you something.
01:06:15In all my life, I think I've only had one beau I was really willing to trust.
01:06:20You should have held on to him, married him.
01:06:22I wanted to, but I couldn't.
01:06:25He was 12 years old, and I was nine.
01:06:32Are you sorry for yourself?
01:06:34No, because for one thing, it's too late, and what's the use?
01:06:37Because you never can go back and start again.
01:06:39Because the older you grow, the worse everything turns out.
01:06:43You don't see it happening to you.
01:06:45It just happens.
01:06:46You wake up one morning, and there you are, and anything goes, and that's all right, too.
01:06:53Now, does that upset you, Dr. Bartok?
01:06:57It doesn't bother me at all.
01:07:00Anytime you say, I can quit.
01:07:02I would never let you go, Evelyn.
01:07:03That's nice.
01:07:04Thanks.
01:07:05I would miss you badly.
01:07:06You don't know how much I would miss you.
01:07:09They're not in business to worry about people or their whereabouts.
01:07:16They couldn't afford it.
01:07:17Maybe he knew people here.
01:07:18Had friends.
01:07:20If I could talk to them, I've got to find them.
01:07:24I don't know of any other place I can start from.
01:07:26You know anything about a man named Muller?
01:07:36John Muller?
01:07:38The guy we fired a couple of months ago thereabouts?
01:07:40Hmm?
01:07:41Mm-hmm.
01:07:44No.
01:07:44He doesn't know anything about...
01:07:45What?
01:07:47Oh, just a minute.
01:07:48Reference.
01:07:49Okay.
01:07:51All right, Buffett.
01:07:53Thanks.
01:07:54You might try this place.
01:07:55The garage.
01:07:56Clover Garage.
01:08:02You'll have a long wait.
01:08:03The patient just went in.
01:08:05That's all right.
01:08:06I'm afraid we never noticed the different hikers.
01:08:08To tell the truth, I don't know what made you think of coming here.
01:08:11Well, they told me at the garage.
01:08:12The last call he went on was with Dr. Bartog.
01:08:15I suppose it was.
01:08:16He was gone for four hours that night.
01:08:18I heard about it.
01:08:19They fired him.
01:08:20Yes.
01:08:22Something may have happened.
01:08:23I don't know.
01:08:24It just might be the doctor remembers him.
01:08:27You see, my brother was interested in psychoanalysis.
01:08:29Went to medical school.
01:08:31Dr. Bartog might be able to give me some kind of lead.
01:08:34Nothing else to go on.
01:08:35Why don't you wait?
01:08:36Sit down.
01:08:39There he is.
01:08:41That's my brother.
01:08:52I'm sorry.
01:08:54The resemblance for a minute I thought...
01:08:57What can I do for you?
01:08:59I came here...
01:09:01I'm trying to locate my brother.
01:09:03He worked for a garage you use.
01:09:05His name was John Muller.
01:09:09Do you know him?
01:09:10Do you know where he is?
01:09:11Miss Hahn?
01:09:12He went to Europe.
01:09:13To Paris.
01:09:14Don't go.
01:09:14Tell me.
01:09:15That's all I know.
01:09:16Leave me alone.
01:09:16Wait.
01:09:17Stay here.
01:09:18I'll be right back.
01:09:19Don't lose your nerve.
01:09:30Hold on to yourself.
01:09:31I should have known it from the start.
01:09:32So you know, so what?
01:09:33Don't you think I expected you to find out sooner or later?
01:09:35Who are you?
01:09:35No.
01:09:36Why?
01:09:36What's the matter?
01:09:37Do you trust me?
01:09:37Sure.
01:09:38I trust you.
01:09:38You're a fool.
01:09:39What can you do?
01:09:39Go to the police?
01:09:40You've got more sense than that.
01:09:41What good would it do you or anybody else?
01:09:43What good will it do me if I don't?
01:09:44Plenty.
01:09:45The two of us together.
01:09:46Listen.
01:09:47Don't you see it?
01:09:48I'm Bartok.
01:09:49Who is going to know?
01:09:50Who will ever find out?
01:09:51You killed him.
01:09:51I had to.
01:09:52I was in a jam.
01:09:52I had killers on me.
01:09:54It was the only way out.
01:09:54I took it.
01:09:55I had to take it.
01:09:55You don't have to explain to me.
01:09:56I'm not shocked.
01:09:57I'm not supposed to.
01:09:58Listen.
01:09:58I didn't give you a way, did I?
01:09:59I lied.
01:10:00What more do you want?
01:10:01Wait.
01:10:01Let me get rid of him.
01:10:02I've got a patient in the office.
01:10:03Wait for me.
01:10:17Well?
01:10:18Can I see her again?
01:10:19Can I talk to her?
01:10:19She told you everything she knows.
01:10:21You don't understand.
01:10:22No, I don't.
01:10:23My brother's in trouble.
01:10:24He's hiding out.
01:10:26He thinks they're killers after him.
01:10:27A man named Stancic.
01:10:29But they're not.
01:10:30What?
01:10:31Nobody's looking for him.
01:10:34What do you mean?
01:10:35I work for the government.
01:10:36I know people.
01:10:37They tip me off.
01:10:39They got this man Stancic.
01:10:41Income tax charges.
01:10:42They're deporting him in another month or so.
01:10:45They've already broken up his crowd.
01:10:49My brother's safe in the clear.
01:10:51He doesn't know it.
01:10:52There's no telling what he might do.
01:10:54You don't know him.
01:10:56He's smart.
01:10:57He's got big ideas.
01:10:59Willing to take any kind of chance.
01:11:01I've got to stop him before it's too late.
01:11:06Don't worry about him.
01:11:08What?
01:11:09Take care of yourself.
01:11:10People like him don't need your help.
01:11:12I don't?
01:11:12I know them.
01:11:13I've studied their cases by the dozens.
01:11:16Whether we like it or not,
01:11:17the fact is they're the ones who know what they want
01:11:19and they always get it.
01:11:20I've studied their cases too,
01:11:21where I work in the welfare department.
01:11:22Well, perhaps you are right.
01:11:23It doesn't matter.
01:11:25I'm afraid there's nothing else we can do for you here.
01:11:27Miss Han doesn't know its address or anything like that.
01:11:29I see.
01:11:35I'm sorry for the trouble I've caused you.
01:11:40Not at all.
01:11:43Goodbye.
01:11:43Forgive me.
01:11:53I've kept you waiting, Miss Nielsen.
01:11:54That's all right, Doctor.
01:11:56I'm terribly sorry,
01:11:57but I'm afraid we have to cancel this appointment.
01:11:59I had a call.
01:11:59An emergency.
01:12:00Oh.
01:12:00Well, I understand.
01:12:03I'll see you tomorrow, Doctor.
01:12:04Yes, tomorrow, Miss Nielsen.
01:12:05Goodbye, Doctor.
01:12:06Goodbye.
01:12:06Goodbye.
01:12:06Emily.
01:12:21Emily.
01:12:36Hello?
01:12:42I'm rushed for time, Virginia. What is it?
01:12:44No, I can't go to Maxwell's tonight.
01:12:46What?
01:12:47I'll explain later. I can't talk now.
01:12:49No, no, nothing is wrong.
01:12:51Of course I'm not going anyplace.
01:12:53What would that idea into your head?
01:12:55Call me later. Call me tomorrow. Goodbye.
01:13:06Hello?
01:13:36What happened to you?
01:14:02What are you doing?
01:14:06Honolulu, you're sailing tonight.
01:14:12What kind of a deal did you make?
01:14:14It's always a deal.
01:14:15Who did you talk to?
01:14:16Nobody.
01:14:17Did you tell me into the police?
01:14:18You don't have to worry.
01:14:21What are you running away for?
01:14:23How do you think I feel?
01:14:24Give it time.
01:14:25It passes.
01:14:26You'll get over it.
01:14:26You get over it.
01:14:28Sure.
01:14:29Use your head.
01:14:29I took all the chances.
01:14:31I worked it out.
01:14:31Now is the time to cash in, both of us.
01:14:33I don't want it.
01:14:34I mean that.
01:14:34It's not worth it.
01:14:35Oh, be smart.
01:14:37I'm sick of being smart.
01:14:38Waiting for time to pass.
01:14:39Waiting to get over it.
01:14:40Don't talk like a kid.
01:14:41I book passage on the first boat going out because I want to get away as fast and as far as I can.
01:14:45Why?
01:14:46Because I'm sick of being wise.
01:14:48What are you trying to give me?
01:14:49I'm tired of knowing all the answers.
01:14:51Where do you get off pulling this talk on me?
01:14:52Where did you learn it?
01:14:54You take care of yourself and that's all.
01:14:55A dollar's a dollar.
01:14:56Yes.
01:14:57Watch out for number one.
01:14:57Always pay it for yourself.
01:14:59That's right.
01:15:00Do they worry for you?
01:15:00Did they worry for Bartok?
01:15:01Did anyone bother to notice the difference?
01:15:02I hate it.
01:15:03Hate it or don't hate it?
01:15:04Who is asking you?
01:15:05This is the way it is and you know it.
01:15:07You've been around long enough.
01:15:08I hate everything I know.
01:15:09I hate everything in me.
01:15:10I hate you.
01:15:11I hate, I hate, I hate.
01:15:12I need you.
01:15:12See, I didn't make it that way.
01:15:14I can't change it.
01:15:15What do you want me to do?
01:15:16I'm going with you.
01:15:43Get up here.
01:15:46We'll go together tonight.
01:15:48You don't think I believe that, do you?
01:15:51Give me time.
01:15:52Let me fix it at the office.
01:15:54I don't want them to go looking for Bartok for me.
01:15:57You're Bartok.
01:15:59You've got it all now.
01:16:00You're not going anywhere.
01:16:02I'll meet you on the boat.
01:16:03You say it, but you won't.
01:16:05You've got a good thing now.
01:16:06It's rich.
01:16:08You'll never let it go.
01:16:09Not you.
01:16:11You've got too much sense.
01:16:13I'll be there.
01:16:14No, you won't.
01:16:32You won't.
01:16:34That's right, Doctor.
01:16:35I've talked to the building superintendent.
01:16:37He'll give the keys to your secretary.
01:16:39Yes, you'll find the names and addresses of my patients in the desk.
01:16:43I'm sure you'll be able to handle them all between you, Dr. Hennig and Dr. Kramer.
01:16:47Yes, I'm afraid it was sudden.
01:16:49I wasn't at all prepared.
01:16:51Well, thank you very much for making it possible.
01:16:54Thank you, Doctor.
01:16:55Goodbye.
01:16:56Good morning, Dr. Bartok.
01:17:16Excuse me, please, Doctor.
01:17:19I hope you don't mind it if I talk to you.
01:17:23What do you want?
01:17:25The scar.
01:17:27It's so clear in my mind.
01:17:30I always somehow thought it was on the other side.
01:17:43Did you notice that?
01:17:45What?
01:17:47I know I'm mistaken.
01:17:50The scar, I mean.
01:17:52Of course I'm wrong.
01:17:56Yes.
01:17:58Good night.
01:18:02Good night, Doctor.
01:18:15Silver.
01:18:18I'm going to hurry.
01:18:19Step on it, will ya?
01:18:20Okay.
01:18:21Driver, I'm in a hurry. Step on it, will you?
01:18:37Okay.
01:18:51Hey, where can I get a porter?
01:19:11They're all busy. Ship's sailing in a few minutes now.
01:19:13Here.
01:19:21Let's go.
01:19:51What is this?
01:20:01Where are you going?
01:20:02What do you want?
01:20:03What do you think?
01:20:05Where are you from?
01:20:07You know where. Maxwell's.
01:20:10Maxwell's?
01:20:12You owe us a lot of money.
01:20:14What?
01:20:15Ninety grand.
01:20:17What are you talking about?
01:20:19You didn't think we were going to let you run out on this just like that.
01:20:22Did you talk to Bartok?
01:20:25Wait a minute.
01:20:27You've got the wrong guy. I'm not Bartok.
01:20:29You're not?
01:20:30I know Bartok. I look like him, sure.
01:20:32But my name is Muller.
01:20:34Look, you fools, the scar. His is on the left side.
01:20:37What did he do? Move over?
01:20:40Now, wait a minute. Let me go. I can square this thing.
01:20:43I'll send you the money.
01:20:44I'll bet you will.
01:20:46Let me go. I've got to make that boat.
01:20:49You're not getting on that boat, Dr. Bartok.
01:20:52Let me go.
01:21:01What happened? We thought we heard some shots.
01:21:03You did?
01:21:04Cops just caught him. Ran right into him.
01:21:05Well, did anybody get hurt?
01:21:06I don't know.
01:21:36We have to get hurt.
01:21:37How about take a boat?
01:21:38How about take a boat, what do we do?
01:21:40I'll still get to the boat.
01:21:41He's following a boat.
01:21:42He'll take a boat.
01:21:43He's getting a boat.
01:21:44We'll try to sell him.
01:21:45He's getting a boat.
01:21:46He'll take a boat.
01:21:47No.
01:21:48I'll take a boat.
01:21:49Here, we'll be.
01:21:50We go.
01:21:51We'll ride.
01:21:52Go.
01:21:53Good.
01:21:55Good.
01:21:56Good.
01:21:57Good.
01:21:58The End
01:22:28The End
01:22:58The End
1:17:05
|
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