- 2 days ago
Recently released from prison on parole, John Bradley (Ralph Bellamy) plans to live alone quietly in a cabin in the country. He is visited there by the sheriff's daughter, Helen Grant (Nell O'Day) on whose account he had got into a fight and accidentally killed a man in the past. As Bradley is trying to persuade Helen to leave his peaceful existence is disrupted when a beautiful disheveled woman in a evening dress arrives at his door. This is Louise Loring (Fay Wray), who has run away on foot from her rich "protector", Tony Robson. Conroy attacks Loring and Bradley interviens.. Knocking Conroy to the ground and hitting his head. He thinks he killed him (he did not). He then flees to avoid capture and...
Credits:
Fay Wray as Louise Loring
Ralph Bellamy as John Bradley
Melvyn Douglas as Tony Robson
Roscoe Ates as Tommy Logan
Ruth Gillette as Lil Logan
Joe King as detective
Nell O'Day as Helen Grant
Frank Otto as Kraus
Reed Brown Jr. as Conroy
Granville Bates as Sheriff Grant
Charles Williams as clerk
Frank Shannon as prison warden
Cliff Dunstan as doctor
Credits:
Fay Wray as Louise Loring
Ralph Bellamy as John Bradley
Melvyn Douglas as Tony Robson
Roscoe Ates as Tommy Logan
Ruth Gillette as Lil Logan
Joe King as detective
Nell O'Day as Helen Grant
Frank Otto as Kraus
Reed Brown Jr. as Conroy
Granville Bates as Sheriff Grant
Charles Williams as clerk
Frank Shannon as prison warden
Cliff Dunstan as doctor
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:32The End
00:01:08The End
00:01:46What time is it?
00:01:48Say, are you going to keep asking me that every ten minutes?
00:01:52It's exactly nine minutes since the last time I told you.
00:01:56It seems like 90.
00:01:59Oh, you birds all act that way the day you're getting out.
00:02:03Like an old horse heading for home.
00:02:08They're coming for you now.
00:02:21Good-bye.
00:02:22Come back again when you get more time.
00:02:25Have it to all fully want on me, Pally.
00:02:28Johnny doesn't live here anymore.
00:02:31I found my sky.
00:02:32So long, Bradley.
00:02:33Be careful of the traffic, kid.
00:02:37Here's your wallet, Bradley.
00:02:39And here's the customary money the state gives each outgoing prisoner.
00:02:43Thanks, Wharton.
00:02:44You can keep that and give it to some guy who needs it more than I do.
00:02:47I will.
00:02:49And put this with it, please.
00:02:51For the welfare funds?
00:02:52If that's where it'll do the most good.
00:02:54I can't say that I'm sorry to see you go, Bradley.
00:02:57Neither can I, Wharton.
00:02:59Your record here has been good.
00:03:00I hope it'll be the same way on the outside.
00:03:02If they'll let me alone, it will.
00:03:04You're not altogether free.
00:03:07You've got to watch your step.
00:03:09It's hard on a man who's been a loser, even a one-time loser.
00:03:13I've had enough bars being watched every minute of the day and night.
00:03:17Oh, I know how you feel.
00:03:19I'll have to admit you got a tough break.
00:03:21You never belonged here, but I don't make the laws.
00:03:25I wish you did.
00:03:27The man you hit in that brawl died, and the law says you've got to pay for that crime.
00:03:33I paid, all right.
00:03:35Watch your temper, Bradley.
00:03:38Watch it.
00:03:39I've seen you hold on to it when things were tough.
00:03:44What are you going to do now?
00:03:46I'm going back to Denton.
00:03:48I've got a little cabin there.
00:03:49It's out in a grove of tall trees.
00:03:52And the air is good.
00:03:54I won't have to breathe it in through bars.
00:03:57Friends?
00:03:59I'll find out if I've got any friends left soon enough.
00:04:02Don't let it beat you if you find out you haven't.
00:04:05Stay clear of fights and watch that temper.
00:04:09I'll watch it.
00:04:11Well, so long, old man.
00:04:12And good luck.
00:04:14Goodbye, warden.
00:04:20I'll see you next time.
00:04:21I'll see you next time.
00:04:21I'll see you next time.
00:04:21I'll see you next time.
00:04:22I'll see you next time.
00:04:22I'll see you next time.
00:04:23I'll see you next time.
00:04:23I'll see you next time.
00:04:28I'll see you next time.
00:04:32I'll see you next time.
00:04:34I'll see you next time.
00:04:51Hmm, Batchelor Hall.
00:04:54What is it, Father?
00:04:56John Bradley's turned country gentleman on us.
00:04:59I wouldn't be so hard on him, Father.
00:05:02He's behaving himself.
00:05:03Yes, he better behave himself.
00:05:05As long as I'm peace officer of this county,
00:05:08he'll find himself back in Batchelor Hall where he belongs.
00:05:11John's always been a good boy, just a little independent.
00:05:16You seem to forget he's an ex-convict.
00:05:18You always seem to think well of his father.
00:05:20No, you're talking about a man.
00:05:23Now, Bob Bradley, one of the finest men who ever lived,
00:05:26came to have a son like that one.
00:05:28For the life of me, I can't figure it out.
00:05:30It's a time like this when a man needs all his friends.
00:05:34Speaking of his friends, uh, where's Helen?
00:05:37At the Benson's. She's had dinner there.
00:05:39Oh, yes. Nice folks, the Benson's.
00:05:42I'm glad that daughter of ours is getting some sense.
00:05:45Why, of course.
00:05:46It's high time she forgot that jailbird.
00:05:48If I catch her hanging around John Bradley, I'll...
00:05:52Now, Fred, she's forgotten all about that.
00:05:55Helen promised me she'd never see Bradley again.
00:06:01Helen, you're getting to be a pest.
00:06:03I don't like the idea of your coming here.
00:06:05Well, I like it.
00:06:06And I'm going to keep coming here.
00:06:09This place needs a woman's touch.
00:06:12Next time I'm going to put some new drapes up over those windows.
00:06:15But right now, you're going to put on your coat and go home.
00:06:18Oh, let me stay and talk with you for a while.
00:06:20You used to let me have my own way.
00:06:22Yeah.
00:06:22It's just what got me into the mess.
00:06:25I've told you how sorry I am.
00:06:27After all, I didn't know a little flirting was going to end in a fight.
00:06:30But it did.
00:06:33The fight ended in a boy's death.
00:06:35It put me behind bars for three long years.
00:06:40You don't seem to realize what that meant.
00:06:52It's just what the fight you knew.
00:06:55Dad!
00:06:58Dad!
00:07:01Dad!
00:07:23and myra benson and her mother tried every trick they knew to make george propose but he just
00:07:28wouldn't smart fella oh but he'll come around helen someday you're going to become one of the
00:07:35best back fence dirt dishes in the county but don't start practicing on me now your time's up
00:07:40come on oh but i haven't told you the hottest piece of news yet hot or cold you're going right
00:07:44now remember that woman i was telling you about well tony robeson certainly went a step too far
00:07:48when he brought her right into his house honestly it was the most shameless thing he could have done
00:07:53and what do you think happened next the next thing is that you're going home right now well i haven't
00:07:57finished yet that's what you think come on now your five minutes was up ten minutes ago first
00:08:02thing i know you'll be here for breakfast oh all right
00:08:11cut it out aren't you even going to kiss me goodbye don't be silly why not i'm not a kid
00:08:17anymore that's just it you're a woman now show some sense well if i were a man who hadn't seen
00:08:22a girl
00:08:22for three years and she was crazy about him and wanted to kiss him
00:08:33that's probably your father get in the kitchen quick
00:08:40come in
00:08:43i said come in
00:08:59i'm sorry to intrude but it's all right
00:09:04i was i was trying to get to the railroad station when i slipped and fell
00:09:09you see i i've got to get away you traveling in those clothes i left in a hurry i had
00:09:18to
00:09:23oh hey helen
00:09:28this is helen miss uh i didn't quite get your name
00:09:32louise loring
00:09:35how do you do
00:09:37hurt yourself
00:09:39better sit down i'm just leaving i'll be glad to drop you at the station it's on my way home
00:09:45oh thank you no need to hurry there isn't a train until six
00:09:48in the morning six a.m. it's a long time to stand up you better sit down
00:10:04can't we do something about the leg
00:10:07what'll i do
00:10:09i don't know tie it up or something
00:10:11oh don't bother it's nothing to fuss over
00:10:13let me look at it
00:10:20oh got a bad cut on your knee
00:10:22mm-hmm
00:10:27my ankle is swelling
00:10:29you sit still i'll get something to fix it thank you i'm sorry to put you to all this
00:10:35trouble that's woman's middle name what is trouble is that how you feel about women
00:10:42exactly
00:10:44oh that's grand thank you
00:11:04did i understand you to say there wasn't a train until morning
00:11:07that's right
00:11:08oh dear that does make it awkward
00:11:26all right come in
00:11:37hello robson hello conroy
00:11:44i see you didn't get very far dear
00:11:47oh oh you hurt yourself
00:11:50how
00:11:50i fell
00:11:52there you see
00:11:53if you hadn't been in such a hurry this wouldn't have happened
00:11:58somebody did a neat job
00:12:01i suppose you were the doctor bradley
00:12:03no
00:12:04no he didn't do it
00:12:05i did
00:12:06oh hello miss grant
00:12:07hello
00:12:09hey what do you fellows want here
00:12:11well nothing to be upset about
00:12:13i've just come to take my
00:12:16my house guest home
00:12:18i'm not coming back
00:12:19you're not serious
00:12:20but i am i'm leaving as soon as i can get a train out of here
00:12:25all right dear but surely you don't intend to go in those clothes
00:12:29just as i am
00:12:31and what do you propose to do until morning
00:12:34i might sit right here if mr bradley would allow it
00:12:37it's okay with me
00:12:39thank you
00:12:42your mind's made up
00:12:43yes quite
00:12:46well
00:12:46well
00:12:48you usually know what you want
00:12:51come on conroy
00:13:00need some money
00:13:01no thanks dick
00:13:02conroy come on
00:13:04good luck louise
00:13:05thank you
00:13:06i hope the lady doesn't prove too much trouble
00:13:08she's very good company
00:13:11when she wants to be
00:13:30i'd lock that door if i were you
00:13:33i don't like locked doors
00:13:37nice friendly little visit
00:13:39they've been drinking
00:13:40sounds like a good idea
00:13:42want to get them helen
00:13:44all right
00:13:56i'm sorry about all this
00:13:58it's your business not mine
00:14:00yes but it was embarrassing
00:14:02and i'd like to explain
00:14:03save it
00:14:04you don't have to apologize
00:14:06but i do owe you an explanation
00:14:08you see robeson
00:14:10robeson's no stranger to me
00:14:12not by reputation anyway
00:14:14how well do you know him
00:14:16well enough to guess the rest of the story
00:14:22it was partly my fault but then
00:14:25you see i was in a
00:14:26in a tough spot
00:14:27i know i just got out of one myself
00:14:30i hope yours was easier to get out of than mine
00:14:33maybe not easier but it took longer
00:14:37you wanted drinks
00:14:38oh thanks helen
00:14:58never mind i'll take it
00:15:05hello
00:15:06yes
00:15:10yes
00:15:11she swear
00:15:13for that
00:15:15you
00:15:16what
00:15:17all right
00:15:17just felt you ought to know sheriff
00:15:19not that it's any concern of mine
00:15:22you bet i ought to know
00:15:23i'll fix her and him too
00:15:26what is it father
00:15:29what is it
00:15:31fine kind of a mother you are
00:15:34don't even know where your own daughter is
00:15:36she's at the benson's is she
00:15:38well she isn't
00:15:39she's at bradley's
00:15:40that's where she is
00:15:42where are you going father
00:15:43where do you suppose i'm going
00:16:02well that'll give bradley something of his own to worry about instead of my affairs
00:16:05that's a rather dirty trick
00:16:09it's a little late for you to be getting noble isn't it
00:16:12i i wouldn't have gotten it bradley that way
00:16:14oh you wouldn't well that's my way and when i want to know yours i'll ask it
00:16:17until then keep your mouth shut
00:16:20i've kept quiet about a lot of things so far
00:16:22but only because i had to
00:16:24someday i hope
00:16:25someday you hope what
00:16:29you only work for me because you're a weakling
00:16:31don't try to be anything you're not
00:16:33i wouldn't like it
00:16:38yes
00:16:41all right
00:16:44goodbye
00:16:48that was mother
00:16:49robeson just telephoned home
00:16:50said i was here
00:16:51dad's on his way out now
00:16:52i've got to get out of here quick
00:16:55hold on a minute you can't go out there you'd meet your dad on the road
00:16:57yes but i can't stay here
00:16:59now listen i'll put your car out back you stay here
00:17:01the minute you hear your father knocking
00:17:02you beat it out through the kitchen door
00:17:03you'll probably get home before he gets through squawking
00:17:08oh dear i hope you won't get into any trouble
00:17:12i hope he won't
00:17:14you're very fond of him aren't you
00:17:17yes but what good does it do me
00:17:19he thinks i'm just a kid
00:17:20i'm awfully sorry
00:17:22i'm afraid to have dad come here
00:17:24whatever happens don't let john fight
00:17:26well i won't if i can help it
00:17:29you see i got him into trouble once before
00:17:35everything's okay
00:17:36now you'd want out into the kitchen in case your dad drops in unexpectedly
00:17:39all right goodbye miss lauren
00:17:40goodbye get home safe
00:18:01where's helen
00:18:02hello mr grant
00:18:04where is she
00:18:05helen's not here
00:18:19oh sorry sheriff you don't know miss
00:18:21i know her
00:18:22i know all about her
00:18:23most everyone does
00:18:25he's telling the truth mr grant
00:18:26helen isn't here
00:18:28yes
00:18:28a convict's word backed up by a
00:18:30by yours
00:18:32no one would believe for the pair like you say
00:18:35i'd be careful of what i said if i were you sheriff
00:18:37what are you doing threatening me
00:18:39no warning you
00:18:43look you're not going to fight
00:18:45i don't want to but you're not to fight
00:18:47no you're right
00:18:48it's the last thing i want to do
00:18:50it'll land me right back where i came from
00:18:53well just remember that
00:18:54i will
00:18:57for the last time i'm telling you to stay away from my daughter
00:19:01next time i won't talk
00:19:15the old fox censor she's been here
00:19:17she's pretty smart
00:19:19do the people around here think about me like he does
00:19:25i haven't any idea
00:19:26i haven't been around here in some time
00:19:28i'm practically a stranger here myself
00:19:33well i guess i better go out and see if the kid got away all right
00:19:36oh i hope she did
00:19:42you
00:20:08I'm in here.
00:20:13My, but you were quick. I didn't...
00:20:24What do you want?
00:20:27Bradley in there?
00:20:29What do you want?
00:20:32Well, darling, it's like this.
00:20:35You're coming home with me.
00:20:36I gave you my answer when you were here before.
00:20:41Still, you're coming home.
00:20:42Oh, it's no use, Tony. It won't work.
00:20:44I'll never go back with you.
00:20:46Better come along, Louise, before there's any trouble.
00:20:51If I have to carry you, you're...
00:20:54You leave me alone.
00:20:56Well, don't stand there. Get rid of that dog.
00:21:00Oh, no, you don't.
00:21:14What is this? Open house or visitor's day?
00:21:17We won't intrude any longer.
00:21:19Miss Loring's decided to come home with us.
00:21:21That's all right with me.
00:21:23But I'm not going.
00:21:26That's all right with me, too.
00:21:27Who?
00:21:31Who did this?
00:21:38Oh, look out!
00:21:40Let go of me.
00:21:49Try that again, baby, and it'll break your arm.
00:22:01Come on.
00:22:03He's all right.
00:22:05Take him and get out of here.
00:22:12Come on, Dick. Wake up. We're going home.
00:22:14I'm all right.
00:22:15Come on.
00:22:16Get him out of here.
00:22:17The air will bring him, too.
00:22:55Come on.
00:22:58Conroy will be a sorry boy when he sobers up and realizes what he's done.
00:23:01I should think he might.
00:23:03Robeson made him do it.
00:23:05He handled him like a child.
00:23:29Cigarette?
00:23:33Believe it or not, this place used to be known as one of the quietest in the county.
00:23:37Probably would have remained so if I hadn't come along.
00:23:39Oh, you've brightened things up a bit.
00:23:41It was beginning to get pretty monotonous.
00:23:48It's going to be a long wait for that train.
00:23:51Oh, I don't mind.
00:23:53Getting away is too important.
00:23:55And after you get away?
00:23:56Well, first thing will be to get some clothes.
00:24:00Clothes?
00:24:01Doesn't a woman ever think past getting some clothes?
00:24:04Very seldom.
00:24:08May I turn on the radio?
00:24:10Up yourself.
00:24:27You don't look like the type of person who'd get mixed up with a man like Robeson.
00:24:32Men like Robeson know women rather well. You might call it their business.
00:24:36They wait for a time when a woman needs friendship and sympathy.
00:24:40And then they're very kind and gentle.
00:24:43I've never discovered anything kind or gentle about Robeson.
00:24:47You're not a woman.
00:24:49Well, when I first knew him...
00:24:53Let's go.
00:24:54Welcome home, stranger.
00:24:55When did you get in?
00:24:56Only an hour ago.
00:24:57I've still got my sea legs.
00:24:58Why didn't you cable me?
00:25:00Oh, too thrilled. Too excited, I guess.
00:25:02I've got a head just spinning with plans.
00:25:04Well, sit down or you'll have mine spinning, too.
00:25:07What are they?
00:25:08Well, wonderful things.
00:25:11Am I in them?
00:25:12Oh, no.
00:25:13Oh, come now, Louise.
00:25:14Surely you've forgiven me that clumsy attempt in Paris.
00:25:18Of course I have.
00:25:19Would I be here if I hadn't?
00:25:21I guess not.
00:25:23How's the music?
00:25:24Simply trembling to burst out of me.
00:25:26I'll have you know I'm the finished product of the finest conservatory in Europe.
00:25:29All set to knock the American public cold, huh?
00:25:32All set.
00:25:33What's the approach?
00:25:34Well, I'm going on a concert tour.
00:25:36Ready for it?
00:25:36I mean, you must realize that it takes something more than just enthusiasm.
00:25:40Yes, I know that.
00:25:41I may have to teach first.
00:25:42Interest people.
00:25:43It's done, you know.
00:25:45You have interest in one people.
00:25:47Me.
00:25:48Oh, thank you, Tony.
00:25:50I'm glad you believe in me.
00:25:51It's more than just a belief, Louise.
00:25:55You have the talent.
00:25:57All you need is the money.
00:25:58I can supply that.
00:26:00Oh, but, Tony, I have some pride, you know.
00:26:02Oh, pride's nothing to do with it.
00:26:03It'll be a loan.
00:26:04You'll need money if you're going to succeed.
00:26:06Money, influential friends, many things.
00:26:09I have all that.
00:26:13The idea sounded great at the time.
00:26:17A shortcut to fame, eh?
00:26:20Yes, only in my case it wasn't fame.
00:26:23When my season finished in Boston, I went up to see him again.
00:26:29I've come to tell you that...
00:26:30I know all about it.
00:26:31I've been watching the papers.
00:26:33The concert in Boston was what we'd call an artistic success.
00:26:36Not a box office hit.
00:26:38I'm glad you understand.
00:26:41More than you think, dear.
00:26:42Well, that makes it easier to tell you.
00:26:44What?
00:26:44I've been a bad risk.
00:26:46All this money, I...
00:26:46I didn't know it was so much until now.
00:26:49Forget the money.
00:26:50I can't.
00:26:50It was a loan.
00:26:52It was an investment.
00:26:55Well, why didn't you tell me that?
00:26:56I never would have accepted it.
00:26:57I wanted you to have it if you couldn't sing a note.
00:27:00There are so many things I want to give you.
00:27:08Oh, but...
00:27:09It's yours.
00:27:12Forget your career for a while.
00:27:13We'll go away somewhere.
00:27:16Oh, don't fight me off again, Louise.
00:27:18There's so much I want to do for you.
00:27:21I've waited such a long time.
00:27:27Well...
00:27:29That's the whole story.
00:27:34Very interesting.
00:27:46Pretty.
00:27:55All right, all right.
00:27:56If you don't want to play, you don't.
00:27:58No.
00:27:59I don't want to play.
00:28:04Bradley, eh?
00:28:06Just what I expected.
00:28:09Fighting again.
00:28:11All right, I'll be right over to swear out a warrant.
00:28:14All right, all right.
00:28:16What happened, Pa?
00:28:19Bradley's got himself in another mess.
00:28:21Fighting over that woman I saw up there.
00:28:23I wish he knew his fighting in the daytime.
00:28:26Getting me up in the middle of the night.
00:28:40All right.
00:28:40Westport.
00:28:417460.
00:28:44Yes.
00:28:45I should think you'd understand.
00:28:47I've just been telling you about Robeson and...
00:28:51Am I a Robeson type?
00:28:54Yes.
00:28:55Worse.
00:28:58I'll admit I'm not very gentle.
00:29:01I wish you'd believe me.
00:29:03Does it make any difference?
00:29:06Excuse me.
00:29:14Hello?
00:29:15Oh, hello, kid.
00:29:16I'm glad you got home all right.
00:29:17What's on your mind?
00:29:18Speak louder.
00:29:21I don't dare talk any louder.
00:29:23Listen.
00:29:24What?
00:29:26Sure, I'll leave here right away.
00:29:28I'll be at Logan's.
00:29:29Tommy Logan's in the city.
00:29:31Try and get word to me there tomorrow.
00:29:32His address is...
00:29:39All right, I'll call you tomorrow.
00:29:41Now be careful, kid.
00:29:42Don't ask for me.
00:29:43I'll mention my name over the phone.
00:29:45All right.
00:29:46Thanks a lot, honey.
00:29:48Goodbye.
00:29:51Conroy's got a fractured skull.
00:29:53When he fell, he hit his head.
00:29:54Robeson swore not a warrant for my arrest.
00:29:55Oh.
00:29:55That means they're gonna drag me back again.
00:29:57Back?
00:29:58What do you mean?
00:29:58I'm out on parole.
00:30:00I was up once before for the same thing,
00:30:01and they call it manslaughter.
00:30:03This time, if Conroy dies, they'll make it murder.
00:30:05But I could explain how it happened.
00:30:07I'm afraid your word wouldn't help.
00:30:09Oh, I see.
00:30:10If he dies, I haven't a chance.
00:30:12I've got to get out of here.
00:30:14I'll drop you at the station.
00:30:15All right.
00:30:15The cops may give us a chase.
00:30:16You afraid?
00:30:17No.
00:30:17Well, I'll get you a coat.
00:30:27There.
00:30:28All right?
00:30:30Yes.
00:30:30Come on, let's go.
00:30:31All right.
00:30:44Frightened?
00:30:46No.
00:30:52Are you cold?
00:30:53Not very.
00:31:02Thanks.
00:31:09Well, the police call is probably out by now,
00:31:11but if we can cross the county line before morning,
00:31:13we still have a chance.
00:31:27There they are.
00:31:29Steady.
00:31:30Drive slower.
00:31:37Well, it looks like it's up.
00:31:48Well, well.
00:31:49What have we here?
00:31:50You seem to be in a great hurry.
00:31:52Not particularly.
00:31:53I didn't realize we were going so fast.
00:31:55You didn't, eh?
00:31:56Well, you'd better slow up.
00:31:57There's a bridge out three miles ahead.
00:31:58You'll have to detour.
00:31:59Take it easy.
00:32:00Thanks.
00:32:01I will.
00:32:05Phew.
00:32:17How's your heart?
00:32:18Pretty badly shaken up.
00:32:20Well, you're all right, you know.
00:32:21They don't want you.
00:32:23I wasn't thinking of that.
00:32:26We better pull off this main road and lay low until morning.
00:32:29When the police call goes out, that cop will report where he saw us,
00:32:32and they'll probably think we're a great deal further on.
00:32:34Anyway, we could do with a few hours sleep.
00:32:37All right.
00:32:45We're only a few miles from the station.
00:32:47If we leave by daylight, we ought to be able to make it by train time.
00:32:50You can't take me to the station.
00:32:52It's too dangerous.
00:32:53Where else?
00:32:56Where are you going?
00:32:58To Tommy Logan's, a friend of mine.
00:33:00We shared the same cell.
00:33:01Take me with you.
00:33:02No, you better get out of all this.
00:33:04But I started it.
00:33:06That's not the point.
00:33:08I'd rather stay with you.
00:33:09Help if I can.
00:33:10I'll sell these if you need any money.
00:33:14Thanks, but I don't need any.
00:33:16But I can stay.
00:33:20All right.
00:33:33You better sleep in back.
00:33:36Why?
00:33:37Do I disturb you?
00:33:39Yeah.
00:33:40Come on.
00:33:42Well, but I'll get cold back there.
00:33:45No, you won't.
00:33:45Come on.
00:33:50Come on.
00:33:54Ankle hurt?
00:33:56Yes, a little.
00:34:18You all right?
00:34:20Yes, thank you.
00:34:22Good night.
00:34:25Good night.
00:34:27Good night.
00:34:48Good night.
00:34:48All right.
00:34:50Good night.
00:35:04Good night.
00:35:08Good night.
00:35:11Good night.
00:35:12Good night.
00:35:15dadosétat is angry.
00:35:17Mm-hmm.
00:35:20Calling all homes, calling all homes.
00:35:24Before you go to bed tonight,
00:35:25make sure you sleep on a Flanagan suspension bed.
00:35:28The Flanagan suspension bed is built on the same principle as the Brooklyn Bridge,
00:35:33but with just a little more spring to it.
00:35:35If you've never slept on a Flanagan suspension bed,
00:35:37you've only been laying down.
00:35:39And now the Flanagan soup stores will play their theme song,
00:35:42Sleep Beautiful Sleep.
00:35:48Oh, Danny.
00:36:12No.
00:36:19No.
00:36:47You can choose your home space.
00:36:47See you next time.
00:36:47Where are you from?
00:37:13I didn't know you was awake, Lil.
00:37:15No, you petty larceny, Yegg.
00:37:18I'm sound asleep.
00:37:19I'm just having a dream that you hoisted my watch.
00:37:22Now, honest, Lil, you see, I just wanted to see what time it was.
00:37:26Ain't you cute?
00:37:27Just wanted to know what time it is.
00:37:29You know that biscuit hasn't been running for three years.
00:37:32Well, that's it.
00:37:33You see, I was just fixing to take it down and have it fixed.
00:37:36It's run down.
00:37:37Yeah, and you think it needs a rest in the hock shop.
00:37:41Oh, now, don't get all head up, Lil.
00:37:44Remember, I gave you this watch.
00:37:46Yes.
00:37:47I know you did, you Indian giver.
00:37:49Give me that ticker.
00:37:51Oh, now, Lil.
00:37:52Oh, now, Lil.
00:37:53I said give me that watch.
00:37:54No, Lil, Lil, cut it out now.
00:37:56You know I got a weak liver.
00:37:57Come here, you worm.
00:37:58Oh, Lil, wait a minute now.
00:37:59I'll teach you to rob your own wife.
00:38:01Oh, Lil, please don't.
00:38:02Oh, don't hit me with that.
00:38:04You know, your mother gave you that.
00:38:05Oh, yeah.
00:38:06Well, you're gonna get it right back.
00:38:17Who is it?
00:38:18It's Bradley.
00:38:19Open up.
00:38:21Glad to see you, kid.
00:38:23You know, I was just talking to the missus about you the other day
00:38:25and wondered what had happened to you.
00:38:26This is Tommy Logan, Miss Loring.
00:38:29Oh, how do you do, Miss?
00:38:31How do you do?
00:38:32Won't you sit down?
00:38:33Yes, thank you.
00:38:35Oh.
00:38:37Oh, oh, oh, Lil.
00:38:39Lil.
00:38:39Tommy.
00:38:43Baby, this is John Bradley.
00:38:45I certainly feel as if I knew you.
00:38:47Tommy's always talking about you.
00:38:48I guess that goes two ways.
00:38:50Yeah, you know, he...
00:38:50Oh, and this is his girlfriend, Miss...
00:38:53Miss Loring.
00:38:54Loring, yes.
00:38:54How do you do?
00:38:55How do you do?
00:38:56So this is John Bradley.
00:38:58Ain't he just like I told you?
00:39:00He looks all right to me.
00:39:01Thanks.
00:39:01I guess I got you to think that Tommy ever got out of the cooler.
00:39:04He wasn't a bad boy up there.
00:39:06No.
00:39:06If you hadn't watched him, he would have stolen everything,
00:39:08including the warden's back teeth.
00:39:13Doesn't she say the cutest thing, John?
00:39:15You folks must be hungry.
00:39:17You're a mind reader, all right.
00:39:18I'll see what I can do about it.
00:39:20Won't you pick off your coat, Miss Loring?
00:39:22Yes, thank you.
00:39:25Long distance.
00:39:26Hurry that call, will you please?
00:39:28167 West Street.
00:39:30That's right.
00:39:32Logan.
00:39:33L-O-G-A-N.
00:39:35No, L, as in love.
00:39:37That's right.
00:39:41Oh.
00:39:43Hello, Dad.
00:39:48Long distance.
00:39:52This is Sheriff Grant speaking.
00:39:54There was a mistake in that address my daughter just gave you.
00:39:58Read it back, please.
00:40:01167.
00:40:02Yes.
00:40:05167 West Street.
00:40:08That's right.
00:40:09And the name?
00:40:11L-O-G-A-N.
00:40:14You better cancel that call.
00:40:21What's on your mind?
00:40:22Trouble?
00:40:23I slapped a guy down last night.
00:40:26Yeah, and when you slap him, they stay slapped.
00:40:28We're hoping he's not badly hurt.
00:40:30He'll get the best of attention in the Denton Hospital.
00:40:33Sure, have a drink.
00:40:34No, thank you.
00:40:35Here's a bite.
00:40:36Maybe this will hold you until we can get some food together.
00:40:40Get on the phone, will you, and get someone to bury my car.
00:40:42It's down in front.
00:40:43Sure.
00:40:44We'll need some clothes, too.
00:40:46Got any cash?
00:40:47A little.
00:40:51Hey, there's plenty of cash.
00:40:53There's nothing phony about those things.
00:40:55I know a fella that...
00:40:57There's no rush.
00:40:58You don't have to fence that stuff.
00:40:59It's not hot.
00:41:00Oh.
00:41:01Get off to that car, will you?
00:41:03All right.
00:41:04I think I've got some clothes I could fix for you.
00:41:06Oh, thank you.
00:41:07I would like to get out of this dress.
00:41:08Won't take no time at all.
00:41:11Don't give that jewelry to Logan.
00:41:13Why not?
00:41:14I'll need the money.
00:41:15I've got plenty for now.
00:41:16He'd jip you.
00:41:17But he's your friend.
00:41:18You trust him.
00:41:19Not when it comes to jewelry.
00:41:20That's where he flops.
00:41:21In the first place, he'd sell it to a fence.
00:41:22You wouldn't get a third of what they're worth.
00:41:24With Tommy chiseling in, you'd better hang on to them.
00:41:26Just as you say.
00:41:30Would you like to clean up, honey?
00:41:32I'd like a bath.
00:41:34Sure, here's a robe for you.
00:41:36Well, it's pretty.
00:41:36Yeah, Tommy fell in love with me in that robe.
00:41:40I mean...
00:41:41That's all right.
00:41:42We understand.
00:41:44Am I embarrassed?
00:41:49It's not much, but it holds water.
00:41:51Well, that's all that's necessary.
00:41:52All right.
00:41:56Yeah.
00:41:57That's it.
00:41:58The ride's standing outside of my joint.
00:42:01Stash it.
00:42:02That's the idea.
00:42:04And you'd better change the license plates, too.
00:42:07Right away.
00:42:09Make it snappy, you know.
00:42:11It's okay.
00:42:12Good.
00:42:13Say, what about Krause?
00:42:15Hadn't we better get him over?
00:42:16He's a bad egg.
00:42:17Well, there's a sharp lawyer, and you're in a spot.
00:42:21All right.
00:42:21All right.
00:42:23How is he, doctor?
00:42:25Looks very serious.
00:42:32Hello?
00:42:33Yes, just a moment.
00:42:34Mr. Robeson, it's for you.
00:42:36Thanks.
00:42:38Hello?
00:42:40Oh, hello, Sheriff.
00:42:42Good. I hope they get him.
00:42:44Yeah, when I see this poor kid lying here, I...
00:42:48Fine.
00:42:52They've got a line on Bradley.
00:42:53Expect to arrest him any minute.
00:42:55Good.
00:43:12Well, don't you know I'm in here?
00:43:14Sure.
00:43:17Well, I've got to dress.
00:43:20Why'd you dress in the bathroom?
00:43:22Have you seen the bathroom?
00:43:24Well, dress here. I won't peek.
00:43:27Well, whose room is this supposed to be? Yours or mine?
00:43:31I think it's the Logan's idea that it ought to belong to both of us.
00:43:36Oh.
00:43:39Well?
00:43:44Perfectly all right. I won't bother you.
00:43:46I wasn't afraid you would.
00:43:50How's your ankle?
00:43:52Oh, better. I've taken the bandage off.
00:43:54Good.
00:44:03Well, here's hoping you've got willpower.
00:44:06Do you want me to have willpower?
00:44:10I like you better the way you were in the car last night.
00:44:15I'm getting to be a softy.
00:44:18Maybe I'll even end up by being kind and gentle.
00:44:22You still don't believe me, do you?
00:44:24About Robeson, I mean.
00:44:26Does it matter?
00:44:29Yes.
00:44:31Say, don't carry this modesty business too far.
00:44:34You know, I can't see a darn thing out this window but a brick wall.
00:44:38Well, you can look now.
00:44:41Thanks.
00:44:49Thanks.
00:45:05This is it.
00:45:13Ask them if they can use some ham and egg.
00:45:16All right.
00:45:27Let's go.
00:45:34Coppers.
00:45:39Hey, John.
00:45:40What?
00:45:40The coppers, beat it out that window.
00:45:42There's a fire escape below.
00:45:45Go on.
00:45:45Beat it, will you?
00:45:46Lil and I'll take care of her.
00:45:48Sure.
00:45:51Hey, you got the dough?
00:45:52Yeah, I'll be seeing you.
00:45:56Hey, come on you dames or your tip is met.
00:45:59I'd better open up or they'll be making toothpicks out of the landlord's best door.
00:46:35Come on.
00:46:36Where's he at?
00:46:37Who?
00:46:37Quit stalling and make it snappy, will you?
00:46:40I ain't had breakfast yet.
00:46:40Come on.
00:46:41Tell me where he's gone.
00:46:42Oh!
00:46:43If I knew, I wouldn't tell you your bit still.
00:46:46Go on.
00:46:47Sock me again.
00:46:54How about it, Blake?
00:46:55I plugged him and Ryan's after him.
00:46:59Lay off, Ed.
00:47:00It's okay.
00:47:02Come on.
00:47:03I want you back and done.
00:47:04What for?
00:47:05I don't know.
00:47:06Something about some jewelry that belonged to some guy's mother and you copped it when
00:47:10you left.
00:47:11That's not true.
00:47:12Yeah?
00:47:15That's the junk there, isn't it?
00:47:16You better give it to me.
00:47:17Those are mine.
00:47:17They were bought to me.
00:47:18Come on.
00:47:19Hand it over.
00:47:20But I'm trying to tell you that...
00:47:21Tell it to the judge.
00:47:22Say, you.
00:47:23Lay off her.
00:47:24She ain't done nothing.
00:47:26Shut up.
00:47:27Come on, will you?
00:47:28I'm getting hungrier by the minute.
00:47:35I can't thank you enough for all you've done for me.
00:47:37Now, remember, no matter what happens, don't talk until you've seen Krause.
00:47:40He's Tommy's lawyer.
00:47:41Do you think he'll take my case?
00:47:43Sure.
00:47:43We'll send him right over.
00:47:44Will you come on before I pass out?
00:47:47Come on, Ed.
00:47:51Well, there goes the jewelry.
00:47:53I told you so.
00:47:54I had a hunch.
00:47:55No, shut up.
00:47:57Say what then?
00:48:19Here's that dame they wanted Denton, Sarge.
00:48:22And here's the stuff.
00:48:25Not bad.
00:48:27I mean, nice stuff.
00:48:29Did you get the guy?
00:48:31He stopped a slug.
00:48:32I guess he's in the hospital.
00:48:34Oh, how is he?
00:48:35Can't someone tell me how he is?
00:48:37Your guess is as good as mine, sister.
00:48:44Come on.
00:48:47Oh, look.
00:48:51Put her in the royal suit, and if you don't like that, take her to the Ritz.
00:48:56All right, Sergeant.
00:48:58Come on, miss.
00:49:11You know, Sarge, I gotta go on a dive.
00:49:14Come on, sir.
00:49:15You should.
00:49:16Come on, Pa.
00:49:17Come on, Polly.
00:49:17Come on.
00:49:30I'm in the middle, I'll go down for a walk.
00:49:31Come on, Your friend.
00:49:40I'll tell you.
00:49:41Come on, my lawyer.
00:49:41Come on.
00:49:42You're coming.
00:49:43questions here you are boys we're taking you back to denton not until i've seen my lawyer come on
00:49:53don't give us no trouble we won't give you none get your hat look if you'll only tell me how
00:49:59john
00:50:00john bradley is i'll go like a lamb you'll go like a lamb anyway but please say listen we ain't
00:50:07bothering you with a lot of questions so don't you bother us here come on
00:50:26i'll get your bail all fixed and i'll have you out of here as soon as i've asked you a
00:50:30few questions
00:50:32but i got to tell you the answers first it certainly is a relief to have you here mr krauss
00:50:38it was more than good of you to come oh that's all right anything i can do for a friend
00:50:43of bradley's
00:50:44you've got money haven't you nothing but my jewels and you haven't got that now well bradley's good
00:50:52for it good for what the bail my fees everything let's hear all about it shoot the works what do
00:51:02you want to know everything truth no song and dance begin at the beginning well we had an understanding
00:51:12robeson and i it was pretty low of him to say i stole those things he must have been angry
00:51:17because i left
00:51:18him that's easy to understand ouch hey what's the matter with you there's something you don't like
00:51:25you can say so can't you i did i went to robeson's house because it wasn't for bradley you could
00:51:32take
00:51:32your troubles to another lawyer well go on let's hear it
00:51:54nobody knows i'm here today doc why no of course not
00:52:03just stay quiet there for a while
00:52:10we can take him down can't we doc you through with him he's pretty weak he's lost a lot of
00:52:14blood
00:52:14better let him stay here for 24 hours okay we can arrange that forget about conroy being a nice
00:52:21fella except when he's drunk just emphasize that he killed the dog when the dog was trying to protect
00:52:26you get me yes well let's go and don't forget any of the answers i won't oh to think that
00:52:32i'll be
00:52:33able to get out of here tonight and go back to town we might not be able to go back
00:52:36tonight we could
00:52:37stay at the inn and go back in the morning come on
00:52:56can't we do something can't we at least find out if john needs help
00:53:02everything in time no hurry that's me
00:53:17hello hello have you seen john sure is he all right certainly the doc says it ain't serious he'll get
00:53:23well
00:53:24oh i'm so glad that dirty sawbones tipped off the cops and they're covering the joint
00:53:34well then i've got to go to him right away let's go back wait a minute you can't do that
00:53:39you're not
00:53:40in the clear yet you're merely out on bail if you go to bradley now you'll both be implicated
00:53:46the smart move is to stay here tonight he's right hey where's the rocks rocks the stones the jewelry
00:53:59oh the police are holding them uh-huh see there i told you to give them to me i knew
00:54:07they'd fall in the
00:54:07wrong hands you two wait here a minute i'll go and arrange for the room
00:54:19hey room okay have you been taken good care of i'll tell you later i just thought of something too
00:54:26if you'll excuse me
00:54:41say mr smith would you mind making that mr brown just for my sake wise guy eh well the house
00:54:48is full
00:54:48of smith i can't keep my book straight
00:54:53is 405 and 406 close enough all right okay hey what's the idea of adjoining rooms bradley
00:55:01will kick your head off keep your nose out of this i know what i'm doing oh yeah what does
00:55:08bradley know
00:55:29i suppose i'm a fool to want you back but i do knowing the way i feel about you i
00:55:35might even get
00:55:36a kick out of that always if you come back to me we'll drop this case against you i'll say
00:55:40i was
00:55:40drinking when i swore out the warrant and and that the bracelet and ring are really yours and if i
00:55:45don't
00:55:46drink when i swore out the warrant well that's your worry
00:56:21that's what i want to do
00:56:22supposing i did come back to you just suppose what about bradley why are you so interested in
00:56:28bradley you only met him last night well that's not the point he didn't mean to hurt conroy so badly
00:56:35perhaps not but conroy is dying and bradley's responsible you could help him if you wanted to
00:56:41do what can i do what can i do he's already served one term for manslaughter but why all this
00:56:49concern
00:56:49about bradley you're in rather a tough spot yourself hasn't your little taste of jail been enough
00:56:56why don't you get smart i just can't see it your way tony
00:57:04well think it over
00:57:22oh louise they told me that i'd find you here yes helen i can only stay a moment
00:57:28i thought you ought to know father says that john bradley isn't seriously hurt he's going to get
00:57:32well yes i know but he's under arrest and he'll face a murder charge if conroy dies yes but if
00:57:40i
00:57:40hadn't have phoned the logan's the police wouldn't have found him tell me how badly is dick conroy hurt
00:57:45is he really dying yes but father says that robeson's doing everything he can for him day nurse night
00:57:52nurse what do you mean robeson's doing isn't dick in the hospital no it was too dangerous to move
00:57:57him so robeson kept him at his house oh i see well i've got to go now goodbye louise goodbye
00:58:04helen
00:58:04it was very sweet of you to come
00:58:12who's the dame well a friend of mine the sheriff's daughter what do you have to say
00:58:17nothing important well i guess you're pretty tired would you like to turn in
00:58:22i'm going back to robeson what what did you say
00:58:36why that dirty double crossing littles
00:58:41clerk yes sir cancel those rooms oh sorry you couldn't stay longer mr smith uh brown
00:58:54all right all right will you tell me what really happened how many times have i got to tell you
00:58:59the
00:59:00bulls took her back to denton on a jewelry rack well what did you do didn't you get crouse sure
00:59:05sure
00:59:06everything's been taken care of will you relax
00:59:15just a minute just a minute where do you think you're going in there nobody's allowed in there
00:59:20well but my wife's in there with my best friend that's too bad but those things sometimes happen
00:59:25now i knew of a case once where a fellow and his wife oh i i know i know but
00:59:29you see i've got to get
00:59:29in there you can't it's rules what kind of a deal is this ain't there one rule for rich or
00:59:36poor husband
00:59:37and wives all right i'll give you five minutes thanks
00:59:49johnny i've got this thing all figured out it's a cinch to break out of here listen there's a rain
00:59:55pipe leading from that window right down to the street tell me what happened to her will you tommy
00:59:58all right all right i was on a pleasure trip see and he said was your wife with you and
01:00:06i said no
01:00:07it was a pleasure trip
01:00:11cut it will you tell me what happened to her she's okay i tell you now you just take it
01:00:16easy and quit
01:00:16stalling where is she i wouldn't worry about her you know how dames are when things get tough
01:00:22they can't take it what do you mean well as soon as kraus sprung her ropes and showed up and
01:00:27she
01:00:28went back with him forget her johnny she ain't worth a headache cut it out leo cut it out
01:00:34time to get the car around we'll stop and get some clothes are you nuts you'll never make it
01:00:42i know a man who shaves 40 times a day he said who and i said a barber
01:00:51i'll be you know listen pal you've got plenty of time for this no i'm going tonight
01:01:00all right lil you talk to that cop outside and keep him busy come on lil
01:01:08i was just trying to cheer the patient up not with those gags oh boy what a sense of humor
01:01:13you've got
01:01:14oh well big boy you still hungry hungry i could go for a barbecued suitcase handled and all
01:01:23well you're gonna take me up on it are you no but you're gonna have what's in it
01:01:35you know
01:01:38it's one thing i like about bananas is they've got no bones in them
01:01:42it's just too bad you have to throw the skins away huh yeah only a fruit huh you know i
01:01:52know a guy
01:01:52who wants to die from eating too much fruit he was a vegetarian that made his wife a grass widow
01:02:00boy are you funny
01:02:10johnny you're an awful sap to do this you're only putting yourself in a spot cut it tommy let's get
01:02:15going
01:02:41tell you
01:02:43i mean
01:02:43good
01:02:45you
01:02:46you
01:03:10Where are you going, dear?
01:03:12Well, uh, I felt rather tired.
01:03:15I thought I might retire.
01:03:17Oh, it's early yet.
01:03:19Come on down.
01:03:25You don't look very well.
01:03:27Headache still bothering you?
01:03:29Yes.
01:03:30Yes, it is.
01:03:32Well, let me give you some brandy.
01:03:34Hmm?
01:03:50Yeah, maybe this will pick you up.
01:03:51It may.
01:03:56You know, Louise, I've been worrying about you.
01:03:59I mean, I've been trying to cheer you up and you seem to want to avoid me.
01:04:02You seem so morbid.
01:04:03Oh, it's not that, Tony.
01:04:04I just feel a bit depressed.
01:04:07Was that the way I affect you?
01:04:08No, of course not.
01:04:10But I keep thinking about poor Dick upstairs.
01:04:13Isn't there any chance for him at all?
01:04:15The doctor doesn't seem to think so.
01:04:18Hasn't he come to at all?
01:04:19Not for a moment.
01:04:20That's what makes the case so hopeless.
01:04:22But supposing he does, I mean, even for a little while.
01:04:25Don't you think the police ought to be here to get a statement from him?
01:04:28What good would a statement do?
01:04:30It would clear Bradley.
01:04:32I'm sure Dick would realize that Bradley didn't mean to hurt him.
01:04:36There you go, thinking about Bradley again.
01:04:39Oh, it's not that, but I'd feel the same about anybody who was mixed up in a mess like this.
01:04:43So would I. Anybody else but Bradley.
01:04:46Mr. Robson, come quickly. He's regained consciousness.
01:04:49Well, get the doctor.
01:04:52No, no, you stay here.
01:04:53But please, can I?
01:04:54I said stay here!
01:04:55I mean, the slightest excitement might prove fatal.
01:05:09John!
01:05:11What are you doing here?
01:05:13I thought you were in the hospital.
01:05:15They told me you were.
01:05:16They told me you were here.
01:05:17I had to see for myself.
01:05:18But you don't understand.
01:05:19I understand well enough.
01:05:21And if I didn't, that'd explain anything I wanted to know.
01:05:24John, you don't think I came back here because of Robson?
01:05:26No, of course not.
01:05:28Please, you must let me explain.
01:05:29Oh, no.
01:05:30I listened to your stories once before and was sap enough to believe in you.
01:05:34I had you pegged right the moment I met you.
01:05:36You're nothing but a cheap little...
01:05:37Stop it.
01:05:38If you'd only listen to me.
01:05:47You stay out of this, John.
01:05:49You're only getting yourself into a worse jam.
01:05:51You got it off of your chest.
01:05:53Now, come on, let's get out of here before the cops catch up with us.
01:05:55It's a saint's there taining us.
01:06:09I told you to stay out of this.
01:06:14John!
01:06:14John!
01:06:16John!
01:06:17John!
01:06:42Hey, John!
01:06:43Scram!
01:06:43The bulls are here!
01:06:47All right, Bradley.
01:06:49Back to the hospital.
01:06:51But this time you're going to have a room with bars on the windows.
01:06:56Have it your own way.
01:06:59Wait.
01:06:59There's something you don't know.
01:07:00Now, you keep out of this, lady.
01:07:03He's trying to say something.
01:07:05You've got to listen.
01:07:06He'll tell you what happened.
01:07:08What is it, son?
01:07:09Don't let him hit me again.
01:07:11Please.
01:07:12Don't let him hit me again.
01:07:14What do you mean?
01:07:15Robeson.
01:07:16Robeson?
01:07:18He won't hit you again.
01:07:20He hit me.
01:07:21Robeson did?
01:07:22Yes.
01:07:23When?
01:07:24Just after we left the cabin.
01:07:26After you left my cabin?
01:07:27Yes.
01:07:28Why did he do that?
01:07:29We argued.
01:07:31I threatened to talk about our business.
01:07:34Some deals we had made.
01:07:37He was through with me.
01:07:39He was afraid I knew too much.
01:07:42Don't let him come near me.
01:07:44You'll be all right, son.
01:07:51Hey, that's...
01:07:52That's not bad with one hand.
01:07:54I bet you're pretty good with two.
01:08:01Hey, Ed.
01:08:03Throw some water or something on that guy
01:08:05so we don't have to carry him down to the station.
01:08:07Okay.
01:08:09Now, do you understand where I came back here?
01:08:12Don't rub it in.
01:08:13The minute I heard Conroy was in his house,
01:08:15I felt something was wrong.
01:08:17I understand, honey.
01:08:19Now, wait.
01:08:31That's a good girl.
01:08:40Hey, Logan.
01:08:42Come here.
01:08:47Come here.
01:08:49You better come downstairs with me.
01:08:51I know.
01:08:51But see, I...
01:08:54Come on.
01:08:56Applesauce.
Comments