- 6 days ago
Private Hell 36 is a 1954 American crime film noir directed by Don Siegel starring Ida Lupino, Steve Cochran, Howard Duff, Dean Jagger and Dorothy Malone.
The picture was one of the last feature-length efforts by Filmakers, an independent company created by producer Collier Young and his star and then-wife Ida Lupino.
Plot: In New York, a bank robbery of $300,000 goes unsolved for a year, until some of the marked bills are found in a Los Angeles drugstore theft. Police detectives Cal Bruner (Steve Cochran) and Jack Farnham (Howard Duff) investigate and are led from the drugstore to a nightclub, where singer Lili (Ida Lupino) is another recipient of a stolen bill. With Lili's help, the partners track down the remaining money, but both Lili and Frank are dismayed when Cal decides he wants to keep part of it.
Credits:
Ida Lupino as Lilli Marlowe
Steve Cochran as Cal Bruner
Howard Duff as Jack Farnham
Dean Jagger as Capt. Michaels
Dorothy Malone as Francey Farnham
King Donovan as Evney Serovitch
Dabbs Greer as Sam Marvin
William Boyett as Stimson
Tom Monroe as Patrolman Tom
Richard Deacon as Mr. Mace
James Anderson as Patrolman in Locker Room
Bridget Duff as Bridget Farnham
Kenneth Patterson as Detective Lt. Lubin
Chester Conklin as Murdered Man
Directed by Don Siegel
Screenplay by Collier Young, Ida Lupino
Produced by Collier Young
Cinematography Burnett Guffey
Edited by Stanford Tischler
Music by Leith Stevens
Production company The Filmakers
Distributed by Filmakers Releasing Organization
Release date September 3, 1954
The picture was one of the last feature-length efforts by Filmakers, an independent company created by producer Collier Young and his star and then-wife Ida Lupino.
Plot: In New York, a bank robbery of $300,000 goes unsolved for a year, until some of the marked bills are found in a Los Angeles drugstore theft. Police detectives Cal Bruner (Steve Cochran) and Jack Farnham (Howard Duff) investigate and are led from the drugstore to a nightclub, where singer Lili (Ida Lupino) is another recipient of a stolen bill. With Lili's help, the partners track down the remaining money, but both Lili and Frank are dismayed when Cal decides he wants to keep part of it.
Credits:
Ida Lupino as Lilli Marlowe
Steve Cochran as Cal Bruner
Howard Duff as Jack Farnham
Dean Jagger as Capt. Michaels
Dorothy Malone as Francey Farnham
King Donovan as Evney Serovitch
Dabbs Greer as Sam Marvin
William Boyett as Stimson
Tom Monroe as Patrolman Tom
Richard Deacon as Mr. Mace
James Anderson as Patrolman in Locker Room
Bridget Duff as Bridget Farnham
Kenneth Patterson as Detective Lt. Lubin
Chester Conklin as Murdered Man
Directed by Don Siegel
Screenplay by Collier Young, Ida Lupino
Produced by Collier Young
Cinematography Burnett Guffey
Edited by Stanford Tischler
Music by Leith Stevens
Production company The Filmakers
Distributed by Filmakers Releasing Organization
Release date September 3, 1954
Category
🎥
Short filmTranscript
00:00:00You
00:00:30The crime, murder.
00:00:49The motive, money.
00:00:50$300,000, which never reached the bank's night depository.
00:00:55The place, New York City.
00:00:56The killer and the money vanished to a slick, cold-blooded job.
00:01:03Not until a year later, in the city of Los Angeles, did the case suddenly come alive again.
00:01:11Detective Sergeant Calvin Bruner, working out a robbery detail, Los Angeles Police Department,
00:01:17had checked off duty for the night, was on the way home, when his trained eyes and ears stopped him.
00:01:26He was a homeless man.
00:01:27He came.
00:01:29He came.
00:01:50It's not gonna be my compel.
00:03:53This is a police officer.
00:03:58Come out in the open.
00:03:59Put your hands up.
00:04:00I said come out in the open.
00:04:24All right.
00:04:27Don't shoot.
00:04:28Don't shoot.
00:04:32Drop that gun.
00:04:37Now come over here.
00:04:38Keep your hands up.
00:04:48Keep your hands up.
00:04:48Keep your hands up.
00:05:09Captain.
00:05:39Captain.
00:05:47Robbery division. Farnham speaking.
00:05:51Would you say his name once again, ma'am?
00:05:54Yes, ma'am. We have your husband on a robbery charge.
00:05:57Now, he's not receiving business tonight. Call in tomorrow.
00:06:00What are you doing here?
00:06:03I was on my way home and going by this drug store.
00:06:06I saw this character and a pal of his taking over the joint.
00:06:10Sit down here.
00:06:11How, do you feel all right?
00:06:13Yeah, sure. I never felt better.
00:06:15Take everything out of your pockets and put it on the desk here.
00:06:17I thought you had a date.
00:06:19Huh? No. I thought I did, didn't I?
00:06:21Well, I guess I'm gonna be late.
00:06:24This is one of the guys from the drug store, Lieutenant.
00:06:26The other's on his way to the morgue.
00:06:27All right.
00:06:32The fruits of honest toil, no doubt.
00:06:36Anything wrong with them?
00:06:38Charlie Bowman got it.
00:06:44I don't feel so good.
00:06:45Shut up.
00:06:46Where did it happen?
00:06:47Boyle Heights, a couple of hours ago.
00:06:49Tried to break up a gang fight.
00:06:52Does his wife know about?
00:06:53Yep.
00:06:56I had the pleasure of telling her.
00:06:57That's too bad.
00:06:59Well, give me a doctor, will you?
00:07:01Shut up!
00:07:02I'm glad I got the other creep anyway.
00:07:08Look, uh, why don't you go ahead and wash up?
00:07:12I'll book him.
00:07:13Sure you don't mind?
00:07:14No, go on.
00:07:15Okay.
00:07:16See you in the locker room.
00:07:19All right.
00:07:20Start telling the lieutenant your life story.
00:07:22Look, honest, I got the shakes.
00:07:25Give me a doctor, will you?
00:07:28Never mind, Dad.
00:07:29What's your name?
00:07:31Anthony Surovich.
00:07:34Where do you live?
00:07:35I'm at Transient.
00:07:37Who's your partner?
00:07:39I've driven something like now.
00:07:41You know, some people can remember faces that can't remember names.
00:07:45Sometimes I remember both.
00:07:47It's a gift.
00:07:48The last time you paid us a visit, it was Jake Lamont.
00:07:51Lost some weight since then business bad.
00:07:57My name is Anthony Surovich.
00:08:00Where'd you get the role?
00:08:02Took it off the guy that runs the drug store.
00:08:05Fifty dollars.
00:08:06You know, he's an old money pusher.
00:08:08That could be counterfeit or it might be hot.
00:08:11I'll check it with Stimson.
00:08:13He's all yours.
00:08:17Let's go.
00:08:20Got another way by now.
00:08:22Come on.
00:08:33How do you like that?
00:08:34Look at that.
00:08:35You don't remember when I got this suit.
00:08:36When was it different?
00:08:37Yesterday.
00:08:38That miserable creep.
00:08:40Good thing it didn't go through you.
00:08:43Yeah.
00:08:46I could have been laid out tonight next to Bowman.
00:08:49Hmm.
00:08:50Only yesterday Bowman was telling me that he made his last payment on his car.
00:08:54That's something, isn't it?
00:08:56Ah, stop taking it so hard.
00:08:58He wasn't your brother.
00:08:59Nope.
00:09:01Just a nice guy.
00:09:05Dame I know gets me this stuff wholesale.
00:09:07Old Oak.
00:09:08Not too bad, huh?
00:09:10Stinks.
00:09:13Tell you one thing.
00:09:14I'd rather be Bowman any day than alive and pushing a desk like Lubin.
00:09:17Lubin doesn't catch any slugs where he's sitting.
00:09:20Yeah.
00:09:21It's all in a day's work.
00:09:22Yeah.
00:09:23Sure.
00:09:24Just can't afford to make a mistake.
00:09:26That's right.
00:09:27Bowman probably got a little careless, that's all.
00:09:30Sometimes I wonder what would happen to Francie and the kid if I got a little careless.
00:09:35Uh, knock it off, Jack.
00:09:37I can't afford to lose you.
00:09:39Think you can find time to go to Bowman's funeral?
00:09:41Oh, yeah, sure.
00:09:42Maybe I'll wear my new gray suit.
00:09:43Oh, yes.
00:09:44He'll love that.
00:09:45Sometimes I wonder why we go study.
00:09:46Because I'm irresistible.
00:09:47What am I going to tell Baby this time?
00:09:48Tell her you're sorry, but you had to shoot a man.
00:09:49If she loves you, she'll understand.
00:09:50Bruner.
00:09:51Farnham.
00:09:52See Captain Michaels before you leave.
00:09:53That ties it.
00:09:54I wonder what the old man wants now.
00:09:55Probably wants you to take over his job.
00:09:59Yesterday there was a $50 bill on what they took, all right.
00:10:01You sure about that?
00:10:02Yes, sir.
00:10:03Tom, I think it's his bedtime.
00:10:06I'm sorry.
00:10:07Why?
00:10:08I'm sorry.
00:10:09I'm sorry.
00:10:10You're sorry.
00:10:11I'm sorry.
00:10:12I'm sorry.
00:10:13But you had to shoot a man.
00:10:14If she loves you, she'll understand.
00:10:15Bruner.
00:10:16Farnham.
00:10:17See Captain Michaels before you leave.
00:10:18That ties it.
00:10:19What the old man wants now?
00:10:20Probably wants you to take over his job.
00:10:22I'll just keep the toys here.
00:10:28Now, Mr. Mays, I hate to bother you, but you see, we have to know where you got this $50.
00:10:33Can you remember?
00:10:35Yes, sir.
00:10:36I remember.
00:10:37A customer, a man I'd seen several times before, came in tonight.
00:10:40Tonight?
00:10:41Yes, sir.
00:10:42I was just getting ready to close up.
00:10:44Well, anyway, he seemed to be in some pain.
00:10:47So I filled a couple of doctor's prescriptions for him.
00:10:50Said he had a gallbladder condition.
00:10:53Uh-huh.
00:10:54He's the one that gave you this bill?
00:10:55Oh, yes, sir.
00:10:56I remember because I had a hard time making change for that much.
00:10:59Anything else you remember about him?
00:11:01Of course, with every prescription, there's a name, isn't there?
00:11:04You recall what it was?
00:11:05No, sir.
00:11:06No, I don't recall offhand.
00:11:08But I can check the prescription unless slips.
00:11:11He was grousing about having to go back to work the way he felt.
00:11:15He said he worked at a club, a bartender, the Emerald Club.
00:11:20Emerald Club?
00:11:21Yes, sir.
00:11:22Uh-huh.
00:11:23Do you know where that is?
00:11:25No, sir.
00:11:26Now, Mr. Mays, we have to ask you a funny kind of favor.
00:11:30See, we have to put this bill into evidence.
00:11:33So we'd like to keep it here for a while.
00:11:35Of course, you'll get another one just as good.
00:11:38All right.
00:11:39Yes, sure.
00:11:40I guess it's all right.
00:11:42Fifty dollars is pretty cheap for what you did for me.
00:11:45Oh, we don't charge for this kind of service.
00:11:48So we'll just consider this alone, shall we?
00:11:52Oh.
00:11:53Now, the rest of this you can have back.
00:11:55I think there's a hundred and twenty-three dollars here.
00:11:58Can you get home all right?
00:12:00You got a car?
00:12:01Thanks.
00:12:03I sure owe you a lot.
00:12:05If there's anything else I can do, I...
00:12:06You know, there is something that you can do.
00:12:08I wish you'd go back to your drugstore tonight
00:12:11and get the name on those prescription slips and phone it in.
00:12:14Will you do that?
00:12:15Sure.
00:12:18Could I, uh, have somebody go with me?
00:12:21I think we can arrange that.
00:12:22I'll take care of it, Captain.
00:12:23Okay, fine.
00:12:24We'll get the name.
00:12:25Well, good night.
00:12:26Good night.
00:12:32Boys?
00:12:33Yes, sir?
00:12:34Ruben checked this bill, and as you probably suspect, it's hot.
00:12:38Huh?
00:12:39It belongs to that elevator homicide job in New York.
00:12:41I just talked to him back there, and some of the money, not too much of it,
00:12:45is showing up in Miami, and there's some in, uh, Las Vegas.
00:12:48They want us to follow up here.
00:12:50So?
00:12:51Bruner?
00:12:52Okay.
00:12:53You and Farnham, take this on.
00:12:54See what turns up.
00:12:55Yes, sir.
00:12:56You hold the stakes.
00:12:57Captain.
00:12:58Now go find me a bartender with gallbladder trouble.
00:13:01Good night, Captain.
00:13:02Uh, Bruner?
00:13:03Yes, sir?
00:13:05You took a long chance tonight, and you won.
00:13:09Next time, play it safe, huh?
00:13:11Right.
00:13:12Good night now, boys.
00:13:13Keep in touch.
00:13:14We will.
00:13:15If I never did like sending two policemen into a bar...
00:13:17Jack?
00:13:18What?
00:13:19Sorry for the water.
00:13:20I'm sorry I've got a little bit of a bar.
00:13:21Jack?
00:13:34What?
00:13:35What?
00:13:38I'm sorry for the water.
00:13:40Why?
00:13:41I'm sorry for the water.
00:13:42The water.
00:13:43You're the water.
00:13:44I'm sorry for the water.
00:13:46I'm sorry if I woke you.
00:13:48I wasn't asleep.
00:13:53Honey, what are you doing? Checking up on me?
00:13:56Nothing wrong with the babies.
00:13:58No, she's fine.
00:14:02It's me.
00:14:07I guess I'll never be a very good wife for a policeman.
00:14:10Hey, what's all this about?
00:14:13I heard about Charlie Bowman.
00:14:15Ray's called me.
00:14:20Oh, it's so awful.
00:14:22It could have been you.
00:14:25I tried to get you, but you were out.
00:14:27I just want to be sure you're all right.
00:14:30Of course, I'm all right, Charlie.
00:14:32The odds are a thousand to one in my favor.
00:14:35Those are honest figures.
00:14:37I read them last year.
00:14:39I know I'm being silly.
00:14:41You have so much to worry about.
00:14:44Baby me.
00:14:46The house.
00:14:48Oh, but sometimes I wish you were in some other kind of work.
00:14:51Come on now.
00:14:53Doing what I know how to do.
00:14:55What I've been trained for.
00:14:57And I like it.
00:14:59Except on payday.
00:15:01You know, for the first time, my feet hurt.
00:15:06Think I'm getting old.
00:15:10Jack.
00:15:11Hmm?
00:15:12Sometimes when I'm lying here waiting for you, I get panicky.
00:15:17I wonder what I'd do if you didn't come home.
00:15:18I've never heard you talk like this before.
00:15:19I couldn't stand it if anything happened to you.
00:15:20I know I've got the baby.
00:15:21I do love her.
00:15:22I've had you so much longer.
00:15:23Oh, darling, please.
00:15:24C-c-couldn't you get a transfer to something else?
00:15:25Something's so funny.
00:15:26I've had you so much longer.
00:15:27Oh, darling, please.
00:15:28C-couldn't you get a transfer to something else?
00:15:29Something safer.
00:15:30Don't press her luck.
00:15:31OK.
00:15:32I've had you so much longer.
00:15:34Oh, darling, please.
00:15:41Could, couldn't she get a transfer to something else?
00:15:44Something safer.
00:15:47Don't press her luck.
00:15:51Couldn't you get a transfer to something else?
00:15:53Something safer.
00:15:56Don't press her lock.
00:15:59Darling, everything's gonna work out.
00:16:04I'll think of something.
00:16:15Hey, what's all that?
00:16:18You gotta go to sleep, huh?
00:16:21Dad.
00:16:51Hey, we're not open yet. Not till five. Can't you read?
00:16:58It's all right. We're not drinking.
00:17:01Yep.
00:17:03Your name Marvin?
00:17:06How's your gallbladder?
00:17:08We had a talk with a fellow at the drugstore.
00:17:11You gave the man a $50 bill. Is this it?
00:17:15Well, how would I know? I just gave him 50 bucks.
00:17:18There are quite a few of those in circulation.
00:17:21Not like this one.
00:17:23Where'd you get it?
00:17:25What are you guys getting at? What is this?
00:17:27Ah, mind your bladder, Marvin. Just think back.
00:17:30Where'd you get the 50?
00:17:33Borrowed it. From whom?
00:17:36Someone I know.
00:17:39It's a girl. She works here.
00:17:41At what?
00:17:42Well, she sings songs. She has a hat check concession on the side.
00:17:45Mm-hmm. She always good for a 50?
00:17:47I needed that 50 bucks for the doctor. Tips have been lousy.
00:17:50Sure.
00:17:54Hi, Sam.
00:17:57Who are you fretting? Leftovers from last night?
00:18:00They came in to see me, but they want to see you.
00:18:03Oh, well, I don't blame them.
00:18:05What are you boys doing? Wugging up a chain letter?
00:18:08If you don't mind, miss, we'd like to talk to you in a few minutes.
00:18:11No, no, I'm not supposed to sit with the customers.
00:18:14It's all right. We're not customers.
00:18:16We're police officers.
00:18:20Oh.
00:18:29Right over there.
00:18:30We're fine, miss.
00:18:39We just want to ask a few questions, miss.
00:18:40Like what?
00:18:41Like, for a start, what's your name?
00:18:43Lily Marlow.
00:18:45Hope you'll excuse me, but that sounds a little phony.
00:18:48It is.
00:18:49What's your real name?
00:18:50Oh, you know, it's been so long I can't remember. Isn't that silly?
00:18:55Either of you detectives seen a gold cigarette holder around anyway?
00:18:59Never mind.
00:19:00What's your address?
00:19:02305 Sycamore Avenue, Hollywood.
00:19:07Thanks.
00:19:08This is the 50 you gave the bartender.
00:19:13Yes?
00:19:14Listen, we got work to do around here.
00:19:16Now, you fellas can come back later.
00:19:18Now, Lily, you know better...
00:19:19You're the owner?
00:19:20Yeah.
00:19:21Carry on, Sergeant.
00:19:24I'll be my guest.
00:19:25This won't hurt a bit.
00:19:28Where'd you get the 50?
00:19:30You know, I've seen all this on Dragnet.
00:19:31Save the jokes for the customers.
00:19:33Come on, think.
00:19:35It was a tip.
00:19:3910.95 they said.
00:19:41$50 bill is a pretty big tip.
00:19:45What did you do for it?
00:19:47I just put this down in your little book.
00:19:49Ready?
00:19:50Uh-huh.
00:19:51Not what you're thinking.
00:19:54Okay.
00:19:55How did you get it?
00:19:57I have a lovely voice.
00:19:59I sang smoke hits in your eyes five times.
00:20:02He was loaded.
00:20:03Who?
00:20:04The guy who gave me the 50.
00:20:05Who was he?
00:20:06I don't know.
00:20:07I really don't know.
00:20:08Oh, now, come on.
00:20:10Don't put a blackout on me.
00:20:11Who was he?
00:20:12What was his name?
00:20:13Never saw him before or since.
00:20:15I miss a man like that.
00:20:19All right, what did he look like?
00:20:21I didn't notice.
00:20:22You can do better than that.
00:20:24You know, I don't like this kind of work.
00:20:26He was probably a nice guy.
00:20:28But that wouldn't make any difference to you, would it?
00:20:30If he was a nice guy, he's got nothing to worry about.
00:20:32Now, come on, give.
00:20:34Well, he, uh, was bigger than you.
00:20:37Around 40, dark hair.
00:20:40Mm-hmm.
00:20:41Anything else?
00:20:42Any distinguishing marks, like, uh, scars or molds on his face or body?
00:20:46How should I know?
00:20:50How about his voice?
00:20:52Any accent?
00:20:54No.
00:20:56Anything else you remember about him?
00:20:58No.
00:21:01Nothing.
00:21:04Uh-uh.
00:21:05Uh, thank you very much.
00:21:09You've been a great help.
00:21:10If he comes back to, uh, hear you sing, please contact us, will you?
00:21:14I want to give you something to remember me by.
00:21:17That's all, Mr. Hoswick.
00:21:18Thanks.
00:21:20Now, that's Sergeant Farnum.
00:21:22We'd appreciate your help.
00:21:24Yes, Sergeant.
00:21:25Anything?
00:21:26Anything?
00:21:27No.
00:21:28Miss Marlow doesn't seem to care for police officers.
00:21:31Can't understand why.
00:21:32Oh, just certain cops.
00:21:34Uh, anything else I can do for you gentlemen?
00:21:36You'd like me to sing something?
00:21:37We'd love it, but, uh, we can't afford it.
00:21:45He makes a bad impression at first, but he loves you.
00:21:48Believe me.
00:22:03Uh...
00:22:07What do we look for now?
00:22:09First we look for a haystack, then we look for a needle.
00:22:18What do we look for now?
00:22:33Hello.
00:22:35Don't you think you've given the taxpayers their money's worth for one night?
00:22:39Aren't you going to invite me in?
00:22:41No.
00:22:43Well, at least the Pop's friendly.
00:22:44All right, Murgatroyd.
00:22:49Beat it.
00:22:50Don't be long now.
00:22:56Look, if you've got time to kill,
00:22:58why don't you blow your whistle and arrest somebody?
00:23:01I think you forgot something.
00:23:05I don't know what you had in mind, but I'm gonna take a shower.
00:23:08I'm afraid that'll have to wait a little while.
00:23:15I don't know.
00:23:19Make yourself comfortable.
00:23:21Now, why don't you really try to remember what he looked like?
00:23:24Who?
00:23:26The man who gave you the 50 bucks.
00:23:29How long have you known him?
00:23:32All my life.
00:23:34Ever since I was a little girl,
00:23:36I dreamed of me to drunken slob in a bar who'd give me 50 bucks,
00:23:39and we'd live happily ever after.
00:23:45It's stuffy in here.
00:23:59Do I pass?
00:24:05Detective dear,
00:24:08I'm gonna tell you a little bedtime story.
00:24:11Once upon a time there was a girl,
00:24:14she could have been my twin,
00:24:16who got into trouble in a big city far away.
00:24:20She was framed for something she didn't do.
00:24:23So today she doesn't go in for framing other people.
00:24:28Do you feel the point?
00:24:30At the end of your story?
00:24:32Yeah.
00:24:35Nobody's gonna be framed.
00:24:36Now, why don't you try real hard to remember?
00:24:40See if you can't come up with something good for me to go on.
00:24:43Hmm?
00:24:45You know, withholding information from the police
00:24:48could, uh,
00:24:50get you in all sorts of trouble.
00:24:53I like to keep my job at the club.
00:24:55I get hungry three times a day.
00:24:58You keep eating.
00:25:00Now, come on, think back.
00:25:02Well, all right, he had a mustache.
00:25:03Thin one.
00:25:07When he gave me the 50 bucks,
00:25:08I told him I thought it was a pretty good tip.
00:25:10He said he could afford it
00:25:12because he had a good day at the track.
00:25:15Will you buy that?
00:25:17Yeah, sure, for now.
00:25:19See, you had this set for 12.
00:25:21Let's make it about 8.30, huh?
00:25:23Appreciate it if you came down to police headquarters
00:25:25about, uh, 9.15.
00:25:27Looked over our picture gallery.
00:25:29And, uh,
00:25:32wear something simple.
00:25:41Uh,
00:25:43I'll pick you up myself.
00:25:45You've been grand.
00:25:47I just don't know how to thank you.
00:25:49I bet you do.
00:25:50Come in.
00:25:55Guys, come in.
00:25:56Well,
00:25:59any luck, Miss Marlowe?
00:26:01Mm-mm.
00:26:02She checked all the mug shots in R&I.
00:26:04And?
00:26:05Nothing.
00:26:06Well, that figures, doesn't it?
00:26:08I mean, if he only works in New York,
00:26:09he wouldn't be in our files.
00:26:11Uh, sit down, uh, Miss Marlowe, please.
00:26:13Thanks.
00:26:14You know, I, uh, telegraphed the description
00:26:16that you gave us to New York,
00:26:18and we hope it may help them back there
00:26:20to, uh, come up with some new evidence.
00:26:22I also sent out a special bulletin to stores,
00:26:24the racetrack, and banks,
00:26:26and suggested they put on a special watch.
00:26:29See, you've given us a lead, Miss Marlowe.
00:26:32It's, uh,
00:26:33it's kind of slim,
00:26:35but still something.
00:26:37Bruna tells me you, uh,
00:26:39you'd be willing to help.
00:26:41Oh, well, Bruna tells me I haven't got any choice.
00:26:44Well, that isn't exactly true.
00:26:49However, I think I should explain to you,
00:26:51we're looking for more than money in this case.
00:26:54We're looking for a killer.
00:26:56Now, the man who gave you that $50 bill may be the one.
00:26:59And there's no one, at least that we know of,
00:27:02can identify him for sure, except you.
00:27:05And if we should spot him, he could be dangerous.
00:27:09Of course, you'll have plenty of protection at all times.
00:27:13Uh, thanks, Captain.
00:27:15But you know, I think I'll just sit this one out.
00:27:17You see, I'm no good during the daytime.
00:27:18My eyes hurt.
00:27:20I work nights, you know.
00:27:22So I think I'll just toddle back to bed.
00:27:25Excuse me.
00:27:31Yes?
00:27:32Lubin, Captain.
00:27:34Things are getting hot.
00:27:35I've got a report from Hollywood Park on that New York job.
00:27:39Two 20s and a 50 came in.
00:27:40What's our next move?
00:27:42I'll call you back.
00:27:46Well, Miss Barlow, you, uh, you heard that.
00:27:49Mm-hmm.
00:27:50And?
00:27:52I wish I'd never seen that 50.
00:27:54Well, I'm glad you did, because, you know, let's face it,
00:27:57unless you help us, we don't have much to go on.
00:28:00What about it now?
00:28:01Will you go out to the park with the boys here
00:28:02and take a chance that you might, uh, just see this fella?
00:28:06Mm.
00:28:08Close that, uh, that blind.
00:28:09The sun's right in her eyes.
00:28:11Oh, never mind. Leave him like that.
00:28:12Guess I'd better get used to it.
00:28:14Oh, and you can save that speech about being a good citizen, Captain.
00:28:19Crazy about horses.
00:28:20Crazy about horses.
00:28:50Crazy about horses.
00:28:51Crazy about horses.
00:28:52Crazy about horses,
00:29:18Excuse me, do you have a match?
00:29:31Sure.
00:29:48Sergeant, five days has been enough.
00:29:51I resign.
00:29:52Take it easy, baby.
00:29:53We've got track security men all over the place.
00:29:56The guy wouldn't have a chance.
00:29:58Look, why don't you look around over the $10 window, huh?
00:30:01And stop worrying.
00:30:03Jack and I are watching you too.
00:30:05Bye.
00:30:18Five on eight.
00:30:40Five on number eight.
00:30:48The horses are nearing the starting gate.
00:31:15Number eight, please.
00:31:22Oh, boy.
00:31:27Number eight, please.
00:31:39Well, two more races.
00:31:41Oh, you know, I work nights too.
00:31:44Well, how about me, honey?
00:31:45Don't I come in the club every night?
00:31:47Never leave your sign for a minute.
00:31:49No, he might come back to hear you sing.
00:31:52Mm-hmm.
00:31:53Hello.
00:31:54I'm Looney.
00:31:55I'm Looney.
00:31:56I'm Looney.
00:31:57At the start, they have a lead-up booth breaking on top.
00:31:59Hit and load a second.
00:32:00Root squall start.
00:32:01Greg Zabby is full.
00:32:02Hi, Mr. Reliable.
00:32:04Okay.
00:32:05Even about a trash.
00:32:06It's Greg Zabby drawing out by two and a half links.
00:32:08Hit and load a second by two.
00:32:10Favorite date moving up on the outside.
00:32:12Followed by a roll mount down, Mr. Reliable.
00:32:15In.
00:32:16Did you see those diamonds?
00:32:19Yes, honey, but we're not looking for diamonds.
00:32:22I am.
00:32:24And Winston.
00:32:25Five three-quarters of a link.
00:32:26Favorite date second by a length and a half.
00:32:28Root squall third by a length and a half.
00:32:30And two seconds, finish four.
00:32:32Sucker.
00:32:33The phone response came into the dynamic urging
00:32:34of talking around thieves in the final seat.
00:32:47She must be tired.
00:32:48Yeah.
00:32:49Yeah.
00:32:57It's not a bad name.
00:32:58What kind of talk is that for a married man?
00:33:01Can't stand much more of this steak, huh?
00:33:02What do you mean?
00:33:04You know, there's this much money in the world.
00:33:07Those people throw it around like it was confetti.
00:33:10Yeah, I know what you mean.
00:33:11You know, someday I'm gonna come out here on my own time
00:33:13with a wad of dough and a gal like...
00:33:16Like Lily, maybe?
00:33:17Yeah, maybe.
00:33:18Yeah, maybe.
00:33:19Brancy would like to have you come out of the house on Monday night
00:33:21for dinner.
00:33:22Bring somebody.
00:33:23How about it?
00:33:24Monday?
00:33:25Yeah.
00:33:26Sure, I'd like it.
00:33:27Why don't you ask Lily?
00:33:28Maybe I might just do that.
00:33:29Maybe I might just do that.
00:33:30I want you to know.
00:33:31I could never feel as others do.
00:33:35And even though I may kiss you,
00:33:42I could always let you go.
00:34:11For I've told my heart that I'll never fall in love.
00:34:19Didn't.
00:34:21Oh, didn't you know?
00:34:41Yeah.
00:34:52Ooh.
00:34:53Ooh.
00:34:55Ooh.
00:34:56Ooh.
00:34:58Ooh.
00:35:00Ooh.
00:35:03Ooh.
00:35:05We won the fourth race.
00:35:21Go ahead. Knock off again.
00:35:23Do you good.
00:35:25I'd love to, but if I do, I'll never get up.
00:35:30See, I'd look great turning up to the track in this outfit, wouldn't I?
00:35:35Thanks.
00:35:43Oh, I'm so stiff.
00:35:44Here, here, let me do that.
00:35:46Turn around.
00:35:47Come on.
00:35:52Just relax.
00:35:58Oh, Sergeant, dear, that feels great.
00:36:02Just what I need.
00:36:03Thanks.
00:36:08These last three days, I've learned a lot about you.
00:36:11What?
00:36:13It happens tough as you like people to think you are.
00:36:16Can you guess my age and weight, too?
00:36:18You need somebody to take over, look after you once in a while.
00:36:27Only, you couldn't give in to that, could you?
00:36:31You know, somewhere in my dim past, I seem to have heard this before.
00:36:34I've said it before, to all sizes and all shapes.
00:36:39Only, with you, I mean it.
00:36:45Don't ask me why.
00:36:48All right, I won't.
00:36:51What time is it?
00:36:52What time is it?
00:36:53Uh, 315.
00:36:54Oh, no.
00:37:00You ever been married?
00:37:02Yeah, I tried it once.
00:37:04When I was 18.
00:37:06Well?
00:37:07Why, he's a great guy.
00:37:11Broke.
00:37:12Never sober.
00:37:13One day, he went on the wagon, took a look at me, and thought I was his first wife.
00:37:18Now, I've grown up since then.
00:37:21Crazy about money now.
00:37:22Isn't that awful?
00:37:24No.
00:37:25Of course, I haven't struck gold, but I haven't given up hope, either.
00:37:30There's a man figure in this?
00:37:33Yeah, man figures.
00:37:35If he likes the things I like, and can afford them.
00:37:42Well, I've pulled up lame.
00:37:44Gonna have to let this one go.
00:37:49Yeah.
00:37:50This time, I mean it.
00:38:03Okay.
00:38:22Yeah.
00:38:24Okay.
00:38:2850 showed up after the last race.
00:38:30Somebody bought one ticket, got $40 and change.
00:38:33There was a big rush at the last minute,
00:38:35so I didn't get a chance to check until after the race.
00:38:38Let's, uh, circulate, hmm?
00:38:40Come on, baby.
00:38:41Come on.
00:38:42Come on.
00:38:43Come on.
00:38:44Come on.
00:38:45Come on.
00:38:46Come on.
00:38:47Come on.
00:38:48Come on.
00:38:49Come on.
00:38:50Come on.
00:38:51Come on.
00:38:52Come on.
00:38:53Come on.
00:38:54Come on.
00:38:55Come on.
00:38:56Come on.
00:38:57Come on.
00:38:58All right.
00:39:03Honey.
00:39:04What?
00:39:05Take these and look up there in the stands.
00:39:07See what you see.
00:39:08Over there.
00:39:09All right.
00:39:16You know I'm gonna be a little bit sorry when this case is over?
00:39:19You're getting to be a habit with me.
00:39:20Day and night.
00:39:23See anything?
00:39:25No.
00:39:28You gonna miss me?
00:39:31Right now I'm too tired to know.
00:39:35You kinda liked that diamond bracelet on that old gal yesterday, didn't you?
00:39:39Loved it.
00:39:41Guess I'm gonna have to start saving my money.
00:39:44You do that, hmm?
00:39:45Well, let's mix a little, huh?
00:39:47Well, let's mix a little, huh?
00:39:48All right, huh?
00:39:49All right, huh?
00:39:50All right.
00:42:46Let's go.
00:43:16Let's go.
00:43:46Let's go.
00:43:52What are you doing?
00:44:05Relax.
00:44:06Let's take it easy.
00:44:12Now, get the loose ones back on top.
00:44:16Are you crazy?
00:44:17I'm gonna phone in.
00:44:18Give me that.
00:44:19No.
00:44:20Go on back.
00:44:21It's police officers.
00:44:22Go on.
00:44:23Now, keep their rug clear.
00:44:26Go on back.
00:44:27It's police officers.
00:44:28Go on.
00:44:29Now, keep their rug clear.
00:44:32Go on.
00:44:33Go on.
00:44:34Go on.
00:44:35Go on.
00:44:36Go on.
00:44:38Go on.
00:44:39Go on.
00:44:40Go on.
00:44:41Go on.
00:44:42Go on.
00:44:44Go on.
00:44:45Go on.
00:44:46Go on.
00:44:47Go on.
00:44:48Go on.
00:44:49Go on.
00:44:50Go on.
00:44:51Go on.
00:44:52Go on.
00:44:53Go on.
00:44:54Go on.
00:44:55Go on.
00:44:56Go on.
00:45:26Go on.
00:45:27Go on.
00:45:40We, uh, dragged the body out here.
00:45:42Uh-huh.
00:45:43Sure was a big guy.
00:45:45Mm-hmm. Is this the box?
00:45:57Yes, sir.
00:46:03Is this where it landed?
00:46:04Yeah, just about there, Captain.
00:46:07Did you get a chance to count it?
00:46:08No, no. We were picking the step up all over the canyon here.
00:46:12What time did it happen?
00:46:13About, uh, I guess about $6.15, $30, $40.
00:46:16You've gone over everything in here.
00:46:18What about these bags? You check these?
00:46:21Yes, sir.
00:46:28Well, here you are, Captain.
00:46:30Nothing else, huh?
00:46:32No, that's all.
00:46:33Can we move the body?
00:46:35Go ahead.
00:46:35All right.
00:46:39$600 or $700.
00:46:43This identification's probably forged or stolen.
00:46:46Edgar H. Brown, it says here.
00:46:48Why don't you boys knock off?
00:46:50You put in a good day's work.
00:46:51Fine. Thanks.
00:46:52You want any money at the track?
00:46:54No, we were a little busy.
00:46:56Okay, see you later.
00:46:57Right.
00:46:58Good night.
00:46:58Good night.
00:46:59Good night.
00:46:59Oh, uh, boys, don't forget to thank Miss Marlowe for me.
00:47:09Oh, no.
00:47:09I'll take care of her personally.
00:47:20What'd you do with it?
00:47:21Just keep driving.
00:47:22I'll show you.
00:47:23That's good, because somehow we're going to put it back.
00:47:27Oh, we are.
00:47:29Huh.
00:47:29What do you suggest?
00:47:30Going to Michael's and telling him we overlooked it?
00:47:33We accidentally picked up $80,000?
00:47:36I don't want any part of it.
00:47:38You wanted it as much as I did.
00:47:39It was written all over your face.
00:47:41All right, maybe I did in a way.
00:47:43Who wouldn't?
00:47:44Sure, I thought of what I could do with all that dough.
00:47:46But wanting it and taking it are two different things.
00:47:50Sid, we took it.
00:47:51It just wasn't there.
00:47:54Who's to know how much was there in the first place?
00:47:58Nobody can prove anything.
00:48:00It's marked money, Cal.
00:48:01What are you going to do with it?
00:48:02Use it for wallpaper?
00:48:05I don't know about you, but I know what I'm going to do with my half.
00:48:08Keep it a while, then sell it.
00:48:11Slow down.
00:48:12It's right up there.
00:48:13On the right.
00:48:21Well, that's us over there, the little one.
00:48:29Number 36.
00:48:31Best place I could think of in a hurry.
00:48:35We like to go fishing weekends.
00:48:38The man rents it to us by the month, and for a little extra, he keeps it here for us.
00:48:42It'll do for a while.
00:48:44That's great.
00:48:45What makes you think I'll go along with you?
00:48:50Jack, we're partners.
00:48:52We've got a lot to lose.
00:48:54Especially you.
00:48:55You've got Francie and the kid to think about.
00:48:58Thanks for reminding me.
00:49:01We've both got keys.
00:49:04Number 36.
00:49:05You've done a pretty good job all the way around, haven't you?
00:49:12I think so.
00:49:14Now, when we get together Monday, we'll really have something to celebrate.
00:49:27Jack.
00:49:28I know I sound like an old nag, but please don't drink so much.
00:49:31It's supposed to be a party, isn't it?
00:49:33Of course.
00:49:33We're supposed to be celebrating with great cops we are, isn't that right?
00:49:36Oh, Jack.
00:49:37So we'll eat, drink, and be merry.
00:49:55I'll handle it.
00:49:57I'm needing to fix this leg.
00:50:01Why don't I make the drinks?
00:50:02Just sit down, will you?
00:50:03What's the matter?
00:50:06You two had a lover's spat?
00:50:11Dinner won't be ready for a while.
00:50:13I'm doing something special.
00:50:15I hope you like spaghetti.
00:50:16I do a nice sauce.
00:50:17I know.
00:50:19Or maybe it's too hot for it.
00:50:21Oh, no.
00:50:21I love it.
00:50:24Well, you haven't seen the forums until you've seen Bridget.
00:50:26I'll go bring her out.
00:50:28Leave her where she is, Francie.
00:50:31But it's cooler in the air.
00:50:33Besides, Lily and Cal would like to see her, wouldn't you?
00:50:35Oh, go on.
00:50:36Bring her in.
00:50:37Go ahead.
00:50:39I don't want Bridget in here.
00:50:41I don't want to go.
00:50:41I don't want to go.
00:50:41I don't want to go.
00:50:42I don't want to go.
00:50:46All right.
00:50:48Look, Francie, why don't I go in and see her, huh?
00:50:51Let's go.
00:51:05If you...
00:51:07One ginger ale, one club soda.
00:51:21Is that correct, Sergeant?
00:51:23That's right.
00:51:25What are you waiting for?
00:51:26It's a charge.
00:51:27Oh, I know that.
00:51:28I saw your picture in the paper when you tracked that man down.
00:51:32Chase and all.
00:51:33It was great.
00:51:36Thanks, son.
00:51:37You keep going like this or you're really going to louse things up.
00:51:54You know that, don't you?
00:51:57I can't even look at my own kid anymore.
00:52:00I can't look in the mirror without gagging.
00:52:02Come on, Jack.
00:52:10Snap out of it.
00:52:13Look, leave this whole thing to me, will you?
00:52:16Believe me, it's going to be all right.
00:52:20Well, I tried sleepy time down south on her and she wouldn't go for it.
00:52:24She's a little dull, Jack.
00:52:26Spike this for me, Sergeant.
00:52:27Why don't you go for it?
00:52:27Why don't you go for it?
00:52:27Why don't you go for it?
00:52:28Why don't you go for it?
00:52:29Why don't you go for it?
00:52:30Why don't you go for it?
00:52:31Jack, why don't you give me a hand for the salad?
00:52:32He's great on salads.
00:52:33Yeah.
00:52:34Here you go, Annie.
00:52:35Thanks.
00:52:36Well, you're welcome.
00:52:38You're welcome.
00:52:39Here you go, Annie.
00:52:40Thanks.
00:52:50Cal.
00:52:51What's the matter with Jack tonight?
00:52:55I don't know.
00:52:56Maybe his feet hurt too.
00:53:00Glad you're working tonight.
00:53:02Good night.
00:53:03Why?
00:53:04We'll get on the beach and cool off.
00:53:26Hello?
00:53:27No, no, this is Sunset 25690.
00:53:38Never saw your boy so jumpy.
00:53:43What are you doing, running a bookie joint on the side?
00:53:47No.
00:53:48Nothing that legitimate.
00:53:52Oh, it was great, Francie.
00:54:00Oh, no. I'm stuffed. I can't eat another bite.
00:54:04Oh, it's wonderful. You're beautiful and you can cook.
00:54:07Oh, that's too much.
00:54:08Francie, let me give you a hand with the dishes, huh?
00:54:10No. Oh, thank you, Helen.
00:54:12Jack, you don't know what you're missing. It was good.
00:54:22You know, you got a nice place here, Jack.
00:54:30Well, you will have as soon as all this green stuff goes up.
00:54:35Just like some cheap murder mystery.
00:54:38What do you mean?
00:54:40I planted something else besides flowers there.
00:54:44What are you talking about?
00:54:46I buried a key there.
00:54:48That's the number 36 on it.
00:54:52Some people plant flowers in their backyards.
00:54:55I plant keys.
00:54:59Would you like us to leave?
00:55:04Yeah.
00:55:10I'm going to hold you to that profit.
00:55:12Okay.
00:55:13Or she's smart. Wouldn't let me do a dish.
00:55:15Well, Lily's going to make a new woman of me.
00:55:17Going to get me a new hairdo and...
00:55:19I might even go for a new dress.
00:55:22Don't you listen to Lily. She'll get you into bad habits.
00:55:24Baby, uh, you about ready? It's getting a little late.
00:55:27Yeah, Francie, I forgot I'm a working girl. Got to go.
00:55:29Oh, that's right.
00:55:31And so long, honey.
00:55:33Thanks for the dinner. It was a wonderful dinner.
00:55:35I'm glad you liked it.
00:55:36Will you give me the recipe with that sauce sometime?
00:55:38Uh-huh. Flatterer.
00:55:39Francie, thanks for having me.
00:55:40I'm so glad you came.
00:55:41Night, Jack.
00:55:42Night.
00:55:42Night, Cal.
00:55:43See you tomorrow, Jack.
00:55:44Night.
00:55:44Night.
00:55:45Bye.
00:55:47Bye.
00:55:47Bye.
00:55:47I don't think they had a good time.
00:56:03Oh, I was just kidding about the dress and the hairdo.
00:56:06We'll save that money.
00:56:08Never mind.
00:56:09You spend it on yourself.
00:56:10It's ours, isn't it?
00:56:11We came by it honestly, didn't we?
00:56:15Of course we did.
00:56:17All right.
00:56:19I'm sorry, Francie.
00:56:21I...
00:56:22Hello?
00:56:32Yes, sir.
00:56:37No, he just left here.
00:56:39I don't know where he's going to be.
00:56:43All right.
00:56:43I'll tell him.
00:56:44Maybe I can reach him at home later.
00:56:47Yes, Captain.
00:56:48We'll see you first thing in the morning.
00:56:51Good night.
00:56:58Is anything wrong?
00:57:00No.
00:57:01No, nothing's wrong.
00:57:02You've always told me when something bothered you.
00:57:04Listen, Francie, why don't you get some rest?
00:57:09Maybe I can help.
00:57:24Nice people.
00:57:26Hmm?
00:57:26Francie and Jack.
00:57:28Oh.
00:57:29Too bad, though.
00:57:32What do you mean?
00:57:33Well, people like that not getting along.
00:57:36Hmm.
00:57:38Maybe they're having a little trouble in the dough department.
00:57:41Could be.
00:57:42Guy with house payments to meet, and wife, and kid to look after.
00:57:46He gets a little rough.
00:57:46Figures.
00:57:48Hmm.
00:57:50Jack seemed to have something else on his mind, though.
00:57:53Maybe he did.
00:57:53Maybe you got something on your mind.
00:57:55And what is it?
00:57:56Nothing.
00:57:56I was just thinking.
00:57:59Now I've got to hand it Francie, the way she runs that house and everything.
00:58:03I couldn't do it.
00:58:03Must be something wrong with me.
00:58:05Hmm.
00:58:05Yeah, nothing wrong with you.
00:58:07You wouldn't want to be a cop's wife, would you?
00:58:08No.
00:58:10Rice is for eating, not throwing.
00:58:13That's the way I feel.
00:58:16We're a lot alike, Lily.
00:58:18We won't settle for just anything.
00:58:19We want the best.
00:58:21And you know what?
00:58:22We're going to get it.
00:58:25Yeah, that's why I'm putting the show on the road.
00:58:27What do you mean?
00:58:40I thought I'd try Las Vegas for a while.
00:58:42It's quite a spot.
00:58:43You ever been there?
00:58:44Nope.
00:58:46I thought with all that loot floating around,
00:58:48there ought to be a way of getting some of it for little me.
00:58:51Don't you think?
00:58:53Yeah.
00:58:53Yeah, sure.
00:58:55Uh, who's going to get it?
00:58:57Oh, that's a silly question, isn't it?
00:59:00I don't like that.
00:59:01So you don't like it.
00:59:04Lily, if it's money that's troubling you,
00:59:07maybe I can afford you.
00:59:09How does that sound?
00:59:10Like a pretty cold proposition.
00:59:12Thanks, I'll make it under my own steam.
00:59:14Yeah, I bet you will.
00:59:16You should be a smash with that voice of yours.
00:59:19That's what you had in mind, isn't it?
00:59:20Singing.
00:59:20Shut up.
00:59:21What I do is none of your business.
00:59:24It has been.
00:59:26You dirty little cop.
00:59:28What's to keep me here?
00:59:30Me?
00:59:30That's a laugh.
00:59:31I was getting along fine until I met you.
00:59:34Sure, I was broke.
00:59:35I still am.
00:59:37But I didn't have to answer to anybody,
00:59:38and that's the way I like it.
00:59:39Oh, that's the way you like it, is it?
00:59:41That's why you're running out, huh?
00:59:43Uh-oh.
00:59:43You're stuck for me.
00:59:44That's why you're running out.
00:59:45Same as I am for you.
00:59:47Isn't that right?
00:59:47Leave me alone, will you?
00:59:49Answer me.
00:59:49Leave me alone.
00:59:50Isn't that right?
00:59:51I don't know.
00:59:59Isn't that right?
01:00:09Brunner and Farnham are outside, sir.
01:00:13Are you sure about the fingerprints on those suitcases?
01:00:16I'm positive.
01:00:18It's funny, because hearing Brunner's and Farnham's report...
01:00:23Uh, thanks, uh, Stimson.
01:00:27Tell him to come on in.
01:00:28Right, sir.
01:00:31Captain will see you now.
01:00:37Hello, boys.
01:00:38Captain.
01:00:39Captain.
01:00:39Sit down.
01:00:42I was, uh, I was just looking over your report here.
01:00:47Checked all contents of car.
01:00:51You told me that you, uh, checked those suitcases, didn't you?
01:00:55Yes, sir.
01:00:56Uh-huh.
01:00:56And you report here that you did.
01:00:59That's right.
01:01:02Now, I can't figure out how you could do it.
01:01:05Do what, sir?
01:01:06Well, how you could check those bags without leaving any fingerprints?
01:01:10Because your prints were everywhere else around the place, except on those two suitcases.
01:01:14It was just the dead man's.
01:01:15Well, you know, Jack probably figured that, that he had, you know, all the excitement and everything.
01:01:21So it was a mistake, huh?
01:01:23Pretty careless one, don't you think?
01:01:27Those bags might have, uh, been important clues in this case.
01:01:30That's, uh, that's no way to slough off possible evidence.
01:01:34I'm sorry, Captain.
01:01:35Won't happen again, sir.
01:01:38By the way, there was, uh, there was almost $200,000 in that box.
01:01:43Yeah, we read that in the newspaper.
01:01:47That leaves around, uh, $100,000 that's still missing.
01:01:52We know some of it was passed, and probably some of it was sold in the hot money market, but not that much.
01:01:58Mr. Bonding Company will undoubtedly send out a special investigator.
01:02:03You'll want to talk to both of you and ask you a few questions.
01:02:07Oh, sure.
01:02:07Anytime.
01:02:08Uh, is it, uh, is that all, sir?
01:02:17That's all.
01:02:17Thanks, boys.
01:02:18Yes?
01:02:30Yes?
01:02:30Mr. Stimson, uh, will you have, uh, somebody bring up those two suitcases?
01:02:35Yes, sir.
01:02:40Want a cup of coffee, Jack?
01:02:42It's hot.
01:02:43No.
01:02:44Didn't your mommy ever teach you to say no, thank you?
01:02:51How does it feel to have your hands on that kind of money?
01:02:54I didn't feel anything.
01:02:56I hear there's a lot that hasn't turned up.
01:02:59Now, if you'd, uh, like to make a small investment, Jack, I know a guy who's drilling an oil well near Segundo.
01:03:05There's a grand or two still open.
01:03:08Jack!
01:03:09What's with you?
01:03:13You're looking to start something?
01:03:15What's the matter with you guys?
01:03:17Can't you take a joke?
01:03:20I don't like the joke.
01:03:22You all right?
01:03:23Yeah.
01:03:24Your boyfriend a little over-trained.
01:03:34Sergeants Bruner and Farnham, report to Captain Michael's office.
01:03:38Bruner and Farnham, Captain Michael's office.
01:03:51You, uh, you wanted to see us, Captain?
01:03:53Yes, boys.
01:03:59I want you to take a look at the clothes in these suitcases.
01:04:03This coat here at Farnham, slip yours off.
01:04:05Try it on.
01:04:06Are you serious?
01:04:07I want to show you something.
01:04:09All right, sir.
01:04:12Because you're a pretty big fella.
01:04:19A little snug, isn't it?
01:04:20It certainly is.
01:04:23What's all this, sir?
01:04:25Well, the driver of that car was bigger than you.
01:04:28Wasn't he?
01:04:29Yeah.
01:04:29Mr. Cinch, you couldn't have worn this coat.
01:04:31So you must have had a partner.
01:04:35Maybe that's where the rest of the money is.
01:04:37I wonder where they were going to meet.
01:04:39No labels here, of course.
01:04:44It's a pretty well-tailored coat.
01:04:46We'll check all these clothes.
01:04:47Maybe the stitching will give us something.
01:04:56Yes?
01:04:57Oh, that's all right.
01:04:58Go ahead.
01:05:00Uh-huh.
01:05:00Farnham?
01:05:07Well, send him home.
01:05:08I'll have Lubin find a replacement.
01:05:14Police surgeon down Georgia Street.
01:05:16When you tell me you were a fighter,
01:05:17we could use you at the police benefits.
01:05:20It wasn't anything, Captain.
01:05:22Well, we were just horsing around in the locker room.
01:05:24Not quite the way I heard it.
01:05:27Well, let's forget it.
01:05:29That's all, boys.
01:05:42I got down for four.
01:05:44Yeah.
01:05:46These are four, ten, sixty, eighteen.
01:05:49And in spades.
01:05:50Sergeant, dear, that's another game.
01:05:52And you know something?
01:05:53You owe me twenty bucks.
01:05:55Nobody could be this bad.
01:05:56You're not trying.
01:05:57Sure I am, honey.
01:05:58And you're not very bright.
01:06:00Can't keep my mind on the game tonight.
01:06:03Come on.
01:06:04Give me the twenty.
01:06:05We're only three customers in the Emerald Club tonight.
01:06:07Very bad for the purse.
01:06:09There you are.
01:06:10Plenty more where that came from.
01:06:12Go ahead.
01:06:20Good deal.
01:06:22I saw your picture in the paper.
01:06:32Smart cops, you boys.
01:06:34But not too smart.
01:06:38Who is this?
01:06:39Never mind the details.
01:06:40That money belongs to me.
01:06:42You're going to give it up or I'll have to tell the teacher all about it.
01:06:46Who is this?
01:06:47Don't waste my time, Bruner.
01:06:48I know how much was in that box.
01:06:52I'll let you know where and when.
01:06:54I'll let you know where and when.
01:06:55I'll let you know where and when.
01:06:56I'll let you know where and when.
01:06:57I'll let you know where and when.
01:06:58I'll let you know where and when.
01:06:59I'll let you know where and when.
01:07:00I'll let you know where and when.
01:07:01I'll let you know where and when.
01:07:02I'll let you know where and when.
01:07:03I'll let you know where and when.
01:07:04I'll let you know where and when.
01:07:05What's that for?
01:07:26That's for goodnight.
01:07:27They want me down at Central.
01:07:29Michaels?
01:07:30Mm-hmm.
01:07:31Here you go.
01:07:32Sorry to break it up.
01:07:35Well, too bad.
01:07:37First time I ever lost a man to a man.
01:07:40Well, it was fun while it lasted.
01:07:43You and I are going to last a lot longer than you think.
01:07:47Come on.
01:07:48Drive you home.
01:08:05Is Jack there?
01:08:07Oh, Cal.
01:08:10Where is he?
01:08:11What's wrong?
01:08:12He's in trouble.
01:08:13I know he is.
01:08:15I heard him take the car out about an hour ago.
01:08:18About two o'clock.
01:08:19I tried to stop him, but...
01:08:19I tried to stop him, but...
01:08:20Oh, my God.
01:08:21Oh, my God.
01:08:22What's wrong?
01:08:23Oh, Cal.
01:08:24Where is he?
01:08:25What's wrong?
01:08:26He's in trouble.
01:08:27I know he is.
01:08:28I heard him take the car out about an hour ago.
01:08:29About two o'clock.
01:08:30I tried to stop him, but...
01:08:31Oh, my God.
01:08:32Oh, my God.
01:08:33Oh, my God.
01:08:34Oh, my God.
01:08:35Oh, my God.
01:08:36Oh, my God.
01:08:37Oh, my God.
01:08:38Oh, my God.
01:08:39Oh, my God.
01:08:40Oh, my God.
01:08:41Oh, my God.
01:08:42Oh, my God.
01:08:43Uh, my God.
01:08:45Oh, my God.
01:08:58Been out riding?
01:09:06Francie was worried about you, Jack.
01:09:08Frankly, I was, too.
01:09:09What have we been doing?
01:09:11Checking up on our investment?
01:09:13What do you want?
01:09:15Who's still there?
01:09:16I don't know.
01:09:18Somebody was tailing me.
01:09:19Sure, somebody was tailing you.
01:09:22You know who?
01:09:23The guy whose coat you didn't fit.
01:09:27I, uh, I got a phone call tonight.
01:09:30You know, we've got a partner in this deal now.
01:09:33He'd like to meet us with the money.
01:09:36When?
01:09:38He said he'd let me know.
01:09:41You, uh...
01:09:43You weren't trying to cross me up tonight, were you, Jack?
01:09:48Cal, I...
01:09:48Jack, is that you?
01:09:54I'll meet you at Russo's in an hour.
01:09:57Okay.
01:09:58You've got a deal.
01:10:13Hiya, Murgatroyd.
01:10:15Come on, Murgatroyd.
01:10:24Who is it?
01:10:26Me.
01:10:27Oh.
01:10:34Lily.
01:10:35Hmm?
01:10:36Uh, I gotta talk to you.
01:10:38Oh, honey, I'm beat.
01:10:40Not now, later.
01:10:41Not later, now.
01:10:42Cal.
01:10:45Oh.
01:10:47Baby.
01:10:48Hmm?
01:10:48How would you like to go to Acapulco?
01:10:52Someplace like that.
01:10:54Well, this was worth waking up for.
01:10:58Oh, I haven't got the clothes for it.
01:11:01We can buy clothes down there.
01:11:03Yeah, and that $200 you loaned me will help.
01:11:06It wasn't a loan.
01:11:08Oh?
01:11:08Well, since when can cops go around
01:11:11passing out money like that?
01:11:13Cal.
01:11:14Yeah?
01:11:17When did your rich uncle die?
01:11:20Tonight.
01:11:22That's too bad.
01:11:23I'm sorry.
01:11:25You must have done him a big favor once, huh?
01:11:28Yeah, I did.
01:11:29I've heard of smart cops doing favors once in a while.
01:11:34But you know something, I don't blame them.
01:11:35After all, look at the risk they take for us taxpayers.
01:11:41Nellie, I want you.
01:11:43I've never wanted anything like I want you.
01:11:46Maybe we...
01:11:48Maybe we could even get married down there.
01:11:51I've always wanted to go to Mexico.
01:11:54Crazy about hot food.
01:12:05Hello?
01:12:08Yes, he's here.
01:12:09Who is it?
01:12:10It's Jack.
01:12:11He sounds funny.
01:12:12What do you want?
01:12:14Keep your shirt on.
01:12:15I'll be there.
01:12:17We're supposed to be on duty.
01:12:18I just took off for a little while.
01:12:21Can you leave tomorrow?
01:12:24Sure.
01:12:25Okay, I'll, uh...
01:12:27I'll call you later.
01:12:32Cal.
01:12:32Tell me something.
01:12:36What?
01:12:37Did Jack's rich uncle die tonight, too?
01:12:41No.
01:12:49Cal.
01:12:53Cal.
01:12:55What?
01:12:57I've changed my mind.
01:12:58I've changed my mind.
01:13:02What are you talking about?
01:13:05Look.
01:13:07Maybe I don't need that diamond bracelet.
01:13:10I'm kind of used to having you around.
01:13:12I don't want anything to spoil that.
01:13:15Nothing's going to spoil it, baby.
01:13:16Yeah, but maybe we really don't need these things.
01:13:20That's what you say today.
01:13:21But tomorrow you'll see something in the window.
01:13:23Something with a price tag on it.
01:13:25A big price tag.
01:13:26And you'll want it.
01:13:27And even if you don't, I will.
01:13:29And we're going to have those things.
01:13:31All right, have it your way.
01:13:35Take care.
01:14:01Give me a cup of coffee, honey, will you?
01:14:21Like?
01:14:22What took you so long?
01:14:24It's a very.
01:14:26I've got some news for you.
01:14:28Yeah?
01:14:28Well, we're not going to give the money to that hood.
01:14:36Well, now you're talking sense.
01:14:37We're going to turn it over to Michael's in the morning.
01:14:41Oh, we're going to turn it over to Michael's, huh?
01:14:44And what are you going to do for another job,
01:14:46if and when you get out?
01:14:47I don't know.
01:14:48But I'm not going on like this.
01:14:50I...
01:14:51Oh, hi, buddy.
01:14:52I thought you wanted to do so much for Francie and the kid.
01:15:01Not this way.
01:15:03Jack, will you believe me?
01:15:04I know what I'm doing about this money.
01:15:06We take it down to Mexico and sell it.
01:15:08So will you.
01:15:08Take a beating on it.
01:15:10But there'll be plenty left for both of us.
01:15:12Is she getting a little bit ahead of yourself?
01:15:14What do you mean?
01:15:16What about our partner?
01:15:19What about our partner?
01:15:20When he calls, we'll keep the appointment with him.
01:15:27He'll shoot in self-defense.
01:15:29Might even get a big promotion for him.
01:15:32Now we murder.
01:15:34You're sick, Cal.
01:15:36Should have known that a long time ago.
01:15:39You don't care about anything or anybody.
01:15:41You're sick.
01:15:43Coming from you, Jack, that hurts.
01:15:45We're no better than that hop-head money pusher you dragged in.
01:15:48Maybe even worse.
01:15:50He's got an expensive habit to support.
01:15:52That's his excuse.
01:15:53But what's ours?
01:15:54A couple of sticky-fingered cops.
01:15:57Thieves.
01:16:01So?
01:16:04So we're going to come clean.
01:16:05We're going to turn that money in before it's too late.
01:16:08We both got good records.
01:16:10Maybe they won't be too hard on us.
01:16:11I don't know.
01:16:12But we're going to come clean.
01:16:13Is that the way you want it?
01:16:22That's the way it's going to be.
01:16:23Okay.
01:16:28Okay.
01:16:31Well, what are we waiting for?
01:16:36Come on.
01:16:37Call it.
01:16:40Heads.
01:16:42You lose.
01:16:43We're going to go.
01:17:14It's under the cushion in the sack.
01:17:44So you were going to run out on me.
01:18:06Drop that sack.
01:18:08Come on, Cal.
01:18:09I'm not running out on you.
01:18:11Shoot!
01:18:36That's right over here.
01:18:42That's good.
01:18:43A little more.
01:18:44A little more.
01:18:45Right up against the trailer.
01:18:46That's it.
01:18:47Let's see now.
01:18:49Captain.
01:18:51You're going to be all right, Farnham.
01:18:56You're lucky.
01:18:59Where's Bronner?
01:19:01Dead.
01:19:06He's better off.
01:19:08Captain.
01:19:09Georgia Street's on the way.
01:19:10Can I help?
01:19:12You can pick up all this money that Farnham found.
01:19:17That's the voice.
01:19:20That's the other guy.
01:19:22No, Farnham.
01:19:24No.
01:19:25He's one of our men.
01:19:30There never was anybody else.
01:19:44A policeman, unlike most men, lives close to evil and violence.
01:19:49He can, like all men, make his own private hell.
01:19:52The good pass through it with minor birds.
01:19:55The evil stumble and fall.
01:19:57And die in strange places.
01:20:19Jews kill that fire in many foundations.
01:20:25Have to unfortunately.
01:20:27Do you need a group of people moving towards better?
01:20:30Let's there's some single service.
01:20:32I verloren.
01:20:33Come on.
01:20:34You did cars.
01:20:35Let's see.
01:20:36Whenever everybody is wearing it.
01:20:39Become one of our people.
01:20:42We can just wait for the pictures of the corridor.
01:20:44So
01:20:46I'm sorry.
01:20:47Look how that was in danger.
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