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00:27The Bible
00:30Yes, yes, yes
00:32Well, goodbye
00:35You were great, Pepe
00:38Another fantastic business that my partners have proposed to me.
00:41Yes, like this one about collecting messages by phone
00:44Well, what needs to be done is to optimize it.
00:49What did you say?
00:52Optimize it, make it better
00:53Look, Pepe, I don't care that you have all the money you earned from the dismissal
00:58But at least don't make a fool of yourself.
01:01Don't think I'm ridiculing myself by saying that.
01:03The phone business is booming.
01:05And if not, let the children confirm it.
01:07I can confirm it, Father.
01:09Go on, Clarita, pick up the phone
01:12No, you take it
01:13I can't, I'm the company director
01:15Well, then let the child take it.
01:22Aragon Pensajery?
01:23Yes, yes
01:24He is the private detective's confidant
01:29That Tomás's wife will be at the burger place tonight
01:32With the dear
01:34Good
01:35Very good, son
01:37Well, you don't write it down.
01:39There's no need, I remember everything.
01:41That's how the business will never do well.
01:43Nor the other way either, Pepe
01:46For only 100,000 pesetas
01:47My partners have achieved
01:49The exclusive television sales platform
01:51From a cookware set that doesn't need fire
01:55Yes, and nothing sticks.
01:57The bomb!
01:58Like magnetized water, right?
01:59Well, that was because the plane passed through some magnetic fields.
02:04You were bound to pass through some magnetic fields, Pepe
02:07Well, and now we're after the exclusive rights to the merchandising
02:11For the winter games, for the mascot
02:15Hey, is my jacket ironed?
02:18Oh yes!
02:19Okay, I'm leaving.
02:21Before Ignacio comes
02:23Are you two at each other's throats again?
02:25No, Mom
02:26Dogs aren't on top of cats all day long
02:31Jorge, the phone
02:32Now it's your turn
02:39Aragón Courier Service, how can I help you?
02:42Hello, Juli Bonita
02:45Romance at first sight?
02:47Daughter, has something happened?
02:50Tonight, do you think?
02:51So, how's it going? Who is he?
02:53A normal guy, what a pleasure.
02:55Nothing complicated
02:58Oh, from outside the cinema, my dear, how wonderful!
03:01Yes, beautiful.
03:02You do everything I tell you.
03:04You'll see how this works for you.
03:06God, reign
03:09Okay, okay
03:10Wish me luck
03:12You don't need it.
03:15No, you don't need it.
03:17No, no, no, no, no
03:17Okay, no, no, no
03:17What are you going to kill?
03:22Those
04:07But listen, this is wrong.
04:09How can four beers and some onion rings cost five thousand?
04:13Well, you should have looked at the letter.
04:15Let the manager come.
04:16Mom, come here, this gentleman doesn't want to pay.
04:21Hey, what's going on?
04:23What is this bill for five thousand pesetas for four beers and some rings?
04:30Do you know how much beer costs?
04:32No.
04:33No?
04:34No.
04:35Well, eight hundred each.
04:37And the onion rings, four thousand pesetas.
04:40Okay, so here we are.
04:42Here are the five thousand pesetas.
04:45Wow!
04:46That's great.
04:47Thank you.
04:48Good night.
04:50Good evening, huh?
04:51Wow!
04:52From another day, will things still be alright?
04:53Bye bye.
04:57Honey, let this be the last time you charge whatever you want, okay?
05:00Being in a bad mood is not a reason.
05:03Well, look at you, you're no use to anyone when they don't like you.
05:06I'm of no use to you if you're rude or gossip, right?
05:10Because they hiss at the animals.
05:13And what about Tito?
05:14How are you?
05:16Worse than Dad, huh?
05:17She talks like she's forty years old.
05:20If she's forty years old, girl.
05:22Since he has experienced everything before me, he explains it to me.
05:26And it's so boring to live like this, Mom.
05:29Why did you fall in love, daughter?
05:32I don't know.
05:33It can't withstand anything else.
05:35By the fourth beer, wow!
05:36Time for bed.
05:38It's a disaster.
05:40So what are you going to do?
05:44Well, look, I had thought about going to England to study English.
05:48Okay, but you'll have to pay for it yourself.
05:51But I had also thought, Mommy, that you'd leave me fifteen thousand pesetas
05:57and I have the rest.
05:59No.
06:01Because?
06:02Why not?
06:03Because I'm doing it for your own good, Mari.
06:06So that you learn to value money.
06:09This machine doesn't dispense coffee.
06:11If it has to be put first.
06:14Oh, and the best part of all, right, Mom?
06:17What is it that's making me so fed up?
06:19He came to me the other day and said
06:21He's sold the apartment, huh?
06:24And that he's bought a Ruló and that we're going to live in the Ruló.
06:27And I told him it was Ruló, or me.
06:29And tell him to call me, okay?
06:30Otherwise I'm going back home.
06:32That's great.
06:35Mom, don't you understand what I'm saying?
06:38Yes, daughter.
06:40Well, that's it.
06:41Either Ruló, or me.
06:43What do you think?
06:45Because look, Mom, huh?
06:46Although I am very young,
06:47What I'm not willing to do is be there all day
06:49Listening to nonsense about White Island and I don't know what.
06:54That?
06:54I'm going home now, okay?
06:56Pili stays behind to do the box.
06:58Well.
06:59Okay, I'll have my coffee and head over there.
07:02That's it, Pili.
07:04What's more, I mean,
07:05He won't let me pick up the records unless I'm wearing gloves.
07:08Well, it's made me learn
07:10the names of all the guitarists from the 60s.
07:13Well, I already know the ones about the tenjes aftes
07:16And now it's time for the Jazz Bears
07:19in the different formations.
07:30Chick,
07:32They're unloading a truck out there
07:34And one of the most absurd things, huh?
07:36But they are more absurd than one can imagine.
07:42Is this Mr. Romero's address?
07:44Bird on a wire import?
07:46Well yes.
07:50The cookware sets have arrived
07:53And they've also sent me some other perks.
07:55to implement business synergy.
07:58Oh, Pepe!
08:00Dad, son.
08:01Pepe, I don't know if I'll be able to stay for lunch today.
08:03because we have a meeting with the people from Marchandasil.
08:05Ah, very good.
08:06Yes, it's a very difficult operation
08:08But I have some partners with very good contacts.
08:11Yeah.
08:12And when I say very good contacts
08:14I mean high-level contacts.
08:16Not that they're friends of the woman, those things, no.
08:18I don't know if you understood me correctly.
08:20Shh!
08:27Is this message from Aragon, tell me?
08:29Yes, hello, Ignacio, son.
08:32For you, Clary.
08:34No, no, no.
08:34I don't want to talk to him.
08:36I don't want to talk to you.
08:38You say it's just a matter of time before you get started.
08:40Tell him to grope someone else.
08:41Go grope someone else.
08:43Pepe.
08:44You tell him?
08:45He says he's very affectionate, that he loves you very much.
08:48But Mom, look, if she gives me the shirts, then yes
08:50And the holes in the belts, Mom,
08:52They enlarge when I try to unbutton it.
08:54Today she's crooked, son.
08:56No, handsome.
08:57You tell him that.
08:58Come on, come on, get on it!
09:01Ignacio, I've told you a thousand times that I don't want you to call me today, tomorrow, or ever.
09:05But how else can I put it?
09:08Hey Clarita, baby, you can't go on like this, okay?
09:10But Mom, it's like a leech, I don't know how to get rid of it anymore.
09:14And where are you going?
09:16But Pepa.
09:17Neither Pepa nor anything else.
09:18Not even one of these packages in the kitchen, huh?
09:19Anything that doesn't fit here, the truck driver can take it to the yard.
09:23But how?
09:23But the animals are going to destroy us in the yard.
09:26Yes, that's what all this crap is good for.
09:29I forbid you from calling my investments garbage.
09:33Well.
09:34Come here, Clarita.
09:36Leave it, Clarita.
09:37Let's get this straight, babe.
09:39What's wrong with you now?
09:40Let's see.
09:42Mom, have you done the shopping?
09:44I do.
09:45But I hadn't told you I was going to...
09:47Wait, I'm talking to your sister.
09:50She's finally pregnant with Ignacio's child.
09:54Let's see.
09:56Go ahead, daughter, Clarita.
09:58Well, look, let me tell you.
10:00We have a teacher who has assigned us a task.
10:02And the little job is...
10:03The little project is about love.
10:05Then he takes Ignacio, goes to the blackboard and draws an aunt with my face.
10:09Well, that's great.
10:10And?
10:11Do you know how ridiculous I've made myself?
10:13Daughter, well I don't see why, because I'm sure Ignacio did it with the best intentions.
10:18Already.
10:19But the aunt was naked.
10:24Look, Mom, I just can't take it anymore.
10:26What I wanted to tell you, Mom, is that that idiot Tito is going to buy a curler and he wants
10:31that I go live with him.
10:33Hello, Pepa.
10:35Hello.
10:36Hey, fatty?
10:38Hey, how's Clarita? My niece, right?
10:41This is another one just like it.
10:43Go on, go drink.
10:44Pepa, we bought a roller.
10:47You have bought it.
10:49You have the same temper as you.
10:51But you see, Mom, all the time.
10:53Today I remind myself of someone or compare myself to someone.
10:56But, darling, I'm much older than you.
10:59I remember when I lived on the street...
11:01You? How are you, Pepe?
11:03Penomenon!
11:04I bought a roller.
11:06Did you buy a roller?
11:07Yes, I have it out here, come and see it.
11:09No, look, girl.
11:10Now I'm investing in this, huh?
11:12What do you think?
11:14Because to be an entrepreneur you have to invest, which is what the workers don't understand.
11:19My partners are going to start investing with me in a paella delivery business, with all the water included.
11:24the days since I sang to him on the plane.
11:26Let's get on the farfu's head.
11:28Hey...
11:28Well, but Spanish food.
11:30That's a brilliant idea.
11:31Don't you think so, Mari?
11:32Well no.
11:33Oh, my chubby girl.
11:35Are you fat?
11:37Well, both of them.
11:38Come.
11:43Give him this.
11:45Go to the fair.
11:53To rest one's buttocks in clothing early in the morning.
11:55Dizziness.
11:56DIZZINESS.
12:00Dizziness!
12:12Hello, Peppa.
12:15Annoying!
12:16You were sleeping.
12:19No way?
12:20I was thinking.
12:22I was out shopping.
12:24And I bought you these sunglasses.
12:28And this cabbage.
12:31Hello, Pepito.
12:32Well, thank you very much, Julia.
12:36That?
12:36Has it returned to you now?
12:38And we stayed.
12:40But in the end he didn't come.
12:42That I had to go to a friend's wedding.
12:45Ah.
12:47And what does he do for a living?
12:49Truffles.
12:50And a pastry shop.
12:51And she makes truffles.
12:52Oh, I brought you some truffles.
12:54Oh, I almost forgot.
12:56Hey, well, ask them about making toasted creams.
12:59Ah, like the ones we used to take in series.
13:02How nice.
13:04And the meringue milk.
13:06Do you remember?
13:08As if I were seeing it.
13:10The whole shop was painted green.
13:13And the ladies with their aprons on.
13:15And our mothers who took us.
13:18Okay, girls, be careful, don't get your outfits dirty.
13:22I'm going to make coffee.
13:27Oh, Pepito, let's see.
13:30The other day I spoke with a friend in production who knows the pastry chef.
13:34Because she makes fantasy cakes for the movies.
13:37Since you don't know what he's telling me.
13:39That?
13:40Well, I tell him that he had given me some truffles.
13:43Yeah.
13:44And she tells me.
13:45Well, it was one of the ones she had left over from mine.
13:48Isn't that right, people?
13:51Oh, people are so mean.
13:52And a big liar.
13:54He definitely didn't sleep with her.
13:56And what is the purpose of doing it?
13:57To cause harm.
13:58And I'm going through one of the worst emotional periods of my life.
14:02Well, don't exaggerate, Juli.
14:05Give it to me, Pepito.
14:06Oh.
14:10Living alone is really difficult.
14:14Won't you come home?
14:17I spend my life in this house.
14:18And I'm nothing but a nuisance.
14:20Don't say that, Julia.
14:23Hey, and don't drink.
14:26Why is it that no one I've worked with ever calls me back?
14:30Why is that?
14:32It's a coincidence.
14:35Is that why boyfriends never call me again?
14:38That's because they're pigs.
14:45Pepa.
14:47That?
14:48That's just how I am.
14:51Oh!
14:52Oh, what a mom I have!
14:54Oh, what a mom I have!
14:55Look.
14:56But I'm almost 40 years old, almost.
15:00And I haven't done anything useful in this life.
15:04Well.
15:06Except for this beauty, eh?
15:09Come on, don't start again, Juli.
15:12Well, what I wanted to do was something useful, something useful.
15:21Well, Julia, of course.
15:23So I'm not always so sad.
15:34I'm fed up already, huh?
15:36Packing and unpacking suitcases.
15:38But seriously, what's wrong with you?
15:40Well, it always happens to me that it's the same.
15:42It was great at first, but then I got bored.
15:44And what about you?
15:46I?
15:47I've been bored from the start.
15:50Already.
15:50Well, the thing is, I had hopes for Tito.
15:54Well, it lasted until the end of the diary.
15:55Because I had him very idealized.
15:57My dad always talks to me about him.
16:00Being with Tito, well, it's like living in the 60s.
16:03And it's very boring.
16:05By Tito.
16:07And also...
16:08He won't realize it, but everything he says is a lie.
16:11Ah, so it's like you then.
16:14But I'm 18 years old.
16:16And what about that fool Ignacio?
16:18Ugh, well, ever since he tried the malocotón, he just wants more of the same.
16:23And look, I've got him under control, you know?
16:25But sometimes...
16:29What, what?
16:30Are you with him because you don't have anyone else?
16:33Look, Maria, I have it temporarily.
16:36And if something better comes along, well, we'll see.
16:39Already.
16:40You don't even believe it yourself.
16:42Because daughter, when Ignacio leaves, well, it's time to cry.
16:47Well, that's because something's wrong with me.
16:50You, Maria, know that I have a very loose tap.
16:52When I was little and I saw a dead animal, I would start to cry.
16:56Or don't you remember?
16:58Oh, yes.
17:02Hey, do you remember when you used to pull down Dad's swimsuit?
17:07What kind of whistle does he have?
17:10Well, look, the thing is that Tito isn't bad at that.
17:14But the rest...
17:20I wish I were 14 again.
17:23When I fell in love with boys and wrote them little letters on colored paper.
17:28And then he would put sequins inside them.
17:33That's the best time.
17:36Oh, yes, daughter, yes.
17:40But we're getting older.
17:43Yeah.
17:46Well, look, at school they've given us an essay to write about love.
17:50And since I don't know what to put, I copied a poem so that he appears in it; I did it myself.
17:57Yeah, and the teacher won't notice.
17:59How will she know? The teacher is ignorant.
18:02Okay, let me tell you what the poem is about.
18:04Ah, the poem says that in summer we want the leaves to fall, but when the leaves fall we long for summer to arrive
18:13the snow.
18:14And when the snow comes, we want the birds to come and announce summer to us again.
18:21It's very pretty, isn't it?
18:24Yeah.
18:26But the best part is the ending.
18:28The ending says that what disturbs our hearts is the longing for the grave.
18:35Well, that's great, isn't it?
18:38Okay, I'm leaving, I'm all alone.
19:01Stop that, Pepe, we have to set the table.
19:05I'm coming now.
19:06Pepe?
19:10Look what's coming out of me, dandruff.
19:13That's from nerves.
19:16But I'm not nervous.
19:17No, so why have you started smoking again?
19:20Ah, well, because it relaxes me.
19:23Pepe, I didn't want to tell you before, but I've had several episodes of tachycardia.
19:29Oh, Pepe.
19:31If only...
19:31Are you not good enough for this, Pepe?
19:35You?
19:36And what's coming up here?
19:37So, yeah, my psoriasis is coming back.
19:41Look, Pepe, huh?
19:42Look, if I were you, I'd leave all this behind.
19:45I would sell everything, everything, everything, everything, everything and leave it all behind.
19:48You're not fit to have responsibility.
19:51No, right?
19:52No.
19:53You, your little animals, Pepe, and your work.
19:56I'll look into it when the time comes.
20:02What's up?
20:03Oh, hello.
20:05Oh, I'm dying to have a baby, but your daughter doesn't want one.
20:10Well, it doesn't surprise me.
20:12Well, Tito would be a good father.
20:15Yes, because I'm going to have a child with you, beautiful.
20:18Hey Pepe, I'm going on a trip and I'm very happy.
20:23And where to?
20:25To the United Arab Emirates.
20:27Once again, to the United Arab Emirates.
20:29I just spoke to José on the phone a little while ago.
20:33And well, she told me they found something a little...
20:37a little delicate.
20:39Oh, really?
20:41And you want me to go there?
20:43And that we get married.
20:46Oh, but girl!
20:48And let's get married right now, just in case.
20:52But girl, that's nonsense.
20:55Yes, I know, but it's the first time in my life that someone has needed me.
21:01And when are you leaving?
21:03Well, tomorrow.
21:06Tomorrow.
21:07Hello, tomorrow, you're getting married.
21:10What a joy!
21:11That's something to celebrate, Juli.
21:13Pepito.
21:14Oh, your mother is getting married!
21:16Oh, Pepito!
21:24And what time is the daycare?
21:26At nine o'clock on the route, and if not, at ten o'clock at the nursery.
21:30Good.
21:31And what time will they bring it?
21:32At four o'clock, Juli.
21:34Go away!
21:35Don't be a pain!
21:36Well.
21:37Goodbye, my love.
21:39I will call you every day.
21:41Every day!
21:42That!
21:42You pay for that phone!
21:45No, he recognizes my voice and is happy.
21:48TRUE?
21:49Okay, goodbye, Dad.
21:51Have a good trip!
21:53Bye bye!
22:01Oh, when will they take all this away, girls?
22:04Well, I don't know, Mom.
22:07Clari, did you calculate for your father how much he had lost?
22:11Well, almost a million, huh?
22:13Look, they gave him two and a half for the dismissal.
22:15Well, it could have been worse.
22:18But where is Dad?
22:20Oh, I don't know, he left very early this morning.
22:23Oh, my child, let's have dinner while we wait.
22:25Grab Pepito.
22:27Pepito.
22:28Take the Pepito.
22:29Mom, mom, listen to me.
22:32Mom, and the teacher tells me about this poem I wrote for the master's work.
22:36He tells me it's very ugly.
22:38But my aunt looks stupid if I copied it from Jitz's poem.
22:42who is the best Irish poet there is.
22:44If only...
22:45Yeah.
22:46Oh, well, I think I'm not in love with you anymore, Mom, you know?
22:50Well, daughter.
22:53I feel like an idiot when I'm with him.
22:57Clear.
22:59Love is very complicated.
23:01Well, I haven't seen that idiot Ignacio for a few days and I'm delighted.
23:06Of course.
23:07The thing is, Mom, I have no one to insult.
23:10Yeah.
23:12And I think that if there were no sex, everything would be easier.
23:16And more boring.
23:18Hey Maria, where's Tito?
23:20Well, she's going on a trip to buy clothes, Mom.
23:23But look, that's better, huh?
23:24Because that way she gets a little break from him.
23:28Good night.
23:29Oh, yes.
23:29Oh, but Pepe, where do you come from?
23:33From a construction project they're doing right next door.
23:35They asked me if I had helped them out.
23:36Well, they don't pay much, but that keeps me entertained.
23:39But are you going back to construction?
23:41Look, daughter, your father doesn't know how to do many things besides love you.
23:45Hello, my dad.
23:47Come on, Dad, don't get all melodramatic just because you're working there for a while.
23:50For a while, I've built a wall, three mortars, and a ladder.
23:54Now, but since the sand I want to use is very bad, it's going to warp and open up.
23:58I am actually a contractor.
23:59But how much have they paid you?
24:01Six thousand pesetas for ten hours.
24:03Six thousand for ten hours?
24:05Yes, but when I focus and pliers I'll get paid more.
24:13Hey, daughter, pass me what's before.
24:14I'm so hungry, I feel like a twenty-year-old kid.
24:19Hey, Tito?
24:21Well, he's packing his bags, because he's going to London, Dad.
24:24But don't worry, okay?
24:25Before he leaves, he comes here to decide about you.
24:28Tito's a really good person, huh?
24:31Yes, Dad.
24:40Okay, Ignacio, let's talk.
24:42But I don't want you to hold my hand, or interrupt me, or call me Clarita.
24:47Which?
24:49Okay.
24:50Look, I care about you, but I think I'm not in love with you anymore.
24:55The same thing again.
24:56Ignacio, don't interrupt me.
24:58Well, you told me one day that you loved me.
25:00Well, I know, but I told you that day because you were being really annoying about how you were very
25:04I'm sorry about what happened to your parents.
25:06Remember.
25:08So?
25:09Well, then I think it's best if we leave it at that.
25:13Yes, same.
25:16You can't fool me with that pretty face.
25:19It's no use to you.
25:21Have you started drinking again?
25:22No.
25:24Well, I don't care.
25:25Because I want to be free, I want to have control over my life.
25:28And you, well, come on, either you change or this is over, Ignacio.
25:32But I don't know what I have to do, Clara.
25:35No.
25:35You know very well what I mean.
25:37Well no.
25:41Why have you started drinking again?
25:43For you.
25:45You're stupid, aren't you?
25:48Come on, come here.
25:51So, do we leave it at that?
25:54Well, we'll see.
25:55Okay, we'll continue until Saturday, alright?
25:58Well.
26:01Oh no, I'm going to be late for my flight.
26:05No, man, stay a little longer.
26:08Hey, do you remember when we were in the desert?
26:12Man.
26:12And what music were we listening to?
26:15That?
26:16Crosby, you are, the armchair.
26:18Nah.
26:19Traffic.
26:20Oh, oh, traffic.
26:22Oh, those traffic cars were great.
26:25How did Steve Winwood sing when he was 17?
26:31Yes, when I was with Spencer and David Cruz.
26:35And not that fart, Rodrigo II, that's enough to make you eat seven boxes of light bulbs.
26:42Hey Ignacio, how's it going?
26:44Well, he's given me until Saturday to see if I change my mind.
26:46Oh.
26:46Oh, no, good.
26:48Yes, yes, yes, how much you don't do the truth with us.
26:51Ignacio.
26:55Ignacio, fat.
26:57You should listen to Franz Rapa's Sanregalia piche.
27:02Would you hallucinate?
27:04Ah, this one.
27:25Ah, this one.
27:28Ah, this one.
27:31Ah, this one.