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00:12Hello, my name is Pepa Romero Martínez and I am available for any job in the sector.
00:18I have extensive experience in the hospitality industry and excellent references. I have also worked in...
00:22in furriers, hairdressers, perfumers and salted meats, and I speak French perfectly.
00:27English and some German. Good morning, bien, merci, danke, zen. To contact me,
00:34Call the phone number listed below. Thank you.
00:39Hey, that went really well. Look, now it's my turn. I'm Pepa Martínez and I'm offering my services.
00:47I work in the construction industry in the afternoons. I also have electrical knowledge.
00:52and plumbing. I'm a skilled painter and have experience as a milling machine operator. My phone number is...
00:59The contact information will appear here, below. I won't let you down.
01:05Your father looks really handsome. Pathetic. Well, I'm sure we're going to...
01:12We're going to get some really good work, Pepe. I know, I'd definitely hire us. I have
01:17I have a feeling it's happening. Hey, when is Maria getting back from filming? It wasn't supposed to end on Friday.
01:23And what could have happened to it? Listen to this. Do you know that the agony of a digital computer when
01:28Does disconnecting generate images similar to those found in the collective unconscious?
01:34Ah. For example, the symbol of the cross. Isn't it amazing? Yes. That's Maria, Pepe.
01:48Ask her when she's coming. Tell me. Mari? It's Mari. What? What is it? Oh, she's still here
01:55In Barcelona. What, you haven't finished? Oh. Well, and the weather, how's it been? Splendid sunshine.
02:06Torrential rains continue throughout Catalonia, and especially in Barcelona.
02:10where 100 liters per square meter have been collected. Well, that's it, yes. Well, well. Well,
02:16Goodbye, goodbye, daughter. Nothing much, the girl is doing very well, she's coming tomorrow and it's a beautiful sunny day.
02:22Come on, that's great... but going to the beach is fantastic. Very good.
02:29No, no, no, no, no, no, no, no, no.
02:56No, no, no, no, no, no, no, no, no.
03:26Then, what a family.
03:30Games.
03:34Tell me. Juli, darling, that you're at the airport, that you've already arrived from Yemen.
03:39Well then, come on over to my house, come on, I have spaghetti.
03:44Oh, so you're going to stay at home.
03:48Oh, you've brought the director along, he's going to stay in Spain for a few days.
03:53Of course, Juli, you're stupid, aren't you? Okay, okay, okay.
03:58What happened?
03:59Well, it turns out they've brought in that English director from the Battle of the Bulge and he's going to...
04:05to spend a few days in Seville.
04:08Let's see if they stay there.
04:09Well, Clarín, daughter, it's not that either.
04:11Well, what difference does it make to you, huh? Go for it.
04:13No, honey, he's selfish. She's going to Seville with the director, and she's perfectly happy about it.
04:18Hello everyone.
04:19Come on, come on!
04:21Oh, Maria!
04:23Oh, my child!
04:24Oh, I'm exhausted!
04:32Well, I have a surprise for you.
04:34They've kicked you out of the filming.
04:36This doesn't change, does it?
04:37You won't believe it.
04:38Well, what a surprise.
04:40It's strong!
04:44Happens.
04:45This is Charlie.
04:46Hello.
04:48Look, my mother, Pepa.
04:49Delighted.
04:50Nice to meet you, Pepa.
04:52My father, Pepe.
04:53Hello.
04:54Hello, hello, Charlie.
04:56Jorge.
04:57Hello.
04:57And that's my sister, Clara.
04:58Hello?
04:59I am her sister, but I don't have the same personality.
05:05Well, nothing.
05:06Come on, sit down, son, sit down.
05:07Come here, here.
05:08Charlie, did you say?
05:09Yeah.
05:10Charlie.
05:12That's great.
05:16And what do you do for a living?
05:17My father is one of the owners of Panavision and I was a camera assistant until he told me
05:20to make the leap to becoming a director.
05:22Yeah.
05:22What do you prefer? Beer or Coca-Cola?
05:24I only drink Coca-Cola, I don't drink alcohol or do drugs.
05:26I'm very radical about that.
05:29I'll call you soon.
05:30Well, now comes the surprise.
05:34Ah, the surprise!
05:35Yeah.
05:36Let's see, the surprise.
05:37Very good.
05:39Charly and I have gotten married.
05:41Look.
05:44That?
05:45That?
05:46Yeah.
05:47This weekend in Bali.
05:49Right?
05:49According to Balinese ritual.
05:51I'm going to get the suitcases; there must be a lot of crooks in this neighborhood.
05:54Come on.
05:55But, Mari, but how did you get married without saying anything, Maria?
05:59Pepe, Pepe.
06:00What's happening?
06:01What dad is going to make another scene now?
06:03Jodi, you've gone too far.
06:05The other one was an idiot, but this guy is just shapeless.
06:08Look, go to hell, Clarita.
06:09But, Mari, Mari, darling, but...
06:12But how did you meet?
06:13Well, two weeks ago.
06:15He was the second unit director on my film.
06:19Oh, how could you have gotten married, Maria!
06:21Without consulting us, without saying a word.
06:24Mom, it's just that...
06:26Oh, it's something inexplicable.
06:30Mommy, Charly is fantastic and delicious.
06:35But it's absolutely delicious.
06:37Yes, he has a lot of money.
06:40Mom, look, she knows how to move the camera handles like nobody else.
06:44But the thing is, he wants to be in charge.
06:47And well, moving his head in the heat is unique.
06:50Okay, baby.
06:52Look, Mom, we have everything organized.
06:55We're going to live for a while on an Indian reservation in Utah.
06:59And well, first we're going to spend a few days in Seattle, the birthplace of grunge.
07:04Ah, well I'm living on cloud nine, Mom.
07:07Clear.
07:08Mary, and you try it.
07:11I'm brain dead and exhausted.
07:14Oh.
07:17What did he say?
07:27Cinema has made me laugh, it has made me cry, it has made me think, it has made me reflect on the
07:33truth of things.
07:38Yes, that's normal.
07:40It's not normal, it's exciting.
07:42Billy Whirly used to say there are good movies and bad movies.
07:50Yes, I've said that before too.
07:53And he was absolutely right, because cinema is full of things from life.
07:57For example, have you seen Diaparme?
08:03It's my favorite.
08:07Maria, you're not pregnant, are you?
08:12Look, Mom, huh? What you're doing with my pregnancies is really intense.
08:16So why did you have to get married?
08:18And so young.
08:19Besides, now, Maria, nobody gets married anymore.
08:22But look, this is serious. I mean, you're telling me this.
08:24That you got married at my age and by penalty kick.
08:26Hey, Maria, would you please?
08:27Mom, I mean, don't pretend now, because you told me and as you can understand, I remember perfectly.
08:32Well, don't get defensive, because you're the one who got married.
08:36And on top of that, without warning.
08:37It's just that I felt, I felt awkward introducing him to you, Mom.
08:40He comes from a very good family and didn't want him to know that you're a bit unsophisticated.
08:45And you gave me...
08:46And he was giving me, stop repeating yourself, and he was giving me, give me the cheese.
08:49Look, it made me feel bad that we were poor.
08:52Get over it. Money isn't what's important.
08:54Come on, I say.
08:55Mom, I mean, money is the most important thing.
08:57His family is loaded, huh?
09:00Look, he has it at home.
09:01In Cuba and Puerto Rico.
09:03His father, his father is loaded.
09:06And the kid has a supercar that goes 260 kilometers per hour.
09:10Okay, fine.
09:14And... you know what?
09:17Mom wants us to get married again in Vegas, like the celebrities.
09:21It's ideal.
09:24In Las Vegas.
09:25I've never been to Las Vegas.
09:28But will we be able to go to that wedding?
09:30Sure.
09:31I'm sure Charlie will pay for your tickets.
09:35Mari, darling, you didn't marry Charlie for the money.
09:40No, but yes, it's not just because of that.
09:44Mom, it's just that Charlie, like me, really likes movies.
09:48Come on, he wants to be a director, you know?
09:50He has already worked with Spielberg.
09:52And he has his autograph on a negative of Indiana Jones.
09:55Do you know how many cameras Steven Spielberg used to film the bridge scene in Indiana Jones?
10:01No.
10:03A little bit of Gruyère cheese.
10:05Some potatoes.
10:07So, how many, Charlie?
10:09At 14.
10:10Just look at that.
10:12Just look at that.
10:1314 cameras.
10:15Fuck.
10:24But Mari, it's not the end of the world if it's just one night.
10:27You sleep peacefully here in your bed.
10:29And we sent Charlie to the living room sofa, which is also that super comfortable sofa.
10:33Mom, come on, bring this.
10:34Let me organize my things.
10:36Go over there.
10:36And if not, let her sleep in Jorge's room, Mari.
10:39And then we'll see what we do about your brother.
10:41Mom, no.
10:42Either we sleep together or I'm not spending another minute in this house.
10:46Oh, Mari, don't be a pain, I've already told you that can't be.
10:49Well, look, since I don't understand why, I'm leaving, that's all.
10:52We're not going to make a big deal out of it now.
10:53But you're the one creating the drama, Mari.
10:55And your father, who's doing well.
10:57And how am I?
10:59Because instead of going to a hotel, I've come here to be with you at home and...
11:02No, that's true.
11:04Besides, Dad is a donkey.
11:06I'm fed up.
11:07That's why I married Charlie.
11:09Yes, but he says that when it comes to going to bed...
11:11So, no way they'll be sleeping together in the same room.
11:14Well, look, I'll pass.
11:16This is yours.
11:16I'm leaving, that's it.
11:18Hey?
11:18Because, come on, it's amazing.
11:20Mari.
11:21That?
11:22Wait, I'll talk to him.
11:27What's happening?
11:28Nothing, that's great.
11:30Well, that's it, Maria is going to stay here at home.
11:32Okay, very good.
11:34Okay, so where do we put them to sleep?
11:36Maria in her room and I work.
11:38Pepe, Maria says that she thinks it's more normal for them both to sleep in the same room.
11:43Not at all.
11:44In my house they don't sleep together.
11:45But, Pepe, they're married, so it's almost more logical for them to sleep together.
11:50In my opinion, they're not married.
11:51But they're married.
11:52Not for me.
11:53That Balinese ritual is nonsense.
11:54It might sound silly, but they're married.
11:56Not for me.
11:57Pepe, don't make you stubborn.
11:59Well, you do what you want.
12:00But they don't sleep together here.
12:04Okay, what's up, Mom?
12:13Clarita!
12:15That?
12:17You and I need to sort this out in a moment.
12:20Well, not to discourage you, but I see it as very bad.
12:23But because, Clarita, it is best if you go downstairs to sleep on the living room sofa,
12:27which you've always enjoyed, sleeping on the living room sofa.
12:31Well no.
12:32In other words, I don't see anything stupid about it.
12:34I'm going downstairs to the living room sofa wearing these jeans.
12:38They're squeezing me a lot.
12:39Daughter, they're taking your jeans away, Clarita, it's midnight.
12:43Leave the room to your sister.
12:47I'm sorry, but no.
12:49Mommy, but you know these two are definitely going to have sex.
12:52Clarita, please.
12:54They can do whatever they want to me, but not to my bed.
12:58Look, you know what I'm saying, beautiful?
12:59You can go to hell.
13:00You can leave with love.
13:02Okay, Mom, if this girl doesn't shut up, I'm going to slap her.
13:05Let me forget.
13:08Hey, Mari, Mari, Mari.
13:09That?
13:10If you two act like that, you'll both be going to sleep in the hotel, okay?
13:12Well, look, don't tell me twice.
13:14Wow!
13:15I'm going to the hotel.
13:15Where are you going?
13:16To the hotel.
13:17Mari.
13:19Mari!
13:20Come on, put it on the table, Jorge.
13:22Charlie, leave that, we're leaving.
13:24Mari!
13:26Oh, stop that!
13:29Maria.
13:30What, Mom?
13:32Will you at least come tomorrow for lunch?
13:34Well, let's see if we can come and see.
13:40Okay, bye!
13:50The answering machine is at Juli's house.
13:52How odd!
13:53Well, I don't know what you find strange about it.
13:56Let's see if something has happened to him, Pepe.
13:59He's gone to Yemen to make a film and he'll be fine.
14:02Besides, wasn't he with that English director?
14:04Yes, but maybe English has disappeared.
14:06She's all alone now.
14:08Pepe, leave her alone, she's old enough to know better.
14:11Pepe, does anything happen to him because of us?
14:13Go and see, go and see.
14:15Well no.
14:16And leave me alone.
14:24Okay, I'll see what happens.
14:26Can I tell you something?
14:27Sure, tell him if he needs anything, if he's okay.
14:30But sit down first, finish your bean stew.
14:32Okay.
14:38Pepe.
14:40That?
14:42Maria has gotten married.
14:47She was just a little girl a short while ago, and now she's married.
14:50Let's see how I explain all this at the factory.
14:53And why did she get married?
14:55You know she's not very bright.
14:58But the boy has a lot of money, Pepe.
15:01And he seems to love her.
15:04Already.
15:05He'll leave her when he gets tired of her.
15:06And he will marry another rich girl like himself.
15:09And how does he get her pregnant...
15:10Well, if he gets her pregnant, we'll raise that child.
15:13We're not going to raise Julia's child.
15:15Oh no, no, no, no.
15:16Not at all.
15:16Julia, who believed her son was alone.
15:18Don't you want to raise another baby?
15:21I don't.
15:24Well, yes.
15:25Well, we'll see.
15:27I'm going to see the crazy woman.
15:29Pepe.
15:30That?
15:30Charlie is coming for lunch tomorrow.
15:33So please don't be a jerk and behave yourself.
15:36Well, that's it, we'll see.
15:38But if he starts talking nonsense, I'll give him such a good smack that I'll be perfectly fine.
15:42And Maria should be careful.
15:45Very good.
15:48Pepe.
15:49That?
15:50We've lost our daughter.
15:55Yeah.
15:56I'm going to miss her a lot.
16:02And me too.
16:04I want them all equally, but Maria is my favorite daughter.
16:12You pick it up, okay? I don't want to talk to Maria.
16:19Say.
16:21Juli.
16:22It's Julia.
16:22Beautiful, how are you?
16:24We're fine.
16:27And English?
16:29Ah, he's gone and hasn't come back.
16:32Juli, come here to my house.
16:33Don't stay there all alone.
16:36Yes, I know you're self-sufficient.
16:38But...
16:39Okay, so what?
16:40And what about childbirth?
16:41When will it be ready?
16:43Daughter, Juli, I'm not saying this to scare you.
16:46Well...
16:47Juli.
16:47Yes, I know you know what you have to do.
16:50Yes.
16:51Hala.
16:52Son.
16:53She's stupid.
16:54He prefers to stay there at his house instead of coming here with us.
16:58I would be so comfortable.
17:13Yes, well my parents were stingy, but I don't see yours being up to the task, Pepe.
17:18I am the apple of both their eyes.
17:20My mother always said that I was the most beautiful boy in Spain.
17:23That's what all mothers say.
17:25Especially if a child's drawing turns out a little ugly.
17:28Well, Pepa, to be honest, animals disgust me a little.
17:31Like children.
17:34And they keep going on about engineering.
17:37That?
17:38Did my faggot brother Rafaelito tell you that?
17:40But, but, Mom, but, Mom, but, why do you have to give him all the money?
17:43But that one does nothing but annoy.
17:47My father's brother is gay.
17:50Ah.
17:51Hey Clara, stop eating because you're going to get a face like a pasty.
17:57Haven't you thought that he's starting to look like a pasty?
18:00That?
18:00Why don't you shut up?
18:02Clara, the empanada!
18:04Very good.
18:09If you want to laugh at someone, laugh at your father.
18:12Claria, please!
18:14Mom, tell this idiot to leave.
18:16Clarita, don't be so dramatic, and you too, Ignacio, you look like a fool.
18:19Well, Clara, I'm sorry, but...
18:20Do you know that I get so worked up and that he calls me names?
18:23No, come on, look, look, come, come and let me clean you up.
18:25Oh, Maria, please get a t-shirt for Ignacio.
18:28Look, what about one of those that gets forgotten when she stays overnight?
18:31Mari!
18:33So my mother, my own mother, is denying me her help at one of the most difficult times.
18:37delicate moments in my life.
18:39No, but to me, to your eldest son, your favorite son.
18:47You've been talking for almost half an hour.
18:50I pay the bill.
18:52I have many, many financial problems.
18:56Issues?
18:57Yes, yes, problems.
18:59Issues!
19:00Yes, that's it!
19:02Despite everything, the undisputed genius of cinema at the moment is Steven Spielberg.
19:08Oh, yes, it's about the dinosaurs.
19:10And I'm not referring to Slinder's list, but to other films with impeccable scripts.
19:15Look, come on, come on, bring me a beer.
19:22Hey Charlie, could you lend us some money?
19:26Mother.
19:28It's for your father's shop, Mari, because they're going to close it down.
19:30No, then they should close it down. The whole store thing is nonsense.
19:33Hey, Maria.
19:34Dad, it's true.
19:36Look, you really like animals, but you have no idea how to run a shop.
19:39But what do you know?
19:40Because you're a hard worker.
19:42And about economic matters, Dad, I have no idea.
19:44Look, Mom, I've met some really tough people.
19:46Okay, Mari, that's enough.
19:48No, no, no. Leave her alone.
19:50I'm not afraid of you, Dad.
19:52I'm not afraid of you anymore.
19:53And you can't scare me or slap me like when I was little.
19:56Life is going very well for me because I work in film.
19:59And that annoys you. Do you know why?
20:01Maria, shut up.
20:02No, no, let me tell you what I have to say.
20:04What, what, what?
20:05What does that mean?
20:06What does he mean by saying this in front of everyone? That I'm a wretch?
20:09Well, yes, I am.
20:11And now you, Charlie, are in the hallway of my house.
20:13Pepe.
20:15Well, I'm leaving.
20:18Of course, Maria, look, I organize a meal for you two to make up, and look at the scene he makes!
20:22Mari.
20:22But Dad is being such a complete idiot these days.
20:24You're an idiot.
20:25Leave the house.
20:26Go away.
20:28Out!
20:36Wow, what a lovely meal you're giving me!
20:39Wow!
20:39Eat our chicken.
20:40Everything has stayed here.
20:41And you go pick up the rice, huh, sweetheart.
20:51Look, Clary, look how pretty.
20:53Aunt Julia needs to be treated with extra care now because pregnant women get very silly.
20:59Did you know that Aunt Julia is older than me?
21:01Well, it's taken me months.
21:04Well, I'm sure she'll love it.
21:06Aunt Julia doesn't like almonds.
21:09Come on, don't talk nonsense.
21:10She doesn't like almonds.
21:11Hey Clary, please don't eat all the jars of jam at the same time.
21:14First one opens, then another one opens.
21:17I don't like eating it from the bottom up.
21:19Well, you'll have to eat it because we need to save money, we're going through a rough patch.
21:23You and Dad are being so annoying about that.
21:29Pepito, sit down and have dinner.
21:31Pepa.
21:32We have peas with ham and jalopez, which you love.
21:36They've closed my store.
21:39They arrived with an order and presented it to me.
21:44But why?
21:46For not paying the rent.
21:51Why haven't you paid it?
21:54Because we don't have any money.
21:55And they denied me credit.
22:00But it doesn't matter.
22:02The store wasn't a good business.
22:05I shouldn't have set it up, you're right Maria.
22:11The truth is, I'm no good at business.
22:14I'm good for almost nothing.
22:18Dad.
22:19That?
22:21Nothing.
22:25Pepe.
22:27Here, take it.
22:29You'll see how everything works out.
22:32Yeah.
22:34Hi everyone, how are you?
22:36Good.
22:37Well, no, bad.
22:40To Pepe.
22:41They've closed my store.
22:43Oh, they've taken your shop away, Pepe.
22:47Oh, poor little Pepe.
22:51Come on, no.
22:53He's crazy, Mom.
22:56Hey Julia, is something wrong with you too?
23:00Oh, I think I'm going into labor.
23:03Don't talk nonsense.
23:04Man, I'm having contractions.
23:07Contractions?
23:08Ah, yes.
23:09How often?
23:10Well, I don't know, because all the clocks in the house are broken.
23:14Oh, now I'm having one.
23:17Pepe, go upstairs to the room.
23:18Start timing.
23:19Bring down a suitcase, a clean towel, and one of my nightgowns.
23:23I don't wear a nightgown.
23:24Let's see, let's see.
23:25Oh, oh, oh, oh.
23:27Another one, but not even a minute has passed, Juli.
23:28Oh no, you're stepping on me.
23:30Oh, sorry.
23:30A friend of mine's mother gave birth in an elevator.
23:33Shut up, Clarita.
23:34Juli, just relax, okay?
23:35Oh, oh.
23:36Three, three, three minutes.
23:38Hey Pepe, we have to get to the hospital in two minutes.
23:41Come on.
23:41Dad, can you help her like you would the animals?
23:43Okay, yes, fine.
23:44Close the room.
24:12Another one, but if it doesn't allow us to see.
24:13Three, three, three, three, three.
24:15Three, three, three.
24:28Three, three, three, three.
24:30Thank you!