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00:30Jorge, you go make your fresiones table and then go for a run.
00:33I saw you playing low in the background during the second half.
00:35Pepa, David is staying for lunch with us, what does it matter?
00:38Hello.
00:39Hello.
00:39Not me, but I haven't done anything.
00:42Hey, if there's a problem...
00:44Nothing, nothing, it doesn't matter, man.
00:45You add more carbohydrates and calcium to the juice for the child, right?
00:51Come on, I'm going to show you how to make the table.
00:53Oh, Pepe, could you have told me you were going to invite him to lunch?
00:56Well, that's almost like family.
00:59Will it be yours?
01:01But who is Pepe?
01:03He's my boss's nephew, Pepito Iborra's.
01:06He's working with us during the day to earn some money.
01:08Yeah.
01:09And then he goes to America to do one of those master's degrees in English literature or...
01:14Ah...
01:14Shall I set the table for you?
01:16Yes, but don't just put it on me any old way, okay?
01:19We'll grab a bite and leave right away, because today I have some tests with Jorge, with some associates.
01:23Hey, Pepe, help me out, won't you?
01:25It's about grabbing a beer and sitting down to play with your junk.
01:28I'm going to remove it.
01:29Come on, I'll give you a hand.
01:31Not you, you go to the living room, you're our guest.
01:33Okay, where are the cutlery pieces?
01:36Well, anywhere.
01:39Pepe is a great guy, huh?
01:41I met him when I was little, when my father used to take me to the factory.
01:45He was always the friendliest.
01:47Yes, yes, it's true, Pepe has always been... very funny.
01:52I found nine knives and three forks.
01:56Hey David, come on, come sit with me in the living room, they're showing a summary of the African league on Canal+
02:01Plus.
02:01Wait, I'm finishing putting it on...
02:03No, no, come, come.
02:03Sit with me here.
02:04Sit down, man.
02:09What else needs to be done?
02:12Nothing.
02:13Look, I'm going to do something light, okay?
02:15How about some oven-baked potatoes with cheese on top?
02:20Hello.
02:21Hello.
02:21Girl, go to the fish market.
02:23Bring a little sea bream.
02:25And what for?
02:26Daughter, well, to do it.
02:27With parsley sauce.
02:29If it's a moment, then at a time.
02:31If I do that too, I often.
02:38Son, oh, what a fright, right?
02:40What are you doing?
02:41I really like reading the lines on people's hands.
02:43Uh-huh.
02:44You have a very long life.
02:46Yeah?
02:47And it says nothing about the bank account?
02:50No.
02:50No.
02:52But he says you have a very intense love life.
02:55As a young girl, as a young girl.
02:57I did have my own, I had mine.
02:59Had.
02:59Young lady, but you look thirty-one.
03:01No, thirty-two.
03:03David, thirty-three, thirty-four, thirty-five, you count.
03:06Okay, let's eat.
03:07Now, grab yourself a beer.
03:12Okay, so what?
03:13I was reading the lines to your wife.
03:15She has a fascinating life, doesn't she?
03:18That's why, my wife.
03:19Come on.
03:44Thank you!
03:45Thank you!
04:00Thank you!
04:08What I believe is that there is a bridge between the rational and the unknown.
04:12Oh, really?
04:13Yeah.
04:14The thing is, it's very subtle.
04:16So, what do you think of Snyder's hiring?
04:18He's a difficult guy, but I think he can give us...
04:20Tell me, Clara.
04:22So, what do you think about polygamy?
04:23Well, if you leave this girl alone, ignore her.
04:25He has a very rare form of AIDS.
04:26Hey, Pepe, let the girl speak.
04:28Me, in polygamy...
04:30Did you know that outing is very fashionable in America now?
04:33That?
04:34Outing, which consists of freely proclaiming one's sexuality.
04:38I believe we are moving towards a new type of sexuality.
04:40Yes, the other one was a bore.
04:42David, look, this girl is a little...
04:45You shut up now, okay?
04:46Nor form...
04:46Okay, but let me finish, David.
04:48Look, sexuality has to be something free, because otherwise it's not sexuality.
04:53That's exactly what I think.
04:55Pepe, didn't you know you were so interested in those topics?
04:59Well yes.
05:00Oh, I didn't know that.
05:01Well yes.
05:02Hey, have you read Journey to the End of the Night by Celine?
05:07I do.
05:09You?
05:09Well, I do.
05:11Look, it's the greatest ode to life and freedom I've ever read.
05:14Because everyone's dreams are everyone's dreams.
05:18They are everything, David.
05:19They are everything.
05:21We have to fight to make this life resemble the one we dreamed of when we were children, right?
05:27Otherwise, Pepe, we're betraying ourselves.
05:32That's right, Pepe.
05:34Pepe, who has a lot of feeling, huh?
05:39Hey Pepe, your wife and I are like soulmates.
05:44What a fool your friend is!
05:47Hey, by the way, I have to go.
05:50What have I agreed to?
05:51Who did I end up with?
05:52So, where to?
05:53With who?
05:54I'm going to the Francis Bacon exhibition.
05:56Well, thanks, huh?
05:57Bye bye.
05:58Well, goodbye.
05:59Bye bye.
06:00Bye bye.
06:01Say hi to your Uncle Pepito!
06:03Yes, there, well, yes.
06:07The guy's nice, but a bit of a pain, isn't he?
06:09Okay, girls, now let's clean all this up.
06:12Pepe, what are you going to do if you haven't finished it yet?
06:14Well, pick up all the crap you and your friend left behind.
06:17Go on, daughter!
06:18Mother!
06:20Mamaita!
06:21That?
06:22You're acting a little strange.
06:24Not anymore?
06:25No.
06:27Okay, now.
06:29Help me rehearse this scene I have today for improvisation at school.
06:31Because I don't feel like it, daughter.
06:32Mom, it's suddenly the last summer.
06:35I don't feel like it!
06:37Yes, you want to.
06:38Oh, baby, don't be a pain, daughter.
06:39Look, look, look.
06:40What are you going to shove through my eye on this bridge?
06:42My daughter, you are so sweet.
06:49That?
07:03It's not that I'm intelligent, Juli.
07:05It's just that...
07:08hyperintelligent.
07:10Yeah.
07:11Juli, can't you hear me?
07:13Hey?
07:13Oh, Pepa, I've been filming all night until 10 in the morning.
07:17I feel exhausted.
07:18Yes, but what I'm telling you is very important, Julia.
07:22Water.
07:22Look, you know when someone puts into words what you've always thought?
07:27Juli, seeing him there, of course, I realize that...
07:31So, the way I have of seeing the world, Juli, well...
07:35What's happening?
07:35He's very handsome.
07:37Look, it's something electrical.
07:39Water.
07:39It's just that he never comes near me.
07:41Look, I'll tell you about him now, okay?
07:42Yes, I do have all, all, all goosebumps.
07:45So what are you going to do?
07:47Oh, what do I know?
07:49But he, for example, has told you if he likes you.
07:53I don't know.
07:54I think he, too, noticed something special.
07:58He was always looking at me.
08:01But he said something to you.
08:03He took my hand in the kitchen.
08:06So, have you read about the latest crimes in Algeria?
08:10But fundamentalism is a horror, isn't it?
08:13Look, honey, the truth is we're not in the mood to listen to your pronouncements right now.
08:17Juli.
08:18And it is at the university where they recruit the most people.
08:21It's amazing.
08:22University student killing singers.
08:25Hey, come in.
08:27Hello, Pepa.
08:28It's freezing cold.
08:30Hey, Mom.
08:30Maybe the three of us will come for dinner.
08:33Could be?
08:34No.
08:35No.
08:36Well.
08:37Well then, around ten o'clock, anything goes, okay?
08:40Okay, see you later.
08:41Bye bye.
08:46Mother.
08:47Who is that person who was with Ignacio?
08:49Daughter, what do I know?
08:52Well, he's short.
08:53But look, it has something.
08:56Hello, goodbye, baby.
09:01Julia, how long do you think I should wait?
09:04Look, I gave it to him yesterday at noon.
09:06I'll call you now.
09:08No.
09:08You have to wait for him to call you.
09:10But what if they don't call me anymore, Julia?
09:12It's because she's going to America.
09:14I need to see him.
09:14I need to talk to him.
09:16Julia.
09:17I'm very nervous.
09:18I think I'm at a very decisive moment in my life, Julia.
09:23Water.
09:23But hey, you've thought of everything, haven't you?
09:25And the children?
09:26I've thought of everything, Julia.
09:28Look, let Pepa keep the house.
09:29Because I don't want anything.
09:31All I want is to live with David.
09:34To have a little house in the countryside, where the children can come and visit us on weekends.
09:38And then, well, for me...
09:39Would you like to have a child with him, at least?
09:44Look, I'm going to call him.
09:47No, wait, wait, please.
09:50No, I'm fed up, Julia.
09:51Look, if it's true, if it's true.
09:53And if not, then no.
10:01The answering machine.
10:03I'll tell you that I love him and that way we'll clear up any doubts.
10:05No, not the answering machine.
10:07Leave me alone, leave me alone.
10:07Seriously, are you stupid or what?
10:10Oh, what if Pepe comes?
10:13For example.
10:14I don't care anymore.
10:16But you don't even know what you're saying.
10:22That?
10:23You keep going and going.
10:25When I make a move, you know I'm very daring.
10:27You're going for it.
10:28But I have more experience with answering machines.
10:31Failed, but an experience.
10:33And when you tell a man on an answering machine that you love him, they get scared.
10:37And they won't call you again?
10:39No?
10:43Do you want to smoke?
11:02See?
11:03The problem with man-to-man competition is that if you are individually outmatched, you are lost.
11:06Well, for my style of play, I prefer it that way.
11:09Ah, no. I prefer the pressure zone and slow drainage.
11:13Now, if both teams close down the space, is there less room to play?
11:19That's why fast walls and speed are key.
11:24Hey, by the way, you need to improve your speed, okay?
11:27The coach has said that I have a left hand that's like a glove.
11:32The first part is over.
11:33Come on. Let's practice that right hand.
11:38Come on, now that we're at the break...
11:40Hi. We're not going to study in my room.
11:43Where is Mom?
11:44I had a wedding at the restaurant.
11:46Do people still get married?
11:48It's incredible.
11:52What? Who is it? Who is that boy who was with Clara?
11:55I think he's Ignacio's cousin.
11:58Huh?
11:58What will he be?
12:00The...? How should I know?
12:01Okay, what about free love?
12:05Love... well... love... love that is free... why do you ask me that?
12:10No, it's just that lately Clara only talks about that.
12:16Pull to the right.
12:19Be careful, you're going to break something.
12:22This is my poem for the meeting.
12:25A handful of lone heroes.
12:28And what is that poem like?
12:31That's right, it's a... a haiku.
12:35Sure, Ignacio.
12:36It's beautiful.
12:37A handful of lone heroes.
12:40Okay, now mine.
12:43Alien and cruel cosmos, populated by radioactive androids, with hearts red with blood.
12:50Alien and cruel cosmos.
12:52Make me the queen of your chaos.
12:55Let me live in your black star.
12:57Black as my love.
13:00It's... it's the best thing I've ever heard.
13:03Well, I don't know, I find it a bit confusing.
13:05It's perfect.
13:08Hey, can I read you mine?
13:10Clara, let me read it again.
13:12I don't have a copy.
13:14But whatever, it doesn't matter, I'll give it to you.
13:15Because I don't like it anymore.
13:17Hey, hey, let's see what you think.
13:19The breaking waves are like your kisses.
13:22The whitest shells, just like your smile.
13:27Alright.
13:28I don't know, it just came out when we went to see the beaches of Cíes.
13:33Do you remember?
13:33Yes, yes, of course.
13:36Well, now I want to give a kiss in the name of poetry.
13:41It is a kiss of love towards poetry.
14:06It smells so good.
14:07Hey, has Clara arrived?
14:09Oh, well, I don't know.
14:10I am stealing from the Rota style and Ignacio.
14:13Bring in the kitchen.
14:14Well, my cousin has gone to take Clara for a ride on his motorbike.
14:18Hey, have you seen stories from the Bronx?
14:20Well, it's cool.
14:22And the father?
14:22Yes, it is cool.
14:24Yeah, and what about your stupid father?
14:26Well, it's getting worse and worse.
14:28Well, now she's been arrested for forming a Cuckoo Clan faction there in Sweden.
14:34Oh.
14:34Okay, I'm going to watch TV.
14:36Hey, Ignacio, you're my friend from your cousin, right?
14:39Yes, he's a cool guy.
14:42Well, he works in a chicken shop with his parents, but what he really likes is writing.
14:47Well, I think it's going to be someone important.
14:49Yeah, yeah, yeah. So you admire her a lot.
14:51Yes, he also helped me a lot when I went to live at his house.
14:55And that guy is cool.
14:58Yes, that's right. Well, be careful because Clarita, Eva, sees a lot of him.
15:02No. Well, and besides, he has a girlfriend.
15:05And he wouldn't betray me.
15:07Well, his girlfriend is cool.
15:09He slept with Eve while walking.
15:11Well, that's what she says.
15:13Well, you, watch out, okay?
15:15Hey, hey, look.
15:16Want to try it? Go ahead, try it.
15:17No no.
15:19Well, the thing is, I only believe in Clara and Alazar.
15:44I think I'm going to leave.
15:47Well.
15:48Yes, I'd better go out through the kitchen.
15:52Hey, if Clara comes, tell her I'll pick her up tomorrow at the same time.
16:00Well.
16:01Well, see you later, Ignacio.
16:03See you later.
16:06Hello, Ignacio.
16:07Hi, Mom.
16:09Look, I'm going to show you a really delicious meal I've made.
16:11Oh, but first, help me review tomorrow's material.
16:16Hey, baby, I'm practically dead.
16:18Come on, Mommy, yes. Look, it's from Romay, Julián.
16:21Come on, come on.
16:23Yeah.
16:23Let's see, let's see.
16:26Hey, wait a minute, you wait a minute.
16:28Tell me how it starts, what does it say there...
16:31Come here.
16:32That.
16:34Come, night of my day.
16:39No, come out, baby.
16:42Come, night of my day.
16:45Oh, that's not how it is, baby.
16:47No, Mom, it's not easy.
16:50Come, Romeo, day of my night, for on the wings of the night you'll seem whiter than snow
17:00newly perched on the wings of a body.
17:07You do it so well, Mom.
17:10Hello.
17:11Do you know how much Raúl earns?
17:13He's gone from a penny to thirty million and a climber.
17:17Ah, Dad, we're working.
17:20Well.
17:23Come, night and day.
17:25What time is your training tomorrow, Jorge?
17:27I think it's at ten o'clock.
17:29Okay, that's enough, isn't it?
17:31Okay, and remember what I told you, okay?
17:33When the number ten opens the game, don't do the tie.
17:36Okay, Dad, will you shut up or what?
17:38Man, the whole monster family is here!
17:41Well, look, I'm fed up, Mom, do you know what your daughter Clarita was doing at the door?
17:44You shut up, you worm.
17:46I don't feel like it.
17:47Aunt Maria, shut up, go on, and that way you'll save yourself from saying so many stupid things.
17:51Go to hell.
17:52Go to hell.
17:53Oh, really?
17:54Asshole!
17:54Yeah.
17:55But, girl!
17:56That's enough!
17:57Okay, what's this going to be?
17:59Leave me alone, leave me alone, leave me alone, Dad.
18:01Clarita, you go to bed.
18:02And you, go ask your sister, Maria, for forgiveness.
18:04Leave me alone.
18:04Yes, you do nothing but annoy each other.
18:09And now my sin has been burned away!
18:12Shit!
18:13Shit, shit!
18:15Well, does Iván de la Peña know what he earns?
18:20I have no idea.
18:22Thirty million per season.
18:25If things go well with Jorge...
18:29Yeah.
18:32Okay, I'm going to do...
18:33I'm going to make some orange juice.
18:35Big, big, big, big.
18:38The dribble...
18:39The dribble of the auduro is not at all easy to explain.
18:40Hey Pepe, put the ball down already, okay?
18:42And don't you touch the oranges.
18:44But, Pepe, I'm going to make some juice.
18:46I don't want juice.
18:48Well, for us.
18:50Pepe, I was actually planning to make an orange flan tomorrow.
18:54Okay, I'll give you six.
18:56There won't be enough of them, Pepe.
18:58I already told you because I also wanted to make an orange cake or two.
19:04But, Pepe...
19:05Look, Pepe, you do whatever you want, okay?
19:06But tomorrow when I wake up I want to see the same oranges there as before.
19:11How do you expect your daughters not to argue and fight?
19:14You're crazy.
19:15Crazy?
19:16And you're spending all day talking about football, happy as can be, and drinking beer.
19:25Hi Jorge, son, let's go play in the yard for a while.
19:28As I was saying, the laudro dribble is not very effective.
19:40Yeah.
19:44Who is it?
19:47Moment.
19:52I went to the market and bought some oranges, and I thought, well, I'll take some to him.
19:57to David.
19:58Ah, come in.
20:01Hey, what a cute little thing you have.
20:03Would you like me to make you some juice?
20:05No, no, leave it.
20:07One or two?
20:09I don't know, it depends.
20:11Do you want to drink?
20:12No, I was just saying it, I don't know, in case you were with someone.
20:16No.
20:17Oh, hey, it's a nicer day, David.
20:20I got up at six, got ready, and washed my hair.
20:24Ah, you have a very pretty hair color.
20:27Well, you too.
20:29Also, I really like... these, the tattoos you have.
20:35Do they not cause harm?
20:36No, the little pikes.
20:38He shows them to me, you know?
20:44They are very beautiful, David.
20:46Hey, you know you said some lovely things at my house the other day?
20:51Ah, I always say what I think.
20:54Me too.
20:55The thing is, sometimes that causes me problems.
20:59Ah, yes.
21:00But yes, yes.
21:01Yes, yes, yes.
21:04David, look, you, don't answer me if you don't want to hear what I'm going to tell you.
21:11Why all the mystery?
21:14Ugh? Can't you imagine?
21:17No.
21:19No?
21:20No.
21:23Well, I think, I mean, I'm sure that I'm falling in love with you.
21:29Are you in love with me too? I mean, in love with me.
21:35Well, what do you say?
21:38Or should I think about it?
21:40No, it just caught me by surprise.
21:44Oh, hadn't you noticed that you and I...
21:48Ah, so why didn't you take her hand?
21:54Well.
21:57So, you don't feel anything for me.
22:02Man, yeah, but she's a great chick and you have really pretty eyes.
22:07Yeah, but, like, wouldn't you like to, I don't know, kiss me or, I don't know, have an affair with me or
22:13something?
22:15I don't know.
22:16Pepa.
22:18So, you weren't attracted to me?
22:22Son, well I thought so.
22:23Young people are so difficult to understand.
22:27Drink the juice.
22:30Sorry.
22:32No, no, yes.
22:34Ugh, what a ridiculous thing I've done.
22:38Come on, no, don't talk nonsense.
22:39If everyone's dreams...
22:41Look, David, don't give me any of that nonsense.
22:43Are you going to tell me now that you haven't been flirting with me?
22:46And now that I've made up my mind, you back out, huh?
22:49I mean, don't mess with me.
22:51Look, Pepa, I have a girlfriend.
22:54Yes, very well, you have a girlfriend, but the thing is, you like what you like.
22:59Hey?
22:59And like an idiot, I've fallen in love with you.
23:03No, Pepa...
23:05If it's my fault, then what?
23:06For still dreaming at my age.
23:08Now you and your friends will laugh at me.
23:10And I'll be mortified when I see Pepe.
23:15Hey, if you say anything to Pepe I'll kill you, okay?
23:18Come on, if you say anything to him I'll kill you.
23:22What a shitty apartment.
23:24And how much do you pay?
23:26150,000.
23:28On this floor?
23:30What a waste of money.
23:53But why did you have to make dinner, Pepe?
23:55Hey, woman, how come it was getting late and the kid has football tomorrow?
23:59Sure, but I had already made a purchase.
24:01Look, it turned out delicious, you'll see, try it.
24:04Proof.
24:07Oh, it tastes like rat to me, what is it?
24:10Mom, don't board.
24:11It's duck and I bought it this afternoon.
24:16Haven't you told yourself a thousand times that you close the doors?
24:18Because then the currents cause constipation, Pepe.
24:20I'm going to close them.
24:23And the napkins, I mean, what's so hard about making them all the same? Because then it's a real pain.
24:28mess.
24:29Go.
24:30Okay, kids, what are the napkins?
24:33Give it to me.
24:35Clarita.
24:36He is in the living room with Ignacio and his cousin.
24:44Okay, Clara, what time is dinner?
24:45And you, going home?
24:47Pepe, we're reading some poems.
24:50Ignacio, go home, you're being too nice, aren't you?
24:54And this one, whose name I don't know.
24:56Alright, you go with him, let's go.
24:57No, Mom, don't go too far.
24:59Honey, this house needs a little order, because your parents are henpecked.
25:04Okay.
25:05Okay, see you later.
25:06See you later.
25:10Do you think it's beautiful?
25:12The fact that?
25:13The fact that?
25:14This whole mess you've got going on with poor Ignacio.
25:18And what about you the other day with the guy with the blue hair?
25:22Well, I'm a mature woman, baby.
25:26I called him, I mean, I told him on the phone that he definitely shouldn't come back here.
25:31No flirting, no fooling around, nothing of the sort in this house.
25:34So, you, well, let's see if you take your own advice.
25:37But in my case it's different.
25:39Oh, really?
25:40Yes, Mom.
25:41All you've done is pretend to be young.
25:44But my relationship is special.
25:48Ah, yes.
25:49Yeah.
25:51But women are very jealous, Clarín.
25:54Yes, I know.
25:55But I have forbidden them from going with another woman.
26:00AND...?
26:01And what about jealousy?
26:03Jealousy.
26:04Jealousy is an invention of older people.
26:07Besides, Mom, I'm very happy.
26:09And do you know why?
26:10Because I like both of their kisses better.
26:12Like new.
26:15But...
26:32And what does it mean to be unmarked, Pepe?
26:41And what does it mean to be unmarked?
26:44Well...
26:45Being alone.
26:46Come on!
26:47We have to go through the gap!
26:48And what does "pasar al hueco" mean, Pepe?
26:51And what does it mean to go into the gap?
26:53Spend it where there's nobody.
26:54That gives him an advantage.
26:57You're so clever, Pepe.
27:00That it...
27:00Could you fix my blender while you're at it?
27:03Because it's broken, darling.
27:04Now, Pepa.
27:05Now the...
27:06Wait.
27:07Goes!
27:07Goes!
27:08Goes!
27:08Goes!
27:09Goes!
27:10Goes!
27:10Goes!
27:11Goes!
27:12Goes!
27:12Goes!
27:12Goes!
27:12Goes!
27:12Goes!
27:13Goes!
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