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00:19The Chamber Bible
00:30What do you think? Can we report him for something?
00:32Well, the truth is, the truth is...
00:34I think so. For example, he probably doesn't have the animals' papers.
00:39Ah, but animals also need to have papers.
00:42Of course he does, and besides, he doesn't even know it.
00:44You'll see the look on his face when I tell him.
00:49Hello. How are you? Nice to meet you. I'm Pepe.
00:52Well, it seems like the good weather is finally starting, doesn't it?
00:55Yes, and you still haven't taken the animals away from here.
00:57Yes, well, know that we neighbors have decided to take matters into our own hands.
01:01And this young lady is our lawyer.
01:04Look, I'm going to get straight to the point.
01:06You have one week to remove the animals from this site.
01:11because otherwise his hair will fall out.
01:12But yes, if they don't hurt anyone.
01:14Look, animals are annoying, annoying.
01:17And furthermore, you are committing a crime.
01:19Did you know they need to have their papers?
01:22Yeah.
01:22And he doesn't have them.
01:23What do you mean, no? You're wrong.
01:25Well, you'll see.
01:26All animals have their permits.
01:28They all have their health guarantee.
01:31And I have the CITES certificate.
01:33Here it is.
01:35In addition, I am in contact with AMA, the Environment Agency and rescue centers.
01:39Very good.
01:40I am not an animal trafficker.
01:42I am a naturalist who defends animals.
01:44And if the city council gave me a plot of land, I would have a zoo.
01:47which is the least my animal collection deserves.
01:50Nonsense, nonsense!
01:51No no.
01:51No, it's not nonsense.
01:54Do you have children?
01:55Yes, look, I have two children.
01:57Two.
01:58I'm going to give you a pair of parakeets, look, newborns.
02:02Oh, how lovely.
02:04Also, I want you to see the collection of wintering birds I have in the store.
02:08We have to leave.
02:09No, no, it'll only be a minute, it's right here.
02:11Come on, come with me.
02:12You'll see how interesting they are.
02:13Get out of the way.
02:14Follow me, follow me.
02:15Come on, come on.
02:19I want them to see the spoonbill, the ferruginous duck, the little ringed plover,
02:23the European shag that I have bred in captivity.
02:26Let's see, from somber gulls, laughing gulls, and spoonbills...
02:31We have to leave.
02:33No, no, no, it's not a problem for me at all.
02:34I'll show it to you in five minutes.
02:38Hi, Mom.
02:39Hi, Mom.
02:39Hi, Mom.
02:41Hi, Clary.
02:44Who will those be?
02:45Don Ramón.
02:47And a lawyer.
02:48Your father, since nobody listens to him, as soon as he gets one of you by the arm...
02:52They are right in what they say.
02:53For example, regarding endangered animals.
02:58Every animal that becomes extinct is a link that breaks in the chain of nature.
03:04Clarita, daughter, is something wrong with you?
03:05Is your job affecting your mind?
03:08No.
03:10It's just so strange to me that you agree with someone, daughter.
03:14Look, Mom, I have my own opinions.
03:17Something rather unusual in this family.
03:19And when I agree with someone, well, I agree.
03:21I am not a vocational outsider.
03:25Do you know why your father collects animals?
03:28Because?
03:30So that someone will pay attention to him.
03:33You're being very sarcastic, Mom.
03:36I mean, the relationship that Dad has with his animals has always made me feel very tender.
03:41My daughter, Clarita, do you have feelings too?
03:44Well, of course.
03:46Even monsters have a heart.
03:49Look at Frankenstein.
03:51Hello, I certainly don't understand.
03:54There has been no way for them to see my collection of wintering birds.
03:57But have they taken your animals away, Pepe?
03:59Ah, no, no, not yet.
04:01Now, if the city council doesn't help me, I don't know what I'm going to do.
04:05Now the breeding season begins.
04:06And I don't know how I'm going to feed the babies.
04:08Well, I'll have to get rid of some of them or...
04:11Pepe.
04:12That?
04:12Today is Saturday.
04:13Are we having dinner here or going out to eat?
04:16We had dinner here and then went out.
04:18Does this save us anything?
04:19Okay, then start chopping up the salad.
04:21I'm going to paint my nose.
04:27Hey, Dad.
04:28That?
04:30That we could go to the movies.
04:33To the movies?
04:35Yeah.
04:36Okay, Georgia.
04:38In repertory cinema.
04:39I think it's a very beautiful film.
04:41It's from the hippies.
04:43From the 1960s.
04:45Yes, yes, of course.
04:47Very good.
04:48I'm going to tell my mom.
04:50Well, if not, then leave it.
04:54But what do you want?
04:55Should we go alone, just you and me?
04:59Yeah.
05:01Good.
05:03Very good.
05:06Well, I've already tidied myself up a bit, Pepe, because otherwise we'll be late.
05:10Don't do anything to us.
05:11We're going to the movies.
05:14Are you and Clarita going to the movies?
05:15Yeah.
05:17Let's watch one of those old movies.
05:19We both really want to.
05:22Uh, well, then...
05:24Bye bye.
05:26Bye bye.
05:27Come on, daughter.
05:29Okay, bye!
06:00Okay, bye!
06:47Okay, bye!
06:55Go clean your sister's motorcycle a little, it's very dirty.
06:59Come on, help me.
07:01Take.
07:03You're way back there.
07:08Yes, she has it.
07:09Dad.
07:11That?
07:13It was a nice movie, wasn't it?
07:16Yeah.
07:17And were you like that?
07:19Well, yes.
07:21In the 60s we believed that things were going to change.
07:24That music was capable of stopping wars.
07:27And that the world for our children was going to be happier.
07:30Already.
07:31Look, you know?
07:32I've read a book by Kerouac, that beat guy from your era.
07:37And I'm all mixed up.
07:39Because?
07:41Because in the book the protagonist states that one must be free.
07:45And that you don't have to be tied to anything or anyone.
07:49Yeah.
07:50But I have a friend who doesn't like being free.
07:53Because he's dying of jealousy at the thought of losing his friend.
07:58Yes of course.
07:59Jealousy is something that must be fought against.
08:02Yeah.
08:03Aren't you jealous?
08:04What would happen if Mom left?
08:09I would die.
08:11Clear.
08:11Me too.
08:13I mean, I understand you.
08:19Dad, I have another friend who has a boyfriend
08:22And it overwhelms her to think that they will always be like boyfriend and girlfriend for the rest of their lives.
08:27And why does it bother him so much?
08:30Well, maybe because he doesn't let her pursue her dreams.
08:35Yes, that could be it.
08:37Sometimes you have to choose between your dreams and losing the person you love.
08:41But that shouldn't be the case.
08:43Those people have to help you and believe in you.
08:46That's ideal.
08:48But it doesn't always happen.
08:50Okay, the question.
08:52What should I do?
08:54I mean, I want to tell you what my friend should do.
09:01Have you suspected anything?
09:04Was I the girl?
09:06Clear.
09:08Well son, thank goodness, because I've been planning it for several days.
09:13I don't know what's wrong with me, but I'm a mess.
09:17Don't worry, daughter.
09:19That's life.
09:26Mother.
09:28Mother.
09:29Mommy.
09:30That?
09:30Explain to me what it says here.
09:32What? Look, he's so clumsy.
09:35Pérez de Ayala's realism is characterized by its detailed descriptions of both the external and the internal.
09:41and be the first novel about an emerging class within the bourgeoisie.
09:45Doesn't it make any sense?
09:46It's very clear, Mari.
09:48I mean that realism...
09:49Wait until you see what realism was.
09:51I mean that its characteristics are described in great detail.
09:55In great detail.
09:57The external and the internal.
09:59You understand me?
10:01This is poorly explained.
10:02This doesn't make sense.
10:03See?
10:04That's why I'm failing the exams.
10:05Because nothing makes sense.
10:06Okay, don't exaggerate, okay?
10:09Just wait and see.
10:09The external and the external.
10:10The internal and the internal.
10:12Okay, Mom.
10:12Are you going to explain it to me or not?
10:13Okay, let me read it again.
10:14At least.
10:16You got a lot of university, but then nothing.
10:17Look, I'm going to sleep.
10:18But you've finished studying.
10:20But Mom, how am I supposed to study if I can't understand anything?
10:23Furthermore, I have a problem with studying.
10:25Because no matter how much I sit in front of the book, well, no, I just can't get into it.
10:28Because the problem is that you can't concentrate, Maria.
10:30You might have that silly head of yours, but studying is essential.
10:35Oh.
10:35Okay, Mom.
10:36Don't lecture me.
10:37Look at this book on ethics and morals.
10:39Hey?
10:39Read it for a little while and see if you get over that dull anger you have.
10:42And what about me, a silent anger?
10:44Yes, because Dad has gone to the movies with Clarita, your favorite daughter.
10:48What a mania!
10:49So she's my favorite daughter?
10:51Mari!
10:55Bestiality is among the most common sexual deviations.
11:01What disgusting books!
11:06Well, I'm going to see if I can make myself a little dessert.
11:10Where could Clarita have gone with that fool Pepe?
11:15Now I don't care.
11:17Come on, when I get here I plan to say hello, how are you?
11:20Come on.
11:22I was so cool.
11:25Hello!
11:26I'm making chocolate mousse.
11:29Clarita, I said hello.
11:31Hello, Mom, hello, Mom, hello, Mom.
11:33And your father?
11:35He went to park.
11:37Oh, and how was the movie?
11:40Very pretty.
11:41What was it about?
11:43Well, it's about four friends who love each other very much, but their different views on life separate them.
11:49Dad must have fallen asleep right away, right?
11:51No, he's been awake throughout the entire movie.
11:54Then he explained to me that, deep down, the film was about frustrated dreams.
12:00Your father is an expert at that.
12:02But failure is not always bad.
12:05No way, it's awful.
12:07Mom, you can't talk to you about anything.
12:09You're the one who doesn't want to talk to me about anything, Clarita.
12:11Okay, see you tomorrow.
12:13Let's see if you get over your swearing.
12:23Hello darling.
12:24Hello.
12:25What are you still doing awake?
12:28Well, there you have it.
12:31Well, I'm going to bed, I'm very tired.
12:33About what? About life?
12:35Why are you telling me that?
12:36No, as Clarita told me, you've been talking.
12:38Of life, of dreams.
12:41Pepa?
12:46Pepa?
12:48What's the matter?
12:49Nothing for me.
12:50Clarita told me that you really liked the movie.
12:53Oh yes, she's very pretty.
12:54So, when I lower my balcony you fall asleep, and when I lower Clarita...
12:57It's just that you always take me to see those Richard Gere movies and they're so boring.
13:01Well, this one you've seen must be good, right?
13:03The actors haven't even met each other or anything.
13:06Peppa, being jealous of Clara.
13:08Me? No way?
13:10What have you been talking about?
13:13You are welcome.
13:14What do you mean, "you're welcome"?
13:15Ah, nonsense.
13:16What nonsense, Pepe?
13:18She told me she wanted it to be a secret between us.
13:21Well, you tell me, because I'm not telling anyone.
13:23Peppa, what do you want?
13:24What if I betray Clara's trust?
13:27Did she prefer to tell me?
13:29Well, I don't find it funny at all.
13:30Well, then...
13:31I'm sorry, I'm sorry, I'm sorry, I'm sorry.
13:33Look, Pepe, you know what I'm saying?
13:35When you try to be funny, you become much more unbearable than when you're being normal.
13:42I'm going to take this crow up to the bathroom.
13:44He has a cold and I don't want his vocal cords to get cold.
13:47Wait, come here.
13:48Come here.
13:49Hey, do you know?
13:50Did you know that the crow is one of the animals that best imitates the human voice?
13:54So, Pepe, what?
13:55Is it true that you're not going to tell me anything?
13:57Look, Pepe, you haven't seen me in a bad way yet.
14:01Oh, how scary!
14:02Oh, how scary!
14:03Oh, how scary!
14:04Keep acting funny!
14:07You laugh!
14:13And two burritos.
14:17Hi, Mom.
14:18Hello.
14:18Hello, girls.
14:20I'll be right back.
14:24Hey Fermín, what's gotten into you?
14:28Girls, business isn't going well.
14:32Here we go again, Fermín.
14:34The renovation cost me a fortune.
14:37But your father lent it to you.
14:39Well, that's none of your business.
14:41What if you didn't spend so much at night?
14:44But if I hardly ever go out, I do gymnastics.
14:48Go on, give me another beer.
14:50What you need to do is leave the box alone, Fermín.
14:53There.
14:54You give him a few trips.
14:56I can't help it.
14:58That?
14:59I see the money there.
15:00And it is beyond my strength.
15:02I'm getting carried away.
15:04But I only have a couple of drinks.
15:06Well, the other day that pimp from the oasis came up to us and said, right, Pepa?
15:11If you give him another bad check, he'll cut it to pieces.
15:17Oh, really?
15:18Yeah.
15:19Well, I'm going to hire a new cook from Castellón.
15:23He's been an amazing jug in the circus, so I'm now going to be your bodyguard.
15:28Okay, but she has to know how to cook, right?
15:30Otherwise, we'll be the ones to ruin it.
15:32I'm going to make a lot of changes.
15:34I'm going to have live music, menu offers and things, and board games for senior citizens.
15:45That's very good, Fermín.
15:46That's great.
15:47If you don't mind, I'm going to look after the girls for a moment.
15:53So that I don't take too long.
15:55He tells me he loves me.
15:56Okay.
15:57I tell him that I love him.
15:58Then he kisses me and I kiss him back.
16:01Okay.
16:02Yeah.
16:02Okay, so what else?
16:04Well, he keeps giving me kisses and tells me again that he loves me.
16:07Then I tell him about Robert Redford in Out of Africa.
16:10That we have to be free, that I don't like being tied down, etc., etc., right?
16:15But of course, I'm not stupid and I don't tell her so she can do whatever she wants.
16:19But so that he realizes how fantastic I am and becomes even more infatuated with me.
16:24Well, the absolute idiot takes it literally and comes to recess talking to
16:31Patricia, that one from third grade who has boobs like that.
16:34What are you saying?
16:34With the mushroom?
16:36Yes, you heard right.
16:38Do you think she doesn't wear underwear during evaluations?
16:41Of course, yes, that's why it passes.
16:45So, what have you done?
16:47Well, I've cut it off at the root.
16:49Then I tried to criticize him, but I couldn't.
16:53Well, here you go.
16:57Thank you so much.
16:59How are you?
17:01Good.
17:02Good.
17:03What, I'm bringing you the usual?
17:05Yeah.
17:08Okay, but let's see.
17:10Why didn't you give it a green rating?
17:12Because I started crying like an idiot.
17:15It's taken me so long to learn how to kiss properly.
17:18And didn't it disgust you a little at first?
17:21Yes, the drooling is a bit annoying.
17:24But hey, tickling is fine.
17:28Here's the question.
17:29What should be done in these cases?
17:32Well, I think we should treat him with a lot of contempt so that he feels like a little worm.
17:39Yes, but I always do that.
17:43Well, I don't know.
17:45That's it.
17:46What if we tell Mom?
17:48Hey?
17:48Damn, he's got dad stiff as a board.
17:52No.
17:52I already told Dad and he looked like a fish and said to me.
17:56That's life.
17:58Well, Mom's going to be really annoyed.
18:01Because?
18:02I don't have to tell you anything about my life.
18:05Yes, but you told Dad.
18:07Hey?
18:07And that's not allowed.
18:09It is not allowed for you.
18:11Here you go.
18:14Thank you so much.
18:16And what have you come here for?
18:19To see you.
18:21Ah, well, you've seen me.
18:22Don't you have anything to say to me?
18:25No.
18:25I don't know.
18:27Look, Clarita, you're going to make dinner yourself tonight.
18:31And those clunky t-shirts you're wearing, you're going to wash them yourself and iron them yourself.
18:36There are three thousand.
18:38Did you hear me?
18:41I told you.
18:49Jorge, lay off the chocolate, son.
18:51Stop eating chocolate, eat macaroni.
18:53Give me the chocolate.
18:55Mom, Clarita has a problem and wants to ask for your advice.
19:00If she has already spoken to her father.
19:02Dad has no idea, Mom.
19:04That's what I say, but it seems that Clarita doesn't think the same.
19:07Come on, sit down.
19:09Dad has no idea, Mom.
19:11Okay, Clarita, tell me, I have so many things to do.
19:15Okay.
19:16Well, it's just that Ignacio...
19:19Ignacio, Ignacio?
19:20Yeah.
19:21Yeah.
19:23Well, Ignacio...
19:25So, Ignacio, to sum it up.
19:28Clarita saw him flirting with another girl.
19:31And she, being head over heels for him, doesn't know what to do.
19:35Very simple.
19:36And that was it.
19:39Look, Clara, what destroys men is jealousy.
19:44So what you have to do is make him jealous with someone else.
19:47With someone else?
19:48Yeah.
19:49How disgusting.
19:50I won't stoop to that anymore.
19:52Daughter, well, it's the only way.
19:54Your mother tells you so.
19:55Come on, if Mari had listened to me about that idiot Paul, we'd have him now, we'd have him eating out of our hands.
19:59hand.
20:00Go on.
20:01Yes, you don't say.
20:02Are you telling me now?
20:03Well, I'm telling you now because back then nobody told you anything, Mari, you were acting like a fool all day long.
20:07Paul, Paul.
20:08I just don't know.
20:10I don't know with whom.
20:11You with whoever.
20:12And don't try to make anything up because you'll ruin it.
20:16What if I lose it?
20:17Daughter, the tomato.
20:20That's the risk you have to take.
20:22My tomato.
20:24By the way, Clari, why did you tell your father before you told me?
20:29I don't know.
20:31Because you are so temperamental.
20:34And who, me?
20:36Yeah.
20:37That's what Dad says.
20:38That you've always been crazy and that he was the one who grounded you.
20:43He to me.
20:44He's going to find out.
20:45I was going to forgive him, but he's going to find out.
20:48Mom, don't be vengeful.
20:50Don't be vengeful, Clara.
20:52That's just how I am, daughter.
20:54And yours.
20:55Am I not like that?
20:56No, and no again.
20:57You'll see in time.
20:59Foolishness.
21:00I'm going to kill myself by eating french fries.
21:07Mom, you're such a drama queen.
21:11Clarita is vengeful, but no more innocent.
21:15Vengeful.
21:17Yes, I'll know, since I gave birth to her.
21:21Vengeful.
21:25Mom, the door.
21:28Door?
21:31Hello, daughter.
21:32I've left my keys behind.
21:33Come in, come in.
21:34Hello.
21:37Hello, Ignacio.
21:39It's Ignacio.
21:40He has deigned to come and see me.
21:43Hello, Ignacio.
21:44Clari.
21:45Hey Clara, if you don't mind coming to the movies...
21:49Out!
21:50But, daughter, but why did you hit him and...?
21:52I don't want to see you again.
21:54So don't you dare set foot in this house for the rest of your disgusting life.
21:58I don't want to see him again.
22:00Can you hear me?
22:01What's happening?
22:02Will you ever hear me again?
22:04Never!
22:09Poor thing, my little girl.
22:11Poor thing?
22:12But, Mom, you saw the slap she gave him.
22:22That?
22:23Have you calmed down yet?
22:25The anger?
22:27Don't start like your mother.
22:29No.
22:30But she'll pass.
22:32Okay, but let's see.
22:34Let's see.
22:35What has Ignacio done to you?
22:37Ignacio doesn't exist for me.
22:39I thought he was like me.
22:41That it was different.
22:43But it's a leech.
22:45Already.
22:46Shouldn't you talk to him?
22:48Hey, maybe there's been a misunderstanding.
22:51Look, Dad, forget about this matter.
22:55But it's still at the door.
22:57And he says he won't leave until you come down.
23:01And on top of that, with threats.
23:03Clarita, daughter, look, I think he's already sorry.
23:07Besides, she should talk to another girl, it's not that serious.
23:09But I don't care if he talks to another girl.
23:12He can talk to whoever he wants, as far as I'm concerned.
23:14What bothered me was the slug-like attitude he had towards her.
23:17And I realized that he was doing the same thing to me.
23:21And on top of that, I liked it.
23:23Ha!
23:24Well.
23:25So, what then?
23:28Should I tell him you're going downstairs?
23:30But you're stupid.
23:31Don't you understand what I've told you?
23:33No.
23:40Exactly the same as your mother.
23:44Ha, I'm stupid!
24:08Take it, Ignacio.
24:10Thank you.
24:13Aren't you cold?
24:15No.
24:17Come inside, okay?
24:18Clara has forbidden me to do it.
24:21I don't want it to get ruined again.
24:25What are you up to?
24:27I'll be here until he forgives me.
24:29What if he doesn't forgive you?
24:32I don't know.
24:35Excuse me for interfering in your affairs, Ignacio.
24:37But knowing Clarita, how could you even think of talking to another girl?
24:41If it was because of her.
24:42I told her that I loved her.
24:44And she told me that we had to be free.
24:48And of course, I thought he didn't want to commit to me.
24:51And they told me that the best thing to do was to make him jealous with someone else.
24:55Ah, yes.
24:56Do you think they will forgive me?
25:00Yeah.
25:01And when more or less?
25:04I don't know, Ignacio.
25:05But I'll let you know.
25:07Hey?
25:07Now go home, it's very late.
25:10Your parents will be waiting for you.
25:11They will be very worried.
25:12And you have exams tomorrow.
25:14Well, yes.
25:15My father is in Zaragoza, at a Harley-Davidson rally.
25:18My mother...
25:19My mother goes out a lot at night.
25:21If you don't mind, I'm going to stay here and see if they forgive me.
25:26Well.
25:27But eat the buns, okay?
25:32Ignacio.
25:32Ignacio, let's see if your brain freezes for the exam.
25:36It doesn't matter.
25:37Clara says it's the least valuable thing I own.