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00:21Hello!
00:25Hello everyone.
00:28Hello!
00:30Is there no one home?
00:43Ah!
00:44Yes, hello?
00:49Hey, Clarita!
00:51I know it's you, okay!
00:52Don't scare me, please!
00:54I'm pregnant!
00:56Don't scare me!
01:08Clarita, come out, I know it's you!
01:09Please leave!
01:11Clarita, come out, I know it's you!
01:14Clarita, come out!
01:16Reserved!
01:20You scared me half to death!
01:24What a fright!
01:25What a fright!
01:37What a fright!
01:39Are you already outside talking to Ignacio?
01:42Are you trying to pull my leg?
01:44No!
01:45Mother!
01:46Look!
01:47I just saw some guys jumping over the fence.
01:49Look, Clarita, please!
01:50Go to sleep!
01:53Well, that's true, Dad.
01:55My daughter, come on, I'm very tired, Clara.
01:57Hey, I saw two guys running with our TV, huh?
02:00So, what's going on? Are you all joking around today or what?
02:10Who hid the TV?
02:12Clarita, you know I still don't find those jokes funny at all, okay?
02:14Hey, where's the TV?
02:16How should I know?
02:18Pepe, that thing they stole from us.
02:20Oh, Pepe, my jewels!
02:22The seminar.
02:23The seminar.
02:24If they've stolen the seminar...
02:25They didn't rob me, did they?
02:28Hey, but what...
02:29Pepe, what is the seminar?
02:31Well, seven gold bracelets that he gave me as an engagement gift.
02:34Pepe, Pepe.
02:35Pepe, all our jewelry has been stolen.
02:37And the fat bracelet made of gold coins.
02:39You scoundrels, you filthy bastards!
02:41If I catch them, I'll kill them.
02:43Mom, my earrings, my gold chain, my rings, everything, they've taken it all.
02:47And the camera.
02:48And I still had fifteen installments left.
02:50Okay, fine...
02:50And now...
02:51And now tell the police.
02:53Those two crawling lizards.
02:55There was...
02:56There was...
02:56They had to cut off his hands.
02:58No, no, no, no.
02:59Better to kill them, kill them.
03:00But slowly, so they suffer.
03:02Pepe, please calm down a little, okay?
03:05Let's see.
03:06The first thing we need to do is make a list of everything that's been stolen from you, okay?
03:11What is it?
03:12The TV.
03:13The camera.
03:14Money?
03:15Money?
03:16Money?
03:16No, because there wasn't one.
03:19Electronic devices?
03:21There wasn't any either.
03:24Uh, Chinese vases.
03:26Porcelain.
03:27I would dedicate myself to it.
03:30But what have they stolen from you?
03:32Well, I've already told you.
03:33Seven gold bracelets that Pepe gave me for my engagement and then a gold slave bracelet
03:37with some fat gold coins like that too.
03:40Well, and the TV, huh?
03:42Well, when they plug it in and get a shock, or when everything turns green.
03:47Well, let's see what the sausages do when they turn it on and it starts turning on and off.
03:51Okay, okay, but no, no.
03:52This, this isn't going to stay like this, is it?
03:54Pepa!
03:54That?
03:55This isn't going to end like this!
03:59This isn't going to end like this!
04:04Gold bars in this incident.
04:09They help.
04:38Thank you!
05:00Thank you!
05:09What have you missed?
05:10Well, look, I've noticed I'm missing six silver seminars, and then a ring with a large topaz stone.
05:18and then a set that included the earrings, brooch, and coral necklace
05:25and then also two of those Chinese figurines, hand-carved from ivory, and an automatic washing machine.
05:32They've taken the washing machine too?
05:35And that's it?
05:36Twelve gold rings have been stolen from me.
05:39Twelve?
05:40Yes, her whole hand was covered in jewels.
05:43And three gold bracelets and two silver ones from Goa.
05:47Right, Mom?
05:48But silver from Goa.
05:50And I don't know what else.
05:51I'll have to look into it.
05:52Well, just make sure you don't lack anything.
05:54Well, let's see if we get lucky.
05:57Oh, I wish, Antonio.
05:58Let's see.
05:59We found something.
06:00Let's see what happens.
06:00Let's hope we have some luck, Antonio.
06:02Thanks for watching.
06:03Okay, Maja.
06:03Well.
06:04Bye bye.
06:04Bye bye.
06:05Bye bye.
06:06Bye bye.
06:09Okay, but okay.
06:09But you're crazy.
06:10Why are you telling them that all of that has been stolen from you?
06:12Hey, well, if they find that, then it's for us.
06:14So, you don't care about justice.
06:21Good grief, what a ball!
06:27Hello, Manolo.
06:29Hi, Juli.
06:30How are you?
06:31That's awful.
06:32But how you've grown, huh?
06:34So what?
06:35What is this?
06:36You're pregnant, aren't you?
06:37Yeah.
06:38And the father?
06:38Dad, don't be a blabbermouth.
06:41Any bisexuals among them, huh?
06:43Right?
06:47Hello, daughter.
06:50Hi, Dad.
06:52Okay, I'll leave you now.
06:52See you later, Manolo.
06:56It's been a long time, hasn't it?
06:59Well, since Christmas, when you stood us up.
07:01Hello, grandpa.
07:04Hello, Maria.
07:08May I come in?
07:11Come to the kitchen, I'm going to make you coffee.
07:14Can you make me coffee?
07:18Hello, grandpa.
07:27My favorite granddaughter.
07:31Hello.
07:32Hi gorgeous.
07:35Well, Clarita, what about you?
07:37What are you doing here at this hour?
07:39I've been kicked out of class.
07:40Ah, very good.
07:41And why did you go this time?
07:43A teacher made me laugh.
07:45Clarita, but how many times have I told you
07:47that you don't have to laugh at the teachers.
07:49Look, Mom.
07:50He has said that the social novel is revolutionary.
07:53That's just nonsense.
07:54Well, the girl is right, isn't she?
07:56The only revolutionary thing here is the weapons.
07:59And love, Clary.
08:01Love.
08:03By the way, Clary, you have to see my latest work.
08:06Yes, yes, I have it there in the car.
08:08It's the most painful thing I've ever painted.
08:12Yes, grandpa.
08:13Uh-huh.
08:14Clary.
08:21Dad, how long has it been since you spoke to Mom?
08:26She's unbearable, Pepa.
08:30It's unbearable.
08:31He spends his time going to bars, kiosks, and the supermarket.
08:36Talk to the shop assistants until they close, right?
08:39Hey, I don't see the point.
08:42And what are you going to do?
08:43Are you going back to Benidorm or are you going to stay here with her for a while?
08:48Well, I don't know, Pepa.
08:49No, no, I don't know.
08:50But I can't go back to her.
08:52You have no idea how she's been lately.
08:56The entire base of pills.
08:57All day long.
08:59Throw a zombie.
09:00No.
09:01But you've never loved her.
09:02Hey, Pepa.
09:04That's my business, you know?
09:07So, what's up? How are things going around here?
09:12Fatal.
09:13I'm stuck with nothing and no prospects for anything.
09:17Already.
09:18And Pepe?
09:19Well, Pepe is at the factory.
09:21He has already set up a pet shop.
09:23But it's a ruin.
09:25Okay, let's see.
09:28No, leave it, Dad.
09:29If it's the same.
09:29We're not going to get out of poverty anyway.
09:32Oh.
09:33I believe I've arrived at the right time.
09:36Let's see.
09:38What does my favorite granddaughter want?
09:41No.
09:42She doesn't want anything, Dad.
09:43In any case, do it for your favorite daughter.
09:47Grandfather.
09:48Well, no, Manolo.
09:49I prefer to call him Manolo.
09:52What do you have to explain to me about what you have tried to express in your latest paintings?
09:55Of course.
09:56Yeah.
10:02Go on.
10:03Help me get them out of the car.
10:17Well, I have a friend who is a painter.
10:19It's goodbye to the mental image.
10:20In nymphs and edphi.
10:22And when the guy paints, he really paints.
10:24It's the milk one.
10:24Yeah.
10:25And you don't know that Jackson Pollock made love on top of his paintings.
10:33That's super trendy, huh?
10:34And what kind of painting do you do?
10:37I'm going to show it to you.
10:39It is an unfinished work.
10:45But I think you can see the effort to master the light without succeeding, of course.
10:52I couldn't finish it without betraying its spirit, you know?
10:55I really like what you're saying.
10:57Because I don't like to do things in life that betray my spirit either.
11:00No.
11:01Well, what about world hunger?
11:03No.
11:05Duanda.
11:06Bosnia.
11:07Bosnia.
11:08Rwanda.
11:12Okay, we're going on patrol.
11:14Where did you say you were going, Pepe?
11:17To patrol.
11:18The police told me that if I catch them in the act, I can report them.
11:22Otherwise, no.
11:22But how are you going to catch them?
11:24Watching them all night.
11:26We've brought sandwiches and a thermos of coffee.
11:28But you're crazy.
11:30If the police don't do their job, I'm not going to stand idly by.
11:33I'm carrying the shredder ray gun.
11:37No, no, I know who they are.
11:39They're the ones with the oranges.
11:41Those who pass by with the orange cart.
11:43This is how they monitor where there are people and where there aren't.
11:49Hey, what's your father doing here?
11:51Well, I don't know.
11:52Well, it's possible that he doesn't want to have dinner.
11:54And don't give out money, because it spoils the children.
11:58Pepe, look.
12:00Look what he gave me.
12:06Well then, let him stay for dinner.
12:08But don't call me an idiot in front of everyone, okay?
12:10But my father has never called you an idiot, Pepe.
12:12And that he doesn't laugh at me when I speak.
12:14But he loves you very much.
12:15Does he/she want it a lot?
12:16But he says he started drinking after he met me.
12:18And she always tells the girls about it.
12:19And I don't find that funny.
12:21Listen to yourself, because he's a little bit of a center-right person.
12:23Central?
12:23Pepe, be careful, Pepe.
12:28I'd love to hear you've been on the phone all day long.
12:31Yeah.
12:32Well, Julianín, I don't think I'll be able to leave, eh?
12:35No, I don't think so.
12:37But thank you very much, okay?
12:38Okay, a little kiss until now.
12:40Who is that, Julianín?
12:44A friend of mine, an assistant director, called me about a small role in a movie.
12:49Huh?
12:49And you told him no?
12:51Mom, I just don't want to be separated from Paul.
12:53I don't want it to be because of me...
12:55But Maria, you're stupid.
12:56And you are unbearable.
13:00That?
13:01That's when I met Diffy's grandson.
13:07From Diffy.
13:09And do you know what he told me?
13:12So from that moment on, I was going to tell people not to look at the watercolors of
13:17Diffy.
13:18That they should see Martínez's watercolors.
13:23What do you think?
13:25That sounds great to me.
13:28And do you know who I think will be my successor in painting?
13:32Well, I have no idea.
13:34At first I thought it would be Barceló or Sicilia or even that boy from Melilla, but no.
13:43That's great, Dad.
13:45Do you know what we could do now?
13:47We could call Mom.
13:50Hey, Pepa, but what does all this have to do with calling your mother?
13:54Dad, I've been putting up with your nonsense for two hours.
13:56The least you could do is make me happy and call Mom.
14:00No, Pepa, no, no. I don't want to call your mother.
14:04Well then, he won't drink any more whiskey.
14:06Okay, okay, okay.
14:09But in exchange for a kiss, right?
14:15Oh, Dad, when are you going to stop drinking?
14:17Shut up, woman, shut up, I have the liver of a 20-year-old boy.
14:22Come on, be good, come here.
14:23Come on, call her on the phone and tell her, tell her, tell her nice things, tell her...
14:29Okay, yes, Pepa, but what can I say to her?
14:32Tell her that you love her very much and that you miss her a lot.
14:35No, but can't I call her tonight? Maybe she's not even here right now.
14:43Mother?
14:44Hi, how are you?
14:46Yeah?
14:48Yeah?
14:50Yeah?
14:51Mother?
14:53Mom, I'm here with Dad, and he wants to talk to you.
14:58What do you mean you don't want to talk to him? I've spent two hours trying to convince him, and now you're telling me you don't want to talk.
15:01with the.
15:02Come on, get on it.
15:06Hey Amelia, hi, how are you?
15:10I wanted to tell you that I haven't called you...
15:13She doesn't care at all to know why I haven't called her.
15:17She talks and talks and talks. And even if I don't answer her, she keeps talking.
15:21Amelia, Amelia, listen to me, Amelia. I'm asking, how are you?
15:27Yes, yes, yes, yes, I know, I know the neighbors have died. I can't stand them, Pepa, I can't stand them
15:34I can stand it. That fondness for talking about illnesses and death and...
15:40Dad, dad, apologize to her, apologize to her and stay with her.
15:44Hey, Amelia, your daughter says we should get together.
15:48Hey, Dad, don't be a kid.
15:52She started to cry.
15:55You're such a jerk.
15:57Mom, mom, don't cry, you know how dad is.
16:00See? You must be happy, you've already made her cry.
16:03Huh? You've never, ever listened to me, you were never there when I was little.
16:06And now, for a favor, for a small favor that I ask of you, Dad.
16:09Ponte.
16:13Amelia, listen to me.
16:17She hung up.
16:19Hello everyone.
16:24What's wrong, Mom?
16:27Nothing.
16:29Hey grandpa, how's it going?
16:31Come here, come here, Marieta. Come here, I'm going to tell you something.
16:37Did you know that I was once interviewed and they asked me what the secret to my great success was?
16:43My paintings?
16:43You don't know.
16:46Do you know what I answered him?
16:47That?
16:48Well, I told him that I painted pictures like a man.
16:53Like a man.
16:55Dad.
16:55Yes, yes, yes, yes. Like a man.
16:57That I wasn't homosexual. No, no, no.
17:00That I was heterosexual.
17:02And that he had a wife, and that he had children, and that he had grandchildren.
17:05And that's precisely where it was proven that I was a man.
17:10Dad.
17:10Of course, and that's why my sex appeal was, well, much greater.
17:16Go on.
17:18Dad, that's enough. Go for a walk.
17:24Maria, we need to talk.
17:26Now?
17:28Yes, now.
17:29Okay, then, hurry up, I'm sleepy.
17:32What's your life plan, Mari?
17:36Study, work, stay home, or leave?
17:40Well, I don't know yet.
17:42Well, if you're going to stay, we're in a very bad place, Maria.
17:44So you'll have to get to work.
17:46No, no, no. Don't even dream about working.
17:49There is some very good work being done.
17:51Looking to buy something at a photo shop.
17:53Mom, at a photo shop?
17:55What do you want?
17:55That I have to put up with the gossipy old woman who tells me
17:57No, look, it's just that the film reel has been fogged.
17:58No, no, but my son is more handsome than he looks in this photo.
18:01No, please, Mom.
18:02Well, either that, Mari, or you go back to school.
18:04I'm bored with school. They're all just a bunch of kids.
18:07Of course, they're just kids because you've been repeating the year for two years, Maria.
18:10And then, of course, if it were you at that moment...
18:12Well, what do you want? To take out grandpa's bad attitude on me?
18:15Maria, don't talk to me like that, okay?
18:16You talk to your father like that and he lets you, but not to your mother, huh?
18:21Leave me alone.
18:34What if we leave everything open and act as bait for thieves?
18:37But don't talk nonsense.
18:39Oh, don't talk nonsense.
18:41I'm not going without your gold wedding ring.
18:43And without your jewelry.
18:44I only know how much work it took me to earn them.
18:46Okay, calm down, Pepe, calm down.
18:49Yesterday...
18:49Yesterday, someone they call the sparrow arrived with a bag full of gold.
18:53And another one they call the rat with three televisions.
18:56But where have you ever seen all that?
18:59I know where they meet.
19:00I turn off the car lights and look.
19:03And I take down their license plates.
19:05Well, just leave it at that, let's see if they'll take your registration number.
19:07They might burn your car, Dad.
19:09But don't worry, man, don't worry.
19:12I'll buy back what you've stolen, and that's it.
19:15You shut up, Dad.
19:17Well, I'm going to see if I can join the unemployment line.
19:19And we'll talk later, you and I.
19:25Bye bye.
19:26What's he doing here?
19:28Mom, don't worry, I'm still a virgin.
19:30We've been studying all night.
19:32Oh, and what's with this newfound passion for studying?
19:36Ignacio explains things to me very well.
19:38Yes, and is it making progress?
19:40You, Ignacio, look better when you're quiet, don't you?
19:42Go on, go to your uncles' house.
19:45Hala.
19:48Clarita, as you already know, one day you're going to get what's coming to you, huh?
19:52What's wrong? Don't you trust me, Mom?
19:54Well no.
19:56Stop it, it scares me a lot.
19:58I'm a woman now, Mom.
20:00You are a girl.
20:03So, if I slept with you, it would upset you.
20:06Yes, very bad.
20:07You're just a girl, you're only 16 years old.
20:10Look, Mom, I'm a woman now.
20:13And I thought you weren't going to give me any trouble,
20:15because my friends sleep at home with their boyfriends.
20:19But anyway, I thought you were a modern woman.
20:22Well, I'm not modern, I am who I am.
20:25Come on, don't you like it?
20:27Well, no, I don't like it.
20:28No, okay then.
20:29Well, if it makes you feel better, I'll go to a hotel during the day.
20:33That sounds great to me.
20:35Well, I'm going to have breakfast.
20:37That sounds great to me.
20:50Hello, Julio.
20:51Oh, don't eat so much ice cream, honey, you're going to get as big as a ball.
20:55Oh, leave me alone, let me eat ice cream.
20:58Hey Pepa, by the way, a question.
21:01Do children just come out like that?
21:04Yeah.
21:06And besides, he'll look like me, because he doesn't have a father...
21:10Do you know what I've been thinking?
21:11If it's a girl, I'm going to name her Helena, but with an H.
21:15No, but Helena is without an H, darling.
21:17No, not the Greek name.
21:19And if it's a boy, I think I'll name him Jonas Groucho.
21:23Oh, what did you say you were going to name it?
21:25That?
21:26Jonas...
21:27Because of Tanner's film, that one was also beautiful.
21:30And Groucho for the one with the brothers.
21:32Isn't it fantastic? Isn't it?
21:34Yeah.
21:36Hey, how's the TV my dad gave me?
21:39Well, for the rubbish they serve.
21:42Do you know that I'm getting more and more fed up with working as a scriptwriter?
21:46Come on, Juli, don't talk nonsense.
21:48No, I'm not talking nonsense.
21:51As I get older, I can tolerate less and less those idiotic directors and those bootlicking assistants.
21:58of direction.
21:59Come on, Juli, don't be such a complainer.
22:06Well, Pepa, I've come to say goodbye.
22:11When are you leaving?
22:12Now.
22:14Now?
22:15Yeah.
22:16You're always the same, Dad.
22:18Either you don't leave, or you leave early.
22:21Always the same, Dad.
22:22But, Pepa, please don't scold me.
22:25Look, I've brought you food.
22:27Thank you.
22:29Aren't you going to give your father, who loves you so much, a little kiss?
22:33Do you really think that bringing food will fix everything?
22:36Always the same.
22:37As a child you would start a fight, you would leave, come back, bring cans and cold cuts and that was it.
22:42Hey, Pepa, please, please forgive me, forgive me, but I used to bring you food when you were little because it was the only thing
22:49that made you happy.
22:51And I enjoyed watching you eat.
22:54But if you don't love me, Dad.
22:56That's not true, I do love you, Pepa, I do love you.
22:59But I don't understand your attitude; you don't like anything and nothing seems right to you.
23:05Besides, I've always dreamed that you were a painter or a writer or...
23:11Who, me?
23:13But you always thought it was worthless.
23:15No.
23:15My sister and brother were the smart ones in the house, and I was the ugly duckling.
23:19That's not true, Pepa, that's not true.
23:21I've always thought you were capable of anything.
23:24Well, I never did anything, Dad. Do you know why I never did anything?
23:26Because you did not trust me.
23:27Yes, we did trust you.
23:30So why were you never there?
23:32Why didn't you ever come to see me when I was sick?
23:37Take.
23:38Take your money.
23:40But hey, Pepa, but hey, what's this all about now?
23:43Because I don't want it anymore, because I don't want it anymore.
23:45Because you have hurt me a lot.
23:46And I haven't forgiven you yet.
23:57Hey dad, don't smoke so much.
24:04If you came back to Mom, you would make me so happy.
24:10Listen, Pepa, you know that I separated from your mother because I wanted to go paint in Paris.
24:22And that she was the one who called me there to tell me that she was pregnant with your child.
24:29Yeah.
24:30And that's why, because...
24:33That's why I came back.
24:38So you're going to call her?
24:44Well...
24:45Yes, that's fine, that's fine.
24:48But tell him I'm not coming back, okay?
24:53Okay.
24:58Well, I have to go, I don't want to waste any time.
25:03Goodbye, Dad.
25:10When I get a serious girlfriend, I'll introduce you to her so you can meet her, okay?
25:16Now I have one who is a painter, but I don't like her at all.
25:19He doesn't know Connie.
25:25Goodbye, Dad.
25:26Don't smoke.
25:28And don't drink.
26:00Hey, Mom, did you know there's a home artificial insemination service where you can choose the color of
26:07Your child's eyes and sex?
26:10I think I'm going to call, okay?
26:11Because Ignacio doesn't convince me.
26:14Clary, I know you really like to play hard to get when it comes to sleeping around.
26:18But we need to talk seriously.
26:23Okay, Mom.
26:25Don't look at me like that, it makes me laugh.
26:28Because?
26:29Because yes, because I imagine you as a little girl when I used to tickle you, and now I see you like this, all naked.
26:35And it makes me laugh.
26:39How funny.
26:41Okay, come on, spill the beans.
26:43Clary, the first boy is very important.
26:46Why would it be important?
26:48Because it's the first one.
26:49Then comes the second, and then the third.
26:52Clary, it's very important.
26:54Look, Mom, the only important thing is that you feel identified with him.
26:58In other words, that your soul and his become one.
27:02Is that what you think?
27:04Yeah.
27:05I believe that love is something spiritual.
27:09I think so too.
27:11For me, love is something very important.
27:16Come here, come here and give me a little kiss.
27:24Mari? What's wrong, daughter?
27:27Nothing.
27:32Julianín?
27:33Hello, I'm Maria.
27:35I was calling you because that job you told me about is still available.
27:41Oh, that's great. Well, thank you very much.
27:44Yes, yes, yes. Count me in, okay?
27:45Tomorrow, I'll be there tomorrow.
27:47Okay. No, don't worry about the money, it doesn't matter.
27:50Okay, see you later.
27:52Look, Mari, I think you did very well.
27:56Me too.
27:58You explained it to Paul and, of course, Paul must have understood.
28:03Yes. Well, I didn't need to.
28:07I went to his house to see him this afternoon and he was sleeping with my best friend.
28:14But I'm a mature person now, Mom.
28:15But I'm a mature person now, Mom.
28:16And these kinds of things don't affect me.
28:21I went back to him and I knew he was going to do the same thing to me.
28:25How difficult it is for people to love you, Mom.
28:33We love you very much, don't we?
28:36Yeah.
28:57I'm not, Dad.
29:01Don't worry.
29:01Don't worry.
29:01Don't worry about doing what you do.
29:03Don't worry.
29:03Don't worry.
29:06Don't worry.
29:10How are you?
29:11Cool
29:14Shall we watch TV?
29:16Cool
29:19And do you like the bed?
29:20Yes, it's a really cool bed
29:25The Texas Chainsaw Massacre?
29:26How cool!
29:28Okay, let's watch it and leave our thing for another day.
29:31Cool
29:41Thank you!