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00:12Hey, I'm thirsty
00:31Pepe, Pepe, Pepe
00:35That?
00:37Oh, sleep again.
00:40What dream?
00:41The one about that man, who is thirsty
00:44Oh, Pepe, Pepe, who could it be?
00:49And what about me?
00:52Oh, son
00:59Pepe
01:03Pepe
01:05It's six in the morning
01:07I went to bed last night after painting both of them, I'm exhausted
01:09Yes, because you're not too exhausted to do that silly muscle thing.
01:13Pepe, please
01:15You don't believe me, do you, Pepe?
01:18Yeah
01:19Yes, you say yes to me like you would to a madman
01:21But I saw him, I swear I saw him
01:25I'm going to drink water
01:26Sleepiness has made me thirsty
01:30And I'm going to make some flan, what do you think?
01:34Are you going to make flan at six in the morning?
01:37Yes, I have that craving.
01:40Pepe
01:41That?
01:42You need to bring brown sugar, because there isn't any left.
01:45I'm going to make you a list
01:46Hey, let me sleep
01:48Yeah, well, don't believe it.
01:50But I have powers, Pepe
01:52And I hear voices
01:53They tell me about things
01:54And do you know what they told me?
01:56Alfonso Guerra
01:57He's a very good person.
01:58And that everything that has been said about him is a lie.
02:01And I've also been told that the prosiniequi
02:04He's going to be a success at Barcelona
02:07Very good
02:11Thank you!
02:13Thank you!
02:18Thank you!
02:36Thank you!
02:58Jorge, wake up, son.
03:00I don't know about this kid who falls asleep every time he studies.
03:07Mari, I've had the dream again.
03:11The swimmer's?
03:12No, the soldier's?
03:14But he wasn't a drowning swimmer, Mom.
03:17Daughter, Mari, don't you pay attention to anything I say?
03:20Hello, Mom, hello, Mom, hello, Mom.
03:22Clarita, I had that dream again, the one about the man who is thirsty.
03:26Well, give him a bottle of water and see if he shuts up.
03:29Hey, do you know what I'm going to write?
03:31But this time, none of my stuff, no.
03:34No, a commercial novel, which is what really brings success.
03:38Man, I think that's the best way I can spend my time.
03:41Because look, I'm not interested in sex.
03:44Drugs too.
03:46And the people, well, I won't even tell you, come on.
03:49Jorge, Jorge, put it in, son, put it in.
03:51Get in there, get in there, wake up.
03:53I'm so hungry!
03:55Hey, did you know that pecs are really hard to develop?
04:02That?
04:08About the short course.
04:10Hey, what's this about a short course?
04:12That.
04:13And how much does it cost, Mom?
04:15Because I'm already sick of advertising it like it's made of bubblegum.
04:18Look, Paz, there's a course being given by the son of one of the people from the Actor Studios.
04:24That?
04:25And it's a fantastic course.
04:26And all the celebrities go too.
04:28Look, there goes Carmelo Gómez and Manol Arias.
04:32Hey Neda, is it true that you're separating?
04:34And Manol Arias?
04:36How should I know, Mom?
04:37What interests me is the short course.
04:39But, Pepa, the little girl was the same as always.
04:42He'll go to class for a couple of days and then, that's it.
04:45I?
04:46Come on, I plan to go every day.
04:48Yes, he promised me.
04:50Pepa, we agreed that you would give me the first money you got from the cafeteria.
04:55We have a lot of debt.
04:56Pepa, you're exaggerating.
04:59Exaggerated?
05:00The loans, the mortgage.
05:03I owe money to all my coworkers at the factory.
05:05I owe money to my brother's boyfriend, yes, he's the musician who took out a loan for me.
05:10The Society of Authors.
05:11We owe money to the people at the pizzeria, to the people at the teleshopping channel.
05:14I don't know.
05:15Look, Pepa, what I think is that you're making a mountain out of a molehill.
05:19Pepa, have I told you that I've started having sleep problems again?
05:22Mom, don't be a pain.
05:24Well, I think those things are all true.
05:27Because look, Mom, I was with Paul once.
05:30Maria, no, no.
05:32Well, afterwards, Mom, I had an astral projection.
05:37But then when I got back from the trip, my body was busy.
05:42Well, I don't know who would want to occupy your body.
05:46Well, your egg, Pepa.
05:48Honey, I'll pay for half of the course, okay?
05:51But you pay for the other half yourself, working in the bar, because they need people now.
05:55Take.
05:56But Mom, if I get an audition for a movie...
05:59What? When do you have proof of that?
06:02Well, now I don't have any.
06:04Well, that's why.
06:05You're coming to the bar now, you have a test.
06:07You're going to the test, huh?
06:08Or nothing at all, baby.
06:10And don't miss the course, okay?
06:12Should I miss the course?
06:14Come on, man.
06:16Jorge, that Charlie guy.
06:18He was a little silly, but he kept me more focused.
06:20Now she's back to being like a wild horse, up and down.
06:23What energy!
06:25Wasted.
06:26Jorge, take that idiot to school, let's see if he'll behave.
06:28That's it, come on, let's go, Mom.
06:30Son.
06:30And she's carrying the backpack.
06:31Look at how he's doing, look, I haven't been able to dress him.
06:35Look, Julia, I've been calling her for two days, she's not answering the phone, Pepe.
06:40Maybe she's got a boyfriend.
06:42Eye.
06:43Oh, God willing.
06:50Okay, honey, two guacamole salads and a burrito.
06:53Let's have those beers, baby.
06:54It's coming.
06:55Two burritos and a guacamole salad.
06:57No, two guacamole salads and a burrito.
07:00Well, it's one or two salads, Pepe.
07:01Two, pretty.
07:02Honey, don't shout, okay?
07:04He goes all the way there.
07:05Okay, Mom.
07:06Why are you turning off the tap, Mari?
07:08I've already closed it.
07:09And what are those beers doing there?
07:10Pili, you pick up the beers.
07:12Yes, of course, daughter.
07:17Hello.
07:20Well, little by little.
07:21No, I'll pee it...
07:22Very nice girl, huh?
07:23Very nice girl.
07:25The thing is, Raquel is upset now about the man she got married.
07:28And then it turns out he was rich.
07:30And her mother didn't want her because she was poor.
07:33Oh, look, he was poor.
07:36Hey, Raquel.
07:37That?
07:38Do you know I've started dreaming again?
07:40The one from whom he was asking for water.
07:43Hey, why would I dream that?
07:45Oh, I don't know.
07:46What is someone well-known?
07:49I don't know, no.
07:50He is dressed as a soldier.
07:51But like an old-time soldier.
07:53How old is it?
07:55Have you seen the last ones in the Philippines?
07:57So much today.
07:58Well, that's how it goes.
08:00Raquel, I'm going to call my grandmother, the one who went to Mexico during the civil war.
08:04Pepa!
08:05Let's see if that clarifies something for me.
08:06Go see Mari.
08:08Mari!
08:10The enchiladas.
08:11They're getting cold.
08:14Oops!
08:14Oh, baby, baby!
08:17Listen, either your daughter is Pabila or she's going to be kicked out onto the street.
08:19Inja, Raquel!
08:21No, daughter Raquel, daughter Raquel.
08:22Hey, I ordered a beer an hour ago.
08:25Well, that'll be less, huh?
08:27Besides, he doesn't see that I'm on the phone.
08:30Hello!
08:31I'm Pepita.
08:33Peppa.
08:33Yes, Josepa.
08:35Hey, grandma.
08:36Hey, did anyone in our family go to war?
08:40Grandpa Cases.
08:42Huh?
08:43Which one?
08:45To the one in Africa.
08:48Huh?
08:49And he died there.
08:51In the battle against crime.
08:55Okay, Grandma, I'll call you later, I'm at work.
08:57Okay, bye!
08:59Chick.
09:00Your daughter is hanging out with the people at that table.
09:04Mari!
09:05To you, please!
09:06No, Mom, wait!
09:07Some friends have come to visit!
09:09My grandmother says that my grandfather Cases was in the African war and that he died there.
09:14In other words, it has to be him.
09:16And my beer?
09:18Wait!
09:20Hey, look, Pepa, let's talk to him because, you see, it's been a month since he's seen his
09:24Father, and the poor man tells me every day,
09:27and my Fermín, and my son Fermín.
09:29Come on, let's get down to brass tacks!
09:33Fermín, son, that's enough.
09:35Pepita, beer is barley.
09:38Feed, feed.
09:40Hey Fermín, have you ever had an extrasensory experience?
09:45I, I, I am possessed.
09:49Why do I like religious films so much?
09:51Look, because my life is like that of Jesus Christ, dedicated to others.
09:58That above all.
10:00Like Chuck Norris, who forgives everyone in Lost One Diazcon.
10:05I bought another beer.
10:07This is my way of life.
10:10And I don't want to relapse into drinking, but it's very difficult when you own a bar.
10:18Well, I'm tired of working for today.
10:22I'm going to be a little useful and go swimming.
10:25And go and find out from your father.
10:26Raquel, don't plan my life for me.
10:30He's having an impossible season.
10:33Absolutely impossible, Pepa.
10:51Julie?
10:52Julie, open up?
10:54Julie, I know you're there?
10:57Julie, come on, open up?
10:59Look, I'm not leaving until you open, okay?
11:08Baby, have you been calling yourself?
11:09Why aren't you answering my phone?
11:11Oh, I have a headache, Pepa.
11:13I'll call you.
11:15Pepa.
11:21Pepa.
11:22This is José.
11:24Oh, hello.
11:26Hello.
11:27Juli told me, "You and she are great friends."
11:30Shared dreams, lost illusions.
11:33Riders of the Stone, the Doors.
11:36Vietnam, the Napalm.
11:40Yeah.
11:41Weren't you going to play a card game, José?
11:43Yes, yes.
11:45My head is ached.
11:47My body is abated.
11:49Okay, hey, where are the postcards?
11:52Here.
11:52Yeah.
11:58Well.
12:00Well, Pepa.
12:02Hey, maybe the three of us can have some good food together.
12:07Ah.
12:07Hey?
12:07That would be a great idea, wouldn't it?
12:10Maybe curry.
12:11Well, we'll see, darling.
12:14Well, that's it.
12:16Bye bye.
12:22Who is this?
12:25Well, he's a friend who came to see me.
12:28Ah.
12:33Help me.
12:36What's wrong?
12:37No.
12:40And where did you meet him?
12:42I've already told you, he's an old friend.
12:45We've been chatting.
12:48Here in bed.
12:51At the bar.
12:52And then on the sofa and then in bed.
12:54Well, that's normal, I'm an adult.
12:58José is the father of my son.
12:59He came to see him.
13:01Well, let's get to know him.
13:03Ah, so this is the one who didn't want to answer the phone.
13:06This stutterer.
13:08Hey, he's not a stutterer.
13:10The thing is, I wanted to be an operator.
13:12He was a focus puller, but he sweated.
13:14He got nervous with responsibility.
13:16That's why he talks like that.
13:18Ah, and that's why he didn't want to know anything about the child.
13:21No, what happened is that he went to work in the Emirates.
13:25And there she stayed, working and doing wedding reports for the sheikhs.
13:31He has just separated from his wife.
13:34What has he come for?
13:36To see me?
13:37And well, to know if I want to go with him.
13:40I didn't think so, Juli.
13:42Listen, I want to have a house and a family and a place to go and leave my suitcases already.
13:49once.
13:50And Juli, but then you'll get overwhelmed because you're very much like Julita Carreras and you've arrived at a certain place
13:54And you already want to leave.
13:55And no, well maybe this time I'll find peace.
13:58And I also have the outfit I bought when I found out I was pregnant.
14:01So that you and Pepe could come and see us.
14:04Are you coming to see us?
14:07Of course.
14:12I can't drink, okay?
14:14I feel terrible.
14:16Don't talk nonsense.
14:17You've been drinking and saying the same thing your whole life.
14:20I don't know, because it feels worse and worse each time.
14:23Oh, everything is spinning.
14:28Careful?
14:29Come on, sit down here.
14:31Look, I really don't know why you drink so much if it makes you feel bad.
14:35Well, listen, it's not easy sleeping with your child's father after a year.
14:45We need to stay calm, see what happens, and trust in chance and the stars.
14:50You say yes to all the rules.
14:53How do you want me to fix it?
14:56My life is a mess.
14:58I don't know what to do with my job, I don't know what to do with my life.
15:01Properly speaking.
15:03Don't talk nonsense.
15:06Besides, Julia, Julia, we're always here.
15:14Getting older all the time.
15:18And do you remember how much fun we had when we were 18?
15:22The other day I found some records.
15:27You'll see.
15:30Do you remember when we were in Ireland and you hooked up with a Swede?
15:36With a Swede who was a sailor.
15:39With Erland.
15:40Er, Erland was pronounced.
15:44He was very handsome.
15:45Well, and how much you were liked.
15:47So thin, with your little glasses, your short hair.
15:50And that intellectual graffiti.
15:51You really drove the boys crazy, Juli.
15:55Right?
15:57Look.
15:59In white satin.
16:00The Moody Blues.
16:01Nights in white satin.
16:03Big hour.
16:04Picnic.
16:05Picnic.
16:06Look, Janeth, wasn't she cute?
16:10I'll shoot.
16:11Shot.
16:13The G.
16:14Peppa.
16:15Of cat.
16:16Peppa, look, I've cut my hair a little and now I have a little white strip here.
16:20behind.
16:20Oh, Peppa, all this stuff on your neck is white.
16:23Sure, here, put a little of this spray on me.
16:25That way the difference in my tan isn't noticeable.
16:27Come on.
16:28Hey, I think I have a tear in this pectoral muscle.
16:32Yeah?
16:32Otherwise, I'm going to work on it a lot and not...
16:34Very good.
16:35Already?
16:36Oh.
16:38What a stench!
16:39But, Dad, why don't you put that oil somewhere else?
16:42How are you, Clarija?
16:45Horrible, Mom.
16:46Well, the new teachers at the school are like something out of a circus.
16:50Oh, Juno, who spends all day confiding in everyone.
16:53I just don't understand it, you know?
16:55Don't men of a certain age realize how ridiculous they look when they try to pick up women?
17:00Jorge, Jorge, let's go do some weights in the patio, come on.
17:03Ah, girl.
17:08Well, your Aunt Juli, Clary.
17:12That?
17:13Well, your Aunt Juli is having a hard time with life.
17:17Of course, she was a rich girl.
17:19Waiters served her birthday celebrations.
17:22And now suddenly, the poor thing has to go to work to earn a living.
17:27Clear.
17:29Okay, baby, with the next bit of money I earn I'll buy you some clothes, okay?
17:34Or I'll buy you some better fabric, and make you a little dress.
17:37No, no, no, no, leave it.
17:40Hey, take a look at the novel and then tell me what you think.
17:43It is a tribute to Enki Bilal and Ran Xerox.
17:47But you know who he is.
17:48It is the character of Liberatore and Tamburini.
17:52Ah.
17:54Okay, look, let me tell you.
17:56We are in the future.
17:57In the year 2100.
17:59I added the date to make it sound better.
18:02Then there is a metandroid, which are mutations of many androids, that feed on ozone.
18:08It's the same as with plants.
18:10After the Gulf War, the plants are fueled by oil.
18:13Well, the same thing.
18:15Oh, and by the way, there's a character who's fascinated by traffic accidents.
18:19Hey, baby.
18:20Do you like it?
18:21Shh, little monkey.
18:23Girl, I'm becoming more and more certain that I have powers.
18:27I hear voices.
18:29For example, the other day I heard a voice saying to me...
18:32Don't take that bus.
18:33Well, that's the one that crashed, because its brakes broke, daughter.
18:37Oh, look, it gives me goosebumps.
18:39What do you think?
18:42Do you want to hear my story or are you not interested?
18:45Shh, come on.
18:47Honey, you're coming to the hermitage later, because they say there are apparitions there.
18:50I'm going with Mari and I'll make some sandwiches, but we have to go early, okay?
18:54Well, Mom, she's not here right now.
18:56The novel...
18:59Oh, oh, well you, Aunt Juli, daughter.
19:05Clari!
19:08That?
19:11Daughter, are you happy?
19:13No.
19:15No.
19:18Neither did my parents, you know?
19:20They didn't make me happy either.
19:22But when you were born, I thought, this girl is going to be very happy, because she has very cheerful eyes.
19:30But they've become sad, Clara.
19:33Such is life.
19:36Yeah.
19:37Should I do more?
19:39Clarita, when I was little I used to get anxious about everything, you know?
19:43I used to cry at night.
19:45Locked in, my room.
19:48Okay, I'm going to the kitchen.
19:59Mom, what?
20:02Don't be sad, go on.
20:05Do you know what I liked most when you were little?
20:08You always said, "Again! Again! Again!"
20:14It seemed like you couldn't contain the happiness in your body.
20:18But then, well, you started getting older and you changed, of course, you know.
20:24But it made me very sad to see you so changed.
20:32I'm going to see if I can finish the extermination of the metandroids.
20:39Okay.
20:50Pepa, which do you like more, the black one or the felforeciente?
20:55Hey?
20:57Black is nice, but the felforescaling one suits you better.
21:01Dad, you're pathetic.
21:02What I am is getting stronger every day.
21:05Hey, do you have any scissors around here? I want to trim my hair a little.
21:08You see, today I've lost a little fluid in this shoulder.
21:10As?
21:11Yes, I'm having a stroke.
21:13Here you go, Pepe.
21:18How long do you think this will last?
21:20I don't know.
21:21If he gets distracted.
21:23Mom, but he's making a fool of himself.
21:25And this is because now in the factory, well, there's this bodybuilding craze.
21:29And since they're all sheep, what one does, the others do too.
21:32But let him be, if he enjoys it, Clarice.
21:35Then it passes.
21:36Besides, that puts our minds at ease.
21:39I'm going to call your sister Cursillo, and tell her to bring some milk on her way.
21:42And a few eggs that are gone.
21:46Yes please.
21:48I wanted to talk to Maria Romero.
21:51Hey?
21:51What's not there?
21:53What, he hasn't been there for two days?
21:56Huh?
21:58Yeah.
21:59Well, thank you very much.
22:04When your sister comes, there's going to be a party, huh?
22:07Not with me...
22:09Hello.
22:11Hello.
22:13I'm leaving, Pepa.
22:14I decided it like this, quickly, in a rush.
22:16Wow!
22:17And where to?
22:18To the Emirates.
22:19I'm going to try being there for a month.
22:21Hey, he's going to get a job.
22:22And well, we've decided it this way, you know.
22:24Hello and goodbye, Pepa.
22:26We have a good meal pending.
22:29Love, son, airplane, huh?
22:33Sleep, sleep, and bam!
22:36Arabia!
22:39It's very hot, but I think they'll like it.
22:41Last year, Marien Bat, French cinema, Nouvelle Vague, my roots, right?
22:46Arabia, camels.
22:47Hello.
22:48I am Clara.
22:49Oh, hello.
22:51Joseph, eyes like your father.
22:53Just for your eyes.
22:55You're grunge, aren't you?
22:56Yes, fashion is what rules.
22:59I used to be a hippie, now I'm grunge.
23:02But hey, deep down it's all the same, you know?
23:04Peace, love, living a better life.
23:09So happy together.
23:10Dila, the greatest.
23:12Okay, okay, we have to go, okay?
23:14So.
23:14Dear.
23:15Goodbye, Julio, with grace, turn around as soon as you arrive.
23:21I will write from the concentration camp.
23:24I hope I don't have to cover up, because if I do I'm going to have a fit.
23:28Well, I'll take this opportunity to finish my novel.
23:30And you, Clary, when you finish yours, send it to me.
23:33Yes, aunt.
23:33Well, an arm.
23:35Now.
23:35Hey, well, nothing.
23:37Well, we have to go, okay?
23:41Modiblus, that's it, Modiblus, nights of white satin, out there.
23:46Well, goodbye, okay?
23:48Bye bye.
23:48Goodbye, come on, go away, go now, or you'll miss your chance.
23:51Hello.
23:53Aunt.
23:53Hi Maria, I'm leaving.
23:55Yeah?
23:55Yeah.
23:56Well, that's it.
23:59See you later.
24:00Okay, then write me a little letter when you arrive.
24:03Be careful with the bag.
24:04Goodbye, goodbye.
24:05See you later.
24:06Goodbye, be careful.
24:07And that he doesn't want to sit down.
24:09Go out, go out there.
24:11How are you, Mom?
24:12Well, the class has been great.
24:16Why do you tell lies?
24:18I just called and they told me you didn't go.
24:20Yes, I went, they probably didn't see me, but I did go.
24:23Do you think I'm stupid?
24:25I?
24:26So, I'll give you half of what I earn at the bar so that you don't
24:29go to the course.
24:31If I don't slap you, Maria, look, I don't know why.
24:34Look, Mom, the people there are really strange.
24:35And besides, the actors are very twisted.
24:38They spend all day talking about Shakespeare and some other beautiful woman.
24:42Look, maybe I'm just not cut out to be an actress.
24:46That's the absolute truth.
24:48Don't talk nonsense.
24:49Your sister is a fantastic actress.
24:52Yes of course.
24:54But she was already dressing up and acting when she was little.
24:57That has always been his dream.
24:59Come on, you're going to be an actress.
25:01Yes, Mom.
25:02And a great actress.
25:07Well, Mom, of all the boyfriends Juli has had, this is the worst.
25:11What's wrong with him?
25:13He's just very nervous.
25:15And isn't he stupid?
25:18Who is the child's father?
25:20Juli, well, if the child turns out like either of the two of them, she's got a problem.
25:24Well, go ahead, you ladies.
25:26We, come on, are the perfect daughters and sisters.
25:29That.
25:30Many would pay for us.
25:32Yes, yes.
25:50Goodbye, Juli, my love.
25:54Hope you come back soon.
26:07That must be Juli's plane.
26:10Hey, you're all being a bit slobbery.
26:12Shh!
26:13Shut up!
26:15Dad, my husband was a pig, but he's a cool guy.
26:19Yeah.
26:24I'm going to sleep today.
26:27Now is when the husband...
26:29When her husband tells her that Robert Rafa has died.
26:32Yeah.
26:33Because?
26:33No.
26:53What's happening?
27:21Hello mom, hello mom, hello mom
27:34Here comes Maripulli
27:36What's wrong, Maripulli?
27:38What's happening?
27:39Hey, seriously Churri, this girl is getting more and more stylish every day, Mom.
27:45Real Mom
27:46Are you sure this girl is mine?
27:48Let's see...
27:50If she's not like me, but in a repressed way
27:54Well, I'm going to show you something
27:58A very beautiful thing
28:01You put the glass of water for the ghost
28:05Mom, you're like a tenth
28:23Look, your grandmother gave me these shoes.
28:26They are French
28:28And she wore them during her pregnancy.
28:30And I carried them during yours
28:33And I'll give them to you when you get pregnant.
28:37Oh, well then I won't need them
28:41They're beautiful, Mom.
28:44That's how you'll remember me
28:47Just like I remembered my grandmother
28:49And your daughters will remember you.
28:55They're beautiful, Mom.
28:56They're beautiful, Mom.
28:58They're beautiful, Mom.
29:07They're beautiful, Mom.
29:11They're beautiful, Mom.
29:11They're prices, Mom.
29:12They're prices, Mom.
29:12They're prices, Mom.
29:12They're prices, Mom.
29:33Thank you, Peppa.