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Sabor a Ti - Capitulo 10 (2 octubre)
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00:00Filomena!
00:04Have you seen your mom?
00:05No, what's wrong?
00:07I lost some very important notebooks.
00:09I want to ask her if she found them and put them away somewhere.
00:12No, I know how to tell him.
00:14I learned that he went to speak with Don Vicente.
00:16I don't have time to talk about that right now.
00:18I need to find my grandfather's notes.
00:20I know you're very intrigued by the palm signs thing.
00:23Those signs have something to do with the secret of wine.
00:26I don't know why he thinks that.
00:27The trees in the area are full of those signs.
00:30I don't believe you.
00:32I've only ever seen them on palm tree trunks.
00:34I know another place where there are more signs.
00:37Oh, really?
00:38Where?
00:39If you'd like, I can take you so you can see them with your own eyes.
00:42Yes, of course I want to.
00:48Hello.
00:50Doctor, what a surprise. What brings you here?
00:52I've come to talk to Violeta.
00:54Tell me, what am I good for?
00:55One of my patients came to complain to me about something I said to you about him.
00:58Moncho?
01:00I don't want to know anything about him or his weird tastes.
01:03Listen to me, what I told you isn't true.
01:05So Moncho's canoe isn't taking on water?
01:07And why did you tell me that?
01:09Since no woman had ever been known to be like that, I thought that about him.
01:12But I was wrong.
01:14So I have a chance?
01:15I don't know.
01:16What is true is that he has never spoken to me about you.
01:19I only came to clarify that for you.
01:21Excuse me.
01:21Oh, little sister, I have a chance. I have a chance.
01:28And there's still no news of Tomás?
01:30Well, no, but hey, if he quoted you, it shouldn't be long now, right?
01:34Yeah.
01:35Oh, what a scandal these boys are causing.
01:38I'm going to ask you to turn down the noise.
01:48Can anyone tell us what this scandal is about?
01:51Oh, what a way to kill the mood.
01:53Relax, ma.
01:54Well, Cines, we're putting together the choreography for the song.
01:56Look, boss, instead of making such a fuss, you know what?
01:59She should be proud of her son.
02:01My brother is a great dancer.
02:03Okay, cheer up.
02:04Take a few steps with the others.
02:05Bring out the forbidden ones.
02:06So, boss, what kind of dance is this?
02:09Well, it's street music.
02:11It's for expressing oneself.
02:12Look, look, listen, listen, listen to the beat.
02:13Look, uh, yes.
02:14Go ahead, enjoy it, let yourself go.
02:16It's cool.
02:17What music?
02:19I only hear pure punchy punchy beats.
02:22No, no, no.
02:22Yes, yes, yes.
02:25You, boss, already killed our inspiration, man.
02:28We have a visitor.
02:29So behave yourselves.
02:32Without making such a fuss, please.
02:34Is that clear?
02:35We were just expressing ourselves.
02:36Oh, well, express yourselves in another way.
02:38In silence.
02:47I just hope Tomás Armiento hasn't forgotten that he hired you.
02:51Excuse the disturbance.
02:53Young people love noise.
02:57At last.
02:58Javier, what time did they arrive?
03:01A couple of hours ago.
03:02Apparently your family was unaware of our arrival.
03:05Yes, excuse me, I just wanted to let you know.
03:07Well, the important thing is that they're here now, and I need you to start working as soon as possible.
03:11Very well, of course.
03:12But first, I would like to know where we are going to live.
03:15And, well, to settle my family in, right?
03:17Yes, don't worry about that.
03:18They are going to occupy the vineyard's guest house.
03:20But, hey, they're finishing up the outfitting.
03:22So, are we going to have to go back to the city?
03:25What a pity.
03:27No, no, no, no, not at all.
03:29While the work is being finished, you can stay here in the house.
03:32I'm sure my mom won't mind giving up her bedroom.
03:36Right, Mommy?
03:39Mother?
03:41Of course.
03:43What do you think of the idea?
03:45Wonderful.
03:47That's great, thank you.
03:48Also, your parents are excellent hosts.
03:51Yes that's how it is.
03:52I'm going to get a bottle of wine to toast to your wine.
03:54Very good, very good.
03:57I knew that Tomás had everything organized.
03:59And your change surprises me.
04:01You were just saying that you thought this town was awful.
04:03I have to give it a chance.
04:07Permission.
04:12Boss, can I get you anything?
04:15No, my dear sir.
04:17Fidel, Fidel.
04:19Is this always the case?
04:21Oh, this is nothing.
04:22When Mrs. Ornela died, the boss and his sons didn't leave here for a month.
04:26They did nothing but cry.
04:28Oh my God.
04:31Juan.
04:33You can't stay mired in sadness.
04:36I can't do anything about this feeling, Amparito.
04:40But life goes on.
04:42My pain is so great that you wouldn't understand.
04:47You can't drag your children into your suffering.
04:50That's the nature of the solanos.
04:54United in joys, but above all in misfortunes.
04:59Oh, I understand, but I'm not going to stay and cry with you, okay?
05:03I'm going to the community center to teach the classes I committed to.
05:06Excuse me.
05:17Is the island we're going to very far away?
05:20No, we'll be there in ten minutes.
05:22Ten minutes by boat?
05:24You didn't tell me it was so far away.
05:26Don't worry, when we get there you'll see it was worth the trip.
05:30I hope so, eh?
05:31I don't know what.
05:32And enjoy the walk, it's also worth it.
05:42Welcome to the class.
05:44Now all that's missing is Tamara and Amador.
05:47As soon as they arrive, we'll begin.
05:48Oh, teacher, you'd better start right away.
05:50Tamara told me that Don Segundo forbade them from coming.
05:54But why?
05:55Oh, well, because a computer was stolen.
05:58They all turned out to be real characters.
06:00Look, I want to make it clear that nothing was stolen.
06:04It was a misunderstanding.
06:05So please don't repeat that.
06:08Okay, whatever you say, teacher.
06:10Okay, so we waited about five minutes and then we started.
06:14Please come in and sit down.
06:16Yes, teacher.
06:19What am I going to...
06:22How is Don Juan doing?
06:23Oh, better.
06:25She stayed with her children listening to opera.
06:27It is well known that when opera is played in the Solano house,
06:30It is because sadness overwhelms them.
06:32Does everyone know?
06:33Every resident of Monte Alegre knows the story of Juan Solano.
06:36He started listening to opera when he married the Italian woman.
06:39Aren't you afraid to be in that house?
06:41Why should I be afraid?
06:43Don Juanito is half crazy and does very strange things.
06:46I don't understand.
06:47What kind of things?
06:49I'm going to tell you.
06:51They say that he was the one who killed all his wives.
06:57We can find out what's wrong with you.
07:00How dare you offer my bedroom to those people?
07:04Wasn't replacing me enough for you?
07:06As they say, raise crows and they'll peck your eyes out.
07:09Go ahead and tell me to my face that I'm good for nothing.
07:13First, your dad makes sure to shout it from the rooftops.
07:16that he doesn't love me, that he doesn't respect me.
07:19And now you bring in those people to do my job,
07:23which I was in charge of.
07:24You understand?
07:25If my dad and you continue to take care of it
07:26from the vineyard's public relations,
07:29We're going straight to ruin.
07:31Or have you already forgotten the little stunt they pulled?
07:33the day of the tasting with the Zavala family?
07:35You're exaggerating.
07:37My world is falling apart
07:39And you still come to drag me down even further.
07:42Tell those people to go back.
07:43Let him go back where he came from.
07:46No, the sugar babies stay here.
07:48And on top of that, you give them my bedroom.
07:50Where am I going to sleep?
07:51In Antonia's room.
07:55Oh no!
07:59The sugartes are going to meet
08:00How good a hostess am I?
08:04The signs are very similar
08:06to those from Las Palmas.
08:07I told him.
08:09They say that some researchers once said
08:11They came to the area to study
08:13the variety of trees there are
08:14and that they were the ones who made the mark
08:16the trees and the palm trees.
08:18How odd!
08:19I studied agronomy at university
08:21and I never knew of anyone who made a mark
08:23trees with signs like these.
08:25What should I say to him/her?
08:26That's what I've heard.
08:27And since you're so interested
08:29in the blessed signs,
08:30I wanted to help her, and so she let me.
08:32from having so many ideas.
08:33Don't come at me with that.
08:35Did you really bring me this far?
08:36to get away with this story
08:38So naive?
08:39If you don't want to believe me, that's your problem.
08:41Of course I don't believe you.
08:42I don't buy this story.
08:45Signs like these
08:46and like those from Las Palmas
08:47They are in my grandfather's notes
08:49And that has to mean something.
08:50If you say so.
08:51The plane doesn't tell me.
08:54You and Don Vicente want
08:55I got confused.
08:56so that he stops investigating
08:58And I warn you, they're not going to succeed.
08:59If you say so.
09:01Yes, I say it and I stand by it.
09:03Because when you set your mind to it
09:05You're unbearable, Mariana.
09:08Let's go, that's all.
09:08We're here to waste time.
09:20And the boat?
09:21I have no idea.
09:23We'll leave it here.
09:24That?
09:25Didn't you tie her up?
09:26No, it's not necessary.
09:28I always leave her on the shore
09:29like I did when we arrived.
09:30I can't believe it.
09:31Didn't it occur to you to think?
09:32in the wind,
09:33in the currents,
09:34in something.
09:35I've come here many times
09:36and I never tie up the boat.
09:38Someone must have taken it.
09:39Well, it's the same thing.
09:41We're stranded here.
09:42What are we going to do?
09:43How are we going to get back?
09:45There is no one to help us.
09:45And nobody knows we're here.
09:48We're going to have to swim
09:49until reaching dry land.
09:50You're crazy!
09:51If we did it by boat
09:52more than 10 minutes,
09:53How far will we swim?
09:55There's no other way.
09:56I'm not going to stay here
09:57and wait for someone to pass by.
09:58I prefer to swim.
10:00If you want to stay,
10:01forward.
10:02As soon as I get another boat
10:03I'll come back for you.
10:04No, no, no.
10:05I'm going to be left alone.
10:06Are you crazy?
10:06As you prefer.
10:08There are two options here.
10:09Or he stays to wait for me
10:10or it comes with me.
10:25Why didn't they go into the class?
10:27You were the most interested.
10:29My dad didn't let us
10:30by thieves.
10:32We agreed that nobody
10:33I was going to repeat that
10:34that it was a robbery.
10:34Yes, teacher.
10:36Sorry.
10:38Okay, explain it to me.
10:38Why didn't he let them come?
10:40Because he punished us.
10:41My dad is very strict
10:42and fixed ideas.
10:44But that issue
10:44It's already been made perfectly clear.
10:47Don't worry.
10:48I'm going to go talk to him.
10:59Mariano!
11:01Mariano!
11:03Wait for me!
11:05Mariano, I can't take it anymore!
11:07Wait for me!
11:09Mariano!
11:11Mariano!
11:13Mariano, don't leave me!
11:19Wait, Leonita.
11:21My dad can't see us here.
11:22Yes, we should be working
11:23in the harvest of the enchantment.
11:25Well then, hide.
11:28Here?
11:29Yeah.
11:38Miss Amparo,
11:39how are you?
11:40To what do I owe your visit?
11:42I thought it was already cleared up
11:43everything about the robbery.
11:45Don't tell me it's my children again...
11:47No, no, no, no.
11:48That's already in the past second.
11:50I need to talk to you
11:51because their children
11:52They didn't show up to my class.
11:55Indeed, miss.
11:56That is precisely the punishment
11:58that I imposed on them
11:58for the crime they committed.
12:00But it is important
12:01for their education.
12:02Nowadays,
12:03computing
12:04It is a fundamental tool.
12:05If that were not the case,
12:07Believe me, I wouldn't dare.
12:08to come and talk to you.
12:09With all due respect,
12:10I greatly appreciate your interest.
12:12But because of the problems
12:13that caused,
12:14I find myself in imminent need
12:16to sanction them.
12:17But, poor thing,
12:18the thing is...
12:19Excuse me,
12:19No matter what he tells me,
12:20It's not going to change my mind.
12:23Thank you so much for your visit.
12:25Thank you so much,
12:25Nice to see her.
12:26And I won't take up any more of your time.
12:27Excuse me.
12:30No.
12:31No.
12:41No.
12:43A perfect one!
12:44Mariano, a true gentleman!
12:50Calm down, calm down,
12:51I have it.
12:52Peaceful.
12:58Here he steps.
13:00Relax, say goodbye.
13:01It hurts a lot,
13:01It hurts a lot,
13:02It hurts a lot.
13:03Oh, oh, oh, oh, oh.
13:04Oh, oh, oh.
13:08Calm down, calm down.
13:10Here?
13:11Yes, yes, yes, yes.
13:13Yeah.
13:15Oh, oh,
13:17That's better.
13:18Better?
13:18Yeah.
13:26Conchita,
13:27Can you make me some...?
13:31What can we offer you?
13:33I need a strong man
13:35and muscular
13:36and I thought you could help me.
13:39Why don't you just tell him
13:40to Pablo, my brother
13:41or to his little friend?
13:42I'm sure you'll understand.
13:43very good with them.
13:44I don't think so.
13:45It seems that those two
13:46They are only interested in music.
13:47And what I need
13:49I need someone to help me.
13:49Let's see where I can install it.
13:50my punching bag.
13:52Punching bag?
13:54Are you a boxer?
13:55No,
13:56I practice kickboxing.
13:58Interesting.
13:59OK that's fine.
14:00Let's see
14:01Where can we hang it, right?
14:02Thank you.
14:09Mariano,
14:11Wait, please.
14:12I can't take it anymore.
14:12I need to rest.
14:14Take your time.
14:16This is not the way
14:17which is why we came.
14:18It's a shortcut.
14:19If we return
14:19where we arrived
14:20It will take us longer.
14:22And your truck
14:23Are you going to leave it there?
14:24When we get to the vineyard
14:25I ask one
14:25of the boys
14:26Let him come for her.
14:28It was a very bad idea.
14:30to come so far
14:31And not at all.
14:32He complains about everything.
14:33Stop it.
14:34I wouldn't complain
14:35if the trip
14:36It would have been worth it.
14:37Here we go again.
14:39Your friends
14:40They must be happy
14:40that she has decided
14:41stay in Montalegre.
14:42Think what you want.
14:45Lucero insists
14:46that he be patient with her
14:47But the truth is
14:48There's no way with you.
14:51Shall we continue?
14:52It got very cold.
14:54He's going to have to put up with it.
14:55if we have nothing
14:55with which it can be covered.
14:57What we can do
14:58It's walking faster
14:59to warm him up.
15:00Come on.
15:01How far are we going?
15:02How long will it take to arrive?
15:03I reckon we're going
15:04to arrive at night.
15:06Hurry up.
15:10Hi, I'm back.
15:12Excellent.
15:13Is the father dressed?
15:14Yes, I went too.
15:16to see my family.
15:18Excellent.
15:19They must have
15:20It was a pleasure.
15:22My mom insisted
15:22where would I stay?
15:23But I can't.
15:28I can't stand seeing my dad.
15:30How could we have
15:30Did he do that to Julia and me?
15:33What am I going to do?
15:35Nothing will be
15:36as before.
15:38I was going to get married
15:39with the love of my life
15:40and now I can't
15:41because...
15:42because he is my half-brother.
15:44I don't know what it's going to be
15:45of my life.
15:46I don't know...
15:47I don't want to be part of it
15:48of my family.
15:48I don't want to, I don't know
15:49Who am I, no.
15:51I am not the same.
15:52My life changed
15:52full.
15:54Peaceful.
15:55Of course you're the same person.
15:57The only thing that has changed
15:58It's that you can't anymore
15:59continue with Julian.
16:03It's not fair.
16:06We loved each other,
16:07We were going to get married.
16:09How am I going to overcome
16:11So much pain?
16:12As?
16:14You're going through
16:14for a lament
16:15very difficult
16:16and only with the step
16:17weather
16:17You're going to see things
16:18otherwise.
16:20You are strong.
16:21You'll get through this.
16:26You have to give it to him
16:27time for Antonia.
16:28It's normal
16:29that he doesn't want to see you.
16:29I just don't understand.
16:30I don't understand
16:31How can I fall?
16:31in Max's deception.
16:32It's clear that all this
16:33It's his own invention
16:34To get away, right?
16:35Listen to me.
16:36You must still be in shock.
16:37It kills me
16:38the idea
16:39that Ornella
16:39that he deceived me.
16:40I can't believe it.
16:41No, no, no, no,
16:42He didn't deceive you.
16:43I insist that all this
16:44It's Max's invention.
16:46You are my father.
16:47Max wouldn't lie
16:48with something so delicate.
16:50Say,
16:51You can do whatever you want,
16:52an immature person,
16:53a womanizer,
16:53a madman,
16:54But he's not a sadist.
16:56I wouldn't be able to
16:57of torturing us
16:58with something like that.
17:00So,
17:00Why does he do it?
17:01Hey?
17:02Let's toast
17:03because of the sorrows of love.
17:06Because of heartbreak?
17:08Because of heartbreak?
17:09And what are your love sorrows?
17:12have?
17:17Father,
17:18I wanted to ask him
17:19How did it go?
17:20with Antonia.
17:21I saw her
17:21quite recovered.
17:23The flat-chested woman
17:23she tried to convince her
17:25that he would return home,
17:26But he doesn't want to.
17:27That's understandable.
17:29It can't stand it
17:30the presence
17:31Max's.
17:32He cannot forgive her
17:33that he betrayed them
17:34and that he has hidden
17:36something so transcendent
17:37for everyone.
17:38To the flat
17:39It's consuming her
17:41the pain
17:41of having her daughter
17:42far.
17:43And well,
17:44also that it is
17:44living with Filomena.
17:46You already know
17:47that the flat one
17:48does not tolerate
17:48to that woman.
17:50He should be
17:50grateful.
17:51Well yes,
17:52But what do I say to her?
17:53The flat-chested woman
17:54He's going to have to decide
17:55which weighs more.
17:56Have nearby
17:57Antonia
17:58or their peace of mind.
18:00You're right,
18:01father.
18:01The most important thing
18:03It's their peace of mind.
18:04I'm going to hug
18:05so that it may be.
18:07Thank you, Father.
18:10Don Vicente.
18:12Where were they?
18:13Please excuse us,
18:14please.
18:14We went to see
18:15to Miss Amparo.
18:16We needed to talk.
18:17with her.
18:17We came to see
18:18if you can intervene
18:19so that the second person can access
18:20to attend
18:21to computer classes
18:22that I am teaching
18:23at the community center.
18:25But why doesn't he want to?
18:25who attend?
18:26It's important that they learn.
18:28And furthermore,
18:29I find him very strange.
18:30He knows what's important
18:31which is preparing.
18:33It's just that Tamara and I
18:33We made a mistake.
18:35What kind of mistake?
18:37We were so excited
18:38with the computer
18:39that when he arrived
18:40We took them home
18:41and we were going to return it
18:42very early
18:43the following morning.
18:44But we fell asleep
18:46and like Miss Amparo
18:47He didn't see her,
18:48He reported it to the authorities
18:49and...
18:49My dad thought
18:50that we had stolen it.
18:51But it was all a misunderstanding,
18:53Don Vicente.
18:54I understand you.
18:55I understand myself.
18:55In the end,
18:56Everything became clear.
18:57But as a second
18:58He's so strict,
19:00he punished them
19:01prohibiting them from attending
19:02to my class.
19:03And he sent us to work
19:04in the harvest with you.
19:05I'm sorry to hear it,
19:06But what do I have?
19:07What does all this have to do with?
19:08You are the only one
19:09that can do it
19:10change your mind.
19:11My dad respects him a lot,
19:12He inspires confidence.
19:14I tried to talk to him
19:15And that's all I got
19:16It's that it closed on me
19:17the door of the noses.
19:19Do us a favor
19:20to go and talk to him.
19:24Already?
19:25Already.
19:26And whose bedroom is this?
19:28Nobody's,
19:29It's the guest room.
19:31I thought it was
19:32from your sister
19:33the crazy girl.
19:35Tania is not crazy.
19:37He's going through
19:38a difficult time
19:39and you don't have to
19:39judge her.
19:40Sorry,
19:41don't get angry.
19:43Well,
19:43Let's see
19:44if it was installed correctly.
19:59Are
20:02Intense?
20:06Don Vicente,
20:07Look,
20:08with all due respect,
20:09actually,
20:09I thank you
20:10deeply
20:10that it be you
20:11whoever comes in person
20:12to talk to me up to here.
20:13But given the situation
20:14that my children created,
20:16I feel obligated
20:17to stand firm
20:18in the decision I made.
20:19I'm so sorry,
20:21But Amador and Tamara
20:21They're not going to take those classes.
20:23I understand perfectly
20:25your decision,
20:26But please,
20:27I want...
20:27I don't want any more of your time.
20:28Thanks a lot.
20:29Excuse me.
20:30See you later.
20:37I'm sorry,
20:37I did what I could
20:39and it didn't work out.
20:40Well, we thank you anyway.
20:41much that I have accepted
20:42come talk to my dad.
20:43He has nothing to thank us for,
20:45Hey?
20:45I hope he reconsiders
20:47and allow them to go to classes.
20:50Excuse me.
20:51Thank you so much,
20:52Don Vicente.
20:52Thank you.
20:54Oh, Chico.
20:54Technology will continue to advance
20:56and we
20:56we're going to be left behind.
20:58All is not lost.
21:00We have an ace up our sleeve.
21:02What are you taking about?
21:03From Filomena.
21:10Oh.
21:11My whole body aches from the cold.
21:13We need to pick up the pace,
21:15We have no other choice.
21:16Oh.
21:21No, no, no, no,
21:22Don't stop,
21:22It's going to be worse.
21:23No, yes, yes, yes.
21:24I can't take it anymore,
21:25I need to rest.
21:27Are we still very far off?
21:29Yeah,
21:29We're not even halfway there.
21:31I'm tired too.
21:32But we have to keep going.
21:34I don't know if I can,
21:35I don't feel able to continue.
21:37Let me rest for a little while,
21:38Please, yes?
21:39I can't take another step,
21:41I'm very cold.
21:43The sun will soon set
21:45And we're in the middle of nowhere.
21:46Let's see,
21:46I help him get up,
21:47If it stays there, it's going to get worse.
21:49Come on,
21:49Yes, you can.
21:51Hug me.
21:54Hug me,
21:55Let's walk together.
21:56I hope my body will give him warmth.
22:09Good night.
22:11Good night.
22:12Excuse the hour,
22:13But Amador and Tamara
22:14They want to ask him a favor.
22:16Oh,
22:17don't worry,
22:18Let them pass.
22:20How can I help you?
22:22Doña Filo,
22:23We want you to help us
22:24to convince my dad.
22:26Convince him of what?
22:27That he gives us permission
22:28of taking computer classes
22:29with Miss Amparo.
22:31We already tried to convince him
22:32in many ways and nothing.
22:34But if you ask him,
22:36He won't deny it.
22:38And why are they so sure?
22:40What if she says no?
22:42That's not going to happen.
22:43She appreciates it very much.
22:45Lend us a hand,
22:46please.
22:48Alright,
22:49I'm going to talk to him.
22:50Oh,
22:50thank you so much.
22:51There's nothing to be thankful for.
22:53As long as it is
22:54of things that are
22:55for the boys' sake,
22:56I'd be happy to.
22:57I'm going to let Lucero know.
22:59I'm going out.
23:00I won't be long.
23:00Yeah,
23:01We'll be waiting for you here.
23:09What's that?
23:12A cabin.
23:14Let's see.
23:16No, no, no, no, no,
23:17wait.
23:19Hey, hey,
23:20what are you doing?
23:20Wait.
23:25Can we know?
23:26What is he doing?
23:27I need to warm up.
23:29I don't know about you,
23:29But I'm going in.
23:31Maybe we'll get lucky
23:32and we found a phone.
23:34Well,
23:34in this area
23:35I highly doubt it.
23:36Besides,
23:36You can't put it in like that
23:37in that way,
23:38It is private property.
23:39You'll see that it can be done.
23:41Hey,
23:41let's see,
23:42Where is he going?
23:43Hey,
23:44wait.
23:47Hey,
23:48wait.
23:51No,
23:52No,
23:52No,
23:52No,
23:52what are you doing?
24:00Come,
24:01enter.
24:02No,
24:03No,
24:03No,
24:03No,
24:03Forget it.
24:04It's best if we leave.
24:05because the owner can arrive
24:06whenever.
24:07If it arrives,
24:08I talk to him and explain.
24:09Come on,
24:10enter.
24:15Already,
24:16Don't overthink it,
24:17There's a fireplace and plenty of firewood.
24:18Come in.
24:24Come,
24:25look.
24:31I've already said everything.
24:32what I had to say.
24:35Filito,
24:35But what a big surprise!
24:38Happens,
24:38happens,
24:38please,
24:39forward.
24:39No,
24:39No,
24:39It's not necessary,
24:40thank you.
24:41What I've come to tell you
24:42It's very fast.
24:43Happens,
24:43please,
24:44Please allow me to treat her
24:44as he deserves.
24:46a little horchata water,
24:47a slice of cake.
24:49No,
24:49thank you so much.
24:50I just came to talk to you
24:51of their children.
24:52Don't tell me that too
24:53They committed a misdeed
24:54and in the enchantment.
24:54No,
24:55No,
24:55No,
24:55No,
24:55These are the classes
24:56of computing.
24:58You too,
24:59Filito.
25:00I agree
25:01that what their children
25:02What they did was very serious
25:03and you're everywhere
25:04your right and obligation
25:05to impose discipline on them,
25:07but he cannot deprive them
25:08of a tool
25:09so important
25:09that will be useful to them
25:10for their future.
25:11Miss Amparo
25:12He'll be waiting for you.
25:13early tomorrow
25:14so that afterwards
25:14can go to work
25:15to the grape harvest,
25:16if you agree.
25:20Look,
25:20Filito,
25:22I to you
25:22I can't deny him anything.
25:25I'm going to access
25:26to what you are asking me,
25:27but on one condition.
25:29Which?
25:30Please do me the honor
25:31to stay
25:32have a snack with me.
25:33Oh, no, it's just that...
25:34Oh, no, no,
25:35That is my condition.
25:37Alright,
25:38but I can only
25:38to stay for a little while.
25:39That's it, go ahead.
25:40Please pass it on.
25:41Thank you.
25:42Thanks a lot.
25:43Forward.
25:48Ready.
25:49Everything went well.
25:58Pattern,
25:59Do you want me to prepare it for you?
25:59Anything for dinner?
26:00If you wish,
26:01I can heat
26:02her chicken broth.
26:03No, no, no,
26:03yes, yes, yes,
26:03I'm fed up
26:04of the chicken broths.
26:05Already.
26:06I know,
26:06But that's all he can eat.
26:08Oh no,
26:10Don Max,
26:12Mr. Max,
26:13Mr. Max.
26:14That?
26:14That cake was
26:15Mrs. Chata's
26:16Clearly,
26:17He told me to keep it for him,
26:18I've been here all day
26:19making sure that nobody
26:19eat it.
26:20Oh,
26:20I only ate
26:21a little bit.
26:23My cake?
26:24Ah.
26:26Maximiliano Sarmiento,
26:27This is over.
26:28No, no, no,
26:28still,
26:29look,
26:29It has a little bit more.
26:30Don't be cynical.
26:32That's the last straw.
26:32that spilled the glass.
26:33I want you to grab
26:34your things
26:35and you leave
26:35of the house
26:36immediately.
26:37Chata,
26:37I can't leave.
26:38I am under arrest
26:40domiciliary.
26:41From this moment on,
26:43This is no longer your home,
26:44This is not your home address.
26:45No, no, no,
26:45let's see,
26:46really
26:46You're asking me
26:47Should I leave?
26:48I had never spoken before
26:49more seriously.
26:50Chata,
26:50please,
26:51reconsider,
26:51I have nowhere to go.
26:52That's your problem.
26:54If you don't leave,
26:55I'm leaving.
26:56I'm taking Pablo with me.
26:57to my mom,
26:58to Conchita and Violeta.
26:59Chata,
27:00please.
27:01I don't want to come back
27:02Let's see their faces.
27:03I don't want you to look at me.
27:05I don't want to know
27:06that the two
27:06we are under the same roof.
27:08You're a terrible example.
27:09for my children.
27:11What you did
27:12There is no forgiveness.
27:13And while you are
27:14in this house,
27:14Antonia is not coming back.
27:17Please,
27:18forgive me.
27:19Chata,
27:20I love you.
27:21With what face
27:22Are you here to talk to me about love?
27:24What do you know about that?
27:25To love means to care.
27:26and protect.
27:28And you're the only one
27:29What have you done?
27:30it's putting legs
27:30up
27:31to this house.
27:32I don't plan to continue.
27:33putting up with your nonsense.
27:34Your presence
27:35It hurts me.
27:36I want you to leave.
27:38Chata,
27:38The house is very big.
27:40Not even
27:40We need to meet.
27:44Here is my life.
27:46It hurts me
27:46I miss you, I don't want you to leave.
27:48But it hurts me more
27:49all the damage
27:50What have you done to him?
27:50to this family.
27:51I don't want to feel
27:52your presence.
27:54I don't want to hear it.
27:55your voice.
27:56I don't want to see you.
27:59You hurt me,
28:00much bad.
28:01I'm tired
28:01of your nonsense.
28:04Chatita,
28:06I love you.
28:07But I can't stand you.
28:09Hey, hey, hey.
28:10What's happening?
28:12Oh,
28:13But how much I screamed!
28:14This is a house
28:15crazy.
28:17Do you think this is
28:17a good atmosphere
28:18for our daughter?
28:19You've heard deaf people.
28:21I'm unlikely to find it
28:22another job like this.
28:23Yeah.
28:23Yeah?
28:24Well.
28:27Excuse me,
28:28father-in-law,
28:28But I can't take it anymore.
28:30For the good
28:31of the family,
28:32Max has to leave
28:32of the house.
28:36Son,
28:38The best thing is for you to leave.
28:39a few days.
28:41If that's what
28:41Josefina needs
28:42to be at peace
28:43and that this house
28:45regain peace,
28:47I'm leaving today.
28:49And where to
28:50Are you thinking of leaving?
28:51I don't know.
28:56I'm going to pack
28:57my things.
29:08Oh,
29:08What a relief.
29:10I couldn't take it anymore.
29:11with the cold.
29:12They hurt
29:13down to the bones.
29:15That's true
29:16the thing is
29:16I'm starving.
29:18You think
29:18Is there anything to eat?
29:19No,
29:19I have no idea.
29:21Well, I'm not leaving.
29:21to die of hunger.
29:23There must be something.
29:24I don't think so
29:25that's a good idea.
29:26That's enough.
29:26with which we have
29:27entered without permission.
29:29Well
29:29I only see tuna
29:31and sardines.
29:32It shocks me.
29:34It's not for either
29:34that he becomes demanding.
29:36There's not much.
29:36where to choose.
29:37Well yes.
29:39Well,
29:40There is nothing.
29:42Not even
29:42some chili peppers,
29:43onion,
29:44mayonnaise,
29:45something to give him
29:46a little bit of flavor.
29:48You
29:48What would you pair it with?
29:50This delicacy?
29:51I
29:51I would accompany him
29:52with a red wine.
29:54Could be.
29:56Well,
29:57at least
29:57We agree
29:58in something.
29:59What's your strain?
30:00favorite?
30:01Mine is the Merlot,
30:02but I also love
30:03the tempranillo.
30:04The one I like the most
30:06It's the Merlot.
30:07It is the one we cultivate
30:08in the spell.
30:10Oh,
30:11what I would give
30:11for a glass of wine
30:12at the moment.
30:15I take advantage.
30:15I take advantage.
30:23What did you think?
30:26It turned out delicious.
30:28Oh,
30:28I'm glad you liked it.
30:29Filito.
30:30Look,
30:30It's not for nothing,
30:31but the beef tomato
30:32It's my specialty.
30:34AND
30:35if you gave me
30:36an opportunity,
30:37well
30:37I would cook for him
30:38every day,
30:39Filito.
30:40I will try it
30:41like a queen.
30:42Furthermore,
30:42I would take it out
30:43from working.
30:45Filito,
30:47I am a good man.
30:48Why are you rejecting me?
30:50Second,
30:52I accepted
30:52stay for a snack
30:53with you it was
30:54because I thought
30:54that we were going to talk
30:55like good friends.
30:57It's because I love myself
30:57to be only
30:58his friend,
30:59Filito.
31:00I want to be
31:00the man of her life,
31:02his partner.
31:03Please,
31:04don't follow
31:05or I'm going to have to leave.
31:06No, no, no,
31:06Filito,
31:07Excuse me,
31:08please,
31:08But the thing is
31:10when I have it
31:11opposite,
31:11Filito,
31:12my heart races
31:13the heart
31:13and I can't
31:14stop telling him
31:15what I feel.
31:16The words
31:17They burn me
31:17in here,
31:18You know?
31:19I thank you
31:20everything you
31:21has done for me,
31:21but...
31:22No, no, no,
31:22you don't have
31:23Nothing to thank me for,
31:23Filito,
31:24nothing,
31:24nothing.
31:25You always
31:26for me
31:27He's going to be a friend.
31:29Second,
31:30just a friend.
31:34No no,
31:34Where is he going?
31:36Everything was
31:37Very tasty,
31:38She cooks very well.
31:39See?
31:40It was a matter
31:41that nothing more
31:41He will try my seasoning.
31:43Are you
31:44a good man,
31:46a great man,
31:47But I already have it.
31:48that go.
31:49See you later.
31:56Again
31:57He beat me.
32:00Why can't I
32:01want?
32:03Because?
32:09Ah,
32:10Excuse me,
32:10because I have
32:11to take out my things.
32:13Yes, yes, go ahead,
32:13You're at home.
32:16There it is,
32:17It's not my house anymore.
32:26Listen,
32:26What a bad plan.
32:27that the boss
32:27he threw
32:28of the house.
32:29I know what it is
32:29living on the street.
32:30Really
32:31Are you thinking of leaving?
32:32You already heard
32:33to your mother,
32:33No?
32:34We all heard it.
32:37Oh, what a shame
32:38that we have shared
32:39so little time.
32:40And thank you very much.
32:41for saving my life.
32:43No one ever
32:44I had given
32:44Thank you
32:45no reason.
32:46Did you know?
32:47We're going with you.
32:48No, no, no,
32:49son,
32:49I appreciate your solidarity,
32:50but your place
32:51This is it
32:52with your mother,
32:53at your house.
32:54No,
32:54I'm old enough.
32:55to take
32:55my own decisions
32:56And what I want
32:57It's about going with you.
32:58Me too
32:59I'm in with you guys.
33:00Oh really?
33:01Well, go ahead and click on it.
33:02and go get your things,
33:03Okay.
33:06That's my son.
33:07It's a bread,
33:08like his father.
33:09Yeah.
33:10Yeah.
33:22Well?
33:23Good evening, Lucero.
33:25I am Tomás Sarmiento.
33:26I need to talk
33:26with Angela.
33:27No, it's not there.
33:29Do you know where he went?
33:30No, I don't know.
33:32Please,
33:33when I return,
33:33Tell him I called
33:34to let him know
33:34that I fell behind
33:35with some things
33:35in the office,
33:36What am I going to happen to?
33:37to see it
33:37a little later.
33:38Clear,
33:39with pleasure
33:39I'll pass on your message.
33:41See you later.
33:42See you later.
33:49A whole life
33:50the one that stays here with me,
33:52within these walls,
33:55my family,
33:56the memories
33:57that I have
33:57of you
33:59and those from the flatbed truck.
34:01What's wrong?
34:02Your boss?
34:03He's really upset.
34:04Well,
34:04cannot be carried
34:05all that
34:06in a suitcase,
34:06even if I want to.
34:08Don Max.
34:09No,
34:10Don't say anything.
34:11We're going to miss him.
34:12a lot.
34:13Just you?
34:15Because my wife is...
34:16because he can't stand me.
34:20Where is he going?
34:22Can't you leave?
34:23Well, tell that to my wife.
34:25Cop,
34:25What do you want me to do?
34:26I was kicked out of the house.
34:40Don Max just left.
34:42It was about time.
34:44I'm going to miss it
34:45much to the child Pablito,
34:46so long that it took
34:47on returning
34:47And now he's gone again.
34:49What did you say?
34:50He and his friend
34:51Nits
34:51They left
34:51with Don Max.
34:52But how?
35:05What do you have?
35:08You're trembling,
35:09I feel your icy skin.
35:11I can't
35:13with anxiety.
35:16I can't get it
35:17Get Julian out of here
35:18of the head.
35:19On the one hand
35:20I would like to run,
35:22hug him,
35:23pretend that nothing happened.
35:27And on the other hand
35:28They give me the creeps
35:29Just imagining him nearby...
35:32How can it hurt?
35:33to love someone so much
35:34What shouldn't I love?
35:36I'm going to prepare you
35:37a linden tea
35:38for the nerves.
35:39Mama Rosa said
35:39than the linden tea
35:40It helped me sleep.
35:41Yeah,
35:42You need to rest.
35:42No, no, no,
35:43Don't go,
35:44please.
35:45I don't want to be alone.
35:47Tea isn't going to help me.
35:48to stop feeling
35:49this thing that is
35:50consuming from within.
35:52Don't say that.
35:53There's always something
35:54that can relieve you
35:55or that helps you
35:56to feel
35:57a little better
35:57Just a moment.
36:00hug me,
36:00That's all I want.
36:06Maria,
36:07No.
36:08I want to thank you
36:09how well you've done
36:10treated me well.
36:11You helped me
36:12with the cramp
36:13and then
36:14You covered for me
36:15with your body
36:16when I was dying
36:16from the cold.
36:18It has nothing
36:19much to be grateful for.
36:21Believe it or not,
36:22I've only tried
36:23of being kind.
36:24Well, then,
36:25You're not that tough
36:26as you seem.
36:27Oh, no?
36:28No.
36:33Excuse me
36:33if at some point
36:34I have been unkind.
36:35with you.
36:36Really,
36:37I'm not usually like that,
36:39But it drives me crazy
36:40that Don Vicente
36:41and you
36:41refuse
36:42to tell me
36:43What's the secret?
36:43of wine.
36:45That secret
36:45It belongs to me.
36:47If you don't want to
36:48that he keeps thinking
36:49who is capricious
36:50and an annoying one,
36:52Let's not talk about that.
36:54Well,
36:54to be stubborn
36:55It has helped me
36:56to move forward.
36:57Now he's going to tell me
36:58that he has not had it
36:59everything in life.
37:00No, Maria.
37:03My dad died
37:04when I was very little.
37:07But,
37:08Did you have a grandfather?
37:10My grandfather lived
37:11plunged into a depression.
37:13He was a father figure,
37:15Yeah,
37:16but it wasn't
37:16the support
37:17of the house.
37:19Since childhood
37:19I had to cooperate
37:20with the expenses,
37:22learn to fend for myself
37:23by myself.
37:25I didn't know.
37:26Excuse me.
37:28I understand
37:29what it feels like.
37:30I don't even
37:31I met my father.
37:33I since I was a child
37:34I had to be
37:34the man of the house.
37:37So,
37:38We're not so different.
37:39as it seems.
37:41Mariano,
37:42I don't have
37:43nothing against you.
37:44On the contrary,
37:46I see in you
37:46a sincere man.
37:48I admire you
37:49because you are a worker,
37:51responsible
37:51and very noble,
37:53even if you deny it.
37:56Let's see,
37:57smile again.
37:59So that?
38:00To see you.
38:02I love
38:02when you smile.
38:05He doesn't know it
38:06what it says.
38:07Maybe
38:08That's why I say it.
38:11Your smile
38:12he tells me
38:12that
38:13below
38:14of that armor
38:15of a tough man
38:17Is there anyone?
38:18with a big heart.
38:25I like
38:26the kiss
38:27that forgets us
38:28It tastes like air to me
38:29that you breathe
38:30I like the sun
38:31over the vineyards
38:33with our bodies
38:34weaving dreams
38:36I like the weather
38:38When you...